| ¡Viva Emiliano! | Joseph Grau, Béatrice Répécaud | | | 4:31 | instrument |
| "Now, O Now I Needs Must Part" | Capella Antiqua Bambergensis | | | 2:05 | instrument |
| "Wach auf Keterlin" (Es Taget vor dem Walde) | Capella Antiqua Bambergensis | | | 2:43 | instrument |
| 9. Recercardas ottava - primera - segunda | Regina Kabis, Jutta Haaf, Albrecht Haaf, Bernd Maier, Fritz Mühlhölzl, Marlies Ortlieb, Linda Pelchat, Ekkehard Weber | | | 4:48 | instrument |
| Agnus Dei | Clemencic Consort, René Clemencic | | | 4:39 | instrument |
| Alba | René Clemencic | | | 4:27 | instrument (as “flûte à bec Moyen-Âge - ténor”) |
| All the Earth | John Robert Matz feat. Laura Intravia, Ian Martyn & Kristin Naigus | | | 3:18 | instrument |
| Amarilli mia bella (II) | Erik Bosgraaf | | | 3:35 | instrument |
| And I Were a Maiden | [anonymous] | | | 2:37 | instrument |
| Anticlimaxes: The Old Fumbler (Anon. Pills 1719) | The Baltimore Consort & The Merry Companions | | | 1:34 | instrument |
| Antidotum Tarantulae | Atrium Musicæ de Madrid | | | 4:10 | instrument |
| Balletto | Hesternus Early Music Consort | | | 2:16 | instrument |
| Bankis of Helicon: Adeu, o desie of delyt | Scottish Early Music Consort | | | 4:57 | instrument |
| Be Water My Friend | Fold | | | 4:11 | instrument |
| Beatus Vir | Baldrick Deerenberg, Gudrun Herb | | | 1:32 | instrument |
| Benedictus | Clemencic Consort, René Clemencic | | | 3:06 | instrument |
| Boys in the Trees | Carly Simon | | | 3:13 | instrument |
| Bransles de village (arr. Piffaro) | Piffaro, The Renaissance Band | | | 5:04 | instrument |
| Can She Excuse My Wrongs | Drake Oranwood | | | 2:37 | instrument |
| Canzon Prima | Hesternus Early Music Consort | | | 2:32 | instrument |
| Canzona in d minor | Hesternus Early Music Consort | | | 5:19 | instrument |
| Canzona: La Scaramuccia | Hesternus Early Music Consort | | | 2:16 | instrument |
| Canzone dei Zampognari | Regina Kabis, Jutta Haaf, Albrecht Haaf, Bernd Maier, Fritz Mühlhölzl, Marlies Ortlieb, Linda Pelchat, Ekkehard Weber | | | 2:13 | instrument |
| Carmina moralia et divina: Si vocatus ad nupcias I (CB 26,3) | Clemencic Consort, René Clemencic | | | 1:58 | instrument (as “flûte à bec tenor”) |
| Chalk Blue | John Surman / Stan Tracey | | | 5:00 | instrument |
| Chansons: Fors solament | Clemencic Consort | | | 3:21 | instrument |
| Chansons: Ma bouche rit | Clemencic Consort, René Clemencic | | | 6:00 | instrument |
| Chansons: Malor me bat | Clemencic Consort, René Clemencic | | | 1:41 | instrument |
| Chicken Tree | Hesperus | | | 3:13 | instrument |
| Chorea | Atrium Musicæ de Madrid | | | 2:50 | instrument |
| Comparative Levity | Pointless Orchestra | | | 8:12 | instrument |
| Composition no. 60 "Shogo/Noonday" I | Makiko Gotô, Jeremias Schwarzer | | | 2:13 | instrument |
| Composition no. 60 "Shogo/Noonday" II & III | Makiko Gotô, Jeremias Schwarzer | | | 2:31 | instrument |
| Comprenez-vous (Les Reproches de La Tulipe) | Gabriel Yacoub | | | 3:56 | instrument |
| Concerto II, op. 19: I. Allegro | Johann Christian Schickhardt | | | 2:13 | instrument |
| Concerto II, op. 19: II. Adagio | Johann Christian Schickhardt | | | 4:03 | instrument |
| Concerto II, op. 19: III. Vivace | Johann Christian Schickhardt | | | 1:40 | instrument |
| Concerto II, op. 19: IV. [Allegro] | Johann Christian Schickhardt | | | 1:59 | instrument |
| Consort Piece XX | [anonymous] | | | 1:00 | instrument |
| Content desir, qui cause ma douleur à 4 [Claudin de Sermisy] / Content desir, qui cause ma douleur à 3 [Thomas Crecquillon] / Content desir, qui cause ma douleur à 6 [Jacques Buus] / Content desir, qui cause ma douleur à 4 [anonymous] | Piffaro, The Renaissance Band | | | 8:07 | instrument |
| Country Dance: Running Footman | Atrium Musicæ de Madrid | | | 0:43 | instrument |
| Courante 1 | Erik Bosgraaf | | | 3:00 | instrument |
| Courante Mars | Erik Bosgraaf | | | 1:48 | instrument |
| Courtly Masquing Ayre No. 9 | Hesternus Early Music Consort | | | 1:59 | instrument |
| Credo | Clemencic Consort, René Clemencic | | | 7:27 | instrument |
| Cum dederit (Andante), from Nisi Dominus, RV 608 | Lucie Horsch, Amsterdam Vivaldi Players | | | 4:08 | instrument |
| Daha | Jeremias Schwarzer | | | 3:54 | instrument |
| Dancing in the Grass: The Irish Jig or The Night Ramble (Anon.Pills) | The Baltimore Consort & The Merry Companions | | | 3:10 | instrument |
| De eerste licke-pot (I) | Erik Bosgraaf | | | 1:15 | instrument |
| Depairte, depairte (The Lady Marie's galliard) | Scottish Early Music Consort | | | 4:01 | instrument |
| Dill Pickle Rag | Fiddlin' Johnny | | | 2:12 | instrument |
| E Dame Jolie | Capella Antiqua Bambergensis | | | 3:58 | instrument |
| Eat the meat(from 魔界塔士Sa・Ga) | 栗コーダーカルテット | | | 0:36 | instrument |
| En gycklares berättelser (Concerto for Recorder and Orchestra) | Dan Laurin, Kungliga Filharmonikerna, Alan Gilbert | | | 20:46 | instrument |
| Es stot ein lind in himelrich | Regina Kabis, Jutta Haaf, Albrecht Haaf, Bernd Maier, Fritz Mühlhölzl, Marlies Ortlieb, Linda Pelchat, Ekkehard Weber | | | 2:42 | instrument |
| Escape From Waterloo | John Surman / Stan Tracey | | | 10:05 | instrument |
| Esurientes | Baldrick Deerenberg, Gudrun Herb | | | 1:18 | instrument |
| Evening Airs | Brandywine Bridge | | | 2:10 | instrument |
| Fantasia a 6 | Hesternus Early Music Consort | | | 2:51 | instrument |
| Fantasia in F | Cordevento, Erik Bosgraaf | | | 1:07 | instrument |
| Final Fantasy IX “Dragon’s Oath” OC ReMix | Jordi Storm & Earth Kid | | | 4:58 | instrument |
| Final Fantasy IX “Mysteries of the Marsh” OC ReMix | Jorito feat. Earth Kid, Alex Hill, Bassoonify, Bonnie Bogovich, Damian Nguyen, Dean Nguyen, Gamer of the Winds, Ian Martyn, JohnStacy, JoyDreamer, Matheus Manente, Peter Jones & Ronin Op F | | | 6:00 | instrument |
| Final Fantasy VI “Dream ’til Tomorrow” OC ReMix | Earth Kid | | 5 | 4:01 | instrument |
| Five Dances From Lachrymae: Earl of Essex His Galliard | John Dowland | | | 1:23 | instrument |
| Five Dances From Lachrymae: Lachrymae Antiquae | John Dowland | | | 4:14 | instrument |
| Five Dances From Lachrymae: Mrs Nichole Almand | John Dowland | | | 1:11 | instrument |
| Five Dances From Lachrymae: Sir John Souch His Galliard | John Dowland | | | 1:50 | instrument |
| Fleeting Glances | John Surman / Stan Tracey | | | 8:00 | instrument |
| Galliard / Merrie England's Musicke Box | Stone Angel | | | 2:02 | instrument |
| Gancheros | Aljibe | | | 3:24 | instrument |
| Gancheros | Aljibe | | | 3:37 | instrument |
| Gently Johnny | Paul Giovanni | | | 3:33 | instrument (as “tenor recorders”) |
| geschiebe | two whiskas | | | 9:01 | instrument |
| Gloria | Clemencic Consort, René Clemencic | | | 6:49 | instrument |
| Gottes Sohn ist Mensch geborn | Regina Kabis, Jutta Haaf, Albrecht Haaf, Bernd Maier, Fritz Mühlhölzl, Marlies Ortlieb, Linda Pelchat, Ekkehard Weber | | | 1:49 | instrument |
| Greensleeves | Hesternus Early Music Consort | | | 1:58 | instrument |
| Have One on Me | Joanna Newsom | | | 11:02 | instrument |
| Her Thing & His Thing: My Thing is my Own (Anon. Pills) | The Baltimore Consort & The Merry Companions | | | 5:04 | instrument |
| Herzsprung | Ougenweide | | | 4:38 | instrument |
| Hodie scietis quia venie dominus | Regina Kabis, Jutta Haaf, Albrecht Haaf, Bernd Maier, Fritz Mühlhölzl, Marlies Ortlieb, Linda Pelchat, Ekkehard Weber | | | 0:53 | instrument |
| Humoresque of a Little Dog | 近藤研二 | | | 2:09 | instrument |
| I Always Loved to Call my Lady Rose | Hesternus Early Music Consort | | | 2:01 | instrument |
| Il Bajazet, RV 703: Sposa son disprezzata | Lautten Compagney, Wolfgang Katschner | | | 4:23 | instrument |
| Il Lamento | Thomas Morley | | | 2:16 | instrument |
| Il terzo libro de varie sonate, sinfonie, etc., op. 12: no. 1, Sonata Prima detta “La Moderna” | Concerto Scirocco, Giulia Genini | | | 4:50 | instrument |
| In dulci iubilo | Regina Kabis, Jutta Haaf, Albrecht Haaf, Bernd Maier, Fritz Mühlhölzl, Marlies Ortlieb, Linda Pelchat, Ekkehard Weber | | | 4:36 | instrument |
| In einem krippfly lag ein kind | Regina Kabis, Jutta Haaf, Albrecht Haaf, Bernd Maier, Fritz Mühlhölzl, Marlies Ortlieb, Linda Pelchat, Ekkehard Weber | | | 4:27 | instrument |
| Interlewd: Argeers (Anon.) | The Baltimore Consort & The Merry Companions | | | 1:51 | instrument |
| Interlewd: Gathering Peascods (Anon.) | The Baltimore Consort & The Merry Companions | | | 2:23 | instrument |
| Kamaal Ho Gaya | Annamika | | 3 | 4:54 | instrument |
| Kingfisher | Joanna Newsom | | 4.05 | 9:11 | instrument |
| Kyrie | Clemencic Consort, René Clemencic | | | 5:17 | instrument |
| La Girandola | Thomas Morley | | | 1:19 | instrument |
| La Lavendara from Two Sixteenth - Century Dances | Hesternus Early Music Consort | | | 1:06 | instrument |
| La Torello (La Tortorella) | Thomas Morley | | | 2:20 | instrument |
| La Verità in Cimento, RV 739: Dopo i nembi, e le procelle | Lautten Compagney, Wolfgang Katschner | | | 1:58 | instrument |
| Le bon vouloir from Quart and Cínquíesme lívre de danceríes | Hesternus Early Music Consort | | | 2:59 | instrument |
| Lullay, lullay: Als I lay on yoolis night | Regina Kabis, Jutta Haaf, Albrecht Haaf, Bernd Maier, Fritz Mühlhölzl, Marlies Ortlieb, Linda Pelchat, Ekkehard Weber | | | 6:14 | instrument |
| Magnum nomen domini | Regina Kabis, Jutta Haaf, Albrecht Haaf, Bernd Maier, Fritz Mühlhölzl, Marlies Ortlieb, Linda Pelchat, Ekkehard Weber | | | 3:02 | instrument |
| Maria durch ein’ Dornwald ging | Regina Kabis, Jutta Haaf, Albrecht Haaf, Bernd Maier, Fritz Mühlhölzl, Marlies Ortlieb, Linda Pelchat, Ekkehard Weber | | | 3:06 | instrument |