| “Aus der Tieffen” | [anonymous] | | | 5:40 | instrument |
| “Die sieben Worte Jesu Christi am Kreuz”: Introïtus / Symphonia / Die sieben Worte / Symphonia / Conclusio | Heinrich Schütz | | | 17:30 | instrument |
| [Magnificat] (H.80) | La Capella Reial de Catalunya, Le Concert des Nations, Jordi Savall | | | 8:22 | instrument (als “dessus de viole”) |
| A la una yo naci | La Rondinella | | | 2:22 | instrument |
| A'har noghenim | La Rondinella | | | 1:48 | instrument |
| Adio, querida | La Rondinella | | | 3:01 | instrument |
| Adjuva Nos | Eboræ Mvsica | | | 1:05 | instrument |
| Air & Divisions in d (VdGS No. 37) | The Spirit of Gambo | | | 4:03 | instrument |
| Air & Divisions in d (VdGS No. 63) | The Spirit of Gambo | | | 5:01 | instrument |
| Aladfar | Sokratis Sinopoulos, L’Achéron, François Joubert‐Caillet | | | 2:23 | instrument |
| Alathfar | Sokratis Sinopoulos, L’Achéron, François Joubert‐Caillet | | | 1:22 | instrument |
| Alleluia | Eboræ Mvsica | | | 2:16 | instrument |
| Alleluia | Patricia Kopatchinskaja, Laurence Dreyfus | | | 2:40 | instrument |
| Almain in G | The Spirit of Gambo | | | 1:27 | instrument |
| Anchor Ch'io Possa Dire (Instrumental) | Capella Antiqua München & Ruhland | | | 2:01 | instrument (als “Descant Viol”) |
| Anchor Che Col Partire | Capella Antiqua München & Ruhland | | | 1:54 | instrument (als “Descant Viol”) |
| Anchor Che Col Partire (Venice, 1577) (Instrumental) | Capella Antiqua München & Ruhland | | | 1:54 | instrument (als “Descant Viol”) |
| Ancor che col partire - Variations on a madrigal by Cipriano de Rore | Richardo Rognono | | | 2:52 | instrument |
| Andante Affetuoso (The Inchanted Forrest) | Bruno Cocset, Les Basses Réunies | | | 3:32 | instrument |
| Anticlimaxes: Walking in a Meadowe Greene (Anon. 17th c.) | The Baltimore Consort & The Merry Companions | | | 5:06 | instrument |
| Apo xeno meros (Grèce) | Hespèrion XXI, Jordi Savall | | | 1:24 | instrument (als “dessus de viole”) |
| April | Brian Franklin, Luca Guglielmi, Friederike Heumann, Matthias Spaeter, Sophie Watillon | | | 4:00 | instrument |
| Ave Maris Stella | Eboræ Mvsica | | | 6:11 | instrument |
| Ave Maris Stella | Eboræ Mvsica | | | 1:06 | instrument |
| Avre tu puerta cerrada | La Rondinella | | | 1:40 | instrument |
| Balade 4 (Biauté Qui) | Patricia Kopatchinskaja, Laurence Dreyfus | | | 1:39 | instrument |
| Balletti Lamentabili: I. Lamento | Concentus Musicus, Nikolaus Harnoncourt | | | 1:43 | instrument |
| Balletti Lamentabili: II. Allemanda | Concentus Musicus, Nikolaus Harnoncourt | | | 2:17 | instrument |
| Balletti Lamentabili: III. Sarabanda | Concentus Musicus, Nikolaus Harnoncourt | | | 2:28 | instrument |
| Balletti Lamentabili: IV. Gavotte | Concentus Musicus, Nikolaus Harnoncourt | | | 0:32 | instrument |
| Balletti Lamentabili: V. Gigue | Concentus Musicus, Nikolaus Harnoncourt | | | 1:35 | instrument |
| Balletti Lamentabili: VI. Lamento | Concentus Musicus, Nikolaus Harnoncourt | | | 0:54 | instrument |
| Benewdictus e Hosana | Eboræ Mvsica | | | 2:08 | instrument |
| Berceuse | Daniel Brel, Le Poème Harmonique | | | 4:43 | instrument (als “dessus de viole”) |
| Bewati Omnes | Eboræ Mvsica | | | 3:00 | instrument |
| Bonny Sweet Robin | The Dufay Collective | | | 3:37 | instrument |
| Cadman Requiem: Agnus Dei | The Hilliard Ensemble, Fretwork | | | 5:07 | instrument |
| Cadman Requiem: Caedmon Paraphrase (Bede) | The Hilliard Ensemble, Fretwork | | | 3:06 | instrument |
| Cadman Requiem: Caedmon's "Creation Hymn" | The Hilliard Ensemble, Fretwork | | | 2:23 | instrument |
| Cadman Requiem: In Paradisum | The Hilliard Ensemble, Fretwork | | | 5:25 | instrument |
| Cadman Requiem: Requiem | The Hilliard Ensemble, Fretwork | | | 9:18 | instrument |
| Can She Excuse Galliard | The Consort of Musicke | | | 1:41 | instrument (als “Discant Viole”) |
| Canticum in honorem Beate Virginis Mariae (H.400) | La Capella Reial de Catalunya, Le Concert des Nations, Jordi Savall | | | 11:04 | instrument (als “dessus de viole”) |
| Capriccio à 2 | Ilse Brix-Meinert, Walter Gerwig, Karl Grebe, Heinrich Haferland, Walter Kagi, Otto Schärnack, Josef Ulsamer | | | 3:17 | instrument (als “treble-viol”) |
| Captain Piper's Pavan and Galliard | The Consort of Musicke | | | 5:49 | instrument (als “Discant Viole”) |
| Captaine Digorie Piper his Galliard | Hespèrion XX | | | 1:54 | instrument (als “treble viol mod. 1550”) |
| Captaine Digorie Piper His Galliard | Sokratis Sinopoulos, L’Achéron, François Joubert‐Caillet | | | 3:44 | instrument |
| Ciaconna in G major | Charivari Agréable | | | 6:12 | instrument |
| Cinquième Concert: I. La Forqueray - Fugue | Lars Frydén, Nikolaus Harnoncourt, Gustav Leonhardt | | | 2:18 | instrument |
| Cinquième Concert: II. La Cupis - Rondement | Lars Frydén, Nikolaus Harnoncourt, Gustav Leonhardt | | | 4:27 | instrument |
| Cinquième Concert: III. La Marais - Rondement | Lars Frydén, Nikolaus Harnoncourt, Gustav Leonhardt | | | 2:03 | instrument |
| Coming of Age: Will said to his Mammy (Jones 1597-1615) | The Baltimore Consort & The Merry Companions | | | 2:51 | instrument |
| Concert pour 4 parties de violes (H.545) - Allemande | La Capella Reial de Catalunya, Le Concert des Nations, Jordi Savall | | | 1:33 | instrument (als “dessus de viole”) |
| Concert pour 4 parties de violes (H.545) - Gigue anglaise | La Capella Reial de Catalunya, Le Concert des Nations, Jordi Savall | | | 2:27 | instrument (als “dessus de viole”) |
| Concert pour 4 parties de violes (H.545) - Gigue française | La Capella Reial de Catalunya, Le Concert des Nations, Jordi Savall | | | 3:19 | instrument (als “dessus de viole”) |
| Concert pour 4 parties de violes (H.545) - Passecaille | La Capella Reial de Catalunya, Le Concert des Nations, Jordi Savall | | | 5:01 | instrument (als “dessus de viole”) |
| Concert pour 4 parties de violes (H.545) - Prélude | La Capella Reial de Catalunya, Le Concert des Nations, Jordi Savall | | | 3:21 | instrument (als “dessus de viole”) |
| Concert pour 4 parties de violes (H.545) - Rondeau | La Capella Reial de Catalunya, Le Concert des Nations, Jordi Savall | | | 5:48 | instrument (als “dessus de viole”) |
| Concertino à 4 D-Dur: I. Moderato | Johann Melchior Molter | | | 3:53 | instrument (als “Diskant-Viola da gamba”) |
| Concertino à 4 D-Dur: II. Allegro | Johann Melchior Molter | | | 1:55 | instrument (als “Diskant-Viola da gamba”) |
| Concertino à 4 D-Dur: III. Menuetto 1 – Menuetto 2 – Menuetto 1 | Johann Melchior Molter | | | 4:23 | instrument (als “Diskant-Viola da gamba”) |
| Concertino à 4 e-Moll: I. Moderato | Johann Melchior Molter | | | 4:32 | instrument (als “Diskant-Viola da gamba”) |
| Concertino à 4 e-Moll: II. Allegro | Johann Melchior Molter | | | 2:08 | instrument (als “Diskant-Viola da gamba”) |
| Concertino à 4 e-Moll: III. Menuetto 1 – Menuetto 2 – Menuetto 1 | Johann Melchior Molter | | | 3:12 | instrument (als “Diskant-Viola da gamba”) |
| Concerto A-Dur: I. Allegro | Johann Melchior Molter | | | 2:03 | instrument (als “Diskant-Viola da gamba”) |
| Concerto A-Dur: II. Affetuoso | Johann Melchior Molter | | | 4:19 | instrument (als “Diskant-Viola da gamba”) |
| Concerto A-Dur: III. Allegro | Johann Melchior Molter | | | 1:57 | instrument (als “Diskant-Viola da gamba”) |
| Concerto F-Dur: I. Allegro | Johann Melchior Molter | | | 3:02 | instrument (als “Diskant-Viola da gamba”) |
| Concerto F-Dur: II. Largo | Johann Melchior Molter | | | 4:19 | instrument (als “Diskant-Viola da gamba”) |
| Concerto F-Dur: III. Vivace | Johann Melchior Molter | | | 3:25 | instrument (als “Diskant-Viola da gamba”) |
| Concerto G-Dur: I. Moderato | Johann Melchior Molter | | | 4:17 | instrument (als “Diskant-Viola da gamba”) |
| Concerto G-Dur: II. Adagio | Johann Melchior Molter | | | 4:08 | instrument (als “Diskant-Viola da gamba”) |
| Concerto G-Dur: III. Vivace | Johann Melchior Molter | | | 3:18 | instrument (als “Diskant-Viola da gamba”) |
| Consort Books (1595): Nuttmigs and Ginger | [anonymous] | | | 3:11 | instrument |
| Coranto in G | The Spirit of Gambo | | | 1:06 | instrument |
| Cuando el rey Nimrod | La Rondinella | | | 3:59 | instrument |
| Dancing in the Grass: The Irish Jig or The Night Ramble (Anon.Pills) | The Baltimore Consort & The Merry Companions | | | 3:10 | instrument |
| Dans un regard | Le Poème Harmonique | | | 2:23 | instrument (als “dessus de viole”) |
| Danse Urbaine (Serbie) | Hespèrion XXI, Jordi Savall | | | 1:33 | instrument (als “dessus de viole”) |
| Das alte Jahr vergangen ist, BWV 614 | Charivari Agréable | | | 2:20 | instrument |
| Datemi Pace | Capella Antiqua München & Ruhland | | | 2:44 | instrument (als “Descant Viol”) |
| Der getreue Music-Meister: 22. Sonata. Dessus de Viole in G major: 1. Siciliana | Josef Ulsamer | | | 1:42 | instrument (als “treble viola da gamba”) |
| Der getreue Music-Meister: 22. Sonata. Dessus de Viole in G major: 2. Vivace | Josef Ulsamer | | | 1:18 | instrument (als “treble viola da gamba”) |
| Der getreue Music-Meister: 22. Sonata. Dessus de Viole in G major: 3. Dolce | Josef Ulsamer | | | 1:55 | instrument (als “treble viola da gamba”) |
| Der getreue Music-Meister: 22. Sonata. Dessus de Viole in G major: 4. Scherzando | Josef Ulsamer | | | 1:46 | instrument (als “treble viola da gamba”) |
| Der getreue Music-Meister: 35. Niaise, pour divers instruments in E major, dancée par Malle. Kelp (Trainé) | Josef Ulsamer | | | 1:44 | instrument (als “treble viola da gamba”) |
| Deuxième Concert: I. La Laborde - Rondement | Lars Frydén, Nikolaus Harnoncourt, Gustav Leonhardt | | | 3:41 | instrument |
| Deuxième Concert: II. La Boucon - Air gracieux | Lars Frydén, Nikolaus Harnoncourt, Gustav Leonhardt | | | 3:08 | instrument |
| Deuxième Concert: II. Menuets I & II | Lars Frydén, Nikolaus Harnoncourt, Gustav Leonhardt | | | 4:14 | instrument |
| Deuxième Concert: III. L'Agaçante - Rondement | Lars Frydén, Nikolaus Harnoncourt, Gustav Leonhardt | | | 1:33 | instrument |
| Deuxième Suite d-moll: I. Prélude (à jouer seul) | Louis Heudelinne | | | 1:21 | instrument (als “Diskant-Viola da gamba”) |
| Deuxième Suite d-moll: II. Allemande | Louis Heudelinne | | | 1:42 | instrument (als “Diskant-Viola da gamba”) |
| Deuxième Suite d-moll: III. Courante & Double | Louis Heudelinne | | | 2:35 | instrument (als “Diskant-Viola da gamba”) |
| Deuxième Suite d-moll: IV. Sarabande | Louis Heudelinne | | | 2:18 | instrument (als “Diskant-Viola da gamba”) |
| Deuxième Suite d-moll: IX. Rigaudon | Louis Heudelinne | | | 2:34 | instrument (als “Diskant-Viola da gamba”) |
| Deuxième Suite d-moll: V. Gigue | Louis Heudelinne | | | 2:01 | instrument (als “Diskant-Viola da gamba”) |
| Deuxième Suite d-moll: VI. Gavotte & Double | Louis Heudelinne | | | 1:15 | instrument (als “Diskant-Viola da gamba”) |
| Deuxième Suite d-moll: VII. Menuet | Louis Heudelinne | | | 1:13 | instrument (als “Diskant-Viola da gamba”) |
| Deuxième Suite d-moll: VIII. Rondeau | Louis Heudelinne | | | 1:12 | instrument (als “Diskant-Viola da gamba”) |
| Deuxième Suite d-moll: X. Sonate | Louis Heudelinne | | | 4:48 | instrument (als “Diskant-Viola da gamba”) |