| "Concerto comique" no. 25 in G minor "Les sauvages et La Furstemberg": I. Les Sauvages: Allegro | Musica Antiqua Köln, Hendrik Bouman, Reinhard Goebel | | | 2:59 | strumento |
| "Concerto comique" no. 25 in G minor "Les sauvages et La Furstemberg": II. Quand on scait aimer et plaire: Andante | Musica Antiqua Köln, Hendrik Bouman, Reinhard Goebel | | | 2:18 | strumento |
| "Concerto comique" no. 25 in G minor "Les sauvages et La Furstemberg": III. La Furstemberg: Allegro | Musica Antiqua Köln, Hendrik Bouman, Reinhard Goebel | | | 3:59 | strumento |
| "Confitebor tibi Domine", a voce sola, basso continuo | René Jacobs, William Christie, Kee Junghänel, Konrad Junghänel, Mihoko Kimura, Jaap ter Linden | | | 8:12 | strumento |
| "Fugge, anima mea", a 2 voci, basso continuo | René Jacobs, Judith Nelson, William Christie, Konrad Junghänel, Mihoko Kimura | | | 4:40 | strumento |
| "Kapsberger" | Mark Levy, Matthew Wadsworth | | | 4:42 | strumento |
| “Christ lag in Todesbanden”, BWV 4: Sinfonia / “Christ lag in Todesbanden” (Coro) / “Den Tod niemand zwingen kunnt” (S, S) / “Jesus Christus, Gottes Sohn” (T) / Es war ein wunderlicher Krieg (S, T, B) / “Cantus firmus” (CT, CT, S) / “Hie ist das rechte Osterlamm” (B) / “So feiern wir das hohe Fest” (S, T) / “Wie essen und wir leben wohl” (Coro) | Victoria Cassano, Zsuzsi Tóth, Stefanie True, Kristen Witmer, Daniel Elgersma, Jan Kullmann, Robert Buckland, Philippe Froeliger, Lionel Meunier, Sebastian Myrus, Vox Luminis, Lionel Meunier | | | 19:27 | strumento |
| “Cum dederit” per chalulmeau e B.C. dal “Nisi Dominus”, RV 608 | Giovanni Antonini, Il giardino armonico | | | 5:06 | strumento |
| “Cum Maria diluculo” | Johann Rudolf Ahle | | | 3:53 | strumento |
| “Herr, wenn ich nur dich habe” | David Pohle | | | 10:03 | strumento |
| “Was betrübst du dich meine Seele” | Johann Theile | | | 4:50 | strumento |
| „Bist du bei mir“, BWV 508 | Capella Fidicinia Leipzig | | | 2:39 | strumento |
| „Dir, dir Jehova will ich singen“, BWV 299 | Capella Fidicinia Leipzig | | | 3:39 | strumento |
| „Gib dich zufrieden und sei stille“, BWV 511 | Capella Fidicinia Leipzig | | | 1:11 | strumento |
| „Ich habe genug ‐ Schlummert ein, ihr matten Augen“, aus BWV 82 | Capella Fidicinia Leipzig | | | 7:27 | strumento |
| „Warum betrübst du dich“, BWV 516 | Capella Fidicinia Leipzig | | | 1:39 | strumento |
| [Magnificat] (H.80) | La Capella Reial de Catalunya, Le Concert des Nations, Jordi Savall | | | 8:22 | strumento |
| 3 Canzonas For Strings And Continuo | Stefano Bernardi | | | 5:13 | strumento |
| 4 Vocum | Il giardino armonico, Giovanni Antonini | | | 1:41 | strumento |
| A dio Filli ben mio (Nizzarda) | Sigismondo d’India | | | 2:51 | strumento |
| Ab Oriente venerunt Magi | Nederlands Kamerkoor | | | 3:48 | strumento |
| Accedite gentes, BuxWV 1 | Theatre of Voices, Paul Hillier | | | 6:07 | strumento |
| Ach Herr, laß deine lieben Engelein | Maria Zedelius, Musica Antiqua Köln, Reinhard Goebel | | | 8:16 | strumento |
| Ach Herr, strafe mich nicht, TWV 7/1: Aria (Adagio): Ach Herr, strafe mich nicht | René Jacobs, Maurice Aerts, Konrad Junghänel, Robert Kohnen, Sigiswald Kuijken, Wieland Kuijken, Janneke van der Meer, Anneke Pols, Margriet Tindemans, The Kuijken Consort | | | 5:06 | strumento |
| Ach Herr, strafe mich nicht, TWV 7/1: Aria (Allegro): Es müssen alle meine Feinde | René Jacobs, Maurice Aerts, Konrad Junghänel, Robert Kohnen, Sigiswald Kuijken, Wieland Kuijken, Janneke van der Meer, Anneke Pols, Margriet Tindemans, The Kuijken Consort | | | 1:49 | strumento |
| Ach Herr, strafe mich nicht, TWV 7/1: Aria (Grave pianissimo): Ich bin so müde von Seufzen | René Jacobs, Maurice Aerts, Konrad Junghänel, Robert Kohnen, Sigiswald Kuijken, Wieland Kuijken, Janneke van der Meer, Anneke Pols, Margriet Tindemans, The Kuijken Consort | | | 4:11 | strumento |
| Ach Herr, strafe mich nicht, TWV 7/1: Aria (Largo e staccato): Denn im Tode | René Jacobs, Maurice Aerts, Konrad Junghänel, Robert Kohnen, Sigiswald Kuijken, Wieland Kuijken, Janneke van der Meer, Anneke Pols, Margriet Tindemans, The Kuijken Consort | | | 2:02 | strumento |
| Ach Herr, strafe mich nicht, TWV 7/1: Aria: Ach, du Herr, wie lange | René Jacobs, Maurice Aerts, Konrad Junghänel, Robert Kohnen, Sigiswald Kuijken, Wieland Kuijken, Janneke van der Meer, Anneke Pols, Margriet Tindemans, The Kuijken Consort | | | 0:53 | strumento |
| Ach Herr, strafe mich nicht, TWV 7/1: Aria: Wende dich, Herr | René Jacobs, Maurice Aerts, Konrad Junghänel, Robert Kohnen, Sigiswald Kuijken, Wieland Kuijken, Janneke van der Meer, Anneke Pols, Margriet Tindemans, The Kuijken Consort | | | 1:16 | strumento |
| Ach Herr, strafe mich nicht, TWV 7/1: Arioso (Presto): Weichet ihr Übeltäler | René Jacobs, Maurice Aerts, Konrad Junghänel, Robert Kohnen, Sigiswald Kuijken, Wieland Kuijken, Janneke van der Meer, Anneke Pols, Margriet Tindemans, The Kuijken Consort | | | 0:45 | strumento |
| Ach Herr, strafe mich nicht, TWV 7/1: Arioso: Maine Gestalt ist verfallen | René Jacobs, Maurice Aerts, Konrad Junghänel, Robert Kohnen, Sigiswald Kuijken, Wieland Kuijken, Janneke van der Meer, Anneke Pols, Margriet Tindemans, The Kuijken Consort | | | 1:24 | strumento |
| Ach Herr, strafe mich nicht, TWV 7/1: Recitativo accompagnato: Denn der Herr höret mein Weinen | René Jacobs, Maurice Aerts, Konrad Junghänel, Robert Kohnen, Sigiswald Kuijken, Wieland Kuijken, Janneke van der Meer, Anneke Pols, Margriet Tindemans, The Kuijken Consort | | | 1:00 | strumento |
| Ach Herr, strafe mich nicht, TWV 7/1: Recitativo accompagnato: Herr, sei mir gnädig | René Jacobs, Maurice Aerts, Konrad Junghänel, Robert Kohnen, Sigiswald Kuijken, Wieland Kuijken, Janneke van der Meer, Anneke Pols, Margriet Tindemans, The Kuijken Consort | | | 1:42 | strumento |
| Ach, daß ich Wassers g'nug hätte | René Jacobs, Maurice Aerts, Konrad Junghänel, Robert Kohnen, Sigiswald Kuijken, Wieland Kuijken, Janneke van der Meer, Anneke Pols, Margriet Tindemans, The Kuijken Consort | | | 7:53 | strumento |
| Ad te levavi oculos meos (4 voices) | Marco Beasley, Annemieke Cantor, Coro della Radio Svizzera, Lugano, Silvia Piccollo, Furio Zanasi, Paolo Crivellaro, Alberto Rasi, Diego Fasolis | | | 5:03 | strumento |
| Allemande | Hélène Schmitt, Jan Krigovsky, Stephan Rath, Jörg-Andreas Bötticher | | | 3:18 | strumento |
| Alma mater redemptoris (Seibel 22; 1726) | Musica Antiqua Köln, Reinhard Goebel | | | 8:16 | strumento |
| Almaine The Night Watch | Concerto Scirocco, Giulia Genini | | | 2:04 | strumento (come “violone piccolo”) |
| Alme luci beate/Io vi lascio, mie scorte | Sigismondo d’India | | | 4:22 | strumento |
| Also hat Gott die Welt geliebt | Winchester Cathedral Choir, Timothy Byram-Wigfield, Mark Caudle, William Hunt, London Cornett and Sackbut Ensemble, Martin Neary | | | 3:04 | strumento |
| Altri canti dʼAmor | Red Byrd, The Parley of Instruments | | | 8:24 | strumento (come “great bass viol”) |
| Amarilli mia bella | Nigel Rogers, Anthony Bailes, Pere Ros, Jordi Savall, Colin Tilney | | | 2:45 | strumento |
| Ammon and Tamar | Dan Dunkelblum, Doron Schleifer, David Feldman, Lior Leibovici, Profeti della Quinta, Aki Noda-Meurice, Nathaniel Cox, Elizabeth Rumney, Giovanna Baviera, Ori Harmelin, Katya Polin, Elam Rotem, Ryosuke Sakamoto, Katia Viel | | | 9:54 | strumento |
| Ammore, brutto figlio de pottana | Alessandro Scarlatti | | | 10:36 | strumento |
| Amorosi miei sol (Villanella in 3 parts) | Sigismondo d’India | | | 2:11 | strumento |
| An Wasserflüssen Babylon | Maria Zedelius, Musica Antiqua Köln, Reinhard Goebel | | | 3:44 | strumento |
| Aramesh | Payam Salehi | | | 3:07 | strumento |
| Argo non mai | Sigismondo d’India | | | 4:22 | strumento |
| Aria from St. Matthew Passion, BWV 244b: Komm, süßes Kreuz | Dominik Wörner, Aki Noda-Meurice, Yasunori Imamura, Haralt Martens | | | 6:31 | strumento |
| Aria: “Die ihr aus dunkeln Grüften” | Arleen Augér, Walter Heinz Bernstein, Günter Klier, Peter Mirring, Dieter Zahn | | | 5:37 | strumento |
| Aria: “Künft’ger Zeiten eitler Kummer” | Arleen Augér, Walter Heinz Bernstein, Günter Klier, Peter Mirring, Dieter Zahn | | | 4:55 | strumento |
| Aria: “Meine Seele hört im Sehen” | Arleen Augér, Walter Heinz Bernstein, Burkhard Glaetzner, Günter Klier, Dieter Zahn | | | 6:35 | strumento |
| Aria: “Singe, Seele, Gott zum Preise” | Arleen Augér, Walter Heinz Bernstein, Peter Mirring, Matthias Pfaender, Dieter Zahn | | | 5:39 | strumento |
| Aria: “Süsse Stille, sanfte Quelle” | Arleen Augér, Walter Heinz Bernstein, Werner Tast, Dieter Zahn | | | 5:40 | strumento |
| Aria: “Süsser Blumen Ambraflocken” | Arleen Augér, Walter Heinz Bernstein, Günter Klier, Peter Mirring, Dieter Zahn | | | 6:32 | strumento |
| Arioso from St. John Passion, BWV 245: Betrachte, meine Seel’ | Dominik Wörner, Aki Noda-Meurice, Christoph Hesse, Yasunori Imamura, Haralt Martens, Johanna Weber | | | 2:24 | strumento |
| Aroom Begir | Payam Salehi | | | 3:10 | strumento |
| Ashes to Ashes | Vitamin String Quartet | | | 4:31 | strumento (come “contrabass”) |
| Ashoob | Benyamin Bahadori | | | 4:01 | strumento |
| Att du Jesu vill mig höra, BuxWV 8 | Theatre of Voices, Paul Hillier | | | 5:05 | strumento |
| Aureng-Zebe, Z. 573: I See, She Flies Me | Asya Fateyeva, Lautten Compagney, Wolfgang Katschner | | | 0:39 | strumento |
| Aus der Tiefen | Robin Blaze, James Gilchrist, Peter Harvey, Carolyn Sampson, Timothy Amherst, Michael Brain, Lisa Cochrane, Gary Cooper, Simon Jones, The King’s Consort, David Miller, Katherine Sharman, William Thorp, Dorothea Vogel, Robert King | | | 10:25 | strumento (come “continuo”) |
| Aus tiefer Not schrei ich zu dir (cerse 5), after BWV 38/6 | His Majestys Consort of Voices, His Majestys Sagbutts and Cornetts | | | 1:05 | strumento |
| Aus tiefer Not schrei ich zu dir, after BWV 38/1 | His Majestys Consort of Voices, His Majestys Sagbutts and Cornetts | | | 3:49 | strumento |
| Ave virgo | Voces Suaves, Francesco Saverio Pedrini, Concerto Scirocco, Giulia Genini | | | 2:48 | strumento |
| Ba Man Bia | Payam Salehi | | | 3:57 | strumento |
| Badi Hat | Mohsen Hemati | | | 2:51 | strumento |
| Ballo Primo (Uscita • Ballo • Gagliarda • Corrente) | Johannes Hieronymus Kapsberger | | | 4:18 | strumento |
| Battaglia | Johannes Hieronymus Kapsberger | | | 7:27 | strumento |
| Battalia a 10 D-dur: Adagio: Lamento der Verwundten Musketier | Musica Antiqua Köln, Reinhard Goebel | | | 1:11 | strumento |
| Battalia a 10 D-dur: Allegro: Die liederliche Gesellschaft von allerley Humor | Musica Antiqua Köln, Reinhard Goebel | | | 0:39 | strumento |
| Battalia a 10 D-dur: Allegro: Die Schlacht | Musica Antiqua Köln, Reinhard Goebel | | | 0:42 | strumento |
| Battalia a 10 D-dur: Aria | Musica Antiqua Köln, Reinhard Goebel | | | 2:23 | strumento |
| Battalia a 10 D-dur: Der Mars | Musica Antiqua Köln, Reinhard Goebel | | | 1:13 | strumento |
| Battalia a 10 D-dur: Presto | Musica Antiqua Köln, Reinhard Goebel | | | 0:51 | strumento |
| Battalia a 10 D-dur: Presto | Musica Antiqua Köln, Reinhard Goebel | | | 0:50 | strumento |
| Battalia a 10 D-dur: Sonata. Allegro | Musica Antiqua Köln, Reinhard Goebel | | | 1:49 | strumento |
| Baz Ham | Vahid Hamed | | | 2:36 | strumento |
| Beatus vir (Seibel 26) | Musica Antiqua Köln, Reinhard Goebel | | | 4:14 | strumento |
| Behold, thouh art fair, my Love - Hinách yafáh ra'yati | Dan Dunkelblum, Doron Schleifer, David Feldman, Lior Leibovici, Profeti della Quinta, Aki Noda-Meurice, Nathaniel Cox, Elizabeth Rumney, Giovanna Baviera, Ori Harmelin, Katya Polin, Elam Rotem, Ryosuke Sakamoto, Katia Viel | | | 5:10 | strumento |
| Belle rose porporine | Nigel Rogers, Anthony Bailes, Pere Ros, Jordi Savall, Colin Tilney | | | 2:51 | strumento |
| Bellissima regina | Nigel Rogers, Anthony Bailes, Pere Ros, Jordi Savall, Colin Tilney | | | 2:54 | strumento |
| Bergamasca | Johannes Hieronymus Kapsberger | | | 3:14 | strumento |
| Bi To | Mohsen Hemati | | | 4:13 | strumento |
| Brandenburg Concerto no. 1 in F major, BWV 1046a: I. [Allegro] | Academy of Ancient Music, Christopher Hogwood | | | 3:57 | strumento |
| Brandenburg Concerto no. 1 in F major, BWV 1046a: II. Adagio: Sempre piano | Academy of Ancient Music, Christopher Hogwood | | | 3:37 | strumento |
| Brandenburg Concerto no. 1 in F major, BWV 1046a: III. Menuet - Trio | Academy of Ancient Music, Christopher Hogwood | | | 6:05 | strumento |
| Brandenburg Concerto no. 2 in F major, BWV 1047: I. [Allegro] | Academy of Ancient Music, Christopher Hogwood | | | 5:05 | strumento |
| Brandenburg Concerto no. 2 in F major, BWV 1047: II. Andante | Academy of Ancient Music, Christopher Hogwood | | | 3:25 | strumento |
| Brandenburg Concerto no. 2 in F major, BWV 1047: III. Allegro assai | Academy of Ancient Music, Christopher Hogwood | | 2 | 2:51 | strumento |
| Brandenburg Concerto no. 3 in G major, BWV 1048: 1. [-] | Gustav Leonhardt | | | 6:07 | strumento |
| Brandenburg Concerto no. 3 in G major, BWV 1048: 2. Adagio | Gustav Leonhardt | | | 0:19 | strumento |
| Brandenburg Concerto no. 3 in G major, BWV 1048: I. [Allegro] | Alison Bury, Trevor Jones, Micaela Comberti, Barry Guy, Katherine Hart, Mark Caudle, Catherine Mackintosh, Timothy Mason, Michel Piguet, Jan Schlapp, Richard Webb, Academy of Ancient Music, Christopher Hogwood | | | 5:45 | strumento |
| Brandenburg Concerto no. 3 in G major, BWV 1048: II. Adagio | Academy of Ancient Music, Christopher Hogwood | | | 0:15 | strumento |
| Brandenburg Concerto no. 3 in G major, BWV 1048: III. Allegro | Academy of Ancient Music, Christopher Hogwood | | | 4:38 | strumento |
| Brandenburg Concerto no. 4 in G major, BWV 1049: I. Allegro | Academy of Ancient Music, Christopher Hogwood | | | 6:53 | strumento |
| Brandenburg Concerto no. 4 in G major, BWV 1049: II. Andante | Academy of Ancient Music, Christopher Hogwood | | | 3:19 | strumento |
| Brandenburg Concerto no. 4 in G major, BWV 1049: III. Presto | Academy of Ancient Music, Christopher Hogwood | | | 4:40 | strumento |
| Brandenburg Concerto No. 5 in D Major, BWV 1050: I. Allegro | Il Gardellino & Jan De Winne | | | 10:13 | strumento |
| Brandenburg Concerto No. 5 in D Major, BWV 1050: II. Affettuoso | Il Gardellino & Jan De Winne | | | 5:08 | strumento |