NOW Yearbook ’80–’84: The Final Chapter

~ Release by Various Artists (see all versions of this release, 5 available)

Annotation

Digifile package type

Annotation last modified on 2023-01-26 01:27 UTC.

Tracklist

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1CD
#TitleArtistRatingLength
1Freedom (remastered 2006)
recording of:
Freedom (Wham!)
lyricist and composer:
George Michael
publisher:
Chappell Music (UK) and Morrison Leahy Music Ltd. (in 1984)
Wham!5:21
2Love Is a Stranger (remastered version)
engineer:
A. Williams, D. A. Stewart (UK guitarist/singer for Eurythmics) and R. Crash
producer:
Dave Stewart (UK guitarist/singer for Eurythmics) and Adam Williams
phonographic copyright (℗) by:
RCA Ltd. (UK arm of RCA) (in 1982) and BMG Records (UK) Limited (1987–1996) (in 1991)
recording of:
Love Is a Stranger
lyricist and composer:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) and Dave Stewart (UK guitarist/singer for Eurythmics)
publisher:
Arnakata Music Ltd, Logo Songs Ltd. and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Eurythmics, Annie Lennox, Dave Stewart33:45
3O Superman
engineer:
Leanne Ungar
assistant producer:
Perry Hoberman
producer:
Laurie Anderson (experimental/art rock musician) and Roma Baran
electronic instruments [electronics] and vocoder:
Laurie Anderson (experimental/art rock musician)
farfisa and synthesizer [Casio]:
Roma Baran
flute and saxophone [sax]:
Perry Hoberman
vocals:
Laurie Anderson (experimental/art rock musician)
recorded at:
The Lobby (Laurie Anderson's home studio) in New York, New York, United States
mixed at:
The Hit Factory in Manhattan, New York, New York, United States
recording of:
O Superman (in 1981)
lyricist and composer:
Laurie Anderson (experimental/art rock musician)
publisher:
Difficult Music
is based on:
Le Cid : Acte III, scène 3. « Ah ! tout est bien fini » ... No. 13 Prière « Ô souverain, ô juge, ô père » (Rodrigue, Saint Jacques, voix du ciel)
Laurie Anderson4.158:23
4Sat in Your Lap (2018 remaster)Kate Bush3.653:30
5What Difference Does It Make?
engineer:
Phil Bush (engineer, composer and musician) and Neil King (sound engineer)
producer:
John Porter (producer and musician US and UK)
bass guitar:
Andy Rourke
drums (drum set):
Mike Joyce (UK drummer)
guitar and harmonica:
Johnny Marr
vocals:
Morrissey (English singer-songwriter)
phonographic copyright (℗) by:
Sire Records Company (not for release label use!) (in 1984) and Warner Music UK Ltd. (not for release label use!) (in 1984)
recording of:
What Difference Does It Make?
lyricist:
Morrissey (English singer-songwriter)
composer:
Johnny Marr
publisher:
Morrissey Marr Songs Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Smiths3.953:51
6Absolute
drum machine programming:
Fred Maher
synthesizer [Fairlight] programming:
EBN (synthesizer programmer) and J.J.
producer:
Arif Mardin
mixer:
Gary Langan
bass guitar:
Wil Lee (US jazz/rock bassist)
drums (drum set):
Steve Ferrone
guitar:
Paul Jackson, Jnr. (fusion/urban jazz composer, arranger, producer and guitarist)
keyboard:
Robbie Buchanan (Canadian producer), David Frank (American keyboardist, producer, writer; The System), David Gamson and Green
background vocals:
Tawatha Agee, B.J. Nelson (backing singer) and Fonzi Thornton
vocals:
Green
arranger:
Gamson and Green
recording of:
Absolute
lyricist and composer:
Green Gartside
publisher:
Jouissance Music and WB Music Corp. (1929–2019)
Scritti Politti34:24
7Why?
producer:
Mike Thorne (UK producer & keyboardist)
recording of:
Why?
composer:
Steve Bronski, Jimmy Somerville and Larry Steinbachek
Bronski Beat3.253:57
8When Am I Going to Make a Living
producer:
Robin Millar
bass guitar:
Paul S. Denman (from 1983-10 until 1983-11)
guitar and saxophone:
Stuart Matthewman (from 1983-10 until 1983-11)
keyboard:
Andrew Hale (keyboardist/composer) (from 1983-10 until 1983-11)
vocals:
Sade Adu (from 1983-10 until 1983-11)
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1984)
recorded at:
Power Plant in London (Greater London), England, United Kingdom (from 1983-10 until 1983-11)
recording of:
When Am I Going to Make a Living (from 1983-10 until 1983-11)
lyricist:
Sade Adu
composer:
Sade Adu and Stuart Matthewman
publisher:
Angel Music Ltd., SM Publishing (UK) Limited (Sony Music, 2009–2020), Sony/ATV Songs LLC, Windswept Music (London) Ltd., ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
Sade3.353:26
9War Baby
Tom Robinson4:05
10Shipbuilding
recording of:
Shipbuilding (in 1982)
lyricist:
Elvis Costello
composer:
Clive Langer
publisher:
Plangent Vision Music and Warner Bros. Music (publisher; do NOT use as release label)
cover recording of:
Shipbuilding
lyricist:
Elvis Costello
composer:
Clive Langer
publisher:
Plangent Vision Music and Warner Bros. Music (publisher; do NOT use as release label)
Robert Wyatt3:03
11Round and Round
producer:
Steve Jolley, Spandau Ballet and Tony Swain (songwriter, producer)
recording of:
Round and Round
lyricist and composer:
Gary Kemp
Spandau Ballet4:33
12Take a Chance With Me (2012 remaster)
producer:
Rhett Davies and Roxy Music
mixer:
Bob Clearmountain
bass guitar:
Neil Jason (bassist)
drums (drum set):
Andy Newmark
guitar:
Neil Hubbard and Phil Manzanera
keyboard:
Bryan Ferry
oboe:
Andy Mackay (of Roxy Music)
percussion:
Jimmy Maelen (percussion)
background vocals:
Fonzi Thornton
vocals:
Bryan Ferry
phonographic copyright (℗) by:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1982) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1999)
recording of:
Take a Chance With Me
composer:
Bryan Ferry and Phil Manzanera
publisher:
BMG Music Publishing Ltd., E.G. Music Inc. and EMI Virgin Music Ltd. (do not use this as a release label!)
Roxy Music3.54:41
13So Lonely (single version)
recording of:
So Lonely
lyricist and composer:
Sting (singer, songwriter & member of The Police)
publisher:
Virgin Music (publisher and label, only for releases with Virgin MUSIC logo)
The Police3:07
14Nelson Mandela
producer:
Elvis Costello
bass:
Gary McManus (bassist)
drums (drum set):
John Bradbury (UK drummer for The Specials/General Public)
flute:
David Heath (British composer and flautist)
guitar:
John Shipley
organ:
Jerry Dammers
saxophone:
Andy Aderinto (saxophonist)
tin whistle [penny whistle]:
Paul Speare
trumpet:
Dick Cuthell
background vocals:
Afrodiziak
lead vocals:
Stan Campbell
vocals:
Rhoda Dakar (British singer and musician, of The Bodysnatchers)
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1984)
recording of:
Free Nelson Mandela
lyricist and composer:
Jerry Dammers
publisher:
Plangent Visions Music Ltd. (in 1984)
The Specials2.754:08
15Our Lips Are Sealed
producer:
David Byrne (Talking Heads)
remixer:
Fun Boy Three and Jeremy Green
cover recording of:
Our Lips Are Sealed
writer:
Go‐Go’s (all-female American rock band formed in 1978), Terence Edward Hall and Jane Wiedlin
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Gotown Music and Plangent Visions Music
Fun Boy Three3.22:52
16Kiss the Bride
recording engineer:
Bill Price (UK producer/engineer)
producer:
Chris Thomas (UK record producer / remixer)
drums (drum set):
Nigel Olsson
electric bass guitar:
Dee Murray
electric guitar:
Davey Johnstone
synthesizer and lead vocals:
Elton John (English singer, songwriter, pianist, and composer)
background vocals:
Davey Johnstone, Dee Murray and Nigel Olsson
recorded at:
AIR Studios Montserrat in Saint Peter, Montserrat (in 1982-09)
mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
Kiss the Bride
lyricist:
Bernie Taupin
composer:
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Universal–Songs of PolyGram International, Inc.
Elton John2.54:22
17The Longest Time
assistant engineer:
Scott James (US recording engineer) and Mike Mairé
engineer and mixer:
Jim Boyer (producer/engineer)
producer:
Phil Ramone
electric bass guitar:
Doug Stegmeyer (bass player, aka Slug Douglas) (in 1983)
background vocals and lead vocals:
Billy Joel (American singer-songwriter and pianist) (in 1983)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1983), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1983) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1983)
mixed at:
A & R Recording (Second studio, 799 7th Avenue) in Manhattan, New York, New York, United States
recording of:
The Longest Time (in 1983)
lyricist and composer:
Billy Joel (American singer-songwriter and pianist)
publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), CBS Songs Ltd. (in 1983) and Joelsongs (in 1983)
version of:
The Prime of Your Life
Billy Joel3.453:37
18Love on the Rocks (from “The Jazz Singer” soundtrack)
conductor:
Alan Lindgren (American keyboardist, arranger, producer, studio & session musician)
orchestrator:
Alan Lindgren (American keyboardist, arranger, producer, studio & session musician)
recording of:
Love on the Rocks (from “The Jazz Singer”) (in 1980)
writer:
Gilbert Bécaud (in 1980) and Neil Diamond (in 1980)
publisher:
Chappell Mus. Ltd., EMA-Suisse, Sony Music Publishing (worldwide except Japan, ended 1995), Stonebridge Music (publisher) and Sweet Sixteen Music, Inc. (US-based publishing company, incorporated 17 July 1978. Neil Diamond is the CEO.)
Neil Diamond33:37
19We All Stand Together (remastered 2018)
engineer:
Geoff Emerick (British recording engineer)
producer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
flute:
Elena Durán (Mexican American flautist)
choir vocals:
The King’s Singers and St Paul’s Cathedral Choir (London)
vocals:
Paul McCartney (The Beatles)
arranger:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician) and Paul McCartney (The Beatles)
orchestrator:
Kenneth Sillito (violinist)
phonographic copyright (℗) by:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (in 1984) and MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company) (in 1984)
recording of:
We All Stand Together (from 1980-10 until 1980-11)
lyricist and composer:
Paul McCartney (The Beatles)
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) and MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company)
part of:
Rupert and the Frog Song
Paul McCartney14:24
2CD
#TitleArtistRatingLength
1Na Na Hey Hey (Kiss Him Goodbye)
vocals:
Bananarama
phonographic copyright (℗) by:
London Records Ltd. (not release label) (in 1983)
cover recording of:
Na Na Hey Hey Kiss Him Goodbye
writer:
Gary DeCarlo, Dale Frashuer, Mark Hall (2 for Joy), Paul Leka, Daz Sampson and Graham Turner
publisher:
Warner Chappell North America and Warner/Chappell North America
part of:
Goodbye
Bananarama2.83:29
2Desperate but Not Serious
producer:
Adam Ant (English new wave singer and actor) and Marco Pirroni (British musician and producer)
acoustic guitar and bass guitar:
Adam Ant (English new wave singer and actor)
drums (drum set):
Bogdan Wiczling
saxophone:
Jeff Daly
trumpet:
Martin Drover
vocals:
Adam Ant (English new wave singer and actor)
recorded at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom (in 1982-06)
remixed at:
Alchemy Studio (London studio owned by Kenny Jones) in London (Greater London), England, United Kingdom (in 1982-06)
music videos:
Desperate but Not Serious by Adam Ant (English new wave singer and actor)
part of:
The Downloader’s Music Source Book (number: 148)
recording of:
Desperate but Not Serious
writer:
Adam Ant (English new wave singer and actor) and Marco Pirroni (British musician and producer)
publisher:
BMG Music Publishing Ltd. and EMI Music Publishing Ltd. (PRS‐affiliated)
Adam Ant2.254:14
3Water on Glass
engineer:
Steve Stewart (engineer, guitarist of The Enid)
producer:
Ricky Wilde
bass guitar:
Martin Russell (recording engineer, producer, composer & musician) (from 1980 until 1981)
drums (drum set):
Chris North (UK drummer of The Enid) (from 1980 until 1981)
guitar:
Francis Lickerish (from 1980 until 1981), Steve Stewart (engineer, guitarist of The Enid) (from 1980 until 1981), James Stevenson (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
keyboard:
Robert John Godfrey (member of The Enid) (from 1980 until 1981), Calvin Hayes (Actor, keyboard player and drummer with 80s pop band, Johnny Hates Jazz) (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
background vocals:
Ricky Wilde (from 1980 until 1981)
lead vocals:
Kim Wilde (from 1980 until 1981)
phonographic copyright (℗) by:
Cherry Red Records Ltd. (do not use as label, for copyrights and distribution credits only), EMI France (in 1993), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1996, in 2001) and EMI Records Limited (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2006)
recorded at:
The Lodge Recording Studio in Northampton, Northamptonshire, England, United Kingdom (from 1980 until 1981)
mixed at:
RAK Studios in London (Greater London), England, United Kingdom
recording of:
Water on Glass (from 1980 until 1981)
writer:
Marty Wilde and Ricky Wilde
Kim Wilde4.53:36
4Thunder in the Mountains
recording of:
Thunder in the Mountains
writer:
Nigel Glockler, Adrian Lee (English musician; Mike + The Mechanics, Toyah) and Toyah Willcox
Toyah3:50
5We Are Glass
producer:
Gary Numan
bass guitar:
Paul Gardiner
drums (drum set):
Cedric Sharpley
guitar, keyboard and lead vocals:
Gary Numan
percussion:
John Webb (Gary Numan’s brother)
piano:
Denis Haines
synthesizer:
Rrussell Bell
viola:
Chris Payne (UK keyboards/viola for Gary Numan/Visage/Dramatis)
recording of:
We Are Glass
lyricist and composer:
Gary Numan
publisher:
Numan Music Ltd.
Gary Numan4:46
6Hymn
recording of:
Hymn
writer:
Warren Cann, Chris Cross (UK bassist for Ultravox), Billy Currie and Midge Ure
Ultravox54:26
7Living on the Ceiling
producer:
Mike Howlett
sitar:
Deepak
tabla:
Dinesh
remixer:
John Williams (John Owen Williams, English A&R executive, producer, songwriter...) and Dennis Weinreich
phonographic copyright (℗) by:
London Records Ltd. (not release label) (in 1982)
recording of:
Living on the Ceiling
writer:
Neil Arthur (singer, songwriter, producer) and Stephen Luscombe
publisher:
Complete Music Ltd.
Blancmange54:01
8Talk Talk
recording engineer and producer:
Colin Thurston
mixer:
Mike Robinson (engineer)
bass guitar:
Paul Webb (UK bassist for Talk Talk/O.rang, aka Rustin Man)
drums (drum set):
Lee Harris (drummer, member of Talk Talk and .O.Rang)
keyboard:
Simon Brenner (UK musician, member of Talk Talk)
lead vocals:
Mark Hollis
recording of:
Talk Talk (Talk Talk)
lyricist and composer:
Ed Hollis (British songwriter and producer) and Mark Hollis
Talk Talk33:16
9Tesla Girls (remastered 2019)
engineer:
Brian Tench
producer:
Orchestral Manoeuvres in the Dark and Brian Tench
recording of:
Tesla Girls
lyricist and composer:
Paul Humphreys (Orchestral Manoeuvres in the Dark) and Andy McCluskey
publisher:
Virgin Music, Inc. (US arm of Virgin’s publishing company)
Orchestral Manoeuvres in the Dark2.653:32
10Hyperactive! (2009 remaster)
engineered in:
Brussels (Brussels-Capital Region), Belgium
engineer:
Dan Lacksman (Belgian musician & producer)
producer:
Thomas Dolby
mixer:
Alan Douglas (Scottish born engineer)
bass:
Matthew Seligman
drum machine:
Justin Hildreth
electronic drum set and percussion:
Clif Brigden
guitar and trumpet:
Kevin Armstrong (UK guitarist, producer & songwriter)
percussion:
Matthew Salt
piano:
Thomas Dolby
trombone:
Peter Thoms (trombone)
additional vocals:
Louise Ulfstedt
background vocals:
Kevin Armstrong (UK guitarist, producer & songwriter) and Adele Bertei
vocals:
Thomas Dolby
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984)
recording of:
Hyperactive!
lyricist and composer:
Thomas Dolby
publisher:
Scale Music, Smash Ltd. and Street Music Ltd.
Thomas Dolby54:13
11Crushed by the Wheels of Industry (edit)
partial recording of:
Crushed by the Wheels of Industry
writer:
Glenn Gregory, Ian Craig Marsh and Martyn Ware
publisher:
Sound Diagrams (publisher), Virgin Music (Publishers) Ltd. and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Heaven 173:44
12Someone Somewhere (in Summertime)
recording of:
Someone Somewhere in Summertime
writer:
Charlie Burchill, Derek Forbes, Jim Kerr (of Simple Minds) and Michael MacNeil
publisher:
Colgems-EMI Music Inc., EMI Music Publishing (do not use as a release label!) and EMI Music Publishing Ltd. (PRS‐affiliated)
Simple Minds3:58
13Where the Heart Is (7″ single version)
music videos:
Where the Heart Is by Soft Cell (1980s English synth‐pop duo)
recording of:
Where the Heart Is
lyricist:
Marc Almond (English pop singer and songwriter)
composer:
Dave Ball (UK electronic musician, part of Soft Cell)
Soft Cell4:32
14Louise (DJ edit)
engineer:
Renate Blauel, Gavin McKillop and Bill Price (UK producer/engineer)
producer:
The Human League, Hugh Padgham and Chris Thomas (UK record producer / remixer)
mixer:
Hugh Padgham
recording of:
Louise
lyricist and writer:
Philip Oakey
composer:
Jo Callis and Philip Adrian Wright (Human League)
The Human League4:06
15Hide and Seek
recording engineer and mixer:
Stephen W. Tayler (UK engineer)
producer:
Rupert Hine
lead vocals:
Howard Jones (English singer, songwriter)
recording of:
Hide and Seek
lyricist and composer:
Howard Jones (English singer, songwriter)
Howard Jones4:47
16Human Racing (album version)
recording engineer:
Julian Mendelsohn (Australian record producer and engineer) (in 1983)
assistant engineer:
Roger Howorth
producer:
Peter Collins (producer)
mixer:
Julian Mendelsohn (Australian record producer and engineer)
lead vocals:
Nik Kershaw (in 1983)
arranger:
Nik Kershaw
phonographic copyright (℗) by:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1984) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1984)
mixed at:
Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom
recording of:
Human Racing (in 1983)
lyricist and composer:
Nik Kershaw
publisher:
Arctic King, Imagem Music UK, Imagem Songs Ltd., Mamal and Rondor Music (London) Ltd.
Nik Kershaw24:24
17Lay Your Hands on Me
recording of:
Lay Your Hands on Me
writer:
Tom Bailey (Thompson Twins), Alannah Currie and Joe Leeway
publisher:
Point Music Ltd.
Thompson Twins4:08
18Hang On NowKajagoogoo3:23
19The Medal Song (remastered 2003)
assistant engineer:
Peter Lees
engineer:
Gordon Milne (engineer)
producer:
Steve Levine (producer)
mixer:
Steve Levine (producer) and Jon Moss
bass guitar:
Mikey Craig (Culture Club bassist) (in 1984)
electric sitar, guitar, keyboard, piano and sitar:
Roy Hay (Member of Culture Club and composer for film and television) (in 1984)
guest keyboard:
Phil Pickett (songwriter, producer, keyboard player) (in 1984)
guest saxophone:
Steve Grainger (saxophonist) (in 1984)
guest trombone:
Kenneth McGregor (in 1984)
guest trumpet:
Ron Williams (Trumpeter) (in 1984)
guest background vocals:
Imogen Exton (in 1984), Derek Green (in 1984), Alice Kemp (in 1984), Andriana Loizou (in 1984), Alanda Marchant (in 1984), Nancy Peppers (in 1984), Phil Pickett (songwriter, producer, keyboard player) (in 1984), Chris Rainbow (in 1984), Louis Rogers (in 1984), Martin Sunley (in 1984), Helen Terry (UK singer) (in 1984), Tara Thomas ("when you’re in love") (in 1984) and Clare Torry (in 1984)
vocals:
Boy George (in 1984)
recorded at:
Red Bus Studios in London (Greater London), England, United Kingdom (in 1984)
music videos:
The Medal Song by Culture Club (English pop group)
recording of:
The Medal Song (in 1984)
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) and Jon Moss
Culture Club24:14
20Move Over Darling
cover recording of:
Move Over Darling
writer:
Hal Kanner (director), Joe Lubin and Terry Melcher
publisher:
Daywin Music Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Tracey Ullman2:34
3CD
#TitleArtistRatingLength
1Run to the Hills (2015 remaster)
engineer and producer:
Martin Birch
drums (drum set):
Clive Burr (from 1982-01 until 1982-02)
electric bass guitar:
Steve Harris (Iron Maiden bassist) (from 1982-01 until 1982-02)
electric guitar:
Dave Murray (Iron Maiden guitarist) (from 1982-01 until 1982-02) and Adrian Smith (UK guitarist/songwriter, Iron Maiden) (from 1982-01 until 1982-02)
lead vocals:
Bruce Dickinson (Iron Maiden vocalist) (from 1982-01 until 1982-02)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1982) and Iron Maiden LLP (copyrights holder) (in 1982, in 2015)
recorded at:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, United Kingdom (from 1982-01 until 1982-02)
mixed at:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, United Kingdom
part of:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 10) and VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 14)
recording of:
Run to the Hills (from 1982-01 until 1982-02)
lyricist and composer:
Steve Harris (Iron Maiden bassist)
publisher:
Imagem London Ltd. and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Iron Maiden4.153:54
2Modern Girl
phonographic copyright (℗) by:
BMG Eurodisc Ltd. (in 1984)
recording of:
Modern Girl
writer:
Sarah Durkee and Paul Jacobs (American composer)
publisher:
Morrison Leahy Music Ltd.
Meat Loaf44:24
3Day After Day
producer:
Chris Thomas (UK record producer / remixer)
recording of:
Day After Day
writer:
James Honeyman‐Scott and Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
Pretenders4:02
4Human Touch
Rick Springfield3:51
5The Lucky One
music videos:
The Lucky One (music video) by Laura Branigan
recording of:
The Lucky One (in 1984)
lyricist and composer:
Bruce Roberts (American singer-songwriter)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Laura Branigan4:11
6Hard Habit to Break
engineer and mixer:
Humberto Gatica
producer:
David Foster (Canadian music producer, arranger and composer)
assistant mixer:
Larry Fergusson
lead vocals:
Peter Cetera (in 1984) and Bill Champlin (in 1984)
instruments arranger:
Jeremy Lubbock
arranger:
David Foster (Canadian music producer, arranger and composer)
phonographic copyright (℗) by:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1983, in 1984) and Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1984, in 2010)
recorded at:
Sunset Sound in Hollywood, Los Angeles, California, United States (in 1984), The Lighthouse (studio located in N. Hollywood, California) in North Hollywood, Los Angeles, California, United States (in 1984) and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (in 1984)
mixed at:
Lion Share Recording Studios in Los Angeles, California, United States
recording of:
Hard Habit to Break (in 1984)
writer:
Steve Kipner (in 1984) and John Lewis Parker (in 1984)
publisher:
Bocu Music Ltd., EMI April Music Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Songs Ltd., MCA Music Ltd., Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30), April Music Inc. (in 1984), Parker Songs (in 1984), Stephen A. Kipner Music (in 1984) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Chicago44:45
7Say It Isn’t So
phonographic copyright (℗) by:
BMG Entertainment (in 1983)
recording of:
Say It Isn't So
lyricist and composer:
Daryl Hall
publisher:
Hot Cha Music Co. and Unichappell Music, Inc.
Daryl Hall & John Oates34:16
8Better Be Good to MeTina Turner2.653:36
9One Thing Leads to Another
producer:
Rupert Hine
music videos:
One Thing Leads to Another by The Fixx
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 72)
recording of:
One Thing Leads to Another (The Fixx song)
writer:
Alfie Agius, Cy Curnin, Rupert Greenall, Jamie West‐Oram and Adam Woods (drummer)
The Fixx4.353:16
10Grey Day
recording of:
Grey Day
lyricist and composer:
Mike Barson
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Madness33:39
11Cherry Oh Baby (remastered 2009)
engineer:
Howard Gray (UK producer, engineer, and electronic musician)
producer:
Ray “Pablo” Falconer and UB40
bass:
Earl Falconer
drum machine and drums (drum set):
Jim Brown (UB40 drummer)
guitar:
Ali Campbell (UB40’s former vocalist) and Robin Campbell
keyboard:
Michael Virtue
percussion:
Astro (UB40 toast, trumpet & percussion) and Norman Hassan
saxophone:
Brian Travers
other vocals:
Astro (UB40 toast, trumpet & percussion)
vocals:
Ali Campbell (UB40’s former vocalist), Robin Campbell and Norman Hassan
cover recording of:
Cherry Oh Baby
lyricist and composer:
Eric Donaldson
UB403.43:17
12A Solid Bond in Your Heart
producer:
Paul Weller (English singer-songwriter and musician) and Peter Wilson (UK Producer)
recording of:
A Solid Bond in Your Heart
lyricist and composer:
Paul Weller (English singer-songwriter and musician)
publisher:
EMI Music Ltd. and Stylist Music Ltd.
The Style Council3:17
13Just Got Lucky
recording of:
Just Got Lucky
writer:
Chris Bostock and Dig Wayne
publisher:
Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) (in 1983)
JoBoxers3:40
14We Got the Beat (2011 remaster)
additional assistant recording engineer:
James Ball, Eric Kortee and Darroll Gustamachio
assistant recording engineer:
Ted Blechta and John Terelle
recording engineer and mixer:
Rob Freeman (engineer)
producer:
Rob Freeman (engineer) and Richard Gottehrer (American songwriter and music executive)
assistant mixer:
Gray Russell
bass guitar and guitar:
Kathy Valentine
drums (drum set) and percussion:
Gina Schock
guitar [lead guitar] and keyboard:
Charlotte Caffey
guitar [rhythm guitar]:
Jane Wiedlin
lead vocals:
Belinda Carlisle
vocals:
Charlotte Caffey and Jane Wiedlin
phonographic copyright (℗) by:
I.R.S., Inc. (in 1981)
additionally recorded at:
Sound Mixers Studio in New York, New York, United States and The Record Plant (New York) in Midtown Manhattan, New York, New York, United States
recorded at:
Pennylane Studios in New York, New York, United States
mixed at:
Sound Mixers Studio in New York, New York, United States
recording of:
We Got the Beat
lyricist and composer:
Charlotte Caffey
writer:
Go‐Go’s (all-female American rock band formed in 1978)
publisher:
Daddy-Oh Music and Universal Music–MGB Songs
The Go‐Go’s4.42:31
15D‐Days
Hazel O’Connor2:49
16Miss the Girl
recording of:
Miss the Girl
writer:
Peter Clarke (UK drummer Peter Clarke of The Banshees, The Creatures, etc.) and Susan Janet Ballion
The Creatures2:36
17Just Who Is the 5 O’Clock Hero?
producer:
Peter Wilson (UK Producer)
saxophone:
Keith Thomas (English saxophonist)
trumpet:
Steve Nichol (songwriter, producer)
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.)
recorded at:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, United Kingdom (on 1982-01-06)
recording of:
Just Who Is the 5 O’Clock Hero? (on 1982-01-06)
lyricist and composer:
Paul Weller (English singer-songwriter and musician)
publisher:
Notting Hill Music (UK) Ltd. and Stylist Music Ltd.
The Jam42:13
1811 O’Clock Tick Tock (remastered 2008)
producer:
Martin Hannett
assistant mixer:
Kevin Moloney
mixer:
Martin Hannett and Paul Thomas (engineer)
drums (drum set):
Larry Mullen, Jr.
electric bass guitar:
Adam Clayton
electric guitar:
The Edge (U2 guitarist David Evans)
lead vocals:
Bono (singer of U2)
recorded at and mixed at:
Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Ireland
recording of:
11 O’Clock Tick Tock
writer:
Adam Clayton, David Howell Evans (U2 guitarist David Evans), Larry Mullen, Jr. and Paul David Hewson (singer of U2)
publisher:
Blue Mountain Music Ltd.
U23:47
19Everything’s Gone Green (7″ single / 2015 remaster)
recording of:
Everything’s Gone Green
writer:
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) and Bernard Sumner
publisher:
Be Music (New Order’s own publishing company), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and WB Music Corp. (1929–2019)
New Order4:19
20Silver
assistant engineer:
Jean-Yves Pouilloux
engineer:
Henri Loustau (French sound engineer, sometimes misspelled Lousteau or Lonstan) and Gil Norton (British record producer)
mixer:
Echo & the Bunnymen and Gil Norton (British record producer)
recording of:
Silver (Echo & The Bunnymen)
writer:
Pete de Freitas, Ian McCulloch (Echo & the Bunnymen), Les Pattinson and Will Sergeant
Echo & the Bunnymen43:19
2118 Carat Love Affair
phonographic copyright (℗) by:
WEA Records Ltd. (holding company based in the UK) (in 1982)
Associates3:39
22Cantonese Boy (remastered 2003)Japan53:49
4CD
#TitleArtistRatingLength
1Running With the Night (single version)
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (until 1983)
recording of:
Running With the Night
writer:
Lionel Richie and Cynthia Weil
publisher:
Brockman Music, Dyad Music Ltd., Rondor Music (Ldn) Ltd. and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Lionel Richie3.254:10
2Love Is in Control (Finger on the Trigger) (7″)
recording of:
Love Is in Control (Finger on the Trigger)
writer:
Quincy Jones, Merria Ross and Rod Temperton
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Warner Chappell Music Ltd. (no slash; used 1988–1996), Almo Music Corp. (USA, affiliated with ASCAP) (from 1982 to present), Grager Music (publisher) (from 1982 to present), Rashida Music (from 1982 to present), Rodsongs (publisher) (from 1982 to present) and Yellowbrick Road Music (from 1982 to present)
Donna Summer3:42
3Friends
Shalamar3:43
4I’m So Excited
producer:
Richard Perry (producer)
bass guitar:
Nathan East
drums (drum set):
John “JR” Robinson (session drummer)
guitar:
George Doering and Lee Ritenour
keyboard [keyboards] and synthesizer:
Michael Boddicker and Greg Phillinganes
piano:
William D. “Smitty” Smith (organist/keyboardist)
background vocals:
June Pointer and Ruth Pointer
lead vocals:
Anita Pointer
phonographic copyright (℗) by:
BMG Music (in 1982)
part of:
RuPaul’s Drag Race Lip Sync Performances (season 5) (number: 6) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 258)
recording of:
I’m So Excited
writer:
Anita Pointer, June Pointer, Ruth Pointer and Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
publisher:
’Til Dawn Music, Braintree Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), EMI Songs, EMI Songs Ltd. and SBK Blackwood Music Inc. (1987-12-30–1989-07-14)
sub-publisher:
Fujipacific Music Inc. SBK Division (until 2014-12-31), EMI Music Publishing Japan Ltd., Sony Division (until 2021-06-30), Fuji Pacific Music SBK Department (Fujipacific Music SBK Department) (from 2015-01-01 to present) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
The Pointer Sisters4.83:53
5Waiting for a Train
recording of:
Waiting for a Train
lyricist and composer:
Harry Vanda (Australian musician) and George Young (Australian musician and producer)
Flash and the Pan3:44
6Forget Me Nots (single version)
recording of:
Forget Me Nots
writer:
Terri McFaddin, Patrice Rushen and Freddie Washington (US session bassist)
publisher:
Baby Fingers Music, Freddie Dee Music, Global Musikverlag (Global Musik GmbH & Co. KG) and Yamina Music
Patrice Rushen54:04
7Fresh (single version)
recording of:
Fresh
writer:
Ronald Bell, George Brown (US percussionist of Kool & the Gang), Curtis Williams (keyboardist/percussionist of Kool & The Gang), James Bonnefond, Sandy Linzer, Robert Bell, Claydes Smith and James “J.T.” Taylor (US R&B vocalist for Kool & the Gang)
Kool & the Gang3:48
8Stay With Me TonightJeffrey Osborne34:57
9Treat Her Like a Lady (single version)
executive producer:
Suzee Ikeda
producer:
Ralph Johnson (Earth, Wind & Fire drummer) and Al McKay
lead vocals:
Ali Ollie Woodson
arranger:
Victor Carstarphen (keyboardist, composer and producer)
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1984)
recording of:
Treat Her Like a Lady
composer:
Otis Williams (US baritone singer, member of The Temptations & The Distants) and Ali Ollie Woodson
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc. and Tall Temptations Music
The Temptations54:15
10Intuition
recording of:
Intuition
writer:
David Grant (pop singer) and Peter Martin (aka Sketch Martin, bass guitarist, songwriter)
publisher:
RSM Music Ltd. and Solid Music Ltd.
Linx43:21
11Mr. Solitaire
recording of:
Mr. Solitaire
writer:
Animal Nightlife and Roy Carter (UK guitarist for Heatwave)
Animal Nightlife3:58
12Don’t Stop That Crazy Rhythm
Modern Romance3:43
13More Stars (ABBA Medley)/Stars on 45, Vol. 2 (7″ single)
recording of:
More Stars (7″ mix) (7″ mix, duration: ~4:42)
writer:
Benny Andersson (ABBA) and Björn Ulvaeus
medley of:
Stars on 45 (the song itself)
medley of:
Voulez‐Vous
medley of:
SOS
medley of:
Bang‐a‐Boomerang
medley of:
Money, Money, Money
medley of:
Knowing Me, Knowing You
medley of:
Fernando (English version)
medley of:
The Winner Takes It All
medley of:
Super Trouper
Stars on 45 / Starsound4:30
14Piece of the Action
producer:
Andy Hill (English producer & songwriter)
produced for:
Big Note Music Productions Ltd.
recording of:
Piece of the Action
lyricist and composer:
Andy Hill (English producer & songwriter)
publisher:
Paper Music Ltd.
Bucks Fizz3.53:36
15Words
producer:
Jean-Michel Gallois-Montbrun (Rolando Tambin) and Frédéric Leibovitz
arranger:
Daniel Darras, F.R. David and Frédéric Leibovitz
phonographic copyright (℗) by:
Carrère (just “Carrère" or “Disques Carrère”, not “CARRÈRE MUSIC”) (in 1982)
recording of:
Words
lyricist:
Martin Kupersmith and Louis Sandy Yagura
writer:
Martin Kupersmith, Louis Sandy Yagura and Robert Fitoussi (French artist)
composer:
Robert Fitoussi (French artist)
publisher:
Fable Music and Warner Chappell
translated version of:
Sen můj a Lízin
F.R. David4.53:27
16When He Shines
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
recording of:
When He Shines (in 1981)
writer:
Dominic Bugatti and Peter Vale (writer/arranger)
publisher:
Pendulum Music (publisher) and Warner Bros. Music (publisher; do NOT use as release label)
Sheena Easton3:56
17Coward of the County (remastered 2006)
engineer:
Billy Sherrill (US songwriter/producer/arranger)
producer:
Larry Butler (US country music producer, songwriter & pianist)
lead vocals:
Kenny Rogers (US country singer, songwriter, actor, record producer & entrepreneur)
phonographic copyright (℗) by:
Liberty Records, Inc. (in 1979) and United Artists (in 1980)
recording of:
Coward of the County (1979 song)
writer:
Roger Bowling and Billy Edd Wheeler
publisher:
Roger Bowling Music and Sleepy Hollow Music Corp.
Kenny Rogers4:19
18Susanna
recording of:
Susanna (english version) (The Art Company song)
writer:
Caroline Bogman, Mark Foggo (English ska musician) and Ferdi Lancee (Dutch singer & songwriter)
translated version of:
Suzanne (original Dutch version)
The Art Company2.94:46
19Seven Tears
recording of:
Seven Tears
writer:
Wolfgang Jass and Wolff-Ekkehardt Stein
publisher:
Aloha and Peer (publisher)
Goombay Dance Band3:47
20Save Your Love
recording of:
Save Your Love
writer:
John Edward (British musician, writer and record producer) and Sue Edward
publisher:
Hollywood Music (song publisher)
Renée & Renato43:08

Credits

Release group

part of:Now Yearbook (UK Now subseries) (number: 1980-84) (order: 14)