California Story

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Long Train Running
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1973)
recording of:
Long Train Runnin’
lyricist and composer:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner Bros. Music (publisher; do NOT use as release label) (in 1982) and Warner Chappell Music (publisher as Warner/Chappell Music) (in 1991)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Doobie Brothers3:27
2Ride Like the Wind
assistant engineer:
Stuart Gitlin
engineer and mixer:
Chet Himes
producer:
Michael Omartian
acoustic guitar, electric guitar, solo guitar and lead vocals:
Christopher Cross (US singer‐songwriter)
bass guitar:
Andy Salmon
drums (drum set):
Tommy Taylor (US drummer)
electric piano and piano:
Michael Omartian
percussion:
Lenny Castro
synthesizer:
Rob Meurer
background vocals:
Christopher Cross (US singer‐songwriter) and Michael McDonald (R&B & soul singer)
arranger:
Christopher Cross (US singer‐songwriter), Rob Meurer and Michael Omartian
phonographic copyright (℗) by:
Warner Bros. (holding: file NO releases) (in 1979) and Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1979)
produced for:
Free Flow Productions
recorded at:
Pecan Street Studios in Austin, Texas, United States and Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
Ride Like the Wind
lyricist and composer:
Christopher Cross (US singer‐songwriter)
publisher:
BMG Songs, Inc., Pop ’n’ Roll Music (US work publisher), Shinko Music Entertainment Co., Ltd., Universal Music Publishing, Synch Division and Universal Music–MGB Songs
Christopher Cross4.14:26
3Jealousy
recording engineer and mixer:
Ray Bardani
producer:
Ray Bardani and Michael Colina
alto saxophone:
Lawrence Feldman (flutist and saxophonist)
bass guitar:
Francisco Centeno
drums (drum set):
Buddy Williams (drummer)
electric piano:
Rob Mounsey
guitar:
Nick Moroch (US guitarist)
tenor saxophone:
Michael Brecker (American jazz saxophonist, multi-instrumentalist and composer)
trumpet:
Randy Brecker and Lew Soloff
background vocals:
Yvonne Lewis, Ullanda McCullough, Yolanda McCullough and S. Renee Diggs
vocals:
Michael Franks
brass arranger:
Rob Mounsey
percussion [rhythm] arranger:
Michael Colina and Michael Franks
phonographic copyright (℗) by:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (in 1982) and Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1982)
recorded at and mixed at:
Minot Sound Studio in White Plains, New York, United States
recording of:
Jealousy
lyricist and composer:
Michael Franks
publisher:
Mississippi Mud Music Co., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and 大洋音楽 (Taiyō Music)
Michael Franks23:36
4Sara
producer:
Ken Caillat, Richard Dashut and Fleetwood Mac
drums (drum set):
Mick Fleetwood
electric bass guitar:
John McVie
guitar:
Lindsey Buckingham (guitarist, singer, songwriter and producer)
piano:
Christine McVie
tack piano and lead vocals:
Stevie Nicks
background vocals:
Lindsey Buckingham (guitarist, singer, songwriter and producer) and Christine McVie
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1979)
recording of:
Sara
lyricist and composer:
Stevie Nicks
publisher:
Fleetwood Mac Music (publisher) and Welsh Witch Music (BMI affiliated)
Fleetwood Mac3.66:23
5Ghost Town
phonographic copyright (℗) by:
Atlantic Records (do not use as release label, use “Atlantic” instead) (in 1982)
recording of:
Ghost Town
writer:
Rusty Young
publisher:
Pirooting Publishing
Poco5:39
6One Way Ticket
engineer and mixer:
Humberto Gatica
producer:
David Foster (Canadian music producer, arranger and composer)
lead vocals:
Bill Champlin
phonographic copyright (℗) by:
Elektra (all releases with “Elektra” or “Elektra Entertainment” logo, 1950 to present) (in 1981) and Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1981)
mixed at:
Studio 55 in Los Angeles, California, United States
recording of:
One Way Ticket
writer:
Bill Champlin and George Sopuch
publisher:
Big Heart Music, Ish Music, Music Sales Corporation (American copyright holder in both popular and classical music), My Ohio Music, Nightworm Music, フジパシフィックミュージック (Fujipacific Music, Inc.) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Bill Champlin3:03
7I Keep Forgettin'
producer:
Ted Templeman and Lenny Waronker
bass guitar:
Louis Johnson (bass, member of Brothers Johnson)
clavinet:
Greg Phillinganes
drums (drum set):
Jeff Porcaro
guitar:
Steve Lukather
Rhodes piano, synthesizer and lead vocals:
Michael McDonald (R&B & soul singer)
background vocals:
Maureen McDonald (backing vocalist, sister of Michael McDonald)
phonographic copyright (℗) by:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (in 1982), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1982) and Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (in 1982)
recording of:
I Keep Forgettin’ (Every Time You’re Near)
writer:
Jerry Leiber, Michael McDonald (R&B & soul singer), Ed Sanford and Mike Stoller
publisher:
Bienstock Publishing Company (ASCAP affiliated), Jerry Leiber Music, Mike Stoller Music (ASCAP) and Yellow Dog Music Inc
version of:
I Keep Forgettin’
Michael McDonald4.23:38
8Cinderella
phonographic copyright (℗) by:
Atlantic Records (do not use as release label, use “Atlantic” instead) (in 1976)
recording of:
Cinderella
writer:
Larry Burnett
publisher:
Powder Music Inc.
Firefall3:33
9Don't Talk to Strangers
phonographic copyright (℗) by:
BMG Music (in 1982) and RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1982)
recording of:
Don't Talk to Strangers
lyricist and composer:
Rick Springfield
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Robie Porter Music, Super Ron Music and Universal Music Publishing (use ONLY if no country‐specific information is available)
Rick Springfield3.352:58
10Maniac
producer:
Phil Ramone and Michael Sembello
vocals:
Michael Sembello (in 1983)
phonographic copyright (℗) by:
Polygram Records, Inc. (New York) (not for release label use! US division of PolyGram) (in 1983) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 1983)
recording of:
Maniac (in 1983)
writer:
Dennis Matkosky and Michael Sembello
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Intersong Music, Intersong Music Ltd., Intersong USA, Inc. (publisher), Riva Music Ltd., Rondor Music (London) Ltd., Sony/ATV Harmony, Warner Bros. Music Co. Inc., Warner Bros. Music Corp. and WB Music Corp. (1929–2019)
part of:
The 56th Academy Award for Best Original Song (number: 2)
Michael Sembello4.154:02
11The Heat Is On
producer:
Harold Faltermeyer and Keith Forsey (drummer, producer and songwriter)
bass and keyboard:
Harold Faltermeyer
drums (drum set) and background vocals:
Keith Forsey (drummer, producer and songwriter)
guitar:
Rick Vito
solo guitar and lead vocals:
Glenn Frey (US musician/singer/songwriter, member of the Eagles)
phonographic copyright (℗) by:
Geffen Records (in 1984) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1984)
recording of:
The Heat Is On
lyricist and composer:
Harold Faltermeyer and Keith Forsey (drummer, producer and songwriter)
publisher:
Famous Chappell
Glenn Frey3.53:45
12I Can't Wait
recording engineer:
John Kovarek (in 1985)
analog synthesizer [OB-8] programming, sampler [Emulator II] programming and synthesizer [Prophet] programming:
George Black (in 1985)
synthesizer [PPG Wave] programming:
Jamie Sheriff (in 1985)
engineer:
David Hernandez (engineer) and John Kovarek
producer:
Jimmy Iovine and Rick Nowels
mixer:
Jimmy Iovine, Chris Lord‐Alge and Rick Nowels
bass guitar and solo guitar:
George Black (in 1985)
guitar:
George Black (in 1985) and Michael Landau (in 1985)
synthesizer:
Rick Nowels (in 1985) and Jamie Sheriff (in 1985)
background vocals:
Sharon Celani (in 1985), George Black (in 1985), Lori Perry Nicks (in 1985), Marilyn Martin (in 1985), Rick Nowels (in 1985) and Maria Vidal (American singer-songwriter) (in 1985)
lead vocals:
Stevie Nicks (in 1985)
arranger:
George Black and Rick Nowels
phonographic copyright (℗) by:
Modern Records (Subsidiary of Atlantic, LA, CA, USA) (in 1985)
recorded at:
Art Department Sound (in 1985)
mixed at:
Unique Recording Studios in Manhattan, New York, New York, United States
recording of:
I Can't Wait (in 1985)
writer:
Stevie Nicks, Rick Nowels and Eric Pressly (Bassist, producer and songwriter)
publisher:
Future Furniture Music and Welsh Witch Music (BMI affiliated)
Stevie Nicks4.354:36
13You're So Vain
recording engineer:
Robin Geoffrey Cable (from 1972-09 until 1972-10)
engineer:
Robin Geoffrey Cable
producer:
Richard Perry (producer)
bass:
Klaus Voorman (from 1972-09 until 1972-10)
drums (drum set):
Jim Gordon (US drummer with Derek and the Dominos) (from 1972-09 until 1972-10)
guitar:
Jimmy Ryan (American guitarist and singer/songwriter) (from 1972-09 until 1972-10)
percussion:
Richard Perry (producer) (from 1972-09 until 1972-10)
piano and lead vocals:
Carly Simon (from 1972-09 until 1972-10)
additional background vocals:
Carly Simon (from 1972-09 until 1972-10) and Doris Troy (from 1972-09 until 1972-10)
background vocals:
Mick Jagger (from 1972-09 until 1972-10)
strings arranger:
Carly Simon
orchestrator:
Paul Buckmaster
phonographic copyright (℗) by:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1972), Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1978), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984) and Rhino Entertainment Company (not for release label use!) (in 2015)
recorded at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom (from 1972-09 until 1972-10)
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 100), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 140) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 495)
recording of:
You’re So Vain (from 1972-09 until 1972-10)
lyricist and composer:
Carly Simon
publisher:
C’est Music, Quackenbush Music, Ltd. (ASCAP-affiliated), Universal Music Corporation (USA, affiliated with ASCAP) and Universal Music Publishing Group
Carly Simon4.64:17
14California Girls
engineer:
Jeff Hendrickson (sound engineer)
producer:
Ted Templeman
bass guitar:
Willie Weeks (US bass player)
drums (drum set):
John “JR” Robinson (session drummer)
guitar:
Eddie Martinez (guitar) and Sid McGinnis (American musician and guitarist)
keyboard and saxophone:
Edgar Winter
percussion:
Sammy Figueroa
synthesizer:
Brian Mann (keyboardist, accordionist, composer)
background vocals:
Christopher Cross (US singer‐songwriter), Carl Wilson (Beach Boys) and Edgar Winter
lead vocals:
David Lee Roth
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) and Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (in 1985)
cover recording of:
California Girls
lyricist and composer:
Mike Love (Beach Boys) and Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music, Inc. and Rondor Music (London) Ltd.
David Lee Roth4.652:47
15Kokomo
engineer and mixer:
Keith Wechsler
producer:
Terry Melcher
accordion:
Van Dyke Parks (from 1988-03-22 until 1988-04-06)
acoustic guitar:
Jeffrey Foskett (from 1988-03-22 until 1988-04-06)
alto saxophone:
Joel Peskin (from 1988-03-22 until 1988-04-06)
bass:
Rod Clark (UK bassist) (from 1988-03-22 until 1988-04-06)
drums (drum set):
Jim Keltner (from 1988-03-22 until 1988-04-06)
slide guitar [electric slide guitar]:
Ry Cooder (from 1988-03-22 until 1988-04-06)
background vocals:
Al Jardine (from 1988-03-22 until 1988-04-06), Bruce Johnston (US singer‐songwriter, member of The Beach Boys) (from 1988-03-22 until 1988-04-06), Mike Love (Beach Boys) (from 1988-03-22 until 1988-04-06) and Carl Wilson (Beach Boys) (from 1988-03-22 until 1988-04-06)
lead vocals:
Mike Love (Beach Boys) (from 1988-03-22 until 1988-04-06) and Carl Wilson (Beach Boys) (from 1988-03-22 until 1988-04-06)
performer:
The Beach Boys (American rock band) (from 1988-03-22 until 1988-04-06)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US), Elektra (all releases with “Elektra” or “Elektra Entertainment” logo, 1950 to present) (in 1988) and Touchstone Pictures (in 1988)
music videos:
Kokomo by The Beach Boys (American rock band)
recording of:
Kokomo (from 1988-03-22 until 1988-04-06)
writer:
Mike Love (Beach Boys), Scott McKenzie, Terry Melcher and John Phillips (The Mamas & The Papas)
publisher:
Buena Vista Music Company, Clairaudient Music Corporation, Daywin Music Inc., Honest John Music, Nichion Synch Division (NICHION, INC. Synch Division), Spirit One Music, Touchstone Pictures Music and Songs Inc. and Yamaha Music EH(CM)
The Beach Boys4.353:36
16I Love L.A.
assistant engineer:
Bob Fernandez (engineer)
engineer and mixer:
Mark Linett
producer:
Russ Titelman and Lenny Waronker
guitar:
Waddy Wachtel (in 1983)
background vocals:
Lindsey Buckingham (guitarist, singer, songwriter and producer) (in 1983) and Christine McVie (in 1983)
conductor:
Randy Newman (American singer‐songwriter and score composer) (in 1983)
arranger:
Randy Newman (American singer‐songwriter and score composer)
phonographic copyright (℗) by:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (in 1983), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1983) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1983)
recorded at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States (in 1983)
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
I Love L.A. (in 1983)
lyricist and composer:
Randy Newman (American singer‐songwriter and score composer)
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Six Pictures Music (in 1983)
Randy Newman53:31
2▼CD
#TitleArtistRatingLength
1Rosanna
recording engineer:
Al Schmitt
producer:
Toto (US rock group)
mixer:
Greg Ladanyi
bass guitar:
David Hungate
congas:
Lenny Castro
drums (drum set) [drums]:
Jeff Porcaro
guitar:
Steve Lukather
Hammond organ and synthesizer:
David Paich and Steve Porcaro
percussion:
Lenny Castro and Jeff Porcaro
piano:
David Paich
saxophone:
Jim Horn (saxophonist, hornist, flutist and oboist) and Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
trombone:
James Pankow
trumpet:
Gary Grant (brass) and Jerry Hey
background vocals [background vocal]:
Tom Kelly (songwriter), Bobby Kimball, Steve Lukather and David Paich
lead vocals:
Bobby Kimball and Steve Lukather
brass [horns] arranger:
Jerry Hey and David Paich
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1982), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1982), Sony Music (global brand, excluding JP, owned by Sony Music Entertainment) (in 1982) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1982)
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 15)
recording of:
Rosanna
lyricist and composer:
David Paich
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd. and Spirit Two Music
sub-publisher:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division)
Toto45:32
2Eye of the Tiger
assistant engineer:
Hill Swimmer
engineer:
Phil Bonnano and Mike Clink
producer:
Jim Peterik and Frankie Sullivan (US guitarist and songwriter, member of Survivor)
phonographic copyright (℗) by:
Scotti Bros. Industries Inc (company credits only; do not use as release label!) (in 1982), Volcano Entertainment III, L.L.C. (in 1982, in 1985) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2016)
recorded at:
Rumbo Recorders in Canoga Park, Los Angeles, California, United States
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 28) and VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 63)
recording of:
Eye of the Tiger
writer:
Jim Peterik and Frankie Sullivan (US guitarist and songwriter, member of Survivor)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Easy Action Music, Ensign Music Corporation, Holy Moley Music, Rude Music (publisher; do NOT use as release label), Rude Music Inc, Sony/ATV Harmony UK, Sony/ATV Melody, Three Wise Boys Music LLC, Warner Chappell North America Limited (UK-registered publishing company, affiliated with PRS), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (, until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Productions et Éditions Cinématographiques Françaises, Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing France, Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music Publishing (until 2017-03-31) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The 55th Academy Award for Best Original Song (number: 2)
Survivor4.454:05
3Dust in the Wind
additional engineer:
Terry Diane Becker (engineer)
engineer:
Jeff Glixman (from 1977-06 until 1977-07)
producer:
Jeff Glixman (in 1977-06)
acoustic guitar and electric guitar:
Kerry Livgren (from 1977-06 until 1977-07) and Rich Williams (guitarist of Kansas) (from 1977-06 until 1977-07)
bass guitar:
Dave Hope (from 1977-06 until 1977-07)
celesta, organ, synthesizer, vibraphone and lead vocals:
Steve Walsh (original lead singer of Kansas) (from 1977-06 until 1977-07)
cello, viola and violin [violins]:
Robby Steinhardt (from 1977-06 until 1977-07)
chimes, drums (drum set), gong and timpani:
Phil Ehart (from 1977-06 until 1977-07)
clavinet and synthesizer [synthesizers]:
Kerry Livgren (from 1977-06 until 1977-07)
percussion [additional percussion]:
Phil Ehart (from 1977-06 until 1977-07), Kerry Livgren (from 1977-06 until 1977-07) and Steve Walsh (original lead singer of Kansas) (from 1977-06 until 1977-07)
piano:
Kerry Livgren (from 1977-06 until 1977-07) and Steve Walsh (original lead singer of Kansas) (from 1977-06 until 1977-07)
background vocals:
Robby Steinhardt (from 1977-06 until 1977-07) and Steve Walsh (original lead singer of Kansas) (from 1977-06 until 1977-07)
arranger:
Kansas (US prog rock band)
phonographic copyright (℗) by:
Sony Music (global brand, excluding JP, owned by Sony Music Entertainment) (in 1976), CBS, Inc. (US broadcasting company; file no releases here!) (in 1977), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1977), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977) and CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1978)
recorded at:
Studio in the Country in Bogalusa, Louisiana, United States (from 1977-06 until 1977-07) and Woodland Studios in Nashville, Tennessee, United States (from 1977-06 until 1977-07)
mixed at:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, United States (in 1977-08)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 39)
recording of:
Dust in the Wind (from 1977-06 until 1977-07)
lyricist and composer:
Kerry Livgren
publisher:
Blackwood Music Publishing, Don Kirshner Music Inc., Kirshner CBS Music Publishing and Kirshner-Warner Bros Music Ltd.
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
adaptations:
As the Sun Rises
Kansas4.053:24
4Broken Wings
engineer:
Paul DeVilliers and Lois Oki
producer:
Paul DeVilliers and Mr. Mister (American pop rock band)
mixer:
Mick Guzauski and Mike Shipley (audio engineer, mixer, producer)
bass guitar and lead vocals:
Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
drums (drum set):
Pat Mastelotto
guitar:
Steve Farris (US session guitarist, member of Mr. Mister)
keyboard:
Steve George (US keyboardist for Mr. Mister & Pages)
vocals:
Steve George (US keyboardist for Mr. Mister & Pages)
phonographic copyright (℗) by:
BMG Entertainment International (in 1985), BMG Music (in 1985), BMG Music International (in 1985) and RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1985)
recording of:
Broken Wings
writer:
Steve George (US keyboardist for Mr. Mister & Pages), John Lang (US songwriter for Mr. Mister & Pages) and Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
publisher:
Ali‐Aja Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Entente Music (publisher; do NOT use as release label), Indolent Sloth Music, Panola Park Music, Poppy‐Due Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Mr Mister45:44
5Hearts
phonographic copyright (℗) by:
EMI Records (a J-Pop division of Universal Music Japan, 2014–present. Do not use for American/European music!) (from 1981 to present) and EMI America Records, Inc. (holding – file NO releases here!) (in 1981)
recording of:
Hearts
lyricist and composer:
Jesse Barish
publisher:
Great Pyramid Music, Mercury Shoes Music, Painted Desert Music Corporation, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
Marty Balin4:17
6How Can You Love Me
producer:
James Guthrie
bass:
Joe Puerta
clavinet and organ:
Christopher North
drums (drum set) and percussion:
Burleigh Drummond
guitar:
David Pack
background vocals:
Royce Jones
phonographic copyright (℗) by:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (in 1982)
recording of:
How Can You Love Me
writer:
David Pack and Joe Puerta
publisher:
Art Street Music and More Doors Music
Ambrosia4:02
7The Night Owls
engineer:
Geoff Emerick (British recording engineer) and Ernie Rose
producer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
bass and lead vocals:
Wayne Nelson (from 1981-04 until 1981-05)
drums (drum set):
Derek Pellicci (from 1981-04 until 1981-05)
electric guitar:
Beeb Birtles (from 1981-04 until 1981-05), David Briggs (producer, guitarist of Little River Band) (from 1981-04 until 1981-05) and Graham Goble (from 1981-04 until 1981-05)
piano:
Peter Jones (Australian pianist/composer) (from 1981-04 until 1981-05)
synthesizer:
Bill Cuomo (from 1981-04 until 1981-05)
vocals:
Graham Goble (from 1981-04 until 1981-05) and Glenn Shorrock (from 1981-04 until 1981-05)
remixer:
Little River Band and Ern Rose
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981) and Capitol Records (imprint of Capitol Records, Inc.) (in 2002)
recorded at:
Air Studios (Montserrat), West Indies in Saint Peter, Montserrat (from 1981-04 until 1981-05)
remixed at:
AAV (fka Armstrong Studios until 1974) in Melbourne, Victoria, Australia
recording of:
The Night Owls (from 1981-04 until 1981-05)
lyricist and composer:
Graeham Goble
publisher:
American Ragtime Music, Colgems-EMI Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), Music of the World (BMI publisher), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Songs of Universal, Inc. (BMI) and Universal/MCA Music Publishing Pty Ltd
Little River Band35:19
8Love the One You're With
engineer:
Andy Johns
producer:
Bill Halverson and Stephen Stills
bass:
Calvin Samuels (in 1970-03)
congas:
Jeff Whittaker (in 1970-03)
guitar, organ, percussion and lead vocals:
Stephen Stills (in 1970-03)
steelpan:
Stephen Stills
background vocals:
Rita Coolidge (in 1970-03), David Crosby (in 1970-03), Graham Nash (in 1970-03), Priscilla Jones (American folk, rock and pop singer) (in 1970-03) and John Sebastian (in 1970-03)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1970)
recorded at:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom (in 1970-03)
recording of:
Love the One You’re With (in 1970-03)
lyricist and composer:
Stephen Stills
publisher:
Sony/ATV Music Publishing LLC (1995–2020), Warner Chappell, ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and Gold Hill Music, Inc. (in 1970)
sub-publisher:
EMI Music Publishing Scandinavia AB (in 1997)
Stephen Stills3.53:05
9Genevieve
phonographic copyright (℗) by:
Asylum Records (Warner Music subsidiary) (in 1978)
recording of:
Genevieve
writer:
Andrew Gold and Brock Walsh (singer, producer, songwriter)
publisher:
Luckyu Music and Universal Music Corp. (USA, affiliated with ASCAP)
Andrew Gold4:38
10Life's Been Good
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1978)
recording of:
Life’s Been Good
lyricist and composer:
Joe Walsh (Eagles/James Gang)
publisher:
Wow & Flutter Music
Joe Walsh4.58:04
11Jojo
phonographic copyright (℗) by:
Sony Music (global brand, excluding JP, owned by Sony Music Entertainment) (in 1980)
recording of:
Jojo
lyricist:
David Lasley and Boz Scaggs
composer:
David Foster (Canadian music producer, arranger and composer) and Boz Scaggs
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), BMG Songs, Inc., Boz Scaggs Music (publisher), Foster Frees Music Inc., Irving Music (BMI), Irving Music, Inc., Kobalt Music Publishing Ltd. (UK) and Rondor Music
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Boz Scaggs4:07
12TWA Sari
phonographic copyright (℗) by:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (in 1983)
recording of:
T.W.A. Sari
writer:
Deborah Berg and Julian Marshall
publisher:
Intersong Music
Eye to Eye4:33
13Playin' It Cool
phonographic copyright (℗) by:
Elektra Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1984)
recording of:
Playin' It Cool
writer:
Josh Leo (songwriter, guitarist and producer, multi-instrumentalist, mixing engineer), Vince Melamed, Timothy B. Schmit and J.D. Souther
publisher:
Elektra/Asylum Music, Inc., Ice Age Music, Jasper Jeeters Music, Jeddrah Music and Mopage Music, Inc.
Timothy B. Schmit5:37
14Baby Come Back
phonographic copyright (℗) by:
PolyGram International Music B.V. (not for release label use!) (in 1977) and Universal International Music B.V. (company, do not use as label) (in 1977)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 7) and Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 24)
recording of:
Baby Come Back (Player song)
writer:
Peter Beckett (lead singer of Player) and J.C. Crowley
publisher:
BMG Music, Careers–BMG Music Publishing, Inc., Chappell, Crowbeck Music, Mighty Nice Music, R.S.O. Publishing, Touch of Gold Music, Inc., Unichappell Music, Inc., Universal Music Careers, Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) and 大洋音楽 (Taiyō Music)
Player4.354:08
15California Dreaming
phonographic copyright (℗) by:
Dunhill Records (in 1966)
recording of:
California Dreamin’
writer:
John Phillips (The Mamas & The Papas) and Michelle Phillips
publisher:
American Broadcasting Music, Inc., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Richt & Slezak OHG, Trousdale Music, Trousdale Music Publishers, Inc., Universal Music Corp. (USA, affiliated with ASCAP) and Universal/MCA Music Publishing GmbH
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Mamas & Papas2:37
16A Horse With No Name
engineer:
Robin Black (engineer) and Ken Scott (UK record producer & engineer)
additional producer:
America (US folk/soft rock band) and Jeff Dexter
producer:
America (US folk/soft rock band), Jeff Dexter, George Martin (producer, arranger, composer, conductor, audio engineer, and musician) and Ian Samwell
mixer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
12 string guitar:
Gerry Beckley (in 1971)
acoustic guitar and lead vocals:
Dewey Bunnell (in 1971)
bass guitar:
Dan Peek (in 1971)
drums (drum set):
Kim Haworth (in 1971)
percussion:
Ray Cooper (percussionist) (in 1971)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1971, in 1972), Warner Music (global imprint of Warner Music Group, ‘W’ logo either with “Warner Music” or no text) (in 1972) and Rhino Entertainment Company (not for release label use!) (in 2011)
recorded at:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1971)
recording of:
A Horse With No Name (in 1971)
lyricist and composer:
Dewey Bunnell
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music Ltd. (no slash; used 1988–1996) and WB Music Corp. (1929–2019)
live recording of:
A Horse With No Name
lyricist and composer:
Dewey Bunnell
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music Ltd. (no slash; used 1988–1996) and WB Music Corp. (1929–2019)
America4.254:09

Credits

Release

manufactured in:Germany
manufactured by:Warner Music Manufacturing Europe (manufacturing company; not for release label use!)
phonographic copyright (℗) by:East West France (in 1996)
Discogs:https://www.discogs.com/release/27044661 [info]