Sounds of the Seventies: Guitar Power

~ Release by Various Artists (see all versions of this release, 2 available)

Annotation

Release differs from http://musicbrainz.org/release/a47c2969-1e91-4d1d-a2b1-901042d0033f in tracks 4, 8, 10, 12 & 15.

Annotation last modified on 2012-12-24 00:00 UTC.

Tracklist

1CD
#TitleArtistRatingLength
1Cat Scratch Fever
recording of:
Cat Scratch Fever
lyricist and composer:
Ted Nugent
publisher:
IQ Music Ltd., Magicland Music and Round Hill Works
Ted Nugent3:07
2Saturday Night Special
miscellaneous support:
Artimus Pyle (Lynyrd Skynyrd member) and Ronnie Van Zant
engineer and producer:
Al Kooper
drums (drum set):
Artimus Pyle (Lynyrd Skynyrd member)
electric bass guitar and background vocals:
Leon Wilkeson
electric guitar:
Allen Collins, Ed King (US guitarist, bassist & songwriter) and Gary Rossington
keyboard:
Billy Powell
synthesizer:
Al Kooper
lead vocals:
Ronnie Van Zant
vocals:
Allen Collins
recorded at:
Studio One (Doraville, GA) in Doraville, Georgia, United States (in 1974-10)
recording of:
Saturday Night Special (in 1974-10)
miscellaneous support:
Artimus Pyle (Lynyrd Skynyrd member) and Ronnie Van Zant
writer:
Ed King (US guitarist, bassist & songwriter) and Ronnie Van Zant
Lynyrd Skynyrd4.25:07
3Let It Ride
assistant engineer:
Marc Sterling
engineer:
Buzz Richmond
producer:
Randy Bachman (Canadian guitarist, singer & songwriter)
bass and lead vocals:
C.F. Turner (from 1973-09 until 1973-10)
drums (drum set):
Robbie Bachman (from 1973-09 until 1973-10)
guitar [lead guitar]:
Randy Bachman (Canadian guitarist, singer & songwriter) (from 1973-09 until 1973-10)
guitar [second lead guitar]:
Tim Bachman (from 1973-09 until 1973-10)
percussion:
Rob Bachman (from 1973-09 until 1973-10)
background vocals:
C.F. Turner (from 1973-09 until 1973-10), Randy Bachman (Canadian guitarist, singer & songwriter) (from 1973-09 until 1973-10) and Tim Bachman (from 1973-09 until 1973-10)
phonographic copyright (℗) by:
Phonogram, Inc. (in 1973), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1973) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 1973)
recorded at:
Kaye–Smith Studios in Seattle, Washington, United States (from 1973-09 until 1973-10)
mixed at:
Kaye–Smith Studios in Seattle, Washington, United States
recording of:
Let It Ride (from 1973-09 until 1973-10)
writer:
C.F. Turner and R. Bachman (Canadian guitarist, singer & songwriter)
publisher:
Eventide Music, Ranbach Music (publisher), Sony Songs Inc. and Top Soil Music (publisher)
Bachman–Turner Overdrive54:26
4Lady Love
producer:
Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
bass guitar:
James Dewar
drums (drum set):
Reg Isidore
guitar:
Robin Trower
vocals:
James Dewar
recording of:
Lady Love
lyricist:
James Dewar
composer:
Robin Trower
Robin Trower3:19
5Paranoid
engineer:
Tom Allom and Brian Humphries
producer:
Rodger Bain (from 1970-06 until 1970-07)
drums (drum set) and percussion:
Bill Ward (from 1970-06-16 until 1970-06-21)
electric bass guitar:
Geezer Butler (from 1970-06-16 until 1970-06-21)
electric guitar:
Tony Iommi (from 1970-06-16 until 1970-06-21)
lead vocals:
Ozzy Osbourne (in 1970)
phonographic copyright (℗) by:
Gimcastle Ltd., Sanctuary Records Group Ltd. (not for release label use, for copyrights use only), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint), Castle Copyrights Ltd. (in 1970), Interworld Communications (in 1970), Sanctuary Copyrights Ltd. (in 1970) and Icarus Music (Argentinian metal label and distributor) (in 2006)
recorded at:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom (in 1970) and Regent Sound Studios in London (Greater London), England, United Kingdom (from 1970-06-16 until 1970-06-21)
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 4), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (number: 6), Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 13), TV Cream: Real 100 Best Singles Ever (number: 27), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, BILLIONS CLUB, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 250) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 338)
recording of:
Paranoid (from 1970-06-16 until 1970-07-08)
lyricist:
Geezer Butler
composer:
Geezer Butler, Tony Iommi, Ozzy Osbourne and Bill Ward
publisher:
Essex Music International Ltd., Essex Music International, Inc., TRO Essex Japan, A-Division, TRO Essex Music International, Inc., Tro-Andover Music, Inc. and Westminster Music Ltd. (in 1970)
Black Sabbath4.552:49
6Statesboro Blues
engineer:
Aaron Baron (engineer) and Larry Dahlstrom
producer:
Tom Dowd
mixer:
Jay Mark
acoustic guitar and slide guitar:
Duane Allman (on 1971-03-12)
bass:
Berry Oakley (US bassist, The Allman Brothers Band) (from 1971-03-11 until 1971-03-13)
drums (drum set):
Jai Johanny Johanson (from 1971-03-11 until 1971-03-13) and Butch Trucks (from 1971-03-11 until 1971-03-13)
drums (drum set) and percussion:
Jaimoe (on 1971-03-12) and Butch Trucks (on 1971-03-12)
electric bass guitar:
Berry Oakley (US bassist, The Allman Brothers Band) (on 1971-03-12)
guitar:
Duane Allman (from 1971-03-11 until 1971-03-13, on 1971-03-12) and Dickey Betts (from 1971-03-11 until 1971-03-13, on 1971-03-12)
organ:
Gregg Allman (from 1971-03-11 until 1971-03-13)
organ and piano:
Gregg Allman (on 1971-03-12)
vocals:
Gregg Allman (from 1971-03-11 until 1971-03-13, on 1971-03-12)
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 2003)
recorded at:
Fillmore East in East Village, New York, New York, United States (from 1971-03-11 until 1971-03-13, on 1971-03-12)
live cover recording of:
Statesboro Blues (from 1971-03-11 until 1971-03-13)
lyricist and composer:
Blind Willie McTell
publisher:
Peer International Corporation (BMI)
live cover recording of:
Statesboro Blues (on 1971-03-12)
lyricist and composer:
Blind Willie McTell
publisher:
Peer International Corporation (BMI)
live recording of:
Statesboro Blues (on 1971-03-12)
lyricist and composer:
Blind Willie McTell
publisher:
Peer International Corporation (BMI)
The Allman Brothers Band3.24:19
7Ready for Love
recording engineer and mixer:
Ron Nevison
engineer:
Ron Fawcus (task: tape operator)
producer:
Bad Company (British blues-rock supergroup)
bass:
Boz Burrell (English musician) (in 1973-11)
drums (drum set):
Simon Kirke (in 1973-11)
guitar and keyboard [keyboards]:
Mick Ralphs (in 1973-11)
vocals:
Paul Rodgers (in 1973-11)
phonographic copyright (℗) by:
Swan Song Inc. (in 1974)
recorded at:
Headley Grange (Grade II listed building, best known for its use as a recording and rehearsal venue in the 1960s–70s) in Hampshire, England, United Kingdom (in 1973-11)
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
cover recording of:
Ready for Love (in 1973-11)
lyricist and composer:
Mick Ralphs
publisher:
Badco Music, Inc.
Bad Company4.34:59
8Locomotive Breath
engineer:
John Burns (engineer/producer for Genesis)
executive producer:
Terry Ellis (UK producer & band manager)
producer:
Ian Anderson (of Jethro Tull) and Terry Ellis (UK producer & band manager)
acoustic guitar and flute and lead vocals:
Ian Anderson (of Jethro Tull) (on 1971-02-12)
bass guitar and treble recorder / alto recorder:
Jeffrey Hammond Hammond (on 1971-02-12)
drums (drum set) and percussion:
Clive Bunker (on 1971-02-12)
electric guitar and soprano recorder:
Martin Barre (on 1971-02-12)
Hammond organ, piano, piano accordion and synthesizer and mellotron, organ and piano:
John Evan (on 1971-02-12)
conductor:
Dee Palmer (aka David Palmer, of Jethro Tull) (on 1971-02-12)
remixer:
Robin Black (engineer)
orchestrator:
Dee Palmer (aka David Palmer, of Jethro Tull)
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1971)
recorded at:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1971-02-12)
remixed at:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, United Kingdom
recording of:
Locomotive Breath (on 1971-02-12)
lyricist and composer:
Ian Anderson (of Jethro Tull)
Jethro Tull4.454:25
9Under My Wheels
assistant recording engineer:
Joe Lopes (engineer)
recording engineer and engineer:
Brian Christian
executive producer:
Jack Richardson
producer:
Bob Ezrin
bass guitar:
Dennis Dunaway (original bass player for Alice Cooper)
drums (drum set):
Neal Smith (former Alice Cooper drummer)
guitar:
Michael Bruce (of Alice Cooper), Glen Buxton (American guitarist) and Rick Derringer
keyboard:
Michael Bruce (of Alice Cooper) and Bob Ezrin
lead vocals:
Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974)
horn arranger and strings [string] arranger:
Bob Ezrin
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1971) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1971)
produced for:
Alive Enterprises and Nimbus 9 Productions, Ltd.
recorded at:
RCA Studios (Chicago, 1969-1972) in Chicago, Illinois, United States
recording of:
Under My Wheels
writer:
Michael Bruce (of Alice Cooper), Dennis Dunaway (original bass player for Alice Cooper) and Bob Ezrin
publisher:
All by Myself Publishing Company, Almo Music Corp. (USA, affiliated with ASCAP), Bizarre Music Co. (US work publisher), BMG Platinum Songs US, Boosey & Hawkes (publisher; do NOT use as release label), Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., Ezra Music, Ezra Music Corp., Opus 19 Music, Primary Wave Music Publishing, Third Palm Music, Universal Music Publishing Group and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
Alice Cooper4.152:50
10Why Does Love Got to Be So Sad
executive producer:
Tom Dowd
producer:
Derek and the Dominos
bass guitar and percussion:
Carl Radle
drums (drum set) and percussion:
Jim Gordon (US drummer with Derek and the Dominos)
guitar:
Duane Allman
guitar family and lead vocals:
Eric Clapton
organ:
Bobby Whitlock
vocals:
Bobby Whitlock
arranger:
Derek and the Dominos
recorded at:
Criteria Studios in Miami, Florida, United States (on 1970-08-31)
recording of:
Why Does Love Got to Be So Sad? (on 1970-08-31)
writer:
Eric Clapton and Bobby Whitlock
publisher:
Casserole Music Corp., Delbon Music (publisher) (in 1973) and Throat Music (in 1973)
Derek and the Dominos3.254:44
11Ride with Me
Steppenwolf3:24
12Blues Power
recording engineer and engineer:
Bill Halverson
producer:
Delaney Bramlett
mixer:
Tom Dowd
bass:
Carl Radle (from 1969-11 until 1970-03)
drums (drum set):
Jim Gordon (US drummer with Derek and the Dominos) (from 1969-11 until 1970-03)
guitar:
Delaney Bramlett (from 1969-11 until 1970-03) and Eric Clapton (from 1969-11 until 1970-03)
organ:
Bobby Whitlock (from 1969-11 until 1970-03)
piano:
Leon Russell (from 1969-11 until 1970-03)
saxophone:
Bobby Keys (American saxophonist) (from 1969-11 until 1970-03)
trumpet:
Jim Price (horn session musician) (from 1969-11 until 1970-03)
vocals:
Jerry Allison (from 1969-11 until 1970-03), Bonnie Bramlett (from 1969-11 until 1970-03), Delaney Bramlett (from 1969-11 until 1970-03), Eric Clapton (from 1969-11 until 1970-03), Rita Coolidge (from 1969-11 until 1970-03) and Sonny Curtis (from 1969-11 until 1970-03)
arranger:
Delaney Bramlett
recorded at:
The Village Recorders (Village Studios, aka The Village Recorder) in Los Angeles, California, United States (from 1969-11 until 1970-03)
recording of:
Blues Power (from 1969-11 until 1970-03)
writer:
Eric Clapton and Leon Russell
publisher:
Irving Music, Inc.
Eric Clapton3.53:05
13Black Night
drums (drum set):
Ian Paice (in 1970-05)
electric bass guitar:
Roger Glover (in 1970-05)
electric guitar:
Ritchie Blackmore (in 1970-05)
Hammond organ:
Jon Lord (in 1970-05)
lead vocals:
Ian Gillan (in 1970-05)
recorded at:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, United Kingdom (in 1970-05)
recording of:
Black Night (in 1970-05)
writer:
Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord and Ian Paice
publisher:
EMI Music Publishing (do not use as a release label!), HEC Music and Henrees Music co.
sub-publisher:
EMI Music Publishing France, EMI Music Publishing Japan C.F. division (until 2021-06-30), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Deep Purple3:02
14Train, Train
recording of:
Train, Train
lyricist and composer:
Shorty Medlock
publisher:
BobNal Music
Blackfoot4.53:36
15Juke Box Music
recording of:
Juke Box Music
lyricist and composer:
Ray Davies (UK singer/songwriter, member of The Kinks)
The Kinks45:34
16Rocky Mountain Way
producer:
Bill Szymczyk and Joe Walsh (Eagles/James Gang)
bass guitar and guitar:
Kenny Passarelli (Bass, piano) (from 1972 until 1973) and Joe Walsh (Eagles/James Gang) (from 1972 until 1973)
drums (drum set), electric piano, percussion and piano:
Joe Vitale (from 1972 until 1973)
keyboard:
Rocke Grace (from 1972 until 1973), Joe Vitale (from 1972 until 1973) and Joe Walsh (Eagles/James Gang) (from 1972 until 1973)
synthesizer and lead vocals:
Joe Walsh (Eagles/James Gang) (from 1972 until 1973)
background vocals:
Rocke Grace (from 1972 until 1973) and Kenny Passarelli (Bass, piano) (from 1972 until 1973)
phonographic copyright (℗) by:
Geffen Records (in 1973)
recording of:
Rocky Mountain Way (from 1972 until 1973)
writer:
Rocke Grace, Kenny Passarelli (Bass, piano), Joe Vitale and Joe Walsh (Eagles/James Gang)
Joe Walsh45:13
17Blue Morning, Blue Day
engineer:
David DeVore and Keith Olsen (US producer and engineer)
producer:
Mick Jones (Foreigner/Spooky Tooth, worked in France), Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner) and Keith Olsen (US producer and engineer)
mixer:
Jimmy Douglass (engineer), Mick Jones (Foreigner/Spooky Tooth, worked in France) and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
bass guitar:
Ed Gagliardi (bass player (Foreigner))
drums (drum set):
Dennis Elliott
electric guitar [lead guitar] and background vocals:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
guitar:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
keyboard:
Al Greenwood
lead vocals:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
instruments arranger:
David Paich
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1978) and Rhino Entertainment Company (not for release label use!) (in 2009)
recorded at:
Sound City Studios in Van Nuys, California, United States (from 1977-12 until 1978-03)
recording of:
Blue Morning, Blue Day
writer:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) and Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Somerset Songs Publishing Inc., WB Music Corp. (1929–2019), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31), フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
Foreigner43:11
18Beggars Day
Crazy Horse4:27

Credits

Release group

part of:Sounds of the Seventies (Time-Life Music) (number: 23) (order: 23)