Simply the Best

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1▼CD
#TitoloArtistaValutazioneDurata
1A Kind of Magic
assistente tecnico:
Croydon (engineer)
tecnico:
David Richards (Swiss-based producer and engineer)
produttore:
Queen (UK rock group) e David Richards (Swiss-based producer and engineer)
batteria , batteria elettronica e drum machine :
Roger Taylor (Queen drummer)
chitarra basso :
John Deacon
chitarra elettrica :
Brian May (Queen guitarist)
sintetizzatore e voce di accompagnamento:
Freddie Mercury e Roger Taylor (Queen drummer)
voce principale:
Freddie Mercury
diritti fonografici (℗) detenuti da:
Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (nel 1986, nel 2011)
registrata presso:
Mountain Studios (original Montreux location, 1975–2002) in Montreux, Vaud (Canton Vaud), Svizzera (dal 1985-09 al 1986-04), Musicland Studios (Munich) in München (Munich), Bayern (Baviera), Germania (dal 1985-09 al 1986-04) e The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Regno Unito (dal 1985-09 al 1986-04)
registrazione di:
A Kind of Magic
paroliere e compositore:
Roger Taylor (Queen drummer)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) (nel 1986) e Queen Music Ltd. (nel 1986)
parte di:
We Will Rock You (Queen musical)
parte di:
We Will Rock You (German version of the Queen musical)
Queen3.854:23
2Higher Love
diritti fonografici (℗) detenuti da:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (nel 1986)
registrazione di:
Higher Love
autore:
Will Jennings e Steve Winwood
editore:
Blue Sky Rider (BMI-affiliated; associated with Will Jennings), CBS Songs Ltd., F.S. Music Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell North America e Willin' David Music
Steve Winwood4:14
3Up Where We Belong
produttore:
Stewart Levine (record producer and saxophonist)
batteria :
Leon Ndugu Chancler
chitarra :
Louie Shelton
percussione :
Paulinho da Costa (Brazilian percussionist)
tastiera :
Robbie Buchanan (Canadian producer) e Bobby Lyle
voce principale:
Joe Cocker e Jennifer Warnes
diritti fonografici (℗) detenuti da:
Island Records, Inc. (US) (nel 1982) e The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1982)
registrazione di:
Up Where We Belong (An Officer and a Gentleman)
paroliere:
Will Jennings
compositore:
Jack Nitzsche (American musician and score composer) e Buffy Sainte‐Marie
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Famous Chappell e Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
parte di:
The 55th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1982 winner)
Joe Cocker & Jennifer Warnes3.553:53
4Music
tecnico:
Alan Parsons (of The Alan Parsons Project) (dal 1975-11 al 1975-12)
produttore:
Alan Parsons (of The Alan Parsons Project)
basso :
Bob Marshall (bassist/songwriter, worked with John Miles) (dal 1975-11 al 1975-12)
chitarra , sintetizzatore , tastiera e voce principale:
John Miles (UK singer/songwriter/guitarist/keyboardist) (dal 1975-11 al 1975-12)
percussione :
Barry Black (dal 1975-11 al 1975-12)
diritti fonografici (℗) detenuti da:
The Decca Record Company Limited (for copyrights use only!) (nel 1976)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (dal 1975-11 al 1975-12)
parte di:
SWR1 Hitparade 2004 der Frauen (Baden-Württemberg) (numero: 5), SWR1 Hitparade 2005 der Württemberger (Baden-Württemberg) (numero: 6), SWR1 Hitparade 2004 der Männer (Baden-Württemberg) (numero: 7), SWR1 Hitparade 2005 der Badener (Baden-Württemberg) (numero: 7), SWR1 Hitparade 2010 (Baden-Württemberg) (numero: 7), SWR1 Hitparade 2011 (Baden-Württemberg) (numero: 7), SWR1 Hitparade 2016 (Baden-Württemberg) (numero: 7), SWR1 Hitparade 2009 (Baden-Württemberg) (numero: 8), SWR1 Hitparade 2013 (Baden-Württemberg) (numero: 8), SWR1 Hitparade 2007 (Baden-Württemberg) (numero: 9), SWR1 Hitparade 2008 (Baden-Württemberg) (numero: 9), SWR1 Hitparade 2012 (Baden-Württemberg) (numero: 9), SWR1 Hitparade 2014 (Baden-Württemberg) (numero: 9), SWR1 Hitparade 2017 (Baden-Württemberg) (numero: 9), SWR1 Hitparade 2019 (Baden-Württemberg) (numero: 9), SWR1 Hitparade 2022 (Baden-Württemberg) (numero: 9), SWR1 Hitparade 2023 (Baden-Württemberg) (numero: 9), SWR1 Hitparade 2015 (Baden-Württemberg) (numero: 10) e SWR1 Hitparade 2020 (Baden-Württemberg) (numero: 10)
registrazione di:
Music (dal 1975-11 al 1975-12)
paroliere e compositore:
John Miles (UK singer/songwriter/guitarist/keyboardist)
editore:
Velvet Music (John Miles)
John Miles4.45:53
5Don’t Dream It’s Over
tecnico di registrazione:
Tchad Blake e Dennis Kirk
assistente tecnico:
Glen Holguin (engineer)
produttore:
Mitchell Froom
tecnico di missaggio:
Michael Frondelli
basso :
Nick Seymour
batteria :
Paul Hester (Australian drummer for Crowded House/Split Enz)
chitarra elettrica [Gibson Les Paul Goldtop] e voce principale:
Neil Finn
chitarra elettrica [Tom Anderson “S” Style] :
Tim Pierce (US session guitarist)
congas , mbira [kalimba] e shaker :
Jorge Bermudez
organo e tastiera :
Mitchell Froom
voce di accompagnamento:
Noel Crombie, Jim Gilstrap, Andy Milton e Joe Satriani
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1986)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti e Sunset Sound Factory (1982–2017) in Hollywood, Los Angeles, California, Stati Uniti
mixata presso:
Studio 55 in Los Angeles, California, Stati Uniti
registrazione di:
Don’t Dream It’s Over
paroliere e compositore:
Neil Finn
editore:
Chrysalis Music (music publisher, ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Mushroom Music (Mushroom label’s publishing company), Mushroom Music Publishing e Roundhead Music (Neil Finn)
parte di:
APRA Top 100 New Zealand Songs of All Time (numero: 2)
Crowded House3.93:52
6Love Is a Battlefield
produttore:
Neil Geraldo, Peter Coleman e Peter Coleman (British engineer & producer)
tecnico di missaggio:
Neil Giraldo e Peter Coleman (British engineer & producer)
batteria :
Myron Grombacher
chitarra basso :
Roger Capps
chitarra elettrica :
Neil Giraldo
tastiera :
Charles Giordano (American keyboardist and accordionist)
voce:
Pat Benatar
voce principale:
Pat Benatar
diritti fonografici (℗) detenuti da:
EMI Records (UK label renamed from Virgin EMI Records in 2020), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1983) e Chrysalis Records, Inc. (not for release label use!) (nel 1983, nel 1984)
registrata presso:
MCA Whitney Recording Studios in Glendale, California, Stati Uniti (nel 1983)
mixata presso:
MCA Whitney Recording Studios in Glendale, California, Stati Uniti
registrazione di:
Love Is a Battlefield
autore:
Mike Chapman (Australian producer and songwriter) e Holly Knight
editore:
BMG Gold Songs, BMG Music, BMG Music Pbl. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Island Music Ltd., Universal Music–MGB Songs, Warner Chappell, Warner/Chappell Music Ltd. (1996–2019), Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) e Zomba Music Publishing Ltd.
Pat Benatar4.14:09
7Africa
tecnico di registrazione:
Al Schmitt
produttore:
Toto (US rock group)
tecnico di missaggio:
Greg Ladanyi
batteria e gong :
Jeff Porcaro
chitarra e chitarra elettrica :
Steve Lukather
chitarra acustica :
Timothy B. Schmit
chitarra basso :
David Hungate
congas :
Lenny Castro
flauto dolce :
Jim Horn (saxophonist, hornist, flutist and oboist)
marimba :
Joe Porcaro
percussione :
Lenny Castro e Joe Porcaro
sintetizzatore :
Steve Porcaro
tastiera e pianoforte :
David Paich
voce di accompagnamento:
Bobby Kimball, Steve Lukather, David Paich e Timothy B. Schmit
voce principale:
Bobby Kimball e David Paich
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1982), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1982), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1982) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1982, nel 1983)
video musicali:
Africa di Toto (US rock group)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 105) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 452)
registrazione di:
Africa (Toto)
autore:
Jeffrey Porcaro e David Paich
editore:
Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK), Rising Storm Music, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) e Spirit Two Music
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Toto4.154:58
8Wonderful Life
produttore:
Dave Dix (Dave Dix)
diritti fonografici (℗) detenuti da:
A&M Records, Ltd. (nel 1987)
video musicali:
Wonderful Life di Black (UK indie pop musician Colin Vearncombe)
registrazione di:
Wonderful Life
paroliere e compositore:
Colin Vearncombe
editore:
Rondor Music Ltd. (publisher)
Black4.354:50
9Boat on the River
tecnico:
Rob Kingsland e Gary Loizzo
produttore:
Styx (rock band from Chicago)
diritti fonografici (℗) detenuti da:
A&M Records, Inc. (nel 1979)
registrata presso:
Pumpkin Studios in Oak Lawn, Illinois, Stati Uniti
registrazione di:
Boat on the River
paroliere e compositore:
Tommy Shaw (of Styx)
editore:
Almo Music Corp. (USA, affiliated with ASCAP) e Stygian Songs (publishing company for the rock band Styx)
Styx3.53:12
10I Want to Know What Love Is
assistente tecnico:
Bobby Cohen (engineer), Tim Crich e Scott "Abada" Mabuchi
tecnico:
Frank Filipetti
tecnico aggiunto:
Josh Abbey, Larry Alexander (producer/engineer), Jason Corsaro (U.S. music engineer, and record producer), Joe Ferla e Howie Lindeman
produttore:
Mick Jones (Foreigner/Spooky Tooth, worked in France) e Alex Sadkin
batteria :
Dennis Elliott
chitarra basso :
Rick Wills
chitarra elettrica :
Mick Jones (Foreigner/Spooky Tooth, worked in France)
tastiera aggiunto:
Tom Bailey (Thompson Twins)
cori:
The New Jersey Mass Choir
voce aggiuntiva:
Jennifer Holliday
voce di accompagnamento:
Donnie Harper, Mick Jones (Foreigner/Spooky Tooth, worked in France) e Rick Wills
voce principale:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1984), Warner Music International (trademark of Warner Music International the company) (nel 1984), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984) e Rhino Entertainment Company (not for release label use!) (nel 2009)
registrata in aggiunta presso:
Right Track Recording in Manhattan, New York, New York, Stati Uniti
registrata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti
mixata presso:
Right Track Recording in Manhattan, New York, New York, Stati Uniti
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 65), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 205) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 476)
registrazione di:
I Want to Know What Love Is
paroliere e compositore:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
editore:
Evansongs Ltd. (publisher), Somerset Songs Publishing Inc., Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Fujipacific Music inc. (fino al 2014-12-31) e Fujipacific Music, Inc. (dal 2015-01-01 a oggi)
Foreigner44:57
11Broken Wings
tecnico:
Paul DeVilliers e Lois Oki
produttore:
Paul DeVilliers e Mr. Mister (American pop rock band)
tecnico di missaggio:
Mick Guzauski e Mike Shipley (audio engineer, mixer, producer)
batteria :
Pat Mastelotto
chitarra :
Steve Farris (US session guitarist, member of Mr. Mister)
chitarra basso e voce principale:
Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
tastiera :
Steve George (US keyboardist for Mr. Mister & Pages)
voce:
Steve George (US keyboardist for Mr. Mister & Pages)
diritti fonografici (℗) detenuti da:
BMG Entertainment International (nel 1985), BMG Music (nel 1985), BMG Music International (nel 1985) e RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1985)
registrazione di:
Broken Wings
autore:
Steve George (US keyboardist for Mr. Mister & Pages), John Lang (US songwriter for Mr. Mister & Pages) e Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
editore:
Ali‐Aja Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Entente Music (publisher; do NOT use as release label), Indolent Sloth Music, Panola Park Music, Poppy‐Due Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Mr. Mister45:37
12Nick of Time
tecnico di registrazione e tecnico di missaggio:
Ed Cherney
produttore:
Don Was
batteria e percussione :
Ricky Fataar
chitarra :
Michael Landau
chitarra basso :
Hutch Hutchinson (American bassist)
congas :
Paulinho da Costa (Brazilian percussionist)
pianoforte :
Bonnie Raitt
voce:
Bonnie Raitt
voce di accompagnamento:
Arnold McCuller e Sir Harry Bowens
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 2005)
registrazione di:
Nick of Time
paroliere e compositore:
Bonnie Raitt
editore:
Kokomo Music (nel 1989)
Bonnie Raitt4.53:48
13Out of Touch
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1984)
registrazione di:
Out of Touch
paroliere e compositore:
Daryl Hall e John Oates
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Gelfand, Rennert & Feldman, Hot Cha Music Co., Intersong Music, Unichappell Music, Inc., Warner Chappell North America Limited (UK-registered publishing company, affiliated with PRS), Warner/Chappell Music, Inc. e Warner/Chappell North America
Hall & Oates53:56
14Wind Him Up
registrazione di:
Wind Him Up
autore:
Ian Crichton, Jim Crichton, James Gerrard Gilmour, Steve Negus e Michael Sadler
editore:
Rocker-Fella-Productions And Songs Ltd. e Corcoran-Busic Management Inc. (nel 1981)
Saga5:45
15Amanda
tecnico e produttore:
Tom Scholz
arpeggione [guitar violins] , chitarra acustica , chitarra basso , chitarra elettrica , effetti , organo da teatro , organo Hammond , pianoforte a coda e pianoforte elettrico :
Tom Scholz (dal 1980 al 1981)
batteria :
Jim Masdea (dal 1980 al 1981) e Tom Scholz (dal 1980 al 1981)
voce principale:
Brad Delp (dal 1980 al 1981)
arrangiatore:
Tom Scholz
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1986) e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1986)
registrata presso:
Tom Scholz Hideaway Studio II in Massachusetts, Stati Uniti (dal 1980 al 1981)
registrazione di:
Amanda (dal 1980 al 1981)
paroliere e compositore:
Tom Scholz
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated) e Hideaway Hits (nel 1986)
Boston4.354:18
16The Final Countdown
produttore:
Kevin Elson
diritti fonografici (℗) detenuti da:
CBS Records AB (SE subsidiary of CBS Records, renamed Sony Music Entertainment (Sweden) AB in 1991) (nel 1986), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1986), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1986), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1987) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1987)
registrazione di:
The Final Countdown
paroliere e compositore:
Joey Tempest (Swedish singer)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI (EMI Records, or EMI Music only if there is no other imprint), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Sweden AB (not for release label use! SE subsidiary of EMI), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Seven Doors Music
Europe4.23:58
2▼CD
#TitoloArtistaValutazioneDurata
1Take On Me
programmazione degli strumenti:
Magne Furuholmen
produttore:
Alan Tarney
tecnico di missaggio:
a‐ha (Norwegian synth‐pop band) e John Ratcliff
chitarra e drum machine :
Paul Waaktaar-Savoy
tastiera :
Magne Furuholmen
voce di accompagnamento:
Magne Furuholmen e Paul Waaktaar-Savoy
voce principale:
Morten Harket
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1985, nel 2004)
video musicali:
Take On Me (2019 4K remaster of 1985 mix with diegetic audio) di a‐ha (Norwegian synth‐pop band) e Take On Me (official music video, 1985 version) di a‐ha (Norwegian synth‐pop band)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 3), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 24), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 26), BILLIONS CLUB e The Downloader’s Music Source Book (numero: 284)
registrazione di:
Take On Me
autore:
Magne Furuholmen, Morten Harket e Paul Waaktaar-Savoy
editore:
ATV Music Ltd. e EMI Music Publishing (do not use as a release label!)
versione di:
Miss Eerie
a‐ha4.53:48
2The Best
tecnico:
Chris Lord‐Alge
produttore:
Dan Hartman e Tina Turner
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1989)
edit di:
The Best di Tina Turner
video musicali:
The Best di Tina Turner
registrazione cover di:
The Best
autore:
Holly Knight e Michael Chapman (Australian producer and songwriter)
editore:
EMI Music (do not use as release label! this is a music publisher), Hebbes Music Group Pty. Ltd., Island Music Ltd., Knighty-Knight Music, Mike Chapman Publishing Enterprises, Rondor Music (Australia), Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Warner Chappell e Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tina Turner3.94:11
3Sweet Sixteen
tecnico:
Dave Concors, Neil Dorfsman e Dave Wittman
produttore:
Keith Forsey (drummer, producer and songwriter)
assistente tecnico di missaggio:
Craig Vogel
tecnico di missaggio:
Gary Langan
basso :
Marcus Miller (jazz musician) (nel 1986)
batteria e tastiera :
Keith Forsey (drummer, producer and songwriter) (nel 1986)
chitarra :
Billy Idol (English rock singer‐songwriter) (nel 1986) e Steve Stevens (US guitarist and songwriter) (nel 1986)
voce principale:
Billy Idol (English rock singer‐songwriter) (nel 1986)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1986), BMG Ariola München GmbH (nel 1987) e Chrysalis Records, Inc. (not for release label use!) (nel 1987)
registrata presso:
Right Track Studios in Manhattan, New York, New York, Stati Uniti (nel 1986)
mixata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti
video musicale per:
Sweet Sixteen di Billy Idol (English rock singer‐songwriter)
registrazione di:
Sweet Sixteen (nel 1986)
paroliere e compositore:
Billy Idol (English rock singer‐songwriter)
editore:
Boneidol Music, Chrysalis Music Group Inc., Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Rare Blue Music e Rare Blue Music Inc
Billy Idol44:14
4Walking in Memphis
tecnico di registrazione, tecnico e tecnico di missaggio:
Ben Wisch
produttore:
Marc Cohn e Ben Wisch
basso e organo :
John Leventhal
batteria :
Dennis McDermott
chitarra :
Marc Cohn e John Leventhal
organo Hammond :
Chris Palmaro
tastiera :
Eric Rehl
voce:
Marc Cohn
voce di accompagnamento:
Vivian Cherry, Dennis Collins (backing vocalist), Ada Dyer (American soul singer) e Darryl Tookes
voce di accompagnamento ospite:
James Taylor (singer-songwriter and guitarist)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1991), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1991) e Warner Music H.K. Ltd. (nel 1997)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 415)
registrazione di:
Walking in Memphis
paroliere e compositore:
Marc Cohn
editore:
BMG Music e Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Marc Cohn44:16
5Baker Street
basso :
Gary Taylor (UK bassist/songwriter/vocalist, member of Herd/Fox/Stealers Wheel) (nel 1977)
batteria :
Henry Spinetti (nel 1977)
chitarra [lead guitar] :
Hugh Burns (nel 1977)
chitarra [rhythm guitar] :
Nigel Jenkins (nel 1977)
percussione :
Glen LeFleur (nel 1977)
sassofono :
Raphael Ravenscroft (nel 1977)
tastiera :
Tommy Eyre (nel 1977)
voce principale:
Gerry Rafferty (nel 1977)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1978, nel 1980), Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (nel 1978) e United Artists Music and Records Group, Inc. (UAMARG, Inc.) (nel 1978)
registrata presso:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Regno Unito (nel 1977)
edit di:
Baker Street di Gerry Rafferty
registrazione di:
Baker Street (nel 1977)
paroliere e compositore:
Gerry Rafferty
editore:
B Music, Belfern Ltd., EMI Music Publishing (do not use as a release label!), EMI Publishing Ltd., Icon Music Ltd., Island Music Ltd., Mushroom Music Pty. Ltd., Music of Stage Three, PolyGram Music Publishing, PolyGram Music Publishing Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Stage Three Music Ltd., Stage Three Music Publishing Limited, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Songs (publisher) e Universal–Songs of PolyGram International, Inc.
Gerry Rafferty4.154:06
6Moonlight Shadow
tecnico:
Nigel Luby
produttore:
Mike Oldfield e Simon Phillips (rock drummer)
batteria :
Simon Phillips (rock drummer) (dal 1982-11 al 1983-04)
chitarra acustica, chitarra elettrica e sintetizzatore :
Mike Oldfield (dal 1982-11 al 1983-04)
chitarra basso :
Phil Spalding (dal 1982-11 al 1983-04)
voce:
Maggie Reilly (dal 1982-11 al 1983-04)
diritti fonografici (℗) detenuti da:
Mike Oldfield (nel 2013)
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1983) e Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1983)
registrata presso:
Denham Studios (dal 1982-11 al 1983-04)
registrazione di:
Moonlight Shadow (dal 1982-11 al 1983-04)
paroliere e compositore:
Mike Oldfield
editore:
EMI Virgin Music Publishing Australia P/L, Mushroom Music Pty. Ltd., Oldfield Music Ltd., Virgin Music (Publishers) Ltd. e Virgin Music Publishing Ltd. (nel 1983)
Mike Oldfield3.93:36
7Year of the Cat
produttore:
Alan Parsons (of The Alan Parsons Project)
diritti fonografici (℗) detenuti da:
Al Stewart (UK folk singer/songwriter) (nel 1976)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1981)
mixata presso:
Davlen Sound Studios in North Hollywood, Los Angeles, California, Stati Uniti
parte di:
Paste: The 25 Greatest Yacht Rock Songs of All Time (numero: 13)
registrazione di:
Year of the Cat
autore:
Al Stewart (UK folk singer/songwriter) e Peter Wood (UK keyboardist/pianist)
editore:
Carlin Music Corporation, Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Gwyneth Music Ltd., Pepper Music Inc., PolyGram Music Publishing, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal Songs (publisher), Universal–Songs of PolyGram International, Inc., Victoria Music Ltd., Victoria Music Publishing Co. Ltd., Warner/Chappell Music Australia Pty. Ltd. e Warner/Chappell Music Ltd. (1996–2019)
Al Stewart4.36:34
8I Can Hear Your Heartbeat
tecnico:
Justin Shirley‐Smith
produttore:
Jon Kelly (engineer at Air London Studios) e Chris Rea
registrazione di:
I Can Hear Your Heartbeat
paroliere e compositore:
Chris Rea
editore:
Magnet Music Ltd. (publisher)
Chris Rea53:26
9Unchain My Heart
registrazione cover di:
Unchain My Heart
paroliere e compositore:
Bobby Sharp
autore:
Teddy Powell
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e B Sharp Music (owned by Bobby Sharp, for publisher and copyrights use) (nel 1987)
parte di:
The Real Book (compilation of jazz standards, Volume I)
Joe Cocker3:28
10We Built This City
assistente tecnico:
Paul Ericksen (recording engineer)
tecnico:
Jeremy Smith (producer/engineer)
produttore:
Jeremy Smith (producer/engineer) e Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
tecnico di missaggio:
Bill Bottrell
altra voce [DJ voice]:
Les Garland (American entertainment executive) (nel 1985)
arrangiatore:
Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1985) e RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1985)
mixata presso:
Fantasy Studios (Berkeley) in Berkeley, California, Stati Uniti
remixata presso:
The Soundcastle (former LA location) in Silver Lake, Los Angeles, California, Stati Uniti
registrazione di:
We Built This City (nel 1985)
autore:
Dennis Lambert, Martin Page, Bernie Taupin e Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
editore:
BMG Music, BMG Songs, Inc., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Concord Copyrights London Limited, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Little Mole Music, Petwolf Music, Tuneworks Music Co., Universal Music Careers, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal Music–MGB Songs, Warner/Chappell Music Ltd. (1996–2019), Zomba Enterprises (ASCAP-affiliated) e Zomba Enterprises, Inc.
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Starship44:50
11The Power of Love
tecnico di registrazione:
Jim Gaines e Robert Missbach
assistente tecnico:
Rob Beaton, Alex Haas (Trance remixer/producer. Member of Cypher 7), Tom Size (US audio engineer) e Jim “Watts” Vereecke
tecnico aggiunto:
Michael Christopher (engineer), Phil Kaffel e Malcolm Pollack
produttore:
Bob Clearmountain, Jellybean (US producer John Benitez) e Huey Lewis and the News (American pop rock band)
tecnico di missaggio:
Robert Missbach
armonica (a bocca) :
Huey Lewis
batteria e percussione :
Bill Gibson (US drummer for Huey Lews & the News)
chitarra :
Johnny Colla (US sax & guitarist for Huey Lewis & the News) e Chris Hayes (US rock guitarist & singer (Huey Lewis & The News))
chitarra basso :
Mario Cipollina
sassofono :
Johnny Colla (US sax & guitarist for Huey Lewis & the News)
tastiera :
Sean Hopper (US Keyboardist for Huey Lewis & the News)
voce:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Bill Gibson (US drummer for Huey Lews & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)), Sean Hopper (US Keyboardist for Huey Lewis & the News) e Huey Lewis
diritti fonografici (℗) detenuti da:
Chrysalis Records, Inc. (not for release label use!) (nel 1984, nel 1985) e Chrysalis (nel 1985)
registrata presso:
Fantasy Studios (Berkeley) in Berkeley, California, Stati Uniti, Studio D Recording in Sausalito, California, Stati Uniti e The Plant Studios (1981–2008) in Sausalito, California, Stati Uniti
mixata presso:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti
video musicali:
The Power of Love (full length) di Huey Lewis and the News (American pop rock band)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 108)
registrazione di:
The Power of Love (Back to the Future)
autore:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)) e Huey Lewis
editore:
Cause and Effect Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Huey Lewis Music, Hulex Music (publisher), Kinda Blue Music, Mushroom Music (Mushroom label’s publishing company) e WB Music Corp. (1929–2019)
sub-editore:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
parte di:
The 58th Academy Award for Best Original Song (numero: 2)
parte di:
Back to the Future: the Musical
Huey Lewis & the News43:55
12Just the Way It Is, Baby
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1990), WEA International (imprint of WEA International Inc., not likely used since ca. 1990) (nel 1990) e Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US) (nel 1991)
registrazione di:
Just the Way It Is, Baby
autore:
Phil Solem e Danny Wilde (The Rembrandts, Great Buildings & The Quick)
editore:
Poppy‐Due Music (publisher; do NOT use as release label), Tiger God Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e WB Music Corp. (1929–2019)
The Rembrandts44:08
13Solsbury Hill
tecnico di registrazione:
Brian Christian
tecnico di registrazione aggiunto:
Jim Frank, Keith Grant (classical recording engineer), Dave Harris (Recording engineer at Morgan Studios, London), Rod O’Brien, Robert Hrycyna e Robert Stasiak
programmazione:
Larry Fast (American synthesizer player and composer)
produttore:
Bob Ezrin
banjo e chitarra classica :
Robert Fripp
basso e tuba :
Tony Levin (US rock bassist/Chapman Stick)
batteria :
Allan Schwartzberg
chitarra e chitarra elettrica :
Robert Fripp e Steve Hunter (rock guitarist)
chitarra acustica e chitarra pedal steel :
Steve Hunter (rock guitarist)
flauto e flauto dolce :
Peter Gabriel (formerly of Genesis)
ossa e percussione :
Jimmy Maelen (percussion)
sintetizzatore :
Larry Fast (American synthesizer player and composer)
tastiera :
Jozef Chirowski e Peter Gabriel (formerly of Genesis)
voce:
Peter Gabriel (formerly of Genesis)
diritti fonografici (℗) detenuti da:
Charisma Records (nel 1977) e Peter Gabriel Ltd. (UK record and music publishing company associated with Peter Gabriel) (nel 1977)
registrata in aggiunta presso:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito e Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Regno Unito
registrata presso e mixata presso:
Sound Stage (Nimbus 9 Studios) in Toronto, Ontario, Canada
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 472)
registrazione di:
Solsbury Hill
paroliere e compositore:
Peter Gabriel (formerly of Genesis)
editore:
Ear Pieces, EMI Music Publishing Ltd. (PRS‐affiliated), EMI Virgin Music Publishing Australia Pty Ltd, Hit & Run Music, Intersong Music, Pentagon Lipservices Real World e Real World Music, Ltd.
Peter Gabriel4.54:21
14Vienna
registrazione dal vivo di:
Vienna
autore:
Warren Cann, Chris Cross (UK bassist for Ultravox), Billy Currie e Midge Ure
editore:
Hot Food Music Ltd., Jump Jet Music Ltd., Mood Music Ltd. (publisher) e Sing Sing Songs Ltd.
Ultravox5:00
15Don’t Get Me Wrong
tecnico:
Bruce Lampcov
produttore:
Bob Clearmountain e Jimmy Iovine
tecnico di missaggio:
Bob Clearmountain
basso :
Chucho Merchán
batteria e percussione :
Steve Jordan (US drummer/multi-instrumentalist, composer & producer)
chitarra :
Chrissie Hynde (rock singer-songwriter and founder of Pretenders) e Robbie McIntosh (English guitarist for The Pretenders)
pianoforte e sintetizzatore :
Wix (UK / Paul Wickens)
voce:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
diritti fonografici (℗) detenuti da:
WEA Records Ltd. (holding company based in the UK) e Warner Music UK Ltd. (not for release label use!) (nel 2007)
registrazione di:
Don’t Get Me Wrong
paroliere e compositore:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
editore:
Clive Banks Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Hynde House of Hits Music
The Pretenders4.23:48
16C’est la vie
registrazione di:
C’est la vie
autore:
Mark Holding, Robbie Nevil e Duncan Pain (songwriter)
editore:
AFG House Music, BMG Bumblebee (A BMI-affiliated publishing entity of BMG Rights Management), Colgems-EMI Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dresden China Music (A), EMI Music Publishing (do not use as a release label!), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), PolyGram Music Publishing, Universal‐MCA Music Publishing (US), Warner/Chappell Music Ltd. (1996–2019) e WC Music Corp.
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 BMG事業部 (fino al 2014-12-31) e フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (dal 2015-01-01 a oggi)
Robbie Nevil53:26
17Centerfold
tecnico:
Dave Thoener
produttore:
Seth Justman
arrangiatore:
Seth Justman
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1981), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1981) e EMI Catalog (nel 2006)
registrata presso:
Long View Farm in North Brookfield, Massachusetts, Stati Uniti
mixata presso:
Mix Room, Record Plant (NYC) in New York, New York, Stati Uniti
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 38), Billboard: Greatest of All Time Hot 100 Songs (numero: 73) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 314)
registrazione di:
Centerfold (song by The J. Geils Band)
paroliere e compositore:
Seth Justman
editore:
Center City Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Pal-Park Music, Rondor Music (London) Ltd., Warner Chappell Music Publishing Ltd. (no slash in name; in use since 2019‐05‐16) e Warner/Chappell Music Ltd. (1996–2019)
The J. Geils Band43:35
18You’re the Voice
tecnico di registrazione e tecnico di missaggio:
Doug Brady (engineer)
programmazione degli strumenti:
Dave (Australian score composer), Jack e Ross
assistente tecnico:
Michael Wickow (engineer)
produttore:
Ross Fraser
basso senza tasti :
Roger McLachlan
chitarra :
Brett Garsed
sintetizzatore [Fairlight] e tastiera :
David Hirschfelder (Australian score composer)
voce di accompagnamento:
Rozzi Bazzani, Helen Cornish, Penny Dyer, David Hirschfelder (Australian score composer), Colin Setches, Mal Stainton e Sandy Weekes
voce principale:
Whispering Jack
arrangiatore:
John Farnham, Ross Fraser e David Hirschfelder (Australian score composer)
diritti fonografici (℗) detenuti da:
BMG Arista / Ariola Limited (not for release label use! manufacters and distributors operating in Australasia) (nel 1986), BMG Australia Limited (not for release label use!) (nel 1986), Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (nel 1986), Wheatley Records Pty. Ltd. (nel 1986) e RCA/Ariola (nel 1987)
registrata presso e mixata presso:
AAV Studios (fka Armstrong Studios until 1974) in Melbourne, Victoria, Australia
registrazione di:
You’re the Voice
autore:
Andy Qunta, Keith Reid, Maggie Ryder e Chris Thompson (vocalist with Manfred Mann’s Earth Band)
editore:
A&G Songs Ltd., Almo Music Corp. (USA, affiliated with ASCAP), Bluebeard Music Ltd., BMG Music, Bucks Music Group Ltd. (Bucks Music Group), Concord Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), CT Music (publisher), CT Music Ltd., David Platz Music Scandinavia AB, Fable Music Pty. Ltd., Imagem Songs Ltd., Polygram Music, PolyGram Music Publishing Ltd., Rondor, Rondor Music, Rondor Music (Australia) P/L, Rondor Music (Australia) Pty Ltd, Rondor Music (London) Ltd., Rondor Music Ltd. (publisher), Universal Music (plain logo: “Universal Music”), Universal Music Publishing (use ONLY if no country‐specific information is available) e Universal Music Publishing AB (Sweden)
John Farnham4.15:05

Accreditamenti

Pubblicazione

fabbricata a:Paesi Bassi, Kingdom of the Netherlands
stampata a:Paesi Bassi, Kingdom of the Netherlands
distribuito da e commercializzata da:EMI (EMI Records, or EMI Music only if there is no other imprint)
diritti fonografici (℗) detenuti da:EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002) (nel 1993)
Discogs:https://www.discogs.com/release/2783527 [info]
ASIN:DE: B000025VOI [info]