The Eighties Album

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1▼CD
#TitoloArtistaValutazioneDurata
1Under Pressure
produttore:
David Bowie (English singer‐songwriter) e Queen (UK rock group)
registrazione di:
Under Pressure
autore:
David Bowie (English singer‐songwriter), Brian May (Queen guitarist), John Deacon, Freddie Mercury e Roger Taylor (Queen drummer)
editore:
Beechwood Music Corp., Bewlay Bros. Music, Jones Music (publishers associated with David Bowie), Mainman S.A. (not for release label use! © & ℗ rights use only), Mainman Saag (New York), Queen Music Ltd., RZO Music Ltd, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30), EMI Music Publishing Ltd. (PRS‐affiliated) (nel 1981), Tintoretto Music (nel 1981) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
parte di:
We Will Rock You (Queen musical)
parte di:
We Will Rock You (German version of the Queen musical)
Queen & David Bowie4:05
2When Doves Cry
tecnico di registrazione:
David Leonard (US producer and engineer) (il 1984-03-01) e Peggy Mac (il 1984-03-01)
produttore:
Prince (“The Artist Formerly Known as…”)
chitarra elettrica , drum machine [Linn LM-1] , sintetizzatore [Oberheim OB-Xa] , sintetizzatore [Yamaha DX7] , voce di accompagnamento e voce principale:
Prince (“The Artist Formerly Known as…”) (il 1984-03-01)
esecutore:
Prince (“The Artist Formerly Known as…”) (il 1984-03-01)
arrangiatore:
Prince (“The Artist Formerly Known as…”)
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1984) e NPG Records, Inc. (nel 2017)
registrata presso:
Sunset Sound in Hollywood, Los Angeles, California, Stati Uniti (il 1984-03-01)
edit di:
When Doves Cry di Prince (“The Artist Formerly Known as…”) and The Revolution (founded by Prince)
registrazione di:
When Doves Cry (il 1984-03-01)
paroliere e compositore:
Prince (“The Artist Formerly Known as…”)
editore:
Because Éditions e Controversy Music
Prince4.53:50
3Take On Me
programmazione degli strumenti:
Magne Furuholmen
produttore:
Alan Tarney
tecnico di missaggio:
a‐ha (Norwegian synth‐pop band) e John Ratcliff
chitarra e drum machine :
Paul Waaktaar-Savoy
tastiera :
Magne Furuholmen
voce di accompagnamento:
Magne Furuholmen e Paul Waaktaar-Savoy
voce principale:
Morten Harket
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1985, nel 2004)
video musicali:
Take On Me (2019 4K remaster of 1985 mix with diegetic audio) di a‐ha (Norwegian synth‐pop band) e Take On Me (official music video, 1985 version) di a‐ha (Norwegian synth‐pop band)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 3), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 24), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 26), BILLIONS CLUB e The Downloader’s Music Source Book (numero: 284)
registrazione di:
Take On Me
autore:
Magne Furuholmen, Morten Harket e Paul Waaktaar-Savoy
editore:
ATV Music Ltd. e EMI Music Publishing (do not use as a release label!)
versione di:
Miss Eerie
a‐ha4.53:47
4Don’t Leave Me This Way
esecutore:
Sarah Jane Morris e The Communards (nel 1986)
registrazione cover di:
Don’t Leave Me This Way (Harold Melvin & The Blue Notes song) (nel 1986)
autore:
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Communards with Sarah Jane Morris34:48
5Chain Reaction
assistente tecnico:
Scott Glasel e John Haig (engineer)
tecnico:
Jack Joseph-Puig, Karl Richardson e Brian Tench
produttore:
Albhy Galuten, Barry Gibb e Karl Richardson
tecnico di missaggio:
Jack Joseph-Puig
diritti fonografici (℗) detenuti da:
Barry Gibb (nel 1985), Maurice Gibb (nel 1985) e Robin Gibb (nel 1985)
registrata presso:
Middle Ear Studio in Miami Beach, Florida, Stati Uniti
registrazione di:
Chain Reaction
compositore:
Barry Gibb, Maurice Gibb e Robin Gibb
editore:
BMG Music Publishing Ltd. e Gibb Brothers Music
Diana Ross4.353:48
6I Don’t Wanna Lose You
tecnico:
Mike Ging e Tommy Vicari
produttore:
Roger Davies (producer), Albert Hammond e Graham Lyle
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1989) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 2004)
registrazione di:
I Don’t Wanna Lose You
autore:
Albert Hammond e Graham Lyle
Tina Turner2.84:14
7Karma Chameleon
tecnico:
Simon Humphrey, Gordon Milne (engineer) e Mike Ross‐Trevor (engineer)
produttore:
Steve Levine (producer)
tecnico di missaggio:
Steve Levine (producer) e Jon Moss
armonica (a bocca) :
Judd Lander (nel 1983)
batteria e percussione :
Jon Moss (nel 1983)
chitarra , pianoforte , sitar , sitar elettrico e tastiera :
Roy Hay (Member of Culture Club and composer for film and television) (nel 1983)
chitarra basso :
Mikey Craig (Culture Club bassist) (nel 1983)
tastiera ospite :
Phil Pickett (songwriter, producer, keyboard player) (nel 1983)
voce di accompagnamento:
Helen Terry (UK singer) (nel 1983)
voce principale:
Boy George (nel 1983)
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1983, nel 2003)
registrata presso:
CBS Studios (London, 1972–1989) in London (Greater London), England, Regno Unito (nel 1983) e Red Bus Studios in London (Greater London), England, Regno Unito (nel 1983)
video musicali:
Karma Chameleon di Culture Club (English pop group)
registrazione di:
Karma Chameleon (nel 1983)
autore:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television), Jon Moss e Phil Pickett (songwriter, producer, keyboard player)
editore:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd., Pendulum Music Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Virgin Music (Publishers) Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) e BMG VM Music Ltd. (dal 2013-05 a oggi)
Culture Club3.754:01
8Venus
video musicali:
Venus di Bananarama
parte di:
New York Post: 100 Greatest Covers (2007) (numero: 73)
registrazione cover di:
Venus (Shocking Blue (I’m Your Venus))
paroliere e compositore:
Robbie van Leeuwen
editore:
ATV Music Ltd., Dayglow Music (publisher) e The International Music Network
si basa su:
The Banjo Song
Bananarama43:50
9The Look
programmazione:
Anders Herrlin (nel 1988-08) e Clarence Öfwerman (nel 1988-08)
tecnico:
Anders Herrlin e Alar Suurna
produttore:
Clarence Öfwerman
tecnico di missaggio:
Marie Fredriksson, Per Gessle (Swedish singer and guitarist), Clarence Öfwerman e Alar Suurna
batteria e charleston :
Pelle Alsing (nel 1988-08)
chitarra basso :
Anders Herrlin (nel 1988-08)
chitarra classica :
Erik Borelius (nel 1988-08)
chitarra elettrica :
Jonas Isacsson (nel 1988-08)
chitarra slide :
Janne Oldaeus (nel 1988-08)
sassofono :
Erik Häusler (nel 1988-08)
tastiera :
Clarence Öfwerman (nel 1988-08)
voce di accompagnamento:
Marie Fredriksson (nel 1988-08), Per Gessle (Swedish singer and guitarist) (nel 1988-08) e Clarence Öfwerman (nel 1988-08)
voce principale:
Marie Fredriksson (nel 1988-08) e Per Gessle (Swedish singer and guitarist) (nel 1988-08)
diritti fonografici (℗) detenuti da:
EMI Music Sweden AB (not for release label use! SE subsidiary of EMI) e EMI Svenska AB (not for release label use!)
registrata presso:
EMI Studios in Stockholm, Stockholms län (Stockholm county), Svezia (nel 1988-08)
mixata presso:
EMI Studios in Stockholm, Stockholms län (Stockholm county), Svezia
registrazione di:
The Look (nel 1988-08)
paroliere e compositore:
Per Gessle (Swedish singer and guitarist)
editore:
Jimmy Fun Music
Roxette3.63:57
10Little Lies
produttore:
Lindsey Buckingham (guitarist, singer, songwriter and producer) e Richard Dashut
basso elettrico :
John McVie
batteria e percussione :
Mick Fleetwood
campionatore [Fairlight CMI] e chitarra :
Lindsey Buckingham (guitarist, singer, songwriter and producer)
tastiera :
Lindsey Buckingham (guitarist, singer, songwriter and producer) e Christine McVie
voce di accompagnamento:
Lindsey Buckingham (guitarist, singer, songwriter and producer), Christine McVie e Stevie Nicks
voce principale:
Christine McVie
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1987)
registrazione di:
Little Lies
paroliere e compositore:
Christine McVie e Eddy Quintela
editore:
BMG Songs, Inc. e Careers–BMG Music Publishing, Inc.
Fleetwood Mac4.253:40
11I Think We’re Alone Now
tecnico di registrazione aggiunto:
John Kerns (US engineer)
programmazione degli strumenti:
John Duarte
tecnico:
Bill Smith (US recording engineer)
produttore:
George E. Tobin
chitarra :
Chuck Yamek
sintetizzatore :
John Duarte
voce di accompagnamento e voce principale:
Tiffany (US 1980s pop star, "I Think We’re Alone Now")
remixer:
George E. Tobin e Bill Smith (US recording engineer)
arrangiatore:
John Duarte
diritti fonografici (℗) detenuti da:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1987)
parte di:
RuPaul’s Drag Race Lip Sync Performances (season 7) (numero: 7)
registrazione cover di:
I Think We’re Alone Now
paroliere e compositore:
Ritchie Cordell
editore:
EMI Longitude Music
Tiffany3.83:48
12I Should Be So Lucky
tecnico:
Karen Hewitt, Mark McGuire (UK producer/engineer) e Yoyo (UK producer/engineer/mixer Yoyo Olugbo)
produttore:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) e Pete Waterman
tecnico di missaggio:
Mixmaster Pete Hammond (UK producer aka “Mixmaster”)
diritti fonografici (℗) detenuti da:
Mushroom Records (dal 1988 a oggi)
video musicali:
I Should Be So Lucky di Kylie Minogue
registrazione di:
I Should Be So Lucky
autore:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) e Pete Waterman
editore:
Mushroom Music Pty. Ltd. (dal 1988 a oggi)
Kylie Minogue43:24
13You Win Again
co-produttore:
Brian Tench
produttore:
Barry Gibb, Maurice Gibb, Robin Gibb e Arif Mardin
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1987)
registrazione di:
You Win Again
paroliere e compositore:
Barry Gibb, Maurice Gibb e Robin Gibb
editore:
BMG Music, BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Crompton Songs e Gibb Brothers Music
Bee Gees3:52
14Holding Back the Years
assistente tecnico:
Chris Dickie
tecnico e tecnico di missaggio:
Femi Jiya
produttore:
Stewart Levine (record producer and saxophonist)
basso :
Tony Bowers (nel 1985)
batteria e percussione :
Chris Joyce (nel 1985)
chitarra :
Sylvan (nel 1985)
tastiera e voce di accompagnamento:
Fritz McIntyre (nel 1985)
tromba :
Tim Kellett (nel 1985)
voce principale:
Mick Hucknall (lead singer of Simply Red) (nel 1985)
esecutore:
Simply Red (English soul and pop band) (nel 1985)
diritti fonografici (℗) detenuti da:
Warner Music UK Ltd. (not for release label use!) (nel 1985)
registrata presso:
RAK Studios in London (Greater London), England, Regno Unito (nel 1985) e Soundpush Studio in Blaricum, Noord-Holland (North Holland), Paesi Bassi, Kingdom of the Netherlands (nel 1985)
mixata presso:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Regno Unito (nel 1985)
video musicali:
Holding Back the Years di Simply Red (English soul and pop band)
registrazione di:
Holding Back the Years (nel 1985)
paroliere:
Mick Hucknall (lead singer of Simply Red)
compositore:
Mick Hucknall (lead singer of Simply Red) e Neil Moss
editore:
EMI April Music Inc., EMI Songs Ltd. e So What Ltd
Simply Red44:30
15I Have a Dream
registrazione di:
I Have a Dream
autore:
Benny Andersson (ABBA) e Björn Ulvaeus
editore:
Bocu Music Ltd., EMI Music Publishing (do not use as a release label!), Union Songs AB (publisher), Union Songs Music, Universal Music Publishing Group, Artwork Music Co., Inc. (dal 1979 al ????), EMI Waterford Music (dal 1979 a oggi), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (dal 1979 a oggi) e Universal/Union Songs Musikförlag AB (dal 1979 a oggi)
parte di:
Mamma Mia! (1999 musical)
ABBA4:35
16Hard to Say I’m Sorry
Chicago3:38
17On the Beach (Summer ’88)
tecnico:
Jon Kelly (engineer at Air London Studios)
produttore:
Jon Kelly (engineer at Air London Studios) e Chris Rea
registrazione di:
On the Beach (Chris Rea)
paroliere e compositore:
Chris Rea
editore:
Magnet Music Ltd. (publisher)
Chris Rea3:41
18Arthur’s Theme (Best That You Can Do)
assistente tecnico:
Stuart Gitlin e Margaret Gwynne (engineer)
tecnico aggiunto:
John Guess, Lee Herschberg, Mark Linett e Richard Mullen
produttore:
Michael Omartian
tecnico di missaggio:
Chet Himes
voce principale:
Christopher Cross (US singer‐songwriter)
direttore d'orchestra:
Michael Omartian
arrangiatore archi :
Michael Omartian
arrangiatore:
Christopher Cross (US singer‐songwriter), Rob Meurer e Michael Omartian
primo violino:
Assa Drori
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1981, nel 1983)
registrata presso e mixata presso:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, Stati Uniti
parte di:
Paste: The 25 Greatest Yacht Rock Songs of All Time (numero: 19)
registrazione di:
Arthur’s Theme (Best That You Can Do)
autore:
Peter Allen (Australian singer‐songwriter), Burt Bacharach, Carole Bayer Sager e Christopher Cross (US singer‐songwriter)
editore:
Begonia Melodies Inc., New Hidden Valley Music Co., Universal Music–MGB Songs, Warner Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Olive Music LLC, Warner-Barham Music LLC, Warner/Chappell North America, Woolnough Music, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
parte di:
The 54th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1981 winner)
Christopher Cross53:51
19If I Could Turn Back Time
tecnico di registrazione e tecnico di missaggio:
Frank Wolf (engineer at Skyline Recording)
assistente tecnico:
Ken Allardyce, Mario Luccy, Craig Porteils (producer, engineer) e Duane Seykora
tecnico aggiunto:
Guy Roche
produttore:
Guy Roche e Diane Warren (US songwriter)
batteria e tamburello :
Mark T. Williams
chitarra :
Steve Lukather
chitarra aggiunto:
Gene Black e Glenn Sciurba
chitarra basso :
John Pierce (US session bassist)
tastiera :
Alan Pasqua e Guy Roche
voce di accompagnamento:
Michael Anthony (US bassist, formerly of Van Halen), Robin Beck, Desmond Child, Jimmy Demers, Jean McClain e Maria Vidal (American singer-songwriter)
voce principale:
Cher
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1989) e The David Geffen Company (legal rights relating to Geffen Records) (nel 1989)
registrata presso:
Bill Schnee Studios in North Hollywood, Los Angeles, California, Stati Uniti e Criterion Studios in Los Angeles, California, Stati Uniti
mixata presso:
The Complex Studios in Los Angeles, California, Stati Uniti
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 386)
registrazione di:
If I Could Turn Back Time
paroliere e compositore:
Diane Warren (US songwriter)
editore:
EMI Music Publishing (do not use as a release label!) e Realsongs (nel 1989)
Cher3.753:48
20Vienna
produttore:
Conny Plank (German producer and sound engineer) e Ultravox
basso :
Chris Cross (UK bassist for Ultravox)
batteria :
Warren Cann
chitarra :
Midge Ure
tastiera e violino :
Billy Currie
voce:
Midge Ure
registrazione di:
Vienna
autore:
Warren Cann, Chris Cross (UK bassist for Ultravox), Billy Currie e Midge Ure
editore:
Hot Food Music Ltd., Jump Jet Music Ltd., Mood Music Ltd. (publisher) e Sing Sing Songs Ltd.
Ultravox3.44:38
2▼CD
#TitoloArtistaValutazioneDurata
1I Wanna Dance With Somebody (Who Loves Me)
tecnico di registrazione e tecnico di missaggio:
David Frazer (engineer)
programmazione degli strumenti:
Preston Glass
assistente tecnico:
Dana Jon Chappelle
assistente tecnico aggiunto:
Noah Baron, Rob Beaton, Paul Hamingson, Stuart Hirotsu, Gordon Lyon, Billy Miranda (engineer) e Ross Williams (engineer)
tecnico aggiunto:
Lincoln Clapp (engineer), Maureen Droney, Ken Kessie, Gordon Lyon e Jay Rifkin
produttore:
Narada Michael Walden
produttore esecutivo:
Clive Davis (record producer, A&R executive and music industry chief executive)
batteria :
Narada Michael Walden
batteria elettronica [Simmons] :
Greg “Gigi” Gonaway
chitarra synth [Charvel GTM6 midi guitar synth] :
Corrado Rustici
sassofono contralto :
Marc Russo
sintetizzatore [synth horns] :
Sterling Smith
sintetizzatore [synths] :
Walter Afanasieff
sintetizzatore basso [bass synth] :
Randy Jackson (former bassist with Journey and American Idol judge)
voce di accompagnamento:
Kitty Beethoven, Kevin Dorsey, Jim Gilstrap, Jennifer Hall (backing vocalist) e Myrna Matthews
voce di accompagnamento e voce principale:
Whitney Houston
arrangiatore:
Narada Michael Walden
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1987) e RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1987)
è stato produttore per:
Perfection Light Productions
registrata presso:
Clinton Recording Studios (NYC 10th Ave till 2010) in New York, New York, Stati Uniti, Right Track Recording in Manhattan, New York, New York, Stati Uniti, Tarpan Studios in San Rafael, California, Stati Uniti e The Plant Studios (1981–2008) in Sausalito, California, Stati Uniti
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 1) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 231)
registrazione di:
I Wanna Dance With Somebody (Who Loves Me)
autore:
George Merrill e Shannon Rubicam
editore:
Boy Meets Girl Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music (BMI), Irving Music, Inc. e Rondor Music (London) Ltd.
Whitney Houston4.254:51
2Together Forever
programmazione degli strumenti:
Ian Curnow (nel 1987)
assistente tecnico:
Boky, Gordon Dennis (engineer at PWL Studios), Jonathan King e Yoyo (UK producer/engineer/mixer Yoyo Olugbo)
tecnico:
Mark McGuire (UK producer/engineer)
tecnico aggiunto:
Jamie Bromfield (member of SNJ Works, The Extra Beat Boys, Recall), Mike Duffy (mixing for Nitzer Ebb), Phil Harding (engineer, producer and remixer) e Karen Hewitt
produttore:
Aitken, Stock (of Stock Aitken Waterman) e Waterman
tecnico di missaggio:
Mixmasters Pete Hammond (UK producer aka “Mixmaster”)
batteria [drums] :
A Linn (Linn 9000) (nel 1987)
chitarra [guitars] :
Matt Aitken (nel 1987)
tastiera [keyboards] :
Mike Stock (of Stock Aitken Waterman) e Matt Aitken (nel 1987)
voce:
Rick (English singer, songwriter and radio personality) (nel 1987)
voce di accompagnamento [backing vocals]:
Dee Lewis (nel 1987), Shirley Lewis (nel 1987), Mae McKenna (vocalist) (nel 1987) e Suzanne Rhatigan (nel 1987)
arrangiatore:
Gordon Jenkins
diritti fonografici (℗) detenuti da:
Pete Waterman Ltd. (copyrights holder) (nel 1987)
supporto a vario titolo:
PWL (incarico: original sound recordings made by)
registrata presso:
PWL Studio 1 (nel 1987) e PWL Studio 2 (nel 1987)
mixata presso:
PWL Studio 1 e PWL Studio 2
registrazione di:
Together Forever (nel 1987)
autore:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) e Pete Waterman
editore:
All Boys Music Ltd., Songs of Kobalt Music Publishing, Universal Music Careers, Universal–Songs of PolyGram International, Inc. e Terrace Music (dal 1987 a oggi)
Rick Astley4.653:25
3All Night Long (All Night)
produttore:
James Anthony Carmichael e Lionel Richie
arrangiatore archi [string] e arrangiatore ottoni [horn] :
James Anthony Carmichael
arrangiatore:
James Anthony Carmichael e Lionel Richie
arrangiatore voci:
Lionel Richie
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1983) e Motown Records (not for label use; use “Motown” instead) (nel 1983)
registrazione di:
All Night Long (All Night)
paroliere e compositore:
Lionel Richie
editore:
Brenda Richie Publishing, Brockman Music e Rondor Music (Australia) Pty Ltd
Lionel Richie3.44:17
4Respectable
produttore:
Jamie Bromfield (member of SNJ Works, The Extra Beat Boys, Recall) e Mark McGuire (UK producer/engineer)
diritti fonografici (℗) detenuti da:
Cherry Red Records Ltd. (do not use as label, for copyrights and distribution credits only) (nel 1987), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1987) e The Supreme Record Company Ltd. (nel 1987)
video musicali:
Respectable di Mel & Kim (Appleby sisters)
registrazione di:
Respectable
autore:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) e Pete Waterman
editore:
All Boys Music, All Boys Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Hammer Musik GmbH, Matt Aitken Publishing, MCA Gilbey, Mike Stock Publishing Limited, Mushroom Music (Mushroom label’s publishing company), Sony/ATV Music Publishing (UK) Ltd. e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Mel & Kim2.53:22
5Like to Get to Know You Well
tecnico di registrazione e tecnico di missaggio:
Stephen W. Tayler (UK engineer)
programmazione:
Howard Jones (English singer, songwriter)
produttore:
Rupert Hine
strumenti:
Howard Jones (English singer, songwriter)
voce principale:
Howard Jones (English singer, songwriter)
registrata presso e mixata presso:
Farmyard Studios in Amersham, Buckinghamshire, England, Regno Unito
registrazione di:
Like to Get to Know You Well
paroliere e compositore:
Howard Jones (English singer, songwriter)
editore:
Howard Jones Music Ltd.
Howard Jones53:59
6Ain’t Nobody
basso :
Bobby Watson (bassist)
batteria :
John “JR” Robinson (session drummer)
chitarra :
Tony Maiden
flauto :
Gary Herbig, Ernie Watts (Ernest James Watts, jazz and blues saxophonist) e Larry Williams ([Jazz] keyboard, sax, flute & clarinet - Producer, composer, arranger, and multi-instrumentalist)
percussione :
Paulinho da Costa (Brazilian percussionist)
sassofono contralto :
Larry Williams ([Jazz] keyboard, sax, flute & clarinet - Producer, composer, arranger, and multi-instrumentalist)
sassofono tenore :
Gary Herbig e Ernie Watts (Ernest James Watts, jazz and blues saxophonist)
sintetizzatore aggiunto:
James Newton Howard (American score composer)
tastiera :
Kevin Murphy (American keyboardist, Rufus & The American Breed) e David “Hawk” Wolinski
tromba :
Jerry Hey
voce:
Chaka Khan e Tony Maiden
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 88) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 403)
registrazione di:
Ain’t Nobody
paroliere e compositore:
David Wolinski
editore:
Overdue Music
Rufus and Chaka Khan4.054:43
7Girl I’m Gonna Miss You
registrazione di:
Girl I’m Gonna Miss You
autore:
Frank Farian, Dietmar Kawohl e Peter Bishoph
editore:
FAR Music (publisher for Frank Farian)
Milli Vanilli3:45
8Lost in Music
registrazione di:
Lost in Music
autore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Sister Sledge44:41
9Working My Way Back to You
registrazione cover di:
Working My Way Back to You
autore:
Sandy Linzer e Denny Randell
editore:
Ardmore and Beechwood Ltd., EMI Music Publishing (do not use as a release label!), Saturday Music, Inc. e Seasons 4 Music
The Spinners54:03
10Forget Me Nots
esecutore:
Patrice Rushen
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 86)
registrazione di:
Forget Me Nots
autore:
Terri McFaddin, Patrice Rushen e Freddie Washington (US session bassist)
editore:
Baby Fingers Music, Freddie Dee Music, Global Musikverlag (Global Musik GmbH & Co. KG) e Yamina Music
Patrice Rushen3.654:40
11Please Don’t Go
produttore:
Harry Wayne Casey e Richard Finch
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1979)
registrazione di:
Please Don’t Go
autore:
Harry Wayne Casey e Richard Finch
editore:
EMI Music Publishing (do not use as a release label!), EMI Songs e EMI Songs Ltd.
KC and the Sunshine Band43:49
12Back to Life (However Do You Want Me)
produttore e tecnico di missaggio:
Nellee Hooper e Jazzie B
voce:
Caron Wheeler (English singer, songwriter, and record producer)
diritti fonografici (℗) detenuti da:
10 Records (nel 1989)
registrazione di:
Back to Life
autore:
Nellee Hooper, Simon Law (Soul II Soul), Beresford Romeo e Caron Wheeler (English singer, songwriter, and record producer)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Law Music, Virgin Music (Publishers) Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Soul II Soul feat. Caron Wheeler4.53:48
13It Started With a Kiss
produttore:
Mickie Most (English record producer)
voce principale:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) (nel 1982)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1982) e Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (nel 2011)
video musicali:
It Started With a Kiss di Hot Chocolate (70s and 80s British soul band)
registrazione di:
It Started With a Kiss (nel 1982)
paroliere e compositore:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate)
editore:
BMG Music Publishing Ltd., Chocolate Music, RAK Publishing Ltd. e Universal Music Publishing MGB Australia
Hot Chocolate34:01
14Always
edit di:
Always di Atlantic Starr
registrazione di:
Always
autore:
David Lewis (member of Atlantic Starr), Jonathan Lewis (Member of Atlantic Starr) e Wayne Lewis (member of Atlantic Starr)
Atlantic Starr34:00
15One Day I’ll Fly Away
Randy Crawford4:21
16Something’s Gotten Hold of My Heart
produttore:
Bob Kraushaar
esecutore:
Gene Pitney
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1988)
video musicali:
Something’s Gotten Hold of My Heart di Marc Almond (English pop singer and songwriter) feat. Gene Pitney
registrazione cover di:
Something’s Gotten Hold of My Heart
paroliere e compositore:
Roger Cook (US‐based British singer, songwriter and producer) e Roger Greenaway
editore:
Cookaway Music Ltd. (PRS), Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) e PolyGram Music Publishing
Marc Almond & Gene Pitney2.54:40
17Everybody’s Got to Learn Sometimes
registrazione di:
Everybody’s Got to Learn Sometime
paroliere e compositore:
James Warren (English singer and guitarist)
editore:
Warner Chappell Music Ltd. (1996–2019), Heath Music Ltd. (publisher) (nel 1980) e Warner Bros. Ltd. (publisher) (nel 1980)
The Korgis4.054:16
18They Don’t Know
produttore:
Peter Collins (producer)
video musicali:
They Don't Know di Tracey Ullman
registrazione cover di:
They Don’t Know
paroliere e compositore:
Kirsty MacColl
editore:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
registrazione di:
They Don’t Know
paroliere e compositore:
Kirsty MacColl
editore:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
Tracey Ullman2:59
19The Lion Sleeps Tonight
diritti fonografici (℗) detenuti da:
Jive Records (may or may not be the company behind the Jive imprint; not for release label use!) (nel 1982) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1982)
video musicali:
The Lion Sleeps Tonight di Tight Fit
registrazione cover di:
The Lion Sleeps Tonight
paroliere:
George David Weiss (nel 1961)
autore:
Luigi Creatore, Hugo Peretti e Albert Stanton (pseudonym for Al Brackman)
compositore:
Solomon Linda
editore:
Abilene Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Luigi Creatore Music (ASCAP) e Memory Lane Music Ltd.
si basa su:
Mbube
si basa su:
Wimoweh
versione di:
Wimoweh
parte di:
The Lion King (stage musical)
parte di:
The Lion King (2019 film soundtrack)
Tight Fit3.653:21
20La Bamba
produttore:
Mitchell Froom
esecutore:
Los Lobos (Chicano rock band)
arrangiatore:
Ritchie Valens
diritti fonografici (℗) detenuti da:
FFRR Records Ltd. (company name, NOT a label!) (nel 1987)
registrazione cover di:
La bamba (additional lyrics by Ritchie Valens)
paroliere e compositore:
[traditional] (special purpose artist)
paroliere aggiunto:
Ritchie Valens
arrangiatore:
Ritchie Valens
editore:
Carlin Music Corporation, EMI Longitude Music e M.P.A. (M.P.A.)
versione di:
La bamba
Los Lobos4.252:47
3▼CD
#TitoloArtistaValutazioneDurata
1Blue Monday ’88
produttore:
Quincy Jones e New Order (UK synth pop band)
remixer:
John Potoker (producer/engineer aka Tokes)
registrazione di:
Blue Monday
autore:
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) e Bernard Sumner
editore:
Fractured Music (publisher), Warner/Chappell Music Ltd. (1996–2019) e Zomba Music Publishing Ltd.
New Order44:09
2Chant No. 1 (I Don’t Need This Pressure On)
produttore:
Richard James Burgess
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1981)
registrazione di:
Chant No. 1 (I Don't Need This Pressure On)
paroliere e compositore:
Gary Kemp
editore:
Reformation Publishing Co. Ltd.
Spandau Ballet44:03
3Girls on Film
tecnico e produttore:
Colin Thurston
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1981, nel 1998)
registrazione di:
Girls on Film
autore:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) e Roger Taylor (Duran Duran drummer)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Publishing Scandinavia AB e Gloucester Place Music Ltd.
versione di:
Girls on Film (Pre-Le Bon version)
Duran Duran3.73:29
4What Difference Does It Make?
tecnico:
Phil Bush (engineer, composer and musician) e Neil King (sound engineer)
produttore:
John Porter (producer and musician US and UK)
armonica (a bocca) e chitarra :
Johnny Marr
batteria :
Mike Joyce (UK drummer)
chitarra basso :
Andy Rourke
voce:
Morrissey (English singer-songwriter)
diritti fonografici (℗) detenuti da:
Sire Records Company (not for release label use!) (nel 1984) e Warner Music UK Ltd. (not for release label use!) (nel 1984)
registrazione di:
What Difference Does It Make?
paroliere:
Morrissey (English singer-songwriter)
compositore:
Johnny Marr
editore:
Morrissey Marr Songs Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Smiths3.953:51
5She Drives Me Crazy
tecnico:
David Z. (producer/engineer David Rivkin)
co-produttore:
Fine Young Cannibals e David Z. (producer/engineer David Rivkin)
basso, drum machine e tastiera :
David Steele (UK musician, member of The Beat and Fine Young Cannibals)
drum machine, chitarra e tamburello :
Andy Cox (of The Beat)
voce:
Roland Gift
diritti fonografici (℗) detenuti da:
London Music Stream Ltd. (reissues, 2017–present; a.k.a. London Records or Recordings) (nel 1988) e London Records Ltd. (not release label) (nel 1989)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 77)
registrazione di:
She Drives Me Crazy (Fine Young Cannibals song)
autore:
Roland Gift e David Steele (UK musician, member of The Beat and Fine Young Cannibals)
editore:
Virgin Music (Publishers) Ltd.
Fine Young Cannibals43:36
6Waterfront
tecnico:
Howard Gray (UK producer, engineer, and electronic musician)
produttore:
Steve Lillywhite e Peter Walsh (UK producer)
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1983)
registrazione di:
Waterfront
autore:
Charlie Burchill, Derek Forbes, Mel Gaynor, Jim Kerr (of Simple Minds) e Michael MacNeil
editore:
Colgems-EMI Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated) e EMI Publishing Ltd.
Simple Minds4.354:49
7Too Much Too Young
registrazione di:
Too Much Too Young
paroliere e compositore:
Jerry Dammers
The Specials2:05
8Town Called Malice
produttore:
The Jam (late 70s/early 80s UK punk/mod revival band) e Peter Wilson (UK Producer)
diritti fonografici (℗) detenuti da:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (nel 1982)
registrata presso:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Regno Unito (nel 1981-12)
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 151)
registrazione di:
Town Called Malice
paroliere e compositore:
Paul Weller (English singer-songwriter and musician)
editore:
Notting Hill Music (UK) Ltd., Stylist Music Ltd. e Universal Music Publishing MGB Australia
The Jam4.82:53
9Once in a Lifetime (live)
registrazione dal vivo di:
Once in a Lifetime
paroliere:
David Byrne (Talking Heads)
compositore:
David Byrne (Talking Heads), Brian Eno, Chris Frantz, Jerry Harrison (Talking Heads) e Tina Weymouth
editore:
Bleu Disque Music Co. (publisher), Careers–BMG Music Publishing, Inc., E.G. Music Ltd. (publisher) e Index Music
Talking Heads5:26
10The Killing Moon
tecnico di registrazione e produttore:
David Lord (British composer, engineer and producer)
tecnico di missaggio:
Echo & the Bunnymen e Gil Norton (British record producer)
arrangiatore:
Adam Peters
registrazione di:
The Killing Moon
autore:
Pete de Freitas, Ian McCulloch (Echo & the Bunnymen), Les Pattinson e Will Sergeant
Echo & the Bunnymen4.655:45
11Somewhere in My Heart
produttore:
Michael Jonzun
registrazione di:
Somewhere in My Heart
paroliere e compositore:
Roddy Frame
editore:
Complete Music Ltd.
Aztec Camera3.63:58
12A Little Respect
tecnico:
Bob Kraushaar
produttore:
Stephen Hague
registrazione di:
A Little Respect
autore:
Andy Bell (singer / songwriter for Erasure) e Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
editore:
Sony/ATV Music Publishing
Erasure43:31
13The Whole of the Moon
produttore:
Mike Scott (The Waterboys)
tecnico di missaggio:
Mick Glossop (producer & engineer)
batteria :
Chris Whitten (nel 1985-05)
chitarra e pianoforte :
Mike Scott (The Waterboys) (nel 1985-05)
percussione :
Martin Ditcham (nel 1985-05)
sassofono :
Anthony Thistlethwaite (nel 1985-05)
sintetizzatore e sintetizzatore basso :
Karl Wallinger (nel 1985-05)
tromba :
Roddy Lorimer (nel 1985-05)
voce:
Mike Scott (The Waterboys) (nel 1985-05)
voce di accompagnamento:
Max Edie (nel 1985-05) e Karl Wallinger (nel 1985-05)
diritti fonografici (℗) detenuti da:
Ensign Records Ltd. (company; do NOT use as release label) (nel 1985), Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (nel 1985) e Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 2020)
registrazione di:
The Whole of the Moon (nel 1985-05)
paroliere e compositore:
Mike Scott (The Waterboys)
editore:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Dizzy Heights Music Publishing Ltd. (publisher; do NOT use as release label) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Waterboys4.455:01
14Stand and Deliver
produttore:
Chris Hughes (producer, aka “Merrick”)
armonica (a bocca) e voce principale:
Adam Ant (English new wave singer and actor)
batteria :
Merrick (ex Adam & The Ants) e Terry Lee Miall
chitarra :
Marco Pirroni (British musician and producer)
chitarra basso :
Adam Ant (English new wave singer and actor) e Gary Tibbs
video musicali:
Stand and Deliver di Adam and the Ants (English new wave band)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 10)
registrazione di:
Stand and Deliver
autore:
Adam Ant (English new wave singer and actor) e Marco Pirroni (British musician and producer)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Adam and the Ants53:34
15Golden Brown
co-produttore:
Steve Churchyard
produttore:
Steve Churchyard e The Stranglers
tecnico di missaggio:
Tony Visconti
esecutore:
The Stranglers
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1981)
registrazione di:
Golden Brown
autore:
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) e Dave Greenfield
editore:
Complete Music, Complete Music Ltd., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd. e Plumbshaft-Ltd.
The Stranglers4.43:28
16My Girl
produttore:
Clive Langer & Alan Winstanley
basso :
Mark Bedford
batteria e percussione :
Daniel Woodgate
chitarra :
Chris Foreman (UK musician, aka “Chrissy Boy”)
sassofono baritono e sassofono tenore :
Lee “Kix” Thompson (Madness)
tastiera :
Mike Barson
voce:
Suggs e Lee “Kix” Thompson (Madness)
voce di accompagnamento:
Chas Smash
registrazione di:
My Girl
paroliere e compositore:
Mike Barson
editore:
EMI Music Publishing Ltd. (PRS‐affiliated)
Madness3.852:46
17Two Tribes
tecnico:
Stuart Bruce e Stephen Lipson
produttore:
Trevor Horn
produttore aggiunto:
Stephen Lipson
batteria :
Peter Gill (UK drummer for Frankie Goes to Hollywood)
chitarra :
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter)
chitarra basso :
Mark O’Toole (former bassist of Frankie Goes to Hollywood)
percussione ospite :
Luís Jardim
tastiera ospite :
Andrew Richards (Strawbs keyboard player/record producer) e Anne Dudley (English score composer)
voce principale:
Holly Johnson, Mark O’Toole (former bassist of Frankie Goes to Hollywood) e Paul Rutherford (member of Frankie Goes to Hollywood)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 27)
registrazione di:
Two Tribes
scritta a:
Liverpool, Merseyside, England, Regno Unito (dal 1982 al 1983)
paroliere e compositore:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson e Mark O’Toole (former bassist of Frankie Goes to Hollywood)
editore:
Perfect Songs Ltd. (UK publisher, affiliated with PRS)
Frankie Goes to Hollywood4.23:23
18Black Velvet
produttore:
David Tyson (Canadian producer/songwriter)
tecnico di missaggio:
Kevin Doyle (award-winning sound engineer, producer)
voce principale:
Alannah Myles
diritti fonografici (℗) detenuti da:
Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US) (nel 1989) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1989)
parte di:
RuPaul’s Drag Race Lip Sync Performances (season 2) (numero: 6)
registrazione di:
Black Velvet
autore:
David Tyson (Canadian producer/songwriter) e Christopher Ward (Canadian songwriter & veejay)
editore:
BMG Rights Management (see annotation), BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), David Tyson Music, EMI Songs Ltd., Into Wishin', Kobalt Music Publishing Ltd. (UK), Ole Media Management LP e Zomba Music Publishing Ltd.
Alannah Myles4.54:48
19Waiting for a Girl Like You
assistente tecnico:
Edwin Hobgood (engineer) e Michael Sauvage
tecnico:
Tony Platt (UK engineer and producer), Brad Samuelsohn e Dave Wittman
produttore:
Mick Jones (Foreigner/Spooky Tooth, worked in France) e Robert John “Mutt” Lange (Robert John Lange)
batteria :
Dennis Elliott
chitarra basso :
Rick Wills
chitarra elettrica [lead guitar] :
Mick Jones (Foreigner/Spooky Tooth, worked in France)
sintetizzatore :
Thomas Dolby
tastiera :
Mick Jones (Foreigner/Spooky Tooth, worked in France) e Bob Mayo (US session keyboardist & guitarist)
voce di accompagnamento:
Dennis Elliott, Mick Jones (Foreigner/Spooky Tooth, worked in France), Robert John “Mutt” Lange (Robert John Lange), Ian Lloyd (of Stories), Mark Rivera e Rick Wills
voce principale:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1981, nel 2002), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1981) e Rhino Entertainment Company (not for release label use!) (nel 2009)
registrata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti
registrazione di:
Waiting for a Girl Like You
autore:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) e Mick Jones (Foreigner/Spooky Tooth, worked in France)
editore:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31), Evansongs Ltd. (publisher) (nel 1981), Somerset Songs Publishing Inc. (nel 1981) e フジパシフィックミュージック (Fujipacific Music, Inc.) (dal 2015-01-01 a oggi)
Foreigner3.354:50
20(Something Inside) So Strong
registrazione di:
(Something Inside) So Strong
paroliere e compositore:
Labi Siffre
editore:
Empire Music Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal/Empire Music Ltd. e Xavier Music Ltd.
Labi Siffre4:16

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Pubblicazione

ASIN:UK: B01M6YKY83 [info]