In the Name of the Father: Music From the Motion Picture Soundtrack

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 5 vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1In the Name of the Father
recording engineer:
Paul Barrett (U2 sound technician / brass player)
Programmierung:
Maurice Seezer
Sampler-Programmierung:
Tim Simenon
Techniker(in):
Kerry Hopwood (Aufgabe: programming engineer) und Q (Irish artist Colm Quearney) (Aufgabe: mix engineer)
Produzent(in):
Gavin Friday und Tim Simenon
Mix:
Tim Simenon
accordion [distorted accordion], Bass, Gitarre und Keyboard:
Maurice Seezer
Perkussion:
Paul Barrett (U2 sound technician / brass player), Tommy Hayes (Irish percussionist) und Maurice Seezer
Schlagzeug:
Tommy Hayes (Irish percussionist)
zusätzlich Keyboard:
Dave Clayton
zusätzlich Schlagzeug:
Tim Simenon
vocals:
Bono (singer of U2) und Gavin Friday
phonographisches Urheberrecht (℗) von:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1994)
aufgenommen bei:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich und S.T.S. Studios in Dublin, County Dublin, Leinster, Irland
Samples:
An Rás von Tommy Hayes (Irish percussionist)
recording of:
In the Name of the Father
Verfasser(in):
Bono (singer of U2), Gavin Friday und Maurice Seezer
publisher:
Blue Mountain Music Ltd. und Polygram Int. Music Publ. B.V.
Bono & Gavin Friday5:44
2Voodoo Child (slight return)
Techniker(in):
Eddie Kramer (engineer) (am 1968-05-03)
Produzent(in):
Bryan “Chas” Chandler und Jimi Hendrix
E-Bass:
Noel Redding (am 1968-05-03)
E-Gitarre:
Jimi Hendrix (am 1968-05-03)
Schlagzeug:
Mitch Mitchell (UK drummer for Jimi Hendrix Experience, many others) (am 1968-05-03)
vocals:
Jimi Hendrix (am 1968-05-03)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1968), PolyGram International Music B.V. (not for release label use!) (in 1968) und Experience Hendrix, L.L.C. (in 1999)
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1968-05-03)
produced at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1968-05-03)
Teil von:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (Nummer: 15) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 101)
recording of:
Voodoo Child (slight return) (am 1968-05-03)
Texter und Komponist(in):
Jimi Hendrix
publisher:
Bella Godiva Music und Experience Hendrix, L.L.C.
basiert auf:
Voodoo Chile
recording of:
Voodoo Chile (am 1968-05-03)
Texter und Komponist(in):
Jimi Hendrix
publisher:
Bella Godiva Music und Experience Hendrix, L.L.C.
The Jimi Hendrix Experience4.355:10
3Billy Boola
recording engineer:
Paul Barrett (U2 sound technician / brass player)
Programmierung:
Maurice Seezer
Sampler-Programmierung:
Tim Simenon
Techniker(in):
Kerry Hopwood (Aufgabe: programming engineer) und Q (Irish artist Colm Quearney) (Aufgabe: mix engineer)
Produzent(in):
Gavin Friday und Tim Simenon
Mix:
Tim Simenon
baritone saxophone und Bassklarinette:
Renaud Pion
Bass:
Jah Wobble
Gitarre:
Kenji Jammer
Händeklatschen:
Renaud Pion und Maurice Seezer
Keyboard und Orgel:
Dave Clayton
Klavier:
Maurice Seezer
Solo-Trompete:
Bono (singer of U2) und Gavin Friday
zusätzlich Schlagzeug:
Tim Simenon
vocals:
Bono (singer of U2) und Gavin Friday
phonographisches Urheberrecht (℗) von:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1994)
aufgenommen bei:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich und S.T.S. Studios in Dublin, County Dublin, Leinster, Irland
recording of:
Billy Boola
Verfasser(in):
Bono (singer of U2), Gavin Friday und Maurice Seezer
publisher:
Blue Mountain Music Ltd. und Polygram Int. Music Publ. B.V.
Bono & Gavin Friday3:46
4Dedicated Follower of Fashion
Techniker(in):
Alan McKenzie (engineer) und Alan O’Duffy
Produzent(in):
Shel Talmy
phonographisches Urheberrecht (℗) von:
Castle Communications (primary imprint of Castle Communications PLC) (in 1966)
produced for:
Shel Talmy Productions
aufgenommen bei:
Pye Studios in London (Greater London), England, Vereinigtes Königreich (von 1966-02-07 bis 1966-02-10)
recording of:
Dedicated Follower of Fashion (von 1966-02-07 bis 1966-02-10)
Texter und Komponist(in):
Ray Davies (UK singer/songwriter, member of The Kinks)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Carlin Music Corporation, Davray Music (publisher) und Rightsong Music Inc.
The Kinks43:03
5Interrogation
recording engineer und Mix:
Roger King (UK engineer, mastering) (andere Instrumente [orchestra])
Synthesizer-Programmierung:
Roger King (UK engineer, mastering)
Synthesizer:
Guy Dagul (Production music composer) und Trevor Jones (South African score composer)
Orchester:
The London Philharmonic (London Philharmonic Orchestra, LPO; The Philharmonic Promenade Orchestra)
conductor:
David Snell (British harpist and conductor, library music)
Orchestrator(in):
Jeff Atmajian und Trevor Jones (South African score composer)
phonographisches Urheberrecht (℗) von:
Universal City Studios, Inc. (Universal’s production arm 1964–1990) (in 1994)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich, CMMP Studios in London (Greater London), England, Vereinigtes Königreich, The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Irland
recording of:
Interrogation
Komponist(in):
Trevor Jones (South African score composer)
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group)
Trevor Jones7:12
6Is This Love
Produzent(in):
Bob Marley & The Wailers
phonographisches Urheberrecht (℗) von:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1978)
recording of:
Is This Love
Texter und Komponist(in):
Bob Marley (Jamaican reggae artist)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Bob Marley Music, Blue Mountain Music (in 1977, in 1978), Fifty Six Hope Road Music Limited (in 1977, in 1978), Odnil Music Ltd. (in 1977, in 1978) und PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) (in 1978)
Bob Marley & The Wailers3:52
7Walking the Circle
recording engineer und Mix:
Roger King (UK engineer, mastering) (andere Instrumente [orchestra])
Synthesizer-Programmierung:
Roger King (UK engineer, mastering)
Synthesizer:
Guy Dagul (Production music composer) und Trevor Jones (South African score composer)
Orchester:
The London Philharmonic (London Philharmonic Orchestra, LPO; The Philharmonic Promenade Orchestra)
conductor:
David Snell (British harpist and conductor, library music)
Orchestrator(in):
Jeff Atmajian und Trevor Jones (South African score composer)
phonographisches Urheberrecht (℗) von:
Universal City Studios, Inc. (Universal’s production arm 1964–1990) (in 1994)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich, CMMP Studios in London (Greater London), England, Vereinigtes Königreich, The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Irland
recording of:
Walking the Circle
Komponist(in):
Trevor Jones (South African score composer)
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group)
Trevor Jones4:44
8Whiskey in the Jar
Produzent(in):
Phil Lynott und Nick Tauber
Akustikgitarre und Bassgitarre:
Phil Lynott
Gitarre:
Eric Bell (Thin Lizzy cofounder)
vocals:
Phil Lynott
arranger:
Eric Bell (Thin Lizzy cofounder), Brian Downey (Thin Lizzy drummer) und Phil Lynott
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1972) und Decca Records (in 1972)
Teil von:
AUX: 10 Cover Songs Better Than The Orignials
recording of:
Whiskey in the Jar (rock version, arranged by Thin Lizzy)
Verfasser(in):
[traditional] (special purpose artist)
arranger:
Thin Lizzy (Irish hard rock band)
publisher:
Pippin the Friendly Ranger Music Co. Ltd., Universal Music Publishing GmbH (Universal Music Publishing Group Germany) und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Version von:
Whiskey in the Jar (traditional)
Thin Lizzy4.55:46
9Passage of Time
recording engineer und Mix:
Roger King (UK engineer, mastering) (andere Instrumente [orchestra])
Synthesizer-Programmierung:
Roger King (UK engineer, mastering)
Synthesizer:
Guy Dagul (Production music composer) und Trevor Jones (South African score composer)
Orchester:
The London Philharmonic (London Philharmonic Orchestra, LPO; The Philharmonic Promenade Orchestra)
conductor:
David Snell (British harpist and conductor, library music)
Orchestrator(in):
Jeff Atmajian und Trevor Jones (South African score composer)
phonographisches Urheberrecht (℗) von:
Universal City Studios, Inc. (Universal’s production arm 1964–1990) (in 1994)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich, CMMP Studios in London (Greater London), England, Vereinigtes Königreich, The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Irland
recording of:
Passage of Time
Komponist(in):
Trevor Jones (South African score composer)
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group)
Trevor Jones5:52
10You Made Me the Thief of Your Heart
recording engineer:
Paul Barrett (U2 sound technician / brass player)
Programmierung:
Maurice Seezer
Sampler-Programmierung:
Tim Simenon
Techniker(in):
Paul Barrett (U2 sound technician / brass player), Kerry Hopwood, Kerry Hopwood (Aufgabe: programming engineer), Q (mix engineer) und Q (Irish artist Colm Quearney) (Aufgabe: mix engineer)
Produzent(in):
Gavin Friday und Tim Simenon
Mix:
Tim Simenon
accordion [distorted accordion] und Klavier:
Maurice Seezer
Bassflöte, Bassklarinette und Sopranklarinette [B-flat clarinet]:
Renaud Pion
Euphonium:
Paul Barrett (U2 sound technician / brass player)
Fiddle:
Máire Breatnach
Löffel:
Tommy Hayes (Irish percussionist)
zusätzlich Bass:
Jah Wobble
zusätzlich Keyboard:
Dave Clayton
zusätzlich Schlagzeug:
John Reynolds (Irish producer, drummer for Jah Wobble) und Tim Simenon
vocals:
Sinéad O’Connor (Irish singer‐songwriter)
phonographisches Urheberrecht (℗) von:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1994)
aufgenommen bei:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich und S.T.S. Studios in Dublin, County Dublin, Leinster, Irland
recording of:
You Made Me the Thief of Your Heart
Komponist(in):
Bono (singer of U2), Gavin Friday und Maurice Seezer
publisher:
Blue Mountain Music Ltd. und Polygram Int. Music Publ. B.V.
Sinéad O’Connor6:21

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