18 Modern Rock Classics From the 80's

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1What You Need
Techniker(in):
Steve Churchyard
Produzent(in):
Chris Thomas (UK record producer / remixer)
Bassgitarre:
Garry Gary Beers
Schlagzeug:
Jon Farriss
vocals:
Michael Hutchence
phonographisches Urheberrecht (℗) von:
Universal International Music B.V. (company, do not use as label) (in 1985)
recording of:
What You Need
Verfasser(in):
Andrew Farriss (in band INXS) und Michael Hutchence
publisher:
Tol Muziek
INXS3.63:37
2Things Can Only Get Better
recording engineer und Mix:
Stephen W. Tayler (UK engineer)
Programmierung:
Howard Jones (English singer, songwriter)
Produzent(in):
Rupert Hine
Blechblasinstrumente:
The TKO Horns
Instrumente:
Howard Jones (English singer, songwriter)
Hintergrundgesang:
Claudia Fontaine (vocals, background vocals), Naomi Thompson und Caron Wheeler (English singer, songwriter, and record producer)
Sologesang:
Howard Jones (English singer, songwriter)
aufgenommen bei und mixed at:
Farmyard Studios in Amersham, Buckinghamshire, England, Vereinigtes Königreich
recording of:
Things Can Only Get Better
Texter und Komponist(in):
Howard Jones (English singer, songwriter)
publisher:
Howard Jones Music Ltd.
Howard Jones53:58
3One Thing Leads to Another
recording of:
One Thing Leads to Another (The Fixx song)
Verfasser(in):
Alfie Agius, Cy Curnin, Rupert Greenall, Jamie West‐Oram und Adam Woods (drummer)
The Fixx3:15
4Our House
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 13) und VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 29)
recording of:
Our House
Texter:
Mike Barson, Mark Bedford, Graham McPherson, Carl Smyth, Lee “Kix” Thompson (Madness) und Daniel Woodgate
Komponist(in):
Mike Barson, Mark Bedford, Chris Foreman (UK musician, aka “Chrissy Boy”), Graham McPherson, Lee “Kix” Thompson (Madness) und Daniel Woodgate
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Madness3.93:22
5Hold Me Now
recording of:
Hold Me Now (Thompson Twins song)
Verfasser(in):
Alannah Joy Currie, Joseph Martin Leeway und Thomas Alexander Bailey (Thompson Twins)
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc., Point Music (publisher) und Point Music Ltd.
Thompson Twins4:15
6I Melt With You
Techniker(in) und Produzent(in):
Hugh Jones (UK producer)
Bassgitarre [bass] und Geige / Violine:
Michael Conroy
Gitarre:
Gary McDowell
Keyboard [keyboards]:
Stephen Walker (of Modern English)
Perkussion und Schlagzeug [drums]:
Richard Brown (Modern English)
vocals:
Robbie Grey
engineered at:
Rockfield in Monmouth, Monmouthshire, Wales, Vereinigtes Königreich
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 7)
recording of:
I Melt With You
Verfasser(in):
Richard Brown (Modern English), Michael Conroy, Robbie Grey, Gary McDowell und Stephen Walker (of Modern English)
publisher:
Universal–Songs of PolyGram International, Inc.
Modern English43:50
7Situation
recording of:
Situation
Verfasser(in):
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…) und Alison Moyet
Yazoo3:44
8You Spin Me Round (Like a Record)
Produzent(in):
Pete Waterman
Interpret(in):
Dead or Alive (UK new wave band) (in 1984)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1985)
Musikvideos:
You Spin Me Round (Like a Record) (On 'Blue Peter') (TX 10/01/2003) von Dead or Alive (UK new wave band)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 52)
recording of:
You Spin Me Round (Like a Record)
Verfasser(in):
Pete Burns, Steve Coy, Tim Lever und Mike Percy
publisher:
Burning Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Métisse Music, Warner Chappell Music France, Warner Chappell Music Ltd. (no slash; used 1988–1996) und Westbury Music Ltd.
Teil von:
American Psycho
Dead or Alive4.153:19
9Cars
Techniker(in) und Mix:
Rikki Sylvan und Harvey Webb
Produzent(in):
Gary Numan
Bassgitarre:
Paul Gardiner
Keyboard:
Gary Numan und Chris Payne (UK keyboards/viola for Gary Numan/Visage/Dramatis)
Perkussion, Schlagzeug und Schlagzeug und Tamburin:
Cedric Sharpley
Perkussion [synthetic percussion]:
Gary Numan
Sologesang:
Gary Numan (in 1979)
phonographisches Urheberrecht (℗) von:
Beggars Banquet (in 1979) und WEA Filipacchi Music (not for release label use! copyrights/distribution only, FR division of WEA International Inc. in the 1970s) (in 1979)
Musikvideos:
Cars von Gary Numan
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 11), Paste: The 50 Greatest NON One-Hit Wonders of All Time (Nummer: 16) und VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 93)
recording of:
Cars
Texter und Komponist(in):
Gary Numan
Verfasser(in):
Nick Hemming
publisher:
Beggars Banquet Music Ltd. und Momentum Music Ltd.
Gary Numan4.153:59
10Peter Gunn
Produzent(in):
Art of Noise, Anne Dudley (English score composer), J.J. Jeczalik und Gary Langan
Gast-Gitarre:
Duane Eddy
arranger:
Anne Dudley (English score composer), J.J. Jeczalik und Gary Langan
instrumental cover recording of:
Peter Gunn
Texter und Komponist(in):
Henry Mancini (US composer, conductor & arranger)
Teil von:
Peter Gunn (American TV series 1958–1961)
recording of:
Peter Gunn
Texter und Komponist(in):
Henry Mancini (US composer, conductor & arranger)
Teil von:
Peter Gunn (American TV series 1958–1961)
Art of Noise43:57
11I Want Candy
Produzent(in):
Kenny Laguna
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1982)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 8) und VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 86)
cover recording of:
I Want Candy (in 1982)
Verfasser(in):
Bert Russell Berns, Bob Feldman (of The Strangeloves), Jerry Goldstein (producer, record label owner and publisher) und Richard Gottehrer (American songwriter and music executive)
publisher:
Downtown Music Publishing LLC (PRS-affiliated), Sloopy II Music, Sony/ATV Songs LLC und Wren Music Co.
Bow Wow Wow42:46
12Perfect Way
recording of:
Perfect Way
Verfasser(in):
David Gamson und Green Gartside
publisher:
Jouissance Music und WB Music Corp. (1929–2019)
Scritti Politti4:05
13Look of Love, Part 1
Techniker(in):
Gary Langan
Produzent(in):
Trevor Horn
Bassgitarre:
Mark Lickley
Keyboard:
Mark White (ABC/Vice Versa)
Sologesang:
Martin Fry
Saiteninstrumente arranger:
Anne Dudley (English score composer)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1982), Mercury Records Ltd. (London) (for copyrights use only) (in 1982), Phonogram Ltd. (not for release label use!) (in 1982) und Phonogram Ltd. (London) (company name, NOT a label!) (in 1982)
mixed at:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Vereinigtes Königreich (in 1982)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 4), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 43) und The Downloader’s Music Source Book (Nummer: 73)
teilweise recording of:
The Look of Love
Verfasser(in):
Martin Fry, David Palmer (drummer (ABC/The The)), Stephen Singleton und Mark White (ABC/Vice Versa)
publisher:
10 Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Neutron Music, Neutron Music Ltd., Virgin Music (Publishers) Ltd. und Virgin Music, Inc. (US arm of Virgin’s publishing company)
Teil von:
Mantrap (ABC long-form film)
ABC3.93:29
14Smalltown Boy
recording of:
Smalltown Boy
Verfasser(in):
Steve Bronski, Jimmy Somerville und Larry Steinbachek
publisher:
BMG Music Publishing Ltd., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Bronski Music Ltd., Bucks Music Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), Fujipacific Music, Inc., The Copyright Collective, Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Teil von:
Gotcha! (1985 film soundtrack)
Bronski Beat4:05
15Love Plus One
Produzent(in):
Bob Sargeant
Gitarre:
Graham Jones (Haircut 100)
Instrumente:
Leslie Nemes
Perkussion:
Marc Fox (Percussionist for the 80s New Wave band Haircut 100)
Saxophon:
Phil Smith (Saxophonist)
Schlagzeug:
Blair Cunningham
vocals:
Nick Heyward
phonographisches Urheberrecht (℗) von:
BMG Eurodisc Ltd. (in 1982) und Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1982)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 90)
recording of:
Love Plus One
Texter und Komponist(in):
Nick Heyward
publisher:
Bryan Morrison Music Ltd.
Haircut One Hundred43:38
16If You Leave
Techniker(in):
Tom Lord‐Alge
Produzent(in):
Tom Lord‐Alge und Orchestral Manoeuvres in the Dark
Herausgeber:
A&M Records und Virgin (worldwide imprint of Virgin Records Ltd. and all its subsidiaries)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1986)
recording of:
If You Leave
Verfasser(in):
Martin Cooper (OMD and The Listening Pool), Paul Humphreys (Orchestral Manoeuvres in the Dark) und Andy McCluskey
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), J. Albert & Son Pty. Ltd., Virgin Music, Inc. (US arm of Virgin’s publishing company), Warner/Chappell Music Australia Pty. Ltd. und WB Music Corp. (1929–2019)
Orchestral Manoeuvres in the Dark3.94:28
17True Faith
recording of:
True Faith
Verfasser(in):
Gillian Gilbert, Stephen Hague, Peter Hook, Stephen Morris (New Order) und Bernard Sumner
publisher:
Be Music (New Order’s own publishing company), Cut Music (UK publisher), MCA Music Inc. (US-based music publishers), Notting Hill Music (publisher) und Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Teil von:
American Psycho
New Order4:07
18Two Tribes
produced in:
London (Greater London), England, Vereinigtes Königreich (in 1984-03)
Techniker(in):
Steve Lipson
Produzent(in):
Trevor Horn
vocals:
Holly Johnson und Paul Rutherford (member of Frankie Goes to Hollywood)
phonographisches Urheberrecht (℗) von:
Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1984)
recording of:
Two Tribes (in 1983)
geschrieben in:
Liverpool, Merseyside, England, Vereinigtes Königreich (von 1982 bis 1983)
Texter und Komponist(in):
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson und Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS)
Frankie Goes to Hollywood3.653:56

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Veröffentlichung

ASIN:US: B000001NZL [Info]