After the Break

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Keep on Movin'
produttore e tecnico di missaggio:
Nellee Hooper e Jazzie B
diritti fonografici (℗) detenuti da:
10 Records (nel 1989)
è stato produttore per:
Silent Productions Ltd. (Production company of Jazzie B and Nellee Hooper)
video musicali:
Keep On Movin’ (official music video) di Soul II Soul
registrazione di:
Keep On Movin’
paroliere e compositore:
Jazzie B
editore:
Virgin Music (Publishers) Ltd. (nel 1989)
Soul II Soul43:38
2You Don't Love Me (No, No, No)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 454)
registrazione di:
You Don’t Love Me (No, No, No)
autore:
Willie Cobbs, Clement “Coxsone” Dodd, Ellas McDaniel (American singer, guitarist, songwriter and music producer) e Dawn Penn
versione di:
You Don’t Love Me
Dawn Penn3.854:37
3Summer Breeze
registrazione cover di:
Summer Breeze
paroliere:
James Seals
compositore:
Dash Crofts e James Seals
editore:
Dawnbreaker Mus. Co. Ltd USA, Faizilu Publishing, MCA Music Ltd., Songs of Universal, Inc. (BMI), Sutjujo Music, Universal Duchess Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Isley Brothers45:45
4I Can See Clearly Now
produttore:
Johnny Nash (US reggae/pop singer-songwriter)
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (UK) Limited (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (nel 1972) e Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1972)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 165)
registrazione di:
I Can See Clearly Now (nel 1972)
paroliere e compositore:
Johnny Nash (US reggae/pop singer-songwriter)
editore:
Cayman Music, CP Masters B V, Dovan Music, Rondor Music (London) Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Artemis Music Limited, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Johnny Nash42:48
5Lean on Me
produttore:
Benorce Blackmon (guitarist, producer, writer), Melvin Dunlap, James Gadson (American drummer), Ray Jackson (trombonist, pianist and arranger) e Bill Withers
basso elettrico :
Melvin Dunlap (nel 1972)
batteria e percussione :
James Gadson (American drummer) (nel 1972)
chitarra elettrica :
Benorce Blackmon (guitarist, producer, writer) (nel 1972)
piano elettrico Wurlitzer :
Ray Jackson (trombonist, pianist and arranger) (nel 1972)
pianoforte e voce principale:
Bill Withers (nel 1972)
arrangiatore archi :
Ray Jackson (trombonist, pianist and arranger)
diritti fonografici (℗) detenuti da:
CBS Inc. (US broadcasting company; file no releases here!) (nel 1972), CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (nel 1972), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 1972) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1972)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 205) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 236)
registrazione di:
Lean on Me (nel 1972)
paroliere e compositore:
Bill Withers
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., Interior Music (Les Disques du Crépuscule sub‐label), Interior Music Corp., Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bill Withers4.34:18
6California Dreamin'
tecnico:
Bones Howe
produttore:
Lou Adler
chitarra :
P.F. Sloan (nel 1965)
flauto contralto solista :
Bud Shank (nel 1965)
diritti fonografici (℗) detenuti da:
Geffen Records e Dunhill Records (nel 1966)
registrata presso:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (nel 1965)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 52), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 89) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 420)
registrazione di:
California Dreamin’ (nel 1965)
autore:
John Phillips (The Mamas & The Papas) e Michelle Phillips
editore:
American Broadcasting Music, Inc., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Richt & Slezak OHG, Trousdale Music, Trousdale Music Publishers, Inc., Universal Music Corp. (USA, affiliated with ASCAP) e Universal/MCA Music Publishing GmbH
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Mamas & the Papas4.452:41
7The Air That I Breathe
tecnico:
Mike Jarratt (Recording, mixing and lacquer cutting engineer) e Alan Parsons (of The Alan Parsons Project)
produttore:
The Hollies e Ron Richards
voce:
Allan Clarke (of The Hollies) (dal 1973-11-15 al 1973-11-22), Tony Hicks (dal 1973-11-15 al 1973-11-22) e Terry Sylvester (dal 1973-11-15 al 1973-11-22)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1973), The Hollies Ltd. (nel 1973, nel 1974, nel 2008) e Polydor International GmbH (not for release label use!) (nel 1974)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (dal 1973-11-15 al 1973-11-22)
registrazione cover di:
The Air That I Breathe (dal 1973-11-15 al 1973-11-22)
autore:
Albert Hammond e Mike Hazlewood
editore:
April Music Inc., Concord Songs Ltd., EMI April Music Inc., Landers‐Roberts Music, Rondor Music (Australia) P/L, Rondor Music (London) Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Hollies4.54:05
8Spirit in the Sky
produttore:
Erik Jacobsen
diritti fonografici (℗) detenuti da:
Reprise Records (nel 1969), Seven Arts Records, Inc. (not a label) (nel 1969) e Transtone Productions (nel 1970)
parte di:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (numero: 5), Billboard Year-End Hot 100 singles of 1970 (numero: 22) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 333)
registrazione di:
Spirit in the Sky (nel 1969)
paroliere e compositore:
Norman Greenbaum
editore:
Great Honesty Music Inc., Warner Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Chappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019) e Westminster Music Ltd.
Norman Greenbaum4.053:58
9Low Rider (On the Boulevard)
tecnico di registrazione:
Ed Barton (engineer), Andrew Berliner e Chris Huston
produttore:
Jerry Goldstein (producer, record label owner and publisher)
produttore associato:
Lonnie Jordan e Howard E. Scott (US funk/rock guitarist, member of War)
tecnico di missaggio:
Ed Barton (engineer)
registrazione di:
Low Rider
autore:
Papa Dee Allen, Harold Brown, B.B. Dickerson, Jerry Goldstein (producer, record label owner and publisher), Lonnie Jordan, Charles Miller (US saxophonist & flutist, member of War), Lee Oskar e Howard E. Scott (US funk/rock guitarist, member of War)
War4.653:13
10Spiritual High (State of Indepedence)
registrazione di:
Spiritual High
Moodswings4:07
11Dream a Little Dream of Me
produttore:
Lou Adler
registrazione cover di:
Dream a Little Dream of Me
paroliere:
Gus Kahn (nel 1931)
compositore:
Fabian André (nel 1931) e Wilbur Schwandt (nel 1931)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music, Words & Music, Inc. (US work publisher) e ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
parte di:
The Real Book (compilation of jazz standards, Volume I)
Cass Elliot3.53:14
12Can't Take My Eyes Off You
voce:
Andy Williams (US pop/jazz vocalist)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1967)
registrazione cover di:
Can’t Take My Eyes Off You (1967 song)
autore:
Bob Crewe e Bob Gaudio
editore:
EMI Longitude Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing (WP) Ltd., Saturday Music, Inc., Windswept Pacific Music Ltd. e Seasons Four Music Corp. (nel 1967)
sub-editore:
EMI Music Publishing France, EMI Music Publishing Ltd. (PRS‐affiliated), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Andy Williams43:13
13Fever
batteria :
Shelly Manne (US jazz drummer) (il 1958-05-19)
contrabbasso [bass] :
Joe Mondragon (il 1958-05-19)
schiocchi di dita :
Peggy Lee (jazz vocalist) (il 1958-05-19) e Howard Roberts (jazz guitarist, educator, session musician and producer) (il 1958-05-19)
voce:
Peggy Lee (jazz vocalist) (il 1958-05-19)
direttore d'orchestra:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (il 1958-05-19)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1958)
registrazione cover di:
Fever (il 1958-05-19)
autore:
Eddie Cooley e John Davenport (songwriter Otis Blackwell)
editore:
Carlin Music Corp., Chrysalis Songs, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Jay & Cee Music, Lark Music Ltd., Trio Music (publisher), Trio Music Co., Inc. e Trio Music Company
parte di:
The Adjustment Bureau
Peggy Lee4.253:20
14Love Letters
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1962)
registrazione cover di:
Love Letters
paroliere:
Edward Heyman
compositore:
Victor Young (American composer, arranger, violinist & conductor)
editore:
BMG Music Publishing Ltd., Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony e Warner/Chappell Music Ltd. (1996–2019)
parte di:
The 18th Academy Award for Best Original Song (numero: 2)
Ketty Lester2:41
15Let's Face the Music and Dance
registrazione di:
Let’s Face the Music and Dance (from “Follow the Fleet”)
paroliere e compositore:
Irving Berlin (nel 1936)
editore:
Irving Berlin Music Company, Irving Berlin Music Corp. e Williamson Music Company
parte di:
Follow the Fleet (1936 film)
Nat King Cole2:26
16Memories Are Made of This
produttore:
Lee Gillette
voce:
Dean Martin (American singer/actor) (nel 1955)
voce di accompagnamento:
The Easy Riders (nel 1955)
orchestra:
Dick Stabile and His Orchestra (nel 1955)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1955)
registrazione cover di:
Memories Are Made of This (nel 1955)
autore:
Richard Dehr (nel 1955), Terry Gilkyson (nel 1955) e Frank Miller (American singer & songwriter) (nel 1955)
Dean Martin52:17
17The Story of My Life
registrazione cover di:
The Story of My Life
paroliere:
Hal David
compositore:
Burt Bacharach
Michael Holliday42:16
18When You're Smiling
Louis Armstrong4:03
19I Wanna Be Loved by You
registrazione cover di:
I Wanna Be Loved by You (Good Boy/Some Like It Hot)
paroliere:
Bert Kalmar
compositore:
Harry Ruby e Herbert Stothart (composer)
editore:
BMG Firefly, Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), Harry Ruby Music Co., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
registrazione di:
I Wanna Be Loved by You (Good Boy/Some Like It Hot)
paroliere:
Bert Kalmar
compositore:
Harry Ruby e Herbert Stothart (composer)
editore:
BMG Firefly, Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), Harry Ruby Music Co., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Marilyn Monroe3:00
20Hoots Mon
registrazione di:
Hoots Mon (1958 song)
autore:
Harry Robertson (UK composer)
editore:
Southern Music Publishing Company Limited
Lord Rockingham's XI2:14

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