Party

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

| |
1CD
#TitoloArtistaValutazioneDurata
1Lady Marmalade
produttore:
John Benson (songwriter, notably tracks for All Saints), Johnny Douglas (composer, producer, drummer) e Neville Henry
tecnico di missaggio:
John Benson (songwriter, notably tracks for All Saints) e Ruadhri Cushnan
diritti fonografici (℗) detenuti da:
London Records (UK, 1947–1999, re-launched 2011–present) (nel 1998) e Radiofandango Srl (nel 2011)
registrazione cover di:
Lady Marmalade (Voulez-vous coucher avec moi, ce soir ?) (nel 1998)
autore:
Bob Crewe e Kenny Nolan
editore:
Ardmore and Beechwood Ltd., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI April Music Inc., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Songs Australia Pty. Ltd., Jobete Music Co., Inc., Kenny Nolan Publishing, Pathe Publications (F.E.) Ltd., Stone Diamond Music Corporation e TannyBoy Music
All Saints44:00
2Mmm Bop
programmazione e tecnico:
Mac Quale (US composer)
produttore:
The Dust Brothers (production duo John King & Mike Simpson)
produttore aggiunto:
Stephen Lironi
registrazione di:
MMMbop
autore:
Isaac Hanson, Taylor Hanson e Zachary Hanson
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Heavy Harmony Music, Jam N Bread Music, Warner Chappell (Warner/Chappell Music, Inc.), Warner Chappell Music Ltd. (no slash; used 1988–1996) e WB Music Corp. (1929–2019)
Hanson3.23:52
3Tell Me Ma
registrazione di:
I’ll Tell Me Ma
paroliere e compositore:
[traditional] (special purpose artist)
parte di:
Roud Folk Song Index (numero: 2649)
Sham Rock23:48
4Sex on the Beach
registrazione di:
Sex on the Beach
paroliere:
Humphrey G. Mijland (Dutch reggae/rap artist)
autore:
Remy de Groot, Serge Ramaekers (Belgian producer), Dominic Sas (Belgian 1980/90s new beat & euro house producer) e Shalamon Baskin (American-born, Belgium-based vocalist)
editore:
EMI Music Publishing (do not use as a release label!) e More Music (publisher)
T‐Spoon23:43
5Doctor Jones
produttore e tecnico di missaggio:
Delgado (Karsten Rene Dahlgaard), Johnny Jam, Claus Norreen e Søren Rasted
arrangiatore:
Delgado (Karsten Rene Dahlgaard), Johnny Jam, Claus Norreen e Søren Rasted
registrazione di:
Doctor Jones
paroliere:
Claus Norreen, Anders Øland, Søren Rasted e René Dif
compositore:
Claus Norreen, Anders Øland e Søren Rasted
editore:
MCA Music Scandinavia AB, Universal MCA Music Publishing (France), Universal/MCA Music Publishing Scandinavia AB (Universal MCA Music Scandinavia AB), Warner Chappell Music France, Warner/Chappell Music Denmark, A/S (KODA), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Aqua3.453:21
6Cruel Summer
tecnico di registrazione e programmazione:
Joe Belmaati
produttore:
Cutfather & Joe
tecnico di missaggio:
Cutfather & Joe e Mads Nilsson
piano Rhodes [Rhodes] :
Tue Roh
tastiera [keyboards] :
Joe Belmaati
voce di accompagnamento:
Jenny Berggren, Susanne Carstensen e Linn Berggren
voce principale:
Jenny Berggren e Linn Berggren
arrangiatore:
Cutfather & Joe
parte di:
The Downloader’s Music Source Book (numero: 125)
registrazione cover di:
Cruel Summer
paroliere:
Sara Dallin, Siobhan Fahey, Steve Jolley, Tony Swain (songwriter, producer) e Keren Woodward
compositore:
Leo Birenberg (soundtrack composer), Sara Dallin, Siobhan Fahey, Steve Jolley, Kari Kimmel (singer, songwriter, composer, producer, piano, guitar), Tony Swain (songwriter, producer) e Keren Woodward
editore:
In a Bunch Music Ltd., PolyGram Songs, Red Bus Music Ltd., Reverb Music Ltd., Sony Music Publishing (UK) Ltd. (2003–2008, 2021–present), Sony Publishing, Sony/ATV Music Publishing (UK) Ltd., Warner Chappell e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Ace of Base3.83:32
75, 6, 7, 8
assistente tecnico:
Bradlee Spreadborough e Al Unsworth
tecnico:
Chris McDonnell (engineer)
produttore:
Mark Topham, Karl Twigg e Pete Waterman
tecnico di missaggio:
Les Sharma
banjo :
Sean Lyons
batteria [drums] :
Chris McDonnell (engineer)
chitarra [guitars] :
Mark Topham e Barry Upton
tastiera [keyboards] :
Karl Twigg
violino :
Chris Haigh (violinist)
diritti fonografici (℗) detenuti da:
Zomba Records Limited (not strictly a label - avoid adding releases here) (nel 1997)
registrata presso e mixata presso:
PWL Studios (Manchester) in Manchester, Greater Manchester, England, Regno Unito e PWL Studios (London) in London (Greater London), England, Regno Unito
registrazione di:
5, 6, 7, 8
autore:
Steve Crosby e Barry Upton
editore:
All Boys Music Ltd. e Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Steps3.353:21
8When the Lights Go Out
diritti fonografici (℗) detenuti da:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (dal 1998 a oggi)
registrazione di:
When the Lights Go Out
autore:
Richard Breen, Jason Paul Brown (Five), Sean Conlon, John McClaughlin (British pop songwriter), Eliot Kennedy (songwriter, producer), Tim Lever, Richard Neville (British singer/songwriter, member of boy band "Five"), Mike Percy e Scott Robinson (British singer/performer/songwriter)
Five4:08
9Everybody (Backstreet's Back)
supporto a vario titolo:
Bonnie Brewster (incarico: girl crowd), Andrea M. Majied (incarico: girl crowd) e Susan McCall (incarico: girl crowd)
assistente tecnico:
Tommie Hicks, Jr.
tecnico:
Joe Smith (US recording/mixing engineer)
produttore:
Max Martin (Swedish record producer) e Denniz PoP
produttore esecutivo:
Louis J Pearlman
editor:
Chaz Harper
esecutore:
A.J. (US singer, songwriter, actor, dancer & model), Brian (from the Backstreet Boys), Howie D. (from the Backstreet Boys), Kevin (from the Backstreet Boys) e Nick (US pop singer & Backstreet Boy)
diritti fonografici (℗) detenuti da:
Zomba Recording Corporation (not strictly a label - avoid adding releases here) (nel 1997)
è stato produttore per:
Cheiron Productions
registrata presso:
Cheiron Studios in Stockholm, Stockholms län (Stockholm county), Svezia e Parc Studios in Orlando, Florida, Stati Uniti
mixata presso:
Cheiron Studios in Stockholm, Stockholms län (Stockholm county), Svezia
editing effettuato presso:
Battery Recording Studios (NYC; not to be confused with the mastering studio located at 321 W 44th Street) in New York, New York, Stati Uniti
registrazione di:
Everybody (Backstreet’s Back)
autore:
Max Martin (Swedish record producer) e Denniz PoP
editore:
Maratone AB (conclusa), MXM Music AB (conclusa), Grantsville Publishing Ltd., GV-Maratone, GV-MXM, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Zomba Enterprises, Inc., Zomba Music Publishers Limited (UK subsidiary of Zomba Music Publishing) e ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Backstreet Boys3.153:41
10Could It Be Magic
registrazione cover di:
Could It Be Magic
paroliere:
Adrienne Anderson
compositore:
Barry Manilow
compositore aggiunto:
Fryderyk Chopin (Frédéric Chopin, composer)
editore:
Angeldust Music (conclusa), Kamikazee Music (conclusa), EMI Longitude Music e Universal Music Careers
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
si basa su:
Prélude no. 20 in C minor, op. 28: Largo
versione di:
Could It Be Magic (original Featherbed single version)
Take That4:24
11Saturday Night
registrazione di:
Saturday Night
paroliere:
Larry Pignagnoli
compositore:
Larry Pignagnoli e Davide Riva
editore:
A La Mode, B. Mikulski Publ. e Labelle Music (publisher and production company)
Whigfield3:53
12Show Me Love
parte di:
RuPaul’s Drag Race Lip Sync Performances (season 7) (numero: 9)
registrazione di:
Show Me Love
autore:
Allen George (Songwriter - producer - keyboards player) e Fred McFarlane
editore:
Champion Music e Son-A-Tron Music
Robin S.44:11
13Kung Fu Fighting
produttore:
Biddu (composer, songwriter, producer and musician) (incarico: original)
chitarra :
Carl Adie (guitarist; performs with Bus Stop)
voce ospite e esecutore ospite:
Carl Douglas
voce ospite aggiuntiva:
Sue Quin
remixer:
Zip Fm-Japan (remixer; performs with The Olivia Project, Bus Stop)
diritti fonografici (℗) detenuti da:
All Around the World (dal 1998 a oggi)
campionamenti:
Kung Fu Fighting di Carl Douglas
registrazione di:
Kung Fu Fighting (Bus Stop version)
autore:
Carl Douglas
versione di:
Kung Fu Fighting
Bus Stop feat. Carl Douglas2.353:50
14Theme From S-Express
produttore:
Pascal Gabriel (Belgian-born, UK based producer, musician, songwriter) e Mark Moore (DJ, producer, member of S’Express)
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (nel 1988)
campionamenti:
Is It Love You’re After di Rose Royce, Stacey’s Dream (a cappella) di Stacey Q e The Bottle di Gil Scott‐Heron & Brian Jackson (American keyboardist, flautist, singer, composer & producer)
registrazione di:
Theme From S’Express
paroliere e compositore:
Pascal Gabriel (Belgian-born, UK based producer, musician, songwriter) e Mark Moore (DJ, producer, member of S’Express)
autore:
Pascal Gabriel (Belgian-born, UK based producer, musician, songwriter), Miles Gregory e Mark Moore (DJ, producer, member of S’Express)
editore:
Edition Intro (publisher) e Rhythm King Music (Publishing arm of Rhythm King Records)
si basa su:
Is It Love You’re After
S’Express43:53
15You Make Me Feel (Mighty Real)
Byron Stingily3:42
16Boom! Shake the Room
produttore:
Mr. Lee (US hip-hop/pop producer Leroy Williams)
voce di accompagnamento:
Tyrone Smith (NYC‐based jazz saxophonist and recording technician)
arrangiatore:
Mr. Lee (US hip-hop/pop producer Leroy Williams)
campionamenti:
Funky Worm di Ohio Players, Movin’ (single edit) di Brass Construction e The Jones (12″ Sugery mix) di The Temptations (Motown soul vocal group)
registrazione di:
Boom! Shake the Room
autore:
Lee Haggard, Keith Mayberry, Will Smith (US actor aka The Fresh Prince) e Wayne Williams (DJ, producer, promoter and record label executive from Chicago.)
DJ Jazzy Jeff & the Fresh Prince3.253:46
17Cotton Eyed Joe
tecnico di registrazione e tecnico di missaggio:
Lee Monteverde
tecnico e produttore:
Pat Reiniz
banjo :
Ken Tacky
voce:
Billy Ray (stage name of Jonas Nilsson, violinist of Swedish novelty act Rednex), Mary Joe, Bobby Sue e Ken Tacky
esecutore aggiunto:
Goran Danielsson (Rednex singer Ken Tacky), Annika Ljungberg e Bosse Nilsson
diritti fonografici (℗) detenuti da:
Zomba Records (nel 1994) e Zomba Records Ltd (not strictly a label - avoid adding releases here) (nel 1994)
registrata presso e mixata presso:
Future Crew Studios, Idaho in Stockholms län (Stockholm county), Svezia
video musicali:
Cotton‐Eye Joe di Rednex (Swedish Euro-House group)
parte di:
A.Side: 10 Songs That Have Their Own Dance Moves (numero: 7)
registrazione di:
Cotton-Eye Joe (Rednex version)
autore:
Jan Ericsson (Swedish producer), Örjan Öberg (Örjan “Öban” Öberg, Swedish producer) e Pat Reiniz
editore:
Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
versione di:
Cotton‐Eyed Joe (traditional song)
Rednex43:10
18Dance the Night Away
produttore:
Don Cook (US country producer/songwriter) e Raul Malo (The Mavericks lead singer, country music)
diritti fonografici (℗) detenuti da:
MCA Records Nashville (a division of MCA Records Inc.) (nel 1997)
parte di:
Grammy Award: Best Country Performance by a Duo or Group nominees (numero: 1999)
registrazione di:
Dance the Night Away
paroliere e compositore:
Raul Malo (The Mavericks lead singer, country music)
editore:
EMI Blackwood Music Inc. e Rumbalo Music
The Mavericks3.44:21
19Night FeverAdam Garcia23:35
20Grease Meage Mix
voce principale:
Olivia Newton‐John (British‐Australian singer, actress and activist) e John Travolta (American actor and singer)
remixer:
Phil Harding & Ian Curnow (duo)
DJ mixer:
Ian Curnow e Phil Harding (engineer, producer and remixer)
diritti fonografici (℗) detenuti da:
Universal International Music B.V. (company, do not use as label) (nel 1990, nel 2003)
DJ mix di e mash-up di:
You’re the One That I Want di John Travolta (American actor and singer) & Olivia Newton‐John (British‐Australian singer, actress and activist), Greased Lightnin’ di John Travolta (American actor and singer) e Summer Nights di John Travolta (American actor and singer), Olivia Newton‐John (British‐Australian singer, actress and activist) & Cast ([theatre], Special Purpose Artist - Do not add releases here, if possible.)
registrazione di:
The Grease Megamix
autore:
Warren Casey, John Farrar e Jim Jacobs
medley di:
You’re the One That I Want (Grease, 1978 film)
medley di:
Greased Lightnin’ (Grease, 1971 musical)
medley di:
Summer Nights (Grease, 1971 musical)
John Travolta & Olivia Newton‐John3.554:49
2CD
#TitoloArtistaValutazioneDurata
1Horny
diritti fonografici (℗) detenuti da:
Peppermint Jam (dal 1998 a oggi)
registrazione di:
Horny
autore:
Mousse T. e Errol Rennalls
editore:
Merg Music e Rondor
Mousse T. vs. Hot ’n’ Juicy33:06
2Would You...?
produttore:
David Lowe (aka Dreamcatcher)
editor:
Tim Gordine
diritti fonografici (℗) detenuti da:
V2 Music Limited (holding company - do not use as release label) (nel 1998)
registrazione di:
Would You…?
autore:
David Lowe (aka Dreamcatcher)
editore:
Oval Music
Touch and Go3.253:09
3It's Like That
produttore:
Larry Smith (US hip hop producer) e Russell Simmons
produttore aggiunto:
Jason Nevins
remixer:
Jason Nevins
diritti fonografici (℗) detenuti da:
Profile Records Ltd. e Smile Communications
è stato produttore per:
Rush Groove Productions
registrazione di:
It’s Like That
autore:
Darryl McDaniels (rapper Darryl McDaniels), Joseph Simmons (US rapper Rev. Run of Run-D.M.C) e Larry Smith (US hip hop producer)
editore:
Protoons Inc., Rush-Groove e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Run‐D.M.C. vs. Jason Nevins3.34:09
4Feel It
voce:
Maya (US singer Laura Dias, worked with The Tamperer)
registrazione di:
Feel It
autore:
Steve Gittelman, Jackie Jackson (member of the Jackson 5), Michael Jackson (“King of Pop”) e R. James Dyke
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
si basa su:
Can You Feel It
The Tamperer featuring Maya33:12
5Needin' U
campionamenti:
Let Me Down Easy di Rare Pleasure
registrazione di:
Needin’ U
compositore:
Danny Poku (British DJ, producer, remixer and A&R), Phil Hurtt, David Jordan (70s US disco producer), David Morales (US DJ/producer), Richard Rome (Richard V. Di Cicco (Producer, arranger, orchestra conductor & songwriter)), Juliet Roberts (British jazz, rock, and house music singer) e Andrew Louis Smith
David Morales33:31
6Renegade Master (Fatboy Slim Old Skool edit)
tecnico:
Simon Thornton (Big beat mixing engineer)
produttore:
Wildchild (UK house, "Renegade Master")
produttore aggiunto:
Norman Cook
remixer:
Norman Cook e Fatboy Slim
edit di:
Renegade Master (Fatboy Slim Old Skool mix) di Wildchild (UK house, "Renegade Master")
registrazione di:
Renegade Master
paroliere e compositore:
Roger McKenzie
editore:
MCA Music Ltd.
Wildchild53:48
7Brimful of Asha (Norman Cook remix)
produttore:
Tjinder Singh
produttore aggiunto:
Norman Cook
remixer:
Norman Cook
remixer aggiunto:
Norman Cook
remix di:
Brimful of Asha (LP / original version) di Cornershop e Brimful of Asha (short version) di Cornershop
registrazione di:
Brimful of Asha
paroliere e compositore:
Tjinder Singh
dedicata a:
Asha Bhosle
Cornershop3.83:59
8Mysterious Times
produttore:
Sash! (German DJ/production team) e Tokapi
voce e esecutore:
Tina Cousins
voce principale ospite:
Tina Cousins
diritti fonografici (℗) detenuti da:
Multiply Records (nel 1998) e X-IT Records (nel 1998)
prodotta presso:
Peak Top Studios D'Orf in Düsseldorf, Nordrhein-Westfalen (North Rhine-Westphalia), Germania
registrazione di:
Mysterious Times
compositore:
Thomas Alisson, Ralf Kappmeier e Sascha Lappessen (German DJ and producer)
editore:
Step By Step (publisher) e Strongsongs
Sash! feat. Tina Cousins3:32
9Macarena
registrazione di:
Macarena
paroliere e compositore:
Antonio Romero Monge e Rafael Ruiz
editore:
Canciones del Mundo (publisher), Discorama, S. L. (Used on (p), (c) and as publishing company) e Editorial Discorama
Los del Río3:33
10Just a Little BitGina G3:22
11Take a Chance on Me
tecnico:
Michael B. Tretow
produttore:
Benny Andersson (ABBA) e Björn Ulvaeus
batteria e tamburello :
Roger Palm (il 1977-08-17)
batteria e tamburello :
Roger Palm (il 1977-08-15)
chitarra acustica :
Björn Ulvaeus (il 1977-08-15)
chitarra basso :
Rutger Gunnarsson (il 1977-08-15, il 1977-08-17, il 1977-10-24)
chitarra elettrica [lead guitar] :
Lasse Wellander (il 1977-08-15)
tastiera :
Benny Andersson (ABBA) (il 1977-08-15)
arrangiatore:
Benny Andersson (ABBA) e Björn Ulvaeus
diritti fonografici (℗) detenuti da:
Polar Music International AB (nel 1977, nel 1986) e Polydor Records (record company, please see the “A (x) release” / “A (x) recording” for the release label) (nel 1978)
registrata presso:
Marcus Music Ab in Stockholm, Stockholms län (Stockholm county), Svezia (il 1977-08-15, il 1977-08-17) e Metronome Studio in Stockholm, Stockholms län (Stockholm county), Svezia (il 1977-10-24)
mixata presso:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place) (il 1977-11-01)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 32) e The Downloader’s Music Source Book (numero: 62)
registrazione di:
Take a Chance on Me (nel 1977)
autore:
Benny Andersson (ABBA) e Björn Ulvaeus
editore:
Bocu Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Union Songs Music, Universal Music Publishing Group e Universal/Union Songs Musikförlag AB
parte di:
Mamma Mia! (1999 musical)
ABBA4.154:01
12I Will Survive
registrazione di:
I Will Survive
autore:
Dino Fekaris e Freddie Perren
editore:
ATV Music, Perren‐Vibes Music, Inc., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Gloria Gaynor3:33
13Hot Stuff
produttore:
Pete Bellotte (English lyricist and producer) e Giorgio Moroder
diritti fonografici (℗) detenuti da:
The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1979)
registrazione di:
Hot Stuff
autore:
Pete Bellotte (English lyricist and producer), Harold Faltermeyer e Keith Forsey (drummer, producer and songwriter)
editore:
Warner Chappell, WB Music Corp. (1929–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Donna Summer33:49
14Y.M.C.A.
produttore:
Jacques Morali
produttore esecutivo:
Henri Belolo
edit di:
Y.M.C.A. (album version) di Village People
registrazione di:
Y.M.C.A.
paroliere:
Victor Edward Willis (member of the Village People)
compositore:
Jacques Morali
editore:
Can’t Stop Music (US work publisher, affiliated with BMI), EMI Music (do not use as release label! this is a music publisher), Harlem West Music Group, Scorpio Music (work publisher of "Scorpio Music") e Zomba Music Publishing Ltd.
Village People4.153:41
15Celebration
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1980) e The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1980)
registrazione di:
Celebration
autore:
Robert “Kool” Bell, Ronald Bell, George Brown (US percussionist of Kool & the Gang), Eumir Deodato, Robert Spike Mickens, Claydes Smith, James “J.T.” Taylor (US R&B vocalist for Kool & the Gang), Dennis “D.T.” Thomas (Kool & The Gang) e Earl Toon, Jr.
editore:
Delightful Music Publishing Ltd., Double F Music Co., EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing WP Ltd., Fresh Start Music, Intersong-Förlagen AB, Planetary Nom (London) Ltd., Warner/Chappell Music Ltd. (1996–2019), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (nel 1980) e WB Music Corp. (1929–2019) (nel 1980)
Kool & the Gang4.43:35
16Mega Mix: Rivers of Babylon, Daddy Cool
Boney M.3:46
17(You Gotta) Fight for Your Right (To Party)
tecnico:
Steve Ett
co-produttore:
Beastie Boys
produttore:
Rick Rubin (US record producer, former co‐president of Columbia Records)
chitarra elettrica :
Kerry King (co‐founder of Slayer)
diritti fonografici (℗) detenuti da:
Def Jam Recordings (US) (nel 1986)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 49) e Indie 88: Top 500 Indie Rock Songs (numero: 269)
registrazione di:
Fight for Your Right (to Party)
paroliere:
Adam Horovitz, Rick Rubin (US record producer, former co‐president of Columbia Records) e Adam Yauch
compositore:
Rick Rubin (US record producer, former co‐president of Columbia Records)
editore:
Brooklyn Dust Music e Def Jam Music
Beastie Boys4.153:27
1820th Century BoyT. Rex3:38
19Relax
tecnico:
Stephen Lipson
produttore:
Trevor Horn
produttore aggiunto:
Stephen Lipson
batteria :
Peter Gill (UK drummer for Frankie Goes to Hollywood) (nel 1983)
chitarra :
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) (nel 1983)
chitarra basso :
Mark O’Toole (former bassist of Frankie Goes to Hollywood) (nel 1983)
percussione ospite :
Luís Jardim (nel 1983)
tastiera ospite :
Andrew Richards (Strawbs keyboard player/record producer) (nel 1983) e Anne Dudley (English score composer) (nel 1983)
voce principale:
Holly Johnson (nel 1983), Mark O’Toole (former bassist of Frankie Goes to Hollywood) (nel 1983) e Paul Rutherford (member of Frankie Goes to Hollywood) (nel 1983)
diritti fonografici (℗) detenuti da:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (nel 1983) e Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (nel 1984)
registrata presso:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Regno Unito (nel 1983)
versione karaoke di:
Epic Relax (Sandro Silva & Quintino vs. Frankie Goes to Hollywood) (extended version) di DJ Schmolli
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 10) e Paste: The 50 Greatest NON One-Hit Wonders of All Time (numero: 44)
registrazione di:
Relax (nel 1983)
paroliere:
Holly Johnson
compositore:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson e Mark O’Toole (former bassist of Frankie Goes to Hollywood)
editore:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) e SPZ Music, Inc. (BMI affiliated)
Frankie Goes to Hollywood4.053:54
20Tainted Love
tecnico:
Paul Hardiman
produttore:
Mike Thorne (UK producer & keyboardist)
tecnico di missaggio:
Harvey Goldberg
strumenti elettronici e altri strumenti :
Dave Ball (UK electronic musician, part of Soft Cell)
voce:
Marc Almond (English pop singer and songwriter)
voce di accompagnamento:
Vicious Pink
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (London) (for copyrights use only) (nel 1981)
registrata presso:
Advision Studios in Fitzrovia, Camden (Borgo londinese di Camden), Westminster, London (Greater London), England, Regno Unito
video musicali:
Tainted Love di Soft Cell (1980s English synth‐pop duo)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 5), Paste: The 50 Greatest NON One-Hit Wonders of All Time (numero: 8), New York Post: 100 Greatest Covers (2007) (numero: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 33) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 46)
registrazione cover di:
Tainted Love
paroliere e compositore:
Ed Cobb
editore:
Burlington Music Co., Ltd. e Embassy Music Corporation
sub-editore:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Soft Cell3.92:38