The Collector’s Edition

~ Release by Edward Elgar (see all versions of this release, 1 available)

Annotation

Performers are listed at https://www.amazon.co.uk/review/R31DTP5044KW7N/.

Annotation last modified on 2016-12-12 09:11 UTC.

Tracklist

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1▼CD
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1Symphony no. 1 in A‐flat, op. 55: I. Andante, nobilmente e semplice – Allegro
producer:
James W. Burnett (producer) and Victor Olof
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-08-28 until 1962-08-29)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1962-08-28 until 1962-08-29)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-08-28 until 1962-08-29)
recording of:
Symphony no. 1 in A-flat major, op. 55: I. Andante. Nobilmente e semplice (from 1962-08-28 until 1962-08-29)
composer:
Edward Elgar (composer) (from 1907 until 1908)
part of:
Symphony no. 1 in A-flat major, op. 55
21:39
2Symphony no. 1 in A‐flat, op. 55: II. Allegro molto
producer:
James W. Burnett (producer) and Victor Olof
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-08-28 until 1962-08-29)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1962-08-28 until 1962-08-29)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-08-28 until 1962-08-29)
recording of:
Symphony no. 1 in A-flat major, op. 55: II. Allegro molto (from 1962-08-28 until 1962-08-29)
composer:
Edward Elgar (composer) (from 1907 until 1908)
part of:
Symphony no. 1 in A-flat major, op. 55
7:03
3Symphony no. 1 in A‐flat, op. 55: III. Adagio
producer:
James W. Burnett (producer) and Victor Olof
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-08-28 until 1962-08-29)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1962-08-28 until 1962-08-29)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-08-28 until 1962-08-29)
recording of:
Symphony no. 1 in A-flat major, op. 55: III. Adagio (from 1962-08-28 until 1962-08-29)
composer:
Edward Elgar (composer) (from 1907 until 1908)
part of:
Symphony no. 1 in A-flat major, op. 55
12:16
4Symphony no. 1 in A‐flat, op. 55: IV. Lento – Allegro
producer:
James W. Burnett (producer) and Victor Olof
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-08-28 until 1962-08-29)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1962-08-28 until 1962-08-29)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-08-28 until 1962-08-29)
recording of:
Symphony no. 1 in A-flat major, op. 55: IV. Lento - Allegro (from 1962-08-28 until 1962-08-29)
composer:
Edward Elgar (composer) (from 1907 until 1908)
part of:
Symphony no. 1 in A-flat major, op. 55
12:56
5Introduction and Allegro, op. 47
producer:
Victor Olof
strings:
Allegri String Quartet (from 1962-05-10 until 1962-05-11)
orchestra:
Sinfonia of London (John Wilson’s session orchestra) (from 1962-05-10 until 1962-05-11)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1962-05-10 until 1962-05-11)
balance engineer:
Howard Davidson (engineer) (from 1962-05-10 until 1962-05-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-05-10 until 1962-05-11)
recording of:
Introduction and Allegro for Strings, op. 47 (from 1962-05-10 until 1962-05-11)
composer:
Edward Elgar (composer) (in 1905)
premiered at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1905-03-08)
part of:
Works of Edward Elgar by opus number (number: op. 47)
14:01
2▼CD
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1Symphony no. 2 in E‐flat, op. 63: I. Allegro vivace e nobilmente
producer:
Victor Olof
orchestra:
Hallé Orchestra (from 1964-04-20 until 1964-04-21)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1964-04-20 until 1964-04-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1964-04-20 until 1964-04-21)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-04-20 until 1964-04-21)
recording of:
Symphony no. 2 in E-flat major, op. 63: I. Allegro vivace e nobilmente (from 1964-04-20 until 1964-04-21)
composer:
Edward Elgar (composer) (from 1903 until 1911)
part of:
Symphony no. 2 in E-flat major, op. 63
19:25
2Symphony no. 2 in E‐flat, op. 63: II. Larghetto
producer:
Victor Olof
orchestra:
Hallé Orchestra (from 1964-04-20 until 1964-04-21)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1964-04-20 until 1964-04-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1964-04-20 until 1964-04-21)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-04-20 until 1964-04-21)
recording of:
Symphony no. 2 in E-flat major, op. 63: II. Larghetto (from 1964-04-20 until 1964-04-21)
composer:
Edward Elgar (composer) (from 1903 until 1911)
part of:
Symphony no. 2 in E-flat major, op. 63
13:50
3Symphony no. 2 in E‐flat, op. 63: III. Rondo: Presto
producer:
Victor Olof
orchestra:
Hallé Orchestra (from 1964-04-20 until 1964-04-21)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1964-04-20 until 1964-04-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1964-04-20 until 1964-04-21)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-04-20 until 1964-04-21)
recording of:
Symphony no. 2 in E-flat major, op. 63: III. Rondo: Presto (from 1964-04-20 until 1964-04-21)
composer:
Edward Elgar (composer) (from 1903 until 1911)
part of:
Symphony no. 2 in E-flat major, op. 63
8:20
4Symphony no. 2 in E‐flat, op. 63: IV. Moderato e maestoso
producer:
Victor Olof
orchestra:
Hallé Orchestra (from 1964-04-20 until 1964-04-21)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1964-04-20 until 1964-04-21)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1964-04-20 until 1964-04-21)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-04-20 until 1964-04-21)
recording of:
Symphony no. 2 in E-flat major, op. 63: IV. Moderato e maestoso (from 1964-04-20 until 1964-04-21)
composer:
Edward Elgar (composer) (from 1903 until 1911)
part of:
Symphony no. 2 in E-flat major, op. 63
14:27
5Elegy, op. 58
producer:
Christopher Bishop (conductor/producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1966-06-16)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1966-06-16)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1966-06-16)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1966-06-16)
recording of:
Elegy, op. 58 (on 1966-06-16)
composer:
Edward Elgar (composer) (in 1909)
premiered at:
Mansion House in London (Greater London), England, United Kingdom (on 1909-07-13)
part of:
Works of Edward Elgar by opus number (number: op. 58)
4:29
6Sospiri, op. 70
producer:
Christopher Bishop (conductor/producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1966-06-16)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1966-06-16)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1966-06-16)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1966-06-16)
recording of:
Sospiri, op. 70 (for strings, harp (or piano) and organ (or harmonium)) (on 1966-06-16)
composer:
Edward Elgar (composer) (in 1914)
dedicated to:
William Henry Reed
publisher:
Breitkopf & Härtel
part of:
Works of Edward Elgar by opus number (number: op. 70)
5:10
3▼CD
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1Falstaff Symphonic Study in C minor, op. 68: I. Falstaff and Prince Henry
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
orchestra:
Hallé Orchestra (on 1964-06-01)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1964-06-01)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1964-06-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1964-06-01)
recording of:
Falstaff, op. 68: I. Falstaff and Prince Henry (on 1964-06-01)
composer:
Edward Elgar (composer) (in 1913)
part of:
Falstaff, op. 68 (Symphonic Study)
3:15
2Falstaff Symphonic Study in C minor, op. 68: II. Eastcheap – Gadshill – The Boar’s Head, Revelry and Sleep
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
orchestra:
Hallé Orchestra (on 1964-06-01)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1964-06-01)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1964-06-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1964-06-01)
partial recording of:
Falstaff, op. 68: II. Eastcheap – Gadshill – The Boar's Head. Revelry and sleep – Dream Interlude (Poco allegretto) (on 1964-06-01)
composer:
Edward Elgar (composer) (in 1913)
part of:
Falstaff, op. 68 (Symphonic Study)
recording of:
Falstaff, op. 68: II. Eastcheap – Gadshill – The Boar's Head. Revelry and sleep – Dream Interlude (Poco allegretto)
composer:
Edward Elgar (composer) (in 1913)
part of:
Falstaff, op. 68 (Symphonic Study)
13:02
3Falstaff Symphonic Study in C minor, op. 68: II. Dream Interlude: ‘Jack Falstaff, now Sir John, a boy, and page to Thomas Mowbray, Duke of Norfolk’
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
orchestra:
Hallé Orchestra (on 1964-06-01)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1964-06-01)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1964-06-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1964-06-01)
partial recording of:
Falstaff, op. 68: II. Eastcheap – Gadshill – The Boar's Head. Revelry and sleep – Dream Interlude (Poco allegretto) (on 1964-06-01)
composer:
Edward Elgar (composer) (in 1913)
part of:
Falstaff, op. 68 (Symphonic Study)
2:19
4Falstaff Symphonic Study in C minor, op. 68: III. Falstaff’s March
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
orchestra:
Hallé Orchestra (on 1964-06-01)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1964-06-01)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1964-06-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1964-06-01)
partial recording of:
Falstaff, op. 68: III. Falstaff's March – The Return Through Gloucestershire – Interlude: Gloucestershire. Shallow's Orchard (Allegretto) – The New King – The Hurried Ride to London (on 1964-06-01)
composer:
Edward Elgar (composer) (in 1913)
part of:
Falstaff, op. 68 (Symphonic Study)
recording of:
Falstaff, op. 68: III. Falstaff's March – The Return Through Gloucestershire – Interlude: Gloucestershire. Shallow's Orchard (Allegretto) – The New King – The Hurried Ride to London
composer:
Edward Elgar (composer) (in 1913)
part of:
Falstaff, op. 68 (Symphonic Study)
4:24
5Falstaff Symphonic Study in C minor, op. 68: III. Interlude: Gloucestershire. Shallow’s Orchard (Allegretto) – The New King – The Hurried Ride to London
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
orchestra:
Hallé Orchestra (on 1964-06-01)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1964-06-01)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1964-06-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1964-06-01)
partial recording of:
Falstaff, op. 68: III. Falstaff's March – The Return Through Gloucestershire – Interlude: Gloucestershire. Shallow's Orchard (Allegretto) – The New King – The Hurried Ride to London (on 1964-06-01)
composer:
Edward Elgar (composer) (in 1913)
part of:
Falstaff, op. 68 (Symphonic Study)
2:39
6Falstaff Symphonic Study in C minor, op. 68: IV. King Henry V’s Progress – The Repudiation of Falstaff, and His Death
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
orchestra:
Hallé Orchestra (on 1964-06-01)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1964-06-01)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1964-06-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1964-06-01)
recording of:
Falstaff, op. 68: IV. King Henry V's Progress – The Repudiation of Falstaff, and His Death (on 1964-06-01)
composer:
Edward Elgar (composer) (in 1913)
part of:
Falstaff, op. 68 (Symphonic Study)
8:53
7Cockaigne (in London Town) Concert Overture, op. 40
producer:
Victor Olof and James W. Burnett (producer) (in 1962-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1962-05-09) and Hallé Orchestra (on 1962-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1962-05-09, on 1962-08-27)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1962-05-09, on 1962-08-27)
recording of:
Cockaigne (In London Town), op. 40 (on 1962-08-27)
composer:
Edward Elgar (composer) (in 1897)
premiered at:
[concert] (1901-06-20)
publisher:
Boosey & Co. (music publisher founded in the 1760s, forebear of Boosey & Hawkes) (in 1901)
premiered at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1901-06-20)
part of:
Works of Edward Elgar by opus number (number: op. 40)
14:45
8Froissart Concert Overture, op. 19
producer:
Christopher Bishop (conductor/producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1966-07-15)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1966-07-15)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1966-07-15)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1966-07-15)
recording of:
Froissart Overture, op. 19 (on 1966-07-15)
premiered in:
Worcester, Worcestershire, England, United Kingdom (on 1890-09-09)
composer:
Edward Elgar (composer) (in 1890)
part of:
Works of Edward Elgar by opus number (number: op. 19)
14:13
4▼CD
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1Variations on an Original Theme ‘Enigma’, op. 36: Theme
producer:
Victor Olof
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1962-05-09, on 1962-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1962-05-09, on 1962-08-27)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (on 1962-05-09, on 1962-08-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1962-05-09, on 1962-08-27)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: Theme (Andante) (from 1962-05-09 until 1962-08-27)
composer:
Edward Elgar (composer) (in 1899)
part of:
Variations on an Original Theme (‘Enigma’), op. 36
1:29
2Variations on an Original Theme ‘Enigma’, op. 36: I. C.A.E. (Caroline Alice Edgar)
producer:
Victor Olof
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1962-05-09, on 1962-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1962-05-09, on 1962-08-27)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (on 1962-05-09, on 1962-08-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1962-05-09, on 1962-08-27)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: I. C.A.E. (L’istesso tempo) (from 1962-05-09 until 1962-08-27)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Caroline Alice Elgar (English author, married to Edward Elgar)
part of:
Variations on an Original Theme (‘Enigma’), op. 36
1:48
3Variations on an Original Theme ‘Enigma’, op. 36: II. H.D.S.P. (Hew David Steuart‐Powell)
producer:
Victor Olof
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1962-05-09, on 1962-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1962-05-09, on 1962-08-27)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (on 1962-05-09, on 1962-08-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1962-05-09, on 1962-08-27)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: II. H.D.S-P. (Allegro) (from 1962-05-09 until 1962-08-27)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Hew David Steuart Powell
part of:
Variations on an Original Theme (‘Enigma’), op. 36
0:49
4Variations on an Original Theme ‘Enigma’, op. 36: III. R.B.T. (Richard Baxter Townshend)
producer:
Victor Olof
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1962-05-09, on 1962-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1962-05-09, on 1962-08-27)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (on 1962-05-09, on 1962-08-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1962-05-09, on 1962-08-27)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: III. R.B.T. (Allegretto) (from 1962-05-09 until 1962-08-27)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Richard Baxter Townshend
part of:
Variations on an Original Theme (‘Enigma’), op. 36
1:28
5Variations on an Original Theme ‘Enigma’, op. 36: IV. W.M.B. (William Meath Baker)
producer:
Victor Olof
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1962-05-09, on 1962-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1962-05-09, on 1962-08-27)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (on 1962-05-09, on 1962-08-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1962-05-09, on 1962-08-27)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: IV. W.M.B. (Allegro di molto) (from 1962-05-09 until 1962-08-27)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
William Meath Baker
part of:
Variations on an Original Theme (‘Enigma’), op. 36
0:30
6Variations on an Original Theme ‘Enigma’, op. 36: V. R.P.A. (Richard Penrose Arnold)
producer:
Victor Olof
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1962-05-09, on 1962-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1962-05-09, on 1962-08-27)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (on 1962-05-09, on 1962-08-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1962-05-09, on 1962-08-27)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: V. R.P.A. (Moderato) (from 1962-05-09 until 1962-08-27)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Richard Penrose Arnold
part of:
Variations on an Original Theme (‘Enigma’), op. 36
2:17
7Variations on an Original Theme ‘Enigma’, op. 36: VI. Ysobel (Isabel Fitton)
producer:
Victor Olof
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1962-05-09, on 1962-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1962-05-09, on 1962-08-27)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (on 1962-05-09, on 1962-08-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1962-05-09, on 1962-08-27)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: VI. Ysobel (Andantino) (from 1962-05-09 until 1962-08-27)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Isabel Fitton
part of:
Variations on an Original Theme (‘Enigma’), op. 36
1:16
8Variations on an Original Theme ‘Enigma’, op. 36: VII. Troyte (Troyte Griffith)
producer:
Victor Olof
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1962-05-09, on 1962-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1962-05-09, on 1962-08-27)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (on 1962-05-09, on 1962-08-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1962-05-09, on 1962-08-27)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: VII. Troyte (Presto) (from 1962-05-09 until 1962-08-27)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Arthur Troyte Griffith
part of:
Variations on an Original Theme (‘Enigma’), op. 36
1:04
9Variations on an Original Theme ‘Enigma’, op. 36: VIII. W.N. (Winifred Norbury)
producer:
Victor Olof
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1962-05-09, on 1962-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1962-05-09, on 1962-08-27)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (on 1962-05-09, on 1962-08-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1962-05-09, on 1962-08-27)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: VIII. W.N. (Allegretto) (from 1962-05-09 until 1962-08-27)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Winifred Norbury
part of:
Variations on an Original Theme (‘Enigma’), op. 36
1:48
10Variations on an Original Theme ‘Enigma’, op. 36: IX. Nimrod (A.J. Jaeger)
producer:
Victor Olof
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1962-05-09, on 1962-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1962-05-09, on 1962-08-27)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (on 1962-05-09, on 1962-08-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1962-05-09, on 1962-08-27)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: IX. Nimrod (Adagio) (from 1962-05-09 until 1962-08-27)
publisher:
Sir Edward Elgar (dec’d) (Edward Elgar, composer)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Augustus J. Jaeger
part of:
Variations on an Original Theme (‘Enigma’), op. 36
3:35
11Variations on an Original Theme ‘Enigma’, op. 36: X. Intermezzo: Dorabella (Dora Penny)
producer:
Victor Olof
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1962-05-09, on 1962-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1962-05-09, on 1962-08-27)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (on 1962-05-09, on 1962-08-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1962-05-09, on 1962-08-27)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: X. Intermezzo: Dorabella (Allegretto) (from 1962-05-09 until 1962-08-27)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Dora Penny
part of:
Variations on an Original Theme (‘Enigma’), op. 36
2:25
12Variations on an Original Theme ‘Enigma’, op. 36: XI. G.R.S. (George Robertson Sinclair)
producer:
Victor Olof
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1962-05-09, on 1962-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1962-05-09, on 1962-08-27)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (on 1962-05-09, on 1962-08-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1962-05-09, on 1962-08-27)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: XI. G.R.S. (Allegro di molto) (from 1962-05-09 until 1962-08-27)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
George Robertson Sinclair
part of:
Variations on an Original Theme (‘Enigma’), op. 36
1:00
13Variations on an Original Theme ‘Enigma’, op. 36: XII. B.G.N. (Basil G. Nevinson)
producer:
Victor Olof
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1962-05-09, on 1962-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1962-05-09, on 1962-08-27)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (on 1962-05-09, on 1962-08-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1962-05-09, on 1962-08-27)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: XII. B.G.N. (Andante) (from 1962-05-09 until 1962-08-27)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Basil George Nevinson
part of:
Variations on an Original Theme (‘Enigma’), op. 36
2:53
14Variations on an Original Theme ‘Enigma’, op. 36: XIII. Romanza: *** (Lady Mary Lygon)
producer:
Victor Olof
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1962-05-09, on 1962-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1962-05-09, on 1962-08-27)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (on 1962-05-09, on 1962-08-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1962-05-09, on 1962-08-27)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: XIII. Romanza (Moderato) (from 1962-05-09 until 1962-08-27)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Lady Mary Lygon
part of:
Variations on an Original Theme (‘Enigma’), op. 36
2:46
15Variations on an Original Theme ‘Enigma’, op. 36: XIV. Finale: E.D.U. (The Composer)
producer:
Victor Olof
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1962-05-09, on 1962-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1962-05-09, on 1962-08-27)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (on 1962-05-09, on 1962-08-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1962-05-09, on 1962-08-27)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: XIV. Finale: E.D.U. (Allegro) (from 1962-05-09 until 1962-08-27)
composer:
Edward Elgar (composer) (in 1899)
part of:
Variations on an Original Theme (‘Enigma’), op. 36
5:36
16Pomp and Circumstance Military Marches, op. 39: No. 1 in D major
producer:
James W. Burnett (producer) and Victor Olof
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1962-08-29)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1962-08-29)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1963, in 1988)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1962-08-29)
recording of:
Pomp and Circumstance Military Marches, op. 39: March no. 1 in D major (on 1962-08-29)
premiered in:
Liverpool, Merseyside, England, United Kingdom (on 1901-10-19)
publisher:
Sir Edward Elgar (dec’d) (Edward Elgar, composer)
composer:
Edward Elgar (composer) (in 1901)
publisher:
Boosey & Co. Ltd. (music publisher founded in the 1760s, forebear of Boosey & Hawkes)
part of:
Pomp and Circumstance Military Marches, op. 39
6:40
17Pomp and Circumstance Military Marches, op. 39: No. 2 in A minor
producer:
Christopher Bishop (conductor/producer)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1966-07-14)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1966-07-14)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1966-07-14)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1966-07-14)
recording of:
Pomp and Circumstance Military Marches, op. 39: March no. 2 in A minor (on 1966-07-14)
premiered in:
Liverpool, Merseyside, England, United Kingdom (on 1901-10-19)
composer:
Edward Elgar (composer) (in 1901)
part of:
Pomp and Circumstance Military Marches, op. 39
5:06
18Pomp and Circumstance Military Marches, op. 39: No. 3 in C minor
producer:
Christopher Bishop (conductor/producer)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1966-07-14)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1966-07-14)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1966-07-14)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1966-07-14)
recording of:
Pomp and Circumstance Military Marches, op. 39: March no. 3 in C minor (on 1966-07-14)
composer:
Edward Elgar (composer) (in 1904)
premiered at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1905-03-08)
part of:
Pomp and Circumstance Military Marches, op. 39
6:06
19Pomp and Circumstance Military Marches, op. 39: No. 4 in G major
producer:
James W. Burnett (producer) and Victor Olof
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1962-08-29)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1962-08-29)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1962-08-29)
recording of:
Pomp and Circumstance Military Marches, op. 39: March no. 4 in G major (on 1962-08-29)
composer:
Edward Elgar (composer) (in 1907)
premiered at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1907-08-24)
part of:
Pomp and Circumstance Military Marches, op. 39
5:22
20Pomp and Circumstance Military Marches, op. 39: No. 5 in C major
producer:
Christopher Bishop (conductor/producer)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1966-07-14)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1966-07-14)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1966-07-14)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1966-07-14)
recording of:
Pomp and Circumstance Military Marches, op. 39: March no. 5 in C major (on 1966-07-14)
composer:
Edward Elgar (composer) (in 1930)
premiered at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1930-09-20)
part of:
Pomp and Circumstance Military Marches, op. 39
6:09
21Serenade in E minor, op. 20: I. Allegro piacevole
producer:
Victor Olof
orchestra:
Sinfonia of London (original Gordon Walker formed orchestra) and Sinfonia of London (John Wilson’s session orchestra) (from 1962-05-10 until 1962-05-11)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1962-05-10 until 1962-05-11)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) and Howard Davidson (engineer) (from 1962-05-10 until 1962-05-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-05-10 until 1962-05-11)
recording of:
Serenade for Strings in E minor, op. 20: I. Allegro piacevole (from 1962-05-10 until 1962-05-11)
composer:
Edward Elgar (composer) (in 1892)
part of:
Serenade for Strings in E minor, op. 20
3:59
22Serenade in E minor, op. 20: II. Larghetto
producer:
Victor Olof
orchestra:
Sinfonia of London (original Gordon Walker formed orchestra) and Sinfonia of London (John Wilson’s session orchestra) (from 1962-05-10 until 1962-05-11)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1962-05-10 until 1962-05-11)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) and Howard Davidson (engineer) (from 1962-05-10 until 1962-05-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-05-10 until 1962-05-11)
recording of:
Serenade for Strings in E minor, op. 20: II. Larghetto (from 1962-05-10 until 1962-05-11)
composer:
Edward Elgar (composer) (in 1892)
part of:
Serenade for Strings in E minor, op. 20
6:00
23Serenade in E minor, op. 20: III. Allegretto – Come prima
producer:
Victor Olof
orchestra:
Sinfonia of London (John Wilson’s session orchestra) (from 1962-05-10 until 1962-05-11)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1962-05-10 until 1962-05-11)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) and Howard Davidson (engineer) (from 1962-05-10 until 1962-05-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-05-10 until 1962-05-11)
recording of:
Serenade for Strings in E minor, op. 20: III. Allegretto (from 1962-05-10 until 1962-05-11)
composer:
Edward Elgar (composer) (in 1892)
part of:
Serenade for Strings in E minor, op. 20
3:08
5▼CD
#TitleRatingLength
1Sea Pictures, op. 37: I. Sea Slumber‐Song
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (on 1965-08-30)
vocals:
Dame Janet Baker (mezzo‐soprano and alto)
orchestra:
London Symphony Orchestra (on 1965-08-30)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1965-08-30)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1965-08-30)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1965-08-30)
recording of:
Sea Pictures, op. 37: I. Sea Slumber Song (on 1965-08-30)
lyricist:
Roden Noel
composer:
Edward Elgar (composer) (in 1899)
part of:
Sea Pictures, op. 37
5:04
2Sea Pictures, op. 37: II. In Haven (Capri)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (on 1965-08-30)
vocals:
Dame Janet Baker (mezzo‐soprano and alto)
orchestra:
London Symphony Orchestra (on 1965-08-30)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1965-08-30)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1965-08-30)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1965-08-30)
recording of:
Sea Pictures, op. 37: II. In Haven (Capri) (on 1965-08-30)
lyricist:
Alice Elgar (English author, married to Edward Elgar)
composer:
Edward Elgar (composer) (in 1899)
part of:
Sea Pictures, op. 37
2:06
3Sea Pictures, op. 37: III. Sabbath Morning at Sea
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (on 1965-08-30)
vocals:
Dame Janet Baker (mezzo‐soprano and alto)
orchestra:
London Symphony Orchestra (on 1965-08-30)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1965-08-30)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1965-08-30)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1965-08-30)
recording of:
Sea Pictures, op. 37: III. Sabbath Morning at Sea (on 1965-08-30)
lyricist:
Elizabeth Barrett Browning
composer:
Edward Elgar (composer) (in 1899)
part of:
Sea Pictures, op. 37
6:20
4Sea Pictures, op. 37: IV. Where Corals Lie
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (on 1965-08-30)
vocals:
Dame Janet Baker (mezzo‐soprano and alto)
orchestra:
London Symphony Orchestra (on 1965-08-30)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1965-08-30)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1965-08-30)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1965-08-30)
recording of:
Sea Pictures, op. 37: IV. Where Corals Lie (on 1965-08-30)
lyricist:
Richard Garnett
composer:
Edward Elgar (composer) (in 1899)
part of:
Sea Pictures, op. 37
4:11
5Sea Pictures, op. 37: V. The Swimmer
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (on 1965-08-30)
vocals:
Dame Janet Baker (mezzo‐soprano and alto)
orchestra:
London Symphony Orchestra (on 1965-08-30)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1965-08-30)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1965-08-30)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1965-08-30)
recording of:
Sea Pictures, op. 37: V. The Swimmer (on 1965-08-30)
lyricist:
Adam Lindsay Gordon
composer:
Edward Elgar (composer) (in 1899)
part of:
Sea Pictures, op. 37
6:13
6Cello Concerto in E minor, op. 85: I. Adagio – Moderato –
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
cello:
Jacqueline du Pré (cellist) (on 1965-08-19)
orchestra:
London Symphony Orchestra (on 1965-08-19)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1965-08-19)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1965-08-19)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1965-08-19)
recording of:
Cello Concerto in E minor, op. 85: I. Adagio – Moderato (on 1965-08-19)
composer:
Edward Elgar (composer) (from 1918 until 1919)
part of:
Cello Concerto in E minor, op. 85
7:58
7Cello Concerto in E minor, op. 85: II. Lento – Allegro molto
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
cello:
Jacqueline du Pré (cellist) (on 1965-08-19)
orchestra:
London Symphony Orchestra (on 1965-08-19)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1965-08-19)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1965-08-19)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1965-08-19)
recording of:
Cello Concerto in E minor, op. 85: II. Lento – Allegro molto (on 1965-08-19)
composer:
Edward Elgar (composer) (from 1918 until 1919)
part of:
Cello Concerto in E minor, op. 85
4:31
8Cello Concerto in E minor, op. 85: III. Adagio
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
cello:
Jacqueline du Pré (cellist) (on 1965-08-19)
orchestra:
London Symphony Orchestra (on 1965-08-19)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1965-08-19)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1965-08-19)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1965)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1965-08-19)
recording of:
Cello Concerto in E minor, op. 85: III. Adagio (on 1965-08-19)
composer:
Edward Elgar (composer) (from 1918 until 1919)
part of:
Cello Concerto in E minor, op. 85
5:14
9Cello Concerto in E minor, op. 85: IV. Allegro – Moderato – Allegro ma non troppo
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
cello:
Jacqueline du Pré (cellist) (on 1965-08-19)
orchestra:
London Symphony Orchestra (on 1965-08-19)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1965-08-19)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1965-08-19)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1965-08-19)
recording of:
Cello Concerto in E minor, op. 85: IV. Allegro – Moderato – Allegro ma non troppo (on 1965-08-19)
composer:
Edward Elgar (composer) (from 1918 until 1919)
part of:
Cello Concerto in E minor, op. 85
12:17
6▼CD
#TitleRatingLength
1Violin Sonata in E minor, op. 82: I. Allegro
piano:
David Parkhouse (pianist) (on 1971-01-01)
violin:
Hugh Bean (violinist) (on 1971-01-01)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1971-01-01)
recording of:
Sonata for Violin and Piano in E minor, op. 82: I. Allegro (on 1971-01-01)
composer:
Edward Elgar (composer) (in 1918)
part of:
Sonata for Violin and Piano in E minor, op. 82
8:10
2Violin Sonata in E minor, op. 82: II. Romance: Andante
piano:
David Parkhouse (pianist) (on 1971-01-01)
violin:
Hugh Bean (violinist) (on 1971-01-01)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1971-01-01)
recording of:
Sonata for Violin and Piano in E minor, op. 82: II. Romance: Andante (on 1971-01-01)
composer:
Edward Elgar (composer) (in 1918)
part of:
Sonata for Violin and Piano in E minor, op. 82
8:04
3Violin Sonata in E minor, op. 82: III. Allegro non troppo
piano:
David Parkhouse (pianist) (on 1971-01-01)
violin:
Hugh Bean (violinist) (on 1971-01-01)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1971-01-01)
recording of:
Sonata for Violin and Piano in E minor, op. 82: III. Allegro non troppo (on 1971-01-01)
composer:
Edward Elgar (composer) (in 1918)
part of:
Sonata for Violin and Piano in E minor, op. 82
9:18
4Violin Concerto in B minor, op. 61: I. Allegro
violin:
Hugh Bean (violinist) (from 1972-06-15 until 1972-06-16)
orchestra:
Royal Liverpool Philharmonic Orchestra (from 1972-06-15 until 1972-06-16)
conductor:
Sir Charles Groves (conductor) (from 1972-06-15 until 1972-06-16)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1972-06-15 until 1972-06-16)
recording of:
Violin Concerto in B minor, op. 61: I. Allegro (from 1972-06-15 until 1972-06-16)
composer:
Edward Elgar (composer) (from 1905 until 1910)
part of:
Violin Concerto in B minor, op. 61
18:07
5Violin Concerto in B minor, op. 61: II. Andante
violin:
Hugh Bean (violinist) (from 1972-06-15 until 1972-06-16)
orchestra:
Royal Liverpool Philharmonic Orchestra (from 1972-06-15 until 1972-06-16)
conductor:
Sir Charles Groves (conductor) (from 1972-06-15 until 1972-06-16)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1972-06-15 until 1972-06-16)
recording of:
Violin Concerto in B minor, op. 61: II. Andante (from 1972-06-15 until 1972-06-16)
composer:
Edward Elgar (composer) (from 1905 until 1910)
part of:
Violin Concerto in B minor, op. 61
11:38
6Violin Concerto in B minor, op. 61: III. Allegro molto – Cadenza (Accompagnata: Lento) – Allegro molto (Tempo I)
violin:
Hugh Bean (violinist) (from 1972-06-15 until 1972-06-16)
orchestra:
Royal Liverpool Philharmonic Orchestra (from 1972-06-15 until 1972-06-16)
conductor:
Sir Charles Groves (conductor) (from 1972-06-15 until 1972-06-16)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1972-06-15 until 1972-06-16)
recording of:
Violin Concerto in B minor, op. 61: III. Allegro molto — Cadenza (Accompagnata: Lento) - Allegro Molto (from 1972-06-15 until 1972-06-16)
composer:
Edward Elgar (composer) (from 1905 until 1910)
part of:
Violin Concerto in B minor, op. 61
19:19
7▼CD
#TitleRatingLength
1Nursery Suite: I. Aubade (Awake) (Allegretto)
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Sir Charles Groves (conductor)
recording of:
Nursery Suite: I. Aubade
composer:
Edward Elgar (composer)
part of:
Nursery Suite
4:49
2Nursery Suite: II. The Serious Doll (Andantino)
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Sir Charles Groves (conductor)
recording of:
Nursery Suite: II. The Serious Doll
composer:
Edward Elgar (composer)
part of:
Nursery Suite
3:12
3Nursery Suite: III. Busy‐ness (Allegro molto)
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Sir Charles Groves (conductor)
recording of:
Nursery Suite: III. Busy-Ness
composer:
Edward Elgar (composer)
part of:
Nursery Suite
2:18
4Nursery Suite: IV. The Sad Doll (Andantino)
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Sir Charles Groves (conductor)
recording of:
Nursery Suite: IV. The Sad Doll
composer:
Edward Elgar (composer)
part of:
Nursery Suite
1:52
5Nursery Suite: V. The Wagon (Passes) (Allegretto)
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Sir Charles Groves (conductor)
recording of:
Nursery Suite: V. The Wagon (Passes)
composer:
Edward Elgar (composer)
part of:
Nursery Suite
1:45
6Nursery Suite: VI. The Merry Doll (Allegro molto)
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Sir Charles Groves (conductor)
recording of:
Nursery Suite: VI. The Merry Doll
composer:
Edward Elgar (composer)
part of:
Nursery Suite
1:32
7Nursery Suite: VII. Dreaming (Lento)
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Sir Charles Groves (conductor)
recording of:
Nursery Suite: VII. Dreaming
composer:
Edward Elgar (composer)
part of:
Nursery Suite
3:11
8Nursery Suite: VIII. Envoy (Coda)
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Sir Charles Groves (conductor)
recording of:
Nursery Suite
composer:
Edward Elgar (composer)
dedicated to:
Elizabeth Bowes-Lyon (The Queen Mother), Queen Elizabeth II (monarch) and Princess Margaret
4:34
9Severn Suite, op. 87: I. Worcester Castle (Introduction)
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Sir Charles Groves (conductor)
recording of:
The Severn Suite, op. 87: I. Introduction (Worcester Castle) (for brass band)
composer:
Edward Elgar (composer) (in 1930)
part of:
The Severn Suite, op. 87 (for brass band)
2:35
10Severn Suite, op. 87: II. Tournament (Toccata)
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Sir Charles Groves (conductor)
recording of:
The Severn Suite, op. 87: II. Toccata (Tournament) (for brass band)
composer:
Edward Elgar (composer) (in 1930)
part of:
The Severn Suite, op. 87 (for brass band)
4:16
11Severn Suite, op. 87: III. Cathedral (Fugue)
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Sir Charles Groves (conductor)
recording of:
The Severn Suite, op. 87: III. Fugue (The Cathedral) (for brass band)
composer:
Edward Elgar (composer) (in 1930)
part of:
The Severn Suite, op. 87 (for brass band)
3:31
12Severn Suite, op. 87: IV. Commandery (Minuet)
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Sir Charles Groves (conductor)
recording of:
The Severn Suite, op. 87: IV. Minuet (Commandery) (for brass band)
composer:
Sir Edward (= Harold Vick) (in 1930)
part of:
The Severn Suite, op. 87 (for brass band)
5:53
13Severn Suite, op. 87: V. Coda
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Sir Charles Groves (conductor)
recording of:
The Severn Suite, op. 87: V. Coda (for brass band)
composer:
Edward Elgar (composer) (in 1930)
part of:
The Severn Suite, op. 87 (for brass band)
2:06
14Suite From ‘The Crown of India’, op. 66: Ia. Introduction (Allegro)
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Sir Charles Groves (conductor)
partial recording of:
The Crown of India - Suite, op. 66: I. Introduction - Dance of the Nautch Girls
composer:
Edward Elgar (composer) (in 1912)
part of:
Crown of India Suite, op. 66
2:06
15Suite From ‘The Crown of India’, op. 66: Ib. Dance of Nautch Girls (Allegretto)
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Sir Charles Groves (conductor)
partial recording of:
The Crown of India - Suite, op. 66: I. Introduction - Dance of the Nautch Girls
composer:
Edward Elgar (composer) (in 1912)
part of:
Crown of India Suite, op. 66
3:06
16Suite From ‘The Crown of India’, op. 66: II. Menuetto (Moderato)
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Sir Charles Groves (conductor)
recording of:
The Crown of India - Suite, op. 66: II. Menuetto
composer:
Edward Elgar (composer) (in 1912)
part of:
Crown of India Suite, op. 66
2:11
17Suite From ‘The Crown of India’, op. 66: III. Warriors’ Dance (Allegro)
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Sir Charles Groves (conductor)
recording of:
The Crown of India - Suite, op. 66: III. Warrior's Dance
composer:
Edward Elgar (composer) (in 1912)
part of:
Crown of India Suite, op. 66
2:18
18Suite From ‘The Crown of India’, op. 66: IV. Intermezzo (Andantino)
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Sir Charles Groves (conductor)
recording of:
The Crown of India - Suite, op. 66: IV. Intermezzo
composer:
Edward Elgar (composer) (in 1912)
part of:
Crown of India Suite, op. 66
3:20
19Suite From ‘The Crown of India’, op. 66: V. March of the Mogul Emperors (Moderato maestoso)
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Sir Charles Groves (conductor)
recording of:
The Crown of India - Suite, op. 66: V. March of the Mogul Emperors
composer:
Edward Elgar (composer) (in 1912)
part of:
Crown of India Suite, op. 66
4:11
20Coronation March, op. 65
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Sir Charles Groves (conductor)
recording of:
Coronation March, op. 65
composer:
Edward Elgar (composer) (in 1911)
premiered at:
Westminster Abbey in London (Greater London), England, United Kingdom (on 1911-06-22)
part of:
Works of Edward Elgar by opus number (number: op. 65)
10:47
8▼CD
#TitleArtistRatingLength
1Organ Sonata in G, op. 28: I. Allegro maestoso
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
recording of:
Organ Sonata in G major, op. 28: I. Allegro maestoso (orchestrated by Jacob)
orchestrator:
Gordon Jacob (composer)
composer:
Edward Elgar (composer) (in 1895)
orchestration of:
Organ Sonata in G major, op. 28: I. Allegro maestoso
part of:
Organ Sonata in G major, op. 28 (orchestrated by Jacob)
Sir Edward Elgar8:32
2Organ Sonata in G, op. 28: II. Allegretto
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
recording of:
Organ Sonata in G major, op. 28: II. Allegretto (orchestrated by Jacob)
orchestrator:
Gordon Jacob (composer)
composer:
Edward Elgar (composer) (in 1895)
orchestration of:
Organ Sonata in G major, op. 28: II. Allegretto
part of:
Organ Sonata in G major, op. 28 (orchestrated by Jacob)
Sir Edward Elgar4:15
3Organ Sonata in G, op. 28: III. Andante espressivo
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
recording of:
Organ Sonata in G major, op. 28: III. Andante espressivo (orchestrated by Jacob)
orchestrator:
Gordon Jacob (composer)
composer:
Edward Elgar (composer) (in 1895)
orchestration of:
Organ Sonata in G major, op. 28: III. Andante espressivo
part of:
Organ Sonata in G major, op. 28 (orchestrated by Jacob)
Sir Edward Elgar6:39
4Organ Sonata in G, op. 28: IV. Presto (comodo)
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
recording of:
Organ Sonata in G major, op. 28: IV. Presto (orchestrated by Jacob)
orchestrator:
Gordon Jacob (composer)
composer:
Edward Elgar (composer) (in 1895)
orchestration of:
Organ Sonata in G major, op. 28: IV. Presto
part of:
Organ Sonata in G major, op. 28 (orchestrated by Jacob)
Sir Edward Elgar5:09
5The Wand of Youth, First Suite, op. 1a: I. Overture: Allegro molto
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
recording of:
The Wand of Youth Suite no. 1, op. 1a: I. Overture
composer:
Edward Elgar (composer)
part of:
The Wand of Youth Suite no. 1, op. 1a
Sir Edward Elgar1:34
6The Wand of Youth, First Suite, op. 1a: II. Serenade: Andantino
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
recording of:
The Wand of Youth Suite no. 1, op. 1a: II. Serenade
composer:
Edward Elgar (composer)
part of:
The Wand of Youth Suite no. 1, op. 1a
Sir Edward Elgar2:45
7The Wand of Youth, First Suite, op. 1a: III. Minuet (Old Style): Andante
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
recording of:
The Wand of Youth Suite no. 1, op. 1a: III. Minuet (Old Style)
composer:
Edward Elgar (composer)
part of:
The Wand of Youth Suite no. 1, op. 1a
Sir Edward Elgar2:00
8The Wand of Youth, First Suite, op. 1a: IV. Sun Dance: Presto
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
recording of:
The Wand of Youth Suite no. 1, op. 1a: IV. Sun Dance
composer:
Edward Elgar (composer)
part of:
The Wand of Youth Suite no. 1, op. 1a
Sir Edward Elgar2:43
9The Wand of Youth, First Suite, op. 1a: V. Fairy Pipers: Allegretto
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
recording of:
The Wand of Youth Suite no. 1, op. 1a: V. Fairy Pipers
composer:
Edward Elgar (composer)
part of:
The Wand of Youth Suite no. 1, op. 1a
Sir Edward Elgar4:30
10The Wand of Youth, First Suite, op. 1a: VI. Slumber Scene: Moderato
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
recording of:
The Wand of Youth Suite no. 1, op. 1a: VI. Slumber Scene
composer:
Edward Elgar (composer)
part of:
The Wand of Youth Suite no. 1, op. 1a
Sir Edward Elgar3:33
11The Wand of Youth, First Suite, op. 1a: VII. Fairies and Giants: Presto
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
recording of:
The Wand of Youth Suite no. 1, op. 1a: VII. Fairies and Giants
composer:
Edward Elgar (composer)
is based on:
Humoreske
part of:
The Wand of Youth Suite no. 1, op. 1a
Sir Edward Elgar3:50
12The Wand of Youth, Second Suite, op. 1b: I. March: Alla marcia (Allegro moderato)
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
recording of:
The Wand of Youth Suite no. 2, op. 1b: I. March
composer:
Edward Elgar (composer)
part of:
The Wand of Youth Suite no. 2, op. 1b
Sir Edward Elgar3:58
13The Wand of Youth, Second Suite, op. 1b: II. The Little Bells (Scherzino): Allegro molto
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
recording of:
The Wand of Youth Suite no. 2, op. 1b: II. The Little Bells (Scherzino)
composer:
Edward Elgar (composer)
part of:
The Wand of Youth Suite no. 2, op. 1b
Sir Edward Elgar2:51
14The Wand of Youth, Second Suite, op. 1b: III. Moths and Butterflies (Dance): Allegretto
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
recording of:
The Wand of Youth Suite no. 2, op. 1b: III. Moths and Butterflies (Dance)
composer:
Edward Elgar (composer)
part of:
The Wand of Youth Suite no. 2, op. 1b
Sir Edward Elgar2:07
15The Wand of Youth, Second Suite, op. 1b: IV. Fountain Dance: Allegretto comodo
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
recording of:
The Wand of Youth Suite no. 2, op. 1b: IV. Fountain Dance
composer:
Edward Elgar (composer)
part of:
The Wand of Youth Suite no. 2, op. 1b
Sir Edward Elgar3:16
16The Wand of Youth, Second Suite, op. 1b: V. The Tame Bear: Allegretto moderato
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
recording of:
The Wand of Youth Suite no. 2, op. 1b: V. The Tame Bear
composer:
Edward Elgar (composer)
part of:
The Wand of Youth Suite no. 2, op. 1b
Sir Edward Elgar2:28
17The Wand of Youth, Second Suite, op. 1b: VI. The Wild Bears: Presto
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
recording of:
The Wand of Youth Suite no. 2, op. 1b: VI. The Wild Bears
composer:
Edward Elgar (composer)
part of:
The Wand of Youth Suite no. 2, op. 1b
Sir Edward Elgar2:20
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