School Reunion: The Disco

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1▼CD
#TitoloArtistaValutazioneDurata
1Crazy Little Thing Called Love
tecnico:
Mack (German rock producer/engineer Reinhold Mack)
co-produttore:
Mack (German rock producer/engineer Reinhold Mack)
produttore:
Mack (German rock producer/engineer Reinhold Mack), Brian May (Queen guitarist), Queen (UK rock group) e Roger Taylor (Queen drummer)
basso , chitarra , chitarra basso e tastiera :
John Deacon (dal 1979-06 al 1979-07)
batteria :
Roger Taylor (Queen drummer) (dal 1979-06 al 1979-07)
battimani :
John Deacon (dal 1979-06 al 1979-07), Brian May (Queen guitarist) (dal 1979-06 al 1979-07), Freddie Mercury (dal 1979-06 al 1979-07) e Roger Taylor (Queen drummer) (dal 1979-06 al 1979-07)
chitarra acustica [acoustic rhythm guitar] e voce principale:
Freddie Mercury (dal 1979-06 al 1979-07)
chitarra elettrica e chitarra solista :
Brian May (Queen guitarist) (dal 1979-06 al 1979-07)
voce di accompagnamento:
Brian May (Queen guitarist) (dal 1979-06 al 1979-07), Freddie Mercury (dal 1979-06 al 1979-07) e Roger Taylor (Queen drummer) (dal 1979-06 al 1979-07)
diritti fonografici (℗) detenuti da:
Hollywood Records, Inc. (holding company, not a release label; Disney subsidiary) (nel 1979, nel 2014), Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (nel 1979, nel 2011) e Raincloud Productions Ltd. (nel 1979, nel 2014)
registrata presso:
Musicland Studios (Munich) in München (Munich), Bayern (Baviera), Germania (dal 1979-06 al 1980-05)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 371)
registrazione di:
Crazy Little Thing Called Love (dal 1979-06 al 1979-07)
paroliere e compositore:
Freddie Mercury (nel 1979)
editore:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30), Beechwood Music Corp. (nel 1979), Queen Music Ltd. (nel 1979) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
parte di:
We Will Rock You (German version of the Queen musical)
Queen3.552:44
2Down Under
tecnico:
Jim Barbour e Peter McIan
tecnico aggiunto:
Paul Ray (70s/80s US engineer)
produttore:
Peter McIan
basso :
John Rees
batteria :
Jerry Speiser (drummer for Men at Work)
chitarra :
Ron Strykert
legni e tastiera :
Greg Ham (member of Men at Work)
voce:
Colin Hay
diritti fonografici (℗) detenuti da:
CBS Records Australia Limited (do not use as a release label! for copyrights use only) (nel 1981), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1981), Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (nel 1981), Sony Music Entertainment (Australia) Pty. Ltd. (not for release label use! AU subsidiary of SME since 2009) (nel 1981), Sony Music Productions Pty. Ltd. (for copyrights use only) (nel 1981, nel 1982), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1982), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1982) e Diski CBS AEBE (Greek CBS affiliate, preceded by CBS Records of Greece S.A.) (nel 1986)
registrata presso:
Richmond Recorders in Melbourne, Victoria, Australia
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 96)
registrazione di:
Down Under (Men at Work song, “Do you come from a land down under?”)
paroliere:
Colin Hay
compositore:
Colin Hay e Ron Strykert
editore:
April Music Pty. Ltd., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Music Australia Pty. Limited (not for release label use!), EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (fino al 2014-12-31) e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (dal 2015-01-01 a oggi)
Men at Work3.953:40
3Wake Me Up Before You Go‐Go
assistente tecnico:
Paul Gomersau
tecnico:
Chris Porter (engineer and producer)
produttore:
George Michael
sassofono :
David Baptiste (U.K. Saxophonist, flutist, percussionist, vocalist, & backing vocalist)
tastiera :
Tommy Eyre
arrangiatore:
George Michael
diritti fonografici (℗) detenuti da:
CBS Records (CBS, CBS Records’ international imprint from 1962–1990; renamed since 1991 as Columbia) (nel 1984), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1984, nel 2006) e Diski CBS AEBE (Greek CBS affiliate, preceded by CBS Records of Greece S.A.) (nel 1986)
video musicali:
Wake Me Up Before You Go di Wham! (British pop-duo)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 28) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 269)
registrazione di:
Wake Me Up Before You Go‐Go
paroliere e compositore:
George Michael
editore:
Chappell Music (UK), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Morrison Leahy Music Ltd., Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner/Chappell Music Ltd. (1996–2019)
Wham!3.853:51
4The Sun Always Shines on TV
programmazione degli strumenti:
Magne Furuholmen
produttore:
Alan Tarney
tecnico di missaggio:
a‐ha (Norwegian synth‐pop band) e John Ratcliff
chitarra e drum machine :
Paul Waaktaar-Savoy
tastiera :
Magne Furuholmen
voce di accompagnamento:
Magne Furuholmen e Paul Waaktaar-Savoy
voce principale:
Morten Harket
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1985)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 11) e The Downloader’s Music Source Book (numero: 283)
registrazione di:
The Sun Always Shines on T.V.
paroliere e compositore:
Paul Waaktaar-Savoy
editore:
ATV Music Ltd. e Sony ATV Publishing
a‐ha45:05
5Rio
produttore:
Colin Thurston
registrazione di:
Rio
autore:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) e Roger Taylor (Duran Duran drummer)
Duran Duran45:14
6Love Shack
assistente tecnico:
Martin Kunitz
tecnico:
Dave Cook (US engineer and producer)
produttore:
Don Was
tecnico di missaggio:
Tom Durack
batteria ospite :
Charley Drayton
chitarra :
Keith Strickland
chitarra basso ospite :
Sara Lee (UK bassist, singer & songwriter)
corno ospite :
Uptown Horns (US horn section, formed in 1980)
tastiera :
Kate Pierson
voce:
Kate Pierson, Fred Schneider (US singer‐songwriter, frontman of The B‐52s) e Cindy Wilson
diritti fonografici (℗) detenuti da:
Reprise Records (nel 1989)
registrata presso:
Dreamland Studios in Hurley, New York, Stati Uniti
mixata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti
prodotta in aggiunta presso:
Bearsville Studios in Bearsville, New York, Stati Uniti
video musicali:
Love Shack di The B‐52’s
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 40), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 41) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 243)
registrazione di:
Love Shack
autore:
Kate Pierson, Fred Schneider (US singer‐songwriter, frontman of The B‐52s), Keith Strickland e Cindy Wilson
editore:
Man-Woman Together, Now!
The B‐52s4.35:23
7Baggy Trousers
registrazione di:
Baggy Trousers
paroliere:
Mike Barson, Mark Bedford, Graham McPherson, Carl Smyth, Lee “Kix” Thompson (Madness) e Daniel Woodgate
compositore:
Mike Barson, Mark Bedford, Chris Foreman (UK musician, aka “Chrissy Boy”), Carl Smyth, Lee “Kix” Thompson (Madness) e Daniel Woodgate
editore:
EMI Music Publishing Ltd. (PRS‐affiliated)
Madness52:47
8Denis
tecnico:
Rob Freeman (engineer)
produttore:
Richard Gottehrer (American songwriter and music executive)
archi , farfisa , pianoforte a coda , sintetizzatore [Polymoog] e sintetizzatore [Roland] :
Jimmy Destri (dal 1977-06 al 1977-07)
batteria :
Clem Burke (dal 1977-06 al 1977-07)
chitarra basso :
Frank Infante (dal 1977-06 al 1977-07) e Chris Stein (dal 1977-06 al 1977-07)
chitarra elettrica [lead guitar] e vibrafono :
Chris Stein (dal 1977-06 al 1977-07)
chitarra elettrica [rhythm guitar] :
Frank Infante (dal 1977-06 al 1977-07)
voce di accompagnamento:
Clem Burke (dal 1977-06 al 1977-07) e Jimmy Destri (dal 1977-06 al 1977-07)
voce principale:
Deborah Harry (dal 1977-06 al 1977-07)
diritti fonografici (℗) detenuti da:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1977), Chrysalis Records, Inc. (not for release label use!) (nel 1977, nel 2001) e Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1978)
registrata presso:
Plaza Sound Studios in New York, New York, Stati Uniti (dal 1977-06 al 1977-07)
registrazione cover di:
Denise (dal 1977-06 al 1977-07)
paroliere e compositore:
Neil Levenson (pianist and songwriter)
editore:
Bright Tunes Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), Minder Music Ltd. e Taking Care of Business Music Inc. (BMI)
Blondie3.52:17
9(We Want) The Same Thing
produttore:
Rick Nowels
diritti fonografici (℗) detenuti da:
Artist Management Services Ltd. (nel 1989) e Demon Music Group Ltd. (for release labels, use “Demon Music Group”; subsidiary of BBC Studios Distribution) (nel 2019)
registrazione di:
(We Want) The Same Thing
autore:
Rick Nowels e Ellen Shipley
editore:
BMG Bumblebee (A BMI-affiliated publishing entity of BMG Rights Management), Bug Music Ltd., Future Furniture Music (nel 1988), Shipwreck Music (publisher) (nel 1988) e Virgin Songs, Inc. (nel 1988)
Belinda Carlisle3.54:16
10Let’s Dance
tecnico e tecnico di missaggio:
Bob Clearmountain
produttore:
David Bowie (English singer‐songwriter) e Nile Rodgers
assistente tecnico di missaggio:
David Bowie (English singer‐songwriter) e Nile Rodgers
chitarra solista :
Stevie Ray Vaughan
voce principale:
David Bowie (English singer‐songwriter)
diritti fonografici (℗) detenuti da:
David Bowie (English singer‐songwriter) (nel 1983)
registrazione di:
Let’s Dance
paroliere e compositore:
David Bowie (English singer‐songwriter)
editore:
Essex (publisher), Jones Music (publishers associated with David Bowie), Jones Music America, RZO Music Ltd e Watanabe Music Publishing CM division
David Bowie44:08
11Annie. I’m Not Your Daddy
video musicali:
Annie, I’m Not Your Daddy di Kid Creole & the Coconuts
registrazione di:
Annie, I’m Not Your Daddy
paroliere e compositore:
August Darnell
Kid Creole and the Coconuts23:48
12Abracadabra
diritti fonografici (℗) detenuti da:
Sailor Music (nel 1982)
video musicali:
Abracadabra di Steve Miller Band (American rock band)
registrazione di:
Abracadabra
paroliere e compositore:
Steve Miller (leader of Steve Miller Band)
editore:
Sailor Music
Steve Miller Band4.33:40
13Rebel Yell
tecnico:
Michael Frondelli
produttore:
Keith Forsey (drummer, producer and songwriter)
tecnico di missaggio:
Dave Wittman
basso, chitarra e tastiera :
Steve Stevens (US guitarist and songwriter) (nel 1983)
batteria :
Thommy Price (nel 1983)
chitarra basso :
Steve Webster (Canadian bassist, producer, composer, arranger & orchestrator) (nel 1983)
tastiera :
Judi Dozier (nel 1983)
voce principale:
Billy Idol (English rock singer‐songwriter) (nel 1983)
arrangiatore:
Billy Idol (English rock singer‐songwriter) e Steve Stevens (US guitarist and songwriter)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1983), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1983), Chrysalis Records, Inc. (not for release label use!) (nel 1983, nel 1999) e Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1986)
registrata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti (nel 1983)
mixata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti
video musicali:
Rebel Yell di Billy Idol (English rock singer‐songwriter)
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 79)
registrazione di:
Rebel Yell (nel 1983)
paroliere e compositore:
Billy Idol (English rock singer‐songwriter) e Steve Stevens (US guitarist and songwriter)
editore:
BMG Monarch, Boneidol Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Holdings GmbH (DE subsidiary of Chrysalis Group PLC), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint), Neue Welt Musikverlag GmbH & Co. KG (– 2017), Rare Blue Music, Rare Blue Music Inc, Rock Steady Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Canada Ltd., WB Music Corp. (1929–2019) e WC Music Corp.
Billy Idol4.554:49
14Together in Electric Dreams
produttore:
Giorgio Moroder e Philip Oakey
tecnico di missaggio:
Brian Reeves
basso :
Arthur Barrow
chitarra :
Richie Zito
sintetizzatore :
Giorgio Moroder
voce di accompagnamento:
E.G. Daily (American singer and actress) e Joe Esposito
voce principale:
Philip Oakey
registrazione di:
Together in Electric Dreams
paroliere:
Philip Oakey
compositore:
Giorgio Moroder
Philip Oakey & Giorgio Moroder2.353:51
15Gold
produttore:
Steve Jolley, Spandau Ballet e Tony Swain (songwriter, producer)
basso :
Martin Kemp (UK actor, musician, bassist for Spandau Ballet) (nel 1982)
batteria :
John Keeble (nel 1982)
chitarra :
Gary Kemp (nel 1982)
percussione e sassofono :
Steve Norman (UK saxophonist/percussionist for Spandau Ballet) (nel 1982)
tastiera :
Jess Bailey (nel 1982)
voce principale:
Tony Hadley (nel 1982)
esecutore:
Spandau Ballet (nel 1982)
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1983)
registrazione di:
Gold (nel 1982)
paroliere e compositore:
Gary Kemp
editore:
Reformation Publishing Co. Ltd.
Spandau Ballet3.53:53
16Heart and Soul
tecnico:
Jerry Napier
produttore:
Roy Thomas Baker (producer)
altri strumenti [other bits] e chitarra [guitar solos] solista :
Taj Wyzgowski
altri strumenti [some bits] e chitarra [rhythm guitar] :
Ron Rogers (Ronald Phillip Rogers, T'Pau)
basso :
Paul Jackson (T'Pau bassist)
batteria [drums] e percussione :
Tim Burgess (T'Pau drummer)
tastiera [keyboards] :
Michael Chetwood
voce:
Carol Decker
diritti fonografici (℗) detenuti da:
Siren Records Ltd. (company and copyrights holder. File NO releases) (nel 1987)
è stato produttore per:
RTB Audio Visual Productions USA (Also credited as R.T.B. Audio Visual Productions Inc., RTB Audio Visual Productions (USA) Inc. and other similar variants)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 69)
registrazione di:
Heart and Soul
autore:
Carol Decker e Ron Rogers (Ronald Phillip Rogers, T'Pau)
editore:
AMP Publishing Ltd e Virgin Music (Publishing) Ltd.
T’Pau4.254:16
17Stuck With You
tecnico:
Jim Gaines e Robert Missbach
produttore:
Huey Lewis and the News (American pop rock band)
tecnico di missaggio:
Robert Missbach
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1986) e Chrysalis Records, Inc. (not for release label use!) (nel 1986)
registrazione di:
Stuck with You
paroliere e compositore:
Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)) e Huey Lewis
editore:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Hulex Music (publisher) (nel 1986)
Huey Lewis & the News44:27
18Alive and Kicking
edit di:
Alive and Kicking di Simple Minds (Scottish rock band)
registrazione di:
Alive and Kicking
autore:
Charlie Burchill, Jim Kerr (of Simple Minds) e Michael MacNeil
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. e Simple Minds Ltd
Simple Minds44:34
19The One I Love
tecnico di registrazione aggiunto:
Gary Laney
tecnico:
Scott Litt (producer and engineer)
produttore:
Scott Litt (producer and engineer) e R.E.M. (American rock band)
tecnico di missaggio aggiunto:
Steve Catania
batteria :
Bill Berry (R.E.M. drummer)
chitarra :
Peter Buck (R.E.M. guitarist)
chitarra basso :
Mike Mills (R.E.M. bass player)
voce principale:
Michael Stipe
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1987)
registrata presso:
Sound Emporium Studios in Nashville, Tennessee, Stati Uniti
mixata presso:
Master Control in Burbank, California, Stati Uniti
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 149)
registrazione di:
The One I Love
autore:
Bill Berry (R.E.M. drummer), Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) e Michael Stipe
editore:
Night Garden Music, Universal Music Publishing International Ltd., Universal Tunes e Universal/MCA Music Ltd. (not for release label use!)
R.E.M.4.253:17
20Another Brick in the Wall, Part 2
tecnico:
James Guthrie
co-produttore:
James Guthrie
produttore:
Bob Ezrin, David Gilmour (Pink Floyd) e Roger Waters
diritti fonografici (℗) detenuti da:
Pink Floyd Music Ltd. (nel 1979)
registrazione di:
Another Brick in the Wall, Part 2
paroliere e compositore:
Roger Waters
editore:
Artemis Muziekuitgeverij B V, Chappell Music Ltd., Pink Floyd Music Publishers Ltd., Roger Waters Music Overseas Ltd (Artemis BV), Roger Waters Music Overseas Ltd., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16) e Pink Floyd Music Publishers Inc. (nel 1979)
parte di:
Another Brick in the Wall
Pink Floyd3.53:08
2▼CD
#TitoloArtistaValutazioneDurata
1Better the Devil You Know
produttore:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) e Pete Waterman
diritti fonografici (℗) detenuti da:
Mushroom Records Pty Ltd (nel 1990) e PWL Records Ltd. (not release use) (nel 1990)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 40)
registrazione di:
Better the Devil You Know
autore:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) e Pete Waterman
editore:
All Boys Music Ltd., BMG Music, BMG Music Publishing Ltd., Mike Stock Publishing Ltd., Mushroom Music (Mushroom label’s publishing company) e Sid’s Songs Ltd.
Kylie Minogue33:54
2I’m So Excited
produttore:
Richard Perry (producer)
batteria :
John “JR” Robinson (session drummer)
chitarra :
George Doering e Lee Ritenour
chitarra basso :
Nathan East
pianoforte :
William D. “Smitty” Smith (organist/keyboardist)
sintetizzatore e tastiera [keyboards] :
Michael Boddicker e Greg Phillinganes
voce di accompagnamento:
June Pointer e Ruth Pointer
voce principale:
Anita Pointer
diritti fonografici (℗) detenuti da:
BMG Music (nel 1982)
parte di:
RuPaul’s Drag Race Lip Sync Performances (season 5) (numero: 6) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 258)
registrazione di:
I’m So Excited
autore:
Anita Pointer, June Pointer, Ruth Pointer e Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
editore:
’Til Dawn Music, Braintree Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), EMI Songs, EMI Songs Ltd. e SBK Blackwood Music Inc. (1987-12-30–1989-07-14)
sub-editore:
Fujipacific Music Inc. SBK Division (fino al 2014-12-31), EMI Music Publishing Japan Ltd., Sony Division (fino al 2021-06-30), Fuji Pacific Music SBK Department (Fujipacific Music SBK Department) (dal 2015-01-01 a oggi) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
The Pointer Sisters4.83:50
3Love in the First Degree
produttore:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) e Pete Waterman
voce:
Bananarama
diritti fonografici (℗) detenuti da:
London Records 90 Ltd. (renamed as Warner Records 90 Ltd. on 2011-08-26) (nel 1987)
è stato produttore per:
PWL Productions
registrazione di:
Love in the First Degree
autore:
Matt Aitken, Sara Dallin, Siobhan Fahey, Mike Stock (of Stock Aitken Waterman), Pete Waterman e Keren Woodward
editore:
All Boys Music Ltd., Mike Stock Publishing Limited, Reverb Music Ltd. (Siobhan Fahey), Sid’s Songs Limited, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e Warner/Chappell Music Ltd. (1996–2019)
Bananarama3.353:29
4Showing Out (Get Fresh at the Weekend)
registrazione di:
Showing Out (Get Fresh at the Weekend)
autore:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) e Pete Waterman
Mel & Kim2.753:35
5(Hey You) The Rock Steady Crew
registrazione di:
(Hey You) The Rock Steady Crew
autore:
Stephen Hague e Soldier B
The Rock Steady Crew3.53:49
6Upside Down
produttore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
voce:
Diana Ross
direttore d'orchestra:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
remixer:
Russ Terrana
arrangiatore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
diritti fonografici (℗) detenuti da:
Motown Records (not for label use; use “Motown” instead) (nel 1980)
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 89)
registrazione di:
Upside Down
autore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
editore:
Bernard’s Other Music, Sony/ATV Songs LLC, Tommy Jymi Inc., ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Diana Ross3.754:05
7I Can Make You Feel Good
registrazione di:
I Can Make You Feel Good
autore:
Howard Hewett, Renwick Jackson e William Shelby
Shalamar3:39
8Working My Way Back to You
registrazione cover di:
Working My Way Back to You
autore:
Sandy Linzer e Denny Randell
editore:
Ardmore and Beechwood Ltd., EMI Music Publishing (do not use as a release label!), Saturday Music, Inc. e Seasons 4 Music
The Spinners4:00
9And the Beat Goes On
registrazione di:
And the Beat Goes On
autore:
William Shelby, Stephen Shockley e Leon Sylvers
editore:
Notting Hill Music (UK) Ltd. e Sony/ATV Music Publishing (UK) Ltd.
The Whispers3.353:22
10Intuition
registrazione di:
Intuition
autore:
David Grant (pop singer) e Peter Martin (aka Sketch Martin, bass guitarist, songwriter)
editore:
RSM Music Ltd. e Solid Music Ltd.
Linx43:22
11Cuba
registrazione di:
Cuba
autore:
Jean Kluger (Belgian producer, publisher, songwriter) e Daniel Vangarde
editore:
Ed. Intro (German publisher), Les Éditions Bleu Blanc Rouge, Roba Music Verlag GmbH e Zagora (French label and publisher)
Gibson Brothers3:52
12Living in a Box
co-produttore:
Tom Lord Alge
produttore:
Richard James Burgess
diritti fonografici (℗) detenuti da:
BMG Ariola München GmbH (nel 1987)
è stato produttore per:
The Burgess Worldco
registrazione di:
Living in a Box
paroliere e compositore:
Steve Piggott e Marcus Vere
editore:
Brampton Music International, Brampton Music Ltd. (publisher) e Empire Music Ltd.
Living in a Box3.353:04
13A Little Respect
tecnico:
Bob Kraushaar
produttore:
Stephen Hague
registrazione di:
A Little Respect
autore:
Andy Bell (singer / songwriter for Erasure) e Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
editore:
Sony/ATV Music Publishing
Erasure43:28
14Love Action (I Believe in Love)
assistente alla programmazione e assistente tecnico:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth)
programmazione:
Martin Rushent
produttore:
The Human League e Martin Rushent
sintetizzatore :
Ian Burden (nel 1981-07), Jo Callis (nel 1981-07) e Philip Oakey (nel 1981-07)
voce di accompagnamento:
Joanne Catherall (nel 1981-07) e Susan Ann Sulley (nel 1981-07)
voce principale:
Philip Oakey (nel 1981-07)
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only)
registrata presso:
Genetic Studios in West Berkshire, England, Regno Unito (nel 1981-07)
registrazione di:
Love Action (I Believe in Love) (nel 1981-07)
paroliere e compositore:
Ian Burden e Philip Oakey
editore:
EMI Virgin Music Ltd. (do not use this as a release label!), April Musikverlag GmbH (publisher) (nel 1981), Dinsong Ltd. (nel 1981), Sound Diagrams (publisher) (nel 1981) e Virgin Music (Publishers) Ltd. (nel 1981)
The Human League4.654:59
15Don’t Go
tecnico:
John Fryer (British producer and engineer) e Eric Radcliffe (UK producer / engineer / musician)
produttore:
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…) e Daniel Miller (British music producer and founder of Mute Records)
voce:
Alison Moyet
diritti fonografici (℗) detenuti da:
Mute Records Ltd. (not for release label use! original company behind the Mute label) (nel 1982)
registrazione di:
Don’t Go
paroliere e compositore:
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
editore:
Mega Music Ltd., Musical Moments Ltd., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing (UK) Ltd. e Sony/ATV Music Publishing Scandinavia KB
Yazoo4.63:04
16Call Me
produttore:
Gary Stevenson
registrazione di:
Call Me
autore:
Peter Cox (Artist and songwriter) e Richard Drummie
Go West3.654:11
17Love Changes (Everything)
tecnico:
Mike Ging e Bob Kraushaar
produttore:
Stephen Hague
chitarra :
Neil Taylor (guitarist)
percussione aggiunto:
Bruce Smith (UK drummer & producer for Pop Group, Slits, P.I.L., etc.)
voce di accompagnamento:
Coral Gordon e The Soultana's
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1987)
registrazione di:
Love Changes (Everything)
autore:
Simon Climie, Rob Fisher (UK keyboardist, in Naked Eyes) e Dennis Morgan (US songwriter)
editore:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher), Rondor Music (London) Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Climie Fisher3.854:28
18Shattered Dreams
produttore:
Calvin Hayes (Actor, keyboard player and drummer with 80s pop band, Johnny Hates Jazz) e Mike Nocito
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1987)
registrazione di:
Shattered Dreams
paroliere e compositore:
Clark Datchler
editore:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Sweet Oily Music
Johnny Hates Jazz4.53:26
19Let’s Stay Together
tecnico:
Walter Samuel (engineer) e Greg Walsh (producer and engineer)
produttore:
Greg Walsh (producer and engineer) e Martyn Ware
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1984)
registrazione cover di:
Let’s Stay Together
autore:
Al Jackson, Jr. (Booker T & The MGs drummer), Al Green (US soul singer, songwriter, pastor and record producer) e Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
editore:
Al Green Music Inc. (BMI-affiliated), Al Jackson Jr. Music, Burlington Music Co., Ltd. e Irving Music, Inc.
registrazione di:
Let’s Stay Together
autore:
Al Jackson, Jr. (Booker T & The MGs drummer), Al Green (US soul singer, songwriter, pastor and record producer) e Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
editore:
Al Green Music Inc. (BMI-affiliated), Al Jackson Jr. Music, Burlington Music Co., Ltd. e Irving Music, Inc.
Tina Turner33:36
20It Started With a Kiss
registrazione di:
It Started With a Kiss
paroliere e compositore:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate)
editore:
BMG Music Publishing Ltd., Chocolate Music, RAK Publishing Ltd. e Universal Music Publishing MGB Australia
Hot Chocolate3:49
21Move Closer
produttore:
Yves Dessca e Pascal Rivaton
diritti fonografici (℗) detenuti da:
OVC Ltd., Dessca Entertainment Company (nel 1984) e Capricorn (imprint used by Carrère after 1989) (nel 1985)
registrazione di:
Move Closer
paroliere e compositore:
Phyllis Nelson (American singer)
editore:
IQ Music Ltd.
Phyllis Nelson34:03
3▼CD
#TitoloArtistaValutazioneDurata
1Karma Chameleon
tecnico:
Simon Humphrey, Gordon Milne (engineer) e Mike Ross‐Trevor (engineer)
produttore:
Steve Levine (producer)
tecnico di missaggio:
Steve Levine (producer) e Jon Moss
armonica (a bocca) :
Judd Lander (nel 1983)
batteria e percussione :
Jon Moss (nel 1983)
chitarra , pianoforte , sitar , sitar elettrico e tastiera :
Roy Hay (Member of Culture Club and composer for film and television) (nel 1983)
chitarra basso :
Mikey Craig (Culture Club bassist) (nel 1983)
tastiera ospite :
Phil Pickett (songwriter, producer, keyboard player) (nel 1983)
voce di accompagnamento:
Helen Terry (UK singer) (nel 1983)
voce principale:
Boy George (nel 1983)
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1983, nel 2003)
registrata presso:
CBS Studios (London, 1972–1989) in London (Greater London), England, Regno Unito (nel 1983) e Red Bus Studios in London (Greater London), England, Regno Unito (nel 1983)
video musicali:
Karma Chameleon di Culture Club (English pop group)
registrazione di:
Karma Chameleon (nel 1983)
autore:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television), Jon Moss e Phil Pickett (songwriter, producer, keyboard player)
editore:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd., Pendulum Music Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Virgin Music (Publishers) Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) e BMG VM Music Ltd. (dal 2013-05 a oggi)
Culture Club3.753:53
2Give It Up
diritti fonografici (℗) detenuti da:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1982) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1982, nel 1983)
registrazione di:
Give It Up
autore:
Deborah Carter (writer, backing vocalist) e Harry Wayne Casey
editore:
EMI Songs Australia Pty. Ltd., EMI Songs Ltd. e Harrick Music, Inc. (BMI)
KC and the Sunshine Band4.34:02
3Y.M.C.A.
produttore:
Jacques Morali
produttore esecutivo:
Henri Belolo
edit di:
Y.M.C.A. (album version) di Village People
registrazione di:
Y.M.C.A.
paroliere:
Victor Edward Willis (member of the Village People)
compositore:
Jacques Morali
editore:
Can’t Stop Music (US work publisher, affiliated with BMI), EMI Music (do not use as release label! this is a music publisher), Harlem West Music Group, Scorpio Music (work publisher of "Scorpio Music") e Zomba Music Publishing Ltd.
Village People4.153:40
4D.I.S.C.O.
registrazione di:
D.I.S.C.O. (catch-all)
compositore:
Jean Kluger (Belgian producer, publisher, songwriter) e Daniel Vangarde
Ottawan3:01
5Stars on 45 Abba Medley
registrazione di:
More Stars (7″ mix) (7″ mix, duration: ~4:42)
autore:
Benny Andersson (ABBA) e Björn Ulvaeus
medley di:
Stars on 45 (the song itself)
medley di:
Voulez‐Vous
medley di:
SOS
medley di:
Bang‐a‐Boomerang
medley di:
Money, Money, Money
medley di:
Knowing Me, Knowing You
medley di:
Fernando (English version)
medley di:
The Winner Takes It All
medley di:
Super Trouper
Stars on 454:30
6Feels Like I’m in Love
registrazione di:
Feels Like I’m in Love
paroliere e compositore:
Ray Dorset
editore:
Grade One Music, Red Bus Music (International) Ltd. (publisher) e Satellite Music Ltd.
Kelly Marie3:13
7Stars on 45 Beatles Medley
diritti fonografici (℗) detenuti da:
Red Bullet Productions B.V. (nel 1981)
registrazione di:
Stars on 45 (the song itself)
autore:
Martin Duiser e Jaap Eggermont
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Nada International C.V.
medley di:
Video Killed the Radio Star
medley di:
Funkytown
Stars on 4544:43
89 to 5
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1980)
registrazione di:
9 to 5
paroliere e compositore:
Florrie Palmer
editore:
Chappell Music (UK), Pendulum Music (publisher) e Warner/Chappell Music Ltd. (1996–2019)
Sheena Easton4.353:17
9They Don’t Know
produttore:
Peter Collins (producer)
video musicali:
They Don't Know di Tracey Ullman
registrazione cover di:
They Don’t Know
paroliere e compositore:
Kirsty MacColl
editore:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
registrazione di:
They Don’t Know
paroliere e compositore:
Kirsty MacColl
editore:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
Tracey Ullman3:01
10We Don’t Talk Anymore
registrazione di:
We Don’t Talk Anymore
paroliere e compositore:
Alan Tarney
editore:
ATV Music Ltd., Sony/ATV Songs LLC e Warner Chappell
Cliff Richard4:04
11I Could Be So Good for You
registrazione di:
I Could Be So Good for You
autore:
Gerard Kenny e Patricia Maynard
editore:
Chappell Music Ltd.
Dennis Waterman3:14
12My Sharona
basso :
Prescott Niles (nel 1979-04)
batteria :
Bruce Gary (nel 1979-04)
chitarra [lead guitar] :
Berton Averre (nel 1979-04)
chitarra [rhythm guitar] e voce principale:
Doug Fieger (in The Knack) (nel 1979-04)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1979, nel 2002) e Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1979)
registrazione di:
My Sharona (nel 1979-04)
autore:
Berton Averre e Douglas Fieger (in The Knack)
editore:
Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eighties Music, Music Sales Corporation (American copyright holder in both popular and classical music), Small Hill Music, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing MGB Australia e Wise Brothers Music LLC
The Knack4.14:02
13The One and Only
produttore:
Nik Kershaw e Alan Shacklock
voce:
Chesney Hawkes (British pop singer, songwriter, and occasional actor)
registrata presso:
Abbey Road in St John's Wood, Westminster, London (Greater London), England, Regno Unito
video musicali:
The One and Only (first version, Buddy's Song) di Chesney Hawkes (British pop singer, songwriter, and occasional actor)
registrazione di:
The One and Only
paroliere e compositore:
Nik Kershaw
Chesney Hawkes2.53:41
14Bridge to Your Heart
registrazione di:
Bridge to Your Heart
autore:
Andrew Gold e Graham Gouldman
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Island Music (Island Music Ltd.), Island Music Ltd., Sluggogsongs e St. Anne’s Music Ltd.
Wax3:59
15Chequered Love
tecnico:
Steve Stewart (engineer, guitarist of The Enid)
produttore:
Ricky Wilde
batteria :
Chris North (UK drummer of The Enid) (dal 1980 al 1981)
chitarra :
Francis Lickerish (dal 1980 al 1981), Steve Stewart (engineer, guitarist of The Enid) (dal 1980 al 1981), James Stevenson (dal 1980 al 1981) e Ricky Wilde (dal 1980 al 1981)
chitarra basso :
Martin Russell (recording engineer, producer, composer & musician) (dal 1980 al 1981)
tastiera :
Robert John Godfrey (member of The Enid) (dal 1980 al 1981), Calvin Hayes (Actor, keyboard player and drummer with 80s pop band, Johnny Hates Jazz) (dal 1980 al 1981) e Ricky Wilde (dal 1980 al 1981)
voce di accompagnamento:
Ricky Wilde (dal 1980 al 1981)
voce principale:
Kim Wilde (dal 1980 al 1981)
diritti fonografici (℗) detenuti da:
Cherry Red Records Ltd. (do not use as label, for copyrights and distribution credits only), EMI France (nel 1993), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1996, nel 2001) e EMI Records Limited (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 2006)
registrata presso:
The Lodge Recording Studio in Northampton, Northamptonshire, England, Regno Unito (dal 1980 al 1981)
mixata presso:
RAK Studios in London (Greater London), England, Regno Unito
registrazione di:
Chequered Love (dal 1980 al 1981)
autore:
Marty Wilde e Ricky Wilde
Kim Wilde53:21
16Lay Your Love on Me
produttore:
Mickie Most (English record producer)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1978), RAK Records (copyrights holder) (nel 1978) e RAK (nel 1979)
registrazione di:
Lay Your Love on Me
autore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
editore:
BMG Music e Universal Music Publishing MGB Australia
Racey3:14
17Tom Hark
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 75)
registrazione di:
Tom Hark (The Piranhas revision with added lyrics)
paroliere:
Bob Grover
compositore:
Rupert Bopape
revisione di:
Tom Hark (Original instrumental)
The Piranhas42:43
18It Ain’t What You Do It’s the Way That You Do It
registrazione cover di:
It Ain’t What You Do (It’s the Way That You Do It)
autore:
Sy Oliver e Trummy Young
Fun Boy Three & Bananarama2:35
19Straight Up
registrazione di:
Straight Up
paroliere e compositore:
Elliot Wolff
editore:
Elliot Wolff Music e Virgin Music, Inc. (US arm of Virgin’s publishing company)
Paula Abdul3:42
20Body Talk
produttore esecutivo:
Eliot M. Cohen
diritti fonografici (℗) detenuti da:
R&B Division Ltd (nel 1981)
registrazione di:
Body Talk
autore:
Ashley Ingram, Leee John, Steve Jolley e Tony Swain (songwriter, producer)
editore:
Associated Music International Ltd., Sony Music Publishing (UK) Ltd. (2003–2008, 2021–present), Sony/ATV Music Publishing LLC (1995–2020), Universal (plain logo “Universal” used by Universal Music and Universal Pictures) e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Imagination43:32
21Prince Charming
produttore:
Chris Hughes (producer, aka “Merrick”)
armonica (a bocca) e voce principale:
Adam Ant (English new wave singer and actor)
batteria :
Chris Hughes (producer, aka “Merrick”), Merrick (ex Adam & The Ants) e Terry Lee Miall
chitarra :
Merrick (ex Adam & The Ants) e Marco Pirroni (British musician and producer)
chitarra basso :
Adam Ant (English new wave singer and actor) e Gary Tibbs
voce:
Adam Ant (English new wave singer and actor)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1981)
video musicali:
Prince Charming di Adam and the Ants (English new wave band) e Prince Charming (alt) di Adam and the Ants (English new wave band)
parte di:
The Downloader’s Music Source Book (numero: 144)
registrazione di:
Prince Charming
autore:
Adam Ant (English new wave singer and actor) e Marco Pirroni (British musician and producer)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Adam and the Ants43:18
22We All Stand Together
tecnico:
Geoff Emerick (British recording engineer)
produttore:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
flauto :
Elena Durán (Mexican American flautist)
cori:
The King’s Singers e St Paul’s Cathedral Choir (London)
voce:
Paul McCartney (The Beatles)
arrangiatore:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician) e Paul McCartney (The Beatles)
orchestratore:
Kenneth Sillito (violinist)
diritti fonografici (℗) detenuti da:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (nel 1984) e MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company) (nel 1984)
registrazione di:
We All Stand Together (dal 1980-10 al 1980-11)
paroliere e compositore:
Paul McCartney (The Beatles)
editore:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) e MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company)
parte di:
Rupert and the Frog Song
Paul McCartney and the Frog Chorus14:24

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