The Greatest Arias: Recordings from 1952–1961

~ Veröffentlichung von Maria Callas (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1▼CD
Nr.TitelBewertungLänge
1Rigoletto: “Gualtier Maldé – Caro nome”
recording of:
Rigoletto: Atto I, scena 2. N°6 Aria & scena “Gualtier Maldè! … Caro nome” (Gilda, Borsa, Ceprano, Marullo)
Texter und Librettist:
Francesco Maria Piave
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Teil von:
Rigoletto: Atto I
7:35
2Madame Butterfly: “Un bel dì vedrà”
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
4:34
3Il barbiere di Siviglia: “Una voce poco fa”
recording of:
Il barbiere di Siviglia: Atto I, N°5a. Cavatina “Una voce poco fa” … “Io sono docile” (Rosina)
Komponist(in):
Gioachino Rossini (composer)
Librettist:
Cesare Sterbini
Teil von:
Il barbiere di Siviglia: Atto I
6:54
4La traviata: “Addio del passato”
recording of:
La traviata: Atto III. “Addio, del passato bei sogni ridenti” (Violetta)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Francesco Maria Piave
Teil von:
La traviata: Atto III (La traviata: Act III)
3:32
5La bohème: “Si, mi chiamano Mimì”
Produzent(in):
Walter Jellinek (British classical producer) und Walter Legge (British classical producer)
Soprangesang:
Maria Callas (soprano) (von 1954-09-15 bis 1954-09-18, von 1954-09-20 bis 1954-09-21)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1954-09-15 bis 1954-09-18, von 1954-09-20 bis 1954-09-21)
conductor:
Tullio Serafin (conductor) (von 1954-09-15 bis 1954-09-18, von 1954-09-20 bis 1954-09-21)
Tonmeister(in):
Robert Beckett (classical recording engineer, EMI mainly)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
aufgenommen bei:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, Vereinigtes Königreich und Watford Town Hall (municipal building; for concert or recording venue, please use Watford Colosseum) in Watford, Hertfordshire, England, Vereinigtes Königreich (von 1954-09-15 bis 1954-09-18, von 1954-09-20 bis 1954-09-21)
recording of:
La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì) (von 1954-09-15 bis 1954-09-18)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
recording of:
La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì) (von 1954-09-20 bis 1954-09-21)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
4:52
6Lucia di Lammermoor: “Spargi d'amaro pianto”
recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 14. “Spargi d’amaro pianto” (Lucia, Enrico, Raimondo, Coro)
Komponist(in):
Gaetano Donizetti (Italian opera composer)
Librettist:
Salvadore Cammarano (Italian librettist)
Teil von:
Lucia di Lammermoor: Atto III
4:12
7Norma: “Casta Diva”
recording of:
Norma: Atto I, scena 1. Scena e cavatina “Casta diva, che inargenti” (Norma, coro)
Komponist(in):
Vincenzo Bellini (Sicilian opera composer) (bis 1831)
Librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (bis 1831)
Teil von:
Norma: Atto I
5:39
8Tosca: “Vissi d'arte”
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Tosca: Atto II (Tosca: Act II)
3:19
9La Gioconda: “Suicidio!”
recording of:
La Gioconda: Atto IV. Aria “Suicidio!” (Gioconda)
Komponist(in):
Amilcare Ponchielli (composer)
Librettist:
Arrigo Boito (librettist, composer)
Teil von:
La Gioconda: Atto IV. Canal orfano
4:40
10Medea: “Dei tuoi figli la madre”
recording of:
Medea: Atto I. Aria “Dei tuoi figli la madre” (Medea)
Komponist(in):
Luigi Cherubini (composer)
Librettist:
François Benoît Hoffmann
Übersetzer:
Carlo Zangarini (in 1909)
Teil von:
Medea: Atto I
7:30
2▼CD
Nr.TitelBewertungLänge
1Turandot: “Signore, ascolta”
recording of:
Turandot: Atto I. “Signore, ascolta!” (Liù)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Adami und Renato Simoni
Teil von:
Turandot: Atto I (Turandot: Act I)
2:35
2La sonnambula: “Come per me sereno”
recording of:
La sonnambula: Atto I, scena 1. Recitativo e cavatina “Care compagne, teneri amici… Come per me sereno” (Amina, Tutti)
Komponist(in):
Vincenzo Bellini (Sicilian opera composer)
Librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
Teil von:
La sonnambula: Atto I
2:33
3Cavalleria rusticana: “Voi lo sapete, o mamma”
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Tullio Serafin (conductor)
recording of:
Cavalleria rusticana: “Voi lo sapete, o mamma” (Santuzza, Lucia)
Komponist(in):
Pietro Mascagni (composer & conductor)
Librettist:
Guido Menasci (Italian librettist, 19th-20th c.) und Giovanni Targioni-Tozzetti (Italian librettist, 19th-20th c.)
Teil von:
Cavalleria rusticana
4:01
4Adriana Lecouvreur: “Poveri fiori”
Produzent(in):
Walter Legge (British classical producer)
Soprangesang [Adriana]:
Maria Callas (soprano) (von 1954-09-17 bis 1954-09-18, von 1954-09-20 bis 1954-09-21)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1954-09-17 bis 1954-09-18, von 1954-09-20 bis 1954-09-21)
conductor:
Tullio Serafin (conductor) (von 1954-09-17 bis 1954-09-18, von 1954-09-20 bis 1954-09-21)
Tonmeister(in):
Robert Beckett (classical recording engineer, EMI mainly)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
aufgenommen bei:
Watford Town Hall (municipal building; for concert or recording venue, please use Watford Colosseum) in Watford, Hertfordshire, England, Vereinigtes Königreich (von 1954-09-17 bis 1954-09-18) und Watford Town Hall (municipal building; for concert or recording venue, please use Watford Colosseum) in Watford, Hertfordshire, England, Vereinigtes Königreich (von 1954-09-20 bis 1954-09-21)
recording of:
Adriana Lecouvreur: Atto IV. “Poveri fiori” (Adriana) (von 1954-09-17 bis 1954-09-18)
Komponist(in):
Francesco Cilea (composer)
Librettist:
Arturo Colautti
publisher:
Ascherberg, Hopwood & Crew und MCPS (UK rights society; do not use this as a label or work publisher!)
Teil von:
Adriana Lecouvreur: Atto IV
recording of:
Adriana Lecouvreur: Atto IV. “Poveri fiori” (Adriana) (von 1954-09-20 bis 1954-09-21)
Komponist(in):
Francesco Cilea (composer)
Librettist:
Arturo Colautti
publisher:
Ascherberg, Hopwood & Crew und MCPS (UK rights society; do not use this as a label or work publisher!)
Teil von:
Adriana Lecouvreur: Atto IV
3:16
5Andrea Chenier: “La mamma morta”
Soprangesang [Maddalena]:
Maria Callas (soprano)
recording of:
Andrea Chénier: Atto III. “La mamma morta” (Maddalena, Gérard)
Komponist(in):
Umberto Giordano (Italian opera composer)
Librettist:
Luigi Illica
publisher:
Edoardo Sonzogno Ltd. und MCPS (UK rights society; do not use this as a label or work publisher!)
Teil von:
Andrea Chénier: Atto III
4:55
6Il perdono di Ploermel: “Ombra leggiera”
recording of:
Dinorah: Acte II. “Ombra leggiera” (Shadow Song, italian lyrics) (Dinorah)
Komponist(in):
Giacomo Meyerbeer (composer)
Librettist:
Barbier, Carré (librettist) und De Lauzières
übersetzte Version von:
Dinorah : Acte II. "Ombre légère (Shadow Song)" (Dinorah)
5:43
7Gianni Schicchi: “O mio babbino caro”
recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. und G. Ricordi & Co. (London) Ltd. (UK division)
Teil von:
Gianni Schicchi
2:37
8Pagliacci: “Qual fiamma atea nel guardo”
recording of:
Pagliacci: Atto I. “Qual fiamma avea nel guardo!” (Nedda)
Komponist(in) und Librettist:
Ruggero Leoncavallo (composer)
Teil von:
Pagliacci: Atto I (Pagliacci: Act I)
4:44
9La forza del destino: “Pace, pace, mio Dio”
recording of:
La forza del destino: Atto IV, scena 2. “Pace, pace, mio Dio” (Leonora)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Francesco Maria Piave
Teil von:
La forza del destino: Atto IV
6:28
10La Wally: “Ebben, andrò lontano”
recording of:
La Wally: Atto I. “Ebben? Ne andrò lontana” (Wally)
Komponist(in):
Alfredo Catalani (composer)
Librettist:
Luigi Illica (in 1892)
publisher:
Lam Larghetto Music (vom 1993 bis heute)
Teil von:
La Wally: Atto I
4:53
11Amleto: “Ai vostri giochi”
recording of:
Hamlet: Atto IV. "A vostri giochi … ed ora a voi” (Ofelia)
Komponist(in):
Ambroise Thomas (opera composer)
übersetzte Version von:
Hamlet : Acte IV. Scène et air d’Ophélie « À vos jeux mes amis » (Ophélie)
Teil von:
Hamlet (italian lyrics)
10:05