25th Anniversary Collection

~ Release by Public Enemy (see all versions of this release, 2 available)

Annotation

This is for the iTunes Digital Media Version which has 4 additional songs

Annotation last modified on 2017-05-06 15:52 UTC.

Tracklist

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1▼Digital Media
#TitleRatingLength
1You're Gonna Get Yours
engineer:
Steve Ett and Steven Linsley
co-producer:
Carl Ryder and Hank Shocklee
producer:
Bill Stephney
mixer:
Steve Ett, Hank Shocklee, Bill Stephney and Steven Linsley
recording of:
You’re Gonna Get Yours
writer:
Carlton Ridenhour and Hank Shocklee
34:04
2Sophisticated Bitch
engineer:
Steve Ett and Steven Linsley
co-producer:
Carl Ryder and Hank Shocklee
producer:
Bill Stephney
mixer:
Rick Rubin (US record producer, former co‐president of Columbia Records)
solo guitar:
Vernon Reid (English-born US guitarist and songwriter)
recording of:
Sophisticated Bitch
writer:
Carlton Ridenhour, Hank Shocklee and William Drayton
3.254:30
3Miuzi Weighs a Ton
engineer:
Steve Ett and Steven Linsley
co-producer:
Carl Ryder and Hank Shocklee
producer:
Bill Stephney
mixer:
Steve Ett, Hank Shocklee, Bill Stephney and Steven Linsley
recording of:
Miuzi Weighs a Ton
writer:
Carlton Ridenhour and Hank Shocklee
3.55:44
4Timebomb
engineer:
Steve Ett and Steven Linsley
co-producer:
Carl Ryder and Hank Shocklee
producer:
Bill Stephney
mixer:
Steve Ett, Hank Shocklee, Bill Stephney and Steven Linsley
samples:
Just Kissed My Baby by The Meters
recording of:
Timebomb
writer:
Carlton Ridenhour and Hank Shocklee
3.352:54
5Too Much Posse
engineer:
Steve Ett and Steven Linsley
co-producer:
Carl Ryder and Hank Shocklee
producer:
Bill Stephney
mixer:
Steve Ett, Hank Shocklee, Bill Stephney and Steven Linsley
recording of:
Too Much Posse
writer:
Carlton Ridenhour, Hank Shocklee and William Drayton
32:25
6Rightstarter (Message to a Black Man)
engineer:
Steve Ett and Steven Linsley
co-producer:
Carl Ryder and Hank Shocklee
producer:
Bill Stephney
mixer:
Steve Ett, Hank Shocklee, Bill Stephney and Steven Linsley
recording of:
Rightstarter (Message to a Black Man)
writer:
Carlton Ridenhour and Hank Shocklee
3.353:48
7Public Enemy No.1
engineer:
Steve Ett and Steven Linsley
co-producer:
Carl Ryder and Hank Shocklee
producer:
Bill Stephney
mixer:
Steve Ett, Hank Shocklee, Bill Stephney and Steven Linsley
samples:
Blow Your Head by Fred Wesley and The J.B.’s
recording of:
Public Enemy No. 1
writer:
Carlton Ridenhour and Hank Shocklee
3.254:41
8M.P.E.
engineer:
Steve Ett and Steven Linsley
co-producer:
Carl Ryder and Hank Shocklee
producer:
Bill Stephney
mixer:
Steve Ett, Hank Shocklee, Bill Stephney and Steven Linsley
recording of:
M.P.E.
writer:
Carlton Ridenhour, Hank Shocklee and William Drayton
33:44
9Yo! Bum Rush the Show
engineer:
Steve Ett and Steven Linsley
co-producer:
Carl Ryder and Hank Shocklee
producer:
Bill Stephney
mixer:
Steve Ett, Hank Shocklee, Bill Stephney and Steven Linsley
recording of:
Yo! Bum Rush the Show
writer:
Carlton Ridenhour, Hank Shocklee and William Drayton
34:25
10Raise the Roof
engineer:
Steve Ett and Steven Linsley
co-producer:
Carl Ryder and Hank Shocklee
producer:
Bill Stephney
mixer:
Steve Ett, Hank Shocklee, Bill Stephney and Steven Linsley
recording of:
Raise the Roof
writer:
Carlton Ridenhour, Eric Sadler and Hank Shocklee
35:18
11Megablast
engineer:
Steve Ett and Steven Linsley
co-producer:
Carl Ryder and Hank Shocklee
producer:
Bill Stephney
mixer:
Steve Ett, Hank Shocklee, Bill Stephney and Steven Linsley
recording of:
Megablast
writer:
Carlton Ridenhour, Hank Shocklee and William Drayton
32:51
12Terminator X Speaks With His Hands
engineer:
Steve Ett and Steven Linsley
co-producer:
Carl Ryder and Hank Shocklee
producer:
Bill Stephney
mixer:
Steve Ett, Hank Shocklee, Bill Stephney and Steven Linsley
recording of:
Terminator X Speaks With His Hands
writer:
Carlton Ridenhour, Eric Sadler, Hank Shocklee and William Drayton
2.752:13
2▼Digital Media
#TitleRatingLength
1Countdown to Armageddon
producer:
Carl Ryder and Hank Shocklee
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1988)
recording of:
Countdown to Armageddon
writer:
Carlton Douglas Ridenhour, Eric Sadler and Hank Shocklee
1.51:40
2Bring the Noise
producer:
Carl Ryder, Eric Sadler and Hank Shocklee
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1988)
samples:
Funky Drummer, Part 1 by James Brown (The Godfather of Soul), Get Off Your Ass and Jam by Funkadelic and It's My Thing, Part 1 by Marva Whitney
part of:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 90), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 160) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 397)
recording of:
Bring tha Noize (Original Version) (in 1987)
lyricist:
Carlton Douglas Ridenhour and Hank Shocklee
composer:
Carlton Douglas Ridenhour, George Clinton (US funk musician), Eric Sadler and Hank Shocklee
publisher:
Island Music Ltd. and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
3.853:46
3Don't Believe the Hype
producer:
Carl Ryder and Hank Shocklee
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1988)
samples:
I Got Ants in My Pants, Part 1 by James Brown (The Godfather of Soul) and Synthetic Substitution by Melvin Bliss
recording of:
Don’t Believe the Hype (in 1987)
writer:
Carlton Douglas Ridenhour, Eric Sadler, Hank Shocklee and William Jonathan Drayton
3.55:19
4Cold Lampin' With Flavor
producer:
Carl Ryder and Hank Shocklee
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1988)
recording of:
Cold Lampin’ With Flavor
writer:
Eric Sadler, Hank Shocklee and William Jonathan Drayton
2.654:17
5Terminator X to the Edge of Panic
producer:
Carl Ryder and Hank Shocklee
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1988)
samples:
Flash’s Theme by Queen (UK rock group)
music videos:
Terminator X to the Edge of Panic by Public Enemy (US rap group)
recording of:
Terminator X to the Edge of Panic
writer:
Carlton Douglas Ridenhour, Norman Lee Rogers and William Jonathan Drayton
2.654:31
6Mind Terrorist
producer:
Carl Ryder and Hank Shocklee
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1988)
recording of:
Mind Terrorist
writer:
Carlton Douglas Ridenhour, Eric Sadler and Hank Shocklee
1.651:21
7Louder Than a Bomb
producer:
Carl Ryder and Hank Shocklee
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1988)
recording of:
Louder Than a Bomb
writer:
Carlton Douglas Ridenhour, Eric Sadler and Hank Shocklee
2.753:37
8Caught, Can We Get a Witness
producer:
Carl Ryder and Hank Shocklee
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1988)
recording of:
Caught, Can We Get a Witness?
writer:
Carlton Douglas Ridenhour, Eric Sadler and Hank Shocklee
2.654:53
9Show Em Whatcha Got
producer:
Carl Ryder and Hank Shocklee
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1988)
recording of:
Show 'Em Whatcha Got
writer:
Carlton Douglas Ridenhour, Eric Sadler and Hank Shocklee
2.351:56
10She Watch Channel Zero?!
producer:
Carl Ryder and Hank Shocklee
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1988)
samples:
Angel of Death by Slayer (US thrash metal band) and Funky Drummer by James Brown (The Godfather of Soul)
recording of:
She Watch Channel Zero?!
writer:
Carlton Douglas Ridenhour, Richard Griffin, Eric Sadler, Hank Shocklee and William Jonathan Drayton
33:49
11Night of the Living Baseheads
producer:
Carl Ryder and Hank Shocklee
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1988)
music videos:
Night of the Living Baseheads (video) by Public Enemy (US rap group)
recording of:
Night of the Living Baseheads
writer:
Carlton Douglas Ridenhour, Eric Sadler and Hank Shocklee
3.53:14
12Black Steel in the Hour of Chaos
producer:
Carl Ryder and Hank Shocklee
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1988)
samples:
Hyperbolicsyllabicsesquedalymistic by Isaac Hayes
recording of:
Black Steel in the Hour of Chaos
writer:
Carlton Douglas Ridenhour, Eric Sadler, Hank Shocklee and William Jonathan Drayton
publisher:
Bring the Noize Inc. and Def American Songs, Inc.
3.56:23
13Security of the First World
producer:
Carl Ryder and Hank Shocklee
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1988)
samples:
Ashley’s Roachclip by The Soul Searchers (70s US funk group)
recording of:
Security of the First World
composer:
Carlton Douglas Ridenhour, Eric Sadler and Hank Shocklee
21:20
14Rebel Without a Pause
producer:
Carl Ryder and Hank Shocklee
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1988)
samples:
The Grunt by The J.B.’s
recording of:
Rebel Without a Pause (in 1987)
writer:
Carlton Douglas Ridenhour, Norman Lee Rogers, Eric Sadler and Hank Shocklee
3.655:02
15Prophets of Rage
producer:
Carl Ryder and Hank Shocklee
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1988)
recording of:
Prophets of Rage
writer:
Carlton Douglas Ridenhour, Eric Sadler, Hank Shocklee and William Jonathan Drayton
3.13:18
16Party for Your Right to Fight
producer:
Carl Ryder and Hank Shocklee
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1988)
recording of:
Party for Your Right to Fight
writer:
Carlton Douglas Ridenhour, Eric Sadler and Hank Shocklee
2.653:25
3▼Digital Media
#TitleRatingLength
1Contract on the World Love Jam
producer:
The Bomb Squad (production team)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1990)
recording of:
Contract on the World Love Jam
composer:
Carlton Douglas Ridenhour, Eric Sadler and Keith Shocklee
2.751:44
2Brothers Gonna Work It Out
producer:
The Bomb Squad (production team)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1990)
recording of:
Brothers Gonna Work It Out
writer:
Carlton Douglas Ridenhour, Eric Sadler and Keith Shocklee
3.25:07
3911 Is a Joke
producer:
The Bomb Squad (production team)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1990)
recording of:
911 Is a Joke
writer:
Eric Sadler, Keith Shocklee and William Jonathan Drayton
3.83:17
4Incident at 66.6 FM
producer:
The Bomb Squad (production team)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1990)
recording of:
Incident at 66.6 FM
writer:
Carlton Douglas Ridenhour, Eric Sadler and Keith Shocklee
1.751:37
5Welcome to the Terrordome
producer:
The Bomb Squad (production team)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1989)
recording of:
Welcome to the Terrordome
writer:
Carlton Douglas Ridenhour, Eric Sadler and Keith Shocklee
45:25
6Meet the G That Killed Me
producer:
The Bomb Squad (production team)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1990)
recording of:
Meet the G That Killed Me
writer:
Carlton Douglas Ridenhour, Eric Sadler and Keith Shocklee
1.750:44
7Pollywanacraka
producer:
The Bomb Squad (production team)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1990)
recording of:
Pollywanacraka
writer:
Carlton Douglas Ridenhour, Eric Sadler and Keith Shocklee
1.353:52
8Anti-Nigger Machine
producer:
The Bomb Squad (production team)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1990)
recording of:
Anti‐Nigger Machine
writer:
Carlton Douglas Ridenhour, Eric Sadler and Keith Shocklee
1.353:17
9Burn Hollywood Burn
producer:
The Bomb Squad (production team)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1990)
recording of:
Burn Hollywood Burn
writer:
Antonio Hardy, Carlton Douglas Ridenhour, O’Shea Jackson, Eric Sadler and Keith Shocklee
3.252:47
10Power to the People
producer:
The Bomb Squad (production team)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1989)
recording of:
Power to the People
writer:
Carlton Douglas Ridenhour, Eric Sadler and Keith Shocklee
2.53:48
11Who Stole the Soul?
producer:
The Bomb Squad (production team)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1990)
recording of:
Who Stole the Soul?
writer:
Carlton Douglas Ridenhour, Eric Sadler and Keith Shocklee
2.53:49
12Fear of a Black Planet
producer:
The Bomb Squad (production team)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1990)
recording of:
Fear of a Black Planet
writer:
Carlton Douglas Ridenhour, Eric Sadler and Keith Shocklee
2.63:45
13Revolutionary Generation
producer:
The Bomb Squad (production team)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1990)
recording of:
Revolutionary Generation
writer:
Carlton Douglas Ridenhour, Eric Sadler and Keith Shocklee
2.55:43
14Can't Do Nuttin' for Ya Man
producer:
The Bomb Squad (production team)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1990)
recording of:
Can't Do Nuttin' for Ya Man
writer:
Carlton Douglas Ridenhour, Eric Sadler and Keith Shocklee
2.252:46
15Reggie Jax
producer:
The Bomb Squad (production team)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1990)
recording of:
Reggie Jax
writer:
Carlton Douglas Ridenhour, Eric Sadler and Keith Shocklee
21:35
16Leave This Off Your Fu*kin Charts
producer:
The Bomb Squad (production team)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1990)
recording of:
Leave This Off Your Fu*kin Charts
writer:
Norman Lee Rogers
2.52:31
17B Side Wins Again
producer:
The Bomb Squad (production team)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1990)
recording of:
B Side Wins Again
writer:
Carlton Douglas Ridenhour, Eric Sadler and Keith Shocklee
2.83:45
18War at 33⅓
producer:
The Bomb Squad (production team)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1990)
recording of:
War at 33⅓
writer:
Carlton Douglas Ridenhour, Eric Sadler and Keith Shocklee
2.52:07
19Final Count of the Collision Between Us and the Damned
producer:
The Bomb Squad (production team)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1990)
recording of:
Final Count of the Collision Between Us and the Damned
writer:
Carlton Douglas Ridenhour, Eric Sadler and Keith Shocklee
1.750:48
20Fight the Power
producer:
The Bomb Squad (production team), Carl Ridenhour, Eric Sadler and Hank Shocklee
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1990) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1990)
samples:
Funky Drummer by James Brown (The Godfather of Soul)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 2), CBC Music: 10 Songs That Have Changed the World, Grammy Award: Best Rap Performance nominees (number: 1990), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 68) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 322)
recording of:
Fight the Power
writer:
Carlton Douglas Ridenhour, Eric Sadler and Keith Shocklee
publisher:
Island Music Ltd.
3.74:42
4▼Digital Media
#TitleArtistRatingLength
1Lost at Birth
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
recording of:
Lost at Birth
writer:
Carlton Douglas Ridenhour, Gary Rinaldo and Hank Shocklee
Public Enemy2.53:49
2Rebirth
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
recording of:
Rebirth
writer:
Carlton Douglas Ridenhour, Gary Rinaldo and Hank Shocklee
Public Enemy30:59
3Nighttrain
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
recording of:
Nighttrain
writer:
James Boxley, Carlton Douglas Ridenhour, Gary Rinaldo and Hank Shocklee
Public Enemy33:27
4Can’t Truss It
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
recording of:
Can’t Truss It
writer:
Carlton Douglas Ridenhour, Gary Rinaldo and Hank Shocklee
Public Enemy3.55:21
5I Don't Wanna Be Called Yo Niga
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
recording of:
I Don’t Wanna Be Called Yo Niga
writer:
James Boxley, Carlton Douglas Ridenhour, Gary Rinaldo and William Jonathan Drayton
Public Enemy3.54:23
6How to Kill a Radio Consultant
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
recording of:
How to Kill a Radio Consultant
writer:
Carlton Douglas Ridenhour, Gary Rinaldo and Hank Shocklee
Public Enemy3.53:09
7By the Time I Get to Arizona
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
samples:
Two Sisters of Mystery by Mandrill (American funk band)
recording of:
By the Time I Get to Arizona
writer:
Carlton Douglas Ridenhour, Gary Rinaldo, Neftali Santiago and Hank Shocklee
Public Enemy4.354:48
8Move!
guest vocals:
Sister Souljah
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
recording of:
Move
writer:
Carlton Douglas Ridenhour, Gary Rinaldo and Hank Shocklee
Public Enemy feat. Sister Souljah3.54:59
91 Million Bootlegs
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
recording of:
1 Million Bottlebags
writer:
Carlton Douglas Ridenhour, George Clinton (US funk musician), Garry Marshall Shider, Gary Rinaldo, Hank Shocklee and David Spradley
Public Enemy3.54:06
10More News At 11
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
recording of:
More News at 11
writer:
James Boxley, Carlton Douglas Ridenhour, Gary Rinaldo and William Jonathan Drayton
Public Enemy3.52:39
11Shut 'Em Down
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
recording of:
Shut ’Em Down
writer:
Carlton Douglas Ridenhour, Gary Rinaldo and Hank Shocklee
Public Enemy35:04
12A Letter to the New York Post
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
recording of:
Letter to the New York Post
writer:
James Boxley, Carlton Douglas Ridenhour, Gary Rinaldo and William Jonathan Drayton
Public Enemy32:45
13Get the F...Outta Dodge
mixer:
Imperial Grand Ministers of Funk and Chris Shaw (US producer & engineer)
guest vocals:
True Mathematics (Kenny Houston)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
recording of:
Get the F Outta Dodge
writer:
Carlton Douglas Ridenhour and Kenneth Earl Houston
publisher:
Bring the Noize Inc. and Def Jam Music, Inc.
Public Enemy3.52:38
14Bring tha Noize
performer:
Anthrax (US thrash metal band)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
samples:
Welcome to the Terrordome by Public Enemy (US rap group) (lead vocals)
recording of:
Bring the Noise (Anthrax version) (in 1991)
lyricist:
Chuck D and Hank Shocklee
composer:
Frank Bello (US bassist for Anthrax), Charlie Benante, Carlton Douglas Ridenhour, Joseph Bellardini, Eric Sadler, Scott Ian Rosenfeld, Hank Shocklee and Dan Spitz
publisher:
Def American Songs, Inc. and NFP Music
revision of:
Bring tha Noize (Original Version)
Public Enemy & Anthrax4.353:47
5▼Digital Media
#TitleRatingLength
1Whole Lotta Love Goin on in the Middle of Hell
recording engineer and mixer:
Nick Sansano
assistant producer:
Studdah Man (Sean de Vore)
producer:
Carl Ryder and Gary G‐Wiz
turntable [DJ work]:
Kamron and Terminator X
background vocals:
Flavor Flav and Tet
lead vocals:
Chuck D
recorded at and mixed at:
The Hit Factory in Manhattan, New York, New York, United States
samples:
Brother's Gonna Work It Out by Willie Hutch
recording of:
Whole Lotta Love Goin on in the Middle of Hell (from 1993 until 1994)
writer:
Carlton Douglas Ridenhour
composer:
Gary Rinaldo and Sean de Vore
43:11
2Theatrical Parts
recording engineer and mixer:
Nick Sansano
producer:
Bomb Squad Production (production team)
recorded at and mixed at:
Sonic Sound Studio in Freeport, Hempstead, New York, United States (from 1993 until 1994)
recording of:
Theatrical Parts (from 1993 until 1994)
composer:
Carlton Douglas Ridenhour
10:28
3Give It Up
recording engineer and mixer:
Nick Sansano
assistant producer:
Studdah Man (Sean de Vore)
producer:
Carl Ryder and Gary G‐Wiz
background vocals:
Flavor Flav
lead vocals:
Chuck D
recorded at and mixed at:
The Hit Factory in Manhattan, New York, New York, United States
samples:
I Got You (I Feel Good) by James Brown and the Famous Flames, Opus de Soul by Steve Cropper, Pops Staples & Albert King (well‐known US blues guitarist & singer) and Theme From Shaft by Isaac Hayes
edit of:
Give It Up (main version) by Public Enemy (US rap group)
recording of:
Give It Up (from 1993 until 1994)
writer:
Carlton Douglas Ridenhour
composer:
Alvertis Isbell, Gary Rinaldo, Sean de Vore and Marvell Thomas
54:31
4What Side You On?
recording engineer and mixer:
Gerry Comito
co-producer:
Kerwin Young AKA Sleek
producer:
Bomb Squad Production (production team)
drums (drum set) [drummer]:
Nathaniel Townsley III
turntable [DJ work]:
Terminator X
background vocals:
Flavor Flav
lead vocals:
Chuck D
recorded at and mixed at:
Sonic Sound Studio in Freeport, Hempstead, New York, United States (from 1993 until 1994)
recording of:
What Side You On? (from 1993 until 1994)
writer:
Carlton Douglas Ridenhour and Kerwin Young
44:07
5Bedlam 13:13
recording engineer and mixer:
Gerry Comito
co-producer:
Larry "Panic" Walford (US hip-hop artist, producer & songwriter)
producer:
Bomb Squad Production (production team)
turntable [DJ work]:
Terminator X
background vocals:
Flavor Flav
lead vocals:
Chuck D
recorded at and mixed at:
Sonic Sound Studio in Freeport, Hempstead, New York, United States (from 1993 until 1994)
recording of:
Bedlam 13:13 (from 1993 until 1994)
writer:
Carlton Douglas Ridenhour and Lawrence Walford (US hip-hop artist, producer & songwriter)
44:06
6Stop in the Name...
recording engineer and mixer:
Jimmy O'Neil (engineer, producer)
co-producer:
Larry "Panic" Walford (US hip-hop artist, producer & songwriter)
producer:
Bomb Squad Production (production team)
lead vocals:
Chuck D
recorded at and mixed at:
KALA Recording Studios, Inc. in Atlanta, Georgia, United States
recording of:
Stop in the Name… (from 1993 until 1994)
writer:
Carlton Douglas Ridenhour and Lawrence Walford (US hip-hop artist, producer & songwriter)
21:21
7What Kind of Power We Got?
recording engineer and mixer:
Gerry Comito
co-producer:
Kerwin Young AKA Sleek
producer:
Flavor Flav
drums (drum set) [drummer]:
Nathaniel Townsley III
turntable [DJ work]:
Kevin Boone
background vocals:
Chuck D
lead vocals:
Flavor Flav
recorded at and mixed at:
Sonic Sound Studio in Freeport, Hempstead, New York, United States (from 1993 until 1994)
samples:
(For God’s Sake) Give More Power to the People by The Chi‐Lites, Fight the Power (soundtrack version) (explicit) by Public Enemy (US rap group) and Soul Power, Pt. 1 (single version) by James Brown (The Godfather of Soul)
recording of:
What Kind of Power We Got? (from 1993 until 1994)
writer:
Kerwin Young and William Jonathan Drayton
composer:
Eugene Record
is based on:
(For God’s Sake) Give More Power to the People
35:30
8So Whatcha Gone Do Now?
recording engineer and mixer:
Nick Sansano
assistant producer:
Studdah Man (Sean de Vore)
producer:
Carl Ryder and Gary G‐Wiz
lead vocals:
Chuck D
recorded at and mixed at:
The Hit Factory in Manhattan, New York, New York, United States
recording of:
So Whatcha Gone Do Now? (from 1993 until 1994)
writer:
Carlton Douglas Ridenhour
composer:
Gary Rinaldo and Sean de Vore
34:41
9White Heaven/Black Hell
recording engineer and mixer:
Gerry Comito
producer:
Bomb Squad Production (production team)
lead vocals:
Chuck D
recorded at and mixed at:
Sonic Sound Studio in Freeport, Hempstead, New York, United States (from 1993 until 1994)
samples:
(Girl) I Love You by The Temprees
recording of:
White Heaven/Black Hell (from 1993 until 1994)
writer:
Carlton Douglas Ridenhour
composer:
Jo Bridges (Soul and R&B songwriter and producer), Carl Hampton (pianist, songwriter and producer) and Tom Nixon (Producer at Stax in the 70’s)
is based on:
(Girl) I Love You
11:06
10Race Against Time
recording engineer and mixer:
Nick Sansano
assistant producer:
Studdah Man (Sean de Vore)
producer:
Carl Ryder and Gary G‐Wiz
turntable [DJ work]:
Kamron
background vocals:
Flavor Flav
lead vocals:
Chuck D
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States
mixed at:
Sorcerer Sound in New York, New York, United States
samples:
Get Up, Get Into It and Get Involved (mono) by James Brown (The Godfather of Soul) and Take My Hand, Precious Lord by Mahalia Jackson
recording of:
Race Against Time (from 1993 until 1994)
writer:
Carlton Douglas Ridenhour
composer:
Gary Rinaldo and Sean de Vore
43:20
11They Used to Call it Dope
recording engineer and mixer:
Nick Sansano
producer:
Bomb Squad Production (production team)
lead vocals:
Chuck D
recorded at and mixed at:
Sonic Sound Studio in Freeport, Hempstead, New York, United States (from 1993 until 1994)
samples:
Bring the Noise by Public Enemy (US rap group), Caught, Can We Get a Witness? by Public Enemy (US rap group) and Show Em Whatcha Got (explicit) by Public Enemy (US rap group)
recording of:
They Used to Call It Dope (from 1993 until 1994)
lyricist and composer:
Carlton Douglas Ridenhour
10:29
12Aintnuttin Buttersong
recording engineer and mixer:
Gerry Comito
co-producer:
Easy Mo Bee
producer:
Bomb Squad Production (production team)
drums (drum set) [drummer]:
Nathaniel Townsley III
turntable [DJ work]:
Terminator X
background vocals:
Flavor Flav
lead vocals:
Chuck D
recorded at and mixed at:
Sonic Sound Studio in Freeport, Hempstead, New York, United States (from 1993 until 1994)
samples:
Do Your Dance by Rose Royce, Jeep Ass Niguh by Masta Ace Incorporated (the group, led by Masta Ace with rap crew) and Medley: Star Spangled Banner / Purple Haze / Instrumental Solo by Jimi Hendrix
recording of:
Aintnuttin Buttersong (from 1993 until 1994)
writer:
Carlton Douglas Ridenhour and Osten Harvey
composer:
Spyder Turner and Norman Whitfield
is based on:
Do Your Dance
34:23
13Live and Undrugged, Parts 1 & 2
recording engineer and mixer:
Gerry Comito
co-producer:
Kerwin Young AKA Sleek
producer:
Bomb Squad Production (production team)
drums (drum set) [drummer]:
Nathaniel Townsley III
turntable [DJ work]:
Terminator X
lead vocals:
Chuck D
recorded at and mixed at:
Sonic Sound Studio in Freeport, Hempstead, New York, United States (from 1993 until 1994)
samples:
Let’s Stay Together by Al Green (US soul singer, songwriter, pastor and record producer), Punks Jump Up to Get Beat Down by Brand Nubian and Revolution (original mono studio mix) by The Beatles (UK rock band, “The Fab Four”)
recording of:
Live and Undrugged, Parts 1 & 2 (from 1993 until 1994)
writer:
Carlton Douglas Ridenhour and Kerwin Young
35:54
14Thin Line Between Law & Rape
recording engineer:
Gerry Comito
co-producer:
Larry "Panic" Walford (US hip-hop artist, producer & songwriter)
producer:
Bomb Squad Production (production team)
mixer:
Dino Zervos
turntable [DJ work]:
Kevin Boone
background vocals:
Flavor Flav
lead vocals:
Chuck D
recorded at:
Sonic Sound Studio in Freeport, Hempstead, New York, United States (from 1993 until 1994)
mixed at:
Power Play Studios in New York, New York, United States
samples:
Cinderfella Dana Dane (explicit) by Dana Dane and No Woman No Cry by Bob Marley & The Wailers
recording of:
Thin Line Between Law & Rape (from 1993 until 1994)
writer:
Carlton Douglas Ridenhour, Collin Constantine Rochester and Lawrence Walford (US hip-hop artist, producer & songwriter)
34:45
15I Ain't Mad at All
assistant recording engineer:
Layng Martine (bassist and engineer)
recording engineer:
Bob Musseo (musician, producer and engineer)
programming and producer:
Keith Shocklee
assistant mixer:
Danny Madorski
mixer:
Rod Hui
horn [horns]:
David Watson (multi-instrumentalist), Darryl Dixon (saxophone/flute/arranger) and Bill Mobley
background vocals [backgrounds]:
Bemshi, Paulette McWilliams and Norma Jean Wright
lead vocals:
Flavor Flav
recorded at and mixed at:
Greene St. Recording in SoHo, New York, New York, United States
samples:
Bustin' Loose by Chuck Brown (jazz guitarist/singer "The Godfather of Go-Go") & The Soul Searchers (70s US funk group) and Dance Across the Floor by Jimmy “Bo” Horne
recording of:
I Ain’t Mad at All (from 1993 until 1994)
writer:
Keith Boxley (American hip hop producer and DJ), Carl DeHaney, Jeannette Harrod, Ronald Lincoln and William Jonathan Drayton
33:24
16Death of a Carjacka
recording engineer and mixer:
Gerry Comito
producer:
Bomb Squad Production (production team)
turntable [DJ work]:
Terminator X
lead vocals:
Chuck D
recorded at and mixed at:
Sonic Sound Studio in Freeport, Hempstead, New York, United States (from 1993 until 1994)
samples:
Hold on I’m Coming by Sam & Dave
recording of:
Death of a Carjacka (from 1993 until 1994)
writer:
Carlton Douglas Ridenhour
composer:
Isaac Hayes and David Porter (US soul musician, producer & songwriter)
is based on:
Hold On, I’m Comin’
22:00
17I Stand Accused
recording engineer and mixer:
Gerry Comito
co-producer:
Easy Mo Bee
producer:
Bomb Squad Production (production team)
turntable [DJ work]:
Kevin Boone
background vocals:
Flavor Flav
lead vocals:
Chuck D
recorded at and mixed at:
Sonic Sound Studio in Freeport, Hempstead, New York, United States (from 1993 until 1994)
samples:
Funky Worm by Ohio Players and The Payback by James Brown (The Godfather of Soul)
recording of:
I Stand Accused (from 1993 until 1994)
writer:
Keith Boxley (American hip hop producer and DJ), Carlton Douglas Ridenhour and Osten Harvey
33:56
18Godd Complexx
assistant recording engineer:
Imad Mansour
recording engineer:
Bob Musseo (musician, producer and engineer)
programming and producer:
Keith Shocklee
assistant mixer:
Danny Madorski
mixer:
Rod Hui
background vocals [backgrounds]:
Carl DeHaney, Umar Bin Hassan and Keith Shocklee
lead vocals:
Flavor Flav
recorded at and mixed at:
Greene St. Recording in SoHo, New York, New York, United States
samples:
Back to the Grill by MC Serch (US rapper Michael Berrin) feat. Chubb Rock, Nasty Nas (US rapper) & Red Hot Lover Tone and White Man's Got a God Complex by The Last Poets
recording of:
Godd Complexx (from 1993 until 1994)
lyricist and composer:
Alafia Pudim
arrangement of:
White Man's Got a God Complex
33:40
19Hitler Day
recording engineer and mixer:
Gerry Comito
co-producer:
Larry "Panic" Walford (US hip-hop artist, producer & songwriter)
producer:
Bomb Squad Production (production team)
drums (drum set) [drummer]:
Nathaniel Townsley III
turntable [DJ work]:
Kevin Boone
background vocals:
Flavor Flav
lead vocals:
Chuck D
recorded at and mixed at:
Sonic Sound Studio in Freeport, Hempstead, New York, United States (from 1993 until 1994)
samples:
Na Na Hey Hey Kiss Him Goodbye by Steam (60s US pop-rock band)
recording of:
Hitler Day (from 1993 until 1994)
writer:
Carlton Douglas Ridenhour and Lawrence Walford (US hip-hop artist, producer & songwriter)
34:27
20Harry Allen's Interactive Super Highway Phone Call To Chuck D.
recording engineer and mixer:
Gerry Comito
co-producer:
Kerwin (Sleek) Young
producer:
Bomb Squad Production (production team)
spoken vocals:
Harry Allen (hip-hop journalist/activist)
recorded at and mixed at:
Sonic Sound Studio in Freeport, Hempstead, New York, United States (from 1993 until 1994)
recording of:
Harry Allen's Interactive Super Highway Phone Call To Chuck D. (from 1993 until 1994)
writer:
Harry Allen (hip-hop journalist/activist), Carlton Douglas Ridenhour and Kerwin Young
22:52
21Living In a Zoo
recording engineer and mixer:
Gary G‐Wiz
assistant engineer:
J-Technique
lead vocals:
Chuck D
remixer:
Gary G‐Wiz and Studdah Man (Sean de Vore)
recorded at and mixed at:
Suburban Funk Studio in New York, New York, United States (from 1993 until 1994)
samples:
Caught, Can We Get a Witness? (Pre Black Steel Ballistic Felony dub) by Public Enemy (US rap group) and Spinning Wheel by Dr. Lonnie Smith
recording of:
Living In a Zoo (from 1993 until 1994)
writer:
Carlton Douglas Ridenhour, Carl DeHaney and Hank Shocklee
composer:
Gary Rinaldo
33:38
6▼Digital Media
#TitleArtistRatingLength
1Resurrection
recording engineer:
Rawle Gittens, Ricciano Lumpkins and Tony Prendatt
producer:
D. R. Period, Hank Shocklee and Keith Shocklee
mixer:
Ken Lewis (recording engineer and mixer), Tony Prendatt and Mario Rodriguez (mix/recording engineer)
guest vocals:
Masta Killa
Public Enemy feat. Masta Killa4:20
2He Got Game
recording engineer:
Rob Chiarelli (US mixer), Rawle Gittens and Ricciano Lumpkins
producer:
D. R. Period, Hank Shocklee and Keith Shocklee
mixer:
Mario Rodriguez (mix/recording engineer)
choir vocals:
Voices of Shabach Community Choir of Long Island
guest vocals:
Stephen Stills
arranger:
House of Tre
samples:
For What It’s Worth (stereo) by Buffalo Springfield
recording of:
He Got Game
writer:
Carlton Douglas Ridenhour, LuQuantum Leap and Stephen Stills
is based on:
For What It’s Worth
Public Enemy feat. Stephen Stills54:46
3Unstoppable
recording engineer and mixer:
Paul Logus
producer:
Gary G‐Wiz
guest vocals:
KRS‐One
Public Enemy feat. KRS‐One3:14
4Shake Your Booty
recording engineer and mixer:
Ben Garrison and Tony Prendatt
producer:
D. R. Period, Hank Shocklee and Keith Shocklee
background vocals:
4 Kast
samples:
Do It Any Way You Wanna by People’s Choice
Flavor Flav3:45
5Is Your God a Dog
assistant recording engineer:
Rasheed Good Lowe and Tom Hughe
recording engineer:
Chris Champion (New York Hip Hop producer and recording engineer)
associate producer:
Corey Brewer
producer:
Abnes (Abnormal) Dubose
mixer:
Chris Champion (New York Hip Hop producer and recording engineer), Abnes Dubose and Johnny Juice
turntable [scratches]:
Johnny Juice
Public Enemy5:08
6House of the Rising Son
recording engineer:
Gary G‐Wiz
associate producer:
Gary G‐Wiz
producer:
Kerwin Young
mixer:
Paul Logus
electric bass guitar [electric bass], keyboard and saxophone:
Kerwin Young
samples:
Won’t Get Fooled Again (original album version) by The Who
Public Enemy3:16
7Revelation 33 1/3 Revolutions
recording engineer:
Dolo (Detroit rapper), Paul Falcone and Tony Prendatt
producer:
Minnesota (US producer and member of the Money Boss Players), Hank Shocklee and Keith Shocklee
mixer:
Ken Lewis (recording engineer and mixer)
Public Enemy4:11
8Game Face
recording engineer:
Tony Prendatt and Ted Wohlsen
producer:
D. R. Period, Hank Shocklee and Keith Shocklee
mixer:
Ken Lewis (recording engineer and mixer)
samples:
James Bond Theme (stereo) by The John Barry Orchestra
Public Enemy feat. Smoothe da Hustler3:17
9Politics of the Sneaker Pimps
recording engineer and mixer:
Paul Logus
producer:
Gary G‐Wiz
Public Enemy3:16
10What You Need Is Jesus
recording engineer and mixer:
Paul Logus
producer:
Gary G‐Wiz
guitar:
Paul Logus
background vocals:
Kyle "Ice" Jason and Veda (hip-hop background vocalist active in 1990s/2000s)
Public Enemy3:29
11Super Agent
assistant recording engineer:
Rasheed Good Lowe
recording engineer:
Chris Champion (New York Hip Hop producer and recording engineer)
producer:
Abnes (Abnormal) Dubose
mixer:
Chris Champion (New York Hip Hop producer and recording engineer) and Abnes Dubose
guitar:
David Phelps (iazz guitarist)
Public Enemy3:35
12Go Cat Go
recording engineer:
Chris Haynes and John Penn
programming, producer and mixer:
Jack Dangers (from Meat Beat Manifesto) and Danny Saber
guitar family:
Reeves Gabrels
sampler [Emax] and turntable [scratching]:
Jack Dangers (from Meat Beat Manifesto)
Public Enemy23:48
13Sudden Death (Interlude)
recording engineer and mixer:
Gary G‐Wiz
producer:
Kerwin Young
bass guitar [bass] and keyboard:
Kerwin Young
Public Enemy2:04

Credits