The Real... Miles Davis

~ Release by Miles Davis (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleRatingLength
1So What
recorded in:
New York, New York, United States (on 1959-03-02)
recording engineer:
Fred Plaut (on 1959-03-02)
producer:
Irving Townsend
alto saxophone:
Cannonball Adderley (on 1959-03-02)
double bass:
Paul Chambers (US jazz bassist) (on 1959-03-02)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-03-02)
piano:
Bill Evans (pianist) (on 1959-03-02)
tenor saxophone:
John Coltrane (on 1959-03-02)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1959-03-02)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1959-03-02)
remix of:
So What (stereo) by Miles Davis (jazz trumpeter, bandleader, songwriter)
recording of:
So What (on 1959-03-02)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Jazz Horn Music
part of:
The Real Book (compilation of jazz standards, Volume I)
4.259:25
2Some Day My Prince Will Come
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1961-03-20)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1961-03-20)
piano:
Wynton Kelly (on 1961-03-20)
tenor saxophone:
John Coltrane (on 1961-03-20) and Hank Mobley (US jazz tenor saxophonist) (on 1961-03-20)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1961-03-20)
recorded at:
Columbia Studios in New York, New York, United States (on 1961-03-20)
instrumental cover recording of:
Someday My Prince Will Come (on 1961-03-20)
lyricist:
Larry Morey
composer:
Frank Churchill
publisher:
Bourne Co. (not for release label use, this is a music publisher) (in 1937)
part of:
Snow White and the Seven Dwarfs (1937 Disney animated film, songs and musical score)
9:09
3I Thought About You
recording of:
I Thought About You
lyricist:
Johnny Mercer
composer:
Jimmy Van Heusen
publisher:
Bourne Co. (not for release label use, this is a music publisher), Burke & Van Heusen, Jerry Leiber Music, Lewis Music Publishing Co., Inc., Range Road Music Inc., Silver Seahorse Music LLC, Twentieth Century Music Corp., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
4:55
4Teo
recording of:
Teo
writer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
9:35
5Concierto de Aranjuez (Adagio)
bass clarinet:
Danny Bank (reeds) (on 1959-11-20)
clarinet and oboe:
Harold Feldman (woodwind player) (on 1959-11-20)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1959-11-20)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-11-20)
flugelhorn:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1959-11-20)
flute:
Albert Block (US jazz flute/saxaphone) (on 1959-11-20) and Eddie Caine (saxophone player, not the rapper) (on 1959-11-20)
French horn:
John Barrows (American wind instrumentalist) (on 1959-11-20), Earl Chapin (on 1959-11-20) and Jim Buffington (US jazz, studio and classical hornist) (on 1959-11-20)
harp:
Janet Putnam (harpist) (on 1959-11-20)
percussion:
Elvin Jones (jazz drummer) (on 1959-11-20)
trombone:
Dick Hixson (trombonist) (on 1959-11-20) and Frank Rehak (US jazz trombonist) (on 1959-11-20)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1959-11-20), Bernie Glow (on 1959-11-20), Taft Jordan (on 1959-11-20), Louis Mucci (trumpetist) (on 1959-11-20) and Ernie Royal (on 1959-11-20)
tuba:
Jimmy McAllister (on 1959-11-20)
conductor:
Gil Evans (on 1959-11-20)
arranger:
Gil Evans
recorded at:
Columbia Studios in New York, New York, United States (on 1959-11-20)
remasters:
Concierto de Aranjuez (adagio) (1959-11-20, master take, stereo) by Miles Davis (jazz trumpeter, bandleader, songwriter)
partial recording of:
Concierto de Aranjuez (on 1959-11-20)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
16:21
6Will O' The Wisp
bass clarinet:
Danny Bank (reeds) (on 1960-03-11)
bassoon:
Jack Knitzer (on 1960-03-11)
brass:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1960-03-11)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1960-03-11)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1960-03-11)
flute:
Albert Block (US jazz flute/saxaphone) (on 1960-03-11) and Harold Feldman (woodwind player) (on 1960-03-11)
French horn:
Jim Buffington (US jazz, studio and classical hornist) (on 1960-03-11), Joe Singer (on 1960-03-11) and Tony Miranda (US French hornist) (on 1960-03-11)
harp:
Janet Putnam (harpist) (on 1960-03-11)
oboe:
Romeo Penque (on 1960-03-11)
percussion:
Elvin Jones (jazz drummer) (on 1960-03-11) and José Mangual (on 1960-03-11)
trombone:
Dick Hixson (trombonist) (on 1960-03-11) and Frank Rehak (US jazz trombonist) (on 1960-03-11)
trumpet:
Johnny Coles (US jazz trumpeter) (on 1960-03-11), Bernie Glow (on 1960-03-11) and Ernie Royal (on 1960-03-11)
tuba:
Bill Barber (Jazz tuba player) (on 1960-03-11)
conductor:
Gil Evans (on 1960-03-11)
arranger:
Gil Evans
recorded at:
Columbia Studios in New York, New York, United States (on 1960-03-11)
instrumental recording of:
El amor brujo: X. Canción del fuego fatuo (on 1960-03-11)
lyricist:
Gregorio Martínez Sierra
composer:
Manuel de Falla (Spanish composer)
part of:
El amor brujo (for symphony orchestra)
23:49
7The Pan Piper
recording of:
The Pan Piper
composer:
Gil Evans
3:53
8Pfrancing
double bass [bass]:
Paul Chambers (US jazz bassist) (in 1961-03)
drums (drum set):
Jimmy Cobb (US jazz drummer) (in 1961-03)
piano:
Wynton Kelly (in 1961-03)
tenor saxophone:
Hank Mobley (US jazz tenor saxophonist) (in 1961-03)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (in 1961-03)
recording of:
Pfrancing
8:33
9Blue In Green
engineer:
Fred Plaut
producer:
Irving Townsend
double bass:
Paul Chambers (US jazz bassist) (on 1959-03-02)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-03-02)
piano:
Bill Evans (pianist) (on 1959-03-02)
tenor saxophone:
John Coltrane (on 1959-03-02)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1959-03-02)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1959-03-02)
remix of:
Blue in Green (stereo) by Miles Davis (jazz trumpeter, bandleader, songwriter)
recording of:
Blue in Green (on 1959-03-02)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter) and Bill Evans (pianist)
publisher:
Jazz Horn Music, Musical Frontiers Pub. Co. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
3.45:36
10Drad Dog
bass:
Paul Chambers (US jazz bassist)
drums (drum set):
Jimmy Cobb (US jazz drummer)
piano:
Wynton Kelly
tenor saxophone:
Hank Mobley (US jazz tenor saxophonist)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter)
recording of:
Drad‐Dog
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
4:51
2▼CD
#TitleRatingLength
1Summertime
alto saxophone:
Cannonball Adderley (on 1958-08-18)
bass:
Paul Chambers (US jazz bassist) (on 1958-08-18)
bass clarinet:
Danny Bank (reeds) (on 1958-08-18)
bass trombone:
Dick Hixson (trombonist) (on 1958-08-18)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-08-18)
flugelhorn:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-08-18)
flute:
Romeo Penque (on 1958-08-18) and Jerome Richardson (on 1958-08-18)
French horn:
Willie Ruff (on 1958-08-18), Gunther Schuller (US horn player, conductor, composer) (on 1958-08-18) and Julius Watkins (on 1958-08-18)
trombone:
Joe Bennett (trombonist) (on 1958-08-18), Jimmy Cleveland (US jazz trombonist) (on 1958-08-18) and Frank Rehak (US jazz trombonist) (on 1958-08-18)
trumpet:
Johnny Coles (US jazz trumpeter) (on 1958-08-18), Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-08-18), Bernie Glow (on 1958-08-18), Louis Mucci (trumpetist) (on 1958-08-18) and Ernie Royal (on 1958-08-18)
tuba:
Bill Barber (Jazz tuba player) (on 1958-08-18)
conductor:
Gil Evans (on 1958-08-18)
arranger:
Gil Evans
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-08-18)
instrumental cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (on 1958-08-18)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
53:21
2All Blues
recorded in:
New York, New York, United States (on 1959-04-22)
engineer:
Fred Plaut (on 1959-04-22)
producer:
Irving Townsend
alto saxophone:
Cannonball Adderley (on 1959-04-22)
double bass:
Paul Chambers (US jazz bassist) (on 1959-04-22)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-04-22)
piano:
Bill Evans (pianist) (on 1959-04-22)
tenor saxophone:
John Coltrane (on 1959-04-22)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1959-04-22)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1959-04-22)
recording of:
All Blues (on 1959-04-22)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Jazz Horn Music Corporation
4.4511:35
3Stella By Starlight
cover recording of:
Stella by Starlight
lyricist:
Ned Washington (in 1946)
writer:
Ned Washington and Victor Young (American composer, arranger, violinist & conductor)
composer:
Victor Young (American composer, arranger, violinist & conductor) (in 1944)
publisher:
BMG Music Publishing Ltd. and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
part of:
The Real Book (compilation of jazz standards, Volume I)
44:43
4Fran Dance
recording of:
Fran‐Dance
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
is based on:
Put Your Little Foot Right Out
5:50
5My Man's Gone Now
alto saxophone:
Cannonball Adderley (from 1958-07-22 until 1958-08-18)
bass:
Paul Chambers (US jazz bassist) (from 1958-07-22 until 1958-08-18)
bass clarinet:
Danny Bank (reeds) (from 1958-07-22 until 1958-08-18)
bass trombone:
Dick Hixson (trombonist) (from 1958-07-22 until 1958-08-18) and Dick Nixon (from 1958-07-22 until 1958-08-18)
drums (drum set):
Philly Joe Jones (US jazz drummer) (from 1958-07-22 until 1958-08-18)
flugelhorn:
Miles Davis (jazz trumpeter, bandleader, songwriter) (from 1958-07-22 until 1958-08-18)
flute:
Phil Bodner (Woodwind player) (from 1958-07-22 until 1958-08-18) and Romeo Penque (from 1958-07-22 until 1958-08-18)
French horn:
Willie Ruff (from 1958-07-22 until 1958-08-18), Gunther Schuller (US horn player, conductor, composer) (from 1958-07-22 until 1958-08-18) and Julius Watkins (from 1958-07-22 until 1958-08-18)
trombone:
Joe Bennett (trombonist) (from 1958-07-22 until 1958-08-18), Jimmy Cleveland (US jazz trombonist) (from 1958-07-22 until 1958-08-18) and Frank Rehak (US jazz trombonist) (from 1958-07-22 until 1958-08-18)
trumpet:
Johnny Coles (US jazz trumpeter) (from 1958-07-22 until 1958-08-18), Miles Davis (jazz trumpeter, bandleader, songwriter) (from 1958-07-22 until 1958-08-18), Bernie Glow (from 1958-07-22 until 1958-08-18), Louis Mucci (trumpetist) (from 1958-07-22 until 1958-08-18) and Ernie Royal (from 1958-07-22 until 1958-08-18)
tuba:
Bill Barber (Jazz tuba player) (from 1958-07-22 until 1958-08-18)
conductor:
Gil Evans (from 1958-07-22 until 1958-08-18)
arranger:
Gil Evans
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1958-07-22 until 1958-08-18)
remasters:
My Man’s Gone Now by Miles Davis (jazz trumpeter, bandleader, songwriter)
instrumental cover recording of:
My Man’s Gone Now (aria from Porgy and Bess, use this for non-opera or instrumental recordings) (from 1958-07-22 until 1958-08-18)
lyricist:
Ira Gershwin, Dorothy Heyward (playwright) and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., Chappell Music Co., Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Chappell North America and WB Music Corp. (1929–2019) (until 2019-05-28)
version of:
Porgy and Bess: Act I, Scene II. “My Man’s Gone Now”
6:16
6It Ain't Necessarily So
alto saxophone:
Cannonball Adderley (from 1958-07-22 until 1958-08-18)
bass:
Paul Chambers (US jazz bassist) (from 1958-07-22 until 1958-08-18)
bass clarinet:
Danny Bank (reeds) (from 1958-07-22 until 1958-08-18)
bass trombone:
Dick Hixson (trombonist) (from 1958-07-22 until 1958-08-18) and Dick Nixon (from 1958-07-22 until 1958-08-18)
drums (drum set):
Jimmy Cobb (US jazz drummer) (from 1958-07-22 until 1958-08-18)
flugelhorn:
Miles Davis (jazz trumpeter, bandleader, songwriter) (from 1958-07-22 until 1958-08-18)
flute:
Phil Bodner (Woodwind player) (from 1958-07-22 until 1958-08-18) and Romeo Penque (from 1958-07-22 until 1958-08-18)
French horn:
Willie Ruff (from 1958-07-22 until 1958-08-18), Gunther Schuller (US horn player, conductor, composer) (from 1958-07-22 until 1958-08-18) and Julius Watkins (from 1958-07-22 until 1958-08-18)
trombone:
Joe Bennett (trombonist) (from 1958-07-22 until 1958-08-18), Jimmy Cleveland (US jazz trombonist) (from 1958-07-22 until 1958-08-18) and Frank Rehak (US jazz trombonist) (from 1958-07-22 until 1958-08-18)
trumpet:
Johnny Coles (US jazz trumpeter) (from 1958-07-22 until 1958-08-18), Miles Davis (jazz trumpeter, bandleader, songwriter) (from 1958-07-22 until 1958-08-18), Bernie Glow (from 1958-07-22 until 1958-08-18), Louis Mucci (trumpetist) (from 1958-07-22 until 1958-08-18) and Ernie Royal (from 1958-07-22 until 1958-08-18)
tuba:
Bill Barber (Jazz tuba player) (from 1958-07-22 until 1958-08-18)
conductor:
Gil Evans (from 1958-07-22 until 1958-08-18)
performer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
arranger:
Gil Evans
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1958-07-22 until 1958-08-18)
instrumental cover recording of:
It Ain’t Necessarily So (jazz standard originally from Porgy and Bess; catch-all for unspecified pop and jazz arrangements) (from 1958-07-22 until 1958-08-18)
lyricist:
Ira Gershwin, Dorothy Heyward (playwright) and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell Music (ASCAP), Gershwin Publishing Corp, Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
was commissioned by:
Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so”
4:25
7Sid's Ahead
alto saxophone:
Cannonball Adderley (on 1958-03-04)
double bass:
Paul Chambers (US jazz bassist) (on 1958-03-04)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-03-04)
piano and trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-03-04)
tenor saxophone:
John Coltrane (on 1958-03-04)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1958-03-04)
recording of:
Sid's Ahead (on 1958-03-04)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
313:01
8Two Bass Hit
alto saxophone:
Cannonball Adderley (on 1958-02-04)
double bass:
Paul Chambers (US jazz bassist) (on 1958-02-04)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-02-04)
piano:
Red Garland (on 1958-02-04)
tenor saxophone:
John Coltrane (on 1958-02-04)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-02-04)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1958-02-04)
recording of:
Two Bass Hit (on 1958-02-04)
composer:
Dizzy Gillespie and John Lewis (pianist, member of Modern Jazz Quartet)
5:13
9Milestones
alto saxophone:
Cannonball Adderley (on 1958-02-04)
double bass:
Paul Chambers (US jazz bassist) (on 1958-02-04)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-02-04)
piano:
Red Garland (on 1958-02-04)
tenor saxophone:
John Coltrane (on 1958-02-04)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-02-04)
recorded at:
Le Poste Parisien in Paris, Île-de-France, France (on 1957-12-04), CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-02-04) and Columbia Studios in New York, New York, United States (on 1958-02-04)
recording of:
Milestones (originally titled “Miles”) (on 1958-02-04)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Champs Élysées Nouv Société, EMI (EMI Records, or EMI Music only if there is no other imprint), Jazz Horn Music and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
5:44
10On Green Dolphin Street
producer:
Teo Macero
alto saxophone:
Cannonball Adderley (on 1958-05-26)
double bass:
Paul Chambers (US jazz bassist) (on 1958-05-26)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1958-05-26)
piano:
Bill Evans (pianist) (on 1958-05-26)
tenor saxophone:
John Coltrane (on 1958-05-26)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-05-26)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1958-05-26)
instrumental cover recording of:
On Green Dolphin Street (on 1958-05-26)
lyricist:
Ned Washington (in 1947)
composer:
Bronisław Kaper (in 1947)
publisher:
Catharine Hinen Music, Leo Feist, Inc. and Patti Washington Music
recording of:
On Green Dolphin Street
lyricist:
Ned Washington (in 1947)
composer:
Bronisław Kaper (in 1947)
publisher:
Catharine Hinen Music, Leo Feist, Inc. and Patti Washington Music
3.559:49
3▼CD
#TitleRatingLength
1Love For Sale
producer:
Teo Macero
alto saxophone:
Cannonball Adderley (on 1958-05-26)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1958-05-26)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1958-05-26)
piano:
Bill Evans (pianist) (on 1958-05-26)
tenor saxophone:
John Coltrane (on 1958-05-26)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-05-26)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1958-05-26)
instrumental cover recording of:
Love for Sale (on 1958-05-26)
lyricist and composer:
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. and Warner Bros., Inc. (not for release label use!)
2.4511:46
2The Duke
alto saxophone:
Lee Konitz (jazz saxophonist) (on 1957-05-06)
bass clarinet:
Danny Banks (on 1957-05-06)
bass trombone:
Tom Mitchell (US jazz trombonist) (on 1957-05-06)
clarinet and flute:
Sid Cooper (flute & clarinet player) (on 1957-05-06) and Romeo Penque (on 1957-05-06)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1957-05-06)
drums (drum set):
Art Taylor (on 1957-05-06)
flugelhorn:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1957-05-06)
French horn:
Willie Ruff (on 1957-05-06)
trombone:
Joe Bennett (trombonist) (on 1957-05-06), Jimmy Cleveland (US jazz trombonist) (on 1957-05-06) and Frank Rehak (US jazz trombonist) (on 1957-05-06)
trumpet:
John Carisi (trumpeter / composer) (on 1957-05-06), Bernie Glow (on 1957-05-06), Taft Jordan (on 1957-05-06), Louis R. Mucci (trumpetist) (on 1957-05-06) and Ernie Royal (on 1957-05-06)
tuba:
Bill Barber (Jazz tuba player) (on 1957-05-06)
recorded at:
Columbia Studios in New York, New York, United States (on 1957-05-06)
recording of:
The Duke (on 1957-05-06)
composer:
Dave Brubeck
dedicated to:
Duke Ellington (US composer, pianist & jazz bandleader)
publisher:
Derry Music Company
cover recording of:
The Duke
composer:
Dave Brubeck
dedicated to:
Duke Ellington (US composer, pianist & jazz bandleader)
publisher:
Derry Music Company
3:35
3My Ship
alto saxophone:
Lee Konitz (jazz saxophonist) (on 1957-05-10)
bass clarinet:
Danny Banks (on 1957-05-10)
bass trombone:
Tom Mitchell (US jazz trombonist) (on 1957-05-10)
clarinet and flute:
Sid Cooper (flute & clarinet player) (on 1957-05-10) and Romeo Penque (on 1957-05-10)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1957-05-10)
drums (drum set):
Art Taylor (on 1957-05-10)
flugelhorn:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1957-05-10)
French horn:
Willie Ruff (on 1957-05-10)
trombone:
Joe Bennett (trombonist) (on 1957-05-10), Jimmy Cleveland (US jazz trombonist) (on 1957-05-10) and Frank Rehak (US jazz trombonist) (on 1957-05-10)
trumpet:
John Carisi (trumpeter / composer) (on 1957-05-10), Bernie Glow (on 1957-05-10), Taft Jordan (on 1957-05-10), Louis R. Mucci (trumpetist) (on 1957-05-10) and Ernie Royal (on 1957-05-10)
tuba:
Bill Barber (Jazz tuba player) (on 1957-05-10)
recorded at:
Columbia Studios in New York, New York, United States (on 1957-05-10)
recording of:
My Ship (from "Lady in the Dark”; catch-all for versions outside the theatrical context)
lyricist:
Ira Gershwin
composer:
Kurt Weill (composer)
version of:
Lady in the Dark: My Ship
54:29
4Dear Old Stockholm
recording engineer:
Ray Moore (engineer, 1957–1995) (on 1956-06-05)
producer:
George Avakian (US 1940-90s record producer)
double bass:
Paul Chambers (US jazz bassist) (on 1956-06-05)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1956-06-05)
piano:
Red Garland (on 1956-06-05)
tenor saxophone:
John Coltrane (on 1956-06-05)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1956-06-05)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1956-06-05) and Columbia 799 Seventh Avenue Studio in Manhattan, New York, New York, United States (on 1956-06-05)
cover recording of:
Dear Old Stockholm (on 1956-06-05)
writer:
[traditional] (special purpose artist)
arranger:
Stan Getz
version of:
Ack, Värmeland, du sköna (Fryxell version)
47:51
5Tadd's Delight
engineer:
Ray Moore (engineer, 1957–1995)
producer:
George Avakian (US 1940-90s record producer)
double bass:
Paul Chambers (US jazz bassist) (on 1956-06-05)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1956-06-05)
piano:
Red Garland (on 1956-06-05)
tenor saxophone:
John Coltrane (on 1956-06-05)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1956-06-05)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1956-06-05) and Columbia 799 Seventh Avenue Studio in Manhattan, New York, New York, United States (on 1956-06-05)
recording of:
Tadd's Delight (on 1956-06-05)
composer:
Tadd Dameron
arranger:
Joe Lovano (American jazz artist)
publisher:
Carbaby Music Company
3.54:28
6The Theme
alto saxophone:
Cannonball Adderley (on 1958-07-03)
double bass:
Paul Chambers (US jazz bassist) (on 1958-07-03)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1958-07-03)
piano:
Bill Evans (pianist) (on 1958-07-03)
tenor saxophone:
John Coltrane (on 1958-07-03)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-07-03)
recorded at:
Newport Jazz Festival 1958, Day 1 (1958-07-03)
live recording of:
The Theme (on 1958-07-03)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
2:46
7Ah-Leu-Cha
recording of:
Ah-Leu-Cha
composer:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
5:51
8Buzzard Song
remaster of:
The Buzzard Song by Miles Davis (jazz trumpeter, bandleader, songwriter)
instrumental cover recording of:
Porgy and Bess: Act II, Scene I. “Buzzard keep on flyin’”
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer) (from 1934 until 1935)
part of:
Porgy and Bess: Act II, Scene I
4:09
9Bess, You Is My Woman Now
alto saxophone:
Cannonball Adderley (on 1958-07-29)
bass:
Paul Chambers (US jazz bassist) (on 1958-07-29)
bass clarinet:
Danny Bank (reeds) (on 1958-07-29)
bass trombone:
Dick Hixson (trombonist) (on 1958-07-29) and Dick Nixon (on 1958-07-29)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1958-07-29)
flugelhorn and trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-07-29)
flute:
Phil Bodner (Woodwind player) (on 1958-07-29) and Romeo Penque (on 1958-07-29)
French horn:
Willie Ruff (on 1958-07-29), Gunther Schuller (US horn player, conductor, composer) (on 1958-07-29) and Julius Watkins (on 1958-07-29)
trombone:
Joe Bennett (trombonist) (on 1958-07-29), Jimmy Cleveland (US jazz trombonist) (on 1958-07-29) and Frank Rehak (US jazz trombonist) (on 1958-07-29)
trumpet:
Johnny Coles (US jazz trumpeter) (on 1958-07-29), Bernie Glow (on 1958-07-29), Louis Mucci (trumpetist) (on 1958-07-29) and Ernie Royal (on 1958-07-29)
tuba:
Bill Barber (Jazz tuba player) (on 1958-07-29)
conductor:
Gil Evans (on 1958-07-29)
arranger:
Gil Evans
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-07-29)
instrumental cover recording of:
Bess, You Is My Woman Now (Porgy and Bess; use this for non-operatic performances) (on 1958-07-29)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., Inc. (USA) and Gershwin Publishing Corp
is based on:
Porgy and Bess: Act II, Scene I. “Bess, You Is My Woman Now”
5:11
10Straight, No Chaser
alto saxophone:
Cannonball Adderley (on 1958-02-04)
double bass:
Paul Chambers (US jazz bassist) (on 1958-02-04)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-02-04)
piano:
Red Garland (on 1958-02-04)
tenor saxophone:
John Coltrane (on 1958-02-04)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-02-04)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1958-02-04)
recording of:
Straight, No Chaser (on 1958-02-04)
composer:
Thelonious Monk
publisher:
Thelonious Music
cover recording of:
Straight, No Chaser
composer:
Thelonious Monk
publisher:
Thelonious Music
10:37

Credits

Release group

part of:The Real… The Ultimate Collection (Sony Music / Columbia / RCA Victor compilations) (order: 1)