The Rock Box: 54 Classic Rock Anthems

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Annotazione

Disc ID T.ba_2eHUogx5PtxuiaUEU36moQ- is copy protected.

Annotazione modificata l'ultima volta il 2011-01-05 13:03 UTC.

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1▼CD
#TitoloArtistaValutazioneDurata
1Smoke on the Water
registrata a:
Montreux, Vaud (Canton Vaud), Svizzera (nel 1971-12)
assistente tecnico:
Jeremy Gee
tecnico:
Martin Birch
produttore:
Deep Purple
basso elettrico :
Roger Glover (nel 1971-12)
batteria :
Ian Paice (nel 1971-12)
chitarra elettrica :
Ritchie Blackmore (nel 1971-12)
organo Hammond :
Jon Lord (nel 1971-12)
voce principale:
Ian Gillan (nel 1971-12)
registrata presso:
Rolling Stones Mobile Studio in Regno Unito (nel 1971-12)
registrazione di:
Smoke on the Water (nel 1971-12)
autore:
Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord e Ian Paice
editore:
B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Publishing (do not use as a release label!), HEC Music e Henrees Music co.
sub-editore:
EMI Music Publishing France, EMI Music Publishing Scandinavia AB, EMI Music Publishing Japan C.F. division (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Deep Purple3.953:48
2Wheels of Steel
registrazione di:
Wheels of Steel
autore:
Biff Byford, Steve Dawson (UK bassist for Saxon), Pete Gill, Graham Oliver (blues rock, hard rock, UK) e Paul Quinn (Saxon guitarist)
Saxon4:28
3Doctor Doctor
registrazione di:
Doctor Doctor
autore:
Phil Mogg e Michael Schenker
UFO42:46
4Out in the Fields
tecnico:
James (Jimbo) Barton (Australian/US producer/engineer, fl. 1990’s–2020’s)
produttore:
Peter Collins (producer)
assistente tecnico di missaggio:
James “Jimbo” Barton (Australian/US producer/engineer, fl. 1990’s–2020’s)
batteria [drums] ospite :
Charlie Morgan (British drummer and percussionist)
chitarra [guitars] e voce principale:
Gary Moore (Thin Lizzy, blues guitar)
chitarra basso [bass] ospite e voce ospite:
Philip Lynott
tastiera [keyboards] ospite :
Don Airey e Andy Richards (Strawbs keyboard player/record producer)
diritti fonografici (℗) detenuti da:
10 Records Ltd. (company and copyright holder for 10 Records) (nel 1985) e Virgin Records Ltd. (not for release label use! for company relationships only) (nel 2002)
prodotta presso:
Sarm East (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Regno Unito
registrazione di:
Out in the Fields
paroliere e compositore:
Gary Moore (Thin Lizzy, blues guitar)
Gary Moore & Phil Lynott3.34:18
5Dirty Love
registrazione di:
Dirty Love
paroliere e compositore:
Luke Morley
Thunder4:20
6Your Mama Don't Dance
tecnico:
Duane Baron
produttore:
Tom Werman
tecnico di missaggio:
Duane Baron, John Purdell e Tom Werman
batteria :
Rikki Rockett
chitarra :
C.C. DeVille
chitarra basso :
Bobby Dall
voce principale:
Bret Michaels
esecutore:
Poison (US glam metal band)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1996)
registrazione cover di:
Your Mama Don’t Dance
autore:
Kenny Loggins e Jim Messina
editore:
Almo Music Corp. (USA, affiliated with ASCAP), Jasperilla Music Co., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), Universal Music Corp. (USA, affiliated with ASCAP) e Universal Music Publishing (use ONLY if no country‐specific information is available)
registrazione di:
Your Mama Don’t Dance
autore:
Kenny Loggins e Jim Messina
editore:
Almo Music Corp. (USA, affiliated with ASCAP), Jasperilla Music Co., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), Universal Music Corp. (USA, affiliated with ASCAP) e Universal Music Publishing (use ONLY if no country‐specific information is available)
Poison43:02
7Headless Cross
registrazione di:
Headless Cross
autore:
Tony Iommi, Tony Martin (ex-Black Sabbath vocalist) e Cozy Powell
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner/Chappell (Warner/Chappell Music, Inc.) e Warner/Chappell Artemis Music
Black Sabbath6:14
8Armed and Ready
Michael Schenker Group4:05
9This Planet's on Fire (Bun in Hell)
Sammy Hagar4:35
10Eyes on a Stranger
registrazione di:
Eyes of a Stranger
autore:
Chris DeGarmo e Geoff Tate
editore:
Queensrÿche Publishing Company e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Queensrÿche5:32
11I Like to Rock
April Wine4:18
12Whole Lotta Love
produttore:
Mickie Most (English record producer)
arrangiatore:
John Cameron (British composer, arranger and conductor)
registrazione strumentale cover di:
Whole Lotta Love
paroliere aggiunto:
Willie Dixon
autore:
John Bonham, John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures), Jimmy Page e Robert Plant (of Led Zeppelin)
editore:
Flames of Albion Music, Inc., Succubus Music Ltd., Superhype Music, Inc., Superhype Publishing, Inc. e WB Music Corp. (1929–2019)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
si basa su:
You Need Love
registrazione cover di:
Whole Lotta Love
paroliere aggiunto:
Willie Dixon
autore:
John Bonham, John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures), Jimmy Page e Robert Plant (of Led Zeppelin)
editore:
Flames of Albion Music, Inc., Succubus Music Ltd., Superhype Music, Inc., Superhype Publishing, Inc. e WB Music Corp. (1929–2019)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
si basa su:
You Need Love
registrazione di:
Whole Lotta Love
paroliere aggiunto:
Willie Dixon
autore:
John Bonham, John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures), Jimmy Page e Robert Plant (of Led Zeppelin)
editore:
Flames of Albion Music, Inc., Succubus Music Ltd., Superhype Music, Inc., Superhype Publishing, Inc. e WB Music Corp. (1929–2019)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
si basa su:
You Need Love
CCS53:33
13Bad to the Bone
tecnico:
Paul Mufson e John Nagy
assistente produttore:
Ken Irwin e John Nagy
produttore:
Terry Manning (US recording engineer) e The Delaware Destroyers (George Thorogood & the Destroyers)
tecnico di missaggio:
Ken Irwin, Paul Mufson, John Nagy, George Thorogood e Terry Manning (US recording engineer) (nel 1992)
basso :
Bill Blough (dal 1981 al 1982)
batteria :
Jeff Simon (dal 1981 al 1982)
chitarra e voce principale:
George Thorogood (dal 1981 al 1982)
pianoforte :
Ian Stewart (piano/keyboard, Rolling Stones member)
sassofono :
Hank Carter (Hank "Hurricane" Carter) (dal 1981 al 1982)
tastiera :
Ian Stewart (piano/keyboard, Rolling Stones member) (dal 1981 al 1982)
diritti fonografici (℗) detenuti da:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1989)
registrata presso:
Dimension Sound in Jamaica Plain, Boston, Massachusetts, Stati Uniti (dal 1981 al 1982)
mixata presso:
The Mixing Lab in Newton, Massachusetts, Stati Uniti
registrazione di:
Bad to the Bone (dal 1981 al 1982)
paroliere e compositore:
George Thorogood
editore:
Del Sound Music
George Thorogood4.354:57
14Milk and Alcohol
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1978)
registrazione di:
Milk and Alcohol (nel 1978-09)
autore:
Nick Lowe (UK singer/songwriter/instrumentalist/producer) e Gypie Mayo
editore:
Plangent Visions Music Ltd. e Rock Music Co., Ltd.
Dr. Feelgood4.252:48
15Motor Bikin'
tecnico:
Douglas Hopkins (engineer)
produttore:
Mickie Most (English record producer)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1975)
registrazione di:
Motor Bikin’
paroliere e compositore:
Chris Spedding
Chris Spedding3.352:38
16Silver Machine
produttore:
Doctor Technichal (UK guitarist/synthesizer singer/songwriter, member of Hawkwind) e Hawkwind
batteria :
Simon King (drummer) (il 1972-02-13)
chitarra :
Dave Brock (UK guitarist/synthesizer singer/songwriter, member of Hawkwind) (il 1972-02-13)
chitarra aggiunto e chitarra basso aggiunto:
Guy Pratt (il 1972-02-13)
chitarra basso e voce principale:
Lemmy Kilmister (“Lemmy” from Motörhead) (il 1972-02-13)
flauto e sassofono :
Nik Turner (il 1972-02-13)
sintetizzatore :
Dik Mik Davies (il 1972-02-13) e Del Dettmar (il 1972-02-13)
voce:
Dave Brock (UK guitarist/synthesizer singer/songwriter, member of Hawkwind) (il 1972-02-13), Robert Calvert (il 1972-02-13) e Nik Turner (il 1972-02-13)
remixer:
The Scourge of the Earth
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1972)
registrata presso:
Roundhouse in Camden Town, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito (il 1972-02-13)
mixata presso:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito
edit di:
Silver Machine (12″ mix) di Hawkwind infected by The Scourge of the Earth
registrazione dal vivo di:
Silver Machine (il 1972-02-13)
paroliere:
Robert Calvert
compositore:
Sylvia MacManus (UK guitarist/synthesizer singer/songwriter, member of Hawkwind)
editore:
EMI United Partnership Ltd. e United Partnership Ltd.
Hawkwind3.654:40
17Let's Work Together
registrazione cover di:
Let’s Work Together
paroliere:
Wilbert Harrison
editore:
EMI Catalogue Partnership, EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI United Partnership Ltd., Mozella Music Inc., SBK United Partnership Ltd., United Artists Music Co., Inc. e United Artists Musik GmbH
Canned Heat2:48
1810538 Overture
produttore:
Jeff Lynne
arrangiatore:
Jeff Lynne
registrazione di:
10538 Overture
paroliere e compositore:
Jeff Lynne
editore:
EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs Ltd., EMI U Catalog Inc. (publisher; do NOT use as release label), Jet Music Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Electric Light Orchestra5:49
2▼CD
#TitoloArtistaValutazioneDurata
1All Fired Up
assistente tecnico:
Clif Norrell
tecnico:
Paul Lini
produttore:
Keith Forsey (drummer, producer and songwriter) e Neil Giraldo
assistente tecnico di missaggio:
Tim Leitner
tecnico di missaggio:
Chris Lord‐Alge
batteria :
Myron Grombacher
chitarra :
Neil Giraldo
chitarra basso :
Fernando Saunders
percussione :
Bo Castro
voce principale:
Pat Benatar
registrata presso:
Ocean Way Recording in Hollywood, Los Angeles, California, Stati Uniti
mixata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti
registrazione cover di:
All Fired Up
paroliere e compositore:
Kerryn Tolhurst (Australian musician)
editore:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
Pat Benatar54:29
2Rooms on Fire
registrazione di:
Rooms on Fire
autore:
Stevie Nicks e Rick Nowels
editore:
EMI Music Ltd., EMI Virgin Music Ltd. (do not use this as a release label!), Screen Gems–EMI Music Ltd., Sony Music Publishing (worldwide except Japan, ended 1995), Sony Music Publishing Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) e Welsh Witch Music (BMI affiliated)
Stevie Nicks4:21
3All I Need Is a Miracle
registrazione di:
All I Need Is a Miracle
autore:
Christopher Neil e Mike Rutherford
editore:
63 Songs Limited, Chappell & Co., Inc. (USA), Michael Rutherford Limited e Pun Music, Inc.
Mike & the Mechanics5:30
4Sanctify Yourself
produttore:
Bob Clearmountain e Jimmy Iovine
registrazione di:
Sanctify Yourself
autore:
Charlie Burchill, Jim Kerr (of Simple Minds) e Michael MacNeil
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing e EMI Publishing Ltd.
Simple Minds43:55
5Road to Nowhere
edit di:
Road to Nowhere di Talking Heads
registrazione di:
Road to Nowhere
paroliere e compositore:
David Byrne (Talking Heads)
editore:
Bleu Disque Music Co. (publisher), Index Music, Inc., Warner Bros. Music Co., Ltd. e Warner Bros. Music Corp.
Talking Heads44:02
6Some Like It Hot
registrazione di:
Some Like It Hot
autore:
Robert Palmer (English singer‐songwriter), Andy Taylor (of Duran Duran) e John Taylor (UK bassist for Duran Duran)
editore:
Bungalow Music, EMI Songs, Polygram Music e Tritec Music Ltd. (publisher and copyrights holder)
The Power Station4:50
7Rush Hour
produttore:
Stephen Hague
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1988)
registrazione di:
Rush Hour
autore:
Peter Rafelson e Jane Wiedlin
editore:
BMG Music Publishing Ltd., Palan Music Publishing Ltd. e Universal Music–MGB Songs
Jane Wiedlin4:04
8Missing You
assistente tecnico:
Ken Stiger (engineer)
tecnico:
Gary Hellman
produttore:
Gary Gersh, David Thoener e John Waite
tecnico di missaggio e editor:
John Luongo
diritti fonografici (℗) detenuti da:
Capitol Records (imprint of Capitol Records, Inc.) (nel 1984), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1984), EMI America Records (holding – file NO releases here!) (nel 1984) e EMI–Manhattan Records (company credits only; do NOT use as release label) (nel 1984)
registrazione di:
Missing You
paroliere:
John Waite
compositore:
Mark Leonard, Chas Sandford e John Waite
editore:
Alley Music Corp., Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Everpop Songs, Markmeem Music (publisher), Paperwaite Music (publisher) (, nel 1984), Quartet Music Inc., Sony Music Publishing (worldwide except Japan, ended 1995), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (fino al 2019-05-28), Fallwater Music (nel 1984), Markeem Music (publisher) (nel 1984), The Hudson Bay Music Co. (publisher) (nel 1984) e WC Music Corp. (dal 2019-05-28 a oggi)
John Waite54:01
9When You Walk in the Room
produttore:
Christopher Neil
diritti fonografici (℗) detenuti da:
BMG Ariola München GmbH (nel 1987) e Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1987)
registrazione cover di:
When You Walk in the Room
paroliere e compositore:
Jackie DeShannon
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Unart Catalog Inc., EMI United Partnership Ltd., Metric Music Company (publisher), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), SBK Songs (publisher) (nel 1987) e United Partnership Ltd. (nel 1987)
Paul Carrack2.653:29
10The Power of Love
tecnico di registrazione:
Jim Gaines e Robert Missbach
assistente tecnico:
Rob Beaton, Alex Haas (Trance remixer/producer. Member of Cypher 7), Tom Size (US audio engineer) e Jim “Watts” Vereecke
tecnico aggiunto:
Michael Christopher (engineer), Phil Kaffel e Malcolm Pollack
produttore:
Bob Clearmountain, Jellybean (US producer John Benitez) e Huey Lewis and the News (American pop rock band)
tecnico di missaggio:
Robert Missbach
armonica (a bocca) :
Huey Lewis
batteria e percussione :
Bill Gibson (US drummer for Huey Lews & the News)
chitarra :
Johnny Colla (US sax & guitarist for Huey Lewis & the News) e Chris Hayes (US rock guitarist & singer (Huey Lewis & The News))
chitarra basso :
Mario Cipollina
sassofono :
Johnny Colla (US sax & guitarist for Huey Lewis & the News)
tastiera :
Sean Hopper (US Keyboardist for Huey Lewis & the News)
voce:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Bill Gibson (US drummer for Huey Lews & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)), Sean Hopper (US Keyboardist for Huey Lewis & the News) e Huey Lewis
diritti fonografici (℗) detenuti da:
Chrysalis Records, Inc. (not for release label use!) (nel 1984, nel 1985) e Chrysalis (nel 1985)
registrata presso:
Fantasy Studios (Berkeley) in Berkeley, California, Stati Uniti, Studio D Recording in Sausalito, California, Stati Uniti e The Plant Studios (1981–2008) in Sausalito, California, Stati Uniti
mixata presso:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti
video musicali:
The Power of Love (full length) di Huey Lewis and the News (American pop rock band)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 108)
registrazione di:
The Power of Love (Back to the Future)
autore:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)) e Huey Lewis
editore:
Cause and Effect Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Huey Lewis Music, Hulex Music (publisher), Kinda Blue Music, Mushroom Music (Mushroom label’s publishing company) e WB Music Corp. (1929–2019)
sub-editore:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
parte di:
The 58th Academy Award for Best Original Song (numero: 2)
parte di:
Back to the Future: the Musical
Huey Lewis & the News43:52
11Simply Irresistible
tecnico:
Tim Kramer (engineer)
produttore:
Robert Palmer (English singer‐songwriter)
tecnico di missaggio:
Eric "E.T." Thorngren
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1988)
registrazione di:
Simply Irresistible
paroliere e compositore:
Robert Palmer (English singer‐songwriter)
editore:
Heavy Nova Music
Robert Palmer3.64:13
12Call Me
tecnico:
Harold Faltermeyer
produttore:
Giorgio Moroder
batteria [drums] :
Clem Burke (nel 1980-01)
chitarra :
Frank Infante (nel 1980-01) e Chris Stein (nel 1980-01)
chitarra basso [bass] :
Nigel Harrison (nel 1980-01)
pianoforte elettrico :
Jimmy Destri (nel 1980-01)
sintetizzatore aggiunto:
Giorgio Moroder (nel 1980-01)
voce principale:
Debbie Harry (nel 1980-01)
diritti fonografici (℗) detenuti da:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1980, nel 1981), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1980), Chrysalis Records, Inc. (not for release label use!) (nel 1980, nel 2002), Capitol Records (imprint of Capitol Records, Inc.) (nel 1998), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1998) e Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 2002)
registrata presso:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, Stati Uniti (nel 1979) e The Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti (nel 1980-01)
mixata presso:
Allen Zentz Mastering in San Clemente, California, Stati Uniti
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 64), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 78) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 157)
registrazione di:
Call Me (nel 1980-01)
paroliere:
Deborah Harry
compositore:
Giorgio Moroder
editore:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Chappell, Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd., Rare Blue Music, inc., Sony/ATV Melody e Sony/ATV Music Publishing Australia Pty Ltd.
sub-editore:
Mushroom Music Pty. Ltd., Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing Australia Pty Ltd., フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31) e Fujipacific Music, Inc. (dal 2015-01-01 a oggi)
Blondie4.23:30
13Rebel Yell
registrazione di:
Rebel Yell
paroliere e compositore:
Billy Idol (English rock singer‐songwriter) e Steve Stevens (US guitarist and songwriter)
editore:
BMG Monarch, Boneidol Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Holdings GmbH (DE subsidiary of Chrysalis Group PLC), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint), Neue Welt Musikverlag GmbH & Co. KG (– 2017), Rare Blue Music, Rare Blue Music Inc, Rock Steady Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Canada Ltd., WB Music Corp. (1929–2019) e WC Music Corp.
Billy Idol4:27
14Black Night
basso elettrico :
Roger Glover (nel 1970-05)
batteria :
Ian Paice (nel 1970-05)
chitarra elettrica :
Ritchie Blackmore (nel 1970-05)
organo Hammond :
Jon Lord (nel 1970-05)
voce principale:
Ian Gillan (nel 1970-05)
registrata presso:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, Regno Unito (nel 1970-05)
registrazione di:
Black Night (nel 1970-05)
autore:
Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord e Ian Paice
editore:
EMI Music Publishing (do not use as a release label!), HEC Music e Henrees Music co.
sub-editore:
EMI Music Publishing France, EMI Music Publishing Japan C.F. division (fino al 2021-06-30), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Deep Purple4.353:25
15Nutbush City Limits
produttore:
Ike Turner
voce principale:
Tina Turner
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1973), EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1973) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 2004)
registrazione di:
Nutbush City Limits
paroliere e compositore:
Tina Turner
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Catalogue Partner Scandinavia, EMI Catalogue Partnership, EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing (do not use as a release label!), EMI Partnership Musikverlag GmbH, EMI Unart Catalog Inc., EMI United Partnership Ltd., Huh-Music, Unart Music Corp., United Artists Music Ltd., Valley Spring Music e Valley Spring Music Corp.
Ike & Tina Turner3.452:58
16Daytona Demon
produttore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
registrata presso:
Audio International Studios in London (Greater London), England, Regno Unito
registrazione di:
Daytona Demon
autore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
Suzi Quatro43:58
17My Sharona
basso :
Prescott Niles (nel 1979-04)
batteria :
Bruce Gary (nel 1979-04)
chitarra [lead guitar] :
Berton Averre (nel 1979-04)
chitarra [rhythm guitar] e voce principale:
Doug Fieger (in The Knack) (nel 1979-04)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1979, nel 2002) e Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1979)
registrazione di:
My Sharona (nel 1979-04)
autore:
Berton Averre e Douglas Fieger (in The Knack)
editore:
Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eighties Music, Music Sales Corporation (American copyright holder in both popular and classical music), Small Hill Music, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing MGB Australia e Wise Brothers Music LLC
The Knack4.14:00
18A Hard Rain’s A-Gonna Fall
produttore:
Bryan Ferry, John Porter (producer and musician US and UK) e John Punter
diritti fonografici (℗) detenuti da:
E.G. Records Ltd. (company credits only; do NOT use as release label) (nel 1973) e Virgin EG Records Ltd. (nel 1973)
registrazione cover di:
Hard Rain’s A‐Gonna Fall
paroliere e compositore:
Bob Dylan (nel 1962-10)
editore:
Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Bros., Inc. (not for release label use!), Warner/Chappell (Warner/Chappell Music, Inc.) (dal 1963 al 1991) e Special Rider Music (dal 1991 a oggi)
Bryan Ferry44:16
3▼CD
#TitoloArtistaValutazioneDurata
1Love Walked In
tecnico di registrazione e tecnico di missaggio:
Mike Fraser (Canadian record producer, engineer and mixer)
produttore:
Andy Taylor (of Duran Duran)
batteria :
Gary 'Harry' James (drummer)
chitarra :
Ben Matthews (UK guitarist/keyboards for Thunder) e Luke Morley
chitarra basso :
Mark "Snake" Luckhurst
voce principale:
Danny Bowes
registrazione di:
Love Walked In
paroliere e compositore:
Luke Morley
editore:
Rondor Music (London) Ltd.
Thunder3.56:24
2Comin’ On Strong
Broken English3:36
3House of Broken Love
assistente tecnico:
Melissa Sewell
co-tecnico:
Eddie Ashworth
tecnico:
Michael Lardie
produttore:
Michael Lardie e Alan Niven
chitarra e tastiera :
Michael Lardie
chitarra [lead guitar] :
Mark Kendall
chitarra basso :
Tony Montana (US metal bassist for Great White)
membranofono :
Audie Desbrow
voce principale:
Jack Russell (original singer for Great White)
registrata presso:
Total Access Recording in Redondo Beach, California, Stati Uniti
registrazione di:
House of Broken Love
compositore:
Michael Lardie, Alan Niven e Jack Russell (original singer for Great White)
Great White5:59
4Speed King
tecnico:
Andy Knight (UK engineer)
produttore:
Deep Purple
basso elettrico :
Roger Glover (dal 1969-10 al 1970-04)
batteria :
Ian Paice (dal 1969-10 al 1970-04)
chitarra elettrica :
Ritchie Blackmore (dal 1969-10 al 1970-04)
organo Hammond :
Jon Lord (dal 1969-10 al 1970-04)
voce principale:
Ian Gillan (dal 1969-10 al 1970-04)
diritti fonografici (℗) detenuti da:
HEC Enterprises Ltd. (nel 1995)
registrata presso:
IBC Studios in London (Greater London), England, Regno Unito (dal 1969-10 al 1970-04)
registrazione di:
Speed King (dal 1969-10 al 1970-04)
autore:
Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord e Ian Paice
editore:
EMI Music Publishing France, HEC Music, Henrees Music co. e EMI Music Publishing Japan C.F. division (fino al 2021-06-30)
sub-editore:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
si basa su:
Ricochet
Deep Purple55:51
5New Orleans
produttore:
Steve Smith (70s producer & engineer, mainly Island Records)
basso :
John McCoy (UK rock bassist for Gillan, Mammoth, Neo, McCoy)
batteria :
Mick Underwood
chitarra :
Bernie Tormé
tastiera :
Colin Towns
voce principale:
Ian Gillan
registrazione cover di:
New Orleans
autore:
Frank Guida e Joseph Royster
editore:
Dominion Music Co. Ltd., Rockmasters, Inc. (BMI-affiliated), Wixen Music Publishing, Inc. e Wixen Music UK Ltd.
Gillan52:39
6747 (Strangers in the Night)
diritti fonografici (℗) detenuti da:
Trigon Services Limited (nel 1980)
registrazione di:
747 (Strangers in the Night)
autore:
Biff Byford, Steve Dawson (UK bassist for Saxon), Pete Gill, Graham Oliver (blues rock, hard rock, UK) e Paul Quinn (Saxon guitarist)
Saxon4.154:58
7Young Blood
registrazione di:
Young Blood
autore:
Phil Mogg e Pete Way
UFO3:02
8Empty Rooms
tecnico:
James “Jimbo” Barton (Australian/US producer/engineer, fl. 1990’s–2020’s)
assistente produttore:
James (Jimbo) Barton (Australian/US producer/engineer, fl. 1990’s–2020’s)
produttore:
Peter Collins (producer)
assistente tecnico di missaggio:
James “Jimbo” Barton (Australian/US producer/engineer, fl. 1990’s–2020’s)
campionatore [sampled drums] ospite :
James (Jimbo) Barton (Australian/US producer/engineer, fl. 1990’s–2020’s)
chitarra [guitars] e voce principale:
Gary Moore (Thin Lizzy, blues guitar)
tastiera [keyboards] ospite :
Andy Richards (Strawbs keyboard player/record producer)
voce di accompagnamento [backing vocals] ospite:
Neil Carter
remixer:
James (Jimbo) Barton (Australian/US producer/engineer, fl. 1990’s–2020’s)
diritti fonografici (℗) detenuti da:
10 Records Ltd. (company and copyright holder for 10 Records) (nel 1985)
è stato produttore per:
Peter Collins Productions
prodotta presso:
Sarm East (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Regno Unito
registrazione di:
Empty Rooms
paroliere:
Gary Moore (Thin Lizzy, blues guitar)
compositore:
Neil Carter e Gary Moore (Thin Lizzy, blues guitar)
editore:
10 Music Ltd.
Gary Moore3.754:15
92‐4‐6‐8 Motorway
produttore:
Vic Maile
basso :
Tom Robinson (British singer-songwriter, bassist and radio presenter) (il 1977-09-14)
batteria :
Dolphin Taylor (il 1977-09-14)
chitarra :
Danny Kustow (il 1977-09-14)
organo e pianoforte :
Mark Ambler (il 1977-09-14)
voce:
Tom Robinson (British singer-songwriter, bassist and radio presenter) (il 1977-09-14)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1977)
registrata presso:
Berwick Street Studios in Westminster, London (Greater London), England, Regno Unito (il 1977-09-14)
registrazione di:
2‐4‐6‐8 Motorway (il 1977-09-14)
paroliere e compositore:
Tom Robinson (British singer-songwriter, bassist and radio presenter)
editore:
Konkwest Music Limited
Tom Robinson Band43:18
10She’s a Wind Up
produttore:
Nick Lowe (UK singer/songwriter/instrumentalist/producer)
diritti fonografici (℗) detenuti da:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (nel 1977)
registrazione di:
She's a Windup
autore:
Lee Brilleaux, John Martin (of Dr. Feelgood), Gypie Mayo e John B. Sparks
Dr. Feelgood2:02
11Hanging On the Telephone
assistente tecnico:
Grey Russell e Peter Coleman (British engineer & producer)
tecnico:
Peter Coleman (British engineer & producer)
assistente produttore:
Peter Coleman (British engineer & producer)
produttore:
Mike Chapman (Australian producer and songwriter)
batteria :
Clem Burke (dal 1978-06 al 1978-07)
chitarra :
Frank Infante (dal 1978-06 al 1978-07) e Chris Stein (dal 1978-06 al 1978-07)
chitarra basso :
Nigel Harrison (dal 1978-06 al 1978-07)
tastiera :
Jimmy Destri (dal 1978-06 al 1978-07)
voce principale:
Deborah Harry (dal 1978-06 al 1978-07)
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1978, nel 2001), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1978), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1978), Chrysalis Records, Inc. (not for release label use!) (nel 1978, nel 2001) e Capitol Records (imprint of Capitol Records, Inc.) (nel 2001)
registrata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti (dal 1978-06 al 1978-07)
mixata presso:
Forum Studio (recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, Stati Uniti
registrazione cover di:
Hanging On the Telephone (dal 1978-06 al 1978-07)
paroliere e compositore:
Jack Lee (US songwriter and musician)
editore:
BMG Blue, Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint), Chrysalis Songs, EMI Music Publishing Ltd. (PRS‐affiliated), Red Admiral Music Inc. (publisher) e Rare Blue Music Inc (nel 1978)
Blondie4.32:22
12Nobody’s Hero
tecnico:
Nigel Brooke-Harte (engineer) e Laurence Burridge
produttore:
Doug Bennett (producer, engineer)
registrazione di:
Nobody's Hero
autore:
Jake Burns (Irish punk rock musician, Stiff Little Fingers frontman) e Gordon Ogilvie (Irish journalist)
Stiff Little Fingers4:09
13Something Better Change
tecnico:
Alan Winstanley (English record producer)
produttore:
Martin Rushent
registrata presso:
T.W. Studios (Clanger Winstanley's studio in Fulham) in Fulham, Hammersmith and Fulham, London (Greater London), England, Regno Unito (nel 1977-07)
registrazione di:
Something Better Change (nel 1977-07)
paroliere e compositore:
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) e Dave Greenfield
editore:
Albion Music Ltd., Complete Music Ltd. e Irving Music, Inc.
The Stranglers33:36
14Rockaway Beach (live)
registrazione dal vivo di:
Rockaway Beach
autore:
Douglas Glenn Colvin, Thomas Erdelyi (Tommy Ramone), Jeffrey Hyman e John Cummings
editore:
Bleu Disque Music Co., Inc. (publisher) e Taco Tunes Inc.
Ramones1:41
15I Don’t Mind
tecnico e tecnico di missaggio:
Doug Bennett (producer, engineer)
produttore:
Martin Rushent
diritti fonografici (℗) detenuti da:
United Artists Records Ltd. (nel 1978)
registrata presso e mixata presso:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Regno Unito
registrazione di:
I Don’t Mind
paroliere e compositore:
Pete Shelley (Buzzcocks lead singer)
autore:
Peter Shelley (British 1970s pop singer/songwriter)
Buzzcocks3.752:18
16King Rocker
produttore:
Ian Hunter (Mott the Hoople)
registrazione di:
King Rocker
autore:
Billy Idol (English rock singer‐songwriter) e Tony James (UK bassist/guitarist)
Generation X4.652:18
17No Rest
produttore:
Mark Freegard
basso :
Stuart Morrow
batteria :
Robert Heaton
chitarra :
Justin Sullivan
voce:
Justin Sullivan
registrazione di:
No Rest
autore:
Robert Heaton, Stuart Morrow e Justin Sullivan
New Model Army3:52
18Rise
produttore:
Bill Laswell (US bass guitarist and record producer) e John Lydon (Johnny Rotten of the Sex Pistols)
batteria :
Tony Williams (American jazz drummer) (nel 1985)
chitarra :
Steve Vai (nel 1985)
tastiera :
坂本龍一 (Ryūichi Sakamoto, Japanese composer, pianist, singer, songwriter) (nel 1985)
voce:
John Lydon (Johnny Rotten of the Sex Pistols) (nel 1985)
remixer:
Bob Clearmountain
registrazione di:
Rise (nel 1985)
autore:
Bill Laswell (US bass guitarist and record producer) e John Lydon (Johnny Rotten of the Sex Pistols)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Music Ltd. (do not use this as a release label!), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner/Chappell Music Ltd. (1996–2019)
Public Image Limited56:20

Accreditamenti

Pubblicazione

ASIN:UK: B0002H2LZI [info]