Mafia II

~ Release by Various Artists (see all versions of this release, 3 available)

Annotation

Tracks are not in fact in any particular order.

They are arranged here grouped by era and radio station, and then in alphabetical order.

Annotation last modified on 2010-09-02 07:23 UTC.

Tracklist

1▼Digital Media
#TitleArtistRatingLength
140s: Delta Radio: Ain’t That Just Like a Woman (They’ll Do It Every Time)
recorded in:
Los Angeles, California, United States (on 1946-01-23) and New York, New York, United States (on 1946-01-23)
producer:
Milt Gabler
alto saxophone:
Louis Jordan (US jazz, blues and r&b musician and songwriter) (on 1946-01-23)
claves:
Vic Lourie (on 1946-01-23)
double bass:
Jesse ‘Po’ Simpkins (on 1946-01-23)
drums (drum set):
Eddie Byrd (US drummer) (on 1946-01-23)
electric guitar:
Carl Hogan (on 1946-01-23)
maracas:
Harry Dial (on 1946-01-23)
piano:
Wild Bill Davis (on 1946-01-23)
tenor saxophone:
Josh Jackson (tenor saxophone player) (on 1946-01-23)
trumpet:
Aaron Izenhall (on 1946-01-23)
vocals:
Louis Jordan (US jazz, blues and r&b musician and songwriter) (on 1946-01-23)
recording of:
Ain’t That Just Like a Woman (on 1946-01-23)
writer:
Claude Demetrius and Fleecie Moore
publisher:
Cherio Music
Louis Jordan and His Tympany Five2:50
240s: Delta Radio: Caldonia
producer:
Milt Gabler
double bass [bass]:
Al Morgan (jazz double-bassist) (on 1945-01-19)
drums (drum set):
Alex 'Razz' Mitchell (1940s jazz drummer) (on 1945-01-19)
piano:
William Austin (1940s jazz pianist) (on 1945-01-19)
tenor saxophone:
Louis Jordan (US jazz, blues and r&b musician and songwriter) (on 1945-01-19) and Freddie Simon (jazz sax) (on 1945-01-19)
trumpet:
Leonard Graham (on 1945-01-19)
vocals:
Louis Jordan (US jazz, blues and r&b musician and songwriter) (on 1945-01-19)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Blues Hall of Fame: Classic of Blues Recording Single (number: 2009)
recording of:
Caldonia (What Makes Your Big Head Hard?) (on 1945-01-19)
lyricist and composer:
Louis Jordan (US jazz, blues and r&b musician and songwriter) and Fleecie Moore
publisher:
Chappell Morris Ltd., Cherio Corp. and Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) (on 1945-04-16)
Louis Jordan and His Tympany Five2:40
340s: Delta Radio: Choo Choo Ch’Boogie
recorded in:
New York, New York, United States (on 1946-01-23)
alto saxophone:
Louis Jordan (US jazz, blues and r&b musician and songwriter) (on 1946-01-23)
claves:
Vic Lourie (on 1946-01-23)
double bass:
Jesse ‘Po’ Simpkins (on 1946-01-23)
drums (drum set):
Eddie Byrd (US drummer) (on 1946-01-23)
electric guitar:
Carl Hogan (on 1946-01-23)
maracas:
Harry Dial (on 1946-01-23)
piano:
Wild Bill Davis (on 1946-01-23)
tenor saxophone:
Josh Jackson (tenor saxophone player) (on 1946-01-23)
trumpet:
Aaron Izenhall (on 1946-01-23)
vocals:
Louis Jordan (US jazz, blues and r&b musician and songwriter) (on 1946-01-23)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1946)
recording of:
Choo Choo Ch’Boogie (on 1946-01-23)
writer:
Denver Darling, Milt Gabler and Vaughn Horton
publisher:
Rytvoc (ASCAP) and Warner/Chappell (Warner/Chappell Music, Inc.)
Louis Jordan and His Tympany Five52:41
440s: Delta Radio: Did You Ever Love a Woman
recording of:
Did You Ever Love a Woman
composer:
Arnold Dwight Moore (Arnold Dwight Moore)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Arnold “Gatemouth” Moore2:47
540s: Delta Radio: Everybody Eats When They Come to My House
recording of:
Everybody Eats When They Come to My House (on 1947-12-11)
writer:
Jeanne Burns
Cab Calloway and His Orchestra42:44
640s: Delta Radio: Friendship
recording of:
Friendship
writer:
Claude Demetrius and Louis Jordan (US jazz, blues and r&b musician and songwriter)
Louis Jordan and His Tympany Five42:20
740s: Delta Radio: Gangster’s Blues
Peetie Wheatstraw2:44
840s: Delta Radio: G.I. Jive
alto saxophone, saxophone, tenor saxophone and lead vocals:
Louis Jordan (US jazz, blues and r&b musician and songwriter) (on 1944-03-15)
bass:
Al Morgan (jazz double-bassist) (on 1944-03-15)
double bass:
Billy Hadnott (on 1944-03-15) and Al Morgan (jazz double-bassist) (on 1944-03-15)
drums (drum set):
Wilmore Jones (on 1944-03-15)
piano:
Arnold Thomas (on 1944-03-15)
trumpet:
Eddie Roane (on 1944-03-15) and Courtney Williams (1930-40s trumpeter) (on 1944-03-15)
vocals:
Louis Jordan (US jazz, blues and r&b musician and songwriter) (on 1944-03-15)
recording of:
G.I. Jive (on 1944-03-15)
lyricist and composer:
Johnny Mercer
publisher:
WC Music Corp.
Louis Jordan and His Tympany Five2:57
940s: Delta Radio: I Can’t Lose With the Stuff I Use
Lester Williams2:10
1040s: Delta Radio: Inflation Blues
recording of:
40s: Delta Radio: Inflation Blues
version of:
Inflation Blues
recording of:
Inflation Blues
Jack McVea2:49
1140s: Delta Radio: Mercy Mr. Percy
Varetta Dillard2:46
1240s: Delta Radio: Open the Door, Richard!
recording of:
Open the Door, Richard (1946 song)
lyricist:
Dan Howell and John Mason ("Spider Bruce", vaudeville comedian)
composer:
Jack McVea
Louis Jordan and His Tympany Five3:00
1340s: Delta Radio: Pachuko Hop
Ike Carpenter Orchestra2:12
1440s: Delta Radio: Ration Blues
recording of:
Ration Blues (on 1943-10-04)
writer:
Collenane Clark, Antonio Cosey and Louis Jordan (US jazz, blues and r&b musician and songwriter)
Louis Jordan and His Tympany Five43:06
1540s: Delta Radio: Rock Around the Clock
Hal Singer2:53
1640s: Delta Radio: That Chick’s Too Young to Fry
recorded in:
Los Angeles, California, United States (on 1946-01-23)
alto saxophone:
Louis Jordan (US jazz, blues and r&b musician and songwriter) (on 1946-01-23)
claves:
Vic Lourie (on 1946-01-23)
double bass:
Jesse ‘Po’ Simpkins (on 1946-01-23)
drums (drum set):
Eddie Byrd (US drummer) (on 1946-01-23)
electric guitar:
Carl Hogan (on 1946-01-23)
maracas:
Harry Dial (on 1946-01-23)
piano:
Wild Bill Davis (on 1946-01-23)
tenor saxophone:
Josh Jackson (tenor saxophone player) (on 1946-01-23)
trumpet:
Aaron Izenhall (on 1946-01-23)
vocals:
Louis Jordan (US jazz, blues and r&b musician and songwriter) (on 1946-01-23)
recording of:
That Chick's Too Young to Fry (on 1946-01-23)
writer:
Tommy Edwards and Jimmy Hilliard
Louis Jordan and His Tympany Five2:22
1740s: Delta Radio: That’ll Get It
Floyd Dixon2:44
1840s: Delta Radio: The Fat Man
producer:
Dave Bartholomew
phonographic copyright (℗) by:
United Artists (in 1949) and EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1991)
recorded at:
J&M/Cosimo Recording Studios (New Orleans, circa 1945-1955) in New Orleans, Louisiana, United States
recording of:
The Fat Man (on 1949-12-10)
lyricist and composer:
Antoine Dominique Domino (Fats Domino) and Dave Bartholomew
Fats Domino42:34
1940s: Delta Radio: What’s the Use of Getting Sober (When You Gonna Get Drunk Again)
recorded in:
New York, New York, United States (on 1942-07-21)
producer:
Milt Gabler
alto saxophone and tenor saxophone:
Louis Jordan (US jazz, blues and r&b musician and songwriter) (on 1942-07-21)
double bass:
Dallas Bartley (on 1942-07-21)
drums (drum set):
Walter Martin (1930-40s drummer) (on 1942-07-21)
piano:
Arnold Thomas (on 1942-07-21)
trumpet:
Eddie Roane (on 1942-07-21)
vocals:
Eddie Roane (?) (on 1942-07-21) and Louis Jordan (US jazz, blues and r&b musician and songwriter) (on 1942-07-21)
recording of:
What’s the Use of Gettin’ Sober (When You’re Gonna Get Drunk Again)? (on 1942-07-21)
lyricist and composer:
Busby Meyers
Louis Jordan and His Tympany Five2:55
2040s: Empire Central: Baby It’s Cold Outside
vocals:
Buddy Clark (US 1930s~1940s singer) and Dinah Shore
orchestra:
Ted Dale and His Orchestra
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1949)
recording of:
Baby, It’s Cold Outside (1948 song by Frank Loesser)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp., Kobalt Music Publishing Australia Pty Ltd, MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL UK Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
part of:
The 22nd Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1949 winner)
Dinah Shore & Buddy Clark2:19
2140s: Empire Central: Boogie Woogie Bugle Boy
recorded in:
Los Angeles, California, United States (on 1941-01-02)
vocals:
The Andrews Sisters (on 1941-01-02), Maxene Andrews (on 1941-01-02), Laverne Andrews (on 1941-01-02) and Patti Andrews (on 1941-01-02)
orchestra:
Vic Schoen and His Orchestra (on 1941-01-02)
phonographic copyright (℗) by:
Geffen Records (in 1941)
recording of:
Boogie Woogie Bugle Boy (on 1941-01-02)
writer:
Hughie Prince and Don Raye
publisher:
A4V Digital, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 14th Academy Award for Best Original Song (number: 2)
The Andrews Sisters2:41
2240s: Empire Central: Buttons and Bows
accordion:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1947-11-30)
vocals:
Dinah Shore (on 1947-11-30)
recording of:
Buttons and Bows (1947 song) (on 1947-11-30)
lyricist:
Ray Evans (American songwriter)
composer:
Jay Livingston
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (on 1948-02-25)
part of:
The 21st Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1948 winner)
Dinah Shore12:01
2340s: Empire Central: Happiness Is a Thing Called Joe
cover recording of:
Happiness Is a Thing Called Joe (on 1957-04-04)
lyricist:
Yip Harburg (in 1940)
composer:
Harold Arlen (in 1940)
part of:
The 16th Academy Award for Best Original Song (number: 2)
Peggy Lee4:02
2440s: Empire Central: Held for Questioning
Rusty Draper2:21
2540s: Empire Central: I Haven’t Time to Be a Millionaire
recording of:
I Haven’t the Time to Be a Millionaire
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
James V. Monaco
publisher:
Anne-Rachel Music Corp.
Bing Crosby2:47
2640s: Empire Central: It Don’t Mean a Thing (If It Ain’t Got That Swing)
alto saxophone:
Harry Carney and Johnny Hodges
banjo:
Fred Guy
baritone saxophone:
Harry Carney
clarinet:
Barney Bigard, Harry Carney and Johnny Hodges
double bass:
Wellman Braud
drums (drum set):
Sonny Greer
piano:
Duke Ellington (US composer, pianist & jazz bandleader)
soprano saxophone:
Johnny Hodges
tenor saxophone:
Barney Bigard
trombone:
Lawrence Brown (jazz trombonist) and Joe "Tricky Sam" Nanton
trumpet:
Freddie Jenkins, Arthur Whetsel and Cootie Williams
valve trombone:
Juan Tizol
lead vocals:
Ivie Anderson
recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing) (on 1932-02-02)
lyricist:
Irving Mills (in 1931)
composer:
Edward Kennedy “Duke” Ellington (Duke Ellington, US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music and EMI Mills Music (ASCAP-affiliated)
part of:
The Real Book (compilation of jazz standards, Volume I)
Duke Ellington & His Orchestra3:08
2740s: Empire Central: I’ve Got a Pocketful of Dreams
recorded in:
Hollywood, Los Angeles, California, United States (on 1938-07-11)
vocals:
Bing Crosby (on 1938-07-11)
orchestra:
John Scott Trotter and His Orchestra (on 1938-07-11)
conductor:
John Scott Trotter
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) and MCA Music Ltd. (in 1938)
recording of:
I’ve Got a Pocketful of Dreams (on 1938-07-11)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
James V. Monaco
publisher:
Santly Joy Select, Inc. (on 1938-05-07)
Bing Crosby2:36
2840s: Empire Central: Java Junction
Bob Crosby and His Orchestra1:55
2940s: Empire Central: Let It Snow
producer:
Jimmy Bowen (producer, rockabilly musician and songwriter) and Lee Gillette
lead vocals:
Dean Martin (American singer/actor) (in 1959)
conductor:
Gus Levene (in 1959)
arranger:
Sammy Cahn and Jule Styne
phonographic copyright (℗) by:
The Dean Martin Family Trust and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1959)
cover recording of:
Let It Snow! Let It Snow! Let It Snow! (in 1959)
lyricist:
Sammy Cahn (in 1945-07)
writer:
Jule Styne and Sammy Cahn (prolific American songwriter-duo)
composer:
Jule Styne (in 1945-07)
publisher:
Cahn Music Company, Chappell & Co., Chappell/Morris Ltd., Cherry Lane Music Ltd., Imagen Music, J. Albert & Son Pty. Ltd., Producers Music Publishing Co., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America and WB Music Corp. (1929–2019)
Dean Martin4.251:55
3040s: Empire Central: Pennies From Heaven
recorded in:
Hollywood, Los Angeles, California, United States (on 1936-07-24)
vocals:
Bing Crosby (on 1936-07-24)
orchestra:
Georgie Stoll and His Orchestra (on 1936-07-24)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) and MCA Music Ltd. (in 1936)
recording of:
Pennies From Heaven (on 1936-07-24)
lyricist:
Johnny Burke (American lyricist, 1908–1964) (in 1936)
composer:
Arthur Johnston (American composer and songwriter) (in 1936)
publisher:
Anne-Rachel Music Corp., Campbell Connelly & Co., Campbell Connelly & Co. Ltd., Chappell Music (UK) and Joy Music Inc.
part of:
The 9th Academy Award for Best Original Song (number: 2)
Bing Crosby33:11
3140s: Empire Central: Praise the Lord and Pass the Ammunition
recording of:
Praise the Lord and Pass the Ammunition (on 1942-07-31)
lyricist and composer:
Frank Loesser
Kay Kyser2:32
3240s: Empire Central: Rum and Coca‐Cola
recording of:
Rum and Coca‐Cola (calypso) (on 1944-10-18)
additional lyricist:
Morey Amsterdam
lyricist:
Lord Invader (calypso vocalist and songwriter)
additional composer:
Paul Baron (conductor) and Jeri Sullivan
composer:
Lionel Belasco (Trinidadian-Venezuelan calypso pianist, composer and bandleader)
publisher:
EMI Feist Catalog Inc. and EMI Partnership Musikverlag GmbH
The Andrews Sisters3:07
3340s: Empire Central: Sing, Sing, Sing
recording of:
Sing, Sing, Sing (With a Swing)
lyricist and composer:
Louis Prima
publisher:
Robbins Music (publishing company owned by EMI Music Publishing Ltd.) (ended) and EMI Robbins Catalog Inc. (ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present)
Benny Goodman33:06
3440s: Empire Central: Straighten Up and Fly Right
vocals:
The Andrews Sisters (in 1944)
recording of:
Straighten Up and Fly Right (in 1944)
writer:
Nat King Cole and Irving Mills
publisher:
American Academy of Music, Inc., EMI Mills Music (ASCAP-affiliated) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
sub-publisher:
Mills Music, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30)
The Andrews Sisters2:26
3540s: Empire Central: Strip Polka
vocals:
The Andrews Sisters (in 1942)
recording of:
Strip Polka (on 1942-07-17)
lyricist and composer:
Johnny Mercer
The Andrews Sisters2:46
3640s: Empire Central: Dipsy Doodle
vocals:
Edythe Wright (on 1937-10-14)
recording of:
Dipsy Doodle (on 1937-10-14)
lyricist and composer:
Larry Clinton (in 1937)
Tommy Dorsey & His Orchestra3:08
3740s: Empire Central: The Pessimistic Character (with the Crab Apple Face)
Bing Crosby2:28
3840s: Empire Central: There’ll Be a Hot Time in the Town of Berlin (When the Yanks Go Marching in)
recorded in:
Hollywood, Los Angeles, California, United States (on 1944-06-30)
vocals:
The Andrews Sisters (on 1944-06-30) and Bing Crosby (on 1944-06-30)
orchestra:
Vic Schoen and His Orchestra (on 1944-06-30)
recording of:
There'll Be a Hot Time in the Town of Berlin (on 1944-06-30)
writer:
Joe Bushkin and John DeVries
The Andrews Sisters2:50
3940s: Empire Central: Vict’Ry Polka
recorded in:
Hollywood, Los Angeles, California, United States (on 1943-09-27)
vocals:
The Andrews Sisters (on 1943-09-27) and Bing Crosby (on 1943-09-27)
orchestra:
Vic Schoen and His Orchestra (on 1943-09-27)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.)
recording of:
Vict’ry Polka (on 1943-09-27)
lyricist:
Sammy Cahn
composer:
Jule Styne
The Andrews Sisters2:43
4040s: Empire Central: Why Don’t You Do Right
vocals:
Peggy Lee (jazz vocalist) (on 1947-11-19)
conductor:
Dave Barbour (on 1947-11-19)
cover recording of:
Why Don’t You Do Right? (on 1947-11-19)
lyricist and composer:
Kansas Joe McCoy
publisher:
Edwin Morris Music and Morley Music Co
version of:
Weed Smoker’s Dream
Peggy Lee42:24
4140s: Empire Classic: Beatin’ the Dog
guitar:
Eddie Lang (US jazz guitarist, also recorded as Blind Willie Dunn) (on 1927-06-28)
violin:
Joe Venuti (on 1927-06-28)
Joe Venuti & Eddie Lang2:38
4240s: Empire Classic: Belleville
recording of:
Belleville
composer:
Django Reinhardt (French jazz guitarist and composer)
Django Reinhardt42:29
4340s: Empire Classic: Blue Skies
alto saxophone:
Toots Mondello (on 1935-06-25) and Hymie Shertzer (on 1935-06-25)
clarinet:
Benny Goodman (clarinetist and bandleader) (on 1935-06-25)
double bass:
Harry Goodman (on 1935-06-25)
drums (drum set):
Gene Krupa (on 1935-06-25)
guitar:
George van Eps (on 1935-06-25)
piano:
Frank Froeba (on 1935-06-25)
tenor saxophone:
Dick Clark (tenor saxophonist) (on 1935-06-25) and Art Rollini (on 1935-06-25)
trombone:
Red Ballard (on 1935-06-25) and Jack Lacey (on 1935-06-25)
trumpet:
Bunny Berigan (on 1935-06-25), Nate Kazebier (on 1935-06-25) and Jerry Neary (on 1935-06-25)
instrumental recording of:
Blue Skies (on 1935-06-25)
lyricist and composer:
Irving Berlin (in 1926)
publisher:
Francis, Day & Hunter Ltd., Irving Berlin Music Company and Williamson Music Company
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Benny Goodman and His Orchestra2:50
4440s: Empire Classic: By the Light of the Silvery Moon
Bing Crosby1:27
4540s: Empire Classic: Clarinet Marmalade
recorded in:
New York, New York, United States (on 1927-02-04)
alto saxophone:
Jimmy Dorsey (on 1927-02-04) and Stanley "Doc" Ryker (on 1927-02-04)
banjo and guitar:
Eddie Lang (US jazz guitarist, also recorded as Blind Willie Dunn) (on 1927-02-04) and Howdy Quicksell (on 1927-02-04)
clarinet and reeds:
Jimmy Dorsey (on 1927-02-04)
cornet:
Bix Beiderbecke (American jazz cornettist, pianist and composer) (on 1927-02-04)
drums (drum set):
Chauncey Morehouse (on 1927-02-04)
piano:
Paul Mertz (Paul Madeira Mertz) (on 1927-02-04) and Itzy Riskin (on 1927-02-04)
saxophone [C-melody saxophone]:
Frankie Trumbauer (on 1927-02-04)
trombone:
Bill Rank (on 1927-02-04)
recording of:
Clarinet Marmalade (on 1927-02-04)
composer:
Henry Ragas (in 1918) and Larry Shields (in 1918)
Frankie Trumbauer and His Orchestra3:10
4640s: Empire Classic: Come on and Stomp, Stomp, Stomp
performer:
Johnny Doddsʼ Black Bottom Stompers (on 1927-10-08)
Johnny Dodds’ Black Bottom Stompers2:54
4740s: Empire Classic: Goin’ Places
Joe Venuti & Eddie Lang2:57
4840s: Empire Classic: Good Little, Bad Little You
Cliff Edwards2:40
4940s: Empire Classic: Happy Feet
banjo:
Morris White (jazz guitarist) (on 1930-10-14)
drums (drum set):
Leroy Maxey (jazz drummer) (on 1930-10-14)
piano:
Earres Prince (on 1930-10-14)
reeds:
Andrew Brown (jazz saxophonist) (on 1930-10-14), Walter Thomas (on 1930-10-14) and William Thornton Blue (American jazz reed player) (on 1930-10-14)
trombone:
DePriest Wheeler (on 1930-10-14)
trumpet:
Reuben Reeves (on 1930-10-14) and Lammar Wright (on 1930-10-14)
vocals:
Cab Calloway (on 1930-10-14)
recording of:
Happy Feet (on 1930-10-14)
lyricist:
Jack Yellen
composer:
Milton Ager
publisher:
Warner Bros., Inc. (not for release label use!) (in 1930)
Cab Calloway and His Orchestra22:34
5040s: Empire Classic: Riverboat Shuffle
recording of:
Riverboat Shuffle (on 1927-05-09)
composer:
Hoagy Carmichael, Irving Mills, Parish and Dick Voynow
Frankie Trumbauer and His Orchestra3:10
5140s: Empire Classic: Stringing the Blues
Joe Venuti & Eddie Lang2:49
5240s: Empire Classic: The Best Things in Life Are Free
recording of:
The Best Things in Life Are Free (Good News)
lyricist:
Lew Brown and Buddy DeSylva
composer:
Ray Henderson
publisher:
Chappell & Co.
part of:
Good News (1947 film)
The Ink Spots32:31
5340s: Empire Classic: You’re Driving Me Crazy
recording of:
You’re Driving Me Crazy
lyricist:
Walter Donaldson
composer:
Walter Donaldson (in 1930)
publisher:
Anne-Rachel Music Corp., Donaldson Publishing Co., Larry Spier Music LLC and Tobago Music Co.
Quintette du Hot Club de France2:51
5450s: Delta Radio: Ain’t It a Shame
producer:
Dave Bartholomew
phonographic copyright (℗) by:
F. D. & Hunter (publisher) (in 1955) and EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1991)
recorded at:
J&M/Cosimo Recording Studios (New Orleans, circa 1945-1955) in New Orleans, Louisiana, United States
recording of:
Ain’t That a Shame (on 1955-03-15)
writer:
Antoine Domino (Fats Domino) and Dave Bartholomew
publisher:
Commodore Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Unart Catalog Inc., F. Day & Hunter Ltd., Travis Music, Inc., Unart Music Corp. (in 1955, in 1983) and United Artists Music Ltd. (from 1977 to present)
Fats Domino4.52:23
5550s: Delta Radio: Bo Diddley
drums (drum set):
Clifton James (on 1955-03-02)
guitar:
Bo Diddley (American singer, guitarist, songwriter and music producer) (on 1955-03-02)
maracas:
Jerome Green (on 1955-03-02)
vocals:
Bo Diddley (American singer, guitarist, songwriter and music producer) (on 1955-03-02)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 62), Blues Hall of Fame: Classic of Blues Recording Single (number: 2017) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 277)
recording of:
Bo Diddley (on 1955-03-02)
lyricist and composer:
Ellas McDaniel (American singer, guitarist, songwriter and music producer) (until 1955-03-02)
publisher:
Arc Music Corp. (U.S. rock & blues publisher) and Good Music Ltd.
Bo Diddley3.252:43
5650s: Delta Radio: Boom Boom
producer:
Calvin Carter
bass:
James Jamerson
drums (drum set):
Benny Benjamin (US drummer) (in 1961)
guitar:
John Lee Hooker (US blues singer, songwriter & guitarist)
piano:
Joe Hunter (of the Motown "Funk Brothers" studio ensemble)
tenor saxophone:
Hank Crosby
vocals:
John Lee Hooker (US blues singer, songwriter & guitarist)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1967)
recorded at:
Universal Recording Corporation, Studio B in Chicago, Illinois, United States (on 1961-10-26)
part of:
Blues Hall of Fame: Classic of Blues Recording Single (number: 2009), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 218) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 463)
recording of:
Boom Boom (on 1961-10-26)
lyricist and composer:
John Lee Hooker (US blues singer, songwriter & guitarist)
publisher:
Conrad Publishing Co. Inc. and Tristan Music Ltd.
John Lee Hooker3.32:38
5750s: Delta Radio: Framed
recording of:
Framed
lyricist:
Jerry Leiber
composer:
Mike Stoller
publisher:
Sony/ATV Songs LLC and Southern Music Pub. Co. Ltd.
The Robins2:43
5850s: Delta Radio: Got My Mojo Working
part of:
Blues Hall of Fame: Classic of Blues Recording Single (number: 1984)
recording of:
Got My Mojo Working (Muddy Waters arrangement)
additional writer:
Morgan Field (blues musician)
arranger:
Muddy Waters (blues musician)
publisher:
Arc Music Corp. (U.S. rock & blues publisher) and Dare Music Co.
version of:
Got My Mojo Working (original version)
Muddy Waters52:46
5950s: Delta Radio: Honey Love
The Robins feat. Clyde McPhatter2:23
6050s: Delta Radio: I Put a Spell on You
vocals:
Screamin’ Jay Hawkins
part of:
Pitchfork: The Story of Goth in 33 Songs, Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 299) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 313)
recording of:
I Put a Spell on You (on 1956-09-12)
lyricist and composer:
Screamin’ Jay Hawkins
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), SBK Unart Catalog Inc., EMI Unart Catalog Inc. (in 1956) and EMI United Partnership Ltd. (in 1956)
Screamin’ Jay Hawkins3.92:25
6150s: Delta Radio: In the Still of the Night
producer:
Marty Kugell
double bass:
Doug Murray (double bassist) (in 1956-02)
drums (drum set) [drums]:
Bobby Mapp (in 1956-02)
piano:
Curlee Glover (in 1956-02)
solo saxophone:
Vinny Mazzetta (in 1956-02)
vocals:
Al Denby (in 1956-02), Jim Freeman (in 1956-02), Ed Martin (in 1956-02), Nat Mosley (in 1956-02) and Fred Parris (in 1956-02)
phonographic copyright (℗) by:
Standard Records (in 1956)
recorded at:
Saint Bernadette Catholic School (New Haven) in New Haven, Connecticut, United States (in 1956-02)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 90) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 170)
recording of:
In the Still of the Night (Five Satins doo-wop song) (in 1956)
lyricist and composer:
Fred Parris
publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and Llee Corp. (LLEE Corporation) (in 1956)
The Five Satins4.52:59
6250s: Delta Radio: Keep a Knockin’
edit of:
Keep A Knockin’ by Little Richard
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 9)
recording of:
Keep a Knockin’ (Little Richard’s version)
lyricist and composer:
Richard Wayne Penniman (in 1957-01)
publisher:
MCA Music Ltd.
version of:
Keep a‐Knockin’ an You Can’t Get In
Little Richard52:15
6350s: Delta Radio: Ling, Ting, Tong
The Five Keys52:07
6450s: Delta Radio: Long Tall Sally
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (on 1956-02-07)
bass guitar:
Frank Fields (on 1956-02-07)
drums (drum set):
Earl Palmer (on 1956-02-07)
guitar:
Edgar Blanchard (on 1956-02-07)
piano and lead vocals:
Little Richard (on 1956-02-07)
tenor saxophone:
Lee Allen (US jazz tenor saxophonist) (on 1956-02-07)
recorded at:
J&M Music Shop in New Orleans, Louisiana, United States (on 1956-02-07)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 13) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 56)
recording of:
Long Tall Sally (on 1956-02-07)
writer:
Enotris Johnson (on 1955-11-29), Richard Wayne Penniman (on 1955-11-29) and Robert Alexander Blackwell (on 1955-11-29)
publisher:
ATV Music, Blackwood Music Inc. (1953-02-07–1987-12-30), Peermusic (UK) Ltd., Sony/ATV Songs LLC, Southern Music Publishing Company Limited, Unichappell Music and Venice Music
Little Richard42:07
6550s: Delta Radio: Lucille
recording of:
Lucille
writer:
Albert Collins (US blues guitarist/vocalist/harmonica), Albert Collins (composer of “Lucille” & “Slippin’ and Slidin’”) and Richard Wayne Penniman
publisher:
Leeds Music Ltd., MCA Music Inc. (Universal Music Philippines’ legal name), MCA Music Ltd., Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing France, Universal/MCA Music Ltd. (not for release label use!) and Venice Music
Little Richard2:23
6650s: Delta Radio: Manish Boy
recorded in:
Chicago, Illinois, United States (on 1955-05-24)
part of:
Blues Hall of Fame: Classic of Blues Recording Single (number: 1986)
recording of:
Mannish Boy (on 1955-05-24)
writer:
Ellas McDaniel (American singer, guitarist, songwriter and music producer), Mel London and McKinley Morganfield (blues musician)
publisher:
Bug Music Ltd. and Tristan Music Ltd.
part of:
Risky Business (film soundtrack)
Muddy Waters2:54
6750s: Delta Radio: Nadine (Is It You?)
producer:
Leonard & Phil Chess (legendary US production duo)
drums (drum set):
Odie Payne (American Chicago blues drummer) (from 1964-01-07 until 1964-01-09)
electric bass guitar:
Louis Satterfield (from 1964-01-07 until 1964-01-09)
guitar and lead vocals:
Chuck Berry (from 1964-01-07 until 1964-01-09)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (from 1964-01-07 until 1964-01-09)
tenor saxophone:
Rubin Cooper (from 1964-01-07 until 1964-01-09) and George Patterson (from 1964-01-07 until 1964-01-09)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1964-01-07 until 1964-01-09)
recording of:
Nadine (Is It You?) (from 1964-01-07 until 1964-01-09)
lyricist and composer:
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher) and Tristan Music Limited
Chuck Berry2:31
6850s: Delta Radio: No Particular Place to Go
producer:
Leonard & Phil Chess (legendary US production duo)
drums (drum set):
Odie Payne (American Chicago blues drummer) (on 1964-03-26)
guitar and lead vocals:
Chuck Berry (on 1964-03-26)
piano:
Paul Williams (Pianist, played with Chuck Berry) (on 1964-03-26)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1964-03-26)
recording of:
No Particular Place to Go (on 1964-03-26)
lyricist and composer:
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher) and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Chuck Berry2:41
6950s: Delta Radio: Brazil
The Coasters2:19
7050s: Delta Radio: Rags to Riches
cover recording of:
Rags to Riches
writer:
Richard Adler (musical composer/lyricist) and Jerry Ross (musical composer/lyricist)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Saunders Publications Inc. (from 1953 until 2010), J & J Ross Co. (from 2011 to present) and Lakshmi Puja Music Ltd. (from 2011 to present)
Jackie Wilson2:38
7150s: Delta Radio: Smokestack Lightning
recording of:
Smokestack Lightning
lyricist and composer:
Chester Arthur Burnett
publisher:
Arc Music (U.S. rock & blues publisher)
Howlin’ Wolf3:03
7250s: Delta Radio: Speedoo
part of:
Dave Marsh: The Best of the Top 40 Singles: 1955 (number: 3)
recording of:
Speedoo (in 1955-09)
lyricist and composer:
Esther Navarro
The Cadillacs32:17
7350s: Delta Radio: Who Do You Love
Bo Diddley32:27
7450s: Empire Central: All I Have to Do Is Dream
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 390)
recording of:
All I Have to Do Is Dream
lyricist and composer:
Boudleaux Bryant
publisher:
House of Bryant Publications (publisher; do NOT use as release label), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and Acuff-Rose Publications, Inc. (BMI) (on 1958-04-21)
The Everly Brothers52:18
7550s: Empire Central: At the Hop
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 28)
recording of:
At the Hop
writer:
John L. Medora, Artie Singer (US songwriter, producer and bandleader) and David White (rock ’n’ roll pianist & songwriter, member of Danny & the Juniors)
publisher:
Sea-Lark Enterprises, Inc., Singular Music and Tristan Music Ltd.
Danny & the Juniors3.52:36
7650s: Empire Central: Book of Love
part of:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (number: 12) and Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 29)
recording of:
Book of Love
writer:
Warren Davis, George Malone and Charles Patrick (lead singer for The Monotones)
publisher:
Arc Music Corp. (U.S. rock & blues publisher) and Nom Music, Inc.
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Monotones52:18
7750s: Empire Central: Cannonball
Duane Eddy & The Rebels1:53
7850s: Empire Central: C’Mon Everybody
drums (drum set):
Earl Palmer (on 1958-10-10)
electric bass guitar:
Connie “Guybo” Smith (bass player) (on 1958-10-10)
guitar:
Eddie Cochran (US rock and roll musician active in 1950s) (on 1958-10-10)
piano:
Ray Johnson (Rhythm 'n' blues - jazz pianist - songwriter - band leader) (on 1958-10-10)
tambourine:
Jerry Capehart (on 1958-10-10)
vocals:
Eddie Cochran (US rock and roll musician active in 1950s) (on 1958-10-10)
recorded at:
Goldstar Studio in Hollywood, Los Angeles, California, United States (on 1958-10-10)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (number: 22) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 403)
recording of:
C’mon Everybody (on 1958-10-09)
writer:
Jerry Capehart and Eddie Cochran (US rock and roll musician active in 1950s)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Unart Catalog Inc., Metric Music Co (publisher) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Eddie Cochran41:53
7950s: Empire Central: Come on Let’s Go
recording of:
Come On, Let’s Go
lyricist and composer:
Ritchie Valens
publisher:
Tro-Essex Music Ltd.
Ritchie Valens52:00
8050s: Empire Central: Come Softly to Me
arranger:
Bonnie Guitar
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1959)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1959 (number: 14)
recording of:
Come Softly to Me
writer:
Gretchen Christopher, Barbara Ellis and Gary Troxel
publisher:
Chappell Morris, EMI Unart Catalog Inc. and Unart Music Corp. (in 1958, in 1959)
The Fleetwoods32:22
8150s: Empire Central: Donna
recording engineer:
Larry Levine and Stan Ross (recording engineer, mixer & producer)
producer:
Bob Keane
phonographic copyright (℗) by:
Del-Fi Records Inc. (in 1958)
recording of:
Donna
lyricist and composer:
Ritchie Valens
publisher:
Carlin Music Corporation
Ritchie Valens4.82:20
8250s: Empire Central: Don’t Let Go
recording of:
Don’t Let Go
lyricist and composer:
Jesse Stone
publisher:
Campbell Connelly & Co. Ltd., Scion Three Music LLC and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Roy Hamilton2:29
8350s: Empire Central: Forty Miles of Bad Road
Duane Eddy & The Rebels2:03
8450s: Empire Central: Maybe
part of:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (number: 5)
recording of:
Maybe (on 1957-10-16)
lyricist and composer:
Richard Barrett (US soul producer/singer)
publisher:
Tunecore Digital Music (publisher; not a release label. Use [no label]) and チューンコアジャパン 株式会社 (TuneCore Japan, mostly a distributor; not a release label. Use [no label])
The Chantels2:34
8550s: Empire Central: Money (That’s What I Want)
recording of:
Money (That’s What I Want)
writer:
Janie Bradford and Berry Gordy
publisher:
EMI United Partnership Ltd., Jobete Music (UK), Jobete Music Co., Inc., Stone Agate Music Division and United Partnership Ltd.
Barrett Strong2:35
8650s: Empire Central: Moovin ’n’ Groovin’
Duane Eddy22:01
8750s: Empire Central: Mr. Sandman
The Chordettes2:22
8850s: Empire Central: Not Fade Away
producer:
Norman Petty
bass:
Joe B. Mauldin (on 1957-05-27)
double bass:
Joe B. Mauldin (on 1957-05-29)
drums (drum set):
Jerry Allison (on 1957-05-27, on 1957-05-29)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-05-27)
guitar [lead guitar], guitar [rhythm guitar] and lead vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-05-29)
background vocals:
Jerry Allison (on 1957-05-29), Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-05-29) and Niki Sullivan (on 1957-05-29)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-05-27)
phonographic copyright (℗) by:
Geffen Records (in 1957)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1957-05-27)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 107)
recording of:
Not Fade Away (on 1957-05-27)
writer:
Charles Hardin Holley (1950s rock & roll singer‐songwriter), Charles Hardin (Charles Hardin Holley) and Norman Petty
publisher:
McCartney Music, Inc., Melody Lane Publications Inc., MPL Communications (not for release label use! Paul McCartney-related, London-based company), MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Peermusic (Germany) GmbH, Peermusic (UK) Limited and Wren Music
recording of:
Not Fade Away (on 1957-05-29)
writer:
Charles Hardin Holley (1950s rock & roll singer‐songwriter), Charles Hardin (Charles Hardin Holley) and Norman Petty
publisher:
McCartney Music, Inc., Melody Lane Publications Inc., MPL Communications (not for release label use! Paul McCartney-related, London-based company), MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Peermusic (Germany) GmbH, Peermusic (UK) Limited and Wren Music
The Crickets4.652:16
8950s: Empire Central: Rave On
part of:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (number: 4)
cover recording of:
Rave On
writer:
Norman Petty, Bill Tilghman (songwriter) and Sonny West (American songwriter and musician Joseph “Sonny” West)
publisher:
Melody Lane Publications Inc., Nor-Va-Jak Music, Southern Music (publisher) and Wren Music Co.
Buddy Holly1:47
9050s: Empire Central: Rebel ’Rouser
Duane Eddy2:23
9150s: Empire Central (We’re Gonna) Rock Around the Clock
part of:
Dave Marsh: The Best of the Top 40 Singles: 1955 (number: 7)
recording of:
Rock Around the Clock (Bill Haley’s version)
lyricist and composer:
Jimmy De Knight (in 1952) and Max C. Freedman (American songwriter and lyricist) (in 1952)
arranger:
Harry Filler
publisher:
Edward Kassner Music Co. Ltd. and Myers Music, Inc.
version of:
We’re Gonna Rock Around the Clock (Original Freedman / De Knight version)
Bill Haley42:10
9250s: Empire Central: Sh‐Boom
cover recording of:
Sh‐Boom
writer:
William Edwards (The Chords), Carl Feaster, Claude Feaster, James Keyes and Floyd McRae
premiered by:
The Chords (50s US doo-wop group "Sh-Boom")
The Crew-Cuts52:45
9350s: Empire Central: Stood Up
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 31)
Ricky Nelson1:50
9450s: Empire Central: Summertime Blues
drums (drum set):
Earl Palmer (on 1958-03-28)
electric bass guitar:
Connie “Guybo” Smith (bass player) (on 1958-03-28)
guitar:
Eddie Cochran (US rock and roll musician active in 1950s) (on 1958-03-28)
vocals:
Eddie Cochran (US rock and roll musician active in 1950s) (on 1958-03-28)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1958)
recorded at:
Goldstar Studio in Hollywood, Los Angeles, California, United States (on 1958-03-28)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (number: 11), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 73) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 432)
recording of:
Summertime Blues (in 1958-05)
writer:
Jerry Capehart and Eddie Cochran (US rock and roll musician active in 1950s)
publisher:
American Music (publisher), Cinephonic Music Co., Ltd., Edition Wilhelm Hansen, Elvis Presley Music, Gallo Music Publishers, Gladys Music, Hill and Range Songs, Inc. (publisher), Rightsong Music, Viva Music, Inc, Warner Bros. Music (publisher; do NOT use as release label) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Eddie Cochran3.751:55
9550s: Empire Central: Teen Beat
recording of:
Teen Beat
composer:
Arthur Egnoian and Sandy Nelson
publisher:
Lovolar Music
Sandy Nelson2:21
9650s: Empire Central: Tequila
recording of:
Tequila
lyricist and composer:
Daniel Flores (Daniel Flores)
The Champs4.32:11
9750s: Empire Central: That’ll Be the Day
The Crickets32:14
9850s: Empire Central: Why Do Fools Fall in Love
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 8) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 307)
recording of:
Why Do Fools Fall in Love (in 1955-11)
additional writer:
George Goldner, Jimmy Merchant (US singer, member of The Teenagers) and Herman Santiago (singer for Frankie Lymon & The Teenagers)
writer:
Morris Levy and Frankie Lymon
publisher:
EMI Longitude Music, Patricia Music, Warner Chappell, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Frankie Lymon & The Teenagers4.52:17
9950s: Empire Central: You Can Have Her
recording of:
You Can Have Her (1961 song)
lyricist and composer:
Bill Cook (American songwriter)
publisher:
Big Billy Music and Big Billy Music Co.
Roy Hamilton2:43
10050s: Empire Classic: 900 Miles
recording of:
900 Miles
writer:
[traditional] (special purpose artist)
Billy Merman2:29
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