Now That’s What I Call Music: Smash Hits

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 3 disponibili)

Annotazione

Old-style double-width jewel case.

Annotazione modificata l'ultima volta il 2013-02-08 18:10 UTC.

Elenco tracce

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1▼CD
#TitoloArtistaValutazioneDurata
1Down to Earth
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1986)
registrazione di:
Down to Earth
autore:
Toby Andersen (keyboardist), Julian Godfrey Brookhouse, Michael Drummond, Nicholas Bernard Thorp e Ben Volpeliere-Pierrot (singer from Curiosity Killed the Cat)
editore:
Chelsea Music Publishing Co., Ltd., Curio Sounds Ltd. e Warner Bros. (holding: file NO releases)
Curiosity Killed the Cat43:52
2If You Let Me Stay
tecnico di registrazione e tecnico di missaggio:
Phil Legg
tecnico aggiunto:
Michael Brauer (engineer)
produttore:
Howard Gray (UK producer, engineer, and electronic musician)
basso :
Sean Oliver
batteria :
Bruce Smith (UK drummer & producer for Pop Group, Slits, P.I.L., etc.)
chitarra :
Pete Glenister
percussione :
Terence Trent D’Arby (now known as Sananda Maitreya) e Frank Ricotti (percussionist)
tastiera :
Nick Plytas
voce di accompagnamento:
Lance Ellington (Strictly Come Dancing) e Tony Jackson (British funk / soul musician, singer / songwriter, producer and arranger)
voce di accompagnamento e voce principale:
Terence Trent D’Arby (now known as Sananda Maitreya)
remixer:
Michael Brauer (engineer)
arrangiatore:
Terence Trent D’Arby (now known as Sananda Maitreya)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1987)
registrazione di:
If You Let Me Stay
paroliere e compositore:
Terence Trent D’Arby (now known as Sananda Maitreya)
editore:
EMI Virgin Music Ltd. (do not use this as a release label!), Virgin Music (Publishers) Ltd. e Young Terence Music (Publisher)
Terence Trent D’Arby3.53:14
3Respectable
produttore:
Jamie Bromfield (member of SNJ Works, The Extra Beat Boys, Recall) e Mark McGuire (UK producer/engineer)
diritti fonografici (℗) detenuti da:
Cherry Red Records Ltd. (do not use as label, for copyrights and distribution credits only) (nel 1987), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1987) e The Supreme Record Company Ltd. (nel 1987)
video musicali:
Respectable di Mel & Kim (Appleby sisters)
registrazione di:
Respectable
autore:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) e Pete Waterman
editore:
All Boys Music, All Boys Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Hammer Musik GmbH, Matt Aitken Publishing, MCA Gilbey, Mike Stock Publishing Limited, Mushroom Music (Mushroom label’s publishing company), Sony/ATV Music Publishing (UK) Ltd. e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Mel & Kim2.53:23
4Labour of Love
produttore:
The Was Bros
registrazione di:
Labour of Love
autore:
Gregory Kane e Patrick Kane
Hue & Cry3.23:33
5Rain or Shine
registrazione di:
Rain or Shine
autore:
Billy Livsey e Peter Sinfield
Five Star4:00
6West End Girls
tecnico:
David Jacob
produttore:
Stephen Hague
voce aggiuntiva:
Helena Springs
voce di accompagnamento, voce parlata e voce principale:
Neil Tennant
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1985, nel 1991)
video musicali:
West End Girls di Pet Shop Boys
registrazione di:
West End Girls (nel 1985)
autore:
Chris Lowe (1/2 of Pet Shop Boys) e Neil Tennant
editore:
10 Music Ltd., Edition Meridian, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), Cage Music Ltd. (dal 1984 a oggi) e CBS, Inc. (US broadcasting company; file no releases here!) (dal 1984 a oggi)
Pet Shop Boys3.84:00
7Happy Hour
tecnico:
Phil Bodger (engineer)
produttore:
John Williams (John Owen Williams, English A&R executive, producer, songwriter...)
batteria :
Hugh Whitaker (nel 1986)
chimes :
P.d. Heaton (nel 1986)
chitarra :
Stan Cullimore (nel 1986)
chitarra basso :
Norman Cook (nel 1986)
voce di accompagnamento:
Norman Cook (nel 1986), Stan Cullimore (nel 1986), P.d. Heaton (nel 1986) e Hugh Whitaker (nel 1986)
voce principale:
Paul Heaton (nel 1986)
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!)
registrata presso:
Strongroom in Shoreditch, Hackney, London (Greater London), England, Regno Unito (nel 1986)
mixata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
registrazione di:
Happy Hour (nel 1986)
paroliere:
Paul Heaton
compositore:
Stan Cullimore
editore:
Go! Discs Music (publisher)
The Housemartins4.52:23
8Holding Back the Years
registrazione di:
Holding Back the Years
paroliere:
Mick Hucknall (lead singer of Simply Red)
compositore:
Mick Hucknall (lead singer of Simply Red) e Neil Moss
editore:
EMI April Music Inc., EMI Songs Ltd. e So What Ltd
Simply Red4:15
9Take On Me
programmazione degli strumenti:
Magne Furuholmen
produttore:
Alan Tarney
tecnico di missaggio:
a‐ha (Norwegian synth‐pop band) e John Ratcliff
chitarra e drum machine :
Paul Waaktaar-Savoy
tastiera :
Magne Furuholmen
voce di accompagnamento:
Magne Furuholmen e Paul Waaktaar-Savoy
voce principale:
Morten Harket
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1985, nel 2004)
video musicali:
Take On Me (2019 4K remaster of 1985 mix with diegetic audio) di a‐ha (Norwegian synth‐pop band) e Take On Me (official music video, 1985 version) di a‐ha (Norwegian synth‐pop band)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 3), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 24), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 26), BILLIONS CLUB e The Downloader’s Music Source Book (numero: 284)
registrazione di:
Take On Me
autore:
Magne Furuholmen, Morten Harket e Paul Waaktaar-Savoy
editore:
ATV Music Ltd. e EMI Music Publishing (do not use as a release label!)
versione di:
Miss Eerie
a‐ha4.53:47
10You Spin Me Round (Like a Record)
produttore:
Pete Waterman
esecutore:
Dead or Alive (UK new wave band) (nel 1984)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1985)
video musicali:
You Spin Me Round (Like a Record) (On 'Blue Peter') (TX 10/01/2003) di Dead or Alive (UK new wave band)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 52)
registrazione di:
You Spin Me Round (Like a Record)
autore:
Pete Burns, Steve Coy, Tim Lever e Mike Percy
editore:
Burning Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Métisse Music, Warner Chappell Music France, Warner Chappell Music Ltd. (no slash; used 1988–1996) e Westbury Music Ltd.
parte di:
American Psycho
Dead or Alive4.153:16
11There Must Be an Angel (Playing With My Heart)
registrazione di:
There Must Be an Angel (Playing With My Heart)
autore:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) e Dave Stewart (UK guitarist/singer for Eurythmics)
editore:
BMG Music Publishing Ltd., D’n’A Ltd., Universal Music Publishing MGB Ltd., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Eurythmics3.54:33
12Everybody Wants to Rule the World
tecnico:
David Bascombe
produttore:
Chris Hughes (producer, aka “Merrick”)
tecnico di missaggio:
Steven Wilson (founder of Porcupine Tree)
batteria :
Manny Elias (nel 1984)
chitarra e chitarra solista :
Neil Taylor (guitarist) (nel 1984)
chitarra basso :
Curt Smith (nel 1984)
tastiera :
Ian Stanley (nel 1984)
voce di accompagnamento:
Roland Orzabal (UK musician, songwriter and producer) (nel 1984)
voce principale:
Curt Smith
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1985, nel 2014) e Phonogram Ltd. (not for release label use!) (nel 1985)
video musicali:
Everybody Wants to Rule the World di Tears for Fears
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 28) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 319)
registrazione di:
Everybody Wants to Rule the World (nel 1984)
autore:
Christopher Merrick Hughes (producer, aka “Merrick”), Roland Orzabal (UK musician, songwriter and producer) e Ian Stanley
editore:
10 Music Ltd., Amusements Ltd., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Virgin Music (Publishers) Ltd.
sub-editore:
フジパシフィック音楽出版 BMG事業部 (fino al 2014-12-31) e フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (dal 2015-01-01 a oggi)
Tears for Fears3.94:07
13Wake Me Up Before You Go Go
assistente tecnico:
Paul Gomersau
tecnico:
Chris Porter (engineer and producer)
produttore:
George Michael
sassofono :
David Baptiste (U.K. Saxophonist, flutist, percussionist, vocalist, & backing vocalist)
tastiera :
Tommy Eyre
arrangiatore:
George Michael
diritti fonografici (℗) detenuti da:
CBS Records (CBS, CBS Records’ international imprint from 1962–1990; renamed since 1991 as Columbia) (nel 1984), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1984, nel 2006) e Diski CBS AEBE (Greek CBS affiliate, preceded by CBS Records of Greece S.A.) (nel 1986)
video musicali:
Wake Me Up Before You Go di Wham! (British pop-duo)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 28) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 269)
registrazione di:
Wake Me Up Before You Go‐Go
paroliere e compositore:
George Michael
editore:
Chappell Music (UK), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Morrison Leahy Music Ltd., Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner/Chappell Music Ltd. (1996–2019)
Wham!3.853:52
14Smalltown Boy
tecnico di registrazione:
Pete Griffiths (UK studio technician, programmer & producer)
produttore:
Mike Thorne (UK producer & keyboardist)
tecnico di missaggio:
Harvey Goldberg
registrazione di:
Smalltown Boy
autore:
Steve Bronski, Jimmy Somerville e Larry Steinbachek
editore:
BMG Music Publishing Ltd., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Bronski Music Ltd., Bucks Music Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), Fujipacific Music, Inc., The Copyright Collective, Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
parte di:
Gotcha! (1985 film soundtrack)
Bronski Beat3.754:59
15Master & Servant
produttore:
Depeche Mode, Gareth Jones (UK producer/engineer) e Daniel Miller (British music producer and founder of Mute Records)
registrata presso:
Music Works Studio in London (Greater London), England, Regno Unito (nel 1984-05)
mixata presso:
Hansa Mischraum in Berlin, Germania (nel 1984-05)
registrazione di:
Master and Servant
paroliere e compositore:
Martin L. Gore
Depeche Mode4.153:51
16Careless Whisper
produttore:
George Michael
basso :
Deon Estus (nel 1984)
batteria :
Trevor Murrell (nel 1984)
chitarra :
Hugh Burns (nel 1984)
percussione :
Danny Cummings (British drummer and percussionist) (nel 1984)
tastiera :
Chris Parren (nel 1984)
voce:
George Michael (nel 1984)
arrangiatore:
George Michael
diritti fonografici (℗) detenuti da:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1984), CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (nel 1984) e Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1984)
registrazione di:
Careless Whisper (nel 1984)
autore:
George Michael e Andrew Ridgeley
editore:
Chappell & Co., Inc. (USA), Chappell Music (UK), Morrison Leahy Music Ltd., Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Limited (2019–present), Wham! Music Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
George Michael4.45:01
2▼CD
#TitoloArtistaValutazioneDurata
1True
produttore:
Steve Jolley, Spandau Ballet e Tony Swain (songwriter, producer)
esecutore:
Spandau Ballet
diritti fonografici (℗) detenuti da:
Chrysalis (nel 1983) e Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1983)
video musicali:
True di Spandau Ballet
registrazione di:
True
paroliere e compositore:
Gary Kemp
editore:
Native Tongue Music Publishing, Reformation Publishing Co. Ltd. e Reformation Publishing Inc.
Spandau Ballet3.655:39
2Red Red Wine
produttore:
Ray “Pablo” Falconer e UB40
arrangiatore:
UB40
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1982, nel 1983) e DEP International (UB40) (nel 1983)
registrazione cover di:
Red Red Wine
paroliere e compositore:
Neil Diamond (nel 1967)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music (publisher; do NOT use as release label) e Bang Records (Bert Berns label) (nel 1968)
UB403.83:04
3Hold Me Now
tecnico e tecnico di missaggio:
Phil Thornalley
produttore:
Tom Bailey (Thompson Twins) e Alex Sadkin
diritti fonografici (℗) detenuti da:
Arista Records Ltd. (not for release label use!) (nel 1983), BMG Arista Records Ltd. (nel 1983), BMG Eurodisc Ltd. (nel 1983), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1983) e Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1984)
video musicali:
Hold Me Now di Thompson Twins
registrazione di:
Hold Me Now (Thompson Twins song)
autore:
Alannah Joy Currie, Joseph Martin Leeway e Thomas Alexander Bailey (Thompson Twins)
editore:
BMG Music Publishing Ltd., BMG Songs, Inc., Point Music (publisher) e Point Music Ltd.
Thompson Twins4.554:47
4The Lovecats
produttore:
Steve Nye (producer, engineer and pianist), Chris Parry, Robert Smith (UK guitarist, vocalist and songwriter for The Cure) e Phil Thornalley
tecnico di missaggio:
Chris Parry, Robert Smith (UK guitarist, vocalist and songwriter for The Cure) e Phil Thornalley
batteria :
Andy Anderson (drummer for The Cure)
chitarra basso :
Phil Thornalley
chitarra e tastiera e voce principale:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
vibrafono :
Lol Tolhurst
diritti fonografici (℗) detenuti da:
Fiction Records Ltd. (not for release label use! please use “Fiction” for that instead)
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 448)
registrazione di:
The Lovecats
paroliere e compositore:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
editore:
APB Music Co.
The Cure3.93:40
5Come On Eileen
produttore:
Clive Langer, Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners) e Alan Winstanley (English record producer)
direzione creativa:
Clive Langer e Alan Winstanley (English record producer)
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1982) e Phonogram Ltd. (not for release label use!) (nel 1982)
registrazione di:
Come On Eileen
autore:
Kevin Adams, James Mitchell Paterson e Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) e Kevin Adams Music Ltd.
Dexys Midnight Runners & The Emerald Express4.154:03
6The Look of Love
tecnico:
Gary Langan
produttore:
Trevor Horn
chitarra basso :
Mark Lickley
tastiera :
Mark White (ABC/Vice Versa)
voce principale:
Martin Fry
arrangiatore archi :
Anne Dudley (English score composer)
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1982), Mercury Records Ltd. (London) (for copyrights use only) (nel 1982), Phonogram Ltd. (not for release label use!) (nel 1982) e Phonogram Ltd. (London) (company name, NOT a label!) (nel 1982)
mixata presso:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Regno Unito (nel 1982)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 4), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 43) e The Downloader’s Music Source Book (numero: 73)
registrazione parziale di:
The Look of Love
autore:
Martin Fry, David Palmer (drummer (ABC/The The)), Stephen Singleton e Mark White (ABC/Vice Versa)
editore:
10 Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Neutron Music, Neutron Music Ltd., Virgin Music (Publishers) Ltd. e Virgin Music, Inc. (US arm of Virgin’s publishing company)
parte di:
Mantrap (ABC long-form film)
ABC3.93:29
7Do You Really Want to Hurt Me
assistente tecnico:
Gordon Milne (engineer)
tecnico e produttore:
Steve Levine (producer)
tecnico di missaggio:
Steve Levine (producer) e Jon Moss
batteria e vibrafono :
Jon Moss
chitarra , pianoforte elettrico e sintetizzatore :
Roy Hay (Member of Culture Club and composer for film and television)
chitarra basso :
Mikey Craig (Culture Club bassist)
synclavier :
Keith Miller (Synthesiser Pioneer)
voce aggiuntiva:
Helen Terry (UK singer)
voce principale:
Boy George
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1982)
registrata presso:
Red Bus Studios in London (Greater London), England, Regno Unito (nel 1982)
video musicali:
Do You Really Want to Hurt Me di Culture Club (English pop group)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 58)
registrazione di:
Do You Really Want to Hurt Me
autore:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) e Jon Moss
editore:
EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd. e Virgin Music (Publishers) Ltd.
Culture Club3.954:24
8Save a Prayer
registrazione di:
Save a Prayer (Duran Duran)
autore:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) e Roger Taylor (Duran Duran drummer)
editore:
Gloucester Place Music Ltd.
Duran Duran5:26
9Under Pressure
registrazione di:
Under Pressure
autore:
David Bowie (English singer‐songwriter), Brian May (Queen guitarist), John Deacon, Freddie Mercury e Roger Taylor (Queen drummer)
editore:
Beechwood Music Corp., Bewlay Bros. Music, Jones Music (publishers associated with David Bowie), Mainman S.A. (not for release label use! © & ℗ rights use only), Mainman Saag (New York), Queen Music Ltd., RZO Music Ltd, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30), EMI Music Publishing Ltd. (PRS‐affiliated) (nel 1981), Tintoretto Music (nel 1981) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
parte di:
We Will Rock You (Queen musical)
parte di:
We Will Rock You (German version of the Queen musical)
Queen & David Bowie4:06
10Favourite Shirts (Boy Meets Girl)
produttore:
Bob Sargeant
diritti fonografici (℗) detenuti da:
BMG Eurodisc Ltd. (nel 1981) e Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1981)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 31)
registrazione di:
Favourite Shirts (Boy Meets Girl)
paroliere e compositore:
Nick Heyward
editore:
Bryan Morrison Music Ltd.
Haircut One Hundred53:06
11Ghost Town
tecnico:
John A. Rivers
trombone :
Rico Rodriguez (Jamaican trombonist)
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1981)
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 217)
registrazione di:
Ghost Town
paroliere e compositore:
Jerry Dammers
editore:
BMG Rights Management (UK) Limited (not for release label use! see annotation)
The Specials3.93:41
12Going Underground
produttore:
Vic Coppersmith‐Heaven
basso :
Bruce Foxton (il 1980-01-16)
batteria :
Rick Buckler (il 1980-01-16)
chitarra :
Paul Weller (English singer-songwriter and musician) (il 1980-01-16)
voce:
Bruce Foxton (il 1980-01-16) e Paul Weller (English singer-songwriter and musician) (il 1980-01-16)
diritti fonografici (℗) detenuti da:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (nel 1980)
registrata presso:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Regno Unito (il 1980-01-16)
registrazione di:
Going Underground (il 1980-01-16)
paroliere e compositore:
Paul Weller (English singer-songwriter and musician)
editore:
BMG Music Publishing Ltd., Stylist Music Ltd. e Universal Music Publishing MGB Australia
The Jam4.252:55
13Baggy Trousers
registrazione di:
Baggy Trousers
paroliere:
Mike Barson, Mark Bedford, Graham McPherson, Carl Smyth, Lee “Kix” Thompson (Madness) e Daniel Woodgate
compositore:
Mike Barson, Mark Bedford, Chris Foreman (UK musician, aka “Chrissy Boy”), Carl Smyth, Lee “Kix” Thompson (Madness) e Daniel Woodgate
editore:
EMI Music Publishing Ltd. (PRS‐affiliated)
Madness2:38
14Antmusic
registrazione di:
Antmusic
autore:
Adam Ant (English new wave singer and actor) e Marco Pirroni (British musician and producer)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated) e Universal Music Publishing MGB Ltd.
Adam and the Ants4:11
15Atomic
tecnico:
Peter Coleman (British engineer & producer) e David Tickle
produttore:
Mike Chapman (Australian producer and songwriter)
batteria :
Clem Burke (dal 1979-05 al 1979-06)
chitarra :
Frank Infante (dal 1979-05 al 1979-06) e Chris Stein (dal 1979-05 al 1979-06)
chitarra basso :
Nigel Harrison (dal 1979-05 al 1979-06)
tastiera :
Jimmy Destri (dal 1979-05 al 1979-06)
voce di accompagnamento ospite:
Ellie Greenwich (dal 1979-05 al 1979-06)
voce principale:
Deborah Harry (dal 1979-05 al 1979-06)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1979), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1979), Chrysalis Records, Inc. (not for release label use!) (nel 1979) e Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1980)
registrata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti (dal 1979-05 al 1979-06), Mediasound Studios in New York, New York, Stati Uniti (dal 1979-05 al 1979-06) e Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti (dal 1979-05 al 1979-06)
mixata presso:
MCA Whitney Recording Studios in Glendale, California, Stati Uniti
parte di:
Songs banned by the BBC (numero: Gulf War ban)
registrazione di:
Atomic (dal 1979-05 al 1979-06)
autore:
Jimmy Destri e Deborah Harry
editore:
Chrysalis Music (music publisher, ASCAP-affiliated) (conclusa), Monster Island Music Publishing Corporation (conclusa), BMG Monarch, Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint), EMI Music Publishing Ltd. (PRS‐affiliated) e Rare Blue Music Inc
Blondie43:49

Accreditamenti

Gruppo di pubblicazioni

parte di:Now That’s What I Call…... (UK compilations outside the main numbered series or subseries) (ordine: 4)
Wikipedia:en: Now Smash Hits [info]
Discogs:https://www.discogs.com/master/438515 [info]
Wikidata:Q7065435 [info]