Let There Be Drums! Volume 2: The '60s

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

1▼CD
#TitoloArtistaValutazioneDurata
1Walk - Don’t Run
tecnico:
Joe Boles
produttore:
Bob Reisdorff
basso elettrico [bass] :
Nokie Edwards
batteria :
Skip Moore
chitarra elettrica [lead guitar] :
Bob Bogle
chitarra elettrica [rhythm guitar] :
Don Wilson (US guitarist, member or The Ventures)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1960 (numero: 39)
registrazione cover di:
Walk, Don’t Run
compositore:
Johnny Smith (jazz guitarist)
editore:
Forshay Music, Inc., On Board Music (publisher), Peer Music (“Peermusic—the global independent”) e Windswept Pacific Music Ltd.
The Ventures4.252:06
2Running Scared
registrazione di:
Running Scared
paroliere:
Joe Melson (nel 1961) e Roy Orbison (nel 1961)
compositore:
Joe Melson e Roy Orbison
editore:
Barbara Orbison Music Company, Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) e Acuff-Rose Publications, Inc. (BMI) (il 1961-04-10)
Roy Orbison2:13
3When a Man Loves a Woman
produttore:
Marlin Greene (’60s teen artist, writer & engineer) e Quin Ivy
batteria :
Roger Hawkins (il 1966-02-17)
chitarra :
Marlin Greene (’60s teen artist, writer & engineer) (il 1966-02-17)
contrabbasso :
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (il 1966-02-17)
farfisa [farfisa organ] :
Spooner Oldham (il 1966-02-17)
voce:
Percy Sledge (il 1966-02-17)
diritti fonografici (℗) detenuti da:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (, nel 1966) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1966)
registrata presso:
Norala Studio in Sheffield, Alabama, Stati Uniti (il 1966-02-17)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 54) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione di:
When a Man Loves a Woman (il 1966-02-17)
autore:
Calvin Lewis e Andrew Wright (US keyboardist)
editore:
Mijac Music, Warner Chappell, Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell (Warner/Chappell Music, Inc.), Pronto Music, Inc. (publisher) (dal 1966 a oggi), Quinvy Music Publishing Company, Inc. (dal 1966 a oggi), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (dal 1966 a oggi), Pronto (BMI‐affiliated publishing company) (nel 1972) e Quinvy (record company and publisher) (nel 1972)
Percy Sledge4.352:58
4Wipe Out
produttore:
Charles Bud Dant
batteria [drums] :
Ron Wilson (drummer of The Surfaris)
chitarra [lead guitar] :
Jim Fuller (surf rock guitarist)
chitarra [rhythm guitar] :
Bob Berryhill
chitarra basso :
Pat Connolly
voce parlata:
Dale Smallin
registrata presso:
Pal Recording Studio in Rancho Cucamonga, California, Stati Uniti
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1963 (numero: 38)
registrazione di:
Wipe Out
compositore:
Bob Berryhill, Patrick Connolly, Jim Fuller (surf rock guitarist) e Ron Wilson (drummer of The Surfaris)
editore:
Miraleste Music e Robin Hood Music Co.
The Surfaris42:39
5Born on the Bayou
produttore:
John Fogerty
batteria :
Doug Clifford (nel 1968)
campanaccio , chitarra [lead guitar] e congas :
John Fogerty (nel 1968)
chitarra :
Tom Fogerty
chitarra [rhythm guitar] :
Tom Fogerty (nel 1968)
chitarra basso :
Stu Cook (nel 1968)
esecutore:
Creedence Clearwater Revival
arrangiatore:
John Fogerty
diritti fonografici (℗) detenuti da:
Fantasy, Inc. (not for release label use!) (nel 1969)
registrazione di:
Born on the Bayou (nel 1968-12)
paroliere e compositore:
John Fogerty
editore:
Burlington Music Co., Ltd., Cody River Music Company e Jondora Music (il 1968-12-27)
registrazione dal vivo di:
Born on the Bayou (nel 1970)
paroliere e compositore:
John Fogerty
editore:
Burlington Music Co., Ltd., Cody River Music Company e Jondora Music (il 1968-12-27)
Creedence Clearwater Revival4.255:14
6(Sweet Sweet Baby) Since You’ve Been Gone
registrata a:
New York, New York, Stati Uniti
tecnico di registrazione:
Tom Dowd
produttore:
Jerry Wexler
batteria :
Roger Hawkins (dal 1967-12-16 al 1967-12-17)
chitarra :
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (dal 1967-12-16 al 1967-12-17) e Bobby Womack (dal 1967-12-16 al 1967-12-17)
chitarra basso :
Tommy Cogbill (dal 1967-12-16 al 1967-12-17)
pianoforte elettrico :
Spooner Oldham (dal 1967-12-16 al 1967-12-17)
sassofono baritono :
Henry Haywood (dal 1967-12-16 al 1967-12-17)
sassofono tenore :
King Curtis (saxophonist) (dal 1967-12-16 al 1967-12-17), Seldon Powell (dal 1967-12-16 al 1967-12-17) e Frank Wess (dal 1967-12-16 al 1967-12-17)
tromba :
Bernie Glow (dal 1967-12-16 al 1967-12-17), Melvin Lastie (dal 1967-12-16 al 1967-12-17) e Joe Newman (US jazz trumpeter) (dal 1967-12-16 al 1967-12-17)
trombone basso :
Tony Studd (dal 1967-12-16 al 1967-12-17)
cori:
Carolyn Franklin (dal 1967-12-16 al 1967-12-17), Erma Franklin (dal 1967-12-16 al 1967-12-17) e The Sweet Inspirations (dal 1967-12-16 al 1967-12-17)
voce:
Aretha Franklin (dal 1967-12-16 al 1967-12-17)
arrangiatore corno :
Arif Mardin
arrangiatore:
Tom Dowd e Arif Mardin
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1968) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1968)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (dal 1967-12-16 al 1967-12-17)
registrazione cover di:
(Sweet, Sweet Baby) Since You’ve Been Gone (dal 1967-12-16 al 1967-12-17)
autore:
Aretha Franklin e Ted White (husband & co-songwriter of Aretha Franklin)
editore:
14th Hour Music, Cotillion Music Inc. (BMI), EMI Songs Ltd., Fourteenth Hour Music, Inc., Mijac Music e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Aretha Franklin4.352:25
7Omaha
registrata a:
Hollywood, Los Angeles, California, Stati Uniti (nel 1967-04)
produttore:
David Rubinson
basso :
Bob Mosley (bass player from Moby Grape) (nel 1967-04)
batteria :
Don Stevenson (Drummer, Moby Grape) (nel 1967-04)
chitarra :
Peter Lewis (member of The Cornells and Moby Grape) (nel 1967-04), Jerry Miller (US songwriter, guitarist & vocalist) (nel 1967-04) e Alexander “Skip” Spence (nel 1967-04)
voce:
Peter Lewis (member of The Cornells and Moby Grape) (nel 1967-04), Jerry Miller (US songwriter, guitarist & vocalist) (nel 1967-04), Bob Mosley (bass player from Moby Grape) (nel 1967-04), Alexander “Skip” Spence (nel 1967-04) e Don Stevenson (Drummer, Moby Grape) (nel 1967-04)
registrazione di:
Omaha (nel 1967-04)
paroliere e compositore:
Alexander “Skip” Spence
Moby Grape2:22
8People Got to Be Free
The Rascals3:01
9Twist and Shout
registrazione cover di:
Twist and Shout (nel 1962)
autore:
Bert Russell (nel 1961-02) e Phil Medley (nel 1961-02)
editore:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Progressive Music Publishing Company Inc., Progressive Music, Inc (publisher), Rightsong Music Inc., Robert Mellin Ltd., Robert Mellin Music Publishing Corp., Robert Mellin, Inc., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing (UK) Ltd., Unichappell Music, Inc. e Warner/Chappell (Warner/Chappell Music, Inc.)
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
registrazione di:
Twist and Shout
autore:
Bert Russell (nel 1961-02) e Phil Medley (nel 1961-02)
editore:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Progressive Music Publishing Company Inc., Progressive Music, Inc (publisher), Rightsong Music Inc., Robert Mellin Ltd., Robert Mellin Music Publishing Corp., Robert Mellin, Inc., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing (UK) Ltd., Unichappell Music, Inc. e Warner/Chappell (Warner/Chappell Music, Inc.)
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Isley Brothers3.652:31
10Born to Be Wild
produttore:
Gabriel Mekler
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1968), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1968) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1968)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 53) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 129)
registrazione di:
Born to Be Wild
paroliere e compositore:
Mars Bonfire
editore:
Duchess Music Corporation (BMI-affiliated), Manitou Music, Manitou Music Canada, MCA Music Canada, Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH, Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Steppenwolf4.33:31
11Green Onions
registrata a:
Memphis, Tennessee, Stati Uniti (nel 1962-06)
produttore:
Jim Stewart (US producer, founder for Stax & Volt Records)
batteria [drums] :
Al Jackson (Booker T & The MGs drummer) (nel 1962-06)
chitarra :
Steve Cropper (nel 1962-06)
chitarra basso [bass] :
Lewie Steinberg (nel 1962-06)
organo Hammond :
Booker T. Jones (nel 1962-06)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1967)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 181) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 418)
registrazione di:
Green Onions (nel 1962-06)
compositore:
Al Jackson, Jr. (Booker T & The MGs drummer), Steve Cropper, Booker T. Jones e Lewie Steinberg
editore:
Al Jackson Jr. Music, Bug Music (music publishing), Carlin Music Corporation, East/Memphis Music Corp. e Irving Music (BMI)
Booker T. & the MG’s4.152:55
12Jenny Take a Ride!
arrangiatore:
Bob Crewe
medley che comprende una registrazione di:
C. C. Rider (Jerry Lee Lewis version)
arrangiatore:
Jerry Lee Lewis (Rock & Roll pianist, nicknamed “The Killer”)
versione di:
See See Rider Blues
registrazione di:
Jenny Take a Ride
autore:
Bob Crewe e Enotris Johnson
compositore:
Richard Wayne Penniman
medley che comprende una registrazione di:
Jenny, Jenny (made famous by Little Richard; not the 867‒5309 song)
autore:
Enotris Johnson (fino al 1956-10-15) e Richard Wayne Penniman (fino al 1956-10-15)
editore:
Sony/ATV Songs LLC
Mitch Ryder & The Detroit Wheels3:24
13Up on Cripple Creek
registrazione di:
Up on Cripple Creek
paroliere e compositore:
Robbie Robertson
editore:
Canaan Music Inc e Warner/Chappell Music, Inc.
The Band3:34
14Soul Man
registrata a:
Memphis, Tennessee, Stati Uniti (il 1967-08-10)
produttore:
Isaac Hayes, David Porter (US soul musician, producer & songwriter) e Jim Stewart (US producer, founder for Stax & Volt Records)
strumenti:
Booker T. & the MG’s (nel 1967) e The Mar‐Keys Horns (nel 1967)
voce principale:
Sam Moore (singer, ex "Sam and Dave") (nel 1967) e David Prater (soul artist) (nel 1967)
diritti fonografici (℗) detenuti da:
HHO Recordings Ltd., WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1966) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1967)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 458)
registrazione di:
Soul Man (il 1967-08-10)
autore:
Isaac Hayes (nel 1967) e David Porter (US soul musician, producer & songwriter) (nel 1967)
editore:
EMI Music Publishing (do not use as a release label!), Rondor Music (London) Ltd., Rondor Music Ltd. (publisher), Walden Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Almo Music Corp. (USA, affiliated with ASCAP) (nel 1986) e Walden Music Corp. (publisher) (nel 1986)
Sam & Dave4.52:40
15Look Through Any Window
The Hollies2:18
16Surf City
Jan & Dean2:28
17In the Midnight Hour
Wilson Pickett2:34
18I Want Candy
registrazione di:
I Want Candy (nel 1965)
autore:
Bert Russell Berns, Bob Feldman (of The Strangeloves), Jerry Goldstein (producer, record label owner and publisher) e Richard Gottehrer (American songwriter and music executive)
editore:
Downtown Music Publishing LLC (PRS-affiliated), Sloopy II Music, Sony/ATV Songs LLC e Wren Music Co.
The Strangeloves42:33