Immortal Opera Arias

~ Release by Maria Callas (see all versions of this release, 1 available)

Tracklist

| |
1CD: Giacomo Puccini
#TitleRatingLength
1Madama Butterfly: “Viene la sera” ... “Bimba dagli occhi pieni di malia”
soprano vocals [Butterfly]:
Maria Callas (soprano) (in 1955)
recording of:
Madama Butterfly: Atto I. “Bimba dagli occhi pieni di malìa” (Butterfly, Pinkerton) (in 1955)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
7:00
2Madama Butterfly: “Vogliatemi bene”
soprano vocals [Butterfly]:
Maria Callas (soprano) (in 1955)
recording of:
Madama Butterfly: Atto I. “Vogliatemi bene, un bene piccolino” … “Un pò'di vero c'è” … “Oh quanti occhi fisi” (Butterfly, Pinkerton) (Love Duet) (in 1955)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
publisher:
Casa Ricordi BMG S.p.A.
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
7:25
3Madama Butterfly: “Un bel dì vedremo”
soprano vocals [Butterfly]:
Maria Callas (soprano) (in 1955)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly) (in 1955)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
4:42
4Madama Butterfly: “Scuoti quella fronda” (Flower Duet)
soprano vocals [Butterfly]:
Maria Callas (soprano) (in 1955)
recording of:
Madama Butterfly: Atto II. “Scuoti quella fronda di ciliegio” (Butterfly, Suzuki) (in 1955)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
5:31
5Madama Butterfly: “Come una mosca prigioniera”
soprano vocals [Butterfly]:
Maria Callas (soprano) (in 1955)
recording of:
Madama Butterfly: Atto III. “Come una mosca prigioniera” (Suzuki, Butterfly) (in 1955)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (Madame Butterfly: Act III, also: Atto II, parte 2)
3:37
6Madama Butterfly: “Tu! Tu! Tu! – Piccolo iddio”
soprano vocals [Butterfly]:
Maria Callas (soprano) (in 1955)
recording of:
Madama Butterfly: Atto III. “Con onor muore … Tu? Tu? Piccolo Iddio” (Butterfly, Pinkerton) (in 1955)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (Madame Butterfly: Act III, also: Atto II, parte 2)
3:31
7Madama Butterfly: “Butterfly Butterfly Butterfly”
soprano vocals [Butterfly]:
Maria Callas (soprano) (in 1955)
1:13
8Tosca: “Mario! Mario! Mario!” ... “Ah, quegli occhi”
soprano vocals [Tosca]:
Maria Callas (soprano) (in 1953)
recording of:
Tosca: Atto I. “Mario! Mario! Mario!... Son qui!” (Tosca, Cavaradossi) (in 1953)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I (Tosca: Act 1)
8:39
9Tosca: “Orsù, Tosca, parlate”
soprano vocals [Tosca]:
Maria Callas (soprano) (in 1953)
recording of:
Tosca: Atto II. “Orsù, Tosca, parlate” … “Basta, Roberti” (Scarpia, Tosca, Cavaradossi, Spoletta, Sciarrone) (in 1953)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
3:26
10Tosca: “Floria! ... Amore” - “Vittoria! Vittoria!”
soprano vocals [Tosca]:
Maria Callas (soprano) (in 1953)
recording of:
Tosca: Atto II. “Vittoria! Vittoria! L’alba vindice appar” (Cavaradossi, Tosca, Scarpia) (in 1953)
composer:
Giacomo Puccini (Italian composer)
part of:
Tosca: Atto II (Tosca: Act II)
2:41
11Tosca: “Salvatelo ... voi? .... io!” ... “Come tu mi odi!”
soprano vocals [Tosca]:
Maria Callas (soprano) (in 1953)
recording of:
Tosca: Atto II. “Come tu mi odii!” (Tosca, Scarpia) (in 1953)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
recording of:
Tosca: Atto II. “Salvatelo! … Io? … Voi!” … “La povera mia cena fu interrotta” (Tosca, Scarpia) (in 1953)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
5:48
12Tosca: “Vissi d'arte”
soprano vocals [Tosca]:
Maria Callas (soprano) (in 1953)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca) (in 1953)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
3:14
13Tosca: “Vedi le man giunte io stende a te” - “Io tenni la promessa!”
soprano vocals [Tosca]:
Maria Callas (soprano) (in 1953)
recording of:
Tosca: Atto II. “Io tenni la promessa” (Scarpia, Tosca) (in 1953)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
recording of:
Tosca: Atto II. “Vedi, le man giunte io stendo a te!” (Tosca, Scarpia) (in 1953)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
5:13
14Tosca: “Tosca, finalmente mia!”
soprano vocals [Tosca]:
Maria Callas (soprano) (in 1953)
recording of:
Tosca: Atto II. “E qual via scegliete?” – “Tosca, finalmente mia” (Scarpia, Tosca) (in 1953)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
1:07
15Tosca: “E morto! Or gli perdono!”
soprano vocals [Tosca]:
Maria Callas (soprano) (in 1953)
recording of:
Tosca: Atto II. “È morto! Or gli perdono!” (Tosca) (in 1953)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
3:52
16Tosca: “O dolci mani”
soprano vocals [Tosca]:
Maria Callas (soprano) (in 1953)
recording of:
Tosca: Atto III. “O dolci mani” (Cavaradossi, Tosca) (in 1953)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
1:29
17Tosca: “Senti l'ora è vicina”
soprano vocals [Tosca]:
Maria Callas (soprano) (in 1953)
recording of:
Tosca: Atto III. “Senti, l’ora è vicina” (Tosca, Cavaradossi) (in 1953)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
1:30
18Tosca: “Amaro sol per te”
soprano vocals [Tosca]:
Maria Callas (soprano) (in 1953)
recording of:
Tosca: Atto III. “Amaro sol per te m’era il morire” (Cavaradossi, Tosca) (in 1953)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
1:56
19Tosca: “E non giungono”
soprano vocals [Tosca]:
Maria Callas (soprano) (in 1953)
recording of:
Tosca: Atto III. “E non giungono” (Cavaradossi, Tosca) (in 1953)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
2:26
20Tosca: “Come è lunga attesa”
soprano vocals [Tosca]:
Maria Callas (soprano) (in 1953)
recording of:
Tosca: Atto III. “Com’è lunga l’attesa!” (Tosca) (in 1953)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
2:15
21Tosca: “Presto, su, Mario!”
soprano vocals [Tosca]:
Maria Callas (soprano) (in 1953)
recording of:
Tosca: Atto III. “Presto, su! Mario! Mario!” (Tosca, Voci confuse, Sciarrone, Spoletta) (in 1953)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
1:21
2CD: Giuseppe Verdi
#TitleRatingLength
1La traviata: Brindisi
soprano vocals [Violetta]:
Maria Callas (soprano) (in 1953)
recording of:
La traviata: Atto I. Brindisi “Libiamo, ne’ lieti calici” (Alfredo, Coro, Violetta) (in 1953)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
3:16
2La traviata: “Un dì felice”
soprano vocals [Violetta]:
Maria Callas (soprano) (in 1953)
recording of:
La traviata: Atto I. Duetto “Un dì felice, eterea” (Alfredo, Violetta) (in 1953)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
3:35
3La traviata: “È strano! È strano!” - “Ah fors'è lui” - “Follie! Follie!”
soprano vocals [Violetta]:
Maria Callas (soprano) (in 1953)
recording of:
La traviata: Atto I. Recitativo “È strano! è strano!” (Violetta) (in 1953)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
5:27
4La traviata: “Sempre libera”
soprano vocals [Violetta]:
Maria Callas (soprano) (in 1953)
recording of:
La traviata: Atto I. “Sempre libera” (Violetta) (in 1953)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
3:59
5La traviata: “Dite alla giovine”
soprano vocals [Violetta]:
Maria Callas (soprano) (in 1953)
recording of:
La traviata: Atto II, scena 1. Duetto “Ah! Dite alla giovine” (Violetta, Germont) (in 1953)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
4:27
6La traviata: “Teneste la promessa”
soprano vocals [Violetta]:
Maria Callas (soprano) (in 1953)
recording of:
La traviata: Atto III. Recitativo “Teneste la promessa” (Violetta) (in 1953)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto III (La traviata: Act III)
1:53
7La traviata: “Addio del passato”
soprano vocals [Violetta]:
Maria Callas (soprano) (in 1953)
recording of:
La traviata: Atto III. “Addio, del passato bei sogni ridenti” (Violetta) (in 1953)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto III (La traviata: Act III)
3:29
8La traviata: “Parigi, o cara”
soprano vocals [Violetta]:
Maria Callas (soprano) (in 1953)
recording of:
La traviata: Atto III. Duetto “Parigi, o cara, noi lasceremo” (Alfredo, Violetta) (in 1953)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto III (La traviata: Act III)
4:07
9La traviata: “Ah Violetta”
soprano vocals [Violetta]:
Maria Callas (soprano) (in 1953)
recording of:
La traviata: Act III. “Ah, Violetta!” (in 1953)
composer:
Giuseppe Verdi (Italian opera composer)
translated version of:
La traviata: Atto III. “Ah, Violetta!… Voi, Signor!” (Germont, Violetta, Alfredo)
part of:
La traviata: Act III (english version)
3:37
10Rigoletto: “Figlia! Mio Padre”
soprano vocals [Gilda]:
Maria Callas (soprano) (in 1955)
recording of:
Rigoletto: Atto I, scena 2. Duetto “Figlia!” ... “Mio padre!” … “Deh, non parlare al misero” (Rigoletto, Gilda) (in 1955)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto I
6:30
11Rigoletto: “È il sol dell'anima”
soprano vocals [Gilda]:
Maria Callas (soprano) (in 1955)
recording of:
Rigoletto: Atto I, scena 2. “È il sol dell’anima” (Duca, Gilda, Ceprano, Borsa, Giovanna) (in 1955)
composer:
Giuseppe Verdi (Italian opera composer) (in 1850)
librettist:
Francesco Maria Piave (in 1850)
part of:
Rigoletto: Atto I
5:07
12Rigoletto: “Gualtier Maldè”
soprano vocals [Gilda]:
Maria Callas (soprano) (in 1955)
recording of:
Rigoletto: Atto I, scena 2. N°6 Aria & scena “Gualtier Maldè! … Caro nome” (Gilda, Borsa, Ceprano, Marullo) (in 1955)
lyricist and librettist:
Francesco Maria Piave
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Rigoletto: Atto I
7:29
13Rigoletto: “Tutte le feste”
soprano vocals [Gilda]:
Maria Callas (soprano) (in 1955)
recording of:
Rigoletto: Atto II. Recitativo “Parla … Siam soli …” / “Tutte le feste al tempio” (Rigoletto, Gilda) (in 1955)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto II
8:04
14Rigoletto: “Bella figlia dell'amore”
soprano vocals [Gilda]:
Maria Callas (soprano) (in 1955)
recording of:
Rigoletto: Atto III. N°12 Quartetto "Bella figlia dell'amore" (Duca, Maddalena, Gilda, Rigoletto) (in 1955)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
4:59
15Rigoletto: “Chi e mai”
soprano vocals [Gilda]:
Maria Callas (soprano) (in 1955)
recording of:
Rigoletto: Atto III. Scena e Duetto Finale. "Chi è mai, chi è qui in sua vece?" (Rigoletto, Gilda) (in 1955)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
3:27
16Rigoletto: “Lassù ... in cielo”
soprano vocals [Gilda]:
Maria Callas (soprano) (in 1955)
recording of:
Rigoletto: Atto III. "Lassù... in cielo" (Gilda, Rigoletto) (in 1955)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
3:09
3CD: Norma to Isolde
#TitleRatingLength
1Aida: “Ritorna vincitor!” ... “I sacri nomi di padre d'amante”
producer:
Walter Legge (British classical producer)
soprano vocals [Aida]:
Maria Callas (soprano) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-12, from 1955-08-16 until 1955-08-20, from 1955-08-23 until 1955-08-24)
recording of:
Aida: Atto I, scena 1. Scena: “Ritorna vincitor!” – “E l’amor mio …” – “I sacri nomi di padre, d’amante” (Aida) (from 1955-08-10 until 1955-08-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
recording of:
Aida: Atto I, scena 1. Scena: “Ritorna vincitor!” – “E l’amor mio …” – “I sacri nomi di padre, d’amante” (Aida) (from 1955-08-16 until 1955-08-20)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
recording of:
Aida: Atto I, scena 1. Scena: “Ritorna vincitor!” – “E l’amor mio …” – “I sacri nomi di padre, d’amante” (Aida) (from 1955-08-23 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
6:51
2Aida: “Sul del Nilo al sacro lido” ... “Numi, pieta del mio martir”
soprano vocals [Aida]:
Maria Callas (soprano) (in 1955)
recording of:
Aida: Atto II, scena 1. Scena e duetto: “Su! del Nilo al sacro lido” / “Numi pietà” (Amneris, Aida, Coro) (in 1955)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
2:42
3Aida: “Qui Ramadès verrà” ... “O patria mia”
soprano vocals [Aida]:
Maria Callas (soprano) (from 1955-08-10 until 1955-08-24)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-08-10 until 1955-08-24)
conductor:
Tullio Serafin (conductor) (from 1955-08-10 until 1955-08-24)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-08-10 until 1955-08-24)
recording of:
Aida: Atto III: Romanza: “Qui Radamès verrá!” … “O patria mia” (Aida) (from 1955-08-10 until 1955-08-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
7:04
4Aida: “Ciel mio padre” ... “Su dunque!”
soprano vocals [Aida]:
Maria Callas (soprano) (in 1955)
recording of:
Aida: Atto III. Duetto “Ciel! mio padre!” … “A te grave cagion m’adduce” (Aida, Amonasro) (in 1955)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
8:12
5Aida: “O terra addio, addio di vale di pianto”
soprano vocals [Aida]:
Maria Callas (soprano) (in 1955)
recording of:
Aida: Atto IV, scena 2: Finale Ultimo: “O terra addio” (Aida, Radamès, coro, Amneris) (in 1955)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
5:00
6Norma: “Casta Diva”
soprano vocals [Norma]:
Maria Callas (soprano) (in 1953)
recording of:
Norma: Atto I, scena 1. Scena e cavatina “Casta diva, che inargenti” (Norma, coro) (in 1953)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto I
7:27
7Lucia di Lammermoor: “Chi mi frena in tal momento”3:35
8Lucia di Lammermoor: “Ardon gli incensi”
soprano vocals [Lucia]:
Maria Callas (soprano) (in 1953)
recording of:
Lucia di Lammermoor: Atto III, Scena 1. no. 14. “Ardon gli incensi” (Lucia, Raimondo) (in 1953)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto III
5:30
9Cavalleria rusticana: “Dite mamma Lucia”
soprano vocals [Santuzza]:
Maria Callas (soprano) (in 1953)
recording of:
Cavalleria rusticana: “Dite, mamma Lucia …” (Santuzza, Lucia) (in 1953)
composer:
Pietro Mascagni (composer & conductor)
part of:
Cavalleria rusticana
4:44
10Cavalleria rusticana: “Regina coeli laetare”
soprano vocals [Santuzza]:
Maria Callas (soprano) (in 1953)
recording of:
Cavalleria rusticana: “Regina coeli laetare” (Coro) (Easter Hymn, Easter Hymn) (in 1953)
composer:
Pietro Mascagni (composer & conductor)
librettist:
Giovanni Targioni-Tozzetti (Italian librettist, 19th-20th c.)
part of:
Cavalleria rusticana
6:53
11Cavalleria rusticana: “Ah! Io vedi” ... “No, no Turiddu”
soprano vocals [Santuzza]:
Maria Callas (soprano) (in 1953)
recording of:
Cavalleria rusticana: "Ah! Lo vedi che hai tu detto?" (Turiddu, Santuzza) (in 1953)
composer:
Pietro Mascagni (composer & conductor)
part of:
Cavalleria rusticana
recording of:
Cavalleria Rusticana: "No, no, Turiddu" (Santuzza, Turiddu) (in 1953)
composer:
Pietro Mascagni (composer & conductor)
part of:
Cavalleria rusticana
6:06
12Pagliacci: “So ben che la scemo“
soprano vocals [Nedda]:
Maria Callas (soprano) (in 1954)
recording of:
Pagliacci: Atto I. “Sei là! Credea che te ne fossi andato” … “So ben che difforme, contorto son io” (Nedda, Tonio) (in 1954)
composer and librettist:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Atto I (Pagliacci: Act I)
4:10
13Pagliacci: “E allor perché”
soprano vocals [Nedda]:
Maria Callas (soprano) (in 1954)
recording of:
Pagliacci: Atto I. “E allor perché, di', tu m'hai stregato” (Silvio, Nedda) (in 1954)
composer:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Atto I (Pagliacci: Act I)
3:37
14Tristan und Isolde: “Dolce e calmo” (Liebestod)
soprano vocals, soprano vocals [Elvira] and soprano vocals [Isolde]:
Maria Callas (soprano) (on 1949-11-09)
orchestra:
Orchestra Sinfonica di Torino della RAI (on 1949-11-09, on 1949-11-10, from 1954 until 1956)
conductor:
Arturo Basile (Italian opera conductor) (on 1949-11-09, on 1949-11-10)
recording of:
Excerpt from Tristan und Isolde, WWV 90: Akt III, Szene III. Liebestod. “Mild und leise wie er lächelt” (on 1949-11-09)
composer:
Richard Wagner (composer) (from 1857-10 until 1859-08)
librettist:
Richard Wagner (composer) (from 1857-08-20 until 1857-09-18)
part of:
Tristan und Isolde, WWV 90: Akt III, Szene III. "Kurwenal! Hör'! Ein zweites Schiff"
recording of:
Tristan und Isolde: “Dolce e calmo” (Morte di Isotta) (on 1949-11-09)
composer:
Richard Wagner (composer)
translated version of:
Excerpt from Tristan und Isolde, WWV 90: Akt III, Szene III. Liebestod. “Mild und leise wie er lächelt”
7:38

Credits

Release

ASIN:UK: B000W7M1CG [info]