30 Years of Classic Hits of the 60s, 70s & 80s

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

| |
1▼CD
#TitoloArtistaValutazioneDurata
1Good Vibrations
tecnico di registrazione:
Bruce Botnick (dal 1966-02 al 1966-06), Chuck Britz (dal 1966-02 al 1966-06) e Larry Levine (dal 1966-02 al 1966-06)
tecnico:
Chuck Britz e Jim Lockert (Enginear)
produttore:
The Beach Boys (American rock band) e Brian Wilson (Beach Boys co‐founder)
tecnico di missaggio:
Derry FitzGerald
voce:
Mike Love (Beach Boys) (dal 1966-02 al 1966-06)
voce principale:
Mike Love (Beach Boys) (dal 1966-02 al 1966-06) e Carl Wilson (Beach Boys) (dal 1966-02 al 1966-06)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1966)
registrata presso:
Gold Star Studios in Hollywood, Los Angeles, California, Stati Uniti (dal 1966-02 al 1966-06), Sunset Sound in Hollywood, Los Angeles, California, Stati Uniti (dal 1966-02 al 1966-06) e Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (dal 1966-02 al 1966-06)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 6), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 53)
registrazione di:
Good Vibrations (Love/Wilson lyrics, common version) (dal 1966-02 al 1966-06)
paroliere:
Mike Love (Beach Boys) e Brian Wilson (Beach Boys co‐founder)
compositore:
Brian Wilson (Beach Boys co‐founder)
editore:
Irving Music, Inc., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Rondor Music (London) Ltd., Rondor Music Publishing, Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label) e Universal Music Publishing (use ONLY if no country‐specific information is available)
versione di:
Good Vibrations (Tony Asher lyrics)
The Beach Boys4.23:37
2My Sharona
basso :
Prescott Niles (nel 1979-04)
batteria :
Bruce Gary (nel 1979-04)
chitarra [lead guitar] :
Berton Averre (nel 1979-04)
chitarra [rhythm guitar] e voce principale:
Doug Fieger (in The Knack) (nel 1979-04)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1979, nel 2002) e Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1979)
registrazione di:
My Sharona (nel 1979-04)
autore:
Berton Averre e Douglas Fieger (in The Knack)
editore:
Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eighties Music, Music Sales Corporation (American copyright holder in both popular and classical music), Small Hill Music, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing MGB Australia e Wise Brothers Music LLC
The Knack4.13:59
3Lola
registrazione di:
Lola
paroliere e compositore:
Ray Davies (UK singer/songwriter, member of The Kinks)
editore:
Carlin Music Corporation, Carlin (nel 1970, nel 1984) e Davray (publisher) (nel 1970, nel 1984)
The Kinks4:05
4You're So Vain
tecnico di registrazione:
Robin Geoffrey Cable (dal 1972-09 al 1972-10)
tecnico:
Robin Geoffrey Cable
produttore:
Richard Perry (producer)
basso :
Klaus Voorman (dal 1972-09 al 1972-10)
batteria :
Jim Gordon (US drummer with Derek and the Dominos) (dal 1972-09 al 1972-10)
chitarra :
Jimmy Ryan (American guitarist and singer/songwriter) (dal 1972-09 al 1972-10)
percussione :
Richard Perry (producer) (dal 1972-09 al 1972-10)
pianoforte e voce principale:
Carly Simon (dal 1972-09 al 1972-10)
voce di accompagnamento:
Mick Jagger (dal 1972-09 al 1972-10)
voce di accompagnamento aggiuntiva:
Carly Simon (dal 1972-09 al 1972-10) e Doris Troy (dal 1972-09 al 1972-10)
arrangiatore archi :
Carly Simon
orchestratore:
Paul Buckmaster
diritti fonografici (℗) detenuti da:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (nel 1972), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1972), Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (nel 1978), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984) e Rhino Entertainment Company (not for release label use!) (nel 2015)
registrata presso:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Regno Unito (dal 1972-09 al 1972-10)
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 100), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 140) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 495)
registrazione di:
You’re So Vain (dal 1972-09 al 1972-10)
paroliere e compositore:
Carly Simon
editore:
C’est Music, Quackenbush Music, Ltd. (ASCAP-affiliated), Universal Music Corporation (USA, affiliated with ASCAP) e Universal Music Publishing Group
Carly Simon4.64:17
5Electric Blue
registrazione di:
Electric Blue
autore:
Iva Davies e John Oates
editore:
BMG Music, EMI Songs, EMI Songs Australia Pty. Ltd., Kobalt Music Publishing Australia P/L e Universal Music Publishing MGB Australia
Icehouse4:21
6Sexual Healing
produttore:
Marvin Gaye
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1982), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 1982), Sony BMG Music Entertainment Inc. (nel 1982) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1982)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 198) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 231)
registrazione di:
Sexual Healing
autore:
Odell Brown, Marvin Gaye e David Ritz (American author)
editore:
April Music Publishing Inc., Blackwood Music Inc. (1953-02-07–1987-12-30), Bugpie Music Publishing, EMI Songs Australia Pty. Ltd., EMI Songs Ltd. e April Music Inc. (nel 1982)
Marvin Gaye3.753:59
7Eagle Rock
basso :
Wayne Duncan (Australian musician)
batteria :
Gary Young (Australian drummer)
chitarra :
Ross Hannaford e Ross Wilson (Australian singer-songwriter, guitarist and producer)
voce:
Ross Wilson (Australian singer-songwriter, guitarist and producer)
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (nel 1971), Sparmac (nel 1971), Wizard (Australian rock) (nel 1971), Wizard Records (nel 1971) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1998)
registrazione di:
Eagle Rock
autore:
Ross Wilson (Australian singer-songwriter, guitarist and producer)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Mushroom Music (Mushroom label’s publishing company) e Mushroom Music Pty. Ltd.
Daddy Cool4:10
8Pretty Woman
produttore:
Fred Foster
armonica (a bocca) :
Charlie McCoy (white blues harmonica player, 1960s-present) (il 1964-08-01)
batteria :
Buddy Harman (Session drummer and songwriter) (il 1964-08-01)
chitarra :
Jerry Kennedy (il 1964-08-01), Wayne Moss (il 1964-08-01) e Billy Sanford (guitar) (il 1964-08-01)
chitarra a 12 corde [12 string guitar Epiphone] e voce principale:
Roy Orbison (il 1964-08-01)
contrabbasso [upright bass] :
Bob Moore (U.S. bassist and bandleader) (il 1964-08-01)
percussione :
Paul Garrison (il 1964-08-01)
pianoforte :
Floyd Cramer (il 1964-08-01)
sassofono :
Boots Randolph (il 1964-08-01)
voce:
Roy Orbison
diritti fonografici (℗) detenuti da:
Orbison Records, Orbison Records, Inc. e Monument Record Corp. (not for release label use!) (nel 1964)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 20), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 59), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 222)
registrazione di:
Oh, Pretty Woman (Roy Orbison song) (il 1964-08-01)
paroliere e compositore:
Bill Dees e Roy Orbison
editore:
Acuff-Rose Music Limited (UK), Barbara Orbison Music Company, Roy Orbison Music Company, Universal/MCA Music Ltd. (not for release label use!), Acuff-Rose Publications, Inc. (BMI) (il 1964-08-26) e Acuff-Rose (BMI) (nel 1972)
Roy Orbison4.23:00
9April Sun in Cuba
basso elettrico :
Todd Hunter (Todd Stuart Hunter of Dragon)
chitarra :
Robert Taylor (Singer-songwriter and guitarist)
tastiera :
Paul Hewson (New Zealand keyboardist; not to be confused with the Irish rock star better known as Bono)
voce:
Paul Hewson (New Zealand keyboardist; not to be confused with the Irish rock star better known as Bono), Todd Hunter (Todd Stuart Hunter of Dragon) e Robert Taylor (Singer-songwriter and guitarist)
voce principale:
Marc Hunter
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (nel 1977) e Sony Music Entertainment (Australia) Limited (not for release label use! AU subsidiary of Sony Music Entertainment Inc., 1995/02–2004/02) (nel 1977)
registrazione di:
April Sun in Cuba
compositore:
Paul Hewson (New Zealand keyboardist; not to be confused with the Irish rock star better known as Bono)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd. e Essex Music of Australia Pty. Ltd.
parte di:
APRA Top 100 New Zealand Songs of All Time (numero: 10)
Dragon3:26
10Ride Like the Wind
assistente tecnico:
Stuart Gitlin
tecnico e tecnico di missaggio:
Chet Himes
produttore:
Michael Omartian
batteria :
Tommy Taylor (US drummer)
chitarra acustica , chitarra elettrica , chitarra solista e voce principale:
Christopher Cross (US singer‐songwriter)
chitarra basso :
Andy Salmon
percussione :
Lenny Castro
pianoforte e pianoforte elettrico :
Michael Omartian
sintetizzatore :
Rob Meurer
voce di accompagnamento:
Christopher Cross (US singer‐songwriter) e Michael McDonald (R&B & soul singer)
arrangiatore:
Christopher Cross (US singer‐songwriter), Rob Meurer e Michael Omartian
diritti fonografici (℗) detenuti da:
Warner Bros. (holding: file NO releases) (nel 1979) e Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1979)
è stato produttore per:
Free Flow Productions
registrata presso:
Pecan Street Studios in Austin, Texas, Stati Uniti e Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, Stati Uniti
mixata presso:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Ride Like the Wind
paroliere e compositore:
Christopher Cross (US singer‐songwriter)
editore:
BMG Songs, Inc., Pop ’n’ Roll Music (US work publisher), Shinko Music Entertainment Co., Ltd., Universal Music Publishing, Synch Division e Universal Music–MGB Songs
Christopher Cross4.14:25
11Wild Thing
produttore:
Colin Frechter (British pianist, arranger, music director, producer, vocalist)
batteria :
Ronnie Bond (The Troggs) (nel 1966)
chitarra elettrica :
Chris Britton (The Troggs) (nel 1966)
ocarina e voce principale:
Reg Presley (nel 1966)
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1966)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 257)
registrazione cover di:
Wild Thing (nel 1966)
paroliere e compositore:
Chip Taylor (US singer/songwriter)
editore:
EMI Blackwood Music Inc., EMI Songs, EMI Songs Australia Pty. Ltd., EMI Songs Musikverlag GmbH e April Music (nel 1981)
The Troggs4.42:36
12Black Magic Woman
registrata a:
San Francisco, California, Stati Uniti (nel 1970-06)
tecnico:
David Brown (US producer, engineer - Record Plant Studios, Wally Heider Studios) e John Fiore (engineer)
produttore:
Fred Catero e Santana (US Latin, blues, & rock band)
batteria :
Michael Shrieve (dal 1970-06-04 al 1970-06-05)
chitarra :
Carlos Santana (dal 1970-06-04 al 1970-06-05)
chitarra basso :
David Brown (US bassist for Santana/Allman Brothers/31st of February) (dal 1970-06-04 al 1970-06-05)
congas :
José “Chepito” Áreas (nel 1970-06) e Michael Carabello (nel 1970-06)
congas e percussione :
Michael Carabello (dal 1970-06-04 al 1970-06-05)
congas, percussione e timbales e timbales :
José “Chepito” Áreas (dal 1970-06-04 al 1970-06-05)
percussione :
Rico Reyes (dal 1970-06-04 al 1970-06-05)
tabla :
Steven Saphore (dal 1970-06-04 al 1970-06-05)
tastiera e voce principale:
Gregg Rolie (dal 1970-06-04 al 1970-06-05)
voce:
Gregg Rolie (nel 1970-06)
voce di accompagnamento:
Rico Reyes (dal 1970-06-04 al 1970-06-05) e Carlos Santana (dal 1970-06-04 al 1970-06-05)
arrangiatore:
Santana (US Latin, blues, & rock band)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1970) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1970)
registrata presso:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California, Stati Uniti (dal 1970-06-04 al 1970-06-05)
registrazione cover di:
Black Magic Woman (nel 1970-06)
paroliere e compositore:
Peter Green (former member of Fleetwood Mac)
editore:
Bourne Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), King Music Publ. Co. Ltd. e Murbo Music Publishers, Inc.
registrazione cover di:
Gypsy Queen (nel 1970-06)
compositore:
Gábor Szabó (nel 1966)
editore:
Gabor & Cardigan Music, PAB Music Corp. e Wixen Music Publishing, Inc.
Santana4.155:19
13Power of Love
tecnico di registrazione:
Jim Gaines e Robert Missbach
assistente tecnico:
Rob Beaton, Alex Haas (Trance remixer/producer. Member of Cypher 7), Tom Size (US audio engineer) e Jim “Watts” Vereecke
tecnico aggiunto:
Michael Christopher (engineer), Phil Kaffel e Malcolm Pollack
produttore:
Bob Clearmountain, Jellybean (US producer John Benitez) e Huey Lewis and the News (American pop rock band)
tecnico di missaggio:
Robert Missbach
armonica (a bocca) :
Huey Lewis
batteria e percussione :
Bill Gibson (US drummer for Huey Lews & the News)
chitarra :
Johnny Colla (US sax & guitarist for Huey Lewis & the News) e Chris Hayes (US rock guitarist & singer (Huey Lewis & The News))
chitarra basso :
Mario Cipollina
sassofono :
Johnny Colla (US sax & guitarist for Huey Lewis & the News)
tastiera :
Sean Hopper (US Keyboardist for Huey Lewis & the News)
voce:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Bill Gibson (US drummer for Huey Lews & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)), Sean Hopper (US Keyboardist for Huey Lewis & the News) e Huey Lewis
diritti fonografici (℗) detenuti da:
Chrysalis Records, Inc. (not for release label use!) (nel 1984, nel 1985) e Chrysalis (nel 1985)
registrata presso:
Fantasy Studios (Berkeley) in Berkeley, California, Stati Uniti, Studio D Recording in Sausalito, California, Stati Uniti e The Plant Studios (1981–2008) in Sausalito, California, Stati Uniti
mixata presso:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti
video musicali:
The Power of Love (full length) di Huey Lewis and the News (American pop rock band)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 108)
registrazione di:
The Power of Love (Back to the Future)
autore:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)) e Huey Lewis
editore:
Cause and Effect Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Huey Lewis Music, Hulex Music (publisher), Kinda Blue Music, Mushroom Music (Mushroom label’s publishing company) e WB Music Corp. (1929–2019)
sub-editore:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
parte di:
The 58th Academy Award for Best Original Song (numero: 2)
parte di:
Back to the Future: the Musical
Huey Lewis & the News43:53
14Rock On
tecnico di registrazione:
Gary Martin (sound engineer)
produttore:
Jeff Wayne (musician)
voce:
David Essex
direttore d'orchestra:
Jeff Wayne (musician)
arrangiatore:
Jeff Wayne (musician)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1973)
registrazione di:
Rock On
paroliere e compositore:
David Essex
editore:
BMG Gold Songs, Fujipacific Music, Inc., Jeff Wayne Music Ltd., Joseph Webster Ltd, Mushroom Music (Mushroom label’s publishing company), Rock On Music, Stage Three Music (Catalogues) Ltd., Stage Three Music Ltd. e Stage Three Songs
David Essex4.353:24
15Africa
tecnico di registrazione:
Al Schmitt
produttore:
Toto (US rock group)
tecnico di missaggio:
Greg Ladanyi
batteria e gong :
Jeff Porcaro
chitarra e chitarra elettrica :
Steve Lukather
chitarra acustica :
Timothy B. Schmit
chitarra basso :
David Hungate
congas :
Lenny Castro
flauto dolce :
Jim Horn (saxophonist, hornist, flutist and oboist)
marimba :
Joe Porcaro
percussione :
Lenny Castro e Joe Porcaro
sintetizzatore :
Steve Porcaro
tastiera e pianoforte :
David Paich
voce di accompagnamento:
Bobby Kimball, Steve Lukather, David Paich e Timothy B. Schmit
voce principale:
Bobby Kimball e David Paich
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1982), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1982), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1982) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1982, nel 1983)
video musicali:
Africa di Toto (US rock group)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 105) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 452)
registrazione di:
Africa (Toto)
autore:
Jeffrey Porcaro e David Paich
editore:
Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK), Rising Storm Music, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) e Spirit Two Music
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Toto4.154:53
16He Ain't Heavy, He's My Brother
produttore:
Ron Richards
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1969) e The Hollies Ltd. (dal 1969 al 1970)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (il 1969-06-25)
registrazione cover di:
He Ain’t Heavy, He’s My Brother (il 1969-06-25)
autore:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) e Bobby Scott (vocals, piano, US musician & producer)
editore:
Amber Leigh Music Inc., Campbell Connelly & Co. Ltd., Cyril Shane Music, Harrison Music Corp., Heath Levy Music, Jenny Music Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Warner/Chappell Music Ltd. (1996–2019) e ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
The Hollies4.24:19
17A Whiter Shade of Pale
produttore:
Denny Cordell
batteria ospite :
Bill Eyden
chitarra :
Ray Royer
chitarra basso :
David Knights
organo Hammond :
Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
voce:
Gary Brooker
diritti fonografici (℗) detenuti da:
Onward Music Ltd. (nel 1967)
parte di:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 46), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 57) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 271)
registrazione di:
A Whiter Shade of Pale
paroliere:
Keith Reid
compositore:
Gary Brooker e Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
editore:
Belsize Music Ltd., Essex Music International Ltd., Onward Music Ltd., The Richmond Organization Éditions Essex (TRO) e Westminster Music Ltd.
sub-editore:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
si basa su:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
si basa su:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Procol Harum4.14:03
18Blue Angel
Gene Pitney2:49
19Most People I Know
registrazione di:
Most People I Know Think That I’m Crazy
paroliere e compositore:
Billy Thorpe
editore:
Mushroom Music (Mushroom label’s publishing company) e Mushroom Music Publishing
Billy Thorpe3:57
20Ebony Eyes
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1977) e Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1977)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 96)
registrazione di:
Ebony Eyes
paroliere e compositore:
Bob Welch (early member of Fleetwood Mac)
editore:
Cigar Music, EMI Music Publishing Australia Pty Ltd (not for release label use!) e Glenwood Music Corp.
Bob Welch3:33
2▼CD
#TitoloArtistaValutazioneDurata
1Bat Out of Hell
batteria :
Max Weinberg
chitarra e chitarra [Motorcycle guitar] :
Todd Rundgren
chitarra basso :
Kasim Sulton
percussione :
Jim Steinman
pianoforte :
Roy Bittan
sintetizzatore :
Roger Powell (US musician, programmer, and columnist, band "Utopia")
tastiera :
Roy Bittan, Todd Rundgren e Jim Steinman
voce di accompagnamento:
Todd Rundgren e Kasim Sulton
voce di accompagnamento aggiuntiva:
Rory Dodd e Ellen Foley
voce principale:
Meat Loaf
diritti fonografici (℗) detenuti da:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1977) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1977)
edit di:
Bat Out of Hell di Meat Loaf
registrazione di:
Bat out of Hell
paroliere e compositore:
Jim Steinman
editore:
BMG AM Pty Limited, Carlin Music Corporation, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), J. Albert & Son Pty. Ltd., Neverland Music e Peg Music Co.
Meat Loaf4.654:54
2What I Like About You
produttore:
Peter Solley (English pianist, songwriter and producer)
diritti fonografici (℗) detenuti da:
Nemperor Records, Inc. (nel 1979)
registrata presso:
Coconut Recording in Miami, Florida, Stati Uniti (nel 1979-10)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 97) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 483)
registrazione di:
What I Like About You (nel 1979-10)
autore:
Jimmy Marinos (American drummer), Wally Palmar (Guitarist and songwriter) e Mike Skill (Singer, bassist, guitarist, songwriter)
editore:
EMI April Music Inc. e EMI Music Publishing Australia Pty. Limited (not for release label use!)
parte di:
Freaky Friday (2003)
The Romantics4.752:57
3We Built This City
assistente tecnico:
Paul Ericksen (recording engineer)
tecnico:
Jeremy Smith (producer/engineer)
produttore:
Jeremy Smith (producer/engineer) e Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
tecnico di missaggio:
Bill Bottrell
altra voce [DJ voice]:
Les Garland (American entertainment executive) (nel 1985)
arrangiatore:
Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1985) e RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1985)
mixata presso:
Fantasy Studios (Berkeley) in Berkeley, California, Stati Uniti
remixata presso:
The Soundcastle (former LA location) in Silver Lake, Los Angeles, California, Stati Uniti
registrazione di:
We Built This City (nel 1985)
autore:
Dennis Lambert, Martin Page, Bernie Taupin e Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
editore:
BMG Music, BMG Songs, Inc., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Concord Copyrights London Limited, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Little Mole Music, Petwolf Music, Tuneworks Music Co., Universal Music Careers, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal Music–MGB Songs, Warner/Chappell Music Ltd. (1996–2019), Zomba Enterprises (ASCAP-affiliated) e Zomba Enterprises, Inc.
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Starship44:50
4Kiss on My List
Daryl Hall feat. John Oates3:49
5Would I Lie to You
tecnico:
Adam Williams
produttore:
Dave Stewart (UK guitarist/singer for Eurythmics)
assistente tecnico di missaggio:
Don Smith (producer, engineer and mixer)
tecnico di missaggio:
Dave Stewart (UK guitarist/singer for Eurythmics) e Adam Williams
batteria :
Olle Romo (Swedish music producer, songwriter, and drummer)
chitarra basso :
Nathan East
organo :
Benmont Tench
sassofono :
Martin Dobson
strumenti elettronici e chitarra :
Dave Stewart (UK guitarist/singer for Eurythmics)
tromba :
Dave Plews
voce principale:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists)
diritti fonografici (℗) detenuti da:
BMG Records (UK) Limited (1987–1996) (nel 1985, nel 1991), EMI Music Australia (defunct holding company, not for release label use!) (nel 1985) e Sony Music Entertainment Germany GmbH (not for use as release label! © & ℗ holders or distributors since 2009/01/14) (nel 2005)
parte di:
RuPaul’s Drag Race UK Lip Sync Performances (season 1) (numero: 3) e RuPaul’s Drag Race Lip Sync Performances (season 1) (numero: 4)
registrazione di:
Would I Lie to You?
autore:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) e Dave Stewart (UK guitarist/singer for Eurythmics)
editore:
BMG Music e Universal Music Publishers MGB Australia Pty Ltd
Eurythmics4.254:24
6You Sexy Thing
produttore:
Mickie Most (English record producer)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1975) e CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (nel 1984)
registrazione di:
You Sexy Thing (nel 1975)
autore:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) e Tony Wilson (bassist/songwriter, member of Hot Chocolate)
editore:
Chocolate, EMI Music Publishing (PRS‐affiliated), EMI Music Publishing Australia Pty Ltd (not for release label use!), Finchley Music Corp. e RAK Publishing Ltd
Hot Chocolate3.854:04
7Footloose
produttore:
Lee DeCarlo e Kenny Loggins
batteria :
Tris Imboden
chitarra :
Buzz Feiten
chitarra basso :
Nathan East
percussione :
Michael Boddicker e Paulinho da Costa (Brazilian percussionist)
sintetizzatore basso :
Michael Boddicker
strumenti:
Michael Boddicker
tastiera :
Neil Larsen e Steven Wood (US soundtrack composer, member of Honk)
voce di accompagnamento:
Marilyn Dorman, Richey Washington e Steven Wood (US soundtrack composer, member of Honk)
voce principale:
Kenny Loggins
remixer:
Humberto Gatica
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1984), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1984), Sony BMG Music Entertainment Inc. (nel 1984) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1984)
registrazione di:
Footloose
paroliere:
Dean Pitchford
compositore:
Kenny Loggins
editore:
BMG Music Ltd., BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Ensign Music LLC, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Island Music (Island Music Ltd.), Milk Money Music, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Harmony, Sony/ATV Melody, Sony/ATV Music Publishing Ltd. e Universal Music Publishers MGB Australia Pty Ltd
parte di:
The 57th Academy Award for Best Original Song (numero: 2)
Kenny Loggins4.13:42
8What Can I Say
tecnico:
Tom Perry (engineer)
produttore:
Joe Wissert
batteria :
Jeff Porcaro (nel 1975-09)
chitarra :
Louie Shelton (nel 1975-09) e Fred Tackett (nel 1975-09)
chitarra basso :
David Hungate (nel 1975-09)
corno :
Vincent DeRosa (nel 1975-09)
ottoni :
Dick Hyde (nel 1975-09)
percussione :
Joe Porcaro (nel 1975-09)
sassofono tenore solista :
Plas Johnson (nel 1975-09)
strumenti a fiato :
Jim Horn (saxophonist, hornist, flutist and oboist) (nel 1975-09), Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch) (nel 1975-09) e Bud Shank (nel 1975-09)
tastiera :
David Paich (nel 1975-09)
tromba :
Chuck Findley (trumpet, trombone, horn player) (nel 1975-09) e Paul Hubinon (nel 1975-09)
voce di accompagnamento:
Jim Gilstrap (nel 1975-09), Augie Johnson (nel 1975-09), Marty McCall (CCM singer/songwriter/worship leader) (nel 1975-09) e Carolyn Willis (nel 1975-09)
voce principale:
Boz Scaggs (nel 1975-09)
direttore d'orchestra:
Sid Sharp (nel 1975-09)
arrangiatore:
David Paich
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1976), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1976) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1976)
registrazione di:
What Can I Say (nel 1975-09)
autore:
David Paich e Boz Scaggs
editore:
BMG Songs, Inc., Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK), Universal Music Publishers MGB Australia Pty Ltd e Boz Scaggs Music (publisher) (nel 1976)
sub-editore:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Boz Scaggs43:00
9Total Eclipse of the Heart
voce:
Bonnie Tyler (nel 1983)
esecutore:
Rory Dodd (nel 1983)
diritti fonografici (℗) detenuti da:
CBS Records (manufacturer/distributor, not for release label use!) (nel 1983), CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (nel 1983) e Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1983)
registrazione di:
Total Eclipse of the Heart (nel 1983)
paroliere e compositore:
Jim Steinman
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), BMG VM Music Ltd., EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), Lost Boys (BMI affiliated) e Virgin Music (Publishers) Ltd.
Bonnie Tyler4.154:28
10Forever Now
tecnico:
Mark Opitz e Dave Walsh
produttore:
Cold Chisel e Mark Opitz
basso :
Phil Small
batteria :
Steve Prestwich
chitarra :
Ian Moss
tastiera :
Don Walker (Australian musician and songwriter, member of Cold Chisel)
registrazione di:
Forever Now
editore:
Steve Prestwich
paroliere e compositore:
Steve Prestwich
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e EMI Music Publishing (do not use as a release label!)
Cold Chisel34:27
11You'll Never Find Another Love
registrazione di:
You’ll Never Find Another Love Like Mine
autore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Lou Rawls3:32
12Come Said the Boy
registrazione di:
Come Said the Boy
autore:
Eric McCusker
editore:
Origin Music (publisher) e Origin Music Publishing Pty Ltd
Mondo Rock5:33
13Out of Time
registrazione cover di:
Out of Time
autore:
Mick Jagger e Keith Richards (Rolling Stones guitarist)
editore:
ABKCO Music, ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Cromwell Music, Cromwell Music Australia e EMI Music Publishing (do not use as a release label!)
Chris Farlowe33:36
14Happy Together
diritti fonografici (℗) detenuti da:
White Whale (late 60s/early 70s California) (nel 1967)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 257)
registrazione di:
Happy Together (nel 1967)
autore:
Garry Bonner e Alan Gordon (American songwriter who co-wrote The Turtles' hit "Happy Together")
editore:
Alley Music Corp., EMI Music Publishing (do not use as a release label!), The Hudson Bay Music Co. (publisher) e Trio Music Co., Inc.
parte di:
Freaky Friday (2003)
The Turtles4.452:54
15Dancing (On a Saturday Night)
produttore:
Barry Blue (singer, producer, and songwriter)
diritti fonografici (℗) detenuti da:
Crimson Copyrights Ltd. (nel 1973) e Demon Music Group (nel 1973)
registrazione di:
Dancin’ (On a Saturday Night)
autore:
Barry Blue (singer, producer, and songwriter) e Lynsey de Paul
editore:
ATV Music Ltd., Sony/ATV Music Publishing (UK) Ltd. e Sony/ATV Music Publishing Australia Pty Ltd.
Barry Blue3:04
16Higher & Higher
produttore:
Carl Davis (record producer)
basso :
James Jamerson (il 1967-07-06)
batteria :
Richard "Pistol" Allen (il 1967-07-06)
chitarra :
Robert White (US funk/soul guitarist) (il 1967-07-06)
tastiera :
Johnny Griffith (il 1967-07-06)
voce principale:
Jackie Wilson (soul singer) (il 1967-07-06)
esecutore:
Jackie Wilson (soul singer)
arrangiatore:
Sonny Sanders
diritti fonografici (℗) detenuti da:
Brunswick Recording Corporation (nel 1967)
registrata presso:
Columbia Recording Studios (Chicago) in Chicago, Illinois, Stati Uniti (il 1967-07-06)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 246) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 301)
registrazione di:
(Your Love Keeps Lifting Me) Higher and Higher (il 1967-07-06)
autore:
Gary Jackson, Raynard Miner e Carl Smith (US country music singer)
editore:
Chevis Publishing Corp., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Mijac Music, Unichappell Music, Inc., Warner Chappell, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
parte di:
MJ: The Musical
Jackie Wilson4.82:54
17I Eat Cannibals
registrazione di:
I Eat Cannibals
autore:
Barry Blue (singer, producer, and songwriter), Paul Greedus e Roy Lachlan Nicolson
Toto Coelo2.653:30
18Pop Muzik
registrazione di:
Pop Muzik
paroliere e compositore:
Robin Scott
editore:
BMG Music Publishing Ltd., Pop Muzik Limited e Union Square Music Publishing Ltd.
M3:19
19Knock on Wood
diritti fonografici (℗) detenuti da:
Ariola America, Inc. (nel 1978)
parte di:
RuPaul’s Drag Race Lip Sync Performances (season 3) (numero: 6)
registrazione cover di:
Knock on Wood
autore:
Steve Cropper e Eddie Floyd
editore:
East/Memphis Music, Irving Music, Inc., Rondor Music, Rondor Music (London) Ltd., Rondor Music Publishing, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner Chappell North America
Amii Stewart53:43
20Rock Your Baby
voce:
George McCrae
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1974)
registrazione di:
Rock Your Baby
autore:
Harry Wayne Casey, Richard Finch e KC (Harry Wayne Casey of the Sunshine Band)
editore:
EMI Longitude Music e Peer Music (UK) Ltd.
George McCrae3.253:16