Lady Sings the Blues

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 3 disponibili)

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1▼CD
#TitoloArtistaValutazioneDurata
1Don’t Know Why
assistente tecnico:
Mark Birkey
tecnico:
Jay Newland (producer, engineer and mixer)
produttore:
Norah Jones e Jay Newland (producer, engineer and mixer)
produttore aggiunto:
Arif Mardin
tecnico di missaggio:
Arif Mardin e Jay Newland (producer, engineer and mixer)
batteria :
Dan Rieser (nel 2000-10)
chitarra acustica e chitarra elettrica :
Jesse Harris (nel 2000-10)
chitarra basso :
Lee Alexander (US bassist, songwriter & producer) (nel 2000-10)
pianoforte e voce principale:
Norah Jones (nel 2000-10)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 2002)
registrata presso:
Allaire Studios in Bearsville, New York, Stati Uniti (nel 2000-10) e Sorcerer Sound in New York, New York, Stati Uniti (nel 2000-10)
mixata presso:
Sear Sound in New York, New York, Stati Uniti
registrazione cover di:
Don’t Know Why (nel 2000-10)
paroliere e compositore:
Jesse Harris
editore:
Beanly Songs, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Songs LLC e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Norah Jones3.453:07
2Rainy Night in Georgia
tecnico di registrazione e tecnico di missaggio:
Al Schmitt
produttore:
Tommy LiPuma
basso :
Abraham Laboriel
batteria :
Jeff Porcaro
chitarra :
Steve Lukather e Dean Parks (American session guitarist)
corno :
Chuck Findley (trumpet, trombone, horn player), Gary Herbig, Jim Horn (saxophonist, hornist, flutist and oboist), Bill Reichenbach, Jr. (jazz trombonist) e Larry Williams (trumpet, flugelhorn, French horn)
percussione :
Lenny Castro
tastiera :
Leon Pendarvis
voce di accompagnamento:
Marti McCall (session vocalist), Petsye Powell, Alphanette Silas e Phyllis St. James
arrangiatore archi :
Dale Oehler
registrazione cover di:
Rainy Night in Georgia
paroliere e compositore:
Tony Joe White
editore:
Combine Music Corp. e EMI Songs Limited
Randy Crawford4:21
3(You Make Me Feel Like) a Natural Woman
tecnico di registrazione:
Tom Dowd (il 1967-02-16)
produttore:
Jerry Wexler
batteria :
Gene Chrisman (il 1967-02-16)
chitarra basso :
Tommy Cogbill (il 1967-02-16)
pianoforte :
Spooner Oldham (il 1967-02-16)
tromba :
Bernie Glow (il 1967-02-16), Melvin Lastie (il 1967-02-16) e Joe Newman (US jazz trumpeter) (il 1967-02-16)
cori:
Carolyn Franklin (il 1967-02-16), Erma Franklin (il 1967-02-16) e The Sweet Inspirations (il 1967-02-16)
voce:
Aretha Franklin (il 1967-02-16)
arrangiatore:
Tom Dowd e Arif Mardin
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1967) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1968)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1967-02-16)
parte di:
RuPaul’s Drag Race Lip Sync Performances (season 4) (numero: 10) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 90)
registrazione cover di:
(You Make Me Feel Like) A Natural Woman (il 1967-02-16)
paroliere:
Gerry Goffin
autore aggiunto:
Jerry Wexler
compositore:
Carole King
editore:
Screen Gems–Columbia Music, Inc. e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-editore:
Screen Gems–EMI Music Ltd. e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Aretha Franklin4.22:45
4The Look of Love
registrazione di:
The Look of Love
paroliere:
Hal David
autore:
Burt Bacharach e Hal David
compositore:
Burt Bacharach
editore:
Colgems Music Corp., Colgems-EMI Music Inc., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
parte di:
The 40th Academy Award for Best Original Song (numero: 2)
Dusty Springfield53:31
5Fever
batteria :
Shelly Manne (US jazz drummer) (il 1958-05-19)
contrabbasso [bass] :
Joe Mondragon (il 1958-05-19)
schiocchi di dita :
Peggy Lee (jazz vocalist) (il 1958-05-19) e Howard Roberts (jazz guitarist, educator, session musician and producer) (il 1958-05-19)
voce:
Peggy Lee (jazz vocalist) (il 1958-05-19)
direttore d'orchestra:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (il 1958-05-19)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1958)
registrazione cover di:
Fever (il 1958-05-19)
autore:
Eddie Cooley e John Davenport (songwriter Otis Blackwell)
editore:
Carlin Music Corp., Chrysalis Songs, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Jay & Cee Music, Lark Music Ltd., Trio Music (publisher), Trio Music Co., Inc. e Trio Music Company
parte di:
The Adjustment Bureau
Peggy Lee4.253:22
6I Just Wanna Make Love to You
registrazione di:
I Just Wanna Make Love to You
paroliere e compositore:
Willie Dixon
editore:
Arc Music Corp. (U.S. rock & blues publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Hoochie Coochie Music
Etta James3:05
7Night and Day
tecnico:
Val Valentin
produttore:
Norman Granz
arpa :
Corky Hale (il 1956-03-27)
batteria :
Alvin Stoller (il 1956-03-27)
chitarra :
Barney Kessel (il 1956-03-27)
contrabbasso :
Joe Mondragon (il 1956-03-27)
pianoforte :
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (il 1956-03-27)
sassofono baritono :
Chuck Gentry (il 1956-03-27)
sassofono contralto :
Herb Geller (il 1956-03-27) e Bud Shank (il 1956-03-27)
sassofono tenore :
Bob Cooper (US jazz saxophonist) (il 1956-03-27) e Ted Nash (40s-80s US swing reedman, uncle of the other) (il 1956-03-27)
tromba :
Pete Candoli (il 1956-03-27), Harry “Sweets” Edison (il 1956-03-27), Maynard Ferguson (il 1956-03-27) e Conrad Gozzo (il 1956-03-27)
trombone :
Milt Bernhart (il 1956-03-27), Joe Howard (american trombone player) (il 1956-03-27) e Lloyd Ulyate (American trombonist (1927-2004)) (il 1956-03-27)
trombone basso :
George Roberts (american bass trombone) (il 1956-03-27)
violoncello :
Robert La Marchina (US cellist and conductor) (il 1956-03-27) e Edgar Lustgarten (il 1956-03-27)
voce principale:
Ella Fitzgerald (American jazz singer) (il 1956-03-27)
direttore d'orchestra:
Buddy Bregman (nel 1956)
arrangiatore:
Buddy Bregman
registrata presso:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1956-03-27)
registrazione cover di:
Night and Day (Cole Porter; from “The Gay Divorce”) (il 1956-03-27)
paroliere e compositore:
Cole Porter (composer) (nel 1932)
editore:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (fino al 2019-05-28) e Harms, Inc. (il 1932-11-18)
parte di:
Gay Divorce
Ella Fitzgerald3:05
8That Ole Devil Called Love
batteria :
George Wettling (il 1944-11-08)
chitarra :
Carl Kress (il 1944-11-08)
contrabbasso :
Haig Stephens (il 1944-11-08)
pianoforte :
Dave Bowman (jazz pianist) (il 1944-11-08)
sassofono contralto :
Jack Cressey (il 1944-11-08) e Hymie Shertzer (il 1944-11-08)
sassofono tenore :
Larry Binyon (il 1944-11-08) e Dave Harris (tenor saxo) (il 1944-11-08)
tromba :
Russ Case (US trumpeter & bandleader) (il 1944-11-08)
voce:
Billie Holiday (il 1944-11-08)
registrazione di:
That Ole Devil Called Love (il 1944-11-08)
paroliere:
Doris Fisher (nel 1944)
compositore:
Allan Roberts (songwriter) (nel 1944)
editore:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records), Universal Music Ltd. (UK sound recording / publishing company) e Universal/MCA Music Ltd. (not for release label use!)
Billie Holiday42:55
9Mad About the Boy
registrata a:
Chicago, Illinois, Stati Uniti (il 1961-12-04)
pianoforte :
Jack Wilson (jazz pianist) (il 1961-12-04)
tromba :
Joe Newman (US jazz trumpeter) (il 1961-12-04)
trombone :
Billy Byers (il 1961-12-04)
voce:
Dinah Washington
orchestra:
Quincy Jones and His Orchestra (il 1961-12-04)
arrangiatore:
Quincy Jones (il 1961-12-04)
registrazione cover di:
Mad About the Boy (nel 1961)
paroliere e compositore:
Noël Coward
editore:
Chappell & Co. e Chappell Music Ltd.
parte di:
Words and Music
Dinah Washington52:47
10Walk On By
voce:
Dionne Warwick
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 51), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 70), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 129)
registrazione di:
Walk On By
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David), Carlin Music Corporation, Casa David, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), JAC Music Co., Inc., New Hidden Valley Music Co., Rondor Music (Australia) Pty Ltd, Universal/MCA Music Ltd. (not for release label use!), Warner Chappell Music, Inc., Windswept Music (London) Ltd., WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) e フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Dionne Warwick4.752:54
11All Night Long
registrazione cover di:
All Night Long
autore:
Curtis Reginald Lewis (US songwriter)
editore:
EMI Music Publishing (do not use as a release label!), Six Continents Music Publishing e Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019)
Nancy Wilson3:06
12Something Cool
produttore:
Lee Gillette
flauto e sassofono tenore :
Ted Nash (40s-80s US swing reedman, uncle of the other) (il 1953-08-14)
legni :
Bob Cooper (US jazz saxophonist) (il 1953-08-14)
sassofono baritono :
Chuck Gentry (il 1953-08-14)
sassofono contralto :
Bud Shank (il 1953-08-14)
tromba :
Maynard Ferguson (il 1953-08-14), Conrad Gozzo (il 1953-08-14) e Shorty Rogers (trumpet) (il 1953-08-14)
trombone :
Milt Bernhart (il 1953-08-14), Herbie Harper (il 1953-08-14) e Tommy Pederson (il 1953-08-14)
trombone basso :
George Roberts (american bass trombone) (il 1953-08-14)
voce:
June Christy (il 1953-08-14)
direttore d'orchestra:
Pete Rugolo (il 1953-08-14)
arrangiatore:
Pete Rugolo
registrata presso:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1953-08-14)
registrazione di:
Something Cool (il 1953-08-14)
paroliere e compositore:
Billy Barnes (composer and lyricist)
June Christy4:18
13Misty
registrazione cover di:
Misty
paroliere:
Johnny Burke (American lyricist, 1908–1964)
compositore:
Erroll Garner
editore:
Marke Music Publishing Co., Inc., My Dad’s Songs, Inc., Octave Music Publishing Corp., Pocketful of Dreams Music, Reganesque Music Company, The Songwriters Guild, Vernon Music Inc., Warner/Chappell Music Ltd. (1996–2019) e WB Music Corp. (1929–2019)
si basa su:
Misty (original instrumental work)
Sarah Vaughan5:59
14Piece of My Heart
produttore:
Bert Russell Berns
voce:
Erma Franklin (nel 1967-08)
direttore d'orchestra:
Gary Sherman (mid-20th century composer, arranger & conductor) (nel 1967-08)
arrangiatore:
Gary Sherman (mid-20th century composer, arranger & conductor)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1967)
registrazione di:
Piece of My Heart (nel 1967-08)
autore:
Bert Russell e Jerry Ragovoy
editore:
Campbell Connelly, MPL Music Publishing Inc., Sloopy II Music, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Unichappell Music, Inc., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Web IV Music Inc. e Wren Music Co.
Erma Franklin3.752:33
15Son of a Preacher Man
diritti fonografici (℗) detenuti da:
Nashville (country label, used to be under Starday Records in Nashville, TN, today under Capitol Records, Inc.) (nel 1969)
registrazione cover di:
Son of a Preacher Man
autore:
John Hurley e Ronnie Wilkins
editore:
Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) e Sony/ATV Songs LLC
Bobbie Gentry42:05
16Cry Me a River
tecnico:
John Kraus (1950s US engineer) (nel 1955-08)
produttore:
Bobby Troup
chitarra :
Barney Kessel
contrabbasso [bass] :
Ray Leatherwood
voce:
Julie London (nel 1955-08)
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1957)
registrata presso e mixata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1955 (numero: 15)
registrazione di:
Cry Me a River (nel 1955-08)
paroliere e compositore:
Arthur Hamilton
editore:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (nel 1982) e Song and Dance Music Co. (nel 1982)
sub-editore:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Julie London4.652:50
17My Funny Valentine
pianoforte :
André Previn (pianist, conductor, composer, arranger)
voce:
Dinah Shore
esecutore:
André Previn (pianist, conductor, composer, arranger)
registrazione di:
My Funny Valentine (from “Babes in Arms”)
paroliere:
Lorenz Hart (nel 1937)
compositore:
Richard Rodgers (composer) (nel 1937)
editore:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) e Williamson Music Company
sub-editore:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
Babes in Arms (full musical)
parte di:
The Real Book (compilation of jazz standards, Volume I)
parte di:
Waiting to Exhale (1995 film)
Dinah Shore & André Previn3:35
18Summertime
registrazione cover di:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
paroliere:
Ira Gershwin (nel 1934), Dorothy Heyward (playwright) (nel 1934) e DuBose Heyward (nel 1934)
compositore:
George Gershwin (composer) (nel 1934)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (nel 1935), WB Music Corp. (1929–2019) (dal 1935 al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
versione di:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Ella Fitzgerald4:55
19I Loves You Porgy
registrazione cover di:
I Loves You, Porgy (use this for non-operatic performances)
paroliere:
Ira Gershwin e DuBose Heyward
compositore:
George Gershwin (composer)
editore:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America e Gershwin Publishing Corp (nel 1935)
versione di:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
Nina Simone4:03
20’Round Midnight
tecnico:
John Kraus (1950s US engineer)
produttore:
Si Waronker
voce:
Julie London (nel 1960-08)
direttore d'orchestra:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen) (nel 1960-08)
arrangiatore:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (nel 1960-08)
registrazione cover di:
’Round Midnight (nel 1960-08)
paroliere:
Bernie Hanighen
compositore:
Thelonious Monk e Cootie Williams
editore:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
si basa su:
I Need You So
Julie London2:52
2▼CD
#TitoloArtistaValutazioneDurata
1Every Time We Say Goodbye
registrazione cover di:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue) (nel 1956)
paroliere e compositore:
Cole Porter (composer) (nel 1944)
editore:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Ella Fitzgerald3:33
2Fly Me to the Moon
tecnico:
David Hassinger
produttore:
Snuff Garrett (aka.Tommy Garrett, singer, songwriter, producer and disc jockey)
voce:
Julie London
direttore d'orchestra:
Ernie Freeman
arrangiatore:
Ernie Freeman
diritti fonografici (℗) detenuti da:
Liberty (a division of UMG Recordings, Inc.) (nel 1964)
registrazione cover di:
Fly Me to the Moon
paroliere e compositore:
Bart Howard (nel 1954)
eseguita per la prima volta da:
Kaye Ballard (nel 1954)
editore:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC e TRO Essex Music Ltd.
sub-editore:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Julie London42:33
3Call Me Irresponsible
registrazione cover di:
Call Me Irresponsible
paroliere:
Sammy Cahn
compositore:
Jimmy Van Heusen
editore:
Paramount Music Corporation
parte di:
The 36th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1963 winner)
Dinah Washington2:19
4In Love in Vain
registrazione cover di:
In Love in Vain
paroliere:
Leo Robin (US composer, lyricist & songwriter)
compositore:
Jerome Kern
Lena Horne, Ray Ellis & Orchestra2:30
5Night Time Is the Right Time
registrazione cover di:
Night Time Is the Right Time
compositore:
Lew Herman
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Planemar Music, Screen Gems–EMI Music Ltd. e Tro-Essex Music
Tina Turner3:29
6I Can’t Make You Love Me
tecnico di registrazione e tecnico di missaggio:
Ed Cherney
assistente tecnico:
Bryant Arnett, Ray Blair, Dan Bosworth (engineer) e Christina Paakkari
produttore:
Bonnie Raitt e Don Was
batteria :
Tony Braunagel (nel 1991)
chitarra basso :
James "Hutch" Hutchinson (nel 1991)
organo Hammond [C3] :
Benmont Tench (nel 1991)
percussione :
Paulinho da Costa (Brazilian percussionist) (nel 1991)
pianoforte e tastiera aggiunto:
Bruce Hornsby (nel 1991)
voce:
Bonnie (nel 1991)
voce di accompagnamento:
Bonnie (nel 1991), David Lasley (nel 1991) e Arnold McCuller (nel 1991)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1991, nel 2005)
mixata presso:
Conway Recording Studios in Hollywood, Los Angeles, California, Stati Uniti (nel 1991)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 331) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 372)
registrazione di:
I Can’t Make You Love Me (nel 1991)
autore:
Mike Reid (US country artist & former football player) e Allen Shamblin
editore:
Universal Music–MGB Songs, Almo Music Corp. (USA, affiliated with ASCAP) (nel 1991), Brio Blues Music (nel 1991) e Hayes Street Music, Inc. (nel 1991)
sub-editore:
環球音樂出版股份有限公司 (Universal Music Publishing Co., Ltd.)
Bonnie Raitt55:32
7Light My Fire
registrazione cover di:
Light My Fire
autore:
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek e Jim Morrison (lead vocalist of the Doors)
editore:
Doors Music Company, Nipper Music, Rondor Music (London) Ltd. e 日音 Synch事業部 (NICHION, INC. Synch Division)
Erma Franklin52:43
8Today I Sing the Blues
registrata a:
New York, New York, Stati Uniti (il 1960-08-01)
produttore:
John Hammond (producer)
basso :
Bill Lee (bassist, composer, father of Spike Lee) (il 1960-08-01)
batteria :
Osie Johnson (il 1960-08-01)
chitarra :
Lord Westbrook (il 1960-08-01)
pianoforte :
Ray Bryant (US jazz pianist, composer, and arranger) (il 1960-08-01)
trombone :
Tyree Glenn (il 1960-08-01)
arrangiatore:
Curtis Lewis (US songwriter)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1961)
registrazione cover di:
Today I Sing the Blues (il 1960-08-01)
autore:
Curley Hamner
compositore:
Curtis Lewis (US songwriter)
editore:
Bess Music e BMG Music Publishing Ltd.
Aretha Franklin2:44
9Me and Bobby McGee
tecnico:
Phil Macy (50s-70s engineer)
produttore:
Paul Rothchild
batteria :
Clark Pierson (il 1970-09-25)
bonghi e congas ospite :
Bobbye Hall (il 1970-09-25)
bonghi ospite e congas ospite :
Bobbye Hall
chitarra :
John Till (rock guitarist) (il 1970-09-25)
chitarra acustica e voce principale:
Janis Joplin (il 1970-09-25)
chitarra basso :
Brad Campbell (bassist, member of Full Tilt Boogie) (il 1970-09-25)
organo :
Ken Pearson (il 1970-09-25)
pianoforte :
Richard Bell (Canadian keyboardist for The Band/Janis Joplin) (il 1970-09-25)
tamburello ospite :
Sandra Crouch (il 1970-09-25)
voce di accompagnamento:
Phil Badella (il 1970-09-25), Richard Bell (Canadian keyboardist for The Band/Janis Joplin) (il 1970-09-25), Brad Campbell (bassist, member of Full Tilt Boogie) (il 1970-09-25), John Cooke (il 1970-09-25), Janis Joplin (il 1970-09-25), Vince Mitchell (il 1970-09-25), Ken Pearson (il 1970-09-25), Clark Pierson (il 1970-09-25) e John Till (rock guitarist) (il 1970-09-25)
esecutore:
Full Tilt Boogie (il 1970-09-25)
registrata presso:
Sunset Sound in Hollywood, Los Angeles, California, Stati Uniti (il 1970-09-25)
parte di:
New York Post: 100 Greatest Covers (2007) (numero: 31) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 148)
registrazione cover di:
Me and Bobby McGee (il 1970-09-25)
paroliere e compositore:
Fred Foster e Kris Kristofferson
editore:
Combine Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Keith Prowse Music Publishing Co. Ltd.
Janis Joplin4.34:31
10In a Sentimental Mood
Dianne Reeves5:18
11Wives and Lovers
registrazione cover di:
Wives and Lovers
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
10 Music Ltd., Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) e Virgin Music (Publishers) Ltd.
Nancy Wilson41:59
12Wild Is the Wind
produttore:
Bob Blake (co-producer of Nina Simone's live 1959 album "At Town Hall") e Jack Gold
basso :
Jimmy Bond (nel 1959-10)
batteria :
Albert “Tootie” Heath (nel 1959-10)
pianoforte :
Nina Simone (il 1959-09-12)
voce principale:
Nina Simone (nel 1959-10)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1959)
registrata presso:
The Town Hall in Theater District, New York, New York, Stati Uniti (il 1959-09-12)
registrazione dal vivo cover di:
Wild Is the Wind (theme song from the Paramount movie “Wild Is the Wind”) (il 1959-09-12)
paroliere:
Ned Washington
compositore:
Dimitri Tiomkin
editore:
BMG Music Publishing Ltd., Carlin Music Corporation, Shapiro, Bernstein & Co., Inc., Universal Music Publishing MGB Ltd., Anne-Rachel Music Corp. (nel 1957, nel 1985), Catharine Hinen Music (nel 1957, nel 1985), Chappell & Co., Inc. (USA) (nel 1957), Largo Music Inc. (nel 1957, nel 1985) e Patti Washington Music (nel 1957, nel 1985)
parte di:
The 30th Academy Award for Best Original Song (numero: 2)
Nina Simone3:27
13Baby Won’t You Please Come Home
registrazione cover di:
Baby Won’t You Please Come Home
autore:
Charles Warfield e Clarence Williams (US jazz pianist, composer, singer and bandleader)
editore:
Redwood Music Ltd. (Carlin), Universal‐MCA Music Publishing (US) e Universal/MCA Music Ltd. (not for release label use!)
Kay Starr2:21
14When Your Lover Has Gone
Sue Raney3:00
15The Man I Love
registrazione cover di:
The Man I Love (il 1957-04-02)
paroliere:
Ira Gershwin (nel 1924)
compositore:
George Gershwin (composer) (nel 1924)
editore:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
parte di:
An American in Paris (2015 Broadway musical)
parte di:
Lady, Be Good (full musical)
parte di:
New York, New York (1977 musical film soundtrack)
Peggy Lee3:45
16Stormy Weather
registrazione cover di:
Stormy Weather
paroliere:
Ted Koehler (nel 1933)
compositore:
Harold Arlen (nel 1933)
editore:
Arko Music Corp., EMI Music Publishing (do not use as a release label!), Fred Ahlert Mus. Corp., Mills Music, Inc., S.A. Music Co., Ted Koehler Music Co. e The Songwriters Guild
Sarah Vaughan, Jimmy Jones & Orchestra3:29
17Let Me Down Easy
registrazione di:
Let Me Down Easy
autore:
Wrecia Holloway e James McDougal (songwriter)
Betty LaVette3:07
18Wish Someone Would Care
registrata presso:
Slim’s in San Francisco, California, Stati Uniti (dal 1990-08-30 al 1990-08-31)
registrazione dal vivo di:
Wish Someone Would Care (nel 1990-08)
paroliere e compositore:
Irma Thomas
Irma Thomas2:19
19Tell It Like It Is
registrazione cover di:
Tell It Like It Is (nel 1968-10)
autore:
George Davis (US musician & songwriter George Richard Davis Jr., guitar, bass, saxophone, oboe) e Lee Diamond
editore:
Conrad Music (publisher; do NOT use as release label) e Olrap Publishing Co., Inc.
Betty Swann2:53
20Trav’lin Light
registrazione di:
Travelin’ Light
paroliere:
Johnny Mercer
compositore:
Jimmy Mundy e Trummy Young
Billie Holiday with the Paul Whiteman Orchestra3:09
21Time After Time
tecnico di registrazione:
Danny Kopelson (dal 1998-05 al 1998-09)
bouzouki e chitarra elettrica :
Kevin Breit (dal 1998-05 al 1998-09)
chitarra acustica :
Marvin Sewell (dal 1998-05 al 1998-09)
contrabbasso :
Lonnie Plaxico (dal 1998-05 al 1998-09)
percussione :
Jeffrey Haynes (dal 1998-05 al 1998-09)
voce:
Cassandra Wilson (dal 1998-05 al 1998-09)
registrata presso:
Bearsville Studios in Bearsville, New York, Stati Uniti (dal 1998-05 al 1998-09)
registrazione cover di:
Time After Time (dal 1998-05 al 1998-09)
autore:
Rob Hyman e Cyndi Lauper
editore:
Sony Songs Inc. (conclusa, ), CBS Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dub Notes Music (publisher) (, nel 1984), Gray Matter Music, Human Boy Music, Reilla Music Company, Rella Music Co. (publisher) (, nel 1984), Rellla Music Corp., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing Ltd., Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America, WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Cassandra Wilson4:08
22Daybreak
registrazione cover di:
Daybreak
paroliere e compositore:
Salvadore Poe
Lisa Ekdahl3:15

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parte di:Lady Sings the Blues (numero: 1) (ordine: 1)