The Legendary Years 1955–1965

~ Release by Miles Davis (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleRatingLength
1Stella by Starlight
producer:
Teo Macero
alto saxophone:
Cannonball Adderley (on 1958-05-26)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1958-05-26)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1958-05-26)
piano:
Bill Evans (pianist) (on 1958-05-26)
tenor saxophone:
John Coltrane (on 1958-05-26)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-05-26)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1958-05-26)
instrumental cover recording of:
Stella by Starlight (on 1958-05-26)
lyricist:
Ned Washington (in 1946)
writer:
Ned Washington and Victor Young (American composer, arranger, violinist & conductor)
composer:
Victor Young (American composer, arranger, violinist & conductor) (in 1944)
publisher:
BMG Music Publishing Ltd. and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
part of:
The Real Book (compilation of jazz standards, Volume I)
4:45
2It Ain’t Necessarily So
alto saxophone:
Cannonball Adderley (from 1958-07-22 until 1958-08-18)
bass:
Paul Chambers (US jazz bassist) (from 1958-07-22 until 1958-08-18)
bass clarinet:
Danny Bank (reeds) (from 1958-07-22 until 1958-08-18)
bass trombone:
Dick Hixson (trombonist) (from 1958-07-22 until 1958-08-18) and Dick Nixon (from 1958-07-22 until 1958-08-18)
drums (drum set):
Jimmy Cobb (US jazz drummer) (from 1958-07-22 until 1958-08-18)
flugelhorn:
Miles Davis (jazz trumpeter, bandleader, songwriter) (from 1958-07-22 until 1958-08-18)
flute:
Phil Bodner (Woodwind player) (from 1958-07-22 until 1958-08-18) and Romeo Penque (from 1958-07-22 until 1958-08-18)
French horn:
Willie Ruff (from 1958-07-22 until 1958-08-18), Gunther Schuller (US horn player, conductor, composer) (from 1958-07-22 until 1958-08-18) and Julius Watkins (from 1958-07-22 until 1958-08-18)
trombone:
Joe Bennett (trombonist) (from 1958-07-22 until 1958-08-18), Jimmy Cleveland (US jazz trombonist) (from 1958-07-22 until 1958-08-18) and Frank Rehak (US jazz trombonist) (from 1958-07-22 until 1958-08-18)
trumpet:
Johnny Coles (US jazz trumpeter) (from 1958-07-22 until 1958-08-18), Miles Davis (jazz trumpeter, bandleader, songwriter) (from 1958-07-22 until 1958-08-18), Bernie Glow (from 1958-07-22 until 1958-08-18), Louis Mucci (trumpetist) (from 1958-07-22 until 1958-08-18) and Ernie Royal (from 1958-07-22 until 1958-08-18)
tuba:
Bill Barber (Jazz tuba player) (from 1958-07-22 until 1958-08-18)
conductor:
Gil Evans (from 1958-07-22 until 1958-08-18)
performer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
arranger:
Gil Evans
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1958-07-22 until 1958-08-18)
instrumental cover recording of:
It Ain’t Necessarily So (jazz standard originally from Porgy and Bess; catch-all for unspecified pop and jazz arrangements) (from 1958-07-22 until 1958-08-18)
lyricist:
Ira Gershwin, Dorothy Heyward (playwright) and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell Music (ASCAP), Gershwin Publishing Corp, Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
was commissioned by:
Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so”
4:27
3I Thought About You
recording of:
I Thought About You
lyricist:
Johnny Mercer
composer:
Jimmy Van Heusen
publisher:
Bourne Co. (not for release label use, this is a music publisher), Burke & Van Heusen, Jerry Leiber Music, Lewis Music Publishing Co., Inc., Range Road Music Inc., Silver Seahorse Music LLC, Twentieth Century Music Corp., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
4:59
4Fran Dance
producer:
Teo Macero
alto saxophone:
Cannonball Adderley (on 1958-05-26)
double bass:
Paul Chambers (US jazz bassist) (on 1958-05-26)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1958-05-26)
piano:
Bill Evans (pianist) (on 1958-05-26)
tenor saxophone:
John Coltrane (on 1958-05-26)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-05-26)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1958-05-26)
recording of:
Fran‐Dance (on 1958-05-26)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
is based on:
Put Your Little Foot Right Out
5:52
5Straight, No Chaser (alternate take)
cover recording of:
Straight, No Chaser
composer:
Thelonious Monk
publisher:
Thelonious Music
10:30
6Drad Dog
4:33
7Seven Steps to Heaven
engineer:
Fred Plaut
producer:
Teo Macero
double bass [bass]:
Ron Carter (US jazz double-bassist) (on 1963-05-14)
drums (drum set):
Tony Williams (American jazz drummer) (on 1963-05-14)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1963-05-14)
tenor saxophone:
George Coleman (US jazz saxophonist) (on 1963-05-14)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1963-05-14)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1963-05-14)
instrumental recording of:
Seven Steps to Heaven (on 1963-05-14)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter) (in 1963) and Victor Feldman (jazz musician) (in 1963)
6:26
8Song of Our Country (Issued Take)
bass clarinet:
Danny Bank (reeds) (on 1960-03-11)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1960-03-11)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1960-03-11)
oboe:
Romeo Penque (on 1960-03-11)
percussion:
Elvin Jones (jazz drummer) (on 1960-03-11) and José Mangual (on 1960-03-11)
trombone:
Dick Hixson (trombonist) (on 1960-03-11) and Frank Rehak (US jazz trombonist) (on 1960-03-11)
trumpet:
Johnny Coles (US jazz trumpeter) (on 1960-03-11), Bernie Glow (on 1960-03-11) and Ernie Royal (on 1960-03-11)
tuba:
Bill Barber (Jazz tuba player) (on 1960-03-11)
conductor:
Gil Evans (on 1960-03-11)
arranger:
Gil Evans (on 1960-03-11)
recording of:
Song of Our Country (on 1960-03-11)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist)
arranger:
Gil Evans
is based on:
Bachianas Brasileiras nº 2, W247: II. Ária (O canto da nossa terra) (for orchestra)
3:25
9So What
recorded in:
New York, New York, United States (on 1959-03-02)
recording engineer:
Fred Plaut (on 1959-03-02)
producer:
Irving Townsend
alto saxophone:
Cannonball Adderley (on 1959-03-02)
double bass:
Paul Chambers (US jazz bassist) (on 1959-03-02)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-03-02)
piano:
Bill Evans (pianist) (on 1959-03-02)
tenor saxophone:
John Coltrane (on 1959-03-02)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1959-03-02)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1959-03-02)
remix of:
So What (stereo) by Miles Davis (jazz trumpeter, bandleader, songwriter)
recording of:
So What (on 1959-03-02)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Jazz Horn Music
part of:
The Real Book (compilation of jazz standards, Volume I)
4.259:26
10The Maids of Cadiz
alto saxophone:
Lee Konitz (jazz saxophonist) (on 1957-05-06)
bass clarinet:
Danny Banks (on 1957-05-06)
bass trombone:
Tom Mitchell (US jazz trombonist) (on 1957-05-06)
clarinet and flute:
Sid Cooper (flute & clarinet player) (on 1957-05-06) and Romeo Penque (on 1957-05-06)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1957-05-06)
drums (drum set):
Art Taylor (on 1957-05-06)
flugelhorn:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1957-05-06)
French horn:
Willie Ruff (on 1957-05-06)
trombone:
Joe Bennett (trombonist) (on 1957-05-06), Jimmy Cleveland (US jazz trombonist) (on 1957-05-06) and Frank Rehak (US jazz trombonist) (on 1957-05-06)
trumpet:
John Carisi (trumpeter / composer) (on 1957-05-06), Bernie Glow (on 1957-05-06), Taft Jordan (on 1957-05-06), Louis R. Mucci (trumpetist) (on 1957-05-06) and Ernie Royal (on 1957-05-06)
tuba:
Bill Barber (Jazz tuba player) (on 1957-05-06)
recorded at:
Columbia Studios in New York, New York, United States (on 1957-05-06)
recording of:
Les Filles de Cadix (The Maids of Cadiz) (catch-all for arrangements) (on 1957-05-06)
lyricist:
Alfred de Musset
composer:
Léo Delibes (French composer)
arrangement of:
Les Filles de Cadix (Chanson espagnole)
4:00
11All Blues
recorded in:
New York, New York, United States (on 1959-04-22)
engineer:
Fred Plaut (on 1959-04-22)
producer:
Irving Townsend
alto saxophone:
Cannonball Adderley (on 1959-04-22)
double bass:
Paul Chambers (US jazz bassist) (on 1959-04-22)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-04-22)
piano:
Bill Evans (pianist) (on 1959-04-22)
tenor saxophone:
John Coltrane (on 1959-04-22)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1959-04-22)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1959-04-22)
recording of:
All Blues (on 1959-04-22)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Jazz Horn Music Corporation
4.4511:37
12’Round Midnight
recording engineer:
Ray Moore (engineer, 1957–1995) (on 1956-09-10)
producer:
George Avakian (US 1940-90s record producer)
double bass:
Paul Chambers (US jazz bassist) (on 1956-09-10)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1956-09-10)
piano:
Red Garland (on 1956-09-10)
tenor saxophone:
John Coltrane (on 1956-09-10)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1956-09-10)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1956-09-10)
instrumental cover recording of:
’Round Midnight (on 1956-09-10)
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
3.655:56
2▼CD
#TitleRatingLength
1Summertime
alto saxophone:
Cannonball Adderley (on 1958-08-18)
bass:
Paul Chambers (US jazz bassist) (on 1958-08-18)
bass clarinet:
Danny Bank (reeds) (on 1958-08-18)
bass trombone:
Dick Hixson (trombonist) (on 1958-08-18)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-08-18)
flugelhorn:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-08-18)
flute:
Romeo Penque (on 1958-08-18) and Jerome Richardson (on 1958-08-18)
French horn:
Willie Ruff (on 1958-08-18), Gunther Schuller (US horn player, conductor, composer) (on 1958-08-18) and Julius Watkins (on 1958-08-18)
trombone:
Joe Bennett (trombonist) (on 1958-08-18), Jimmy Cleveland (US jazz trombonist) (on 1958-08-18) and Frank Rehak (US jazz trombonist) (on 1958-08-18)
trumpet:
Johnny Coles (US jazz trumpeter) (on 1958-08-18), Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-08-18), Bernie Glow (on 1958-08-18), Louis Mucci (trumpetist) (on 1958-08-18) and Ernie Royal (on 1958-08-18)
tuba:
Bill Barber (Jazz tuba player) (on 1958-08-18)
conductor:
Gil Evans (on 1958-08-18)
arranger:
Gil Evans
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-08-18)
instrumental cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (on 1958-08-18)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
53:21
2My Ship
alto saxophone:
Lee Konitz (jazz saxophonist) (on 1957-05-10)
bass clarinet:
Danny Banks (on 1957-05-10)
bass trombone:
Tom Mitchell (US jazz trombonist) (on 1957-05-10)
clarinet and flute:
Sid Cooper (flute & clarinet player) (on 1957-05-10) and Romeo Penque (on 1957-05-10)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1957-05-10)
drums (drum set):
Art Taylor (on 1957-05-10)
flugelhorn:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1957-05-10)
French horn:
Willie Ruff (on 1957-05-10)
trombone:
Joe Bennett (trombonist) (on 1957-05-10), Jimmy Cleveland (US jazz trombonist) (on 1957-05-10) and Frank Rehak (US jazz trombonist) (on 1957-05-10)
trumpet:
John Carisi (trumpeter / composer) (on 1957-05-10), Bernie Glow (on 1957-05-10), Taft Jordan (on 1957-05-10), Louis R. Mucci (trumpetist) (on 1957-05-10) and Ernie Royal (on 1957-05-10)
tuba:
Bill Barber (Jazz tuba player) (on 1957-05-10)
recorded at:
Columbia Studios in New York, New York, United States (on 1957-05-10)
recording of:
My Ship (from "Lady in the Dark”; catch-all for versions outside the theatrical context)
lyricist:
Ira Gershwin
composer:
Kurt Weill (composer)
version of:
Lady in the Dark: My Ship
54:32
3Miles
recording of:
Miles
writer:
Miles Davis (jazz trumpeter, bandleader, songwriter), Lowell “Sly” Dunbar, Bill Laswell (US bass guitarist and record producer) and Robert “Robbie” Shakespeare
publisher:
Jazz Horn Music, More Cut Music, Songs of PolyGram International, Inc. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
5:46
4Freddie Freeloader
recorded in:
New York, New York, United States (on 1959-03-02, from 1959-03 until 1959-04)
engineer:
Fred Plaut
producer:
Irving Townsend
alto saxophone:
Cannonball Adderley (on 1959-03-02)
double bass:
Paul Chambers (US jazz bassist) (on 1959-03-02)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-03-02)
piano:
Wynton Kelly (on 1959-03-02)
tenor saxophone:
John Coltrane (on 1959-03-02)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1959-03-02, from 1959-03 until 1959-04)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1959-03-02)
remix of:
Freddie Freeloader (stereo) by Miles Davis Quintet (US jazz group, active 1955–58 and 1964–68)
recording of:
Freddie Freeloader (original Miles Davis instrumental version) (on 1959-03-02)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Jazz Horn Music Corporation
part of:
The Real Book (compilation of jazz standards, Volume I)
3.759:48
5Eighty-One
double bass [bass]:
Ron Carter (US jazz double-bassist) (on 1965-01-21)
drums (drum set):
Tony Williams (American jazz drummer) (on 1965-01-21)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1965-01-21)
tenor saxophone:
Wayne Shorter (US jazz saxophonist and composer) (on 1965-01-21)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1965-01-21)
recorded at:
Columbia Studio ‘D’ in Hollywood, Los Angeles, California, United States (on 1965-01-21)
recording of:
Eighty-One (on 1965-01-21)
composer:
Ron Carter (US jazz double-bassist)
6:16
6Sweet Sue, Just You
double bass:
Paul Chambers (US jazz bassist) (on 1956-09-10)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1956-09-10)
piano:
Red Garland (on 1956-09-10)
tenor saxophone:
John Coltrane (on 1956-09-10)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1956-09-10)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1956-09-10)
recording of:
Sweet Sue, Just You (on 1956-09-10)
lyricist:
Will J. Harris (early 1900s songwriter/lyricist)
composer:
Will J. Harris (early 1900s songwriter/lyricist) and Victor Young (American composer, arranger, violinist & conductor)
publisher:
Shapiro Bernstein & Co. Ltd.
instrumental cover recording of:
Sweet Sue, Just You (in 1956)
lyricist:
Will J. Harris (early 1900s songwriter/lyricist)
composer:
Will J. Harris (early 1900s songwriter/lyricist) and Victor Young (American composer, arranger, violinist & conductor)
publisher:
Shapiro Bernstein & Co. Ltd.
3:42
7Bye Bye Blackbird (alternate take)
double bass:
Paul Chambers (US jazz bassist) (on 1956-06-05)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1956-06-05)
piano:
Red Garland (on 1956-06-05)
tenor saxophone:
John Coltrane (on 1956-06-05)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1956-06-05)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1956-06-05)
instrumental recording of:
Bye Bye Blackbird (on 1956-06-05)
lyricist:
Mort Dixon (in 1926)
composer:
Ray Henderson (in 1926)
publisher:
Francis, Day & Hunter, Olde Clover Leaf Music, Ray Henderson Music, Redwood Music Ltd. (Carlin) and Warner Bros., Inc. (not for release label use!)
7:52
8Basin Street Blues
engineer:
Fred Plaut
producer:
Teo Macero
double bass [bass]:
Ron Carter (US jazz double-bassist) (on 1963-04-16)
drums (drum set):
Frank Butler (drummer) (on 1963-04-16)
piano:
Victor Feldman (jazz musician) (on 1963-04-16)
tenor saxophone:
George Coleman (US jazz saxophonist) (on 1963-04-16)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1963-04-16)
recorded at:
Columbia Studios (Hollywood, 1961-1972) in Hollywood, Los Angeles, California, United States (from 1963-04-16 until 1963-04-17)
instrumental recording of:
Basin Street Blues (on 1963-04-16)
lyricist and composer:
Spencer Williams (US jazz composer, pianist & singer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
2.4510:32
9Two Bass Hit
double bass:
Paul Chambers (US jazz bassist) (on 1955-10-26)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1955-10-26)
piano:
Red Garland (on 1955-10-26)
tenor saxophone:
John Coltrane (on 1955-10-26)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1955-10-26)
recorded at:
Columbia Studios in New York, New York, United States (on 1955-10-26)
recording of:
Two Bass Hit (on 1955-10-26)
composer:
Dizzy Gillespie and John Lewis (pianist, member of Modern Jazz Quartet)
3:45
10Someday My Prince Will Come
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1961-03-20)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1961-03-20)
piano:
Wynton Kelly (on 1961-03-20)
tenor saxophone:
John Coltrane (on 1961-03-20) and Hank Mobley (US jazz tenor saxophonist) (on 1961-03-20)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1961-03-20)
recorded at:
Columbia Studios in New York, New York, United States (on 1961-03-20)
instrumental cover recording of:
Someday My Prince Will Come (on 1961-03-20)
lyricist:
Larry Morey
composer:
Frank Churchill
publisher:
Bourne Co. (not for release label use, this is a music publisher) (in 1937)
part of:
Snow White and the Seven Dwarfs (1937 Disney animated film, songs and musical score)
9:08
11I Fall in Love Too Easily
engineer:
Fred Plaut
producer:
Teo Macero
double bass [bass]:
Ron Carter (US jazz double-bassist) (on 1963-04-16)
drums (drum set):
Frank Butler (drummer) (on 1963-04-16)
piano:
Victor Feldman (jazz musician) (on 1963-04-16)
tenor saxophone:
George Coleman (US jazz saxophonist) (on 1963-04-16)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1963-04-16)
recorded at:
Columbia Studios (Hollywood, 1961-1972) in Hollywood, Los Angeles, California, United States (from 1963-04-16 until 1963-04-17)
instrumental recording of:
I Fall in Love Too Easily (on 1963-04-16)
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
AF Encore Fund LLC, Applause and Encore Music, EMI Feist Catalog Inc., EMI United Partnership Ltd. and Leo Feist, Inc.
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The 18th Academy Award for Best Original Song (number: 2)
3.76:47