Rock of the Seventies

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

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1▼CD: Volume One
#TitoloArtistaValutazioneDurata
1China Grove
produttore:
Ted Templeman
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1973) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1973)
registrazione di:
China Grove
paroliere e compositore:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Doobie Brothers4.653:16
2Smokin’ in the Boy's Room
tecnico:
Michael Delugg
produttore:
Doug Morris (record executive) e Eric Stevens (producer active in the 1970s)
diritti fonografici (℗) detenuti da:
Big Tree Records (1970s/80s US) (nel 1973) e Warner Music International (trademark of Warner Music International the company) (nel 1973)
registrata presso:
Mediasound Studios in New York, New York, Stati Uniti
registrazione di:
Smokin’ in the Boys Room
autore:
Cub Koda e Michael Lutz
editore:
Big Leaf Publishing, Lady J Music, Tooney Loons Publishing e Walden Music, Inc.
Brownsville Station52:59
3Hot Blooded
edit di:
Hot Blooded di Foreigner (British/American rock band)
registrazione di:
Hot Blooded
autore:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) e Mick Jones (Foreigner/Spooky Tooth, worked in France)
editore:
Evansongs Ltd. (publisher), Somerset Songs Publishing Inc., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (fino al 2017-03-31), フジパシフィックミュージック (Fujipacific Music, Inc.) (dal 2015-01-01 a oggi) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi)
Foreigner3.653:07
4Rock ’n’ Roll Fantasy
tecnico di registrazione:
Tony Patrick
produttore:
Bad Company (British blues-rock supergroup)
editore:
Badco Music, Inc.
diritti fonografici (℗) detenuti da:
Swan Song Inc. (nel 1979)
registrata presso:
Ridge Farm Studios in Dorking, Surrey, England, Regno Unito
mixata presso:
Marquee Studios in London (Greater London), England, Regno Unito
registrazione di:
Rock ’n’ Roll Fantasy
paroliere e compositore:
Paul Rodgers
editore:
Badco Music, Inc.
Bad Company4.553:18
5Must of Got Lost
registrazione di:
Must of Got Lost
autore:
The J. Geils Band
J. Geils Band52:59
6Train, Train
registrazione di:
Train, Train
paroliere e compositore:
Shorty Medlock
editore:
BobNal Music
Blackfoot4.53:38
7Ride Captain Ride
produttore:
Richard Podolor
parte di:
Billboard Year-End Hot 100 singles of 1970 (numero: 32)
registrazione di:
Ride Captain Ride
paroliere:
Frank “Skip” Konte (US keyboardist)
compositore:
Mike Pinera
editore:
Atlantic (Warner Music imprint) e ATM Music
Blues Image4.53:43
8Rock & Roll
tecnico:
Adrian Barber (producer/engineer) e Geoffrey Haslam
produttore:
Geoffrey Haslam e Shel Kagan
batteria e chitarra basso :
Doug Yule
chitarra elettrica :
Sterling Morrison
chitarra elettrica [rhythm guitar] e voce principale:
Lou Reed
diritti fonografici (℗) detenuti da:
Warner Special Products
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (dal 1970-04 al 1970-08)
registrazione di:
Rock ’n’ Roll
paroliere e compositore:
Lou Reed
editore:
Oakfield Avenue Music Ltd.
The Velvet Underground4.14:41
9Oh Atlanta
tecnico:
Sneed Urn
produttore:
Lowell George
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1974)
registrata presso:
Blue Seas Recording Studio in Baltimore County, Maryland, Stati Uniti
registrazione di:
Oh, Atlanta
autore:
Bill Payne
Little Feat3:28
10School’s Out
tecnico:
Roy Cicala e Shelly Yakus
produttore:
Bob Ezrin
basso elettrico :
Dennis Dunaway (original bass player for Alice Cooper)
batteria :
Neil Smith (former Alice Cooper drummer)
chitarra e voce di accompagnamento:
Reggie Vincent
chitarra elettrica :
Michael Bruce (of Alice Cooper) e Glen Buxton (American guitarist)
tastiera :
Michael Bruce (of Alice Cooper) e Bob Ezrin
voce principale:
Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974)
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1972, nel 1974) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1972)
è stato produttore per:
Alive Enterprises Incorporated e Nimbus 9 Productions
registrata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 35), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 293) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 319)
registrazione di:
School’s Out
autore:
Michael Bruce (of Alice Cooper), Glen Buxton (American guitarist), Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974), Dennis Dunaway (original bass player for Alice Cooper) e Neal Smith (former Alice Cooper drummer)
editore:
Bizarre Music Co. (US work publisher), BMG Platinum Songs US, Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ezra Music, Ezra Music Corp., Opus 19 Music, Primary Wave Music Publishing, Sony/ATV Music Publishing, Third Palm Music, Universal Music Publishing Group, Warner Bros. Music (publisher; do NOT use as release label) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-editore:
フジパシフィックミュージック (Fujipacific Music, Inc.) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper4.253:29
11Let’s Go
assistente tecnico:
George Tutko (engineer, producer)
tecnico:
Geoff Workman
produttore:
Roy Thomas Baker (producer)
batteria e percussione :
David Robinson (US rock drummer)
chitarra :
Elliot Easton e Ric Ocasek
chitarra basso e voce principale:
Benjamin Orr (co-lead singer for The Cars)
diritti fonografici (℗) detenuti da:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (nel 1979), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1979), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1979) e Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (nel 2017)
registrata presso:
Cherokee Studios in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Let’s Go
paroliere e compositore:
Ric Ocasek
editore:
Carlin Music Corporation e Lido Music, Inc. (nel 1979)
The Cars43:35
12Woman From Tokyo
tecnico:
Martin Birch
produttore:
Deep Purple
tecnico di missaggio:
Roger Glover e Ian Paice
basso elettrico :
Roger Glover (nel 1972-07)
batteria :
Ian Paice (nel 1972-07)
chitarra elettrica :
Ritchie Blackmore (nel 1972-07)
organo Hammond :
Jon Lord (nel 1972-07)
voce principale:
Ian Gillan (nel 1972-07)
registrazione di:
Woman From Tokyo (nel 1972-07)
autore:
Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord e Ian Paice
editore:
EMI Music Publishing (do not use as a release label!) e HEC Music Ltd.
Deep Purple2:56
2▼CD: Volume Two
#TitoloArtistaValutazioneDurata
1More Than a Feeling
assistente tecnico:
Bruce Hensal, Deni King (engineer) e Doug Rider
tecnico:
Warren Dewey e Tom Scholz
produttore:
John Boylan e Tom Scholz
assistente tecnico di missaggio:
Steve Hodge (engineer and producer)
batteria e percussione :
Sib Hashian (dal 1975 al 1976)
chitarra [lead guitar] , chitarra [rhythm guitar] , chitarra acustica e chitarra basso :
Tom Scholz (dal 1975 al 1976)
voce principale e voce principale [Harmony]:
Brad Delp (dal 1975 al 1976)
arrangiatore:
Brad Delp e Tom Scholz
co-arrangiatore:
Jim Masdea
diritti fonografici (℗) detenuti da:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1976), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1976), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1976), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1976) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1976)
registrata presso:
Foxglove Studios in Watertown, Massachusetts, Stati Uniti (nel 1975), Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (nel 1976) e The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, Stati Uniti (nel 1976)
mixata presso:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, Stati Uniti
prima pubblicazione:
More Than a Feeling di Boston (US rock band)
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 39), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 194), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 212) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 500)
registrazione di:
More Than a Feeling (dal 1975 al 1976)
paroliere e compositore:
Tom Scholz
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) e Pure Songs (nel 1976)
Boston3.94:47
2Free Ride
registrazione di:
Free Ride
paroliere e compositore:
Dan Hartman
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc. e Silver Steed Music
The Edgar Winter Group33:09
3Hold the Line
tecnico e tecnico di missaggio:
Tom Knox
produttore:
Toto (US rock group)
batteria :
Jeffrey Porcaro (nel 1978-08)
chitarra basso :
David Hungate (nel 1978-08)
chitarra elettrica :
Steve Lukather (nel 1978-08)
percussione :
Lenny Castro (nel 1978-08)
pianoforte :
David Paich (nel 1978-08)
tastiera :
David Paich (nel 1978-08) e Steve Porcaro (nel 1978-08)
voce di accompagnamento:
Bobby Kimball (nel 1978-08), Steve Lukather (nel 1978-08) e David Paich (nel 1978-08)
voce principale:
Bobby Kimball (nel 1978-08)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1977, nel 1978), CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1978), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1978), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1978), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1978) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1978)
registrata presso:
Studio 55 in Los Angeles, California, Stati Uniti (nel 1978-08)
parte di:
BILLIONS CLUB
registrazione di:
Hold the Line (nel 1978-08)
paroliere e compositore:
David Paich
editore:
Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK), Sony/ATV Music Publishing Ltd. e Spirit Two Music
sub-editore:
Sony/ATV Music Publishing (UK) Ltd. e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Toto4.23:58
4Don't Bring Me Down
tecnico:
Mack (German rock producer/engineer Reinhold Mack)
produttore:
Jeff Lynne
batteria e percussione :
Bev Bevan (English rock drummer) (dal 1979-03 al 1979-04)
chitarra basso :
Kelly Groucutt (dal 1979-03 al 1979-04)
chitarra elettrica e voce principale:
Jeff Lynne (dal 1979-03 al 1979-04)
clarinetto e pianoforte elettrico :
Richard Tandy (keyboardist for Electric Light Orchestra) (dal 1979-03 al 1979-04)
pianoforte e sintetizzatore :
Jeff Lynne (dal 1979-03 al 1979-04) e Richard Tandy (keyboardist for Electric Light Orchestra) (dal 1979-03 al 1979-04)
cori:
Kelly Groucutt (dal 1979-03 al 1979-04) e Jeff Lynne (dal 1979-03 al 1979-04)
direttore d'orchestra:
Louis Clark (dal 1979-03 al 1979-04)
arrangiatore archi e arrangiatore cori:
Louis Clark, Jeff Lynne e Richard Tandy (keyboardist for Electric Light Orchestra)
diritti fonografici (℗) detenuti da:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1979), Jet Inc. (nel 1979), Jet Records (nel 1979), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1979) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 2005)
registrata presso:
Musicland Studios (Munich) in München (Munich), Bayern (Baviera), Germania (dal 1979-03 al 1979-04)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 215)
registrazione di:
Don’t Bring Me Down (dal 1979-03 al 1979-04)
paroliere e compositore:
Jeff Lynne
editore:
April Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs, EMI Songs Ltd., Jet Music Inc., Jet Music Ltd. (British branch) e Polygon Publishing Ltd.
sub-editore:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Electric Light Orchestra4.454:05
5Cat Scratch Fever (live)
registrazione di:
Cat Scratch Fever
paroliere e compositore:
Ted Nugent
editore:
IQ Music Ltd., Magicland Music e Round Hill Works
Ted Nugent3:55
6Are You Ready?
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1970)
parte di:
Billboard Year-End Hot 100 singles of 1970 (numero: 93)
registrazione di:
Are You Ready?
autore:
Charlie Allen (Pacific Gas & Electric vocalist) e John Hill (American score composer, not to be confused with the mainstream producer)
editore:
Hexagram Music e PG & E Music
Pacific Gas & Electric35:50
7(Don't Fear) The Reaper
tecnico di registrazione:
Andy Abrams (nel 1976-03) e Shelly Yakus (nel 1976-03)
tecnico:
Andy Abrams e Shelly Yakus
produttore:
Murray Krugman, David Lucas (US producer, composer & engineer) e Sandy Pearlman
tecnico di missaggio:
Andy Abrams (dal 1975 al 1976) e Shelly Yakus (dal 1975 al 1976)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1976), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1976) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1976)
registrata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti (nel 1976-03)
mixata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti (dal 1975 al 1976)
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 55)
registrazione di:
(Don’t Fear) The Reaper (nel 1976-03)
paroliere e compositore:
Donald Roeser
editore:
Blue Oyster Cult Songs, Inc., Carlin Music Corporation, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC e Sony/ATV Tunes LLC (ASCAP) (nel 1976)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Blue Öyster Cult4.555:09
8Baby Hold On
tecnico di registrazione:
Andy Johns (nel 1977-06)
produttore:
Bruce Botnick
tecnico di missaggio:
Andy Johns
armonica (a bocca) , sassofono e voce principale:
Eddie Money
batteria :
Gary Mallaber
chitarra :
Jimmy Lyon (rock guitarist, worked with Eddie Money)
chitarra basso :
Lonnie Turner
percussione :
Kevin Calhoun (percussionist)
sassofono contralto :
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
tastiera :
Eddie Money, Alan Pasqua e Freddie Webb (keyboardist)
voce di accompagnamento:
Randy Nichols
voce ospite:
Jo Baker (US singer, involved with Elvin Bishop)
diritti fonografici (℗) detenuti da:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1978)
registrata presso:
CBS Studios (San Francisco) in San Francisco, California, Stati Uniti (nel 1977-06) e Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, Stati Uniti (nel 1977-06)
registrazione di:
Baby Hold On (nel 1977-06)
autore:
Jimmy Lyon (rock guitarist, worked with Eddie Money) e Eddie Money
editore:
Cashola Music e Three Wise Boys Music LLC
sub-editore:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Eddie Money4.53:33
9Evil Ways
tecnico:
Bob Breault e Eric Prestidge
produttore:
Brent Dangerfield e Santana (US Latin, blues, & rock band)
batteria :
Michael Shrieve (il 1969-05-12)
chitarra :
Carlos Santana (il 1969-05-12)
chitarra basso :
David Brown (US bassist for Santana/Allman Brothers/31st of February) (il 1969-05-12)
congas e percussione :
Michael Carabello (il 1969-05-12)
congas, percussione e timbales :
José “Chepito” Áreas (il 1969-05-12)
organo e pianoforte :
Gregg Rolie (il 1969-05-12)
voce:
Gregg Rolie (il 1969-05-12) e Carlos Santana (il 1969-05-12)
arrangiatore:
Alberto Gianquinto
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1969), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1969) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1969)
registrata presso:
Pacific Recording Studio in San Mateo, California, Stati Uniti (il 1969-05-12)
mixata presso:
Pacific Recording Studio in San Mateo, California, Stati Uniti
parte di:
Billboard Year-End Hot 100 singles of 1970 (numero: 69)
registrazione cover di:
Evil Ways (il 1969-05-12)
paroliere e compositore:
Clarence “Sonny” Henry (US jazz guitarist aka Sonny Henry)
editore:
EMI United Partnership Ltd., Gibson Music, Richcar Music, Sah Music e Universal–Songs of PolyGram International, Inc.
Santana4.23:57
10Hold Your Head Up
registrazione di:
Hold Your Head Up
autore:
Rod Argent e Chris White (UK bassist for The Zombies)
editore:
Al Gallico Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Essex (publisher), Mainstay Music, Inc., Marquis Songs USA e Verulum Music Co Ltd
sub-editore:
シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
Argent3:19
11Come and Get Your Love
registrazione di:
Come and Get Your Love
paroliere e compositore:
Lolly Vegas
editore:
EMI Blackwood Music Inc., Lolly Vegas Publishing e Novalene Music
Redbone5:00
12Ridin' the Storm Out
registrazione di:
Ridin’ the Storm Out
paroliere e compositore:
Gary Richrath
editore:
Jonathan Three Music Co., Slam Dunk Music (work publisher), The EMP Company, イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
R.E.O. Speedwagon14:11
3▼CD: Volume Three
#TitoloArtistaValutazioneDurata
1Go All the Way
produttore:
Jimmy Ienner (producer)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 2000)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 181)
registrazione di:
Go All the Way
paroliere e compositore:
Eric Carmen
editore:
Round Hill Works, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
The Raspberries3.83:22
2Green-Eyed Lady
tecnico:
Paul Buff
produttore:
Frank Slay Jr.
registrazione di:
Green‐Eyed Lady
autore:
Jerry Corbetta, John Collingwood Phillips e David Riordan
editore:
Claridge Music Publishing Co. (publisher), MPL Music Publishing Inc., UA Music International Inc., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Sugarloaf53:42
3You're No Good
tecnico di registrazione:
Val Garay (dal 1974-06 al 1974-09) e David Hassinger (dal 1974-06 al 1974-09)
tecnico:
Val Garay
produttore:
Peter Asher, Jay Faires e Tricia Holloway
basso :
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) (dal 1974-06 al 1974-09)
batteria, pianoforte elettrico e percussione :
Andrew Gold (dal 1974-06 al 1974-09)
chitarra elettrica :
Ed Black (dal 1974-06 al 1974-09)
chitarra elettrica solista :
Andrew Gold (dal 1974-04 al 1974-09)
voce di accompagnamento:
Clydie King (dal 1974-06 al 1974-09) e Shirley Matthews (Canadian pop singer) (dal 1974-06 al 1974-09)
arrangiatore archi :
Gregory Rose
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1974, nel 2006) e Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1974, nel 2013)
registrata presso:
Sound Factory (1969–1980) in Los Angeles, California, Stati Uniti (dal 1974-06 al 1974-09)
parte di:
New York Post: 100 Greatest Covers (2007) (numero: 38)
registrazione cover di:
You’re No Good (dal 1974-06 al 1974-09)
paroliere e compositore:
Clint Ballard, Jr.
editore:
Beardog Publishing, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Edwin H. Morris & Co. (a division of MPL Communications Inc.)
Linda Ronstadt4.753:40
4Only Sixteen
produttore:
Ron Haffkine
registrazione cover di:
Only Sixteen
autore:
Barbara Campbell (collective songwriter pseudonym for Sam Cooke, Lou Adler and Herb Alpert)
editore:
ABKCO Music e Ardmore and Beechwood Ltd.
Dr. Hook2:48
5I Got a Name
basso :
Joe Macho
batteria :
Rick Marotta (US drummer/percussionist)
chitarra [rhythm guitar] e pianoforte :
Tommy West
chitarra acustica [lead acoustic guitar] :
Maury Muehleisen
percussione :
George Devens
voce:
Jim Croce (il 1973-06-06)
voce di accompagnamento:
Jim Croce, Maury Muehleisen e Tommy West
direttore d'orchestra:
Terence Minogue
arrangiatore:
Terence Minogue
diritti fonografici (℗) detenuti da:
Saja Music Co. (publisher) (nel 1973)
registrata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti (il 1973-06-06)
registrazione di:
I Got a Name (il 1973-06-06)
paroliere:
Norman Gimbel
compositore:
Charles Fox (film/TV composer, also Latin pianist)
editore:
Fox Fanfare Music Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019)
Jim Croce43:11
6American Pie
tecnico:
Tom Flye
produttore:
Ed Freeman (producer, arranger, musician, and photographer)
chitarra elettrica :
David Spinozza (dal 1971-05 al 1971-06)
pianoforte :
Paul Griffin (American pianist, session musician) (dal 1971-05 al 1971-06)
voce:
Don McLean (dal 1971-05 al 1971-06)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1971, nel 2000)
registrata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti (dal 1971-05 al 1971-06)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 131)
registrazione di:
American Pie (dal 1971-05 al 1971-06)
paroliere e compositore:
Don McLean
editore:
Benny Bird Co. Inc. (BMI-affiliated), Illegal Songs Inc., Mayday Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA Publishing Ltd., Songs of Universal, Inc. (BMI), Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Ltd. (Hong Kong), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation), Universal/MCA Music Publishing Pty Ltd e Yahweh Tunes, Inc.
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Don McLean4.38:36
7My Sharona
tecnico di registrazione:
Pete Coleman
produttore:
Mike Chapman (Australian producer and songwriter)
batteria :
Bruce Gary
chitarra :
Berton Averre e Doug Fieger (in The Knack)
chitarra basso :
Prescott Niles
voce:
Berton Averre
voce principale:
Doug Fieger (in The Knack)
remixer:
Dave Jerden
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1979, nel 1994, nel 2013)
parte di:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (numero: 18), TV Cream: Real 100 Best Singles Ever (numero: 24) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 201)
registrazione di:
My Sharona
autore:
Berton Averre e Douglas Fieger (in The Knack)
editore:
Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eighties Music, Music Sales Corporation (American copyright holder in both popular and classical music), Small Hill Music, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing MGB Australia e Wise Brothers Music LLC
The Knack4.154:57
8Heart of Glass
produttore:
Mike Chapman (Australian producer and songwriter)
remixer:
Mike Chapman (Australian producer and songwriter)
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1978), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1978), Chrysalis Records, Inc. (not for release label use!) (nel 1978, nel 1981, nel 2002) e Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1981)
remix di:
Heart of Glass di Blondie (US rock band)
registrazione di:
Heart of Glass
autore:
Deborah Harry e Chris Stein
editore:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated), Monster Island Music Publishing Corporation e Rare Blue Music Inc (nel 1978)
sub-editore:
フジパシフィックミュージック (Fujipacific Music, Inc.)
versione di:
Once I Had a Love
Blondie44:38
9Proud Mary
tecnico:
Brent Maher
produttore:
Ike Turner
strumenti:
Ike Turner & The Kings of Rhythm
voce:
Ike Turner
voce di accompagnamento:
The Ikettes
voce principale:
Tina Turner
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1971)
parte di:
New York Post: 100 Greatest Covers (2007) (numero: 69) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 420)
registrazione cover di:
Proud Mary
paroliere e compositore:
John Fogerty
editore:
Burlington Music Co., Ltd., Burlington Music Ltd., Cierco Music, Warner Chappell, Jondora Music (il 1968-12-27) e Jondora Musikverlag (publisher) (nel 1970)
Ike & Tina Turner4.654:59
10Lonesome Loser
registrata a:
Melbourne, Victoria, Australia (nel 1979-06)
produttore:
John Boylan e Little River Band
basso :
Clive Harrison (nel 1979-06)
batteria :
Derek Pellicci (nel 1979-06)
chitarra :
David Briggs (producer, guitarist of Little River Band) (nel 1979-06)
pianoforte :
Peter Sullivan (UK producer) (nel 1979-06)
voce:
Beeb Birtles (nel 1979-06), Graham Goble (nel 1979-06) e Glenn Shorrock (nel 1979-06)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1978, nel 1979), Capitol Records (imprint of Capitol Records, Inc.) (nel 1979, nel 2002) e Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1979)
è stato produttore per:
Tumbleweed Productions
registrazione di:
Lonesome Loser (nel 1979-06)
paroliere e compositore:
David Briggs (producer, guitarist of Little River Band)
editore:
American Tumbleweed Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Tumbleweed Music Pty. Ltd., Unichappell Music, Inc., Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Pty. Ltd. e Wheatley Music Pty Ltd.
Little River Band43:56
11Sad Eyes
diritti fonografici (℗) detenuti da:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1979) e EMI USA (renamed EMI Records USA in the beginning of the 1990s) (nel 1979)
registrazione di:
Sad Eyes
paroliere e compositore:
Robert John (US singer‐songwriter)
editore:
BMG Music Publishing, Inc., Careers–BMG Music Publishing, Inc., Chappell & Co., Chappell & Co., Inc. (USA), Six Continents Music Publishing Inc., Unichappell Music, Unichappell Music, Inc., Universal Music Careers, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Robert John3:31
12Rock and Roll Heaven
registrazione di:
Rock and Roll Heaven
autore:
Alan O’Day e Johnny Stevenson
The Righteous Brothers3:34

Accreditamenti

Pubblicazione

fabbricata a:Stati Uniti
design:Wiant Design, Inc. (Eugene, Oregon creative graphics communication company run by CEO, Jerry Wiant)
fabbricata da:Sony Music Special Products
Warner Special Products
distribuito da:Entertainment Distributing (aka Entertainment Distributing)
copyright (©) detenuto da:Entertainment Distributing (aka Entertainment Distributing) (nel 1996)
diritti fonografici (℗) detenuti da:Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1972, nel 1973, nel 1977, nel 1978, nel 1979, nel 1996)
Warner Special Products (nel 1995, nel 1996)
CEMA Special Markets (a division of Capitol‐EMI Music, Inc.) (nel 1996)
è stato produttore per e fabbricata per:Entertainment Distributing (aka Entertainment Distributing)