Best of the World

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1▼CD
#TitoloArtistaValutazioneDurata
1Release Me
Engelbert Humperdinck3:20
2Vaya con dios
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1953)
registrazione di:
Vaya con Dios (original)
autore:
Inez James, Buddy Pepper e Larry Russell (Film composer)
editore:
Ardmore Music Corp., Chappell Music Ltd. e Manuskript (not for release label use! this is only for copyrights and publishing relationships)
Les Paul & Mary Ford2:50
3You’re My World
registrazione di:
You’re My World
paroliere:
Gino Paoli
compositore:
Umberto Bindi
traduttore:
Carl Sigman
editore:
Carlin Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) e Welbeck Music Ltd.
versione tradotta di:
Il mio mondo
Cilla Black3:00
4Delilah
registrazione di:
Delilah (Tom Jones song) (nel 1968)
paroliere:
Barry Mason (English songwriter)
compositore:
Les Reed
editore:
Donna Music Ltd. (publisher)
Tom Jones43:22
5Without You
tecnico:
Robin Geoffrey Cable
produttore:
Richard Perry (producer)
batteria :
Jim Keltner (nel 1971-06)
chitarra acustica :
John Uribe (nel 1971-06)
chitarra basso :
Klaus Voormann (nel 1971-06)
pianoforte :
Gary Wright (US singer/keyboardist) (nel 1971-06)
voce:
Harry Nilsson (US singer-songwriter) (nel 1971-06)
direttore d'orchestra:
Paul Buckmaster (nel 1971-06)
arrangiatore ottoni e archi :
Paul Buckmaster
diritti fonografici (℗) detenuti da:
BMG Music (nel 1971, nel 1991), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1971), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1971), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (nel 1972) e RCA Records, Inc. (this is a company, only use in companies fields such as Copyright and Manufacturer - for the label use RCA) (nel 1989)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 496)
registrazione cover di:
Without You (nel 1971-06)
autore:
Tom Evans (UK guitarist for Badfinger) e W. Peter Ham
editore:
100 % Apple Music, Apple Music, Apple Music Publishing Co., Inc., Apple Publishing Ltd. (, dal 1970 a oggi), Essex Music, Essex Music of Australia Pty. Ltd., Imagem Music, The Estate for Peter William Ham, The Estate for Thomas Evans, Warner Bros. Music (publisher; do NOT use as release label) e WB Music Corp. (1929–2019) (fino al 2019-05-28)
sub-editore:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Harry Nilsson4.33:18
6Monday, Monday
tecnico:
Bones Howe
produttore:
Lou Adler
esecutore:
The Mamas & the Papas (American folk rock vocal group) (il 1965-12-16)
diritti fonografici (℗) detenuti da:
Dunhill Records (nel 1966)
registrata presso:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (il 1965-12-16)
registrazione di:
Monday, Monday (il 1965-12-16)
paroliere e compositore:
John Phillips (The Mamas & The Papas)
editore:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Trousdale Music e Universal/MCA Music Ltd. (not for release label use!)
The Mamas & the Papas4.13:24
7I’m Not in Love
tecnico di registrazione:
10cc (nel 1974)
tecnico e tecnico di missaggio:
Eric Stewart
produttore:
10cc
basso e chitarra :
Graham Gouldman (nel 1974)
effetti [musical effects] , pianoforte elettrico e voce principale:
Eric Stewart (nel 1974)
moog :
Kevin (nel 1974)
pianoforte :
Lol (nel 1974)
synclavier [control desk] :
Graham Gouldman (nel 1974), Kevin (nel 1974), Lol (nel 1974) e Eric Stewart (nel 1974)
altra voce [whisper vocals]:
Kathy Redfern (nel 1974)
voce di accompagnamento:
Graham Gouldman (nel 1974), Kevin (nel 1974) e Lol (nel 1974)
diritti fonografici (℗) detenuti da:
Mercury Records Limited (not for release label use!) (nel 1975), Phonogram, Inc. (nel 1975) e Mercury Records Ltd. (not for release label use!) (nel 1996)
registrata presso:
Strawberry Studios in Stockport, Stockport, Greater Manchester, England, Regno Unito (nel 1974)
video musicali:
I’m Not in Love di 10cc
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 319)
registrazione di:
I’m Not in Love (nel 1974)
autore:
Graham Gouldman e Eric Stewart
editore:
EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Man-Ken Music Ltd. (, nel 1975), Schubert Music Publishing, St. Anne's Music e St. Anne’s Music Ltd.
sub-editore:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
10cc3.96:03
8Maggie May
produttore:
Rod Stewart
celesta :
Pete Sears (nel 1971)
chitarra a 12 corde , chitarra basso e chitarra elettrica :
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood) (nel 1971)
chitarra acustica :
Martin Quittenton (guitarist for Steamhammer) (nel 1971)
mandolino :
Ray Jackson (nel 1971) e David Lindley (nel 1971)
membranofono e piatti :
Micky Waller (nel 1971)
organo Hammond :
Ian McLagan (nel 1971)
voce principale:
Rod Stewart (nel 1971)
diritti fonografici (℗) detenuti da:
Mercury Records Inc. (copyrights use only) (nel 1971), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1971), The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1971) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1971)
registrazione di:
Maggie May (nel 1971)
editore:
Rod Stewart
autore:
Mike Peters, Martin Quittenton (guitarist for Steamhammer) e Rod Stewart
editore:
Chappell Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Full Keel Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), H. G. Music Inc, Mushroom Music (Mushroom label’s publishing company), Rightsong Music Inc., Unichappell Music, Inc., Warner Chappell e Warner Chappell Music (publisher as Warner/Chappell Music)
Rod Stewart4.25:14
9Catch the Wind
registrazione di:
Catch the Wind
paroliere e compositore:
Donovan Leitch (Scottish singer, songwriter and guitarist)
editore:
Donovan Music, Peer Music UK Ltd e Southern Music (publisher)
Donovan2:17
10Goodbye, My Love
registrazione di:
Goodbye My Love, Goodbye (nel 1973)
paroliere e compositore:
Mario Panas (Greek musician, composer and producer) e Klaus Munro
editore:
Hanseatic Musikverlag GmbH (since 2017)
Demis Roussos53:56
11Eloise
registrazione di:
Eloise
paroliere e compositore:
Paul Ryan (UK singer, songwriter & producer) (nel 1968)
editore:
Carlin Music Corporation e Hill & Range (publisher)
Barry Ryan5:53
12The House of the Rising Sun
produttore:
Mickie Most (English record producer)
batteria :
John Steel (English musician)
chitarra basso :
Chas Chandler
chitarra elettrica :
Hilton Valentine
organo :
Alan Price
voce principale:
Eric Burdon
diritti fonografici (℗) detenuti da:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (nel 1964) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1964, nel 2002)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 11), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 122), BILLIONS CLUB e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 471)
registrazione di:
The House of the Rising Sun (Alan Price (The Animals) arrangement)
paroliere e compositore:
[traditional] (special purpose artist)
arrangiatore:
Alan Price
editore:
Al Gallico Music, EMI Music Publishing (do not use as a release label!), Keith Prowse, Keith Prowse Music Publishing Co. Ltd. e Universal/MCA Music Ltd. (not for release label use!)
arrangiamento di:
House of the Rising Sun
The Animals4.254:29
13Cinderella Rockefella
arrangiatore:
Phil Dennys
diritti fonografici (℗) detenuti da:
Phonogram GmbH (nel 1967), Phonogram Ltd. (not for release label use!) (nel 1967), PolyGram Records, Inc. (New York) (not for release label use! US division of PolyGram) (nel 1967), Philips (dal 1967 al 1968), Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (dal 1967 al 1968), Phonogram, Inc. (dal 1967 al 1968) e Phonogram (nel 1979)
registrazione cover di:
Cinderella Rockefella (nel 1967)
paroliere:
Nancy Ames
compositore:
Mason Williams (US classical guitarist, composer, writer, comedian & poet)
editore:
Irving (BMI), Laetrec Music, Music Publishers of Africa (M.P.A.), Rondor Music (Australia) e Rondor Music (London) Ltd.
Esther & Abi Ofarim2:29
14There’s Always Something There to Remind Me
registrazione di:
(There’s) Always Something There to Remind Me
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David) (not for release label use! see annotation), Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Intersong Music, JAC Music Co., Inc., New Hidden Valley Music Co., フジパシフィック音楽出版 BMG事業部 (fino al 2014-12-31), フジパシフィック音楽出版 第2事業部 (Fujipacific Music Publishing Division 2) (fino al 2014-12-31), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (dal 2015-01-01 a oggi) e フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2) (dal 2015-01-01 a oggi)
Sandie Shaw2:40
15Unchained Melody
tecnico:
Larry Levine
produttore:
Phil Spector
voce principale solista:
Bobby Hatfield (nel 1965-03)
arrangiatore:
Jack Nitzsche (American musician and score composer)
diritti fonografici (℗) detenuti da:
Spectrum Music (Universal Music Group budget label), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1965, nel 1968) e Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (nel 1966)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (nel 1965-03)
parte di:
The Co-Op: Top 10 British Funeral Songs (numero: 8), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 269) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 366)
registrazione cover di:
Unchained Melody (nel 1965-03)
editore:
Hy Zaret
paroliere:
Hy Zaret
compositore:
Alex North (US composer)
editore:
Frank Music Corp. (conclusa), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Communications Australia, MPL Musik Verlags GmbH, North Melody Publishing e Unchained Melody Publishing, LLC
sub-editore:
日音 Synch事業部 (NICHION, INC. Synch Division)
parte di:
The 28th Academy Award for Best Original Song (numero: 2)
The Righteous Brothers33:37
16Apache
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1960)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito
registrazione di:
Apache
compositore:
Jerry Lordan
editore:
Francis, Day & Hunter Ltd.
The Shadows4.652:54
17Walk Don’t Run
tecnico:
Joe Boles
produttore:
Bob Reisdorff
basso elettrico [bass] :
Nokie Edwards
batteria :
Skip Moore
chitarra elettrica [lead guitar] :
Bob Bogle
chitarra elettrica [rhythm guitar] :
Don Wilson (US guitarist, member or The Ventures)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1960 (numero: 39)
registrazione cover di:
Walk, Don’t Run
compositore:
Johnny Smith (jazz guitarist)
editore:
Forshay Music, Inc., On Board Music (publisher), Peer Music (“Peermusic—the global independent”) e Windswept Pacific Music Ltd.
The Ventures4.252:04
18Bend It
registrazione di:
Bend It (nel 1966)
paroliere:
Ken Howard (English songwriter, one half of the songwrting team Ken Howard & Alan Blaikley, author and television director)
compositore:
Alan Blaikley
Dave Dee, Dozy, Beaky, Mick & Tich22:32
19Summer in the City
registrazione di:
Summer in the City
autore:
Steve Boone, John Sebastian e Mark Sebastian
editore:
Alley Music Corp., Beechwood Music Corp., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Bug Music (music publishing), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Gallo Music Publishing, Mark Sebastian Music, Robbins Music Corp., Robbins Music Corp. Ltd., Trio Music (publisher) e Trio Music Co., Inc.
The Lovin’ Spoonful2:42
20Nights in White Satin
tecnico:
Derek Varnals
produttore:
Tony Clarke (UK producer/guitarist) (incarico: realisation) e Michael Dacre-Barclay (British producer) (incarico: realisation)
produttore esecutivo:
Hugh Mendl
orchestra:
London Festival Orchestra (“house orchestra” of Decca Records, associated since 1980 with conductor Ross Pople)
direttore d'orchestra:
Peter Knight (British arranger, conductor and composer)
registrata presso:
Decca Studios in West Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
registrazione di:
Nights in White Satin
paroliere e compositore:
Justin Hayward (of the Moody Blues)
editore:
Essex Music of Australia Pty. Ltd., TRO-Essex Music, Inc. e Tyler Music Ltd.
The Moody Blues47:38
2▼CD
#TitoloArtistaValutazioneDurata
1San Francisco
produttore:
Lou Adler e John Phillips (The Mamas & The Papas)
voce:
Scott McKenzie (nel 1967-05)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1967) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1967)
registrazione di:
San Francisco (Be Sure to Wear Flowers in Your Hair) (nel 1967-05)
editore:
John Phillips (The Mamas & The Papas)
paroliere e compositore:
John Phillips (The Mamas & The Papas)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Honest John Music, MCA Music Ltd., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US) e Wingate Music Corp.
Scott McKenzie3.752:58
2Surfin’ USA
tecnico:
Chuck Britz
produttore:
Nick Venet
voce principale:
Mike Love (Beach Boys) (il 1963-01-31)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1963-01-31)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1963 (numero: 9) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione di:
Surfin’ U.S.A. (il 1963-01-31)
paroliere:
Brian Wilson (Beach Boys co‐founder)
compositore:
Chuck Berry
editore:
Arc Music Corp. (U.S. rock & blues publisher), Isalee Music Publishing Company e Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
si basa su:
Sweet Little Sixteen
The Beach Boys4.552:29
3Wonderful Copenhagen
voce:
Danny Kaye (nel 1952)
registrazione di:
Wonderful Copenhagen (Hans Christian Andersen, 1952 film) (nel 1952)
paroliere e compositore:
Frank Loesser
Danny Kaye2:08
4Maria Elena
Los Índios Tabajaras3:10
5El cóndor pasa
Los Incas3:48
6Vous permettez, monsieur ?
voce:
Adamo (Salvatore Adamo, Belgian singer Salvatore Adamo)
registrazione di:
Vous permettez, monsieur ? (nel 1964)
paroliere e compositore:
Adamo (Salvatore Adamo, Belgian singer Salvatore Adamo)
Adamo3:03
7Paloma blanca
produttore:
Hans Bouwens
diritti fonografici (℗) detenuti da:
EMI Music Netherlands BV (EMI Group subsidiary 2000–2012, today under UMG, don't use as label) (nel 1975)
registrazione di:
Paloma blanca
paroliere e compositore:
Hans Bouwens
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Holland B.V., Musik Unserer Zeit (publisher; do NOT use as release label), RMI (publisher) e EMI Music Holland B.V. (record company currently known as EMI Music Netherlands B.V. don't use as release label) (nel 1975)
George Baker Selection3:29
8Sur ma vie
voce:
Charles Aznavour
direttore d'orchestra:
Jean Leccia e Jo Moutet
registrazione di:
Sur ma vie (nel 1955)
paroliere e compositore:
Charles Aznavour
Charles Aznavour3:07
9Spanish Eyes
produttore:
Tom Morgan (producer)
direttore d'orchestra:
Peter de Angelis (nel 1965)
arrangiatore:
Peter de Angelis
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1965)
registrazione cover di:
Spanish Eyes (Moon Over Naples) (nel 1965)
paroliere:
Charles Singleton (composer/lyricist) e Eddie Snyder
compositore:
Bert Kaempfert (German orchestra leader, producer and songwriter)
editore:
Carlin Music Corporation, Columbia Music (Publisher. Do not use as a release label.) e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
versione di:
Moon Over Naples
Al Martino2.52:47
10Amarillo
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1972) e JTC Music (nel 2001)
registrazione di:
Is This the Way to Amarillo
autore:
Howard Greenfield e Neil Sedaka
editore:
Kirshner-Warner Bros Music
Tony Christie23:14
11Buona sera
produttore:
Voyle Gilmore
chitarra :
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (il 1956-04-19)
contrabbasso :
Amato Rodrigues (il 1956-04-19)
pianoforte :
Willie McCumber (il 1956-04-19)
sassofono tenore :
Sam Butera (il 1956-04-19)
tromba :
Louis Prima (il 1956-04-19)
trombone :
James Blount, Jr. (il 1956-04-19)
voce:
Louis Prima (il 1956-04-19)
orchestra:
The Witnesses (il 1956-04-19)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1956)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1956-04-19)
registrazione di:
Buona sera (il 1956-04-19)
paroliere:
Carl Sigman
compositore:
Peter de Rose
editore:
Music Sales Corporation (American copyright holder in both popular and classical music)
versione tradotta di:
Buona sera signorina (italian version for Fred Buscaglione)
Louis Prima42:57
12The Last Farewell
Roger Whittaker3:41
13Oh Carol
diritti fonografici (℗) detenuti da:
BMG Music
registrazione di:
Oh! Carol (nel 1959)
paroliere:
Howard Greenfield
compositore:
Neil Sedaka
editore:
Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Universal Music Careers
versione tradotta di:
Karel (Oh Carol)
Neil Sedaka32:18
14Marina
registrazione di:
Marina (original italian lyrics) (nel 1959)
paroliere e compositore:
Rocco Granata (Italian-born singer, songwriter, accordionist) (nel 1959)
Rocco Granata2:45
15Ramona
registrazione cover di:
Ramona (English version)
paroliere:
L. Wolfe Gilbert
compositore:
Mabel Wayne (nel 1928)
The Blue Diamonds2:34
16Downtown
voce:
Petula Clark (English singer & actress) (nel 1964)
arrangiatore:
Tony Hatch
diritti fonografici (℗) detenuti da:
Castle Copyrights Ltd. (nel 1964)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 227)
registrazione di:
Downtown (nel 1964)
paroliere e compositore:
Tony Hatch
editore:
ATV Music Ltd., MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) e Welbeck Music Ltd.
sub-editore:
ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Petula Clark4.53:10
17Bang Bang
registrazione di:
Bang Bang (My Baby Shot Me Down) (original version, first recorded by Cher)
paroliere e compositore:
Sonny Bono
editore:
April Music (private press label?), Chris Marc Music, Cotillion Music Inc. (BMI), Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Cher2:45
18Congratulations
registrazione di:
Congratulations
paroliere e compositore:
Phil Coulter e Bill Martin (Scottish songwriter & producer)
editore:
EMI Al Gallico Music Corp. e Peter Maurice Music Co. Ltd.
Cliff Richard2:32
19Walkin’ Back to Happiness
Helen Shapiro2:32
20The Sun Ain’t Gonna Shine Anymore
diritti fonografici (℗) detenuti da:
Phonogram Ltd. (not for release label use!) (nel 1966) e PolyGram Records, Inc. (New York) (not for release label use! US division of PolyGram) (nel 1966)
registrazione cover di:
The Sun Ain’t Gonna Shine (Anymore) (nel 1966)
autore:
Bob Crewe e Bob Gaudio
editore:
EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), Seasons Four Music e Warner Chappell Music (publisher as Warner/Chappell Music)
The Walker Brothers3.53:02
21Ruby Tuesday
voce:
Melanie (US singer‐songwriter Melanie Safka) (nel 1970)
registrazione cover di:
Ruby Tuesday (nel 1970)
autore:
Mick Jagger e Keith Richards (Rolling Stones guitarist)
editore:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”)
Melanie44:38
22Mr. Tambourine Man
registrata a:
Hollywood, Los Angeles, California, Stati Uniti (il 1965-01-20)
produttore:
Terry Melcher
batteria :
Michael Clarke (drummer for the 1960s rock group The Byrds) (il 1965-01-20)
chitarra :
David Crosby (il 1965-01-20)
chitarra a 12 corde :
Jim McGuinn (il 1965-01-20)
chitarra basso :
Chris Hillman (il 1965-01-20)
tamburello :
Gene Clark (US singer-songwriter; founder of The Byrds) (il 1965-01-20)
voce:
Gene Clark (US singer-songwriter; founder of The Byrds) (il 1965-01-20), David Crosby (il 1965-01-20), Chris Hillman (il 1965-01-20) e Jim McGuinn (il 1965-01-20)
diritti fonografici (℗) detenuti da:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 1965) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1965)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (numero: 10), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 79) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 230)
registrazione cover di:
Mr. Tambourine Man (il 1965-01-20)
paroliere e compositore:
Bob Dylan (dal 1964-02 al 1964-04)
editore:
Blossom Music Ltd., M. Witmark & Sons, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell (Warner/Chappell Music, Inc.) (dal 1964 al 1992) e Special Rider Music (dal 1992 a oggi)
The Byrds4.12:21
23Dandy
registrazione di:
Dandy (Kinks)
paroliere e compositore:
Ray Davies (UK singer/songwriter, member of The Kinks)
editore:
Carlin Music Corporation
The Kinks2:10
24Stop, Stop, Stop
The Hollies2:51
25It’s a Heartache
produttore:
Dave Mackay (producer), David Mackay (Australian producer, arranger, musical director), Ronnie Scott (a British pop music promoter, group manager and songwriter) e Steve Wolfe (producer, songwriter and guitar player)
basso :
Kevin Dunne
batteria e percussione :
Micky Gibbins (drummer for Badfinger)
chitarra acustica e voce di accompagnamento:
Steve Wolfe (producer, songwriter and guitar player)
voce:
Bonnie Tyler
diritti fonografici (℗) detenuti da:
Castle Copyrights Ltd. (nel 1977), RCA Ltd. (UK arm of RCA) (nel 1977), Sanctuary Copyrights Ltd. (nel 1977), Soundbarrier Ltd. (production company) (nel 1977, nel 1978) e Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (nel 1995)
è stato produttore per:
Soundbarrier Ltd. (production company)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 24)
registrazione di:
It’s a Heartache
autore:
Ronnie Scott (a British pop music promoter, group manager and songwriter) e Steve Wolfe (producer, songwriter and guitar player)
editore:
BMG Music Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Lojo Music, Scott/Wolfe Songs Ltd., Universal Music Publishing International Ltd., Mighty Music (publisher) (nel 1977) e RAK Publishing (nel 1977)
Bonnie Tyler3.83:28
3▼CD
#TitoloArtistaValutazioneDurata
1Hello Dolly!
registrazione cover di:
Hello, Dolly!
paroliere e compositore:
Jerry Herman
editore:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) e Jerryco Music Co.
sub-editore:
Warner Chappel Music Belgium NV
parte di:
Hello, Dolly!
Louis Armstrong2:24
2Swinging on a Star
voce di accompagnamento:
Williams Brothers Quartet (vocal quartet comprised of Bob, Don, Dick and Andy Williams) (il 1944-02-07)
voce principale:
Bing Crosby (il 1944-02-07)
orchestra:
John Scott Trotter and His Orchestra (il 1944-02-07)
registrata presso:
Decca Studios (Hollywood; fka Recordings, Inc. 1934–40, before Decca took it over) in Hollywood, Los Angeles, California, Stati Uniti (il 1944-02-07)
registrazione di:
Swinging on a Star (il 1944-02-07)
paroliere:
Johnny Burke (American lyricist, 1908–1964) (nel 1944)
compositore:
Jimmy Van Heusen (nel 1944)
editore:
Bourne Co. (not for release label use, this is a music publisher), Burke & Van Heusen, Inc. e Music Sales Corporation (American copyright holder in both popular and classical music)
parte di:
The 17th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1944 winner)
Bing Crosby42:32
3When I Fall in Love
voce:
Nat King Cole (il 1956-12-28)
direttore d'orchestra:
Gordon Jenkins (il 1956-12-28)
arrangiatore:
Gordon Jenkins
registrazione cover di:
When I Fall in Love (il 1956-12-28)
paroliere:
Edward Heyman
compositore:
Victor Young (American composer, arranger, violinist & conductor)
editore:
Avenue Music Co. Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Intersong U.S.A. (publisher), Northern Music (song publisher), Victor Young Publishing, Inc. e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
registrazione di:
When I Fall in Love
paroliere:
Edward Heyman
compositore:
Victor Young (American composer, arranger, violinist & conductor)
editore:
Avenue Music Co. Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Intersong U.S.A. (publisher), Northern Music (song publisher), Victor Young Publishing, Inc. e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Nat King Cole1.53:10
4Beat Me, Daddy, Eight to the Bar
voce:
The Andrews Sisters (il 1940-08-28)
orchestra:
Vic Schoen and His Orchestra (il 1940-08-28)
registrazione di:
Beat Me Daddy, Eight to the Bar (1940 song) (il 1940-08-28)
autore:
Hughie Prince, Don Raye e Eleanore Sheehy
The Andrews Sisters2:52
5Ain’t Misbehavin’
registrazione di:
Ain’t Misbehavin’
paroliere:
Andy Razaf (nel 1929)
compositore:
Harry Brooks (jazz pianist & songwriter) (nel 1929) e Fats Waller (nel 1929)
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Music (do not use as release label! this is a music publisher), Redwood Music e Redwood Music Ltd. (Carlin)
Fats Waller and His Rhythm3:59
6God Bless the Child
registrazione di:
God Bless the Child
paroliere:
Billie Holiday
compositore:
Arthur Herzog, Jr.
editore:
Basart Editions (conclusa) e Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
Billie Holiday3:10
7La Vie en rose
pianoforte :
Robert Chauvigny (French composer, orchestra leader and conductor) (il 1946-10-09)
voce:
Édith Piaf (il 1946-10-09)
orchestra:
Guy Luypaert and His Orchestra (il 1946-10-09)
direttore d'orchestra:
Guy Luypaerts (il 1946-10-09)
parte di:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 71)
registrazione di:
La Vie en rose (French original) (il 1946-10-09)
paroliere:
Édith Piaf
compositore:
Louiguy (French composer Louis Guglielmi) e Édith Piaf
editore:
Éditions Beuscher Arpège e ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Édith Piaf53:06
8Valentine
voce:
Maurice Chevalier
direttore d'orchestra:
Paul Mauriat
registrazione di:
Valentine (Maurice Chevalier song)
paroliere:
Albert Willemetz
compositore:
Henri Christiné
Maurice Chevalier3:30
9Peggy Sue
registrazione di:
Peggy Sue
autore:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) e Norman Petty
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), McCartney Music, Melody Lane Publications Inc., MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Peermusic (UK) Limited, Southern Music (publisher) e Wren Music Co.
Buddy Holly2:31
10You Send Me
produttore:
Robert “Bumps” Blackwell
basso :
Ted Brinson
batteria :
Earl Palmer
chitarra :
Clifton White e René Hall
voce di accompagnamento:
Alicia Adams (singer), Sue Allen, Lee Gotch e Charles Parlato
voce principale:
Sam Cooke (American singer and songwriter. "King of Soul")
direttore d'orchestra:
Glenn Osser
diritti fonografici (℗) detenuti da:
Keen (nel 1958)
registrata presso:
Specialty Studios in Los Angeles, California, Stati Uniti (il 1957-06-01)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1957 (numero: 8) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 115)
registrazione di:
You Send Me
paroliere e compositore:
Sam Cooke (American singer and songwriter. "King of Soul")
autore aggiunto:
L. C. Cooke
editore:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Burlington Music Co., Ltd., Warner/Chappell Music Ltd. (1996–2019), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), 日本アブコ音楽出版 (ABKCO Japan Publishing), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (fino al 2017-03-31) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi)
Sam Cooke4.52:46
11Distant Drums
tecnico:
Jim Malloy
produttore:
Chet Atkins
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1966)
registrazione di:
Distant Drums (1961 song) (il 1966-02-09)
paroliere e compositore:
Cindy Walker (US songwriter, singer and dancer)
Jim Reeves2:51
12Arrividerci, Roma
Mario Lanza3:18
13Crocodile Rock
tecnico:
Ken Scott (UK record producer & engineer)
produttore:
Gus Dudgeon
batteria :
Nigel Olsson
chitarra basso :
Dee Murray
chitarra elettrica :
Davey Johnstone
farfisa e pianoforte e voce principale:
Elton John (English singer, songwriter, pianist, and composer)
diritti fonografici (℗) detenuti da:
This Record Co. Ltd. (copyright holder) (nel 1972, nel 1973) e Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (nel 2022)
registrata presso:
Château d'Hérouville in Hérouville, Val-d'Oise, Île-de-France, Francia
registrazione di:
Crocodile Rock
paroliere:
Bernie Taupin
compositore:
Elton John (English singer, songwriter, pianist, and composer)
editore:
PolyGram Music Publishing, Universal–Songs of PolyGram International, Inc., Universal/Dick James Music Ltd. (fka Dick James Music Ltd.), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Elton John3.453:53
14Save Your Kisses for Me
Brotherhood of Man3:03
15In the Summertime
produttore:
Barry Murray (producer, associated with Mungo Jerry)
diritti fonografici (℗) detenuti da:
Castle Copyrights Ltd. (nel 1970)
prima pubblicazione:
In the Summertime di Mungo Jerry
video musicali:
In the Summertime di Mungo Jerry
parte di:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (numero: 40) e Billboard Year-End Hot 100 singles of 1970 (numero: 53)
registrazione di:
In the Summertime
paroliere e compositore:
Ray Dorset
editore:
Associated Music International Ltd., Bovina Music Inc., Broadley Music (International) Ltd. (PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., Our Music Ltd. (possibly aka Our Music Ltd., associated mostly with Mungo Jerry), Satellite Music Ltd., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Tunes LLC (ASCAP) e Universal Music Publishing (use ONLY if no country‐specific information is available)
Mungo Jerry3.653:30
16Under the Moon of Love
registrazione cover di:
Under the Moon of Love
autore:
Tommy Boyce (US songwriter of Boyce and Hart) e Curtis Lee (US rock & roll singer, had single "Pretty Little Angel Eyes")
editore:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it)
Showaddywaddy3:00
17Bad, Bad Leroy Brown
voce:
Jim Croce (il 1972-06-02)
registrata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti (il 1972-06-02)
registrazione di:
Bad, Bad Leroy Brown (il 1972-06-02)
paroliere e compositore:
Jim Croce
editore:
American Broadcasting Music, Inc., Blendingwell Music, Inc., Denjac Music Co., DenJac Music Company, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) e MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996)
Jim Croce53:00
18Spinning Wheel
tecnico:
Fred Catero e Roy Halee
produttore:
James William Guercio
basso :
Jim Fielder (Bassist with Blood, Sweat & Tears)
batteria e percussione :
Bobby Colomby
chitarra e armonica (a bocca) :
Steve Katz (guitarist for Blood, Sweat & Tears)
flauto dolce e trombone :
Jerry Hyman (trombone player)
flauto, organo, pianoforte e trombone :
Dick Halligan
flicorno soprano e tromba :
Al Rubin e Lew Soloff
sassofono contralto e pianoforte :
Fred Lipsius
voce:
Bobby Colomby, Dick Halligan e Steve Katz (guitarist for Blood, Sweat & Tears)
voce principale:
David Clayton‐Thomas
arrangiatore:
Blood, Sweat & Tears e Fred Lipsius
registrazione di:
Spinning Wheel
paroliere e compositore:
David Clayton‐Thomas
editore:
EMI Blackwood Music Inc., EMI Songs Australia Pty. Ltd., Minnesingers Publishers, フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (fino al 2014-12-31) e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (dal 2015-01-01 a oggi)
Blood, Sweat & Tears44:04
19Chirpy Chirpy Cheep
registrazione cover di:
Chirpy Chirpy Cheep Cheep (Lally Stott / Middle of the Road)
paroliere:
Lally Stott (nel 1971)
compositore:
Lally Stott
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
Middle of the Road42:59
20Nutbush City Limits
registrazione di:
Nutbush City Limits
paroliere e compositore:
Tina Turner
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Catalogue Partner Scandinavia, EMI Catalogue Partnership, EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing (do not use as a release label!), EMI Partnership Musikverlag GmbH, EMI Unart Catalog Inc., EMI United Partnership Ltd., Huh-Music, Unart Music Corp., United Artists Music Ltd., Valley Spring Music e Valley Spring Music Corp.
Tina Turner2:59
21Get Down
Gilbert O’Sullivan2:39
22The Lady in Red
produttore:
Paul Hardiman
diritti fonografici (℗) detenuti da:
A&M Records, Ltd. (nel 1986)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 54)
registrazione di:
The Lady in Red (nel 1986)
paroliere e compositore:
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
editore:
Hornall Brothers Music (limited company) e Rondor Music (London) Ltd. (, nel 1986)
Chris de Burgh3.54:17
23Heart of Glass
produttore:
Mike Chapman (Australian producer and songwriter)
remixer:
Mike Chapman (Australian producer and songwriter)
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1978), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1978), Chrysalis Records, Inc. (not for release label use!) (nel 1978, nel 1981, nel 2002) e Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1981)
remix di:
Heart of Glass di Blondie (US rock band)
registrazione di:
Heart of Glass
autore:
Deborah Harry e Chris Stein
editore:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated), Monster Island Music Publishing Corporation e Rare Blue Music Inc (nel 1978)
sub-editore:
フジパシフィックミュージック (Fujipacific Music, Inc.)
versione di:
Once I Had a Love
Blondie44:31
4▼CD
#TitoloArtistaValutazioneDurata
1Rock Around the Clock
batteria :
Billy Gussak (il 1954-04-12)
chitarra elettrica [lead guitar] :
Danny Cedrone (il 1954-04-12)
chitarra elettrica [rhythm guitar] e voce principale:
Bill Haley (il 1954-04-12)
chitarra steel :
William F. ‘Billy’ Williamson (il 1954-04-12)
contrabbasso :
Marshall Lytle (il 1954-04-12)
pianoforte :
Johnny Grande (il 1954-04-12)
sassofono tenore :
Joey D'Ambrosio (il 1954-04-12)
diritti fonografici (℗) detenuti da:
Sonet Music AB (nel 1954) e MCA Records Inc. (1967–2003; name as in imprint during 1972–1990) (nel 1955)
registrata presso:
Pythian Temple in Lincoln Square, New York, New York, Stati Uniti (il 1954-04-12)
registrazione di:
Rock Around the Clock (Bill Haley’s version) (il 1954-04-12)
paroliere e compositore:
Jimmy De Knight (nel 1952) e Max C. Freedman (American songwriter and lyricist) (nel 1952)
arrangiatore:
Harry Filler
editore:
Edward Kassner Music Co. Ltd. e Myers Music, Inc.
versione di:
We’re Gonna Rock Around the Clock (Original Freedman / De Knight version)
Bill Haley & His Comets4.352:14
2Hello, Mary Lou
Ricky Nelson2:19
3Blue Suede Shoes
batteria :
W.S. Holland (nel 1955-12)
chitarra :
Carl Perkins (American pioneer of rockabilly music) (nel 1955-12) e Jay Perkins (nel 1955-12)
contrabbasso :
Clayton Perkins (nel 1955-12)
voce:
Carl Perkins (American pioneer of rockabilly music) (nel 1955-12)
diritti fonografici (℗) detenuti da:
Sun (US label founded in 1952) (nel 1955, dal 1956 a oggi)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 5) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 95)
registrazione di:
Blue Suede Shoes (nel 1955-12)
paroliere e compositore:
Carl Perkins (American pioneer of rockabilly music) (nel 1955)
editore:
Aberbach (London) (publisher), Carl Perkins Music Inc., Carlin Music Corp., EMI Music Publishing (do not use as a release label!), Hi Lo Music, Hill and Range Songs, Inc. (publisher), Unichappell Music, Unichappell Music, Inc. e Wren Music Co.
parte di:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Carl Perkins42:16
4Blueberry Hill
produttore:
Dave Bartholomew
diritti fonografici (℗) detenuti da:
Everest Records (classical), Liberty (a division of UMG Recordings, Inc.) (nel 1957) e EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1991)
registrata presso:
Master Recorders in Hollywood, Los Angeles, California, Stati Uniti
edit di:
Blueberry Hill (Imperial) di Fats Domino
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 17), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 81) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 147)
registrazione cover di:
Blueberry Hill (il 1956-06-27)
paroliere:
Al Lewis (Tin Pan Alley era lyricist) e Larry Stock
compositore:
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
editore:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Larry Stock Music Co., Redwood Music Ltd. (Carlin), Sovereign Music Company e Victoria Music Publishing Co. Ltd.
parte di:
12 Monkeys Soundtrack
Fats Domino4.652:23
5Roll Over Beethoven
produttore:
Leonard & Phil Chess (legendary US production duo)
batteria :
Melvin Billups (il 1956-04-19)
chitarra e voce principale:
Chuck Berry (il 1956-04-19)
contrabbasso :
Willie Dixon (il 1956-04-19)
pianoforte :
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (il 1956-04-19)
sassofono tenore :
Leroy C. Davis (il 1956-04-19)
tromba :
Vincent Pitts (il 1956-04-19)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1956)
registrata presso:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, Stati Uniti (il 1956-04-19)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 2), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 97)
registrazione di:
Roll Over Beethoven (il 1956-04-19)
paroliere e compositore:
Chuck Berry (nel 1956-01)
editore:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dualtone Words and Songs, Isalee Music Publishing Company e Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
sub-editore:
Fujipacific Music, Inc. e Rock ’n’ Roll Music
Chuck Berry4.152:25
6Who’s Sorry Now
Connie Francis2:20
7Great Balls of Fire
Jerry Lee Lewis1:54
8Tutti Frutti
registrazione di:
Tutti Frutti
paroliere:
Dorothy LaBostrie (American songwriter) e Richard Wayne Penniman
compositore:
Dorothy LaBostrie (American songwriter), Joe Lubin e Richard Wayne Penniman
editore:
ATV Music Ltd., Sony/ATV Songs LLC, Venice, Venice Music, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e Phonogram GmbH (nel 1983)
Little Richard2:23
9Be‐Bop‐A‐Lula
batteria [drums] :
Dickie Harrell (il 1956-05-04)
chitarra [lead guitar] :
Cliff Gallup (lead guitarist for The Blue Caps) (il 1956-05-04)
chitarra [rhythm guitar] :
Willie Williams (50s rock guitarist) (il 1956-05-04)
contrabbasso [upright bass] :
Jack Neal (il 1956-05-04)
voce:
Gene Vincent (il 1956-05-04)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (dal 1956 a oggi)
registrata presso:
Owen Bradley Studio (aka the "Quonset Hut") in Nashville, Tennessee, Stati Uniti (il 1956-05-04)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 9) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 102)
registrazione di:
Be‐Bop‐a‐Lula (il 1956-05-04)
autore:
Bill “Tex” Davis e Gene Vincent
editore:
Lowery Music Co. Inc.
Gene Vincent4.352:36
10Take Good Care of My Baby
registrazione di:
Take Good Care of My Baby
paroliere:
Gerry Goffin
compositore:
Carole King
editore:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Warner/Chappell Music Ltd. (1996–2019)
Bobby Vee2:40
11Let’s Have a Party
registrazione di:
Let’s Have a Party
paroliere e compositore:
Jessie Mae Robinson
editore:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Gladys Music Inc., IQ Music Ltd., MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Universal/MCA Music Ltd. (not for release label use!) e Universal/MCA Music Publishing Pty Ltd
Wanda Jackson2:10
12Blue Moon
produttore:
Danny e Stu (US TV/film composer, conductor & producer)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1961, nel 2004)
registrazione cover di:
Blue Moon
paroliere:
Lorenz Hart (nel 1934)
compositore:
Richard Rodgers (composer) (nel 1934)
editore:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-editore:
EMI Music Publishing Belgium NV e Francis Day Editions (SABAM)
parte di:
New York, New York (1977 musical film soundtrack)
The Marcels32:19
13Skinny Minnie
Jimmy & the Rackets3:17
14Sweet Nothin’s
registrazione di:
Sweet Nothin’s
paroliere e compositore:
Ronnie Self
editore:
Leeds Music Ltd.
Brenda Lee2:25
15Three Steps to Heaven
registrazione di:
Three Steps to Heaven (il 1960-01-08)
autore:
Bob Cochran e Eddie Cochran (US rock and roll musician active in 1950s)
editore:
Belsize Music Ltd.
Eddie Cochran42:23
16Only You
pianoforte :
Buck Ram (il 1955-04-26)
voce parlata [dialogue]:
Wolfman Jack (US disc jockey) (il 1955-04-26)
voce principale:
Tony Williams (lead singer for The Platters) (il 1955-04-26)
diritti fonografici (℗) detenuti da:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (nel 1955), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1955) e The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1957)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1955 (numero: 10)
registrazione di:
Only You (il 1955-04-26)
paroliere, autore e compositore:
Buck Ram e Ande Rand
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Hollis Music, Inc., Robert Mellin, Inc., Tro-Hollis Music, Inc., Wildwood Music e Sherwin Music (publisher) (nel 1973)
The Platters2:37
17Volare
produttore:
Lee Gillette
voce:
Dean Martin (American singer/actor) (il 1958-07-14)
orchestra:
Dick Stabile and His Orchestra (il 1958-07-14)
direttore d'orchestra:
Gus Levene (il 1958-07-14)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1958)
registrazione di:
Volare (Nel blu dipinto di blu) (English lyrics) (il 1958-07-14)
paroliere:
Franco Migliacci e Domenico Modugno
compositore:
Domenico Modugno
traduttore:
Mitchell Parish
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Robbins Music Corp.
versione tradotta di:
Nel blu dipinto di blu (Volare)
Dean Martin43:00
18Broken-Hearted Melody
voce:
Sarah Vaughan (il 1958-01-08)
registrazione di:
Broken-Hearted Melody (il 1958-01-08)
paroliere:
Hal David
compositore:
Sherman Edwards
Sarah Vaughan42:24
19Island in the Sun
produttore:
Joe Carlton
bonghi :
Noah Rodriguez (il 1957-01-27)
chitarra :
Frantz Casséus (il 1957-01-27), Victor Messer (il 1957-01-27) e Millard Thomas (il 1957-01-27)
congas :
Daniel Barrajanos (il 1957-01-27)
contrabbasso :
Norman Keenan (il 1957-01-27)
flauto :
James N. DeMeo (il 1957-01-27) e Harold M. Jones (50s US flautist) (il 1957-01-27)
marimba :
Joe Venuto (il 1957-01-27)
tromba :
Joseph B. Wilder (il 1957-01-27)
cori:
Gilbert E. Adkins (il 1957-01-27), Irving D. Barnes (il 1957-01-27), Leon Bibb (il 1957-01-27), Charles Colman (il 1957-01-27), Stephen Harbachick (baritone) (il 1957-01-27), Marvin Hayes (bass-baritone) (il 1957-01-27), Herbert L. Stubbs (il 1957-01-27), Irving Burgie (il 1957-01-27), Joe N. Kenyon (il 1957-01-27), Leroy B. Thompson (il 1957-01-27), Samuel R. McCurry (il 1957-01-27), John Nielsen (il 1957-01-27), Brock Peters (il 1957-01-27), Howard A. Roberts (founder of the Howard Roberts Chorale) (il 1957-01-27), Rodester Timmons (il 1957-01-27) e William Stewart (choral vocals in Harry Belafonte recordings) (il 1957-01-27)
voce:
Harry Belafonte
voce principale:
Harry Belafonte (il 1957-01-27)
direttore d'orchestra:
Robert DeCormier (il 1957-01-27)
registrata presso:
Webster Hall in East Village, New York, New York, Stati Uniti (il 1957-01-27)
registrazione di:
Island in the Sun (il 1957-01-27)
autore:
Harry Belafonte e Lord Burgess
editore:
Caribe Music Corp., Cherry Lane Music Publishing e Clara Music Publ. Corp.
Harry Belafonte3:25
20You’ll Never Walk Alone
esecutore:
Gerry and the Pacemakers
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1963)
registrazione cover di:
You’ll Never Walk Alone (Carousel)
paroliere:
Oscar Hammerstein II (of Rodgers & Hammerstein)
compositore:
Richard Rodgers (composer)
editore:
Chappell Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), T.B. Harms Company, The Welk Music Group, Williamson Music Company e Williamson Music, Inc.
parte di:
Carousel (Rodgers & Hammerstein musical)
Gerry & the Pacemakers2:40
21Diana
voce:
Paul Anka
direttore d'orchestra:
Don Costa (US pop music arranger & producer)
parte di:
Huffington Post: 100 Best Canadian Songs Ever (numero: 26)
registrazione di:
Diana (il 1957-05-20)
paroliere e compositore:
Paul Anka
editore:
Pamco Music Inc. (conclusa), Epa Publishing e Warner Chappell Music (publisher as Warner/Chappell Music)
Paul Anka4.752:20
22Fever
batteria :
Shelly Manne (US jazz drummer) (il 1958-05-19)
contrabbasso [bass] :
Joe Mondragon (il 1958-05-19)
schiocchi di dita :
Peggy Lee (jazz vocalist) (il 1958-05-19) e Howard Roberts (jazz guitarist, educator, session musician and producer) (il 1958-05-19)
voce:
Peggy Lee (jazz vocalist) (il 1958-05-19)
direttore d'orchestra:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (il 1958-05-19)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1958)
registrazione cover di:
Fever (il 1958-05-19)
autore:
Eddie Cooley e John Davenport (songwriter Otis Blackwell)
editore:
Carlin Music Corp., Chrysalis Songs, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Jay & Cee Music, Lark Music Ltd., Trio Music (publisher), Trio Music Co., Inc. e Trio Music Company
parte di:
The Adjustment Bureau
Peggy Lee4.253:23
23Patricia
registrazione di:
Patricia
paroliere:
Bob Marcus
compositore:
Pérez Prado (Cuban bandleader, singer, organist, pianist and composer)
Pérez Prado2:20
24Tom Dooley
registrazione di:
Tom Dooley
paroliere e compositore:
[traditional] (special purpose artist)
parte di:
Roud Folk Song Index (numero: 4192)
The Kingston Trio43:02
25My Baby Just Cares for Me
batteria :
Albert “Tootie” Heath (nel 1957-12)
contrabbasso :
Jimmy Bond (nel 1957-12)
pianoforte e voce principale:
Nina Simone (nel 1957-12)
diritti fonografici (℗) detenuti da:
Bethlehem Records (US jazz label, active 1950s–) (nel 1958)
registrata presso:
Beltone Studios in New York, New York, Stati Uniti (nel 1957-12)
edit di:
My Baby Just Cares for Me (special extended version) di Nina Simone
registrazione cover di:
My Baby Just Cares for Me (nel 1957-12)
paroliere e compositore:
Walter Donaldson e Gus Kahn
editore:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild e Tobago Music Co.
Nina Simone3.853:36
26Mack the Knife
registrazione cover di:
Mack the Knife (1954 Blitzstein translation)
paroliere:
Bertolt Brecht
compositore:
Kurt Weill (composer)
traduttore:
Marc Blitzstein (American composer) (nel 1954)
editore:
Universal Edition (publisher; do NOT use as release label)
versione tradotta di:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Ella Fitzgerald5:07
27Round and Around
produttore:
Joe Carlton
voce:
Perry Como (US pop singer & TV personality, 1912–2001) (il 1957-01-15) e The Ray Charles Singers (il 1957-01-15)
orchestra:
Mitchell Ayres and His Orchestra (il 1957-01-15)
arrangiatore:
Joe Reisman
registrazione di:
Round and Round (il 1957-01-15)
autore:
Joe Shapiro (US songwriter) (nel 1956) e Lou Stallman (Songwriter and producer active since the 1950s) (nel 1956)
Perry Como2:35
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