Verdi Arias I

~ Release by Giuseppe Verdi; Maria Callas (see all versions of this release, 4 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Macbeth: Atto I. "Nel dì della vittoria... Vieni! t'affretta"
producer:
Walter Legge (British classical producer)
soprano vocals:
Maria Callas (soprano) (from 1958-09-19 until 1958-09-21, on 1958-09-24)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1958-09-19 until 1958-09-21, on 1958-09-24)
conductor:
Nicola Rescigno (conductor) (from 1958-09-19 until 1958-09-21, on 1958-09-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1958-09-19 until 1958-09-21, on 1958-09-24)
recording of:
Macbeth: Atto I. N°3a Scena “Nel dì della vittoria io le incontrai” … “Ambizioso spirto” (Lady) (from 1958-09-19 until 1958-09-21)
composer:
Giuseppe Verdi (Italian opera composer)
additional librettist:
Andrea Maffei (19th century poet, translator and librettist)
librettist:
Francesco Maria Piave
part of:
Macbeth: Atto I
part of:
Macbeth: Atto I
recording of:
Macbeth: Atto I. N°3b Cavatina “Vieni! t'affretta!” … “Or tutti sorgete” (Lady) (from 1958-09-19 until 1958-09-21)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Macbeth: Atto I
recording of:
Macbeth: Atto I. N°3a Scena “Nel dì della vittoria io le incontrai” … “Ambizioso spirto” (Lady) (on 1958-09-24)
composer:
Giuseppe Verdi (Italian opera composer)
additional librettist:
Andrea Maffei (19th century poet, translator and librettist)
librettist:
Francesco Maria Piave
part of:
Macbeth: Atto I
part of:
Macbeth: Atto I
recording of:
Macbeth: Atto I. N°3b Cavatina “Vieni! t'affretta!” … “Or tutti sorgete” (Lady) (on 1958-09-24)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Macbeth: Atto I
Giuseppe Verdi7:48
2Macbeth: Atto II. "La luce langue"
producer:
Walter Legge (British classical producer)
soprano vocals:
Maria Callas (soprano) (from 1958-09-19 until 1958-09-21, on 1958-09-24)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1958-09-19 until 1958-09-21, on 1958-09-24)
conductor:
Nicola Rescigno (conductor) (from 1958-09-19 until 1958-09-21, on 1958-09-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1958-09-19 until 1958-09-21, on 1958-09-24)
recording of:
Macbeth: Atto II. N°7b Aria “La luce langue, il faro spegnesi” (Lady) (from 1958-09-19 until 1958-09-21)
composer:
Giuseppe Verdi (Italian opera composer)
additional librettist:
Andrea Maffei (19th century poet, translator and librettist)
librettist:
Francesco Maria Piave
part of:
Macbeth: Atto II
recording of:
Macbeth: Atto II. N°7b Aria “La luce langue, il faro spegnesi” (Lady) (on 1958-09-24)
composer:
Giuseppe Verdi (Italian opera composer)
additional librettist:
Andrea Maffei (19th century poet, translator and librettist)
librettist:
Francesco Maria Piave
part of:
Macbeth: Atto II
Giuseppe Verdi4:12
3Macbeth: Atto IV. "Una macchia è qui tuttora"
producer:
Walter Legge (British classical producer)
soprano vocals:
Maria Callas (soprano) (from 1958-09-19 until 1958-09-21, on 1958-09-24)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1958-09-19 until 1958-09-21, on 1958-09-24)
conductor:
Nicola Rescigno (conductor) (from 1958-09-19 until 1958-09-21, on 1958-09-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1958-09-19 until 1958-09-21, on 1958-09-24)
recording of:
Macbeth: Atto IV. N°14c Scena del sonnambulismo "Una macchia è qui tuttora..." (Lady, Dama, Medico) (Sleepwalking Scene) (from 1958-09-19 until 1958-09-21)
composer:
Giuseppe Verdi (Italian opera composer)
additional librettist:
Andrea Maffei (19th century poet, translator and librettist)
librettist:
Francesco Maria Piave
part of:
Macbeth: Atto IV
recording of:
Macbeth: Atto IV. N°14c Scena del sonnambulismo "Una macchia è qui tuttora..." (Lady, Dama, Medico) (Sleepwalking Scene) (on 1958-09-24)
composer:
Giuseppe Verdi (Italian opera composer)
additional librettist:
Andrea Maffei (19th century poet, translator and librettist)
librettist:
Francesco Maria Piave
part of:
Macbeth: Atto IV
Giuseppe Verdi11:15
4Nabucco: Atto IV. "Ben io t'invenni... Anch'io dischiuso un giorno"
producer:
Walter Legge (British classical producer)
soprano vocals:
Maria Callas (soprano) (from 1958-09-19 until 1958-09-21, on 1958-09-24)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1958-09-19 until 1958-09-21, on 1958-09-24)
conductor:
Nicola Rescigno (conductor) (from 1958-09-19 until 1958-09-21, on 1958-09-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1958-09-19 until 1958-09-21, on 1958-09-24)
recording of:
Nabucco: Parte II, scena 1. Aria “Anch’io dischiuso un giorno” (Abigaille) (from 1958-09-19 until 1958-09-21)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte II. L’empio
recording of:
Nabucco: Parte II, scena 1. Recitativo “Ben io t’invenni, o fatal scritto!” (Abigaille) (from 1958-09-19 until 1958-09-21)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte II. L’empio
recording of:
Nabucco: Parte II, scena 1. Aria “Anch’io dischiuso un giorno” (Abigaille) (on 1958-09-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte II. L’empio
recording of:
Nabucco: Parte II, scena 1. Recitativo “Ben io t’invenni, o fatal scritto!” (Abigaille) (on 1958-09-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte II. L’empio
Giuseppe Verdi9:09
5Ernani: Atto I. "Surta è la notte... Ernani, Ernani, involami"
producer:
Walter Legge (British classical producer)
soprano vocals:
Maria Callas (soprano) (from 1958-09-19 until 1958-09-21, on 1958-09-24)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1958-09-19 until 1958-09-21, on 1958-09-24)
conductor:
Nicola Rescigno (conductor) (from 1958-09-19 until 1958-09-21, on 1958-09-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1958-09-19 until 1958-09-21, on 1958-09-24)
recording of:
Ernani: Atto I. (no. 4a) Scena “Surta è la notte” (Elvira) (from 1958-09-19 until 1958-09-21)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
recording of:
Ernani: Atto I. (no. 4a) Scena “Surta è la notte” (Elvira) (on 1958-09-24)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
Giuseppe Verdi6:15
6Don Carlo: Atto IV. "Tu che la vanità"
producer:
Walter Legge (British classical producer)
soprano vocals:
Maria Callas (soprano) (from 1958-09-19 until 1958-09-21, on 1958-09-24)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1958-09-19 until 1958-09-21, on 1958-09-24)
conductor:
Nicola Rescigno (conductor) (from 1958-09-19 until 1958-09-21, on 1958-09-24)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1958-09-19 until 1958-09-21, on 1958-09-24)
recording of:
Don Carlo: Atto IV. N°15 “Tu che le vanità” – “O Francia, nobile suol” (Elisabetta) (from 1958-09-19 until 1958-09-21)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto IV (V)
recording of:
Don Carlo: Atto IV. N°15 “Tu che le vanità” – “O Francia, nobile suol” (Elisabetta) (on 1958-09-24)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto IV (V)
Giuseppe Verdi10:43
7I Vespri Siciliani: Atto IV. "Arrigo! ah parli a un core"
producer:
Michel Glotz
soprano vocals:
Maria Callas (soprano) (in 1964-02, in 1965-04)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (in 1964-02, in 1965-04)
conductor:
Nicola Rescigno (conductor) (in 1964-02, in 1965-04)
balance engineer:
Paul Vavasseur (engineer)
recording of:
I vespri siciliani: Atto IV. “Arrigo! Ah, parli a un core” (Elena, Arrigo) (in 1964-02)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Charles Duveyrier and Eugène Scribe
translator:
Arnaldo Fusinato
part of:
I vespri siciliani: Atto IV
recording of:
I vespri siciliani: Atto IV. “Arrigo! Ah, parli a un core” (Elena, Arrigo) (in 1965-04)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Charles Duveyrier and Eugène Scribe
translator:
Arnaldo Fusinato
part of:
I vespri siciliani: Atto IV
Giuseppe Verdi4:30
8I Lombardi: Atto II. "O Madre dal cielo soccorri"
producer:
Michel Glotz
soprano vocals:
Maria Callas (soprano) (in 1964-04, in 1965-01)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (in 1964-04, in 1965-01)
conductor:
Nicola Rescigno (conductor) (in 1964-04, in 1965-01)
balance engineer:
Paul Vavasseur (engineer)
recording of:
I Lombardi: Atto II. N°10 Rondò “Oh madre, dal cielo soccorri” / Arioso: “Se vano è il pregare” (Giselda, coro) (in 1964-04)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
I Lombardi: Atto II (L'uomo della caverna)
recording of:
I Lombardi: Atto II. N°10 Rondò “Oh madre, dal cielo soccorri” / Arioso: “Se vano è il pregare” (Giselda, coro) (in 1965-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
I Lombardi: Atto II (L'uomo della caverna)
Giuseppe Verdi3:57
9Un ballo in maschera: Atto II. "Ecco! l'orrido campo" ... "Ma dall'arido stelo divulsa"
producer:
Michel Glotz
soprano vocals:
Maria Callas (soprano) (in 1964-01, in 1964-04)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (in 1964-01, in 1964-04)
conductor:
Nicola Rescigno (conductor) (in 1964-01, in 1964-04)
balance engineer:
Paul Vavasseur (engineer)
recording of:
Un ballo in maschera: Atto II. Nº 12b. Scena “Ecco l'orrido campo ove s'accoppia” (Amelia) (in 1964-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto II
recording of:
Un ballo in maschera: Atto II. Nº 12b. Scena “Ecco l'orrido campo ove s'accoppia” (Amelia) (in 1964-04)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto II
Giuseppe Verdi9:16
10Aida: Atto I. "Ritorna vincitor"
producer:
Michel Glotz
soprano vocals:
Maria Callas (soprano) (in 1964-04)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (in 1964-04)
conductor:
Nicola Rescigno (conductor) (in 1964-04)
balance engineer:
Paul Vavasseur (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recording of:
Aida: Atto I, scena 1. Scena: “Ritorna vincitor!” – “E l’amor mio …” – “I sacri nomi di padre, d’amante” (Aida) (in 1964-04)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi7:00