Mad Scenes and Bel Canto Arias

~ Release by Maria Callas (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Anna Bolena: Act II. "Piangete voi? ... Al dolce guidami castel natio"
producer:
Walter Legge (British classical producer)
bass vocals:
Joseph Rouleau (operatic bass) (from 1958-09-24 until 1958-09-25)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1958-09-24 until 1958-09-25)
contralto vocals:
Monica Sinclair (Operatic contralto) (from 1958-09-24 until 1958-09-25)
soprano vocals:
Maria Callas (soprano) (from 1958-09-24 until 1958-09-25)
tenor vocals:
John Lanigan (tenor) (from 1958-09-24 until 1958-09-25) and Duncan Robertson (tenor) (from 1958-09-24 until 1958-09-25)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1958-09-24 until 1958-09-25)
conductor:
Nicola Rescigno (conductor) (from 1958-09-24 until 1958-09-25)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
publisher:
EMI (EMI Records, or EMI Music only if there is no other imprint) (in 1959)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1958-09-24 until 1958-09-25)
recording of:
Anna Bolena: Atto II, Scena 3. “Al dolce guidami” (Anna, Coro) (from 1958-09-24 until 1958-09-25)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Anna Bolena: Atto II
recording of:
Anna Bolena: Atto II, Scena 3. “Cielo, a' miei lunghi spasimi” (Anna, Smeton, Percy, Rochefort, Tutti) (from 1958-09-24 until 1958-09-25)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Anna Bolena: Atto II
recording of:
Anna Bolena: Atto II, Scena 3. “Piangete voi?” (Anna, Coro) (from 1958-09-24 until 1958-09-25)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Anna Bolena: Atto II
Gaetano Donizetti19:54
2Hamlet: Act IV. "À vos jeux... Partagez-vous mes fleurs... Et maintenant écoutez ma chanson"
producer:
Walter Legge (British classical producer)
soprano vocals:
Maria Callas (soprano) (from 1958-09-24 until 1958-09-25)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1958-09-24 until 1958-09-25)
conductor:
Nicola Rescigno (conductor) (from 1958-09-24 until 1958-09-25)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1958-09-24 until 1958-09-25)
remasters:
Hamlet: Atto IV. “À vos yeux ... Partagez vous mes fleurs ... Et maintenant, écoutez ma chanson“ (Ophélie - Chor, 4. Akt) by Maria Callas (soprano), Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Nicola Rescigno (conductor) (in 1997)
recording of:
Hamlet : Acte IV. Scène et air d’Ophélie « À vos jeux mes amis » (Ophélie) (from 1958-09-24 until 1958-09-25)
composer:
Ambroise Thomas (opera composer)
librettist:
Jules Barbier (, in 1868) and Michel Carré (librettist) (, in 1868)
part of:
Hamlet : Acte IV.
recording of:
Hamlet : Acte IV. Scène et air d’Ophélie « Et maintenant écoutez ma chanson ! » (Ophélie, Chœur) (from 1958-09-24 until 1958-09-25)
composer:
Ambroise Thomas (opera composer)
librettist:
Jules Barbier and Michel Carré (librettist)
part of:
Hamlet : Acte IV.
recording of:
Hamlet : Acte IV. Scène et air d’Ophélie « Partagez-vous mes fleurs ! » (Ophélie, chœur) (from 1958-09-24 until 1958-09-25)
composer:
Ambroise Thomas (opera composer)
librettist:
Jules Barbier and Michel Carré (librettist)
part of:
Hamlet : Acte IV.
Ambroise Thomas10:23
3Il Pirata: Act I: "Sorgete... Lo sognai ferito esangue"
producer:
Walter Legge (British classical producer)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1961-11-14 until 1961-11-16)
contralto vocals:
Monica Sinclair (Operatic contralto) (from 1961-11-14 until 1961-11-16)
soprano vocals:
Maria Callas (soprano) (from 1961-11-14 until 1961-11-16)
tenor vocals:
Alexander Young (tenor) (from 1961-11-14 until 1961-11-16)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1961-11-14 until 1961-11-16)
conductor:
Antonio Tonini (conductor) (from 1961-11-14 until 1961-11-16)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1961-11-14 until 1961-11-16)
recording of:
Il pirata: Atto I, scena 1. “Lo sognai ferito, esangue” (Imogene, Adele, coro, Itulbo, Gualtiero) (from 1961-11-14 until 1961-11-16)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
Il pirata: Atto I
recording of:
Il pirata: Atto I, scena 1. “Sorgete: è in me dover quella pietade” (Imogene, Itulbo, Adele) (from 1961-11-14 until 1961-11-16)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
Il pirata: Atto I
Vincenzo Bellini9:21
4Il Pirata: Act II: "Oh! s'io potessi... Col sorriso d'innocenza"
producer:
Walter Legge (British classical producer)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1958-09-24 until 1958-09-25)
soprano vocals:
Maria Callas (soprano) (from 1958-09-24 until 1958-09-25)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1958-09-24 until 1958-09-25)
conductor:
Nicola Rescigno (conductor) (from 1958-09-24 until 1958-09-25)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1958-09-24 until 1958-09-25)
remasters:
Il pirata: Atto II. “Oh! s'io potessi ... Col sorriso d'innocenza“ (Imogene - Chor, Finale 2. Akt) by Maria Callas (soprano), Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Nicola Rescigno (conductor) (in 1997)
recording of:
Il pirata: Atto II, scena 4. “Ah! S'io potessi dissipar le nubi” (Imogene, Adele, coro) (from 1958-09-24 until 1958-09-25)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
Il pirata: Atto II
recording of:
Il pirata: Atto II, scena 4. “Col sorriso d'innocenza” (Imogene) (from 1958-09-24 until 1958-09-25)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
Il pirata: Atto II
Vincenzo Bellini17:05
5La figlia del reggimento: Act I. "Convien partir"
producer:
Michel Glotz
soprano vocals:
Maria Callas (soprano) (on 1963-12-04, on 1963-12-09, on 1963-12-23, on 1963-12-30, on 1964-01-06, on 1964-02-21, on 1964-04-13, on 1964-04-24)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (on 1963-12-04, on 1963-12-09, on 1963-12-23, on 1963-12-30, on 1964-01-06, on 1964-02-21, on 1964-04-13, on 1964-04-24)
conductor:
Nicola Rescigno (conductor) (on 1963-12-04, on 1963-12-09, on 1963-12-23, on 1963-12-30, on 1964-01-06, on 1964-02-21, on 1964-04-13, on 1964-04-24)
balance engineer:
Paul Vavasseur (engineer)
recorded at:
Salle Wagram in Paris, Île-de-France, France (on 1963-12-04, on 1963-12-09, on 1963-12-23, on 1963-12-30, on 1964-01-06, on 1964-02-21, on 1964-04-13, on 1964-04-24)
recording of:
La figlia del reggimento: Atto I. “Convien partir” (on 1963-12-04)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
La figlia del reggimento: Atto I
recording of:
La figlia del reggimento: Atto I. “Convien partir” (on 1963-12-09)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
La figlia del reggimento: Atto I
recording of:
La figlia del reggimento: Atto I. “Convien partir” (on 1963-12-23)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
La figlia del reggimento: Atto I
recording of:
La figlia del reggimento: Atto I. “Convien partir” (on 1963-12-30)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
La figlia del reggimento: Atto I
recording of:
La figlia del reggimento: Atto I. “Convien partir” (on 1964-01-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
La figlia del reggimento: Atto I
recording of:
La figlia del reggimento: Atto I. “Convien partir” (on 1964-02-21)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
La figlia del reggimento: Atto I
recording of:
La figlia del reggimento: Atto I. “Convien partir” (on 1964-04-13)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
La figlia del reggimento: Atto I
recording of:
La figlia del reggimento: Atto I. “Convien partir” (on 1964-04-24)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
La figlia del reggimento: Atto I
Gaetano Donizetti4:10
6Lucrezia Borgia: Act I. "Tranquillo ei posa... Com'è bello"
producer:
Michel Glotz
soprano vocals:
Maria Callas (soprano) (from 1963-12-04 until 1964-04-24)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1963-12-04 until 1964-04-24)
conductor:
Nicola Rescigno (conductor) (from 1963-12-04 until 1964-04-24)
balance engineer:
Paul Vavasseur (engineer)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1963-12-04 until 1964-04-24)
recording of:
Lucrezia Borgia: Prologo. Romanza “Tranquillo ei posa … Com'è bello! … Quale incanto …” (Lucrezia) (from 1963-12-04 until 1964-04-24)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucrezia Borgia: Prologo
Gaetano Donizetti8:25
7L'elisir d'amore: Act II. "Prendi, per me sei libero"
producer:
Michel Glotz
soprano vocals:
Maria Callas (soprano) (on 1963-12-04, on 1963-12-09, on 1963-12-23, on 1963-12-30, on 1964-01-06, on 1964-02-21, on 1964-04-13, on 1964-04-24)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (on 1963-12-04, on 1963-12-09, on 1963-12-23, on 1963-12-30, on 1964-01-06, on 1964-02-21, on 1964-04-13, on 1964-04-24)
conductor:
Nicola Rescigno (conductor) (on 1963-12-04, on 1963-12-09, on 1963-12-23, on 1963-12-30, on 1964-01-06, on 1964-02-21, on 1964-04-13, on 1964-04-24)
balance engineer:
Paul Vavasseur (engineer)
recorded at:
Salle Wagram in Paris, Île-de-France, France (on 1963-12-04, on 1963-12-09, on 1963-12-23, on 1963-12-30, on 1964-01-06, on 1964-02-21, on 1964-04-13, on 1964-04-24)
recording of:
L’elisir d’amore: Atto II. Aria “Prendi, per me sei libero” (Adina, Nemorino) (on 1963-12-04)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto II
recording of:
L’elisir d’amore: Atto II. Aria “Prendi, per me sei libero” (Adina, Nemorino) (on 1963-12-09)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto II
recording of:
L’elisir d’amore: Atto II. Aria “Prendi, per me sei libero” (Adina, Nemorino) (on 1963-12-23)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto II
recording of:
L’elisir d’amore: Atto II. Aria “Prendi, per me sei libero” (Adina, Nemorino) (on 1963-12-30)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto II
recording of:
L’elisir d’amore: Atto II. Aria “Prendi, per me sei libero” (Adina, Nemorino) (on 1964-01-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto II
recording of:
L’elisir d’amore: Atto II. Aria “Prendi, per me sei libero” (Adina, Nemorino) (on 1964-02-21)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto II
recording of:
L’elisir d’amore: Atto II. Aria “Prendi, per me sei libero” (Adina, Nemorino) (on 1964-04-13)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto II
recording of:
L’elisir d’amore: Atto II. Aria “Prendi, per me sei libero” (Adina, Nemorino) (on 1964-04-24)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti3:36

Credits

Release

ASIN:US: B000002RNV [info]

Release group

includes:Mad Scenes by Maria Callas (soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) and Chorus (London choir aka New Philharmonia Chorus from 1964–1977), Nicola Rescigno (conductor)