Las 100 canciones más Rolling de la historia

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Annotazione

missing CD5

Annotazione modificata l'ultima volta il 2023-02-14 13:08 UTC.

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1▼CD
#TitoloArtistaValutazioneDurata
1Subterranean Homesick Blues
registrata a:
New York, New York, Stati Uniti (il 1965-01-15)
produttore:
Tom Wilson (producer, worked with Dylan, Simon & Garfunkel, Zappa, VU, etc.)
armonica (a bocca) :
Bob Dylan (il 1965-01-15)
batteria :
Bobby Gregg (il 1965-01-15)
chitarra :
Bob Dylan (il 1965-01-15), Al Gorgoni (il 1965-01-15), John Hammond (blues singer and guitarist) (il 1965-01-15), Bruce Langhorne (il 1965-01-15) e Kenny Rankin (il 1965-01-15)
chitarra basso :
John Sebastian (il 1965-01-15)
pianoforte :
Paul Griffin (American pianist, session musician) (il 1965-01-15) e Frank Owens (American pianist) (il 1965-01-15)
tastiera :
Bob Dylan (il 1965-01-15) e Paul Griffin (American pianist, session musician) (il 1965-01-15)
voce:
Bob Dylan (il 1965-01-15)
remixer:
Michael Brauer (engineer)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 187) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 332)
registrazione di:
Subterranean Homesick Blues (il 1965-01-15)
paroliere:
Bob Dylan (dal 1964-12 al 1965-01)
compositore:
Bob Dylan (nel 1965-01)
editore:
Blossom Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) (dal 1965 al 1993), Warner Bros. Music (publisher; do NOT use as release label) (nel 1974) e Special Rider Music (dal 1993 a oggi)
Bob Dylan4.152:19
2Brown Eyed Girl
tecnico di registrazione:
Brooks Arthur (il 1967-03-28)
produttore:
Bert Russell Berns
batteria :
Gary Chester (studio drummer and educator) (il 1967-03-28)
chitarra :
Al Gorgoni (il 1967-03-28), Hugh McCracken (il 1967-03-28) e Van Morrison (il 1967-03-28)
chitarra basso :
Eric Gale (il 1967-03-28)
organo :
Garry Sherman (mid-20th century composer, arranger & conductor) (il 1967-03-28)
voce di accompagnamento:
The Sweet Inspirations (il 1967-03-28)
voce principale:
Van Morrison (il 1967-03-28)
esecutore:
Van Morrison (il 1967-03-28)
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment Inc. (nel 1967), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1967), Charly Records (nel 1968) e Exile Productions Ltd. (not for Label Release) (nel 1973)
registrata presso:
A&R Recording Studio A (original studio, 1958–1967) in New York, New York, Stati Uniti (il 1967-03-28) e A&R Recording Studio (original studio, 1958–1967) in New York, New York, Stati Uniti (il 1967-04-07)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 71) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 109)
registrazione di:
Brown Eyed Girl (Van Morrison song) (dal 1967-03-28 al 1967-04-07)
paroliere e compositore:
Van Morrison
editore:
Artist Alliance, Gallo Music Publishers, PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Songs of PolyGram International, Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Web IV Music Inc. (nel 1967) e Polygram Publishing AB (nel 1992)
Van Morrison3.253:04
3Me and Bobby McGee
tecnico:
Phil Macy (50s-70s engineer)
produttore:
Paul Rothchild
batteria :
Clark Pierson (il 1970-09-25)
bonghi e congas ospite :
Bobbye Hall (il 1970-09-25)
bonghi ospite e congas ospite :
Bobbye Hall
chitarra :
John Till (rock guitarist) (il 1970-09-25)
chitarra acustica e voce principale:
Janis Joplin (il 1970-09-25)
chitarra basso :
Brad Campbell (bassist, member of Full Tilt Boogie) (il 1970-09-25)
organo :
Ken Pearson (il 1970-09-25)
pianoforte :
Richard Bell (Canadian keyboardist for The Band/Janis Joplin) (il 1970-09-25)
tamburello ospite :
Sandra Crouch (il 1970-09-25)
voce di accompagnamento:
Phil Badella (il 1970-09-25), Richard Bell (Canadian keyboardist for The Band/Janis Joplin) (il 1970-09-25), Brad Campbell (bassist, member of Full Tilt Boogie) (il 1970-09-25), John Cooke (il 1970-09-25), Janis Joplin (il 1970-09-25), Vince Mitchell (il 1970-09-25), Ken Pearson (il 1970-09-25), Clark Pierson (il 1970-09-25) e John Till (rock guitarist) (il 1970-09-25)
esecutore:
Full Tilt Boogie (il 1970-09-25)
registrata presso:
Sunset Sound in Hollywood, Los Angeles, California, Stati Uniti (il 1970-09-25)
parte di:
New York Post: 100 Greatest Covers (2007) (numero: 31) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 148)
registrazione cover di:
Me and Bobby McGee (il 1970-09-25)
paroliere e compositore:
Fred Foster e Kris Kristofferson
editore:
Combine Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Keith Prowse Music Publishing Co. Ltd.
Janis Joplin4.34:29
4Everyday I Have the Blues
registrazione di:
Everyday I Have the Blues
autore:
Aaron ‘Pinetop’ Sparks (1930s blues & boogie-woogie pianist) (nel 1935) e Milton Sparks (nel 1935)
rivista da:
Peter Chatman
editore:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), BMG Platinum Songs, Fort Knox Music Co, Fort Knox Music Inc., Golden State Songs, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label), Trio Music Co., Inc., Trio Music Company e Tristan Music Ltd.
B.B. King2:39
5First We Take Manhattan
tecnico di registrazione:
François Deschamps (recording engineer) e Ian Terry (Canadian engineer & producer)
supporto a vario titolo:
Roscoe Beck
produttore:
Leonard Cohen (Canadian singer‐songwriter and poet)
tecnico di missaggio:
Frank Wolf (engineer at Skyline Recording)
voce:
Anjani Thomas
voce principale:
Leonard Cohen (Canadian singer‐songwriter and poet)
esecutore:
Jeff Fisher
arrangiatore:
Jeff Fisher
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1988)
registrazione di:
First We Take Manhattan (nel 1987)
paroliere e compositore:
Leonard Cohen (Canadian singer‐songwriter and poet)
editore:
Sony/ATV Music Publishing LLC (1995–2020) e Stranger Music Inc.
Leonard Cohen4.65:59
6The House Is Rockin’
Stevie Ray Vaughan2:23
7Sunday Morning
tecnico di registrazione:
Omi Haden
produttore:
Tom Wilson (producer, worked with Dylan, Simon & Garfunkel, Zappa, VU, etc.)
voce di accompagnamento:
Nico (Christa Päffgen, German singer, fashion model, actress)
diritti fonografici (℗) detenuti da:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1967)
registrazione di:
Sunday Morning
paroliere:
Lou Reed
compositore:
John Cale (The Velvet Underground founder) e Lou Reed
editore:
Oakfield Avenue Music Ltd.
The Velvet Underground4.152:52
8Mr. Bojangles
registrazione cover di:
Mr. Bojangles
paroliere e compositore:
Jerry Jeff Walker
editore:
Gotillion Music (BMI), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Warner/Chappell Music Australia Pty. Ltd.
The Nitty Gritty Dirt Band5:14
9Make Me Smile (Come Up and See Me)
produttore:
Steve Harley e Alan Parsons (of The Alan Parsons Project)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1975)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 18)
registrazione di:
Make Me Smile (Come Up and See Me)
paroliere e compositore:
Steve Harley
editore:
EMI Music Publishing (do not use as a release label!), Finchley Music Corp., RAK Publishing Ltd. e Trigram Music Management Ltd.
Steve Harley & Cockney Rebel43:57
10America
registrazione di:
America
paroliere e compositore:
Paul Simon (of Simon & Garfunkel)
editore:
Pattern Music Ltd (publisher), Paul Simon Music e Universal/MCA Music Ltd. (not for release label use!)
Simon & Garfunkel3:29
11Birdland
assistente tecnico:
Jerry Hudgins e Brian Risner
tecnico:
Ron Malo
assistente produttore:
Wayne Shorter (US jazz saxophonist and composer)
co-produttore:
Jaco Pastorius
produttore:
Jaco Pastorius, Wayne Shorter (US jazz saxophonist and composer) e Joe Zawinul (jazz and fusion keyboard player)
basso elettrico [bass] e mandoloncello :
Jaco Pastorius (dal 1976 al 1977)
batteria :
Alex Acuña (dal 1976 al 1977)
melodica , pianoforte a coda [acoustic piano] e sintetizzatore analogico [Oberheim Polyphonic] :
Joe Zawinul (jazz and fusion keyboard player) (dal 1976 al 1977)
sassofono soprano e sassofono tenore :
Wayne Shorter (US jazz saxophonist and composer) (dal 1976 al 1977)
sintetizzatore analogico [Arp 2600] :
Joe Zawinul (jazz and fusion keyboard player)
tamburello :
Manolo Badrena (dal 1976 al 1977)
voce:
Jaco Pastorius (dal 1976 al 1977) e Joe Zawinul (jazz and fusion keyboard player) (dal 1976 al 1977)
orchestratore:
Joe Zawinul (jazz and fusion keyboard player)
registrata presso:
Devonshire Sound Studios in North Hollywood, Los Angeles, California, Stati Uniti (dal 1976 al 1977)
registrazione di:
Birdland (instrumental) (dal 1976 al 1977)
compositore:
Joe Zawinul (jazz and fusion keyboard player)
editore:
Mulatto Music, Songs of Universal, Inc. (BMI), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Weather Report55:58
12The Weight
tecnico:
Don Hahn (engineer) e Tony May (engineer)
produttore:
The Band (Canadian-American rock band) e John Simon (US producer, arranger, composer, songwriter and musician)
batteria :
Levon Helm (il 1968-01-12)
chitarra acustica :
Robbie Robertson (il 1968-01-12)
chitarra basso :
Rick Danko (il 1968-01-12)
pianoforte :
Garth Hudson (il 1968-01-12)
voce di accompagnamento:
Rick Danko (il 1968-01-12), Levon Helm (il 1968-01-12) e Richard Manuel (il 1968-01-12)
voce principale:
Rick Danko (il 1968-01-12) e Levon Helm (il 1968-01-12)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1968, nel 2005)
registrata presso:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Stati Uniti (il 1968-01-12)
parte di:
Huffington Post: 100 Best Canadian Songs Ever (numero: 6), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 41), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 58), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 80) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione di:
The Weight (il 1968-01-12)
paroliere e compositore:
Robbie Robertson
editore:
Dwarf Music, Sony/ATV Music Publishing Australia Pty Ltd. e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
The Band4.14:35
13The Whole of the Moon
produttore:
Mike Scott (The Waterboys)
tecnico di missaggio:
Mick Glossop (producer & engineer)
batteria :
Chris Whitten (nel 1985-05)
chitarra e pianoforte :
Mike Scott (The Waterboys) (nel 1985-05)
percussione :
Martin Ditcham (nel 1985-05)
sassofono :
Anthony Thistlethwaite (nel 1985-05)
sintetizzatore e sintetizzatore basso :
Karl Wallinger (nel 1985-05)
tromba :
Roddy Lorimer (nel 1985-05)
voce:
Mike Scott (The Waterboys) (nel 1985-05)
voce di accompagnamento:
Max Edie (nel 1985-05) e Karl Wallinger (nel 1985-05)
diritti fonografici (℗) detenuti da:
Ensign Records Ltd. (company; do NOT use as release label) (nel 1985), Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (nel 1985) e Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 2020)
registrazione di:
The Whole of the Moon (nel 1985-05)
paroliere e compositore:
Mike Scott (The Waterboys)
editore:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Dizzy Heights Music Publishing Ltd. (publisher; do NOT use as release label) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Waterboys4.455:00
14Spanish Stroll
basso :
Rubén Sigüenza
chitarra :
Willy DeVille e Louis X. Erlanger
membranofono :
Thomas R. "Manfred" Allen, Jr.
pianoforte :
Bobby Leonards
voce principale:
Willy DeVille
diritti fonografici (℗) detenuti da:
USM (for ℗ & © use only; Universal Strategic Marketing, a division of Universal Music B.V.) (nel 2015)
registrazione di:
Spanish Stroll
paroliere e compositore:
Willy DeVille
Mink DeVille53:32
15Nelson Mandela
produttore:
Elvis Costello
registrazione di:
Free Nelson Mandela
paroliere e compositore:
Jerry Dammers
editore:
Plangent Visions Music Ltd. (nel 1984)
The Special A.K.A.34:34
16Feelin’ All Right
registrazione cover di:
Feelin’ Alright
paroliere e compositore:
Dave Mason (co‐founder of Traffic)
editore:
Almo Music Corp. (USA, affiliated with ASCAP)
Joe Cocker4:09
17Stranger in Blue Suede Shoes
Kevin Ayers & The Whole World3:23
18Sweet Home Alabama
supporto a vario titolo:
Ronnie Van Zant
tecnico e produttore:
Al Kooper
basso elettrico :
Leon Wilkeson (nel 1973-07)
batteria :
Bob Burns (Lynyrd Skynyrd drummer) (nel 1973-07)
chitarra elettrica :
Allen Collins (nel 1973-07), Ed King (US guitarist, bassist & songwriter) (nel 1973-07) e Gary Rossington (nel 1973-07)
tastiera :
Billy Powell (nel 1973-07)
voce di accompagnamento:
Merry Clayton (nel 1973-07) e Clydie King (nel 1973-07)
voce principale:
Ronnie Van Zant (nel 1973-07)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1974), MCA Records (1967–2003; name as in imprint during 1972–1990) (nel 1974), MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (nel 1974), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1974), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1974) e Universal Music (plain logo: “Universal Music”) (nel 1974)
è stato produttore per:
Sounds of the South Productions
registrata presso:
Studio One (Doraville, GA) in Doraville, Georgia, Stati Uniti (nel 1973-07)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 398)
registrazione di:
Sweet Home Alabama (nel 1973-07)
supporto a vario titolo:
Ronnie Van Zant
autore:
Ed King (US guitarist, bassist & songwriter), Gary Rossington e Ronnie Van Zant
editore:
Hustler Inc., Leeds Music Corp., MCA Music Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH e Universal/MCA Music Publishing Pty Ltd
Lynyrd Skynyrd4.154:41
19Wild Thing
produttore:
Colin Frechter (British pianist, arranger, music director, producer, vocalist)
batteria :
Ronnie Bond (The Troggs) (nel 1966)
chitarra elettrica :
Chris Britton (The Troggs) (nel 1966)
ocarina e voce principale:
Reg Presley (nel 1966)
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1966)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 257)
registrazione cover di:
Wild Thing (nel 1966)
paroliere e compositore:
Chip Taylor (US singer/songwriter)
editore:
EMI Blackwood Music Inc., EMI Songs, EMI Songs Australia Pty. Ltd., EMI Songs Musikverlag GmbH e April Music (nel 1981)
The Troggs4.42:36
20California Dreamin’
tecnico:
Bones Howe
produttore:
Lou Adler
chitarra :
P.F. Sloan (nel 1965)
flauto contralto solista :
Bud Shank (nel 1965)
diritti fonografici (℗) detenuti da:
Geffen Records e Dunhill Records (nel 1966)
registrata presso:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (nel 1965)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 52), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 89) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 420)
registrazione di:
California Dreamin’ (nel 1965)
autore:
John Phillips (The Mamas & The Papas) e Michelle Phillips
editore:
American Broadcasting Music, Inc., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Richt & Slezak OHG, Trousdale Music, Trousdale Music Publishers, Inc., Universal Music Corp. (USA, affiliated with ASCAP) e Universal/MCA Music Publishing GmbH
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Mamas & the Papas4.452:38
2▼CD
#TitoloArtistaValutazioneDurata
1It’s the End of the World as We Know It (and I Feel Fine)
tecnico di registrazione aggiunto:
Gary Laney
tecnico:
Scott Litt (producer and engineer)
produttore:
Scott Litt (producer and engineer) e R.E.M. (American rock band)
tecnico di missaggio aggiunto:
Steve Catania
batteria :
Bill Berry (R.E.M. drummer)
chitarra :
Peter Buck (R.E.M. guitarist)
chitarra basso :
Mike Mills (R.E.M. bass player)
voce principale:
Michael Stipe
registrata presso:
Sound Emporium Studios in Nashville, Tennessee, Stati Uniti
mixata presso:
Master Control in Burbank, California, Stati Uniti
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 69) e VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 69)
registrazione di:
It’s the End of the World as We Know It (and I Feel Fine)
autore:
Bill Berry (R.E.M. drummer), Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) e Michael Stipe
editore:
Night Garden Music
R.E.M.4.24:04
2London Calling
registrazione di:
London Calling
autore:
Mick Jones (The Clash/Big Audio Dynamite) e Joe Strummer
editore:
Nineden Ltd., Nineden Music (publisher) e Virgin Music (Publishers) Ltd.
The Clash3:19
3Wonderwall
tecnico di registrazione:
Owen Morris
produttore:
Noel Gallagher e Owen Morris
batteria e percussione :
Alan White (Oasis drummer)
chitarra acustica [rhythm guitar] :
Paul Arthurs ("Bonehead", Oasis)
chitarra basso , chitarra elettrica [lead guitar] , ebow , mellotron , pianoforte e voce di accompagnamento:
Noel Gallagher
tamburello e voce principale:
Liam Gallagher (English musician, lead singer of Oasis)
diritti fonografici (℗) detenuti da:
Big Brother Recordings, Ltd. (not for release label use! use “BIg Brother” instead) (nel 1995)
registrata presso:
Rockfield Studios in Monmouth, Monmouthshire, Wales, Regno Unito
video musicali:
Wonderwall di Oasis (Noel & Liam Gallagher)
parte di:
triple j’s Hottest 100 (Australian annual music listener poll) (numero: 1995), Indie 88: Top 500 Indie Rock Songs (numero: 12), NME: Greatest “Indie” Anthems Ever: 2007 (numero: 27), triple j’s Hottest 100 (Australian annual music listener poll) (numero: 2013 (Twenty Years)), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 48) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 95)
registrazione di:
Wonderwall
paroliere e compositore:
Noel Gallagher
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Creation Songs Ltd, Dead Leg Music, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV, Sony/ATV Music Publishing e Sony/ATV Music Publishing Ltd.
Oasis4.254:19
4Caught by the Fuzz
tecnico:
John Cornfield
produttore:
Sam Williams (producer & musician. ex‐member of The Animalhouse)
batteria :
Danny Goffey (dal 1994-02 al 1994-08)
chitarra e voce principale:
Gaz Coombes (dal 1994-02 al 1994-08)
chitarra basso e voce di accompagnamento:
Mick Quinn (dal 1994-02 al 1994-08)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1994)
registrata presso:
Sawmills Studio in Golant, Cornwall (Cornovaglia), England, Regno Unito (dal 1994-02 al 1994-08)
video musicali:
Caught by the Fuzz di Supergrass
registrazione di:
Caught by the Fuzz (dal 1994-02 al 1994-08)
autore:
Gaz Coombes, Danny Goffey e Mick Quinn
editore:
EMI Music (do not use as release label! this is a music publisher) e EMI Music Publishing Ltd. (PRS‐affiliated)
Supergrass3.652:17
5A Design for Life
tecnico e tecnico di missaggio:
Ian Grimble
produttore:
Mike Hedges (UK producer/recording engineer)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1996)
parte di:
NME: Greatest “Indie” Anthems Ever: 2007 (numero: 30)
registrazione di:
A Design for Life
paroliere:
Nicky Wire
compositore:
James Dean Bradfield e Sean Moore (Manic Street Preachers)
editore:
Sony/ATV Music Publishing LLC (1995–2020)
Manic Street Preachers3.74:18
6Moving on Up
tecnico:
Dave Burnham (UK recording engineer)
co-produttore:
Jimmy Miller (producer for Rolling Stones/Nirvana etc)
produttore e tecnico di missaggio:
Jimmy Miller (producer for Rolling Stones/Nirvana etc)
batteria e percussione :
Toby Tomanov (Drummer)
chitarra :
Andrew Innes e Robert Young (British guitarist, of Primal Scream)
chitarra basso :
Henry Olsen
pianoforte e tastiera :
Martin Duffy
voce principale:
Bobby Gillespie
registrazione di:
Movin’ on Up
autore:
Bobby Gillespie, Andrew Innes e Robert Young (British guitarist, of Primal Scream)
editore:
Complete Music Ltd. e EMI Music Publishing Ltd. (PRS‐affiliated)
Primal Scream3.553:43
7Two Princes
tecnico:
Frank Aversa e Spin Doctors
produttore:
Frank Aversa, Peter Denenberg, Frankie LaRocka e Spin Doctors
tecnico di missaggio:
Peter Denenberg, Frankie LaRocka e Spin Doctors
chitarra :
Eric Schenkman
chitarra basso :
Mark White (Spin Doctors)
organo Hammond, batteria e percussione :
Aaron Comess
voce:
Chris Barron
voce di accompagnamento ospite:
John Popper
diritti fonografici (℗) detenuti da:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1991), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1991), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1991) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1991)
registrazione di:
Two Princes
autore:
Chris Barron, Aaron Comess, Eric Schenkman e Mark White (Spin Doctors)
editore:
Mow B'jow Music, Sony Songs Inc. e Sony/ATV Music Publishing Ltd.
Spin Doctors4.254:16
8So Young
produttore:
Ed Buller
registrazione di:
So Young
autore:
Brett Anderson (Suede) e Bernard Butler
editore:
Polygram Music Ltd.
Suede4.653:38
9Unbelievable
registrazione di:
Unbelievable
autore:
James Atkin, Derry Brownson, Mark Decloedt, Ian Dench e Zac Foley
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Tusk, Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner/Chappell Music Canada Ltd.
EMF5:15
10Spinning Wheel
registrazione di:
Spinning Wheel
paroliere e compositore:
David Clayton‐Thomas
editore:
EMI Blackwood Music Inc., EMI Songs Australia Pty. Ltd., Minnesingers Publishers, フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (fino al 2014-12-31) e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (dal 2015-01-01 a oggi)
Blood, Sweat & Tears42:40
11Come On Eileen
produttore:
Clive Langer, Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners) e Alan Winstanley (English record producer)
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1982)
registrazione di:
Come On Eileen
autore:
Kevin Adams, James Mitchell Paterson e Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) e Kevin Adams Music Ltd.
Dexys Midnight Runners4.754:08
12Shout to the Top
produttore:
Paul Weller (English singer-songwriter and musician) e Peter Wilson (UK Producer)
diritti fonografici (℗) detenuti da:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (nel 1984)
registrazione di:
Shout to the Top
paroliere e compositore:
Paul Weller (English singer-songwriter and musician)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Stylist Music Ltd. e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
The Style Council34:13
13Chant Nº1 (I Don’t Need This Preassure…)
produttore:
Richard James Burgess
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1981)
registrazione di:
Chant No. 1 (I Don't Need This Pressure On)
paroliere e compositore:
Gary Kemp
editore:
Reformation Publishing Co. Ltd.
Spandau Ballet44:05
14Hazy Shade of Winter
produttore:
Rick Rubin (US record producer, former co‐president of Columbia Records)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1987), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1987), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1987) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1987)
video musicali:
Hazy Shade of Winter di The Bangles
parte di:
New York Post: 100 Greatest Covers (2007) (numero: 3)
registrazione cover di:
A Hazy Shade of Winter
paroliere e compositore:
Paul Simon (of Simon & Garfunkel)
editore:
Paul Simon Music e Universal/MCA Music Ltd. (not for release label use!)
Bangles4.62:45
15Rid of Me
PJ Harvey3:42
16Suedehead
registrazione di:
Suedehead
paroliere:
Morrissey (English singer-songwriter)
compositore:
Stephen Street (famous producer, songwriter)
Morrissey3:53
17Vienna
produttore:
Conny Plank (German producer and sound engineer) e Ultravox
registrata presso:
RAK Studios in London (Greater London), England, Regno Unito
mixata presso:
Conny’s Studio in Neunkirchen, Nordrhein-Westfalen (North Rhine-Westphalia), Germania
registrazione di:
Vienna
autore:
Warren Cann, Chris Cross (UK bassist for Ultravox), Billy Currie e Midge Ure
editore:
Hot Food Music Ltd., Jump Jet Music Ltd., Mood Music Ltd. (publisher) e Sing Sing Songs Ltd.
Ultravox4.354:57
18Planet Earth
registrazione di:
Planet Earth
autore:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) e Roger Taylor (Duran Duran drummer)
editore:
EMI Songs e EMI Songs Australia Pty. Ltd.
Duran Duran3:56
19Everybody Wants to Rule the World
tecnico:
David Bascombe
produttore:
Chris Hughes (producer, aka “Merrick”)
tecnico di missaggio:
Steven Wilson (founder of Porcupine Tree)
batteria :
Manny Elias (nel 1984)
chitarra e chitarra solista :
Neil Taylor (guitarist) (nel 1984)
chitarra basso :
Curt Smith (nel 1984)
tastiera :
Ian Stanley (nel 1984)
voce di accompagnamento:
Roland Orzabal (UK musician, songwriter and producer) (nel 1984)
voce principale:
Curt Smith
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1985, nel 2014) e Phonogram Ltd. (not for release label use!) (nel 1985)
video musicali:
Everybody Wants to Rule the World di Tears for Fears
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 28) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 319)
registrazione di:
Everybody Wants to Rule the World (nel 1984)
autore:
Christopher Merrick Hughes (producer, aka “Merrick”), Roland Orzabal (UK musician, songwriter and producer) e Ian Stanley
editore:
10 Music Ltd., Amusements Ltd., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Virgin Music (Publishers) Ltd.
sub-editore:
フジパシフィック音楽出版 BMG事業部 (fino al 2014-12-31) e フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (dal 2015-01-01 a oggi)
Tears for Fears3.94:11
20I Don’t Like Mondays
produttore:
Phil Wainman
arrangiatore archi :
Fiachra Trench
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1979)
video musicali:
I Don’t Like Mondays di The Boomtown Rats
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 66)
registrazione di:
I Don’t Like Mondays
paroliere e compositore:
Johnnie Fingers e Bob Geldof
editore:
Campbell Connelly, Mushroom Music Pty. Ltd., Sewer Fire Hits Ltd, Zomba Enterprises, Inc. e Zomba Music Publishing Ltd.
The Boomtown Rats44:16
3▼CD
#TitoloArtistaValutazioneDurata
1Once in a Lifetime
assistente tecnico:
Kendal Stubbs
tecnico:
Dave Jerden
tecnico aggiunto:
Jack Nuber, John Potoker (producer/engineer aka Tokes) e Steven Stanley (audio engineer, record producer and keyboardist from Jamaica)
produttore:
Brian Eno e Talking Heads
tecnico di missaggio:
David Byrne (Talking Heads), Brian Eno, Dave Jerden e John Potoker (producer/engineer aka Tokes)
basso :
Tina Weymouth
batteria :
Chris Frantz
chitarra e voce principale:
David Byrne (Talking Heads)
tastiera :
Jerry Harrison (Talking Heads)
voce di accompagnamento:
Brian Eno e Nona Hendryx (American vocalist, record producer, songwriter, musician, author and actress)
arrangiatore:
Talking Heads
arrangiatore voci:
David Byrne (Talking Heads) e Brian Eno
diritti fonografici (℗) detenuti da:
Sire Records Company (not for release label use!) (nel 1980)
registrata in aggiunta presso:
Eldorado Studios in Burbank, California, Stati Uniti e Sigma Sound Studios (New York) in New York, New York, Stati Uniti
registrata presso:
Compass Point Studios in Nassau, Bahamas, Eldorado Studios in Burbank, California, Stati Uniti (voce principale, voce di accompagnamento) e Sigma Sound Studios (New York) in New York, New York, Stati Uniti (voce principale, voce di accompagnamento)
mixata presso:
Eldorado Studios in Burbank, California, Stati Uniti
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 28), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 35) e Indie 88: Top 500 Indie Rock Songs (numero: 54)
registrazione di:
Once in a Lifetime
paroliere:
David Byrne (Talking Heads)
compositore:
David Byrne (Talking Heads), Brian Eno, Chris Frantz, Jerry Harrison (Talking Heads) e Tina Weymouth
editore:
Bleu Disque Music Co. (publisher), Careers–BMG Music Publishing, Inc., E.G. Music Ltd. (publisher) e Index Music
Talking Heads4.354:20
2Roxette
registrazione di:
Roxette
compositore:
Wilko Johnson
editore:
EMI United Partnership Ltd.
Dr. Feelgood4.52:56
3Good Vibrations
tecnico di registrazione:
Bruce Botnick (dal 1966-02 al 1966-06), Chuck Britz (dal 1966-02 al 1966-06) e Larry Levine (dal 1966-02 al 1966-06)
tecnico:
Chuck Britz e Jim Lockert (Enginear)
produttore:
The Beach Boys (American rock band) e Brian Wilson (Beach Boys co‐founder)
tecnico di missaggio:
Derry FitzGerald
voce:
Mike Love (Beach Boys) (dal 1966-02 al 1966-06)
voce principale:
Mike Love (Beach Boys) (dal 1966-02 al 1966-06) e Carl Wilson (Beach Boys) (dal 1966-02 al 1966-06)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1966)
registrata presso:
Gold Star Studios in Hollywood, Los Angeles, California, Stati Uniti (dal 1966-02 al 1966-06), Sunset Sound in Hollywood, Los Angeles, California, Stati Uniti (dal 1966-02 al 1966-06) e Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (dal 1966-02 al 1966-06)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 6), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 53)
registrazione di:
Good Vibrations (Love/Wilson lyrics, common version) (dal 1966-02 al 1966-06)
paroliere:
Mike Love (Beach Boys) e Brian Wilson (Beach Boys co‐founder)
compositore:
Brian Wilson (Beach Boys co‐founder)
editore:
Irving Music, Inc., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Rondor Music (London) Ltd., Rondor Music Publishing, Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label) e Universal Music Publishing (use ONLY if no country‐specific information is available)
versione di:
Good Vibrations (Tony Asher lyrics)
The Beach Boys4.23:38
4On the Road Again
tecnico:
Dino (US Music engineer) e Lanky (US recording engineer)
produttore:
Calvin Carter e Dallas Smith (producer)
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1968), Liberty (a division of UMG Recordings, Inc.) (nel 1968) e Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 2005)
registrata presso:
Liberty Studios in Hollywood, Los Angeles, California, Stati Uniti (il 1967-09-06)
registrazione di:
On the Road Again (il 1967-09-06)
paroliere e compositore:
Floyd Jones (blues performer and songwriter) e Alan Wilson (Canned Heat member)
editore:
Embassy Music Corporation, EMI Catalogue Partnership, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Unart Catalog Inc., EMI United Partnership Ltd., Frederick Music Co., Lawn Music, Metric Music Co (publisher), SBK Unart Catalog Inc., SBK United Partnership Ltd., Songs of Peer (publisher; see also Songs of Peer, Ltd.) e United Partnership Ltd.
Canned Heat45:01
5Born to Be Wild
produttore:
Gabriel Mekler
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1968), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1968) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1968)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 53) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 129)
registrazione di:
Born to Be Wild
paroliere e compositore:
Mars Bonfire
editore:
Duchess Music Corporation (BMI-affiliated), Manitou Music, Manitou Music Canada, MCA Music Canada, Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH, Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Steppenwolf4.33:31
6Boom Boom Boom Boom
John Lee Hooker2:41
7Cocaine
produttore:
Audie Ashworth
diritti fonografici (℗) detenuti da:
Universal International Music B.V. (company, do not use as label) (nel 1976)
registrazione di:
Cocaine (nel 1976)
paroliere e compositore:
J.J. Cale
editore:
Audigram Music, Audigram Songs, Inc., Blue Mountain Music Ltd., BMG Platinum Songs, Kobalt Music Publishing Ltd. (UK), Warner Chappell Music (publisher as Warner/Chappell Music) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
J.J. Cale32:50
8American Pie
tecnico:
Tom Flye
produttore:
Ed Freeman (producer, arranger, musician, and photographer)
chitarra elettrica :
David Spinozza (dal 1971-05 al 1971-06)
pianoforte :
Paul Griffin (American pianist, session musician) (dal 1971-05 al 1971-06)
voce:
Don McLean (dal 1971-05 al 1971-06)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1971, nel 2000)
registrata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti (dal 1971-05 al 1971-06)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 131)
registrazione di:
American Pie (dal 1971-05 al 1971-06)
paroliere e compositore:
Don McLean
editore:
Benny Bird Co. Inc. (BMI-affiliated), Illegal Songs Inc., Mayday Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA Publishing Ltd., Songs of Universal, Inc. (BMI), Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Ltd. (Hong Kong), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation), Universal/MCA Music Publishing Pty Ltd e Yahweh Tunes, Inc.
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Don McLean4.38:36
9Dance to the Music
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 223)
registrazione di:
Dance to the Music
paroliere, autore e compositore:
Sylvester Stewart
editore:
Mijac Music e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Sly & the Family Stone4.152:59
10Sunshine Superman
produttore:
Mickie Most (English record producer)
registrazione di:
Sunshine Superman
paroliere e compositore:
Donovan Leitch (Scottish singer, songwriter and guitarist)
editore:
Donovan Music Ltd. e Peer International Corporation (BMI)
Donovan44:40
11San Francisco (Be Sure to Wear Flowers in Your Hair)
produttore:
Lou Adler e John Phillips (The Mamas & The Papas)
voce:
Scott McKenzie (nel 1967-05)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1967) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1967)
registrazione di:
San Francisco (Be Sure to Wear Flowers in Your Hair) (nel 1967-05)
editore:
John Phillips (The Mamas & The Papas)
paroliere e compositore:
John Phillips (The Mamas & The Papas)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Honest John Music, MCA Music Ltd., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US) e Wingate Music Corp.
Scott McKenzie3.752:59
12Mr. Tambourine Man
registrata a:
Hollywood, Los Angeles, California, Stati Uniti (il 1965-01-20)
produttore:
Terry Melcher
batteria :
Michael Clarke (drummer for the 1960s rock group The Byrds) (il 1965-01-20)
chitarra :
David Crosby (il 1965-01-20)
chitarra a 12 corde :
Jim McGuinn (il 1965-01-20)
chitarra basso :
Chris Hillman (il 1965-01-20)
tamburello :
Gene Clark (US singer-songwriter; founder of The Byrds) (il 1965-01-20)
voce:
Gene Clark (US singer-songwriter; founder of The Byrds) (il 1965-01-20), David Crosby (il 1965-01-20), Chris Hillman (il 1965-01-20) e Jim McGuinn (il 1965-01-20)
diritti fonografici (℗) detenuti da:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 1965) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1965)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (numero: 10), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 79) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 230)
registrazione cover di:
Mr. Tambourine Man (il 1965-01-20)
paroliere e compositore:
Bob Dylan (dal 1964-02 al 1964-04)
editore:
Blossom Music Ltd., M. Witmark & Sons, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell (Warner/Chappell Music, Inc.) (dal 1964 al 1992) e Special Rider Music (dal 1992 a oggi)
The Byrds4.12:20
13I Heard It Through the Grapevine
produttore:
Norman Whitfield
basso [1962 Fender Precision Bass] :
James Jamerson (dal 1967-02-03 al 1967-04-10)
batteria :
Uriel Jones (dal 1967-02-03 al 1967-04-10)
chitarra [1964 Gibson Firebird III] :
Eddie Willis (dal 1967-02-03 al 1967-04-10)
chitarra [Fender Telecaster with Jazzmaster Neck] :
Joe Messina (dal 1967-02-03 al 1967-04-10)
congas e tamburello :
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (dal 1967-02-03 al 1967-04-10)
corno francese :
Don Ozga (dal 1967-02-03 al 1967-04-10) e Edwin Jones (dal 1967-02-03 al 1967-04-10)
organo Hammond [B-3] :
Earl Van Dyke (dal 1967-02-03 al 1967-04-10)
piano elettrico Wurlitzer :
Johnny Griffith (dal 1967-02-03 al 1967-04-10)
strumenti:
The Funk Brothers (dal 1967-02-03 al 1967-04-10)
tom-tom :
Richard "Pistol" Allen (dal 1967-02-03 al 1967-04-10)
voce di accompagnamento:
The Andantes (dal 1967-02-03 al 1967-04-10), Marlene Barrow (dal 1967-02-03 al 1967-04-10), Louvain Demps (dal 1967-02-03 al 1967-04-10) e Jackie Hicks (dal 1967-02-03 al 1967-04-10)
voce principale:
Marvin Gaye (dal 1967-02-03 al 1967-04-10)
orchestra:
Detroit Symphony Orchestra (dal 1967-02-03 al 1967-04-10)
arrangiatore archi :
Paul Riser (dal 1967-02-03 al 1967-04-10)
orchestratore:
Paul Riser (dal 1967-02-03 al 1967-04-10)
diritti fonografici (℗) detenuti da:
Motown Record Company (company credits only; do NOT use as release label) (nel 1968)
registrata presso e mixata presso:
Hitsville (Motown Records) in Detroit, Michigan, Stati Uniti (dal 1967-02-03 al 1967-04-10)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 80), Billboard: Greatest of All Time Hot 100 Songs (numero: 93), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 119) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 307)
registrazione cover di:
I Heard It Through the Grapevine (dal 1967-02-03 al 1967-04-10)
autore:
Barrett Strong e Norman Whitfield
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia, EMI Songs Scandinavia AB, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobette-Carlin Music Ltd., Stone Agate Music, Stone Agate Music Division e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Marvin Gaye4.053:16
14That Lady
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1973)
parte di:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (numero: 17), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 346) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 349)
registrazione di:
That Lady
autore:
Ernie Isley, Marvin Isley, O’Kelly Isley, Ronald Isley (a.k.a. Mr. Biggs), Rudolph Isley e Chris Jasper
editore:
Bovina Music Inc., EMI April Music Inc. e EMI Songs Ltd.
versione di:
Who’s That Lady
The Isley Brothers45:35
15I Want You Back
produttore:
The Corporation (Motown songwriters)
batteria :
Gene Pello e Johnny Jackson (drummer for Jackson 5) (nel 1969-07)
chitarra :
Donald Peake, David T. Walker e Tito Jackson (nel 1969-07)
chitarra [lead guitar] :
Louis Shelton (nel 1969-07)
chitarra basso :
Wilton Felder (nel 1969-07)
percussione :
Sandra Crouch e Marlon Jackson (nel 1969-07)
pianoforte :
Fonce Mizell, Freddie Perren, Joe Sample e Ronnie Rancifer (nel 1969-07)
tastiera :
Clarence McDonald e Ronnie Rancifer (nel 1969-07)
voce:
Jackie Jackson (member of the Jackson 5) (nel 1969-07)
voce di accompagnamento:
Jackie Jackson (member of the Jackson 5), Michael Jackson (“King of Pop”), Keith Washington, Jermaine Jackson (soul/pop singer, of Jackson 5) (nel 1969-07), Marlon Jackson (nel 1969-07) e Tito Jackson (nel 1969-07)
voce principale:
Michael Jackson (“King of Pop”) (nel 1969-07)
arrangiatore:
The Corporation (Motown songwriters)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1969)
registrata presso:
The Sound Factory West in West Hollywood, California, Stati Uniti (nel 1969-07, dal 1969-07 al 1969-09)
video musicali:
I Want You Back di The Jackson 5 (The Jacksons, formerly “The Jackson 5”)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 23), Billboard Year-End Hot 100 singles of 1970 (numero: 28), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 104) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 120)
registrazione di:
I Want You Back (nel 1969-07)
paroliere e compositore:
The Corporation (Motown songwriters)
editore:
EMI April Music Inc., Jobete Music Co., Inc., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
parte di:
MJ: The Musical
The Jackson 54.252:59
16Dancing in the Street
produttore:
William Stevenson (Motown songwriter)
altri strumenti [tire iron] :
Ivy Jo Hunter (il 1964-06-29)
batteria :
Marvin Gaye (il 1964-06-29)
chitarra :
Joe Messina (il 1964-06-29), Robert White (US funk/soul guitarist) (il 1964-06-29) e Eddie Willis (il 1964-06-29)
chitarra basso :
James Jamerson (il 1964-06-29)
percussione , tamburello e vibrafono [vibes] :
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (il 1964-06-29)
sassofono baritono :
Thomas Bowles (il 1964-06-29)
sassofono tenore :
Henry Cosby (il 1964-06-29)
tromba :
Russell Conway (trumpet player) (il 1964-06-29) e Herbert Williams (trumpet player) (il 1964-06-29)
trombone :
George Bohanon (il 1964-06-29) e Paul Riser (il 1964-06-29)
voce di accompagnamento:
Rosalind Ashford (il 1964-06-29), Ivy Jo Hunter (il 1964-06-29), Betty Kelly (il 1964-06-29) e William Stevenson (Motown songwriter) (il 1964-06-29)
voce principale:
Martha Reeves (il 1964-06-29)
editore:
EMI Music Publishing (do not use as a release label!)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1964) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1964)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 7), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 40), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 130) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 403)
registrazione di:
Dancing in the Street (il 1964-06-29)
autore:
I. Hunter, M. Gaye e W. Stevenson (Motown songwriter)
editore:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), FCG Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., MG III Music, NMG Music, Stone Agate Music, Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Martha and the Vandellas3.552:39
17It’s a Man’s Man’s World
registrata a:
New York, New York, Stati Uniti (il 1966-02-16)
tecnico:
Ron Lenhoff
produttore:
James Brown (The Godfather of Soul)
batteria :
Bernard “Pretty” Purdie (il 1966-02-16)
chitarra :
Billy Butler (jazz guitarist) (il 1966-02-16)
sassofono baritono :
Haywood Henry (US jazz saxophonist) (il 1966-02-16)
tromba :
Dud Bascomb (Sr., jazz trumpeter) (il 1966-02-16), Waymon Reed (il 1966-02-16) e Lammar Wright (il 1966-02-16)
voce principale:
James Brown (The Godfather of Soul) (il 1966-02-16)
registrata presso:
Talent Masters Studios in New York, New York, Stati Uniti (il 1966-02-16)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 123)
registrazione di:
It’s a Man’s Man’s Man’s World (il 1966-02-16)
autore:
James Brown (The Godfather of Soul) e Betty Jean Newsome
James Brown4.42:49
18The Tracks of My Tears
produttore:
Bill “Smokey” Robinson
diritti fonografici (℗) detenuti da:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1965)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 50) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 54)
registrazione di:
The Tracks of My Tears (il 1965-05-19)
autore:
Warren “Pete” Moore, Smokey Robinson e Marvin Tarplin
editore:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) e Jobete Music Co., Inc.
sub-editore:
Jobete Music (UK) Ltd.
registrazione di:
The Tracks of My Tears (il 1971-05-06)
autore:
Warren “Pete” Moore, Smokey Robinson e Marvin Tarplin
editore:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) e Jobete Music Co., Inc.
sub-editore:
Jobete Music (UK) Ltd.
Smokey Robinson & The Miracles4.252:51
19You Can’t Hurry Love
tecnico di registrazione:
Russ Terrana
tecnico:
Lamont Dozier
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
basso :
James Jamerson (il 1966-06-11)
batteria :
Benny Benjamin (US drummer) (il 1966-06-11)
chitarra [Gibson L-5] :
Robert White (US funk/soul guitarist) (il 1966-06-11)
ottoni [horns] :
Detroit Symphony Orchestra (il 1966-06-11)
pianoforte :
Earl Van Dyke (il 1966-06-11)
strumenti:
The Funk Brothers (il 1966-06-11)
tamburello :
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (il 1966-06-11)
voce di accompagnamento:
Florence Ballard (il 1966-07-05) e Mary Wilson (il 1966-07-05)
voce principale:
Diana Ross (il 1966-07-05)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1966) e Motown Records (not for label use; use “Motown” instead) (nel 2015, nel 2017)
registrata presso:
Hitsville (Motown Records) in Detroit, Michigan, Stati Uniti (dal 1966-06-11 al 1966-07-05)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 280)
registrazione di:
You Can’t Hurry Love (dal 1966-06-11 al 1966-07-05)
paroliere:
Lamont Dozier, Brian Holland (Motown producer & songwriter) e Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Jobete (now‐defunct US music publisher, affiliated with BMI), Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30), Jobete Music (UK) Ltd. (nel 1965) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
The Supremes4.752:47
20Papa Was a Rollin’ Stone
produttore:
Norman Whitfield
voce principale:
Dennis Edwards (US soul & R’n’B singer) (nel 1972), Damon Harris (nel 1972) e Richard Street (nel 1972)
direttore d'orchestra:
Paul Riser (nel 1972)
arrangiatore:
Paul Riser
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1972) e Motown Record Corporation (company credits only; do NOT use as release label) (nel 1972)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 168) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 333)
registrazione cover di:
Papa Was a Rollin’ Stone (nel 1972)
paroliere e compositore:
Barrett Strong e Norman Whitfield
editore:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Stone Diamond Music Corporation, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
The Temptations46:54
4▼CD
#TitoloArtistaValutazioneDurata
1Won’t Get Fooled Again
tecnico di registrazione:
Glyn Johns e Pete Townshend (of The Who) (sintetizzatore)
produttore:
The Who
produttore associato:
Glyn Johns
tecnico di missaggio:
Glyn Johns (il 1971-05-28)
batteria e percussione :
Keith Moon (drummer) (nel 1971-04)
chitarra acustica e chitarra elettrica , organo e sintetizzatore :
Pete Townshend (of The Who) (nel 1971-04)
chitarra basso :
John Entwistle (nel 1971-04)
voce:
Pete Townshend (of The Who) e John Entwistle (nel 1971-04)
voce principale:
Roger Daltrey (nel 1971-04)
diritti fonografici (℗) detenuti da:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (nel 1971)
registrata in aggiunta presso:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Regno Unito (nel 1971-04)
registrata presso:
Rolling Stones Mobile Studio in Regno Unito (nel 1971-04)
mixata presso:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Regno Unito (il 1971-05-28)
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 6), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 133) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 295)
registrazione di:
Won’t Get Fooled Again (nel 1971-04)
paroliere e compositore:
Pete Townshend (of The Who)
editore:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Fabulous Music, Ltd. (this is a publisher, not an imprint!) e Towser Tunes, Inc.
The Who4.658:33
2Nothing Compares 2 U
tecnico:
Chris Birkett
produttore:
Nellee Hooper e Sinéad O’Connor (Irish singer‐songwriter)
tecnico di missaggio:
Chris Birkett, Fachtna Ó Ceallaigh e Sinéad O’Connor (Irish singer‐songwriter)
voce:
Sinéad O’Connor (Irish singer‐songwriter)
diritti fonografici (℗) detenuti da:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1990) e Ensign Records Ltd. (company; do NOT use as release label) (nel 1990)
video musicali:
Nothing Compares 2 U (music video) di Sinéad O’Connor (Irish singer‐songwriter)
parte di:
New York Post: 100 Greatest Covers (2007) (numero: 4), AUX: 10 Cover Songs Better Than The Orignials, Paste: The 50 Greatest NON One-Hit Wonders of All Time (numero: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 87), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 162), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 184) e Indie 88: Top 500 Indie Rock Songs (numero: 413)
registrazione cover di:
Nothing Compares 2 U
paroliere e compositore:
Prince (“The Artist Formerly Known as…”)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), NPG Publishing e Warner Chappell (Warner/Chappell Music, Inc.)
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Sinéad O’Connor4.35:10
3Start
registrazione di:
Start!
paroliere e compositore:
Paul Weller (English singer-songwriter and musician)
editore:
BMG Music Publishing Ltd., Stylist Music Ltd. e And Son Music Ltd. (dal 1980 a oggi)
The Jam2:31
4All Right Now
tecnico:
Roy Thomas Baker (producer)
produttore:
Free (60s/70s UK blues rock group) e John Kelly (producer)
basso :
Andy Fraser (English bassist, member of Free)
batteria :
Simon Kirke
chitarra :
Paul Kossoff
voce principale:
Paul Rodgers
remixer:
Bob Clearmountain
diritti fonografici (℗) detenuti da:
Free (60s/70s UK blues rock group) (nel 1970)
diritti fonografici (℗) detenuti da:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (nel 1970, nel 1971)
registrata presso:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Regno Unito e Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Regno Unito
video musicali:
All Right Now di Free (60s/70s UK blues rock group)
registrazione di:
All Right Now
autore:
Andy Fraser (English bassist, member of Free) e Paul Rodgers
editore:
Blue Mountain Music, Blue Mountain Music Ltd., Blue Mountain Music Scandinavia, Catherine’s Peak Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music, Inc., Kobalt Music Publishing Ltd. (UK), Polygram Music e Universal Music Publishing (use ONLY if no country‐specific information is available)
Free4.654:16
5Black Magic Woman
registrazione cover di:
Black Magic Woman
paroliere e compositore:
Peter Green (former member of Fleetwood Mac)
editore:
Bourne Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), King Music Publ. Co. Ltd. e Murbo Music Publishers, Inc.
Santana3:32
6Rock ’n’ Roll Hoochie Coo
registrazione di:
Rock and Roll, Hoochie Koo
paroliere e compositore:
Rick Derringer
editore:
Universal Music Careers
Johnny Winter53:33
7Jessica
arrangiatore:
The Allman Brothers Band
registrata presso:
Oakland–Alameda County Coliseum in Oakland, California, Stati Uniti (il 1975-10-24)
registrazione dal vivo di:
Jessica (il 1975-10-24)
compositore:
Dickey Betts
editore:
F.R. Betts Music Co., No Exit Music Co., Inc., Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner Chappell Music, Inc.
The Allman Brothers9:13
8Mony, Mony
produttore:
Ritchie Cordell e Bo Gentry
registrazione di:
Mony Mony
autore:
Bobby Bloom (US singer-songwriter), Ritchie Cordell, Bo Gentry e Tommy James (American musician, singer, songwriter and record producer)
editore:
Big Seven Music Corp., EMI Blackwood Music (Canada) Ltd., EMI Music Publishing (WP) Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Publishing Scandinavia AB e Planetary Nom (London) Ltd.
Tommy James & the Shondells2:45
9When You Walk in the Room
registrazione di:
When You Walk in the Room
paroliere e compositore:
Jackie DeShannon
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Unart Catalog Inc., EMI United Partnership Ltd., Metric Music Company (publisher), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), SBK Songs (publisher) (nel 1987) e United Partnership Ltd. (nel 1987)
Jackie Deshannon?:??
10Don’t Let Me Be Misunderstood
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 315)
registrazione cover di:
Don’t Let Me Be Misunderstood
autore:
Bennie Benjamin, Gloria Caldwell, Sol Marcus e Horace Ott
editore:
Bennie Benjamin Music Inc., Carlin Music Corporation, Chris-n-Jen Music, WB Music Corp. (1929–2019) e Unichappell Music, Inc. (nel 1981)
The Animals4.32:26
11Doo Wah Diddy Diddy
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1964)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 35)
registrazione cover di:
Do Wah Diddy Diddy
autore:
Jeff Barry e Ellie Greenwich
editore:
EMI Music Publishing (do not use as a release label!), Intersong–Basart Publishing Group E.D., Trio Music Company, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc. e Warner/Chappell Music Ltd. (1996–2019)
Manfred Mann42:23
12Bus Stop
produttore:
The Hollies e Ron Richards
basso :
Bernie Calvert (il 1966-05-18)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1966, nel 2003) e Parlophone (nel 1966)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (il 1966-05-18)
registrazione cover di:
Bus Stop (il 1966-05-18)
paroliere e compositore:
Graham Gouldman
editore:
Basement Brazil Editora, Bramsdene Music Corporation, Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Edition Wilhelm Hansen, EMI Blackwood Music (Canada) Ltd., Hournew Music Ltd., Man-Ken Music, Limited e Music Sales Corporation (American copyright holder in both popular and classical music)
The Hollies4.52:52
13All or Nothing
registrazione dal vivo di:
All or Nothing
autore:
Ronnie Lane e Steve Marriott (English musician and songwriter)
editore:
Aquarius Music Ltd. (UK publisher)
The Small Faces3:37
14Rock Around the Clock
batteria :
Billy Gussak (il 1954-04-12)
chitarra :
Bill Haley (il 1954-04-12)
chitarra elettrica :
Danny Cedrone (il 1954-04-12)
chitarra steel :
William F. ‘Billy’ Williamson (il 1954-04-12)
contrabbasso :
Marshall Lytle (il 1954-04-12)
pianoforte :
Johnny Grande (il 1954-04-12)
sassofono tenore :
Joey D'Ambrosio (il 1954-04-12)
voce:
Bill Haley (il 1954-04-12)
registrazione di:
Rock Around the Clock (Bill Haley’s version) (il 1954-04-12)
paroliere e compositore:
Jimmy De Knight (nel 1952) e Max C. Freedman (American songwriter and lyricist) (nel 1952)
arrangiatore:
Harry Filler
editore:
Edward Kassner Music Co. Ltd. e Myers Music, Inc.
versione di:
We’re Gonna Rock Around the Clock (Original Freedman / De Knight version)
Bill Haley & His Comets42:16
15Peggy Sue
produttore:
Norman Petty
basso :
Joe B. Mauldin (il 1957-07-01)
batteria :
Jerry Allison (il 1957-07-01)
chitarra :
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-07-01) e Niki Sullivan (il 1957-07-01)
voce:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-07-01)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1957) e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1957)
registrata presso:
Norman Petty Studios in Clovis, New Mexico, Stati Uniti (il 1957-07-01)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1957 (numero: 5), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 194) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 370)
registrazione di:
Peggy Sue (dal 1957-06-29 al 1957-07-01)
autore:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) e Norman Petty
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), McCartney Music, Melody Lane Publications Inc., MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Peermusic (UK) Limited, Southern Music (publisher) e Wren Music Co.
Buddy Holly4.52:32
16Roll Over Beethoven
produttore:
Leonard & Phil Chess (legendary US production duo)
batteria :
Melvin Billups (il 1956-04-19)
chitarra e voce principale:
Chuck Berry (il 1956-04-19)
contrabbasso :
Willie Dixon (il 1956-04-19)
pianoforte :
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (il 1956-04-19)
sassofono tenore :
Leroy C. Davis (il 1956-04-19)
tromba :
Vincent Pitts (il 1956-04-19)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1956)
registrata presso:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, Stati Uniti (il 1956-04-19)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 2), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 97)
registrazione di:
Roll Over Beethoven (il 1956-04-19)
paroliere e compositore:
Chuck Berry (nel 1956-01)
editore:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dualtone Words and Songs, Isalee Music Publishing Company e Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
sub-editore:
Fujipacific Music, Inc. e Rock ’n’ Roll Music
Chuck Berry4.152:26
17Great Balls of Fire
Jerry Lee Lewis1:51
18Summertime Blues
basso elettrico :
Connie “Guybo” Smith (bass player) (il 1958-03-28)
batteria :
Earl Palmer (il 1958-03-28)
chitarra :
Eddie Cochran (US rock and roll musician active in 1950s) (il 1958-03-28)
voce:
Eddie Cochran (US rock and roll musician active in 1950s) (il 1958-03-28)
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1958)
registrata presso:
Goldstar Studio in Hollywood, Los Angeles, California, Stati Uniti (il 1958-03-28)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (numero: 11), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 73) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 432)
registrazione di:
Summertime Blues (nel 1958-05)
autore:
Jerry Capehart e Eddie Cochran (US rock and roll musician active in 1950s)
editore:
American Music (publisher), Cinephonic Music Co., Ltd., Edition Wilhelm Hansen, Elvis Presley Music, Gallo Music Publishers, Gladys Music, Hill and Range Songs, Inc. (publisher), Rightsong Music, Viva Music, Inc, Warner Bros. Music (publisher; do NOT use as release label) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Eddie Cochran3.752:02
19Be Bop A Lula
registrazione di:
Be‐Bop‐a‐Lula
autore:
Bill “Tex” Davis e Gene Vincent
editore:
Lowery Music Co. Inc.
Gene Vincent2:46
20Hello Mary Lou
voce:
Rick Nelson (rock n roll artist; "Ricky Nelson" until 1961)
registrazione cover di:
Hello Mary Lou
autore:
Cayet Mangiaracina e Gene Pitney
editore:
Champion Music, Champion Music Corp., Intersong Music Ltd., January Music, January Music Corp., MCA Music Ltd., Songs of Universal, Inc. (BMI), Unichappell Music, Unichappell Music, Inc., Universal/MCA Music Ltd. (not for release label use!), Warner/Chappell Music Ltd. (1996–2019) e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Ricky Nelson2:19

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