The World’s Greatest

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

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#TitoloArtistaValutazioneDurata
1Killer Queen
tecnico:
Kris Fredriksson, Justin Shirley‐Smith e Mike Stone (producer and engineer, 1960s–80s)
produttore:
Roy Thomas Baker (producer), Brian May (Queen guitarist), Queen (UK rock group) e Roger Taylor (Queen drummer)
batteria , campane a vento , percussione e triangolo :
Roger Taylor (Queen drummer)
chitarra basso e tastiera :
John Deacon
chitarra elettrica :
Brian May (Queen guitarist)
pianoforte , pianoforte tack e voce principale:
Freddie Mercury
voce di accompagnamento:
Brian May (Queen guitarist), Freddie Mercury e Roger Taylor (Queen drummer)
orchestratore:
Brian May (Queen guitarist)
diritti fonografici (℗) detenuti da:
Queen (UK rock group) (nel 1974)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1974), Hollywood Records, Inc. (holding company, not a release label; Disney subsidiary) (nel 1974) e Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (nel 1974)
registrata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito, Rockfield Studios in Monmouth, Monmouthshire, Wales, Regno Unito, Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Regno Unito e Wessex Sound Studios in Highbury, Islington, London (Greater London), England, Regno Unito
video musicali:
Killer Queen di Queen (UK rock group)
registrazione di:
Killer Queen
paroliere e compositore:
Freddie Mercury
editore:
B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Publishing Ltd. (PRS‐affiliated), Queen Music Ltd., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
parte di:
We Will Rock You (Queen musical)
Queen3.953:03
2“Heroes”
tecnico di mastering:
Dr. Toby Mountain (American musician and mastering engineer)
produttore:
David Bowie (English singer‐songwriter) e Tony Visconti
tecnico di missaggio:
David Bowie (English singer‐songwriter), David Richards (Swiss-based producer and engineer) e Tony Visconti
basso :
George Murray (American bass guitarist)
chitarra :
Carlos Alomar e Robert Fripp
chitarra, tastiera e sassofono e voce principale:
David Bowie (English singer‐songwriter)
percussione :
Dennis Davis (drummer)
tastiera e sintetizzatore :
Brian Eno
registrata presso:
Hansa by the Wall in Berlin, Germania (dal 1977-07-23 al 1977-08-08)
registrazione di:
“Heroes” (dal 1977-07-23 al 1977-08-08)
paroliere:
David Bowie (English singer‐songwriter)
compositore:
David Bowie (English singer‐songwriter) e Brian Eno
editore:
BMG Songs Ltd., E.G. Music Ltd. (publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), RZO Music Ltd, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Tintoretto Music, Universal Music Careers e Universal Music Publishing International MGB Ltd.
David Bowie3.73:35
3Brown Eyed Girl
tecnico di registrazione:
Brooks Arthur (il 1967-03-28)
produttore:
Bert Russell Berns
batteria :
Gary Chester (studio drummer and educator) (il 1967-03-28)
chitarra :
Al Gorgoni (il 1967-03-28), Hugh McCracken (il 1967-03-28) e Van Morrison (il 1967-03-28)
chitarra basso :
Eric Gale (il 1967-03-28)
organo :
Garry Sherman (mid-20th century composer, arranger & conductor) (il 1967-03-28)
voce di accompagnamento:
The Sweet Inspirations (il 1967-03-28)
voce principale:
Van Morrison (il 1967-03-28)
esecutore:
Van Morrison (il 1967-03-28)
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment Inc. (nel 1967), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1967), Charly Records (nel 1968) e Exile Productions Ltd. (not for Label Release) (nel 1973)
registrata presso:
A&R Recording Studio A (original studio, 1958–1967) in New York, New York, Stati Uniti (il 1967-03-28) e A&R Recording Studio (original studio, 1958–1967) in New York, New York, Stati Uniti (il 1967-04-07)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 71) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 109)
registrazione di:
Brown Eyed Girl (Van Morrison song) (dal 1967-03-28 al 1967-04-07)
paroliere e compositore:
Van Morrison
editore:
Artist Alliance, Gallo Music Publishers, PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Songs of PolyGram International, Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Web IV Music Inc. (nel 1967) e Polygram Publishing AB (nel 1992)
Van Morrison3.253:06
4The Great Beyond
produttore:
Pat McCarthy
registrazione di:
The Great Beyond
autore:
Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) e Michael Stipe
R.E.M.4.354:14
5Purple Rain
registrazione di:
Purple Rain
paroliere e compositore:
Prince (“The Artist Formerly Known as…”)
editore:
Because Éditions, Controversy Music e Island Music Ltd.
Prince44:55
6The River of Dreams
programmazione aggiuntiva:
Jeff Jacobs
co-produttore:
Joe Nicolo
produttore:
Danny Kortchmar (Danny Kootch)
tecnico di missaggio:
Joe “The Butcher” Nicolo e Phil Nicolo
basso :
Lonnie D. Hillyer (dal 1992 al 1993)
basso aggiunto:
Jef Lee Johnson (dal 1992 al 1993), Chuck Treece (dal 1992 al 1993) e Mike Tyler (dal 1992 al 1993)
batteria :
Zachary Alford (session drummer) (dal 1992 al 1993)
chitarra :
Danny Kortchmar (Danny Kootch) (dal 1992 al 1993) e Mike Tyler (writer, vocal, guitar) (dal 1992 al 1993)
organo Hammond , organo Hammond, pianoforte e sintetizzatore , pianoforte , sintetizzatore e voce principale:
Billy Joel (American singer-songwriter and pianist) (dal 1992 al 1993)
percussione aggiunto:
Andy "Funky Drummer" Kravitz (dal 1992 al 1993)
voce:
Billy Joel (American singer-songwriter and pianist) (dal 1992 al 1993)
voce di accompagnamento:
Wrecia Ford (dal 1992 al 1993), Marlon Saunders (dal 1992 al 1993), Frank Simms (dal 1992 al 1993), George Simms (dal 1992 al 1993), Crystal Taliefero (American multi‐instrumentalist and vocalist) (dal 1992 al 1993) e B. David Whitworth (dal 1992 al 1993)
arrangiatore voce di accompagnamento:
Crystal Taliefero (American multi‐instrumentalist and vocalist)
orchestratore:
Ira Newborn
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1993) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1993)
video musicali:
The River of Dreams di Billy Joel (American singer-songwriter and pianist)
registrazione di:
The River of Dreams (dal 1992 al 1993)
paroliere e compositore:
Billy Joel (American singer-songwriter and pianist)
editore:
Impulsive Music (nel 1992) e Joelsongs (nel 1992)
Billy Joel4.254:02
7The Road to Hell, Part 1
registrazione di:
The Road to Hell, Part 1
paroliere e compositore:
Chris Rea
parte di:
The Road to Hell
Chris Rea3:59
8Don’t Stop
assistente tecnico:
Chris Morris (LA engineer & producer (late ’70s))
tecnico:
Ken Caillat e Richard Dashut
produttore:
Ken Caillat, Richard Dashut e Fleetwood Mac
produttore aggiunto:
Ken Caillat e Richard Dashut
batteria e percussione :
Mick Fleetwood
chitarra :
Lindsey Buckingham (guitarist, singer, songwriter and producer)
chitarra basso :
John McVie
tastiera e sintetizzatore :
Christine McVie
voce:
Lindsey Buckingham (guitarist, singer, songwriter and producer), Christine McVie e Stevie Nicks
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1977), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1977) e Warner Bros. (holding: file NO releases) (nel 2004)
mixata presso:
Producer’s Workshop in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Don’t Stop
paroliere e compositore:
Christine McVie
editore:
BMG Music, BMG Music Publishing Ltd., Fleetwood Mac Music (publisher), Universal Music Publishing (use ONLY if no country‐specific information is available) e Gentoo Music, Inc. (nel 1977)
Fleetwood Mac4.253:13
9You’re So Vain
tecnico di registrazione:
Robin Geoffrey Cable (dal 1972-09 al 1972-10)
tecnico:
Robin Geoffrey Cable
produttore:
Richard Perry (producer)
basso :
Klaus Voorman (dal 1972-09 al 1972-10)
batteria :
Jim Gordon (US drummer with Derek and the Dominos) (dal 1972-09 al 1972-10)
chitarra :
Jimmy Ryan (American guitarist and singer/songwriter) (dal 1972-09 al 1972-10)
percussione :
Richard Perry (producer) (dal 1972-09 al 1972-10)
pianoforte e voce principale:
Carly Simon (dal 1972-09 al 1972-10)
voce di accompagnamento:
Mick Jagger (dal 1972-09 al 1972-10)
voce di accompagnamento aggiuntiva:
Carly Simon (dal 1972-09 al 1972-10) e Doris Troy (dal 1972-09 al 1972-10)
arrangiatore archi :
Carly Simon
orchestratore:
Paul Buckmaster
diritti fonografici (℗) detenuti da:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (nel 1972), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1972), Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (nel 1978), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984) e Rhino Entertainment Company (not for release label use!) (nel 2015)
registrata presso:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Regno Unito (dal 1972-09 al 1972-10)
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 100), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 140) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 495)
registrazione di:
You’re So Vain (dal 1972-09 al 1972-10)
paroliere e compositore:
Carly Simon
editore:
C’est Music, Quackenbush Music, Ltd. (ASCAP-affiliated), Universal Music Corporation (USA, affiliated with ASCAP) e Universal Music Publishing Group
Carly Simon4.64:19
10Running Up That Hill
assistente tecnico:
Pearse Dunne
tecnico:
Haydn Bendall (producer and engineer), James Guthrie, Paul Hardiman, Del Palmer, Brian Tench e Nigel Walker (UK producer/engineer/guitarist)
produttore:
Kate Bush
tecnico di missaggio:
Brian Tench
balalaika :
Paddy Bush
basso :
Del Palmer
batteria :
Stuart Elliott (session drummer, member of Cockney Rebel)
chitarra :
Alan Murphy (UK session guitarist)
voce:
Kate Bush
diritti fonografici (℗) detenuti da:
EMI America Records (holding – file NO releases here!) (nel 1985), EMI Korea (nel 1985), EMI Records (not for release label use!) (nel 1985), EMI Records Group N.A. (nel 1985), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1985), Noble & Brite Ltd. (nel 1985), Novercia Ltd. (nel 1985), Oasis (nel 1985), CEMA Special Markets (a division of Capitol‐EMI Music, Inc.) (nel 1993), Universal Domestic Division (do not use as a release label! sub-division of Universal Music GmbH) (nel 2006), Noble and Brite (nel 2011) e Noble & Brite Ltd (nel 2018)
registrata presso:
Wickham Farm Home Studio in Welling, Bexley, London (Greater London), England, Regno Unito
lavorazione tecnica effettuata presso:
Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Irlanda
video musicali:
Running Up That Hill (music video) di Kate Bush
parte di:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 7), Billboard Year-End Hot 100 singles of 2022 (numero: 23), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 60), BILLIONS CLUB e Indie 88: Top 500 Indie Rock Songs (numero: 279)
registrazione di:
Running Up That Hill
paroliere e compositore:
Kate Bush
editore:
EMI Music Publishing Germany GmbH (2008–today), EMI Music Publishing Ltd. (PRS‐affiliated), Kate Bush Ltd., Noble & Brite Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing LLC (1995–2020) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works)
Kate Bush3.954:52
11No Woman No Cry
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1996)
registrazione cover di:
No Woman, No Cry
paroliere e compositore:
Vincent Ford
editore:
Almo Music Corp. (USA, affiliated with ASCAP), Bob Marley Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Global Musikverlag (Global Musik GmbH & Co. KG), PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Blue Mountain Music (nel 1974), Fifty Six Hope Road Music Limited (nel 1974), Odnil Music Ltd. (nel 1974) e Global (publisher) (nel 1976)
Fugees4:21
12If You Leave Me Now
tecnico di registrazione:
Armin Steiner (dal 1976-03 al 1976-04: archi)
assistente tecnico:
Tom Likes
tecnico:
Wayne Tarnowski
produttore:
James William Guercio
basso e chitarra acustica :
James William Guercio (dal 1976-03 al 1976-04)
voce principale:
Peter Cetera (dal 1976-03 al 1976-04)
arrangiatore archi e arrangiatore corno francese :
Jimmie Haskell
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1976), Rhino Entertainment Company (not for release label use!) (nel 1976, nel 2002), Warner Strategic Marketing Inc. (nel 1976) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1976)
registrata presso:
Sound Labs, Inc. in Hollywood, Los Angeles, California, Stati Uniti, Sound Labs, Inc. in Hollywood, Los Angeles, California, Stati Uniti (archi) e Caribou Ranch Recording Studio in Nederland, Colorado, Stati Uniti (dal 1976-03 al 1976-04)
mixata presso:
Caribou Ranch Recording Studio in Nederland, Colorado, Stati Uniti (dal 1976-03 al 1976-04)
registrazione di:
If You Leave Me Now (dal 1976-03 al 1976-04)
paroliere:
Peter Cetera
compositore:
Peter Cetera (nel 1976)
editore:
Big Elk Music, BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Fairwood Music Ltd., Island Music Ltd., Polish Prince Music e Spirit Music Publishing Ltd.
Chicago4.23:56
13I Want to Know What Love Is
registrazione di:
I Want to Know What Love Is
paroliere e compositore:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
editore:
Evansongs Ltd. (publisher), Somerset Songs Publishing Inc., Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Fujipacific Music inc. (fino al 2014-12-31) e Fujipacific Music, Inc. (dal 2015-01-01 a oggi)
Foreigner4:34
14Walk This Way
tecnico:
Steve Ett
co-produttore:
Jason Mizell e Joseph Simmons (US rapper Rev. Run of Run-D.M.C)
produttore:
Rick Rubin (US record producer, former co‐president of Columbia Records) e Russell Simmons
chitarra ospite :
Joe Perry (guitarist for Aerosmith)
tastiera e percussione :
Jason Mizell
voce di accompagnamento ospite:
Steven Tyler
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1986, nel 1989) e Sony BMG Music Entertainment Inc. (nel 1986)
video musicali:
Walk This Way di Run‐D.M.C.
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 9), New York Post: 100 Greatest Covers (2007) (numero: 30) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 287)
registrazione di:
Walk This Way
autore:
Joe Perry (guitarist for Aerosmith) e Steven Tyler
editore:
Daksel LLC, Daksel Music Corp., Music of Stage Three, Music of Stage Three Aerosmith Account, Song and Dance Music, Sony/ATV Music Publishing, Sony/ATV Music Publishing Ltd., Stage Three Music Ltd., Stage Three Music Publishing Limited e Vindaloo Productions, Inc.
Run‐D.M.C. feat. Aerosmith4.055:11
15The Boys Are Back in Town
assistente tecnico di registrazione:
Neil Hornby
tecnico:
Will Reid-Dick
produttore:
John Alcock (producer)
batteria :
Brian Downey (Thin Lizzy drummer)
chitarra :
Scott Gorham (Thin Lizzy guitarist) e Brian Robertson (Thin Lizzy & Motörhead)
chitarra acustica e chitarra basso e voce principale:
Phil Lynott
voce:
Brian Robertson (Thin Lizzy & Motörhead)
diritti fonografici (℗) detenuti da:
Mercury Records Limited (not for release label use!) (nel 1976)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 272) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 499)
registrazione di:
The Boys Are Back in Town
paroliere e compositore:
Phil Lynott
editore:
Pippin the Friendly Ranger Music Co. Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e PolyGram Music Publishing (nel 1989)
Thin Lizzy4.354:24
16School’s Out
tecnico:
Roy Cicala e Shelly Yakus
produttore:
Bob Ezrin
basso elettrico :
Dennis Dunaway (original bass player for Alice Cooper)
batteria :
Neil Smith (former Alice Cooper drummer)
chitarra e voce di accompagnamento:
Reggie Vincent
chitarra elettrica :
Michael Bruce (of Alice Cooper) e Glen Buxton (American guitarist)
tastiera :
Michael Bruce (of Alice Cooper) e Bob Ezrin
voce principale:
Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974)
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1972, nel 1974) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1972)
è stato produttore per:
Alive Enterprises Incorporated e Nimbus 9 Productions
registrata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 35), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 293) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 319)
registrazione di:
School’s Out
autore:
Michael Bruce (of Alice Cooper), Glen Buxton (American guitarist), Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974), Dennis Dunaway (original bass player for Alice Cooper) e Neal Smith (former Alice Cooper drummer)
editore:
Bizarre Music Co. (US work publisher), BMG Platinum Songs US, Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ezra Music, Ezra Music Corp., Opus 19 Music, Primary Wave Music Publishing, Sony/ATV Music Publishing, Third Palm Music, Universal Music Publishing Group, Warner Bros. Music (publisher; do NOT use as release label) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-editore:
フジパシフィックミュージック (Fujipacific Music, Inc.) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper4.253:28
17I Believe in a Thing Called Love
assistente tecnico di registrazione:
Will Bartle
tecnico, produttore e tecnico di missaggio:
Pedro Ferreira
assistente tecnico di missaggio:
Nick Taylor (UK recording engineer)
basso :
Frankie Poullain
batteria :
Ed Graham
chitarra :
Dan Hawkins (member of The Darkness and Stone Gods) e Justin Hawkins
voce principale:
Justin Hawkins
registrata presso:
Chapel Studios in Lincolnshire, England, Regno Unito
mixata presso:
Roundhouse Studios in London (Greater London), England, Regno Unito
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 94)
registrazione di:
I Believe in a Thing Called Love
autore:
Daniel Francis Hawkins (member of The Darkness and Stone Gods), Francis Gilles Poullain-Patterson, Edwin James Graham e Justin Hawkins
The Darkness4.23:38
18Wonderwall
tecnico di registrazione:
Owen Morris
produttore:
Noel Gallagher e Owen Morris
batteria e percussione :
Alan White (Oasis drummer)
chitarra acustica [rhythm guitar] :
Paul Arthurs ("Bonehead", Oasis)
chitarra basso , chitarra elettrica [lead guitar] , ebow , mellotron , pianoforte e voce di accompagnamento:
Noel Gallagher
tamburello e voce principale:
Liam Gallagher (English musician, lead singer of Oasis)
diritti fonografici (℗) detenuti da:
Big Brother Recordings, Ltd. (not for release label use! use “BIg Brother” instead) (nel 1995)
registrata presso:
Rockfield Studios in Monmouth, Monmouthshire, Wales, Regno Unito
video musicali:
Wonderwall di Oasis (Noel & Liam Gallagher)
parte di:
triple j’s Hottest 100 (Australian annual music listener poll) (numero: 1995), Indie 88: Top 500 Indie Rock Songs (numero: 12), NME: Greatest “Indie” Anthems Ever: 2007 (numero: 27), triple j’s Hottest 100 (Australian annual music listener poll) (numero: 2013 (Twenty Years)), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 48) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 95)
registrazione di:
Wonderwall
paroliere e compositore:
Noel Gallagher
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Creation Songs Ltd, Dead Leg Music, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV, Sony/ATV Music Publishing e Sony/ATV Music Publishing Ltd.
Oasis4.254:16
19Bat Out of Hell
registrazione di:
Bat out of Hell
paroliere e compositore:
Jim Steinman
editore:
BMG AM Pty Limited, Carlin Music Corporation, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), J. Albert & Son Pty. Ltd., Neverland Music e Peg Music Co.
Meat Loaf4:54
2▼CD
#TitoloArtistaValutazioneDurata
1Thriller
tecnico di registrazione e tecnico di missaggio:
Bruce Swedien
programmazione degli strumenti:
Anthony Marinelli (Soundtrack composer)
produttore:
Quincy Jones
chitarra :
David Williams (session guitarist and songwriter)
drum machine [LinnDrum] , voce di accompagnamento e voce principale:
Michael Jackson (“King of Pop”)
flauto e sassofono :
Larry Williams ([Jazz] keyboard, sax, flute & clarinet - Producer, composer, arranger, and multi-instrumentalist)
flicorno soprano e tromba :
Gary Grant (brass) e Jerry Hey
sintetizzatore :
Brian Banks (American keyboardist), Greg Phillinganes e Rod Temperton
trombone :
Bill Reichenbach, Jr. (jazz trombonist)
voce parlata:
Vincent Price (US horror film actor)
arrangiatore corno e arrangiatore strumenti a fiato :
Jerry Hey
arrangiatore percussione e arrangiatore sintetizzatore :
Rod Temperton
effetti sonori:
Bruce Cannon e Bruce Swedien
diritti fonografici (℗) detenuti da:
MJJ Productions Inc. (rights holder, not an imprint) (nel 1982)
registrata presso:
Westlake Recording Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California, Stati Uniti (nel 1982)
video musicali:
Thriller di Michael Jackson (“King of Pop”)
registrazione di:
Thriller
paroliere e compositore:
Rod Temperton
editore:
Almo Music Corp. (USA, affiliated with ASCAP), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Rodsongs (publisher), Rondor Music (London) Ltd., Universal Music Publishing France (not for release label use!) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
si basa su:
Starlight
parte di:
MJ: The Musical
Michael Jackson4.55:57
2Like a Prayer
registrazione di:
Like a Prayer
autore:
Patrick Leonard (producer, songwriter and pianist) e Madonna (“Queen of Pop”)
editore:
Bleu Disque Music Co., Inc. (publisher), EMI Blackwood Music Inc., Orangejello Music (BMI-affiliated), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Warner / Chappell Music Publishing (Warner/Chappell Music, Inc.), ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Johnny Yuma Music (publisher) (nel 1988), Webo Girl Publishing, Inc. (nel 1988), WB Music Corp. (1929–2019) (dal 1989 al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
Madonna5:32
3Don’t Let the Sun Go Down on Me
tecnico:
Chris Porter (engineer and producer)
produttore:
George Michael
arrangiatore:
George Michael
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (nel 1991) e Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1991)
registrata presso:
OVO Arena Wembley in Wembley, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito (il 1991-03-23)
registrazione dal vivo di:
Don’t Let the Sun Go Down on Me (il 1991-03-23)
paroliere:
Bernie Taupin
compositore:
Elton John (English singer, songwriter, pianist, and composer)
editore:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e Big Pig Music Ltd. (publisher) (nel 1991)
George Michael feat. Elton John5:47
4Saving All My Love for You
registrazione cover di:
Saving All My Love for You
paroliere:
Gerry Goffin
compositore:
Michael Masser
editore:
Prince Street Music (Also known as "Prince St. Music"), Screen Gems–Columbia Music, Inc. e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-editore:
Universal Music Corporation (France), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Whitney Houston3:36
5Believe
produttore:
Brian Rawling e Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
tecnico di missaggio:
Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
diritti fonografici (℗) detenuti da:
Warner Music UK Ltd. (not for release label use!) (nel 1998)
è stato produttore per:
Metro (production company) e Rive Droite Music Productions
registrata presso e mixata presso:
Dreamhouse Studios in London (Greater London), England, Regno Unito
parte di:
Grammy Award: Best Dance/Electronic Recording nominees (numero: 2000 winner), RuPaul’s Drag Race Lip Sync Performances (season 3) (numero: 9), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 159) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 337)
registrazione di:
Believe
paroliere:
Brian Higgins (British producer and song writer) e Matt Gray (UK techno DJ/producer, former video game composer)
compositore:
Brian Higgins (British producer and song writer) (nel 1998), Matt Gray (UK techno DJ/producer, former video game composer) (nel 1998), Stuart McLennan (nel 1998), Paul Michael Barry (songwriter/musician) (nel 1998), Tim Powell (Songwriter and producer, ex-Xenomania) (nel 1998) e Steve Torch (nel 1998)
editore:
Rive Droite Music e Warner Chappell (Warner/Chappell Music, Inc.)
Cher3.73:52
6Knowing Me, Knowing You
tecnico:
Michael B. Tretow
produttore:
Benny Andersson (ABBA) e Björn Ulvaeus
batteria [drums] :
Ola Brunkert (il 1976-03-23)
chitarra :
Janne Schaffer (il 1976-03-23) e Björn Ulvaeus (il 1976-03-23)
chitarra basso :
Rutger Gunnarsson (il 1976-03-23)
chitarra elettrica :
Lasse Wellander (il 1976-05-24)
percussione :
Malando Gassama (il 1976-03-23)
tastiera :
Benny Andersson (ABBA) (il 1976-03-23)
voce solista:
Frida (Swedish singer and member of ABBA) (il 1976-03-23)
arrangiatore:
Benny Andersson (ABBA) e Björn Ulvaeus
diritti fonografici (℗) detenuti da:
Polar Music AB (nel 1976)
registrata presso:
Metronome Studio in Stockholm, Stockholms län (Stockholm county), Svezia (il 1976-03-23, il 1976-05-24)
parte di:
The Downloader’s Music Source Book (numero: 52)
registrazione di:
Knowing Me, Knowing You (nel 1976)
autore:
Stig Anderson (Stikkan), Benny Andersson (ABBA) e Björn Ulvaeus
editore:
EMI Grove Park Music, Inc., Union Songs AB (publisher), Union Songs Music, Universal–Songs of PolyGram International, Inc., EMI Waterford Music (dal 1976 a oggi), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (dal 1976 a oggi) e Universal/Union Songs Musikförlag AB (dal 1976 a oggi)
parte di:
Mamma Mia! (1999 musical)
ABBA3.853:57
7You Win Again
registrazione di:
You Win Again
paroliere e compositore:
Barry Gibb, Maurice Gibb e Robin Gibb
editore:
BMG Music, BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Crompton Songs e Gibb Brothers Music
Bee Gees3:48
8Young Guns (Go for It!)
produttore:
Steve Brown (engineer/music producer) e George Michael
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1982)
registrazione di:
Young Guns (Go for It!)
paroliere e compositore:
George Michael
editore:
Morrison Leahy Music Ltd.
Wham!3:40
9Back for Good
programmazione:
Gary Barlow e Chris Cameron (British pianist, singer-songwriter, arranger and producer)
assistente tecnico:
Steve McNichol
produttore:
Gary Barlow e Chris Porter (engineer and producer)
chitarra :
Phil Palmer (guitarist)
voce:
Howard Donald, Jason Orange, Mark Owen (singer–songwriter) e Robbie Williams
voce principale:
Gary Barlow
diritti fonografici (℗) detenuti da:
BMG Records (UK) Limited (1987–1996) (nel 1995) e Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1995)
registrazione di:
Back for Good
paroliere e compositore:
Gary Barlow
editore:
EMI Virgin Music Australia Pty Ltd e EMI Virgin Music Ltd. (do not use this as a release label!)
Take That33:56
10Flying Without Wings
programmazione:
Chris Laws (engineer, keyboardist & songwriter)
tecnico:
Chris Laws (engineer, keyboardist & songwriter) e Daniel Pursey (engineer)
produttore:
Steve Mac (British pop producer/songwriter Steve McCutcheon)
tecnico di missaggio:
Matt Howe (producer and engineer) e Steve Mac (British pop producer/songwriter Steve McCutcheon)
chitarra :
Paul Gendler
chitarra basso :
Steve Pearce (UK bassist)
tastiera :
Steve Mac (British pop producer/songwriter Steve McCutcheon)
cori:
Benny Diggs
maestro del coro:
Benny Diggs
arrangiatore archi :
Richard Niles
arrangiatore:
Wayne Hector e Steve Mac (British pop producer/songwriter Steve McCutcheon)
video musicali:
Flying Without Wings di Westlife
registrazione di:
Flying Without Wings
paroliere:
Steve Mac (British pop producer/songwriter Steve McCutcheon)
compositore:
Wayne Hector e Steve Mac (British pop producer/songwriter Steve McCutcheon)
editore:
Rokstone Music Ltd., Rondor Music (London) Ltd. e Songs of Windswept Pacific
Westlife23:34
11Son of a Preacher Man
tecnico:
Ed Kollis
produttore:
Tom Dowd, Arif Mardin e Jerry Wexler
batteria :
Gene Chrisman (nel 1968-09)
chitarra basso :
Tommy Cogbill (nel 1968-09)
chitarra e sitar :
Reggie Young (Guitarist and songwriter) (nel 1968-09)
pianoforte elettrico e organo :
Bobby Emmons (nel 1968-09)
voce:
Dusty Springfield (nel 1968-09)
voce di accompagnamento:
The Sweet Inspirations (nel 1968-09)
direttore d'orchestra:
Gene Orloff (nel 1968-09)
arrangiatore ottoni :
Tom Dowd
arrangiatore ottoni e archi :
Arif Mardin
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1968)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 168) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 240)
registrazione di:
Son of a Preacher Man (nel 1968-09)
autore:
John Hurley e Ronnie Wilkins
editore:
Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) e Sony/ATV Songs LLC
Dusty Springfield4.452:25
12Stars
tecnico e tecnico di missaggio:
Daren Klein
co-produttore:
Mick Hucknall (lead singer of Simply Red)
produttore:
Stewart Levine (record producer and saxophonist)
registrazione di:
Stars
paroliere e compositore:
Mick Hucknall (lead singer of Simply Red)
Simply Red2.84:06
13Thank You
tecnico di registrazione:
Goetz
programmazione:
Rollo (Rollo Armstrong of Faithless)
produttore:
Dido (English singer‐songwriter) e Rollo (Rollo Armstrong of Faithless)
tecnico di missaggio:
Phill Brown (UK engineer)
chitarra :
Paul Herman
flauto dolce e voce principale:
Dido (English singer‐songwriter)
percussione :
Mal Hyde-Smith
tastiera e pianoforte :
Mark Bates (member of the band Dusted)
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1999)
remaster di:
Thank You di Dido (English singer‐songwriter)
registrazione di:
Thankyou (Dido)
autore:
Dido (English singer‐songwriter) e Paul Herman
editore:
Peermusic France, Submarine Music Ltd., Warner Chappell Music France, Warner Chappell Music Ltd. (no slash; used 1988–1996), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Dido4.153:36
14Beautiful
assistente tecnico:
Rafael Serrano e Davy Vain
assistente tecnico aggiunto:
Andrew Chavez (engineer)
tecnico:
Linda Perry (rock singer‐songwriter & producer) e Davy Vain (incarico: Pro Tools)
tecnico aggiunto:
David Guerrero
produttore:
Linda Perry (rock singer‐songwriter & producer)
assistente tecnico di missaggio:
Ethan Willoughby
tecnico di missaggio:
Dave "Hard Drive" Pensado (mixer)
archi :
The Section
archi aggiunto, chitarra [guitars] , chitarra basso [bass] e pianoforte :
Linda Perry (rock singer‐songwriter & producer)
batteria [drums] :
Brian MacLeod (American drummer)
tastiera [keyboards] :
Damon Fox
viola :
Shanti Randall
violino :
Eric Gorfain
violoncello :
Richard Dodd (cellist)
arrangiatore aggiunto:
Linda Perry (rock singer‐songwriter & producer)
mixata per:
Essential Arts Management, LTD
registrata in aggiunta presso:
The Enterprise Studios (aka Enterprise Studios) in Burbank, California, Stati Uniti
mixata presso:
The Enterprise Studios (aka Enterprise Studios) in Burbank, California, Stati Uniti
lavorazione tecnica effettuata presso:
Mad Dog Studios (Burbank, 1996–unknown) in Burbank, California, Stati Uniti
video musicali:
Beautiful di Christina Aguilera
parte di:
CBC Music: 12 Songs About Bullying, VH1’s Big Song of 2003 (numero: 17) e The Downloader’s Music Source Book (numero: 260)
registrazione di:
Beautiful
paroliere e compositore:
Linda Perry (rock singer‐songwriter & producer)
editore:
Famous Music Corp. (renamed since 2007‐05 as Sony/ATV Harmony/Melody) e Stuck in the Throat
Christina Aguilera4.23:57
15I’m Outta Love
edit di:
I’m Outta Love (album version) di Anastacia (USA pop singer from Chicago, IL, best known for “I’m Outta Love”)
registrazione di:
I’m Outta Love (nel 2000)
paroliere:
Anastacia Newkirk (USA pop singer from Chicago, IL, best known for “I’m Outta Love”), Louis Biancaniello e Sam Watters
compositore:
Louis Biancaniello e Sam Watters
editore:
Breakthrough Creations, EMI April Music Inc., Poho Productions, S. M. Y. Publishing, Sony/ATV Tunes LLC (ASCAP) e Universal Music Corp. (USA, affiliated with ASCAP)
Anastacia3:54
16No Ordinary Love
registrazione di:
No Ordinary Love
paroliere:
Sade Adu
compositore:
Sade Adu e Stuart Matthewman
editore:
Sony ATV Songs LLC e Sony/ATV Music Publishing UK Ltd.
Sade6:58
17Independent Women, Part 1
tecnico di registrazione:
Manelich Sotolongo
tecnico di registrazione aggiunto:
Troy Gonzalez e Ramon Morales (US-based recording engineer)
produttore:
Beyoncé Knowles, Poke and Tone e Cory Rooney
tecnico di missaggio:
Rich Travali
diritti fonografici (℗) detenuti da:
Sony Music Entertainment, Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 2000, nel 2001)
è stato produttore per:
Cory Rooney Entertainment, Inc., Music World Productions, Inc. e Trackmasters Entertainment Inc.
registrazione di:
Independent Women, Part I
autore:
Samuel Barnes, Beyoncé Knowles, Jean‐Claude Olivier (hip hop producer Jean Olivier, of Poke and Tone) e Cory Rooney
Destiny’s Child3.553:38
18Think Twice
programmazione degli strumenti:
Steve Piggott
assistente tecnico:
Paul Mortimer (engineer) e Simon Pressey
tecnico:
Simon Hurrell
produttore:
Christopher Neil
produttore aggiunto:
Aldo Nova (Canadian rock musician)
tecnico di missaggio:
K.C. Cohen
basso e batteria [drums] :
Steve Piggott
chitarra [guitars] :
Aldo Nova (Canadian rock musician) e Tim Renwick
chitarra solista :
Aldo Nova (Canadian rock musician)
voce di accompagnamento:
Jackie Rowe e Pam Sayne
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (Canada) Inc. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1993)
registrata presso:
Hit Factory (The Hit Factory) in Manhattan, New York, New York, Stati Uniti, Larrabee Sound Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California, Stati Uniti, Morin Heights in Morin‐Heights, Québec, Canada e Westside Studios in London (Greater London), England, Regno Unito
registrazione di:
Think Twice
autore:
Andy Hill (English producer & songwriter) e Peter Sinfield
editore:
Chrysalis Music (music publisher, ASCAP-affiliated), EMI Virgin Music Ltd. (do not use this as a release label!), Pillarview B.V. e Universal Music Publishers MGB Australia Pty Ltd
Céline Dion44:41
3▼CD
#TitoloArtistaValutazioneDurata
1Suspicious Minds
tecnico:
Al Pachucki
produttore:
Felton Jarvis e Chips Moman
basso :
Tommy Cogbill (il 1969-01-23) e Mike Leech (il 1969-01-23)
batteria :
Gene Chrisman (il 1969-01-23)
chitarra :
Elvis Presley (“The King of Rock and Roll”) (il 1969-01-23) e Reggie Young (Guitarist and songwriter) (il 1969-01-23)
chitarra steel :
John Hughey (il 1969-01-23)
organo :
Bobby Emmons (il 1969-01-23)
pianoforte :
Bobby Wood (American pianist, keyboard player and songwriter) (il 1969-01-23)
voce:
J.D. Sumner & The Stamps, The Sweet Inspirations e Kathy Westmoreland
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1969-01-22)
arrangiatore:
Mike Leech e Glen Spreen (Arranger, keyboardist, producer, conductor, and songwriter)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1969), BMG Music (nel 1969, nel 1973), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (nel 1969), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1973) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2002)
registrata presso:
American Sound Studio ((Defunct) Memphis, TN - American North) in Memphis, Tennessee, Stati Uniti (il 1969-01-23) e United Recording Studios (Las Vegas) in Las Vegas, Nevada, Stati Uniti (il 1969-08-07)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 91) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 363)
registrazione cover di:
Suspicious Minds (dal 1969-01-23 al 1969-08-07)
paroliere e compositore:
Mark James (Francis Rodney Zambon, composer of “Suspicious Minds”)
editore:
Laetrec Music, Press Music Co., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing (UK) Ltd. e Sony/ATV Songs LLC
Elvis Presley4.14:32
2Like a Rolling Stone
registrazione di:
Like a Rolling Stone
paroliere e compositore:
Bob Dylan (nel 1965)
editore:
M. Witmark & Sons, Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner/Chappell (Warner/Chappell Music, Inc.) (dal 1965 al 1993) e Special Rider Music (dal 1993 a oggi)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Bob Dylan6:09
3Respect
tecnico di registrazione:
Tom Dowd (il 1967-02-14)
produttore:
Jerry Wexler
batteria :
Roger Hawkins (il 1967-02-14)
chitarra :
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (il 1967-02-14)
chitarra basso :
Tommy Cogbill (il 1967-02-14)
cornetta :
Melvin Lastie (il 1967-02-14)
organo :
Spooner Oldham (il 1967-02-14)
pianoforte :
Aretha Franklin (il 1967-02-14)
sassofono baritono :
Willie Bridges (il 1967-02-14)
sassofono tenore :
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (il 1967-02-14) e King Curtis (saxophonist) (il 1967-02-14)
voce:
Aretha Franklin (il 1967-02-14)
voce di accompagnamento:
Carolyn Franklin (il 1967-02-14) e Erma Franklin (il 1967-02-14)
direttore d'orchestra:
Tom Dowd (il 1967-02-14)
arrangiatore:
Tom Dowd e Arif Mardin
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1967) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1967)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1967-02-14)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 1), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 5), CBC Music: 10 Songs That Have Changed the World, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 21), New York Post: 100 Greatest Covers (2007) (numero: 52) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione cover di:
Respect (il 1967-02-14)
paroliere e compositore:
Otis Redding
editore:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell e Warner/Chappell North America
Aretha Franklin3.92:25
4Sexual Healing
registrazione di:
Sexual Healing
autore:
Odell Brown, Marvin Gaye e David Ritz (American author)
editore:
April Music Publishing Inc., Blackwood Music Inc. (1953-02-07–1987-12-30), Bugpie Music Publishing, EMI Songs Australia Pty. Ltd., EMI Songs Ltd. e April Music Inc. (nel 1982)
Marvin Gaye4:52
5(Sitting on) The Dock of the Bay
produttore:
Jerry Bruckheimer, Steve Cropper e Don Simpson (American film producer, screenwriter, and actor)
batteria :
Al Jackson, Jr. (Booker T & The MGs drummer) (dal 1967-11-22 al 1967-12-07)
chitarra :
Steve Cropper (dal 1967-11-22 al 1967-12-07)
chitarra basso :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (dal 1967-11-22 al 1967-12-07)
tastiera :
Isaac Hayes (dal 1967-11-22 al 1967-12-07) e Booker T. Jones (dal 1967-11-22 al 1967-12-07)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (dal 1967-11-22 al 1967-12-07)
fischio:
Otis Redding (dal 1967-11-22 al 1967-12-07)
voce:
Otis Redding (dal 1967-11-22 al 1967-12-07)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1968)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 44) e Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 45)
registrazione di:
(Sittin’ on) the Dock of the Bay (dal 1967-11-22 al 1967-12-07)
autore:
Steve Cropper e Otis Redding
editore:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. (holding: file NO releases), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music EH(CM) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Otis Redding4.452:46
6Living in America
registrazione di:
Living in America
autore:
Dan Hartman e Charlie Midnight
editore:
April Music, Blackwood Music Inc. (1953-02-07–1987-12-30), Janiceps Music, Second Nature Music, Inc., UA Music Inc. e United Lion Music Inc.
James Brown4:45
7Oh, Pretty Woman
produttore:
Fred Foster
armonica (a bocca) :
Charlie McCoy (white blues harmonica player, 1960s-present) (il 1964-08-01)
batteria :
Buddy Harman (Session drummer and songwriter) (il 1964-08-01)
chitarra :
Jerry Kennedy (il 1964-08-01), Wayne Moss (il 1964-08-01) e Billy Sanford (guitar) (il 1964-08-01)
chitarra a 12 corde [12 string guitar Epiphone] e voce principale:
Roy Orbison (il 1964-08-01)
contrabbasso [upright bass] :
Bob Moore (U.S. bassist and bandleader) (il 1964-08-01)
percussione :
Paul Garrison (il 1964-08-01)
pianoforte :
Floyd Cramer (il 1964-08-01)
sassofono :
Boots Randolph (il 1964-08-01)
voce:
Roy Orbison
diritti fonografici (℗) detenuti da:
Orbison Records, Orbison Records, Inc. e Monument Record Corp. (not for release label use!) (nel 1964)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 20), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 59), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 222)
registrazione di:
Oh, Pretty Woman (Roy Orbison song) (il 1964-08-01)
paroliere e compositore:
Bill Dees e Roy Orbison
editore:
Acuff-Rose Music Limited (UK), Barbara Orbison Music Company, Roy Orbison Music Company, Universal/MCA Music Ltd. (not for release label use!), Acuff-Rose Publications, Inc. (BMI) (il 1964-08-26) e Acuff-Rose (BMI) (nel 1972)
Roy Orbison4.22:59
8Mr. Tambourine Man
registrata a:
Hollywood, Los Angeles, California, Stati Uniti (il 1965-01-20)
produttore:
Terry Melcher
batteria :
Michael Clarke (drummer for the 1960s rock group The Byrds) (il 1965-01-20)
chitarra :
David Crosby (il 1965-01-20)
chitarra a 12 corde :
Jim McGuinn (il 1965-01-20)
chitarra basso :
Chris Hillman (il 1965-01-20)
tamburello :
Gene Clark (US singer-songwriter; founder of The Byrds) (il 1965-01-20)
voce:
Gene Clark (US singer-songwriter; founder of The Byrds) (il 1965-01-20), David Crosby (il 1965-01-20), Chris Hillman (il 1965-01-20) e Jim McGuinn (il 1965-01-20)
diritti fonografici (℗) detenuti da:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 1965) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1965)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (numero: 10), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 79) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 230)
registrazione cover di:
Mr. Tambourine Man (il 1965-01-20)
paroliere e compositore:
Bob Dylan (dal 1964-02 al 1964-04)
editore:
Blossom Music Ltd., M. Witmark & Sons, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell (Warner/Chappell Music, Inc.) (dal 1964 al 1992) e Special Rider Music (dal 1992 a oggi)
The Byrds4.12:31
9Brass in Pocket
tecnico:
Bill Price (UK producer/engineer)
produttore:
Chris Thomas (UK record producer / remixer)
diritti fonografici (℗) detenuti da:
Warner Music UK Ltd. (not for release label use!) (nel 1979, nel 1987, nel 2000)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 89) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 389)
registrazione di:
Brass in Pocket
autore:
James Honeyman‐Scott e Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
editore:
ATV Music Ltd., Banks Clive Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Hynde House of Hits Music e Modern Music Publishing Co., Inc.
The Pretenders43:05
10Lust for Life
tecnico:
Eduard Meyer e Colin Thurston
produttore:
Bewlay Bros.
batteria, shaker e tamburello :
Hunt Sales (dal 1977-06-04 al 1977-06-18)
chitarra :
Carlos Alomar (dal 1977-06-04 al 1977-06-18) e Ricky Gardiner (dal 1977-06-04 al 1977-06-18)
chitarra basso :
Tony Sales (dal 1977-06-04 al 1977-06-18)
pianoforte :
David Bowie (English singer‐songwriter) (dal 1977-06-04 al 1977-06-18)
voce di accompagnamento:
Hunt Sales (dal 1977-06-04 al 1977-06-18) e Tony Sales (dal 1977-06-04 al 1977-06-18)
voce principale:
Iggy Pop (dal 1977-06-04 al 1977-06-18)
diritti fonografici (℗) detenuti da:
Thousand Mile, Inc. (nel 1977, nel 1990) e Virgin Records America (used for copyrights) (nel 1977)
registrata presso:
Hansa Studio III in Berlin, Germania (dal 1977-06-04 al 1977-06-18)
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 67), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 147) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 325)
registrazione di:
Lust for Life (dal 1977-06-04 al 1977-06-18)
paroliere:
Iggy Pop
compositore:
David Bowie (English singer‐songwriter) e Iggy Pop
editore:
Bewlay Bros. Music, EMI Music (do not use as release label! this is a music publisher), Fleur Music Ltd. (publisher), Tintoretto Music, Virgin Music (publisher and label, only for releases with Virgin MUSIC logo), Bug Music (music publishing) (nel 1988) e James Osterberg Music (nel 1988)
Iggy Pop4.455:13
11Perfect Day
produttore:
David Bowie (English singer‐songwriter) e Mick Ronson (British guitarist)
voce principale:
Lou Reed (nel 1972-08)
arrangiatore:
David Bowie (English singer‐songwriter), Lou Reed e Mick Ronson (British guitarist)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1972) e RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1972)
mixata presso:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Regno Unito
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 334)
registrazione di:
Perfect Day (nel 1972-08)
paroliere e compositore:
Lou Reed
editore:
EMI Music Ltd., Oakfield Avenue Music, Oakfield Avenue Music Ltd. e Screen Gems–EMI Music Ltd.
Lou Reed4.353:45
12Telegram Sam
registrazione di:
Telegram Sam
paroliere e compositore:
Marc Bolan
editore:
SPIRIT CATALOGUE HD(T REX) 301 e フジパシフィックミュージック (Fujipacific Music, Inc.)
T. Rex3:46
13Going Underground
produttore:
Vic Coppersmith‐Heaven
basso :
Bruce Foxton (il 1980-01-16)
batteria :
Rick Buckler (il 1980-01-16)
chitarra :
Paul Weller (English singer-songwriter and musician) (il 1980-01-16)
voce:
Bruce Foxton (il 1980-01-16) e Paul Weller (English singer-songwriter and musician) (il 1980-01-16)
diritti fonografici (℗) detenuti da:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (nel 1980)
registrata presso:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Regno Unito (il 1980-01-16)
registrazione di:
Going Underground (il 1980-01-16)
paroliere e compositore:
Paul Weller (English singer-songwriter and musician)
editore:
BMG Music Publishing Ltd., Stylist Music Ltd. e Universal Music Publishing MGB Australia
The Jam4.252:56
14Should I Stay or Should I Go
tecnico:
Bob Clearmountain
produttore:
Guy Stevens
tecnico di missaggio:
Glyn Johns
batteria :
Topper Headon
chitarra :
Mick Jones (The Clash/Big Audio Dynamite) e Joe Strummer
chitarra basso :
Paul Simonon
voce:
Mick Jones (The Clash/Big Audio Dynamite) e Joe Strummer
voce ospite:
Joe Ely
remixer:
Mick Jones (The Clash/Big Audio Dynamite)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1982)
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 42), Indie 88: Top 500 Indie Rock Songs (numero: 183) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 228)
registrazione di:
Should I Stay or Should I Go
autore:
Mick Jones (The Clash/Big Audio Dynamite) e Joe Strummer
editore:
Nineden Ltd. e Universal Music Publishing GmbH (Universal Music Publishing Group Germany)
The Clash4.553:08
15True Faith
produttore:
Stephen Hague e New Order (UK synth pop band)
diritti fonografici (℗) detenuti da:
Factory Communications Ltd. (holding company – file no releases here!) (nel 1987)
registrazione di:
True Faith
autore:
Gillian Gilbert, Stephen Hague, Peter Hook, Stephen Morris (New Order) e Bernard Sumner
editore:
Be Music (New Order’s own publishing company), Cut Music (UK publisher), MCA Music Inc. (US-based music publishers), Notting Hill Music (publisher) e Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
parte di:
American Psycho
New Order3.755:53
16This Charming Man
tecnico:
Phil Bush (engineer, composer and musician) e Neil King (sound engineer)
produttore:
John Porter (producer and musician US and UK)
batteria :
Mike Joyce (UK drummer)
chitarra basso :
Andy Rourke
chitarra e armonica (a bocca) :
Johnny Marr
voce:
Morrissey (English singer-songwriter)
diritti fonografici (℗) detenuti da:
Sire Records Company (not for release label use!) (nel 1983) e Warner Music UK Ltd. (not for release label use!) (nel 1983)
video musicali:
This Charming Man di The Smiths (1980s English rock band)
parte di:
NME: Greatest “Indie” Anthems Ever: 2007 (numero: 11) e Indie 88: Top 500 Indie Rock Songs (numero: 36)
registrazione di:
This Charming Man
paroliere:
Morrissey (English singer-songwriter)
compositore:
Johnny Marr
editore:
Morrissey Marr Songs Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Smiths3.752:44
17A Design for Life
tecnico e tecnico di missaggio:
Ian Grimble
produttore:
Mike Hedges (UK producer/recording engineer)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1996)
parte di:
NME: Greatest “Indie” Anthems Ever: 2007 (numero: 30)
registrazione di:
A Design for Life
paroliere:
Nicky Wire
compositore:
James Dean Bradfield e Sean Moore (Manic Street Preachers)
editore:
Sony/ATV Music Publishing LLC (1995–2020)
Manic Street Preachers3.74:19
18Fools Gold
produttore e tecnico di missaggio:
John Leckie
diritti fonografici (℗) detenuti da:
Silvertone Records Ltd. (company credits only; file NO releases here!) (nel 1989, nel 1990)
video musicali:
Fools Gold (Music video) di The Stone Roses
parte di:
NME: Greatest “Indie” Anthems Ever: 2007 (numero: 32) e Indie 88: Top 500 Indie Rock Songs (numero: 145)
registrazione di:
Fools Gold
autore:
Ian Brown (UK singer, member of Stone Roses) e John Squire
editore:
Universal Music Publishers MGB Australia Pty Ltd
The Stone Roses4.44:18
19The World’s Greatest
famiglia delle chitarre :
Donnie Lyle
arrangiatore archi :
Paul Riser
registrazione di:
The World's Greatest
paroliere e compositore:
R. Kelly
editore:
Universal Music–Z Songs, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
R. Kelly2.753:57