Anytime

~ Uitgave van Brian McKnight (Bekijk alle versies van deze uitgave, 16 beschikbaar)

Nummerlijst

1cassette
#TitelWaarderingDuur
A1Anytime
opnametechnicus:
Chris Wood (recording engineer)
drumcomputer geprogrammeerd door:
Anthony Nance
assisterend technicus:
Mary Ann Souza
leidinggevend producent:
Bruce Carbone en Herb Trawick
producent:
Brian McKnight
assisterende mixer:
Ed Rasso
mixer:
Bassy Bob Brockmann (engineer, producer, remixer)
achtergrondvocalen en lead-vocalen:
Brian McKnight
fonografisch auteursrecht (℗):
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1997)
opgenomen bij:
Backroom Studios in Glendale, California (Californië), Verenigde Staten
gemixt bij:
Sound on Sound Recording Studios (New York) in New York, New York, Verenigde Staten
samples:
Outside Your Door van Me’Shell NdegéOcello (US singer-songwriter/poet/bassist Michelle Lynn Johnson)
videoclips:
Anytime van Brian McKnight
is een opname van:
Anytime
tekstschrijver:
Brian McKnight
componist:
Brandon Barnes (songwriter, formerly of Byrne & Barnes)
uitgever:
Brandon Barnes Music, Cancelled Lunch Music, PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Songs of PolyGram International, Inc., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) en Universal–Songs of PolyGram International, Inc.
44:31
A2Could
opnametechnicus:
Chris Wood (recording engineer)
diverse ondersteuning:
Suzie Katayama (taak: orchestra contractor / coordinator)
drumcomputer geprogrammeerd door:
Anthony Nance
assisterend technicus:
Mary Ann Souza
technicus:
David Reitzas (overige instrumenten [orchestra])
leidinggevend producent:
Bruce Carbone en Herb Trawick
producent:
Brian McKnight
assisterende mixer:
Tom Bender (engineer)
mixer:
Mick Guzauski
altviool:
Bob Becker (strings), Denyse Buffum, Scott Haupert (violinist), Janet Lakatos, Maria Newman en John Scanlon
bas:
Oscar Meza, Jr. en David Young (bass)
cello:
Chris Ermacoff, Larry Corbett, Suzie Katayama, Steve Richards (cellist), Dan Smith (cello) en Rudy Stein
hoorn:
David Duke (horn), Joe Meyer (French horn player) en Brad Warnaar
keyboard en achtergrondvocalen en lead-vocalen:
Brian McKnight
viool:
Murray Adler, Susan Chatman, Ron Clark (violinist), Bruce Dukov, Armen Garabedian, Berj Garabedian, James Getzoff (American concertmaster and violinist), Harris Goldman, Endre Granat (Hungarian violinist), Peter Kent (violinist), Joy Lyle, Mike Markman, Ralph Morrison, Bob Peterson (violinist), Barbra Porter (violinist, photographer), Jay Rosen (violinist), Anatoly Rosinsky, John Wittenberg en Ken Yerke
orkestrator:
Bill K. Meyers (pianist, composer, producer, arranger, and conductor)
fonografisch auteursrecht (℗):
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1997)
opgenomen bij:
Backroom Studios in Glendale, California (Californië), Verenigde Staten en Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Californië), Verenigde Staten
gemixt bij:
Barking Doctor Recording in Mount Kisco, New York, Verenigde Staten
is een opname van:
Could (in 1997)
schrijver:
Brandon Barnes (songwriter, formerly of Byrne & Barnes) en Brian McKnight
uitgever:
Brandon Barnes Music, Cancelled Lunch Music en Universal–Songs of PolyGram International, Inc.
54:27
A3You Should Be Mine (Don't Waste Your Time)
opnametechnicus:
Andy Cardenas, Joe Pererra en Axel Niehaus (German-born engineer and producer)
co- technicus:
Jon "JM" Meredith (US producer/engineer aka "JM") en Pierre Smith (US engineer)
leidinggevend producent:
Bruce Carbone en Herb Trawick
producent:
Ron Lawrence (US hip-hop producer aka Amen-Ra), Sean Combs (Sean Combs, aka Puff Daddy, P. Diddy) en Stevie J (US hip-hop producer/songwriter Steven Jordan)
gastachtergrondvocalen:
Kelly Price
gastvocalen, overige vocalen [rap vocals] en uitvoerend gastartiest:
Mase (US rapper)
lead-vocalen:
Brian McKnight
vocalen:
Kelly Price
arrangeerde de vocals:
Kelly Price
fonografisch auteursrecht (℗):
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1997)
samples:
I Got Ants in My Pants, Part 1 van James Brown (The Godfather of Soul)
is een opname van:
You Should Be Mine (Don't Waste Your Time)
schrijver:
James Brown (The Godfather of Soul), Ron Lawrence (US hip-hop producer aka Amen-Ra), Mason Betha (US rapper), Brian McKnight, Kelly Price, Sean Combs (Sean Combs, aka Puff Daddy, P. Diddy) en Steven Jordan (US hip-hop producer/songwriter Steven Jordan)
uitgever:
AUSAR Music, Dynatone Publishing Co., EMI April Music Inc., Justin Combs Publishing, Price Is Right Publishing, Songs of Universal, Inc. (BMI), Steven A. Jordan Music, Inc. en Universal Music Careers
34:31
A4Show Me the Way Back to Your Heart
opnametechnicus:
Bill Whittington
diverse ondersteuning:
Shaun Shankel (taak: production coordinator)
bas geprogrammeerd door en bas, piano en synthesizer geprogrammeerd door:
Keith Thomas (CCM, country, pop producer & songwriter)
drumcomputer geprogrammeerd door en drumstel [drum] geprogrammeerd door:
Mark Hammond (US drummer/producer/drum programmer)
assisterend technicus:
Greg Parker (engineer)
leidinggevend producent:
Bruce Carbone en Herb Trawick
producent:
Keith Thomas (CCM, country, pop producer & songwriter)
assisterende mixer:
Tom Bender (engineer)
mixer:
Mick Guzauski
gitaarfamilie:
Dann Huff en Jerry McPherson
klassieke gitaar:
Tom Hemby
achtergrondvocalen:
Lisa Cochran en Kim Fleming
achtergrondvocalen en lead-vocalen:
Brian McKnight
verzorgde het arrangement:
Keith Thomas (CCM, country, pop producer & songwriter)
fonografisch auteursrecht (℗):
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1997)
opgenomen bij:
The Bennett House in Franklin, Tennessee, Verenigde Staten
gemixt bij:
Barking Doctor Recording in Mount Kisco, New York, Verenigde Staten
is een cover-opname van:
Show Me the Way Back to Your Heart (in 1997)
schrijver:
Diane Warren (US songwriter)
uitgever:
Realsongs
43:55
A5Everytime We Say Goodbye
opnametechnicus:
Chris Wood (recording engineer)
drumcomputer aanvullend geprogrammeerd door:
Rodney Jerkins
assisterend technicus:
Mary Ann Souza
leidinggevend producent:
Bruce Carbone en Herb Trawick
producent:
Brian McKnight
assisterende mixer:
Ed Rasso
mixer:
Bassy Bob Brockmann (engineer, producer, remixer)
aanvullend keyboard en achtergrondvocalen en lead-vocalen:
Brian McKnight
overige instrumenten [all instruments performed by]:
Anthony Nance
fonografisch auteursrecht (℗):
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1997)
opgenomen bij:
Backroom Studios in Glendale, California (Californië), Verenigde Staten
gemixt bij:
Sound on Sound Recording Studios (New York) in New York, New York, Verenigde Staten
samples:
Goodbye Love van Guy (US hip hop/r&b/soul/new jack swing group)
is een opname van:
Everytime We Say Goodbye (in 1997)
schrijver:
Brian McKnight en Anthony Nance
uitgever:
ANTHONY NANCE MUZIK, Cancelled Lunch Music, EMI April Music Inc. en PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998)
34:05
A6You Got the Bomb
opnametechnicus:
Chris Wood (recording engineer)
drumcomputer geprogrammeerd door:
Anthony Nance
assisterend technicus:
Doug "The Colonel" Kern
leidinggevend producent:
Bruce Carbone en Herb Trawick
producent:
Brian McKnight
assisterende mixer:
Ed Rasso
mixer:
Bassy Bob Brockmann (engineer, producer, remixer)
overige instrumenten [all instruments performed by] en achtergrondvocalen en lead-vocalen:
Brian McKnight
fonografisch auteursrecht (℗):
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1997)
opgenomen bij:
Backroom Studios in Glendale, California (Californië), Verenigde Staten
gemixt bij:
Sound on Sound Recording Studios (New York) in New York, New York, Verenigde Staten
is een opname van:
You Got the Bomb (in 1997)
schrijver:
Brian McKnight
uitgever:
Cancelled Lunch Music en PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998)
34:41
B1Hold Me
diverse ondersteuning:
Rich Travali (taak: recorder)
drumcomputer geprogrammeerd door:
Poke (hip hop producer Jean Olivier, of Poke and Tone) en Tone (hip-hop producer Samuel Barnes (Poke & Tone/Trackmasters))
leidinggevend producent:
Bruce Carbone en Herb Trawick
producent:
Poke (hip hop producer Jean Olivier, of Poke and Tone), Poke and Tone en Tone (hip-hop producer Samuel Barnes (Poke & Tone/Trackmasters))
mixer:
Rich Travali
keyboard:
Cory Rooney
achtergrondvocalen:
DJ Clue? en Willie Max
lead-vocalen:
Brian McKnight
fonografisch auteursrecht (℗):
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1997)
opgenomen bij:
Crave Studios in New York, Verenigde Staten en The Hit Factory in Manhattan, New York, New York, Verenigde Staten
samples:
I Get Around van 2Pac (US rapper)
is een opname van:
Hold Me (in 1997)
schrijver:
Mary J. Blige, Gregory Edward Jacobs, Shirley Murdock, Poke (hip hop producer Jean Olivier, of Poke and Tone), Ronald R. Brooks (Money B, of Digital Underground), Cory Rooney, Samuel J. “Tone” Barnes (hip-hop producer Samuel Barnes (Poke & Tone/Trackmasters)), Tupac Shakur (2Pac’s personal identity) en Larry Troutman
uitgever:
12 & Under Music, BMG Platinum Songs US, Cancelled Lunch Music, Joshua’s Dream, PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Pubhowyalike Publishing, R2M Music (BMI), Round Hill Compositions, Slamuwell Productions, Songs of Lastrada (BMI-affiliated), Sony/ATV Songs LLC, Tricky Track Music Inc., Twelve and Under Music en Universal Music–Z Songs
43:49
B2The Only One for Me
opnametechnicus:
Chris Wood (recording engineer)
drumcomputer geprogrammeerd door:
Anthony Nance
assisterend technicus:
Mary Ann Souza
leidinggevend producent:
Bruce Carbone en Herb Trawick
producent:
Brian McKnight
assisterende mixer:
Ed Rasso
mixer:
Bassy Bob Brockmann (engineer, producer, remixer)
overige instrumenten [all instruments performed by] en achtergrondvocalen en lead-vocalen:
Brian McKnight
fonografisch auteursrecht (℗):
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1997)
opgenomen bij:
Backroom Studios in Glendale, California (Californië), Verenigde Staten
gemixt bij:
Sound on Sound Recording Studios (New York) in New York, New York, Verenigde Staten
is een opname van:
The Only One for Me (in 1997)
schrijver:
Brian McKnight
uitgever:
Cancelled Lunch Music, PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) en Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
45:13
B3Til I Get Over You
opnametechnicus:
Chris Wood (recording engineer)
drumcomputer geprogrammeerd door:
Anthony Nance
assisterend technicus:
Doug "The Colonel" Kern
leidinggevend producent:
Bruce Carbone en Herb Trawick
producent:
Brian McKnight
assisterende mixer:
Ed Rasso
mixer:
Bassy Bob Brockmann (engineer, producer, remixer)
overige instrumenten [all instruments performed by] en achtergrondvocalen en lead-vocalen:
Brian McKnight
fonografisch auteursrecht (℗):
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1997)
opgenomen bij:
Backroom Studios in Glendale, California (Californië), Verenigde Staten
gemixt bij:
Sound on Sound Recording Studios (New York) in New York, New York, Verenigde Staten
is een opname van:
Til I Get Over You (in 1997)
schrijver:
Brian McKnight
uitgever:
Cancelled Lunch Music en PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998)
34:58
B4I Belong to You
opnametechnicus:
Chris Wood (recording engineer)
assisterend technicus:
Doug Elkins
leidinggevend producent:
Bruce Carbone en Herb Trawick
producent:
Peter Black (rock/soul artist on Hidden Beach Recordings)
mixer:
Brant Biles en Peter Black (rock/soul artist on Hidden Beach Recordings)
overige instrumenten [all instruments performed by] en achtergrondvocalen en lead-vocalen:
Brian McKnight
verzorgde het arrangement:
Peter Black (rock/soul artist on Hidden Beach Recordings)
fonografisch auteursrecht (℗):
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1997)
opgenomen bij:
Backroom Studios in Glendale, California (Californië), Verenigde Staten
gemixt bij:
Enterprise in North Hollywood, Los Angeles, California (Californië), Verenigde Staten
is een opname van:
I Belong to You (in 1997)
schrijver:
Peter Black (US acid house producer/guitarist aka Jackmaster Black)
34:47
B5Jam Knock
opnametechnicus:
Carl Nappa en Chris Wood (recording engineer)
drumcomputer geprogrammeerd door en co- producent:
The Characters (US production duo Charles Farrar & Troy Taylor)
keyboard geprogrammeerd door:
Brian McKnight
assisterend technicus:
Mary Ann Souza
leidinggevend producent:
Bruce Carbone en Herb Trawick
producent:
Brian McKnight
mixer:
Paul Logus
achtergrondvocalen:
Troy Taylor
achtergrondvocalen en lead-vocalen:
Brian McKnight
verzorgde het arrangeren van het instrument overige instrumenten [rhythm]:
Brian McKnight en Troy Taylor
arrangeerde de vocals:
Brian McKnight en Troy Taylor
fonografisch auteursrecht (℗):
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1997)
opgenomen bij:
Backroom Studios in Glendale, California (Californië), Verenigde Staten en The Hit Factory in Manhattan, New York, New York, Verenigde Staten
gemixt bij:
Barking Doctor Recording in Mount Kisco, New York, Verenigde Staten
samples:
I Can’t Wait van Nu Shooz
is een opname van:
Jam Knock (in 1997)
schrijver:
Brian McKnight en John Smith (Nu Shooz)
uitgever:
Cancelled Lunch Music, Nu Shooz Orchestra LLC en PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998)
34:34
B6When the Chariot Comes
opnametechnicus:
Chris Wood (recording engineer)
diverse ondersteuning:
Suzie Katayama (taak: orchestra contractor / coordinator)
assisterend technicus:
Doug Elkins
technicus:
David Reitzas (overige instrumenten [orchestra])
leidinggevend producent:
Bruce Carbone en Herb Trawick
producent:
Brian McKnight
assisterende mixer:
Tom Bender (engineer)
mixer:
Mick Guzauski
altfluit:
Gerry Rotella (flutist) en Louise De Tullio
althobo [english horn]:
Jon Clarke
altviool:
Bob Becker (strings), Denyse Buffum, Scott Haupert (violinist), Janet Lakatos, Maria Newman en John Scanlon
bas:
Oscar Meza, Jr. en David Young (bass)
cello:
Chris Ermacoff, Larry Corbett, Suzie Katayama, Steve Richards (cellist), Dan Smith (cello) en Rudy Stein
hoorn:
David Duke (horn), Joe Meyer (French horn player) en Brad Warnaar
instrumenten:
Don Williams (US percussionist, composer, arranger)
keyboard en achtergrondvocalen en lead-vocalen:
Brian McKnight
kornet [coronet / trumpet]:
Rick Baptist
percussie:
Dan Greco en Bob Zimmitti
viool:
Murray Adler, Susan Chatman, Ron Clark (violinist), Bruce Dukov, Armen Garabedian, Berj Garabedian, James Getzoff (American concertmaster and violinist), Harris Goldman, Endre Granat (Hungarian violinist), Peter Kent (violinist), Joy Lyle, Mike Markman, Ralph Morrison, Bob Peterson (violinist), Barbra Porter (violinist, photographer), Jay Rosen (violinist), Anatoly Rosinsky, John Wittenberg en Ken Yerke
orkestrator:
Bill K. Meyers (pianist, composer, producer, arranger, and conductor)
fonografisch auteursrecht (℗):
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1997)
opgenomen bij:
Backroom Studios in Glendale, California (Californië), Verenigde Staten en Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Californië), Verenigde Staten
gemixt bij:
Barking Doctor Recording in Mount Kisco, New York, Verenigde Staten
is een opname van:
When the Chariot Comes (in 1997)
schrijver:
Brandon Barnes (songwriter, formerly of Byrne & Barnes) en Brian McKnight
uitgever:
Cancelled Lunch Music en PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998)
34:32

Relaties

Uitgave

gedrukt in:Verenigde Staten
gefabriceerd door en vermarkt door:Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits)
auteursrecht (©) en fonografisch auteursrecht (℗):Mercury Records (the holding company; for use as ℗&© credits only!) (in 1997)
Discogs:https://www.discogs.com/release/6472647 [info]