20 Years of No. 1 Hits: 1956-1975

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

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1▼CD: 1956-1961
#TitoloArtistaValutazioneDurata
1Hound Dog
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1956-07-02)
batteria :
D.J. Fontana (il 1956-07-02)
chitarra :
Scotty Moore (American guitarist and recording engineer) (il 1956-07-02) e Elvis Presley (“The King of Rock and Roll”) (il 1956-07-02)
pianoforte :
Shorty Long (1950s country/rockabilly artist) (il 1956-07-02)
voce:
The Jordanaires (southern gospel group) (il 1956-07-02)
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1956-07-02)
esecutore aggiunto:
The Jordanaires (southern gospel group)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1956, nel 1972), BMG Music (nel 1956) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2002)
registrata presso:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Stati Uniti (il 1956-07-02)
registrazione cover di:
Hound Dog (il 1956-07-02)
paroliere:
Jerry Leiber (il 1952-08-12)
compositore:
Mike Stoller (il 1952-08-12)
precedentemente attribuito a:
Johnny Otis
editore:
Chappell Morris Ltd., Cherry Lane, Cherry Lane Music, Cherry Lane Music Publishing, Elvis Presley Music, Gladys Music, Lion Publishing Co., MCA Music Inc. (US-based music publishers), MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Sony/ATV Songs LLC, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal/MCA Music (music publisher; do not use as release label!), Williamson Music Company e Williamson Music, Inc.
Elvis Presley3.852:18
2That’ll Be the Day
produttore:
Norman Petty
batteria :
Jerry Allison (il 1957-02-25)
chitarra [lead guitar] e voce principale:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-02-25)
chitarra [rhythm guitar] :
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-02-25) e Niki Sullivan (il 1957-02-25)
contrabbasso :
Larry Welborn (il 1957-02-25)
voce di accompagnamento:
June Clark (background vocals for The Crickets) (il 1957-02-25), Niki Sullivan (il 1957-02-25), Gary Tollett (il 1957-02-25) e Ramona Tollett (il 1957-02-25)
voce parlata [dialogue]:
Wolfman Jack (US disc jockey)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1957) e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1957)
registrata presso:
Norman Petty Studios in Clovis, New Mexico, Stati Uniti (il 1957-02-25)
registrazione di:
That’ll Be the Day (il 1957-02-25)
autore:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) e Norman Petty
editore:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. e MPL Communications (not for release label use! Paul McCartney-related, London-based company) (nel 1976)
Buddy Holly4.62:19
3Sixteen Tons
batteria [drums] :
Roy Harte (drummer and Pacific Jazz founder) (il 1955-09-20)
chitarra acustica :
Bobby Gibbons (il 1955-09-20)
clarinetto :
Red Mandel (il 1955-09-20)
clarinetto basso :
Darol Rice (il 1955-09-20)
contrabbasso [bass] :
Rolly Bundock (il 1955-09-20)
schiocchi di dita e voce principale:
Tennessee Ernie Ford (il 1955-09-20)
tromba :
Charlie Parlato (il 1955-09-20)
trombone :
George Bruns (il 1955-09-20)
direttore d'orchestra:
Jack Fascinato (il 1955-09-20)
arrangiatore:
Jack Fascinato
diritti fonografici (℗) detenuti da:
Bacci Bros Records (nel 2010) e Lucky Vintage (nel 2014)
registrata presso:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1955-09-20)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1955 (numero: 12)
registrazione cover di:
Sixteen Tons (il 1955-09-20)
paroliere e compositore:
Merle Travis
editore:
American Music, Inc. e Campbell Connelly & Co. Ltd.
Tennessee Ernie Ford4.652:38
4Love Letters in the Sand
produttore:
Randy Wood (producer)
basso :
Larry Breen (il 1956-11-24)
batteria :
Dick Shanahan (il 1956-11-24)
chitarra :
Barney Kessel (il 1956-11-24) e Jack Marshall (US jazz guitarist, composer, arranger & record producer) (il 1956-11-24)
clarinetto :
Ryland Weston (il 1956-11-24)
pianoforte :
Milt Rogers (bandleader, arranger and composer) (il 1956-11-24)
sassofono :
Babe Russin (il 1956-11-24) e Justin Gordon (il 1956-11-24)
vibrafono :
Bernie Mattinson (il 1956-11-24)
cori:
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.) (il 1956-11-24)
voce:
Pat Boone (il 1956-11-24)
direttore d'orchestra:
Billy Vaughn (il 1956-11-24)
diritti fonografici (℗) detenuti da:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1956-11-24)
registrazione cover di:
Love Letters in the Sand (il 1956-11-24)
paroliere:
Charles Kenny (songwriter, violinist) e Nick Kenny
compositore:
J. Fred Coots, Charles Kenny (songwriter, violinist) e Nick Kenny
editore:
Bourne (not for release label use, this is a music publisher), Bourne, Inc. e Francis, Day & Hunter Ltd.
Pat Boone2:18
5Don’t Be Cruel
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1956-07-02)
batteria :
D.J. Fontana (il 1956-07-02)
chitarra :
Scotty Moore (American guitarist and recording engineer) (il 1956-07-02) e Elvis Presley (“The King of Rock and Roll”) (il 1956-07-02)
pianoforte :
Shorty Long (1950s country/rockabilly artist) (il 1956-07-02)
voce:
The Jordanaires (southern gospel group) (il 1956-07-02)
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1956-07-02)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1956), BMG Music (nel 1956) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2002)
registrata presso:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Stati Uniti (il 1956-07-02)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 11) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 197)
registrazione di:
Don’t Be Cruel (il 1956-07-02)
autore:
Otis Blackwell (American pianist, singer and songwriter) e Elvis Presley (“The King of Rock and Roll”)
editore:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Shalimar Music Corp. e Williamson Music Company
Elvis Presley3.82:06
6You Send Me
produttore:
Robert “Bumps” Blackwell
basso :
Ted Brinson
batteria :
Earl Palmer
chitarra :
Clifton White e René Hall
voce di accompagnamento:
Alicia Adams (singer), Sue Allen, Lee Gotch e Charles Parlato
voce principale:
Sam Cooke (American singer and songwriter. "King of Soul")
direttore d'orchestra:
Glenn Osser
diritti fonografici (℗) detenuti da:
Keen (nel 1958)
registrata presso:
Specialty Studios in Los Angeles, California, Stati Uniti (il 1957-06-01)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1957 (numero: 8) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 115)
registrazione di:
You Send Me
paroliere e compositore:
Sam Cooke (American singer and songwriter. "King of Soul")
autore aggiunto:
L. C. Cooke
editore:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Burlington Music Co., Ltd., Warner/Chappell Music Ltd. (1996–2019), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), 日本アブコ音楽出版 (ABKCO Japan Publishing), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (fino al 2017-03-31) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi)
Sam Cooke4.52:50
7At the Hop
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1957 (numero: 28)
registrazione di:
At the Hop
autore:
John L. Medora, Artie Singer (US songwriter, producer and bandleader) e David White (rock ’n’ roll pianist & songwriter, member of Danny & the Juniors)
editore:
Sea-Lark Enterprises, Inc., Singular Music e Tristan Music Ltd.
Danny & the Juniors3.52:32
8The Happy Organ
registrazione di:
The Happy Organ
compositore:
David Clowney, James J. Kriegsmann e Ken Wood (50/60 Rockabilly artist)
editore:
Embassy Music Corporation
Dave "Baby" Cortez2:05
9Bird Dog
registrazione di:
Bird Dog
paroliere e compositore:
Boudleaux Bryant
editore:
Acuff-Rose Publications, Inc. (BMI) (il 1958-08-15) e House of Bryant Publications (publisher; do NOT use as release label) (nel 1978)
The Everly Brothers2:16
10Mr. Blue
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1959 (numero: 29)
registrazione di:
Mr. Blue
paroliere e compositore:
Dewayne Blackwell (American songwriter)
The Fleetwoods2:25
11Tequila
registrazione di:
Tequila
paroliere e compositore:
Daniel Flores (Daniel Flores)
The Champs4.32:13
12Twilight Time
registrazione cover di:
Twilight Time
paroliere:
Buck Ram
compositore:
Artie Dunn, Al Nevins e Morty Nevins
editore:
Chappell Music (UK), Devon Music Inc., EMI Davis Music Australia Pty Limited, Porgie Music, Songs of Universal, Inc. (BMI) e Victoria Music Publishing Co. Ltd.
versione tradotta di:
Al caer la noche
The Platters2:51
13Kansas City
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1959 (numero: 5)
registrazione cover di:
Kansas City (aka “K.C. Loving”)
paroliere:
Jerry Leiber (nel 1952)
compositore:
Mike Stoller (nel 1952)
editore:
EMI Music Ltd., Jerry Leiber Music, Mike Stoller Music (ASCAP), Peter Maurice Music Co. Ltd. e Sony/ATV Songs LLC
Wilbert Harrison32:29
14Stuck on You
registrazione cover di:
Stuck on You
paroliere:
Aaron Schroeder (1950s~1960s US songwriter) (il 1960-03-20)
compositore:
J. Leslie McFarland (composer) (il 1960-03-20)
editore:
A. Schroeder, Carlin Music Corporation, Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Gladys Music Inc., Rachel’s Own Music e Williamson Music Company
Elvis Presley2:23
15I’m Sorry
registrazione di:
I’m Sorry (Brenda Lee song, 1960)
autore:
Dub Albritton e Ronnie Self
editore:
Songs of Universal (SOCAN)
Brenda Lee52:42
16Everybody’s Somebody’s Fool
Connie Francis2:42
17Are You Lonesome Tonight
basso :
Bob Moore (U.S. bassist and bandleader) (il 1960-04-03)
batteria :
D.J. Fontana (il 1960-04-03) e Buddy Harman (Session drummer and songwriter) (il 1960-04-03)
chitarra :
Hank Garland (il 1960-04-03), Scotty Moore (American guitarist and recording engineer) (il 1960-04-03) e Elvis Presley (“The King of Rock and Roll”) (il 1960-04-03)
pianoforte :
Floyd Cramer (il 1960-04-03)
sassofono :
Boots Randolph (il 1960-04-03)
voce:
The Jordanaires (southern gospel group) (il 1960-04-03)
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1960-04-03)
esecutore aggiunto:
The Jordanaires (southern gospel group) (il 1960-04-03)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1960), BMG Music (nel 1960, nel 1961), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (nel 1960) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2002)
registrata presso:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Stati Uniti (il 1960-04-03)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1960 (numero: 9)
registrazione cover di:
Are You Lonesome Tonight? (il 1960-04-03)
paroliere:
Roy Turk
compositore:
Lou Handman
editore:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Chrysalis Music (music publisher, ASCAP-affiliated), Cromwell Music, Cromwell Music, Inc., Elvis Presley Music, Gladys Music, Redwood Music e Redwood Music Ltd. (Carlin)
Elvis Presley3.153:11
18Stay
batteria [drums] :
Willie Morrow
contrabbasso :
Albert Hill (double bassist)
voce di baritono:
Charles Thomas (The Zodiacs)
voce di tenore:
Wiley Bennett
voce di tenore [falsetto tenor]:
Henry Gaston
voce principale:
Maurice Williams (US singer/songwriter, played with The Zodiacs)
diritti fonografici (℗) detenuti da:
Vestron Music Inc. (nel 1987)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1960 (numero: 1)
registrazione di:
Stay
paroliere e compositore:
Maurice Williams (US singer/songwriter, played with The Zodiacs)
editore:
Cherio Music Publishers, Inc., J. Albert & Son Pty. Ltd. e Cherio Corp. (nel 1960)
Maurice Williams and the Zodiacs51:41
19Running Bear
Johnny Preston2:40
20Tossin’ & Turnin’
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 40)
registrazione di:
Tossin’ and Turnin’
autore:
Ritchie Adams e Malou Rene
editore:
EMI Grove Park Music, Inc. e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Bobby Lewis2:24
21Runaround Sue
registrazione di:
Runaround Sue
paroliere:
Dion (US singer-songerwriter, blends doo-wop, pop rock & R&B)
compositore:
Ernie Maresca
editore:
Bronx Soul Music, Mijac Music, Shinko Music Entertainment Co., Ltd. e Universal Music Publishing Group Japan (work publisher – do NOT use as a release label)
sub-editore:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division) e ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Dion2:46
22Surrender
produttore:
Steve Sholes
basso :
Bob Moore (U.S. bassist and bandleader) (il 1960-10-30)
batteria :
D.J. Fontana (il 1960-10-30) e Buddy Harman (Session drummer and songwriter) (il 1960-10-30)
chitarra :
Hank Garland (il 1960-10-30) e Scotty Moore (American guitarist and recording engineer) (il 1960-10-30)
pianoforte :
Floyd Cramer (il 1960-10-30)
sassofono :
Boots Randolph (il 1960-10-30)
strumenti:
Elvis Presley (“The King of Rock and Roll”) (il 1960-10-30)
voce:
Charlie Hodge (il 1960-10-30), The Jordanaires (southern gospel group) (il 1960-10-30) e Millie Kirkham (il 1960-10-30)
voce principale:
Elvis Presley (“The King of Rock and Roll”)
esecutore aggiunto:
The Jordanaires (southern gospel group)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1960, nel 1961) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2002)
registrata presso:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Stati Uniti (il 1960-10-30)
registrazione di:
Surrender (il 1960-10-30)
autore:
Doc Pomus e Mort Shuman (US singer, pianist & songwriter)
compositore:
Ernesto De Curtis (composer)
editore:
Chrysalis Songs, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Elvis Presley Music e R&H Music
si basa su:
Torna a Surriento
Elvis Presley3.21:56
23Runaway
registrazione di:
Runaway
autore:
Max Crook e Del Shannon
editore:
Belinda Music, Bug Music (music publishing), Festival Music, Mole Hole Music, Noma Music Inc. e Vicki Music
Del Shannon52:23
24Take Good Care of My Baby
registrazione di:
Take Good Care of My Baby
paroliere:
Gerry Goffin
compositore:
Carole King
editore:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Warner/Chappell Music Ltd. (1996–2019)
Bobby Vee2:32
25Please Mr. Postman
produttore:
Robert Bateman (R&B singer/songwriter/record producer) e Brian Holland (Motown producer & songwriter)
basso :
James Jamerson (nel 1961-04)
batteria :
Benny Benjamin (US drummer) (nel 1961-04) e Marvin Gaye (nel 1961-04)
battimani :
Katherine Anderson (United States motown singer) (nel 1961-04), Wyanetta “Juanita” Cowart (nel 1961-04), Georgeanna Tillman (nel 1961-04) e Wanda Young (aka Wanda Young, singer in The Marvelettes) (nel 1961-04)
chitarra :
Eddie Willis (nel 1961-04)
percussione :
Eddie “Bongo” Brown (nel 1961-04)
pianoforte :
Richard ‘Popcorn’ Wylie (Pianist, singer, producer, band director and songwriter) (nel 1961-04)
strumenti:
The Funk Brothers (nel 1961-04)
voce di accompagnamento:
Katherine Anderson (United States motown singer) (nel 1961-04), Wyanetta “Juanita” Cowart (nel 1961-04), Gladys Horton (nel 1961-04), Georgeanna Tillman (nel 1961-04) e Wanda Young (aka Wanda Young, singer in The Marvelettes) (nel 1961-04)
voce principale:
Gladys Horton (nel 1961-04)
registrata presso e mixata presso:
Hitsville (Motown Records) in Detroit, Michigan, Stati Uniti (nel 1961-04)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1961 (numero: 10), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 331) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 410)
registrazione di:
Please Mr. Postman (nel 1961-04)
autore:
Robert Bateman (R&B singer/songwriter/record producer) (nel 1961), Georgia Dobbins (nel 1961), William Garrett (nel 1961), Freddie Gorman (nel 1961) e Brian Holland (Motown producer & songwriter) (nel 1961)
editore:
Dominion Music, EMI Blackwood Music Inc., EMI United Partnership Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Stone Agate Music Division e United Partnership Ltd.
The Marvelettes4.62:27
2▼CD: 1962-1965
#TitoloArtistaValutazioneDurata
1The Duke of Earl
Gene Chandler2:22
2Sheila
Tommy Roe2:02
3Breaking Up Is Hard to Do
voce:
Neil Sedaka
direttore d'orchestra:
Al Lorber
arrangiatore:
Al Lorber
registrazione di:
Breaking Up Is Hard to Do
paroliere e compositore:
Howard Greenfield e Neil Sedaka
editore:
Careers–BMG Music Publishing, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Screen Gems–Columbia Music, Inc., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Universal Music Careers e Aldon (nel 1962)
Neil Sedaka3.252:20
4Don’t Break the Heart That Loves You
voce:
Connie Francis (American former actress and chart-topping singer)
registrazione di:
Don’t Break the Heart That Loves You
paroliere:
Benny Davis (US vaudeville performer and songwriter)
compositore:
Murray Mencher
editore:
Benny Davis Music, EMI Full Keel Music e Memory Lane Music Ltd.
Connie Francis3:01
5Good Luck Charm
registrazione cover di:
Good Luck Charm
autore:
Wally Gold e Aaron Schroeder (1950s~1960s US songwriter)
editore:
A. Schroeder, Carlin Music Corporation, Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Rachel’s Own Music e Williamson Music Company
Elvis Presley2:29
6The Stripper
registrazione di:
The Stripper
compositore:
David Rose (songwriter, pianist and orchestra leader)
editore:
Bregman, Vocco & Conn Ltd. e David Rose Publishing Co.
David Rose and His Orchestra1:53
7He’s So Fine
registrazione di:
He’s So Fine (nel 1962)
paroliere e compositore:
Ronnie Mack (1960s US songwriter)
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Chiffons3.351:55
8Sugar Shack
registrazione cover di:
Sugar Shack
autore:
Keith McCormack e Faye Voss
editore:
Jeff Hubbard Productions, Inc.
Jimmy Gilmer and the Fireballs2:01
9My Boyfriend’s Back
registrazione di:
My Boyfriend’s Back
autore:
Bob Feldman (of The Strangeloves), Jerry Goldstein (producer, record label owner and publisher) e Richard Gottehrer (American songwriter and music executive)
editore:
EMI Blackwood Music Inc. e EMI Music (do not use as release label! this is a music publisher)
sub-editore:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
The Angels2:38
10Our Day Will Come
registrazione di:
Our Day Will Come
paroliere:
Bob Hilliard
compositore:
Mort Garson (Canadian-born composer, arranger, songwriter, and pioneer of electronic music)
editore:
Almo Music Corp. (USA, affiliated with ASCAP), Better Half Music Company, Bourne Co. (not for release label use, this is a music publisher), Bourne Music Ltd., Francis, Day & Hunter (publisher), Leeds Music Corp., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e 日音 Synch事業部 (NICHION, INC. Synch Division)
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Ruby and the Romantics2:33
11Surf City
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1963)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1963 (numero: 32)
registrazione di:
Surf City
autore:
Jan Berry e Brian Wilson (Beach Boys co‐founder)
editore:
EMI Music Publishing (do not use as a release label!) e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Jan and Dean32:26
12I Will Follow Him
registrazione di:
I Will Follow Him
paroliere:
Norman Gimbel e Jacques Plante
compositore:
Paul Mauriat e Franck Pourcel
editore:
Universal MCA Music Publishing (France) e Universal Music Corporation (USA, affiliated with ASCAP)
versione di:
Chariot
Little Peggy March2:26
13My Guy
basso :
James Jamerson (nel 1964)
batteria :
Benny Benjamin (US drummer) (nel 1964)
chitarra :
Robert White (US funk/soul guitarist) (nel 1964) e Eddie Willis (nel 1964)
organo :
Earl Van Dyke (nel 1964)
pianoforte :
Johnny Griffith (nel 1964)
strumenti:
The Funk Brothers (nel 1964)
tromba :
Russell Conway (trumpet player) (nel 1964) e Herbert Williams (trumpet player) (nel 1964)
trombone :
George Bohanon (nel 1964) e Paul Riser (nel 1964)
vibrafono :
Dave Hamilton (US guitar/vibraphone player) (nel 1964)
voce di accompagnamento:
The Andantes (nel 1964), Marlene Barrow (nel 1964), Louvain Demps (nel 1964) e Jackie Hicks (nel 1964)
voce principale:
Mary Wells (Motown singer) (nel 1964)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1964)
registrata presso:
Hitsville (Motown Records) in Detroit, Michigan, Stati Uniti (nel 1964)
registrazione di:
My Guy (nel 1964)
paroliere e compositore:
Smokey Robinson
editore:
Jobette Music (UK) Ltd.
Mary Wells4.22:52
14I Get Around
registrazione di:
I Get Around
paroliere:
Mike Love (Beach Boys) e Brian Wilson (Beach Boys co‐founder)
compositore:
Brian Wilson (Beach Boys co‐founder)
editore:
Irving Music, Inc., Sea of Tunes, Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), Victor Music Arts, Yamaha Music Publishing (fino al 2017-03-31) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (dal 2017-04-01 a oggi)
The Beach Boys2:03
15Chapel of Love
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 18) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 279)
registrazione di:
Chapel of Love
autore:
Jeff Barry, Ellie Greenwich e Phil Spector
editore:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Mother Bertha Music Inc., Trio Music Company, Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), 日本アブコ音楽出版 (ABKCO Japan Publishing), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
The Dixie Cups42:47
16Where Did Our Love Go?
registrazione di:
Where Did Our Love Go
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
autore:
Holland / Dozier / Holland
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
Jobete Music (UK) Ltd. e Jobete Music Co., Inc.
Diana Ross and the Supremes2:31
17Ringo
registrazione di:
Ringo
autore:
Hal Blair e Don Robertson (“Happy Whistler” songwriter)
Lorne Greene3:13
18The Leader of the Pack
diritti fonografici (℗) detenuti da:
Red Bird (nel 1964)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 316) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 447)
registrazione di:
Leader of the Pack (nel 1964)
autore:
Jeff Barry, Ellie Greenwich e George “Shadow” Morton
editore:
Robert Mellin Music Publishing Corp., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Tender Tunes Inc., Trio Music Company, Universal–Songs of PolyGram International, Inc., Warner/Chappell Music Ltd. (1996–2019) e ミュージカル・ライツ・東京 (Musical Lights Tokyo)
The Shangri‐Las4.52:51
19This Diamond Ring
registrazione di:
This Diamond Ring
paroliere:
Bob Brass (American songwriter, collaborated with Irwin Levine, and also Al Kooper) e Irwin Levine
compositore:
Al Kooper
editore:
Warner/Chappell Music Ltd. (1996–2019)
Gary Lewis and the Playboys2:08
20My Girl
registrazione di:
My Girl
paroliere:
Smokey Robinson
compositore:
Smokey Robinson e Ronald White (soul singer, founding member of The Miracles)
editore:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Music for Africa (South Africa), Poochum, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
The Temptations2:41
21Help Me, Rhonda
registrazione di:
Help Me, Rhonda
paroliere e compositore:
Brian Wilson (Beach Boys co‐founder)
paroliere aggiunto:
Mike Love (Beach Boys)
editore:
Irving Music, Inc. e Rondor Music (London) Ltd.
The Beach Boys2:45
22Come See About Me
registrazione di:
Come See About Me
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
autore:
Lamont Dozier, Brian Holland (Motown producer & songwriter) e Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
Stone Agate Music Division
Diana Ross and the Supremes2:42
23I Can’t Help Myself (Sugar Pie, Honey Bunch)
The Four Tops2:39
3▼CD: 1966-1969
#TitoloArtistaValutazioneDurata
1My Love
Petula Clark2:51
2Monday, Monday
tecnico:
Bones Howe
produttore:
Lou Adler
esecutore:
The Mamas & the Papas (American folk rock vocal group) (il 1965-12-16)
diritti fonografici (℗) detenuti da:
Dunhill Records (nel 1966)
registrata presso:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (il 1965-12-16)
registrazione di:
Monday, Monday (il 1965-12-16)
paroliere e compositore:
John Phillips (The Mamas & The Papas)
editore:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Trousdale Music e Universal/MCA Music Ltd. (not for release label use!)
The Mamas & the Papas4.13:28
3Reach Out I’ll Be There
Four Tops3:03
4Lightnin’ Strikes
registrazione di:
Lightnin’ Strikes
autore:
Lou Christie e Twyla Herbert
editore:
Lightning Strikes Music, Songs of Universal, Inc. (BMI) e Spirit One Music
Lou Christie3:03
5(You’re My) Soul & Inspiration
registrazione cover di:
(You’re My) Soul and Inspiration
autore:
Barry Mann e Cynthia Weil
editore:
Screen Gems–Columbia Music, Inc.
registrazione di:
(You’re My) Soul and Inspiration
autore:
Barry Mann e Cynthia Weil
editore:
Screen Gems–Columbia Music, Inc.
The Righteous Brothers3:07
6Happy Together
diritti fonografici (℗) detenuti da:
White Whale (late 60s/early 70s California) (nel 1967)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 257)
registrazione di:
Happy Together (nel 1967)
autore:
Garry Bonner e Alan Gordon (American songwriter who co-wrote The Turtles' hit "Happy Together")
editore:
Alley Music Corp., EMI Music Publishing (do not use as a release label!), The Hudson Bay Music Co. (publisher) e Trio Music Co., Inc.
parte di:
Freaky Friday (2003)
The Turtles4.452:58
7The Letter
produttore:
Dan Penn (songwriter, soul singer)
diritti fonografici (℗) detenuti da:
Arista Records (not an imprint, use “Arista” for release labels) (nel 1967), Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1967), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1967) e Atoll Music (nel 1968)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 357) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 364)
registrazione di:
The Letter (nel 1967)
paroliere e compositore:
Wayne Carson Thompson
editore:
Bike Music, Budde Songs Inc., Chelsea Music Publishing, Chelsea Music Publishing Co., Ltd., Concord Bicycle Assets, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher), Lovolar Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) e Warner Chappell Music (publisher as Warner/Chappell Music)
The Box Tops4.32:03
8I’m a Believer
registrata a:
New York, New York, Stati Uniti (dal 1966-10-15 al 1966-10-23)
produttore:
Jeff Barry
basso :
Dick Romoff (dal 1966-10-15 al 1966-10-23)
batteria :
Buddy Salzman (dal 1966-10-15 al 1966-10-23)
chitarra :
Al Gorgoni (dal 1966-10-15 al 1966-10-23) e Sal Ditroia (dal 1966-10-15 al 1966-10-23)
chitarra acustica :
Neil Diamond (dal 1966-10-15 al 1966-10-23)
organo :
Artie Butler (dal 1966-10-15 al 1966-10-23)
pianoforte e tamburello :
Jeff Barry (dal 1966-10-15 al 1966-10-23)
voce di accompagnamento:
Davy Jones (The Monkees member) (dal 1966-10-15 al 1966-10-23) e Peter Tork (dal 1966-10-15 al 1966-10-23)
voce di accompagnamento e voce principale:
Micky Dolenz (dal 1966-10-15 al 1966-10-23)
arrangiatore:
Jeff Barry
diritti fonografici (℗) detenuti da:
Rhino Entertainment Company (not for release label use!) (nel 1966) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1966, nel 1967)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 65) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 341)
registrazione cover di:
I’m a Believer (dal 1966-10-15 al 1966-10-23)
paroliere e compositore:
Neil Diamond (nel 1966)
editore:
Colgems-EMI Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Foray Music, Rondor Music (London) Ltd., Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd. e Stonebridge Music (publisher)
The Monkees4.652:48
9Grazin’ In the Grass
produttore:
Stewart Levine (record producer and saxophonist)
batteria :
Chuck Carter (drums) (il 1968-03-14)
contrabbasso :
Henry Franklin (American jazz double-bassist) (il 1968-03-14)
percussione :
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.) (il 1968-03-14)
pianoforte :
William Henderson (jazz pianist) (il 1968-03-14)
sassofono tenore :
Al Abreu (il 1968-03-14)
tromba :
Hugh Masekela (il 1968-03-14)
esecutore:
Bruce Langhorne (il 1968-03-14)
registrazione di:
Grazing in the Grass (instrumental) (il 1968-03-14)
compositore:
Philemon Hou
Hugh Masekela52:41
10I Heard It Through the Grapevine
produttore:
Norman Whitfield
basso [1962 Fender Precision Bass] :
James Jamerson (dal 1967-02-03 al 1967-04-10)
batteria :
Uriel Jones (dal 1967-02-03 al 1967-04-10)
chitarra [1964 Gibson Firebird III] :
Eddie Willis (dal 1967-02-03 al 1967-04-10)
chitarra [Fender Telecaster with Jazzmaster Neck] :
Joe Messina (dal 1967-02-03 al 1967-04-10)
congas e tamburello :
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (dal 1967-02-03 al 1967-04-10)
corno francese :
Don Ozga (dal 1967-02-03 al 1967-04-10) e Edwin Jones (dal 1967-02-03 al 1967-04-10)
organo Hammond [B-3] :
Earl Van Dyke (dal 1967-02-03 al 1967-04-10)
piano elettrico Wurlitzer :
Johnny Griffith (dal 1967-02-03 al 1967-04-10)
strumenti:
The Funk Brothers (dal 1967-02-03 al 1967-04-10)
tom-tom :
Richard "Pistol" Allen (dal 1967-02-03 al 1967-04-10)
voce di accompagnamento:
The Andantes (dal 1967-02-03 al 1967-04-10), Marlene Barrow (dal 1967-02-03 al 1967-04-10), Louvain Demps (dal 1967-02-03 al 1967-04-10) e Jackie Hicks (dal 1967-02-03 al 1967-04-10)
voce principale:
Marvin Gaye (dal 1967-02-03 al 1967-04-10)
orchestra:
Detroit Symphony Orchestra (dal 1967-02-03 al 1967-04-10)
arrangiatore archi :
Paul Riser (dal 1967-02-03 al 1967-04-10)
orchestratore:
Paul Riser (dal 1967-02-03 al 1967-04-10)
diritti fonografici (℗) detenuti da:
Motown Record Company (company credits only; do NOT use as release label) (nel 1968)
registrata presso e mixata presso:
Hitsville (Motown Records) in Detroit, Michigan, Stati Uniti (dal 1967-02-03 al 1967-04-10)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 80), Billboard: Greatest of All Time Hot 100 Songs (numero: 93), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 119) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 307)
registrazione cover di:
I Heard It Through the Grapevine (dal 1967-02-03 al 1967-04-10)
autore:
Barrett Strong e Norman Whitfield
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia, EMI Songs Scandinavia AB, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobette-Carlin Music Ltd., Stone Agate Music, Stone Agate Music Division e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Marvin Gaye4.053:19
11Incense & Peppermints
produttore:
Frank Slay
registrazione di:
Incense and Peppermints
autore:
John Carter (worked for Capitol Records, relaunched Tina Turner's career with Private Dancer) e Tim Gilbert
autore aggiunto:
Ed King (US guitarist, bassist & songwriter) e Mark Weitz
editore:
MCA Music Ltd.
Strawberry Alarm Clock4.52:53
12Judy in Disguise
diritti fonografici (℗) detenuti da:
Pye International (nel 1968)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 96)
registrazione di:
Judy in Disguise (With Glasses) (nel 1967)
autore:
Andrew Bernard e John Fred (John Fred Gourrier)
editore:
Bug Music Ltd., Fanfare Music Corp., Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) e MCS Music Ltd.
John Fred & His Playboy Band3.852:57
13Dizzy
Tommy Roe2:59
14Na, Na, Hey, Hey, Kiss Him Goodbye
registrazione di:
Na Na Hey Hey Kiss Him Goodbye (nel 1969)
autore:
Gary DeCarlo, Dale Frashuer, Mark Hall (2 for Joy), Paul Leka, Daz Sampson e Graham Turner
editore:
Warner Chappell North America e Warner/Chappell North America
parte di:
Goodbye
Steam53:40
15Aquarius / Let the Sunshine In
tecnico audio, tecnico e produttore:
Bones Howe
assistente produttore:
Ann McClelland
basso :
Joe Osborne (American bass guitar player, session musician and songwriter)
batteria e percussione :
Hal Blaine (U.S. studio drummer and percussionist)
esecutore:
Billy Davis, Jr., Florence LaRue, Lamonte McLemore, Marilyn McCoo e Ron Townson
arrangiatore:
Bill Holman, Bob Alcivar e Bones Howe
arrangiatore voci:
Bob Alcivar
diritti fonografici (℗) detenuti da:
Arista (American label owned by Sony Music Entertainment) (nel 1969)
video musicali:
Age of Aquarius / Let the Sunshine In di The 5th Dimension (1960’s group)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 435)
medley che comprende una registrazione di:
Aquarius (from “Hair”)
paroliere:
James Rado (US actor, playwright, director, writer & composer) e Gerome Ragni
compositore:
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
editore:
EMI United Partnership Ltd. e United Artist Music Publishing
parte di:
Hair (1967 musical)
registrazione di:
Aquarius / Let the Sunshine In (The Flesh Failures)
autore:
Gerome Ragni, James Rado (US actor, playwright, director, writer & composer) e Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
arrangiatore:
Bill Holman, Bob Alcivar e Bones Howe
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Unart Catalog Inc. e United Artists Music Co., Inc.
medley di:
Aquarius (from “Hair”)
medley di:
The Flesh Failures (Let the Sunshine In) (from “Hair”)
medley che comprende una registrazione di:
Let the Sunshine In
paroliere:
James Rado (US actor, playwright, director, writer & composer) e Gerome Ragni
compositore:
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
editore:
EMI Music Publishing Scandinavia AB e United Artists Music Co., Inc.
The 5th Dimension4.154:52
16Suspicious Minds
tecnico:
Al Pachucki
produttore:
Felton Jarvis e Chips Moman
basso :
Tommy Cogbill (il 1969-01-23) e Mike Leech (il 1969-01-23)
batteria :
Gene Chrisman (il 1969-01-23)
chitarra :
Elvis Presley (“The King of Rock and Roll”) (il 1969-01-23) e Reggie Young (Guitarist and songwriter) (il 1969-01-23)
chitarra steel :
John Hughey (il 1969-01-23)
organo :
Bobby Emmons (il 1969-01-23)
pianoforte :
Bobby Wood (American pianist, keyboard player and songwriter) (il 1969-01-23)
voce:
J.D. Sumner & The Stamps, The Sweet Inspirations e Kathy Westmoreland
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1969-01-22)
arrangiatore:
Mike Leech e Glen Spreen (Arranger, keyboardist, producer, conductor, and songwriter)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1969), BMG Music (nel 1969, nel 1973), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (nel 1969), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1973) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2002)
registrata presso:
American Sound Studio ((Defunct) Memphis, TN - American North) in Memphis, Tennessee, Stati Uniti (il 1969-01-23) e United Recording Studios (Las Vegas) in Las Vegas, Nevada, Stati Uniti (il 1969-08-07)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 91) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 363)
registrazione cover di:
Suspicious Minds (dal 1969-01-23 al 1969-08-07)
paroliere e compositore:
Mark James (Francis Rodney Zambon, composer of “Suspicious Minds”)
editore:
Laetrec Music, Press Music Co., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing (UK) Ltd. e Sony/ATV Songs LLC
Elvis Presley4.14:24
17In the Year 2525
produttore:
Zager & Evans
registrazione di:
In the Year 2525 (Exordium and Terminus) (nel 1968)
paroliere e compositore:
Rick Evans (US singer, songwriter and guitarist)
editore:
ATV Music, Chelsea Music Publishing, Zelad Music e Zerlad Music Enterprises Ltd.
Zager & Evans43:19
18Someday We’ll Be Together
produttore:
Johnny Bristol
chitarra :
Robert White (US funk/soul guitarist)
voce di accompagnamento:
Merry Clayton, Julia Waters e Maxine Waters
voce ospite:
Johnny Bristol
voce principale:
Diana Ross
arrangiatore:
Wade Marcus
registrazione cover di:
Someday We’ll Be Together
paroliere:
Harvey Fuqua
compositore:
Jackey Beavers (rhythm and blues and gospel singer and songwriter) e Johnny Bristol
editore:
Fuqua Pub., Jobete Music Co., Inc., Quazical Music e Stone Agate Music
Diana Ross & The Supremes53:29
4▼CD: 1970-1975
#TitoloArtistaValutazioneDurata
1Tears of a Clown
chitarra :
Marvin Tarplin (il 1966-09-26)
strumenti:
The Funk Brothers (il 1966-09-26)
voce di accompagnamento:
Warren “Pete” Moore (il 1966-09-26), Claudette Robinson (il 1966-09-26), Bobby Rogers (il 1966-09-26) e Ronald White (soul singer, founding member of The Miracles) (il 1966-09-26)
voce principale:
Smokey Robinson (il 1966-09-26)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1967) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1970)
registrata presso:
Hitsville (Motown Records) in Detroit, Michigan, Stati Uniti (il 1966-09-26)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 190) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 313)
registrazione di:
The Tears of a Clown (il 1966-09-26)
paroliere:
Smokey Robinson
compositore:
Henry Cosby, Smokey Robinson e Stevie Wonder
editore:
Black Bull Music, Inc., Jobete Music Ltd e Jobette Music (UK) Ltd.
Smokey Robinson & The Miracles3.93:02
2Gypsys, Tramps & Thieves
produttore:
Snuff Garrett (aka.Tommy Garrett, singer, songwriter, producer and disc jockey)
registrazione di:
Gypsys, Tramps & Thieves
paroliere e compositore:
Bob Stone (engineer, studio technician, producer, songwriter)
autore:
Bob Stone (US lyricist, producer, arranger)
editore:
Peso Music (publisher) (nel 1971)
Cher2:39
3Venus
parte di:
Billboard Year-End Hot 100 singles of 1970 (numero: 33)
registrazione di:
Venus (Shocking Blue (I’m Your Venus)) (nel 1969)
paroliere e compositore:
Robbie van Leeuwen
editore:
ATV Music Ltd., Dayglow Music (publisher) e The International Music Network
si basa su:
The Banjo Song
Shocking Blue4.153:08
4Mama Told Me (Not to Come)
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1970)
parte di:
Billboard Year-End Hot 100 singles of 1970 (numero: 11)
registrazione cover di:
Mama Told Me (Not to Come)
paroliere e compositore:
Randy Newman (American singer‐songwriter and score composer)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), January Music, January Music Corp., Supersongs Unlimited, Unichappell Music, Inc. e Warner/Chappell North America
Three Dog Night4.653:20
5Ain’t No Mountain High Enough
produttore:
Nickolas Ashford, Henry Cosby e Valerie Simpson
arrangiatore:
Paul Riser
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1970)
registrazione cover di:
Ain’t No Mountain High Enough
autore:
Nickolas Ashford e Valerie Simpson
editore:
EMI Music Publishing (do not use as a release label!), EMI Songs, EMI Songs Australia Pty. Ltd., Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc. e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Diana Ross4.653:34
6Bad, Bad Leroy Brown
voce:
Jim Croce (il 1972-06-02)
registrata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti (il 1972-06-02)
registrazione di:
Bad, Bad Leroy Brown (il 1972-06-02)
paroliere e compositore:
Jim Croce
editore:
American Broadcasting Music, Inc., Blendingwell Music, Inc., Denjac Music Co., DenJac Music Company, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) e MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996)
Jim Croce53:04
7Tie a Yellow Ribbon Round the Ole Oak Tree
diritti fonografici (℗) detenuti da:
Bell Records (50s-70s US/UK pop, later became Arista) (nel 1973)
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 52)
registrazione di:
Tie a Yellow Ribbon Round the Ole Oak Tree
autore:
Lawrence Russell Brown (lyricist) e Irwin Levine
editore:
Irwin Levine Music (BMI-affiliated), Larball Publishing Co., Inc. e peermusic (publisher)
Tony Orlando & Dawn53:23
8Let’s Get It On
produttore:
Marvin Gaye e Ed Townsend
percussione :
Emil Richards
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label), Motown Record Corp. (company credits only; do NOT use as release label) (nel 1973) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1973)
remix di:
Let’s Get It On (album version) di Marvin Gaye
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 46)
registrazione di:
Let’s Get It On
autore:
Marvin Gaye e Ed Townsend
editore:
Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobete Music Ltd e Stone Diamond Music Corporation
Marvin Gaye44:03
9I’ll Take You There
registrazione di:
I’ll Take You There
paroliere e compositore:
Alvertis Isbell
editore:
Music for Africa (South Africa)
The Staple Singers3:16
10Without You
tecnico:
Robin Geoffrey Cable
produttore:
Richard Perry (producer)
batteria :
Jim Keltner (nel 1971-06)
chitarra acustica :
John Uribe (nel 1971-06)
chitarra basso :
Klaus Voormann (nel 1971-06)
pianoforte :
Gary Wright (US singer/keyboardist) (nel 1971-06)
voce:
Harry Nilsson (US singer-songwriter) (nel 1971-06)
direttore d'orchestra:
Paul Buckmaster (nel 1971-06)
arrangiatore ottoni e archi :
Paul Buckmaster
diritti fonografici (℗) detenuti da:
BMG Music (nel 1971, nel 1991), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1971), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1971), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (nel 1972) e RCA Records, Inc. (this is a company, only use in companies fields such as Copyright and Manufacturer - for the label use RCA) (nel 1989)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 496)
registrazione cover di:
Without You (nel 1971-06)
autore:
Tom Evans (UK guitarist for Badfinger) e W. Peter Ham
editore:
100 % Apple Music, Apple Music, Apple Music Publishing Co., Inc., Apple Publishing Ltd. (, dal 1970 a oggi), Essex Music, Essex Music of Australia Pty. Ltd., Imagem Music, The Estate for Peter William Ham, The Estate for Thomas Evans, Warner Bros. Music (publisher; do NOT use as release label) e WB Music Corp. (1929–2019) (fino al 2019-05-28)
sub-editore:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Nilsson4.33:21
11I Am Woman
arrangiatore ottoni e archi :
Jim Horn (saxophonist, hornist, flutist and oboist)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 2006)
registrazione di:
I Am Woman (nel 1970)
paroliere:
Helen Reddy
compositore:
Ray Burton (Australian singer/songwriter)
editore:
Rondor Music e Rondor Music (Australia) Pty Ltd
Helen Reddy53:19
12Rock the Boat
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1974)
registrazione di:
Rock the Boat
paroliere e compositore:
Wally Holmes (songwriter)
editore:
Origin Network Pty Ltd e Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Hues Corporation4.43:10
13Lovin’ You
voce:
Minnie Riperton
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1993)
registrazione di:
Lovin’ You
autore:
Minnie Riperton e Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer)
editore:
Campbell Connelly CI Ltd, Campbell Connelly Ltd., Dickiebird Music and Publishing Co., Embassy Music Corporation e ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
sub-editore:
Peermusic (S.E. Asia) Ltd.
Minnie Riperton3.653:24
14Time in a Bottle
produttore:
Terry Cashman e Tommy West
voce:
Jim Croce (il 1971-10-11)
diritti fonografici (℗) detenuti da:
R2M Music (BMI) (nel 1972), BMG Rights Management (US) LLC (file releases under its imprint “BMG (2008–present)” if the release has an imprint) (nel 1973), Lastrada Entertainment Co., Ltd. (nel 1973) e LeFrak-Moelis Records (nel 1973)
registrata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti (il 1971-10-11)
registrazione di:
Time in a Bottle (il 1971-10-11)
paroliere e compositore:
Jim Croce
editore:
American Broadcasting Music, Inc., Blendingwell Music, Inc., DenJac Music Company e MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Jim Croce4.352:29
15Mandy
co-produttore:
Clive Davis (record producer, A&R executive and music industry chief executive)
produttore:
Ron Dante e Barry Manilow
voce principale:
Barry Manilow (nel 1978)
arrangiatore archi :
Joe Renzetti (US film composer, session musician)
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1974) e Bell Records (50s-70s US/UK pop, later became Arista) (nel 1974)
registrazione cover di:
Brandy (more popularly known as Mandy) (nel 1978)
paroliere:
Scott English
compositore:
Richard Kerr
editore:
Chappell Morris (publisher), Chappell/Morris Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Morris Music Inc, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Barry Manilow43:24
16Rock Me Gently
Andy Kim3:28
17The Hustle
registrazione di:
The Hustle
paroliere e compositore:
Van McCoy
editore:
Van McCoy Music, Warner Bros. Music Co. Ltd. e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Van McCoy4:09

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Pubblicazione

ASIN:US: B000LY3J58 [info]