Metropol: En epok i radio 1982-1991

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1CD
Nr.TitelKünstlerBewertungLänge
1Metrosynth
Adolphson & Falk0:32
220th Century Express
recording of:
20th Century Express
Verfasser(in):
Homer Banks (soul singer and songwriter) und Lester Snell (Pianist/keyboardist, songwriter and producer)
Mavis Staples3:55
3Wake Me Up Before You Go-Go
assistierende(r) Techniker(in):
Paul Gomersau
Techniker(in):
Chris Porter (engineer and producer)
Produzent(in):
George Michael
Keyboard:
Tommy Eyre
Saxophon:
David Baptiste (U.K. Saxophonist, flutist, percussionist, vocalist, & backing vocalist)
arranger:
George Michael
phonographisches Urheberrecht (℗) von:
CBS Records (CBS, CBS Records’ international imprint from 1962–1990; renamed since 1991 as Columbia) (in 1984), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1984, in 2006) und Diski CBS AEBE (Greek CBS affiliate, preceded by CBS Records of Greece S.A.) (in 1986)
Musikvideos:
Wake Me Up Before You Go von Wham! (British pop-duo)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 28) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 269)
recording of:
Wake Me Up Before You Go‐Go
Texter und Komponist(in):
George Michael
publisher:
Chappell Music (UK), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Morrison Leahy Music Ltd., Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell Music Ltd. (1996–2019)
Wham!3.853:51
4Wishing (If I Had a Photograph of You)
Techniker(in):
Dave Hutchins (UK engineer)
Produzent(in):
Mike Howlett
Bassgitarre:
Frank Maudsley
Gitarre:
Paul Reynolds (UK guitarist, in A Flock of Seagulls)
Keyboard und Sologesang:
Mike Score
Schlagzeug:
Ali Score
phonographisches Urheberrecht (℗) von:
Zomba Productions Limited (in 1983) und Zomba Records Limited (not strictly a label - avoid adding releases here) (in 1986)
aufgenommen bei:
Conny Plank's Studio in Neunkirchen, Nordrhein-Westfalen, Deutschland
mixed at:
Union Studios (Established in 1963 as 'Studio Allach') in München, Bayern, Deutschland
recording of:
Wishing (If I Had a Photograph of You)
Verfasser(in):
Frank Maudsley, Paul Reynolds (UK guitarist, in A Flock of Seagulls), Ali Score und Mike Score
publisher:
Zomba Enterprises, Inc. und Zomba Management Ltd. (Don’t confuse with Zomba Management and Publishers Ltd.)
A Flock of Seagulls4.255:32
5Powerful Stuff
The Fabulous Thunderbirds4:34
6Don't Look Any FurtherDennis Edwards4:02
7One Summer
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1988) und Sony Music Entertainment (Australia) Limited (not for release label use! AU subsidiary of Sony Music Entertainment Inc., 1995/02–2004/02) (in 1988)
recording of:
One Summer
Verfasser(in):
Daniel Braithwaite
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Mushroom Music (Mushroom label’s publishing company)
Daryl Braithwaite3:41
8Eternal Flame
recording engineer:
John Beverly Jones
zusätzliche(r) Techniker(in):
Ken Felton
Produzent(in):
Davitt Sigerson
Mix:
Frank Filipetti
E-Bass [bass]:
Michael Steele (American bassist, guitarist, songwriter, and singer)
Gitarre [lead guitar]:
Vicki Peterson
Gitarre [rhythm guitar]:
Susanna Hoffs
Schlagzeug:
Debbi Peterson (drummer for The Bangles)
phonographisches Urheberrecht (℗) von:
The Bangles (in 1988)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1988), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1988), Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1988), Sony BMG Music Entertainment Inc. (in 1988) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1988)
mixed at:
Studio 55 in Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Eternal Flame von Bangles
recording of:
Eternal Flame
Verfasser(in):
Susanna Hoffs, Tom Kelly (songwriter) und Billy Steinberg
publisher:
Bangophile Music, Billy Steinberg Music, Blackwood Music Inc. (1953-02-07–1987-12-30), Denise Barry Music, EMI Songs, Mushroom Music (Mushroom label’s publishing company), SBK Blackwood Music Inc. (1987-12-30–1989-07-14), Songs of Universal, Inc. (BMI), Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Tunes LLC (ASCAP) und Universal/MCA Music Ltd. (not for release label use!)
sub-publisher:
EMI Songs Ltd., Shinko Music Entertainment Co., Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing Ltd., Universal Music Publishing Group Japan (work publisher – do NOT use as a release label) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Bangles3.83:56
9Down Under
Produzent(in):
Peter McIan
recording of:
Down Under (Men at Work song, “Do you come from a land down under?”)
Texter:
Colin Hay
Komponist(in):
Colin Hay und Ron Strykert
publisher:
April Music Pty. Ltd., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Music Australia Pty. Limited (not for release label use!), EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31) und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute)
Men at Work3:26
10Talking in Your Sleep
Techniker(in):
Hal Hansford und Jim Sessody
Produzent(in):
Peter Solley (English pianist, songwriter and producer)
Mix:
Neil Kernon und Peter Solley (English pianist, songwriter and producer)
phonographisches Urheberrecht (℗) von:
Nemperor Records, Inc. (in 1983)
aufgenommen bei:
Criteria Studios in Miami, Florida, Vereinigte Staaten
recording of:
Talking in Your Sleep
Verfasser(in):
Coz Canler (Guitarist, vocals, songwriter), Jimmy Marinos (American drummer), Wally Palmar (Guitarist and songwriter), Mike Skill (Singer, bassist, guitarist, songwriter) und Peter Solley (English pianist, songwriter and producer)
publisher:
ForeverEndeavor Music, Inc. (publisher) und Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
The Romantics43:53
11Baby, I Love Your Way/Freebird
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1987) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1988)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 97)
cover recording of:
Baby, I Love Your Way
Texter und Komponist(in):
Peter Frampton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), EMI U Catalog Inc. (publisher; do NOT use as release label), Nuages Artists Music Ltd., Rondor Music (London) Ltd., Universal Music Publishing, Synch Division und Yamaha Music EH(CM)
recording of:
Baby, I Love Your Way
Texter und Komponist(in):
Peter Frampton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), EMI U Catalog Inc. (publisher; do NOT use as release label), Nuages Artists Music Ltd., Rondor Music (London) Ltd., Universal Music Publishing, Synch Division und Yamaha Music EH(CM)
recording of:
Baby, I Love Your Way / Freebird
Texter und Komponist(in):
Allen Collins, Peter Frampton und Ronnie Van Zant
publisher:
Anidraks Music (publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Duchess Music Corporation (BMI-affiliated), Hustler Inc. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Medley von:
Baby, I Love Your Way
Medley von:
Free Bird
Will to Power44:09
12Whishing Well
recording engineer und Mix:
Phil Legg
Produzent(in):
Terence Trent D’Arby (now known as Sananda Maitreya) und Martyn Ware
baritone saxophone, Keyboard und Perkussion und Hintergrundgesang und Sologesang:
Terence Trent D’Arby (now known as Sananda Maitreya)
Bass:
Phil Spalding
Gitarre:
Pete Glenister
Hi-Hat [Wicked Hi-Hat]:
Clive Mngaza
Schlagzeug:
Preston Heyman
arranger:
Terence Trent D’Arby (now known as Sananda Maitreya)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment), CBS Records (2006–2021) (in 1987) und Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1987)
recording of:
Wishing Well
Texter:
Terence Trent D’Arby (now known as Sananda Maitreya)
Komponist(in):
Terence Trent D’Arby (now known as Sananda Maitreya) und Sean Oliver
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), Virgin Music Publishers Ltd. und Young Terence Music (Publisher)
Terence Trent D’Arby3.153:32
13Just Around the Corner
Produzent(in):
Don Gehman
recording of:
Just Around the Corner
Texter und Komponist(in):
Peter Kingsbery
publisher:
Edwin Ellis Music (publisher) und Nurk Twins Music (publisher)
Cock Robin3.354:14
14I Knew You Were Waiting (For Me)
recording engineer:
David Frazer (engineer) (in 1986)
Perkussion-Programmierung:
Preston Glass (in 1986)
Synthesizer-Programmierung:
Walter Afanasieff (in 1986)
zusätzliche(r) assistierende(r) Techniker(in):
Stuart Hirotsu, Mike Iacopelli (engineer), Gordon Lyon, Lennete Viegas und Jim Watts (engineer)
zusätzliche(r) Techniker(in):
Dana Jon Chappelle und Maureen Droney
Produzent(in):
George Michael und Narada Michael Walden
Mix:
David Frazer (engineer) und Serban Ghenea
Bassgitarre:
Randy Jackson (former bassist with Journey and American Idol judge) (in 1986)
E-Gitarre:
Corrado Rustici (in 1986)
Perkussion und Tamburin:
Greg “Gigi” Gonaway (in 1986)
Schlagzeug:
Narada Michael Walden (in 1986)
Synthesizer:
Walter Afanasieff (in 1986)
Hintergrundgesang:
Kitty Beethoven (in 1986), Jim Gilstrap (in 1986), Jennifer Hall (English actress, singer-songwriter) (in 1986), Myrna Matthews (in 1986) und Claytoven Richardson (in 1986)
Sologesang:
Aretha Franklin (in 1986) und George Michael (in 1986)
vocals:
Aretha Franklin (in 1986)
zusätzlich vocals:
Aretha Franklin (in 1986)
Saiteninstrumente arranger:
Jerry Hey
arranger:
Narada Michael Walden
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1986), Arista Records, LLC (holding company - file NO releases here!) (in 1986), CBS, Inc. (US broadcasting company; file no releases here!) (in 1986) und Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1986)
mixed at:
MixStar Studios in Virginia Beach, Virginia, Vereinigte Staaten
recording of:
I Knew You Were Waiting (for Me) (in 1986)
Verfasser(in):
Simon Climie und Dennis Morgan (US songwriter)
publisher:
BMG Music Publishing Ltd., Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Kobalt Music Publishing Ltd. (UK), Kobalt Music Services Ltd. (UK), Little Shop of Morgansongs, Rare Blue Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Aretha Franklin & George Michael44:00
15I Can Hear Your Heartbeat
Techniker(in):
Justin Shirley‐Smith
Produzent(in):
Jon Kelly (engineer at Air London Studios) und Chris Rea
recording of:
I Can Hear Your Heartbeat
Texter und Komponist(in):
Chris Rea
publisher:
Magnet Music Ltd. (publisher)
Chris Rea53:25
16Big Bubbles, No Troubles
Produzent(in):
"Luxi" Lux und Ralph P. Ruppert
phonographisches Urheberrecht (℗) von:
BMG Records (UK) Limited (1987–1996) (in 1988)
produced for:
P.A.R.C.
recording of:
Big Bubbles No Troubles
Verfasser(in):
Nick Beggs, Simon Ellis (producer) und Austin Howard
publisher:
Ragged Music und SBK Songs Ltd.
Ellis, Beggs and Howard3:31
17State of Chock
drum machine [Linn LM-1]-Programmierung:
Michael Jackson (“King of Pop”)
Produzent(in):
Michael Jackson (“King of Pop”)
Bass und Gitarre:
David Williams (session guitarist and songwriter)
Händeklatschen und Sologesang:
Michael Jackson (“King of Pop”)
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Gast Sologesang:
Mick Jagger
Hintergrundgesang:
Jackie Jackson (member of the Jackson 5), Marlon Jackson, Michael Jackson (“King of Pop”) und Johnny Ray Nelson
arranger:
Michael Jackson (“King of Pop”)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1984) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1984)
recording of:
State of Shock
Texter:
Randy Hansen und Michael Jackson (“King of Pop”)
Komponist(in):
Michael Jackson (“King of Pop”)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Jacksons34:31
18Take My Breath Away
Techniker(in):
Dave Concors, Michael Rosen (US metal producer/engineer) und Tom Whitlock
Produzent(in):
Jerry Bruckheimer, Giorgio Moroder und Don Simpson (American film producer, screenwriter, and actor)
Mix:
Giorgio Moroder und Brian Reeves
E-Gitarre:
Ric Olsen
Schlagzeug:
Rob Brill
Synthesizer:
Arthur Barrow und John Crawford (Berlin bassist)
Sologesang:
Terri Nunn (Berlin singer)
phonographisches Urheberrecht (℗) von:
CBS Inc. (US broadcasting company; file no releases here!) (in 1986) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1986)
aufgenommen bei:
Oasis Recording Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Take My Breath Away von Berlin (US new wave/synthpop)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 28), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 62) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 490)
recording of:
Take My Breath Away (song from the 1986 film Top Gun)
Texter:
Tom Whitlock
Komponist(in):
Giorgio Moroder
publisher:
Famous Music Publishing Germany GmbH & Co. KG (beendet), Jastian Music Inc. (beendet), BMG Ariola Belgium, BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Neue Welt Musikverlag GmbH & Co. KG (– 2017), Sony/ATV Harmony, Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (bis 2019-05-28), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1986), GMPC (in 1986) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) (beendet), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
The 59th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1986 winner)
Berlin3.654:11
2CD
Nr.TitelKünstlerBewertungLänge
1Thorn in My Side
recording engineer:
Jon Bavin
assistierende(r) Techniker(in):
Fred Defaye und Serge Pauchard
Techniker(in):
Jon Bavin und Emmanuel Guiot (sound engineer)
Produzent(in):
Dave A. Stewart (UK guitarist/singer for Eurythmics)
Mix:
Jon Bavin und Manu Guiot (sound engineer)
Bassgitarre:
John McKenzie (English blues bassist)
Gitarre:
Dave A. Stewart (UK guitarist/singer for Eurythmics)
Keyboard:
Patrick Seymour (UK producer, arranger, keyboardist, flutist & composer)
Mundharmonika und Saxophon:
Jimmy “Z” Zavala
Schlagzeug:
Clem Burke
Hintergrundgesang:
Bernita Turner
Sologesang:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1986), RCA/Ariola Ltd. (in 1986) und BMG Records (UK) Limited (1987–1996) (in 1991)
mixed at:
Studio de la Grande Armée in Paris, Île-de-France, Frankreich
recording of:
Thorn in My Side
Verfasser(in):
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) und Dave Stewart (UK guitarist/singer for Eurythmics)
publisher:
RCA Music Ltd. (publisher) und Universal Music Publishers MGB Australia Pty Ltd
Eurythmics3.54:13
2Satellite
recording of:
Satellite
Verfasser(in):
Eric Bazilian, Rick Chertoff und Rob Hyman
publisher:
Dub Notes Music (publisher), Hobbler Music, Human Boy Music, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America Ltd. und WB Music Corp. (1929–2019)
The Hooters4:15
3Let's Groove
recording of:
Let’s Groove
Verfasser(in):
Wayne Vaughn und Maurice White (Earth, Wind & Fire)
publisher:
Campbell Connelly, EMI Songs, EMI Songs Australia Pty. Ltd. und EMI Songs Ltd.
Earth, Wind & Fire54:06
4Hold on to Me
Produzent(in):
Jeff Burstin, Joe Camilleri und Tomie (producer)
Bassgitarre:
Mick Girasole
Perkussion:
Alex Pertout
Schlagzeug:
Peter Luscombe
vocals:
Joe Camilleri
phonographisches Urheberrecht (℗) von:
CBS Productions Pty. Limited (in 1988) und Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1988)
aufgenommen bei:
Sing Sing Recording Studios (fka “Sing Sing South” until 2017) in South Yarra, Melbourne, Victoria, Australien
mixed at:
Metropolis Audio (fka AAV Studios) in Melbourne, Victoria, Australien und RBX Studios in Melbourne, Victoria, Australien
recording of:
Hold On to Me (Black Sorrows)
Texter:
Nick Smith (Australian Guitar Player and Songwriter)
Verfasser(in):
Joe Camilleri
publisher:
Mushroom Music Publishing Australia
The Black Sorrows3:49
5Time After Time
assistierende(r) Techniker(in):
John Agnello (engineer & producer)
Techniker(in):
William Wittman
zusätzliche(r) Techniker(in):
John Jansen (US recording engineer and producer) und Rod O’Brien
Partner-Produzent(in):
William Wittman
Produzent(in):
Rick Chertoff
Sologesang:
Cyndi Lauper
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1983), Sony BMG Music Entertainment Inc. (in 1983), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1983), Sony Music Entertainment (Holland) B.V. (Sony Music Entertainment's NL subsidiary until 2004) (in 1983) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1983, in 1984)
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten
a cappella versions:
Time After Time von Forte A Cappella (Centerville High School)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 19), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 116) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 494)
recording of:
Time After Time
Verfasser(in):
Rob Hyman und Cyndi Lauper
publisher:
Sony Songs Inc. (beendet, ), CBS Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dub Notes Music (publisher) (, in 1984), Gray Matter Music, Human Boy Music, Reilla Music Company, Rella Music Co. (publisher) (, in 1984), Rellla Music Corp., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing Ltd., Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America, WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Cyndi Lauper4.353:59
6Sexual HealingMarvin Gaye3:16
7Waiting for a Train
recording of:
Waiting for a Train
Texter und Komponist(in):
Harry Vanda (Australian musician) und George Young (Australian musician and producer)
Flash and the Pan3:44
8Teardrops
recording of:
Teardrops
Verfasser(in):
Cecil Womack und Linda Womack
publisher:
Zomba Music Publishing Ltd. und Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (in 1988)
Womack & Womack45:03
9Love Shack
assistierende(r) Techniker(in):
Martin Kunitz
Techniker(in):
Dave Cook (US engineer and producer)
Produzent(in):
Don Was
Mix:
Tom Durack
Gast-Bassgitarre:
Sara Lee (UK bassist, singer & songwriter)
Gast-Horn:
Uptown Horns (US horn section, formed in 1980)
Gast-Schlagzeug:
Charley Drayton
Gitarre:
Keith Strickland
Keyboard:
Kate Pierson
vocals:
Kate Pierson, Fred Schneider (US singer‐songwriter, frontman of The B‐52s) und Cindy Wilson
phonographisches Urheberrecht (℗) von:
Reprise Records (in 1989)
aufgenommen bei:
Dreamland Studios in Hurley, New York, Vereinigte Staaten
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
additionally produced at:
Bearsville Studios in Bearsville, New York, Vereinigte Staaten
Musikvideos:
Love Shack von The B‐52’s
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 40), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 41) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 243)
recording of:
Love Shack
Verfasser(in):
Kate Pierson, Fred Schneider (US singer‐songwriter, frontman of The B‐52s), Keith Strickland und Cindy Wilson
publisher:
Man-Woman Together, Now!
The B‐52s4.35:23
10If You're Ready (Come Go With Me)
Ruby Turner4:26
11Don't Go
Techniker(in) und Produzent(in):
Clive Langer und Alan Winstanley (English record producer)
Hintergrundgesang [backing vocals]:
Jimmy Chambers und Jimmy Helms (soul singer)
mixed at:
Westside Studios in London (Greater London), England, Vereinigtes Königreich
recording of:
Don’t Go
Verfasser(in):
Fiachna Ó Braonáin, Liam Ó Maonlaí und Peter O’Toole (bassist and mandolinist)
Hothouse Flowers33:49
12It’s My Party
Techniker(in):
Nick Bradford
Produzent(in):
Dave Stewart (Canterbury keyboardist, not the Eurythmics’ Dave Stewart)
elektronische Instrumente [claptrap], elektronisches Schlagzeug / E-Drums [SDS V], Keyboard [keyboards] und Vocoder:
Dave Stewart (Canterbury keyboardist, not the Eurythmics’ Dave Stewart)
Hintergrundgesang:
Amanda Parsons
Sologesang:
Barbara Gaskin
aufgenommen bei und mixed at:
Matrix Studios in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1981-06 bis 1981-07)
cover recording of:
It’s My Party
Verfasser(in):
John Gluck, Jr., Wally Gold, Seymour Gottlieb und Herb Weiner
publisher:
A. Schroeder Music Ltd. und Chappell & Co., Inc. (USA)
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Dave Stewart & Barbara Gaskin33:48
13Africa
recording engineer:
Al Schmitt
Produzent(in):
Toto (US rock group)
Mix:
Greg Ladanyi
Akustikgitarre:
Timothy B. Schmit
Bassgitarre:
David Hungate
Conga:
Lenny Castro
E-Gitarre und Gitarre:
Steve Lukather
gong und Schlagzeug:
Jeff Porcaro
Keyboard und Klavier:
David Paich
Marimba:
Joe Porcaro
Perkussion:
Lenny Castro und Joe Porcaro
recorder:
Jim Horn (saxophonist, hornist, flutist and oboist)
Synthesizer:
Steve Porcaro
Hintergrundgesang:
Bobby Kimball, Steve Lukather, David Paich und Timothy B. Schmit
Sologesang:
Bobby Kimball und David Paich
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1982), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1982) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982, in 1983)
Musikvideos:
Africa von Toto (US rock group)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 105) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 452)
recording of:
Africa (Toto)
Verfasser(in):
Jeffrey Porcaro und David Paich
publisher:
Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK), Rising Storm Music, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) und Spirit Two Music
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Toto4.154:58
14Joe Le Taxi
Produzent(in):
Franck Langolff
Sologesang:
Vanessa Paradis
arranger:
Franck Langolff
phonographisches Urheberrecht (℗) von:
Fa Productions France (in 1987)
recording of:
Joe le taxi
Texter:
Étienne Roda-Gil
Komponist(in):
Franck Langolff
publisher:
Éditions Warner und Véranda
Vanessa Paradis43:48
15Around the Way Girl
recording engineer und Mix:
George Karras, David Kennedy (Jamaican-American sound engineer/producer), Marley Marl (QB hip hop producer & DJ of Juice Crew) und Ivan “Doc” Rodriguez
zusätzliche Programmierung:
Darren Lighty
assistierende(r) Techniker(in):
Scott Canit, DJ Clash und Everett Ramos
Koproduzent(in):
LL Cool J
Produzent(in):
Marley Marl (QB hip hop producer & DJ of Juice Crew)
Keyboard:
Darren Lighty
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1990), Def Jam Records, Inc. (in 1990) und Def Jam Recordings (US) (in 2021)
produced for:
Marley Marl Productions, Inc.
aufgenommen bei:
House of Hits (Marley Marl's studio) in New York, New York, Vereinigte Staaten
mixed at:
Power Play Studios in New York, New York, Vereinigte Staaten und Sound Traxx in New York, New York, Vereinigte Staaten
recording of:
Around the Way Girl
Texter:
James Todd Smith
Komponist(in):
Rick James (US vocalist, multi‐instrumentalist, composer & producer) und Marlon Williams (QB hip hop producer & DJ of Juice Crew)
LL Cool J54:06
16Following Every Finger
Iain Matthews3:52
17Nu lever jag igen
Adolphson & Falk4:53

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