The Sound of Magic Love

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1CD
#TitleArtistRatingLength
1When You Say Nothing at All
programming and producer:
Stephen Lipson
engineer and mixer:
Heff Moraes
accordion and whistle:
James McNally
bass:
Stephen Lipson
drums (drum set):
Andy Duncan (UK drummer and producer)
guitar:
Dominic Miller (guitarist)
keyboard:
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
background vocals:
Tessa Niles and Miriam Stockley
vocals:
Ronan Keating
phonographic copyright (℗) by:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (in 1999) and Polygram Ireland Ltd. (in 1999)
recorded at:
Metropolis (London) in London (Greater London), England, United Kingdom and The Aquarium (Studio) in London (Greater London), England, United Kingdom
mixed at:
The Aquarium (Studio) in London (Greater London), England, United Kingdom
recording of:
When You Say Nothing at All
writer:
Paul Overstreet (country singer and songwriter) and Don Schlitz
cover recording of:
When You Say Nothing at All
writer:
Paul Overstreet (country singer and songwriter) and Don Schlitz
Ronan Keating2.74:17
2Say What You Want
recording engineer:
Nick Addison, Ian Grimble, Ash Howes (British mixer, writer and musician), Kenny MacDonald and Texas (Scottish pop rock band)
additional programming:
Paul Taylor (UK songwriter, producer, keyboardist, programmer, engineer)
programming:
Eddie Campbell (Scottish keyboardist for Texas/The Incredible Blondes), Richard Hynd, Johnny McElhone and Sharleen Spiteri
sound engineer:
Ash Howes (British mixer, writer and musician)
additional producer:
Boilerhouse Boys
producer and mixer:
Texas (Scottish pop rock band)
guitar:
Johnny McElhone and Ally McErlaine (Scottish guitarist)
keyboard:
Eddie Campbell (Scottish keyboardist for Texas/The Incredible Blondes) and Johnny McElhone
recording of:
Say What You Want
lyricist and composer:
Johnny McElhone and Sharleen Spiteri
publisher:
EMI 10 Music
Texas3.83:51
3Stars
engineer and mixer:
Daren Klein
co-producer:
Mick Hucknall (lead singer of Simply Red)
producer:
Stewart Levine (record producer and saxophonist)
recording of:
Stars
lyricist and composer:
Mick Hucknall (lead singer of Simply Red)
Simply Red2.84:08
4Still the One
recording of:
You’re Still the One
writer:
Eilleen Shania Lange and Robert John Lange
publisher:
Loon Echo, Inc., Out-of-Pocket Productions Ltd. and PolyGram International, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998)
Shania Twain3:34
5Back for Good
programming:
Gary Barlow and Chris Cameron (British pianist, singer-songwriter, arranger and producer)
assistant engineer:
Steve McNichol
producer:
Gary Barlow and Chris Porter (engineer and producer)
guitar:
Phil Palmer (guitarist)
lead vocals:
Gary Barlow
vocals:
Howard Donald, Jason Orange, Mark Owen (singer–songwriter) and Robbie Williams
phonographic copyright (℗) by:
BMG Records (UK) Limited (1987–1996) (in 1995) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1995)
recording of:
Back for Good
lyricist and composer:
Gary Barlow
publisher:
EMI Virgin Music Australia Pty Ltd and EMI Virgin Music Ltd. (do not use this as a release label!)
Take That34:00
6High
phonographic copyright (℗) by:
The Wild Card Label Ltd (in 1997)
recording of:
High
lyricist:
Paul Tucker
composer:
Tunde Baiyewu and Paul Tucker
publisher:
Polygram Music and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Lighthouse Family5:13
7Don't Be A StrangerDina Carroll4:44
8Sign Your Name
recording engineer and mixer:
Phil Legg
producer:
Terence Trent D’Arby (now known as Sananda Maitreya) and Martyn Ware
lead vocals:
Terence Trent D’Arby (now known as Sananda Maitreya)
strings arranger:
Terence Trent D’Arby (now known as Sananda Maitreya)
arranger:
Terence Trent D’Arby (now known as Sananda Maitreya)
phonographic copyright (℗) by:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008), CBS Records (2006–2021) (in 1987) and Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1987)
recording of:
Sign Your Name
lyricist:
Terence Trent D’Arby (now known as Sananda Maitreya)
composer:
Chris Cameron (British pianist, singer-songwriter, arranger and producer) and Terence Trent D’Arby (now known as Sananda Maitreya)
publisher:
Virgin Music (Publishing) Ltd., Virgin Music Ltd. and Young Terrence Music (Publisher)
Terence Trent D’Arby3.54:37
9Ain't No Sunshine
recording engineer:
Bill Halverson (in 1971) and Bill Lazarus (in 1971)
producer:
Booker T. Jones
mixer:
John Golden (mastering engineer)
acoustic guitar:
Stephen Stills (in 1971)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer) (in 1971)
electric bass guitar:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1971)
lead vocals:
Bill Withers (in 1971)
strings arranger:
Booker T. Jones
phonographic copyright (℗) by:
CBS Inc. (US broadcasting company; file no releases here!) (in 1971) and Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1972)
part of:
BILLIONS CLUB, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 179), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 280) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 309)
recording of:
Ain’t No Sunshine (in 1971)
lyricist and composer:
Bill Withers
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated) and EMI Songs Ltd.
Bill Withers4.52:05
10My One Temptation
recording of:
My One Temptation
writer:
Michael Leeson, Peter Vale (writer/arranger) and Miles Waters (songwriter)
publisher:
Abacus Publishing and Chappell Music Co. Inc.
Mica Paris43:35
11Still
producer:
James Anthony Carmichael and Commodores (US funk/soul band with Lionel Richie)
arranger:
James Anthony Carmichael and Commodores (US funk/soul band with Lionel Richie)
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1978) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1979)
recording of:
Still
lyricist and composer:
Lionel Richie
publisher:
Commodores Entertainment Publishing Corp. (ended), Brenda Richie Publishing, Jobete Music Co., Inc. and Libren Music
Commodores3.53:42
12On the Wings of Love
recording of:
On the Wings of Love
writer:
Peter Schless (keyboardist and composer) and Jeffrey Osborne (in 1982)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Irving Music, Inc., Lincoln Pond Music, March 9 Music, Music Sales Corporation (American copyright holder in both popular and classical music) and Rondor Music (London) Ltd.
Jeffrey Osborne4:02
13Baby, Come to Me
guest vocals:
Patti Austin
recording of:
Baby, Come to Me
lyricist and composer:
Rod Temperton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Rodsongs (publisher) and Rondor Music (London) Ltd.
Patti Austin3:35
14Me And Mrs. Jones
Billy Paul4:38
15How 'Bout Us
assistant engineer:
Michael Ferraro (engineer) and Tom Miller (engineer)
engineer:
Stu Walder
associate producer:
James Mack (Composer, arranger, conductor)
producer:
Leo Graham (producer / composer / lyricist)
bass guitar [bass]:
Michael Reed (US bassist for Champaign) and Paul Richmond (producer - songwriter - bassist)
drums (drum set):
Morris Jennings, Jr.
electronic drum set [syndrums]:
Tommy Radtke
guitar [guitars]:
Michael Day and Howard Reeder
keyboard [keyboards]:
Michael Day and Dana Walden
percussion:
Rocky Maffit
solo alto saxophone:
Ken Soderbloom
synthesizer [synthesizers]:
Dana Walden
lead vocals:
Pauli Carman
vocals:
Michael Day, Rena Jones (vocalist for Champaign), Rocky Maffit and Howard Reeder
brass [horns] arranger and strings arranger:
James Mack (Composer, arranger, conductor)
arranger:
Champaign, Leo Graham (producer / composer / lyricist) and James Mack (Composer, arranger, conductor)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1981) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981)
produced for:
B‐Line Productions
recorded at:
Universal Recording (Chicago, IL, USA) in Chicago, Illinois, United States
cover recording of:
How ’bout Us
lyricist and composer:
Dana Walden
publisher:
April Music, Irving Music (BMI) and Irving Music, Inc.
sub-publisher:
Rondor Music (London) Ltd., ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
recording of:
How ’bout Us
lyricist and composer:
Dana Walden
publisher:
April Music, Irving Music (BMI) and Irving Music, Inc.
sub-publisher:
Rondor Music (London) Ltd., ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Champaign34:36
16Let's Stay Together
Al Green4:45
17Change
producer:
Ian Devaney and Andy Morris (former member of Blue Zone (UK), worked with Lisa Stansfield)
mixer:
Bobby Boughton, Ian Devaney and Andy Morris (former member of Blue Zone (UK), worked with Lisa Stansfield)
vocals:
Lisa Stansfield
publisher:
Big Life Music Ltd.
recording of:
Change
writer:
Ian Devaney, Andy Morris (former member of Blue Zone (UK), worked with Lisa Stansfield) and Lisa Stansfield
publisher:
Big Life Music Ltd.
Lisa Stansfield4:15
18I Don't Want to Talk About it
producer:
Ben Watt (from 1987-09 until 1987-12)
recorded at:
Livingston Studios in Wood Green, Haringey, London (Greater London), England, United Kingdom (from 1987-09 until 1987-12)
cover recording of:
I Don’t Want to Talk About It (from 1987-09 until 1987-12)
lyricist and composer:
Danny Whitten
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Crazy Horse Music and Rondor Music
Everything but the Girl44:16
19Candle in the Wind
engineer:
David Hentschel
producer:
Gus Dudgeon
bass guitar:
Dee Murray (in 1973-05)
drums (drum set):
Nigel Olsson (in 1973-05)
electric guitar:
Davey Johnstone (in 1973-05)
piano and lead vocals:
Elton John (English singer, songwriter, pianist, and composer) (in 1973-05)
background vocals:
Davey Johnstone (in 1973-05), Dee Murray (in 1973-05) and Nigel Olsson (in 1973-05)
recorded at:
Château d'Hérouville in Hérouville, Val-d'Oise, Île-de-France, France (in 1973-05)
music videos:
Candle in the Wind by Elton John (English singer, songwriter, pianist, and composer)
part of:
The Co-Op: Top 10 British Funeral Songs (number: 7) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 348)
recording of:
Candle in the Wind (in 1973-05)
lyricist:
Bernie Taupin
composer:
Elton John (English singer, songwriter, pianist, and composer)
dedicated to:
Marilyn Monroe (US actress, model & singer)
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) and Universal–Songs of PolyGram International, Inc.
Elton John3.653:49
2CD
#TitleArtistRatingLength
1Perfect Moment
cover recording of:
Perfect Moment
writer:
Jim Marr and Wendy Page
Martine McCutcheon23:52
2No Matter What
recorded in:
London (Greater London), England, United Kingdom and Los Angeles, California, United States
keyboard programming:
Lee McCutcheon
programming:
Simon Franglen (English score composer)
assistant engineer:
Alex Black (engineer) and Tom (assistant engineeer)
engineer:
Simon Franglen (English score composer), Steve Rinkoff and Robin Sellars (British recording engineer)
additional producer:
Simon Franglen (English score composer) and Lupino
executive producer:
Andrew Lloyd Webber (English composer and impresario of musical theatre) and Jim Steinman
producer:
Andrew Lloyd Webber (English composer and impresario of musical theatre), Jim Steinman and Nigel Wright (British producer, orchestrator and songwriter)
mixer:
Mick Guzauski and Steve Rinkoff
acoustic guitar [acoustic guitars] and electric guitar [electric guitars]:
Michael Thompson (session guitarist)
bass:
Angela Lupino
guitar:
Fridrik Karlsson
keyboard [keyboards]:
Simon Franglen (English score composer) and Nigel Wright (British producer, orchestrator and songwriter)
background vocals [backing vocals]:
Tracy Ackerman and Andy Caine
lead vocals:
Stephen Gately and Ronan Keating
vocals:
Keith Duffy (Member of Boyzone), Mikey Graham and Shane Lynch
arranger:
Simon Franglen (English score composer) and Lupino
phonographic copyright (℗) by:
Polydor Ireland (in 1998)
recorded at:
FLM Studios in Hollywood, Los Angeles, California, United States, Metropolis Studios (London) in London (Greater London), England, United Kingdom, Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom and Skratch Studios in Surrey, England, United Kingdom
engineered at:
Barking Dog Studios in New York, New York, United States
music videos:
No Matter What by Boyzone
cover recording of:
No Matter What
lyricist:
Jim Steinman
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) (ended), Universal–Songs of PolyGram International, Inc. (ended), Lost Boys Music Inc. (BMI affiliated) and The Really Useful Group Limited (not for release label use!)
part of:
Whistle Down the Wind (Andrew Lloyd Webber musical)
Boyzone24:34
3So YoungThe Corrs4:15
4Feel So HighDes’ree43:54
5Alone
recording engineer:
John Merchant and Dave O’Donnell
drums (drum set) programming:
Jimmy Bralower and Barry Gibb
assistant engineer:
Jason Goldstein (engineer)
producer:
Barry Gibb, Maurice Gibb, Robin Gibb and Russ Titelman
assistant mixer:
Joe Lizzi
mixer:
Dave O’Donnell and Russ Titelman
bass synthesizer:
Jeff Bova
drums (drum set) and tambourine:
David Elliott (drummer)
guitar:
Barry Gibb
guitar and keyboard:
Maurice Gibb
hi-hat and tom-tom:
Dave Halpern
keyboard:
Alan Clark (keyboardist) and Robbie Kondor
tambourine:
Ralph MacDonald
vocals:
Barry Gibb, Maurice Gibb and Robin Gibb
phonographic copyright (℗) by:
Barry Gibb (in 1997), Maurice Gibb (in 1997) and Robin Gibb (in 1997)
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1997)
recording of:
Alone
writer:
Barry Gibb, Maurice Gibb and Robin Gibb
publisher:
Careers–BMG Music Publishing, Inc. and Gibb Brothers Music
Bee Gees3.64:46
6Everything I Own
lead vocals:
David Gates (singer/songwriter, lead singer of Bread)
phonographic copyright (℗) by:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1972)
recording of:
Everything I Own
lyricist and composer:
David Gates (singer/songwriter, lead singer of Bread)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Laetrec Music, Screen Gems, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd. and Sony/ATV Music Publishing (UK) Ltd.
Bread4.353:08
7She's Gone
recorded in:
New York, New York, United States (in 1973)
producer:
Arif Mardin
bass:
Steve Gelfand (bassist a/k/a Steve “Fontz” Gelfand) (in 1973)
drums (drum set):
Bernard “Pretty” Purdie (in 1973)
electric guitar, mellotron and synthesizer:
Chris Bond (producer, active circa 1970s) (in 1973)
electric piano:
Daryl Hall (in 1973)
guitar:
John Oates (in 1973)
percussion:
Ralph MacDonald (in 1973)
tenor saxophone:
Joe Farrell (in 1973)
lead vocals:
Daryl Hall (in 1973) and John Oates (in 1973)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1973)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 336)
recording of:
She’s Gone (in 1973)
lyricist and composer:
Daryl Hall and John Oates
publisher:
Unichappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Hall & Oates3.655:14
8Everybody's Got to Learn Sometime
recording of:
Everybody’s Got to Learn Sometime
lyricist and composer:
James Warren (English singer and guitarist)
publisher:
Warner Chappell Music Ltd. (1996–2019), Heath Music Ltd. (publisher) (in 1980) and Warner Bros. Ltd. (publisher) (in 1980)
The Korgis4.054:11
9Show Me Heaven
recording of:
Show Me Heaven
writer:
Eric Rackin (Production music composer), Maria McKee and Jay Rifkin
publisher:
BMG Music Publishing (Malaysia) Sdn. Bhd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) and Famous Music Publishing Limited
Maria McKee33:50
10Everytime You Go Away
cover recording of:
Everytime You Go Away
lyricist and composer:
Daryl Hall
publisher:
Bright Music Ltd. (publisher), Hot Cha Music Co., Six Continents Music Publishing, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Paul Young4:16
11Wonderful Tonight
producer:
Glyn Johns
bass guitar:
Carl Radle (on 1977-05-02)
drums (drum set):
Jamie Oldaker (on 1977-05-02)
electronic organ:
Dick Sims (on 1977-05-02)
guitar:
Eric Clapton (on 1977-05-02) and George Terry (guitar player with Clapton in 70's) (on 1977-05-02)
background vocals:
Yvonne Elliman (on 1977-05-02) and Marcy Levy (on 1977-05-02)
lead vocals:
Eric Clapton (on 1977-05-02)
phonographic copyright (℗) by:
RSO Records Ltd. (in 1977) and Universal International Music B.V. (company, do not use as label) (in 1977)
recorded at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (on 1977-05-02)
recording of:
Wonderful Tonight (on 1977-05-02)
lyricist and composer:
Eric Clapton
publisher:
E.C. Music (UK work publisher for Eric Clapton), Throat Music, Throat Music Ltd., Unichappell Music, Inc. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Eric Clapton4.33:43
12You're the Best Thing
producer:
Paul Weller (English singer-songwriter and musician) and Peter Wilson (UK Producer)
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1984)
recording of:
You’re the Best Thing
lyricist and composer:
Paul Weller (English singer-songwriter and musician)
publisher:
BMG Music Publishing Ltd., EMI Music Publishing (do not use as a release label!) and Universal Music Publishing MGB Australia
The Style Council4:21
13All by Myself
assistant engineer:
Joey Barbaria
engineer:
Jack Sherdel
producer:
Jimmy Ienner (producer)
lead vocals:
Eric Carmen (from 1975-08 until 1975-09)
arranger:
Eric Carmen
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1975) and Arista Records, LLC (holding company - file NO releases here!) (in 1975)
produced for:
CAM Productions (US)
recorded at:
O.D.O. Sound Studios in New York, New York, United States (from 1975-08 until 1975-09)
recording of:
All by Myself (from 1975-08 until 1975-09)
lyricist:
Eric Carmen
composer:
Eric Carmen and Sergei Rachmaninov (Sergei Rachmaninoff, Russian composer)
publisher:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division) (ended), Campbell Connelly & Co. Ltd., Carmen Music, Inc, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eric Carmen Music, Round Hill Works, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
is based on:
Let’s Pretend
is based on:
Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto
Eric Carmen4.254:50
14A Little Bit More
producer:
Ron Haffkine and Waylon Jennings (US country musician)
cover recording of:
A Little Bit More
lyricist and composer:
Bobby Gosh (pianist, songwriter, and producer)
publisher:
Bygosh Music Corp., Intersong Music Ltd., Sunbury Music Ltd., Warner Chappell and Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019)
recording of:
A Little Bit More
lyricist and composer:
Bobby Gosh (pianist, songwriter, and producer)
publisher:
Bygosh Music Corp., Intersong Music Ltd., Sunbury Music Ltd., Warner Chappell and Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019)
Dr. Hook32:54
15You to Me Are Everything
producer:
Ken Gold
phonographic copyright (℗) by:
Pye Records (in 1976) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1976)
recording of:
You to Me Are Everything
writer:
Michael Denne and Ken Gold
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Screen Gems–EMI Music Ltd.
The Real Thing3.653:23
16When Will I See You Again
producer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
vocals:
Sheila Ferguson (in 1973), Valerie Holiday (in 1973) and Fayette Pinkney (in 1973)
performer:
MFSB (in 1973)
arranger:
Bobby Martin (US soul/R&B producer/arranger)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1973), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1973) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1974)
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States (in 1973)
recording of:
When Will I See You Again (in 1973)
writer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Gamble Huff Music Ltd., Mighty Three Music, Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Warner/Chappell (Warner/Chappell Music, Inc.)
The Three Degrees42:56
17Love Hurts
Jim Capaldi3:27
18Maggie May
producer:
Rod Stewart
12 string guitar, bass guitar and electric guitar:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood) (in 1971)
acoustic guitar:
Martin Quittenton (guitarist for Steamhammer) (in 1971)
celesta:
Pete Sears (in 1971)
cymbal and membranophone:
Micky Waller (in 1971)
Hammond organ:
Ian McLagan (in 1971)
mandolin:
Ray Jackson (in 1971) and David Lindley (in 1971)
lead vocals:
Rod Stewart (in 1971)
phonographic copyright (℗) by:
Mercury Records Inc. (copyrights use only) (in 1971), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1971), The Island Def Jam Music Group (American holding company, not normally a release label) (in 1971) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1971)
recording of:
Maggie May (in 1971)
publisher:
Rod Stewart
writer:
Mike Peters, Martin Quittenton (guitarist for Steamhammer) and Rod Stewart
publisher:
Chappell Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Full Keel Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), H. G. Music Inc, Mushroom Music (Mushroom label’s publishing company), Rightsong Music Inc., Unichappell Music, Inc., Warner Chappell and Warner Chappell Music (publisher as Warner/Chappell Music)
Rod Stewart4.25:14
19There She Goes
engineer:
Dave Charles (British drummer as well as producer & engineer)
producer:
Bob Andrews (keyboardist and producer)
mixer:
Steve Lillywhite
bass guitar and background vocals:
John Power (of The La’s and Cast)
drums (drum set):
Chris Sharrock
electric guitar:
John Byrne (John 'Boo' Byrne, electric guitarist)
lead vocals:
Lee Mavers
phonographic copyright (℗) by:
Go! Discs Ltd. (company credits only; do NOT use as release label) (in 1988)
part of:
NME: Greatest “Indie” Anthems Ever: 2007 (number: 45), TV Cream: Real 100 Best Singles Ever (number: 62) and Indie 88: Top 500 Indie Rock Songs (number: 418)
recording of:
There She Goes (The La’s)
lyricist and composer:
Lee Mavers
publisher:
Go! Discs Music Ltd. (publisher) and Kobalt Music Publishing Ltd. (UK)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
The La’s42:41

Credits

Release group

part of:Magic Radio releases (order: 1)