This Is the 80s

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1▼CD: Part 1 / Part 2
#TitoloArtistaValutazioneDurata
1Relax
tecnico:
Stephen Lipson
produttore:
Trevor Horn
produttore aggiunto:
Stephen Lipson
batteria :
Peter Gill (UK drummer for Frankie Goes to Hollywood) (nel 1983)
chitarra :
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) (nel 1983)
chitarra basso :
Mark O’Toole (former bassist of Frankie Goes to Hollywood) (nel 1983)
percussione ospite :
Luís Jardim (nel 1983)
tastiera ospite :
Andrew Richards (Strawbs keyboard player/record producer) (nel 1983) e Anne Dudley (English score composer) (nel 1983)
voce principale:
Holly Johnson (nel 1983), Mark O’Toole (former bassist of Frankie Goes to Hollywood) (nel 1983) e Paul Rutherford (member of Frankie Goes to Hollywood) (nel 1983)
diritti fonografici (℗) detenuti da:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (nel 1983) e Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (nel 1984)
registrata presso:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Regno Unito (nel 1983)
versione karaoke di:
Epic Relax (Sandro Silva & Quintino vs. Frankie Goes to Hollywood) (extended version) di DJ Schmolli
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 10) e Paste: The 50 Greatest NON One-Hit Wonders of All Time (numero: 44)
registrazione di:
Relax (nel 1983)
paroliere:
Holly Johnson
compositore:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson e Mark O’Toole (former bassist of Frankie Goes to Hollywood)
editore:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) e SPZ Music, Inc. (BMI affiliated)
Frankie Goes to Hollywood4.053:58
2Blue Monday (12″ version)
produttore:
New Order (UK synth pop band)
diritti fonografici (℗) detenuti da:
Factory Communications Ltd. (holding company – file no releases here!) (nel 1983, nel 1987)
campionamenti:
Uran di Kraftwerk
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Indie 88: Top 500 Indie Rock Songs (numero: 61) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 235)
registrazione di:
Blue Monday
autore:
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) e Bernard Sumner
editore:
Fractured Music (publisher), Warner/Chappell Music Ltd. (1996–2019) e Zomba Music Publishing Ltd.
New Order3.77:30
3Don’t You Want Me
assistente alla programmazione:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth) (nel 1981)
programmazione:
Martin Rushent (nel 1981)
assistente tecnico:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth)
produttore:
The Human League e Martin Rushent
sintetizzatore :
Ian Burden (nel 1981), Jo Callis (nel 1981) e Philip Oakey (nel 1981)
voce di accompagnamento:
Joanne Catherall (nel 1981) e Susan Ann Sulley (nel 1981)
voce principale:
Philip Oakey (nel 1981) e Susan Ann Sulley (nel 1981)
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only)
registrata presso:
Genetic Studios in West Berkshire, England, Regno Unito (nel 1981)
video musicali:
Don’t You Want Me di The Human League
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 1), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 79) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 82)
registrazione di:
Don’t You Want Me (Human League song) (nel 1981)
paroliere:
Philip Oakey
compositore:
Jo Callis, Philip Oakey e Philip Adrian Wright (Human League)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Human League3.853:59
4Tainted Love
tecnico:
Paul Hardiman
produttore:
Mike Thorne (UK producer & keyboardist)
tecnico di missaggio:
Harvey Goldberg
strumenti elettronici e altri strumenti :
Dave Ball (UK electronic musician, part of Soft Cell)
voce:
Marc Almond (English pop singer and songwriter)
voce di accompagnamento:
Vicious Pink
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (London) (for copyrights use only) (nel 1981)
registrata presso:
Advision Studios in Fitzrovia, Camden (Borgo londinese di Camden), Westminster, London (Greater London), England, Regno Unito
video musicali:
Tainted Love di Soft Cell (1980s English synth‐pop duo)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 5), Paste: The 50 Greatest NON One-Hit Wonders of All Time (numero: 8), New York Post: 100 Greatest Covers (2007) (numero: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 33) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 46)
registrazione cover di:
Tainted Love
paroliere e compositore:
Ed Cobb
editore:
Burlington Music Co., Ltd. e Embassy Music Corporation
sub-editore:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Soft Cell3.92:40
5Brass in Pocket
tecnico:
Bill Price (UK producer/engineer)
produttore:
Chris Thomas (UK record producer / remixer)
diritti fonografici (℗) detenuti da:
Warner Music UK Ltd. (not for release label use!) (nel 1979, nel 1987, nel 2000)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 89) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 389)
registrazione di:
Brass in Pocket
autore:
James Honeyman‐Scott e Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
editore:
ATV Music Ltd., Banks Clive Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Hynde House of Hits Music e Modern Music Publishing Co., Inc.
The Pretenders43:07
6Alive and Kicking
produttore:
Bob Clearmountain e Jimmy Iovine
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1985)
registrazione di:
Alive and Kicking
autore:
Charlie Burchill, Jim Kerr (of Simple Minds) e Michael MacNeil
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. e Simple Minds Ltd
Simple Minds3.54:48
7This Charming Man
tecnico:
Phil Bush (engineer, composer and musician) e Neil King (sound engineer)
produttore:
John Porter (producer and musician US and UK)
batteria :
Mike Joyce (UK drummer)
chitarra basso :
Andy Rourke
chitarra e armonica (a bocca) :
Johnny Marr
voce:
Morrissey (English singer-songwriter)
diritti fonografici (℗) detenuti da:
Sire Records Company (not for release label use!) (nel 1983) e Warner Music UK Ltd. (not for release label use!) (nel 1983)
video musicali:
This Charming Man di The Smiths (1980s English rock band)
parte di:
NME: Greatest “Indie” Anthems Ever: 2007 (numero: 11) e Indie 88: Top 500 Indie Rock Songs (numero: 36)
registrazione di:
This Charming Man
paroliere:
Morrissey (English singer-songwriter)
compositore:
Johnny Marr
editore:
Morrissey Marr Songs Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Smiths3.752:45
8Beat Surrender
produttore:
Peter Wilson (UK Producer)
tromba :
Martin Drover e Luke Tunney
voce di accompagnamento:
Afrodiziac, Claudia Fontaine (vocals, background vocals), Tracie (80s UK pop singer Tracie Young) e Caron Wheeler (English singer, songwriter, and record producer)
diritti fonografici (℗) detenuti da:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.)
registrata presso:
Phonogram Studios in London (Greater London), England, Regno Unito (nel 1982-10)
registrazione di:
Beat Surrender (nel 1982-10)
paroliere e compositore:
Paul Weller (English singer-songwriter and musician)
editore:
Notting Hill Music (UK) Ltd. e Stylist Music Ltd.
The Jam3:30
9Somewhere in My Heart
produttore:
Michael Jonzun
registrazione di:
Somewhere in My Heart
paroliere e compositore:
Roddy Frame
editore:
Complete Music Ltd.
Aztec Camera3.64:01
10To Cut a Long Story Short
produttore:
Richard James Burgess
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1980)
mixata presso:
Jam Studios in Finsbury Park, Hackney, Haringey, Islington, London (Greater London), England, Regno Unito
registrazione di:
To Cut a Long Story Short
paroliere e compositore:
Gary Kemp
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), PDC Music Publishing Pty. Ltd. e Reformation Publishing Co. Ltd.
Spandau Ballet3.53:21
11Save a Prayer
tecnico e produttore:
Colin Thurston
arrangiatore:
Duran Duran (English rock band)
diritti fonografici (℗) detenuti da:
Tritec Music Ltd. (publisher and copyrights holder) (dal 1982 a oggi)
registrazione di:
Save a Prayer (Duran Duran)
autore:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) e Roger Taylor (Duran Duran drummer)
editore:
Gloucester Place Music Ltd.
Duran Duran4.055:26
12Do You Really Want to Hurt Me
assistente tecnico:
Gordon Milne (engineer)
tecnico e produttore:
Steve Levine (producer)
tecnico di missaggio:
Steve Levine (producer) e Jon Moss
batteria e vibrafono :
Jon Moss
chitarra , pianoforte elettrico e sintetizzatore :
Roy Hay (Member of Culture Club and composer for film and television)
chitarra basso :
Mikey Craig (Culture Club bassist)
synclavier :
Keith Miller (Synthesiser Pioneer)
voce aggiuntiva:
Helen Terry (UK singer)
voce principale:
Boy George
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1982)
registrata presso:
Red Bus Studios in London (Greater London), England, Regno Unito (nel 1982)
video musicali:
Do You Really Want to Hurt Me di Culture Club (English pop group)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 58)
registrazione di:
Do You Really Want to Hurt Me
autore:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) e Jon Moss
editore:
EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd. e Virgin Music (Publishers) Ltd.
Culture Club3.954:24
13What Is Love
tecnico:
Stephen W. Tayler (UK engineer)
produttore:
Rupert Hine
voce principale:
Howard Jones (English singer, songwriter)
registrazione di:
What Is Love?
paroliere:
William Bryant (UK lyricist, writer and speaker) e Howard Jones (English singer, songwriter)
compositore:
Howard Jones (English singer, songwriter)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Howard Jones Music Ltd., Kobalt Music Group e Warner Chappell Publishing
Howard Jones4.53:42
14Life’s What You Make It
produttore:
Tim Friese‐Greene
batteria :
Lee Harris (drummer, member of Talk Talk and .O.Rang)
mellotron e organo :
Tim Friese‐Greene
percussione :
Martin Ditcham
pianoforte :
Mark Hollis
voce:
Mark Hollis
voce di accompagnamento:
Paul Webb (UK bassist for Talk Talk/O.rang, aka Rustin Man)
registrazione di:
Life’s What You Make It
autore:
Tim Friese‐Greene e Mark Hollis
Talk Talk3.84:29
15Life in a Northern Town
produttore:
David Gilmour (Pink Floyd), Nick Laird-Clowes e George Nicholson (engineer, producer)
produttore aggiunto:
David Gilmour (Pink Floyd)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 54)
registrazione di:
Life in a Northern Town
autore:
Gilbert Gabriel e Nick Laird-Clowes
dedicata a:
Nick Drake (English singer‐songwriter)
The Dream Academy4.34:17
16Only You
tecnico:
John Fryer (British producer and engineer) e Eric Radcliffe (UK producer / engineer / musician)
produttore:
Eric Radcliffe (UK producer / engineer / musician) e Yazoo (80s British synthpop duo, aka Yaz)
produttore aggiunto:
Daniel Miller (British music producer and founder of Mute Records)
sintetizzatore e tastiera :
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
voce:
Alison Moyet
diritti fonografici (℗) detenuti da:
Mute Records Ltd. (not for release label use! original company behind the Mute label) (nel 1982)
registrazione di:
Only You
paroliere e compositore:
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
editore:
Musical Moments Ltd., SM Publishing (UK) Limited (Sony Music, 2009–2020), Sonet Publishing e Sony/ATV Music Publishing (UK) Ltd.
Yazoo4.43:12
17Enola Gay
tecnico:
Laurence Diana e Max Norman
produttore:
Mike Howlett e Orchestral Manoeuvres in the Dark
basso e sintetizzatore :
Andy McCluskey
batteria e percussione :
Malcolm Holmes (drummer)
tastiera e sintetizzatore :
Paul Humphreys (Orchestral Manoeuvres in the Dark)
voce:
Paul Humphreys (Orchestral Manoeuvres in the Dark) e Andy McCluskey
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1980)
registrata presso:
Ridge Farm Studios in Dorking, Surrey, England, Regno Unito
mixata presso:
Advision Studios in Fitzrovia, Camden (Borgo londinese di Camden), Westminster, London (Greater London), England, Regno Unito
registrazione di:
Enola Gay
paroliere e compositore:
Andy McCluskey
editore:
Dinsong Music e Virgin Music Publishers Ltd.
Orchestral Manoeuvres in the Dark3.753:33
18Close (to the Edit)
produttore:
Trevor Horn
arrangiatore:
Trevor Horn
registrazione di:
Close (to the Edit)
compositore:
Anne Dudley (English score composer), Trevor Horn, J.J. Jeczalik, Gary Langan e Paul Morley
Art of Noise3:55
19Two Tribes
prodotta a:
London (Greater London), England, Regno Unito (nel 1984-03)
tecnico:
Steve Lipson
produttore:
Trevor Horn
voce:
Holly Johnson e Paul Rutherford (member of Frankie Goes to Hollywood)
diritti fonografici (℗) detenuti da:
Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (nel 1984)
registrazione di:
Two Tribes (nel 1983)
scritta a:
Liverpool, Merseyside, England, Regno Unito (dal 1982 al 1983)
paroliere e compositore:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson e Mark O’Toole (former bassist of Frankie Goes to Hollywood)
editore:
Perfect Songs Ltd. (UK publisher, affiliated with PRS)
Frankie Goes to Hollywood3.653:57
2▼CD: Part 3 / Part 4
#TitoloArtistaValutazioneDurata
1Money’s Too Tight (to Mention)
registrazione cover di:
Money’s Too Tight (to Mention)
autore:
Billy Valentine (US soul funk singer), John Valentine (Valentine Brothers) e Carolyn Wiggins
editore:
Songs for Today Ltd
Simply Red4:15
2Who’s That Girl
registrazione di:
Who’s That Girl?
paroliere e compositore:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) e Dave Stewart (UK guitarist/singer for Eurythmics)
Eurythmics4:47
3I Don’t Want to Talk About It
produttore:
Ben Watt (dal 1987-09 al 1987-12)
registrata presso:
Livingston Studios in Wood Green, Haringey, London (Greater London), England, Regno Unito (dal 1987-09 al 1987-12)
registrazione cover di:
I Don’t Want to Talk About It (dal 1987-09 al 1987-12)
paroliere e compositore:
Danny Whitten
editore:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Crazy Horse Music e Rondor Music
Everything but the Girl44:16
4Golden Brown
co-produttore:
Steve Churchyard
produttore:
Steve Churchyard e The Stranglers
tecnico di missaggio:
Tony Visconti
esecutore:
The Stranglers
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1981)
registrazione di:
Golden Brown
autore:
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) e Dave Greenfield
editore:
Complete Music, Complete Music Ltd., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd. e Plumbshaft-Ltd.
The Stranglers4.43:30
5Geno
tecnico:
Barry Hammond
produttore:
Pete Wingfield (keyboardist, singer, producer, songwriter)
registrazione di:
Geno
autore:
Al Archer e Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated)
Dexys Midnight Runners33:28
6Our House
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 13) e VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 29)
registrazione di:
Our House
paroliere:
Mike Barson, Mark Bedford, Graham McPherson, Carl Smyth, Lee “Kix” Thompson (Madness) e Daniel Woodgate
compositore:
Mike Barson, Mark Bedford, Chris Foreman (UK musician, aka “Chrissy Boy”), Graham McPherson, Lee “Kix” Thompson (Madness) e Daniel Woodgate
editore:
EMI Music Publishing Ltd. (PRS‐affiliated)
Madness3.93:22
7Ghost Town
tecnico:
John A. Rivers
trombone :
Rico Rodriguez (Jamaican trombonist)
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1981)
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 217)
registrazione di:
Ghost Town
paroliere e compositore:
Jerry Dammers
editore:
BMG Rights Management (UK) Limited (not for release label use! see annotation)
The Specials3.93:41
8Perfect
produttore:
Fairground Attraction e Kevin Moloney
assistente tecnico di missaggio:
Alistair Johnson (engineering)
tecnico di missaggio:
Kevin Moloney
voce principale:
Eddi Reader
diritti fonografici (℗) detenuti da:
BMG Records (UK) Limited (1987–1996) (nel 1988), BMG UK & Ireland Limited (holding company, do not add releases here) (nel 1988) e Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1988)
registrata presso:
Chipping Norton Studios in Chipping Norton, Oxfordshire, England, Regno Unito
video musicali:
Perfect di Fairground Attraction
registrazione di:
Perfect
paroliere e compositore:
Mark Nevin
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music Ltd., Universal Music Limited (UK sound recording / publishing company) e Universal/MCA Music Ltd. (not for release label use!)
Fairground Attraction4.353:37
9Favourite Shirts (Boy Meets Girl)
produttore:
Bob Sargeant
diritti fonografici (℗) detenuti da:
BMG Eurodisc Ltd. (nel 1981) e Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1981)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 31)
registrazione di:
Favourite Shirts (Boy Meets Girl)
paroliere e compositore:
Nick Heyward
editore:
Bryan Morrison Music Ltd.
Haircut One Hundred53:06
10The Look of Love
tecnico:
Gary Langan
produttore:
Trevor Horn
chitarra basso :
Mark Lickley
tastiera :
Mark White (ABC/Vice Versa)
voce principale:
Martin Fry
arrangiatore archi :
Anne Dudley (English score composer)
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1982), Mercury Records Ltd. (London) (for copyrights use only) (nel 1982), Phonogram Ltd. (not for release label use!) (nel 1982) e Phonogram Ltd. (London) (company name, NOT a label!) (nel 1982)
mixata presso:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Regno Unito (nel 1982)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 4), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 43) e The Downloader’s Music Source Book (numero: 73)
registrazione parziale di:
The Look of Love
autore:
Martin Fry, David Palmer (drummer (ABC/The The)), Stephen Singleton e Mark White (ABC/Vice Versa)
editore:
10 Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Neutron Music, Neutron Music Ltd., Virgin Music (Publishers) Ltd. e Virgin Music, Inc. (US arm of Virgin’s publishing company)
parte di:
Mantrap (ABC long-form film)
ABC3.93:30
11Fairytale of New York
tecnico:
Chris Dickie, Nick Lacey (engineer) e Roy Spong
produttore:
Steve Lillywhite
voce:
Kirsty MacColl
esecutore:
The Pogues (Irish-British Celtic punk band)
diritti fonografici (℗) detenuti da:
Warner Music UK Ltd. (not for release label use!) (nel 1987)
registrata presso e mixata presso:
RAK Studios in London (Greater London), England, Regno Unito
registrazione di:
Fairytale of New York
compositore:
Jeremy Fax Miner e Shane MacGowan
editore:
BMG Music Publishing Ltd. e Perfect Songs Ltd. (UK publisher, affiliated with PRS)
The Pogues44:34
12Each & Every One
tecnico:
Mike Pela
produttore:
Robin Millar
basso :
Chucho Merchán (nel 1984-01)
corno [horns] :
Nigel Nash (saxophonist) (nel 1984-01), Dick Pearce (trumpet) (nel 1984-01) e Pete King (English alto saxophonist) (nel 1984-01)
famiglia delle chitarre :
Ben Watt (nel 1984-01)
percussione :
Bosco d'Olivera (nel 1984-01)
voce:
Tracey Thorn (of Everything but the Girl) (nel 1984-01) e Ben Watt (nel 1984-01)
voce principale:
Tracey Thorn (of Everything but the Girl) (nel 1984-01)
esecutore ospite:
Peter King (English alto saxophonist) (nel 1984-01)
arrangiatore corno :
Ben Watt
registrata presso:
Power Plant in London (Greater London), England, Regno Unito (nel 1984-01)
registrazione di:
Each and Every One (nel 1984-01)
autore:
Tracey Thorn (of Everything but the Girl) e Ben Watt
editore:
Cherry Red Music (publisher) e Complete Music Ltd.
Everything but the Girl42:48
13Oblivious
tecnico:
John Brand (engineer)
produttore:
John Brand (engineer) e Bernie Clarke (keyboard / producer)
batteria e percussione :
Dave Ruffy
chitarra :
Roddy Frame
chitarra basso :
Campbell Owens
tastiera :
Bernie Clarke (keyboard / producer)
voce:
Roddy Frame
arrangiatore:
Roddy Frame
registrazione di:
Oblivious
paroliere e compositore:
Roddy Frame
Aztec Camera53:12
14The Killing Moon
tecnico di registrazione e produttore:
David Lord (British composer, engineer and producer)
tecnico di missaggio:
Echo & the Bunnymen e Gil Norton (British record producer)
arrangiatore:
Adam Peters
registrazione di:
The Killing Moon
autore:
Pete de Freitas, Ian McCulloch (Echo & the Bunnymen), Les Pattinson e Will Sergeant
Echo & the Bunnymen4.655:48
15Reward
registrazione di:
Reward
compositore:
Julian Cope e Alan Gill
The Teardrop Explodes2:45
16Since Yesterday
tecnico:
David Motion e Trig
produttore:
David Motion
chitarra :
Jill Bryson e Rose McDowall
voce:
Jill Bryson
voce di accompagnamento e voce principale:
Rose McDowall
arrangiatore:
David Motion
diritti fonografici (℗) detenuti da:
A Korova Recording e WEA Records Ltd. (holding company based in the UK)
registrazione di:
Since Yesterday
autore:
Jill Bryson e Rose McDowall
editore:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) e Zoo Music Publishing
versione di:
Dance
Strawberry Switchblade4.52:59
17How Soon Is Now?
tecnico:
Stephen Street (famous producer, songwriter)
produttore:
John Porter (producer and musician US and UK)
diritti fonografici (℗) detenuti da:
Sire Records Company (not for release label use!) (nel 1984) e Warner Music UK Ltd. (not for release label use!) (nel 1984)
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 3), NME: Greatest “Indie” Anthems Ever: 2007 (numero: 7), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 421) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 486)
registrazione di:
How Soon Is Now? (nel 1984-07)
paroliere:
Morrissey (English singer-songwriter)
autore:
Johnny Marr e Morrissey (English singer-songwriter)
compositore:
Johnny Marr
editore:
Morrissey Marr Songs Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Smiths4.756:47
18Imperial
Primal Scream3:37
19Fools Gold
produttore e tecnico di missaggio:
John Leckie
diritti fonografici (℗) detenuti da:
Silvertone Records Ltd. (company credits only; file NO releases here!) (nel 1989, nel 1990)
video musicali:
Fools Gold (Music video) di The Stone Roses
parte di:
NME: Greatest “Indie” Anthems Ever: 2007 (numero: 32) e Indie 88: Top 500 Indie Rock Songs (numero: 145)
registrazione di:
Fools Gold
autore:
Ian Brown (UK singer, member of Stone Roses) e John Squire
editore:
Universal Music Publishers MGB Australia Pty Ltd
The Stone Roses4.44:16

Accreditamenti