Solid Gold Soul 1965

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1I Got You (I Feel Good)
registrata a:
Miami, Florida, Stati Uniti (il 1965-05-06)
produttore:
James Brown (The Godfather of Soul)
basso :
Bernard Odum (il 1965-05-06)
batteria :
Melvin Parker (il 1965-05-06)
chitarra :
Alphonso "Country" Kellum (il 1965-05-06) e Jimmy Nolen (il 1965-05-06)
organo :
Nat Jones (Saxophonist and organist, worked with James Brown) (il 1965-05-06)
sassofono contralto :
Nat Jones (Saxophonist and organist, worked with James Brown) (il 1965-05-06) e Maceo Parker (US funk/jazz saxophonist) (il 1965-05-06)
sassofono tenore :
Al "Brisco" Clark (il 1965-05-06), St. Clair Pinckney (il 1965-05-06) e Eldee Williams (il 1965-05-06)
tromba :
Joe Dupars (il 1965-05-06), Mike Ridley (il 1965-05-06) e Ron Tooley (American trumpeter) (il 1965-05-06)
trombone :
Levi Rasbury (il 1965-05-06)
voce principale:
James Brown (The Godfather of Soul) (il 1965-05-06)
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1965), Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (nel 1965) e PolyGram Inc. (1978–1990) (nel 1988)
registrata presso:
Criteria Studios in Miami, Florida, Stati Uniti (il 1965-05-06)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 78) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 359)
registrazione cover di:
I Found You (a.k.a. I Got You (I Feel Good)) (il 1965-05-06)
paroliere e compositore:
James Brown (The Godfather of Soul)
editore:
Fort Knox Music Co, Hudson Bay Music Inc., J. Albert & Son Pty. Ltd., Peter Maurice Music Co. Ltd., Trio Music Co., Inc. e Try Me Inc.
James Brown4.72:48
2Rescue Me
produttore:
Billy Davis (r&b producer/songwriter/performer Roquel Davis), Raynard Miner e Carl Smith (US songwriter and producer active in Chicago)
voce principale:
Fontella Bass
arrangiatore:
Phil Wright (American jazz pianist and assistant to Barbara Morrison)
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1965) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1965)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (numero: 31)
registrazione di:
Rescue Me
autore:
Raynard Miner e Carl Smith (US songwriter and producer active in Chicago)
editore:
United Artists Music Co., Inc. (conclusa), Chevis Music Publ. Corp. e Reservoir 416
Fontella Bass4.52:51
3In the Midnight Hour
registrata a:
Memphis, Tennessee, Stati Uniti (il 1965-05-12)
produttore:
Jim Stewart (US producer, founder for Stax & Volt Records) e Jerry Wexler
basso elettrico [electric bass] :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (il 1965-05-12)
batteria :
Al Jackson (Booker T & The MGs drummer) (il 1965-05-12)
chitarra :
Steve Cropper (il 1965-05-12)
pianoforte :
Joe Hall (Stax studio pianist, 1960s) (il 1965-05-12)
sassofono baritono :
Floyd Newman (il 1965-05-12)
sassofono tenore :
Charles “Packy” Axton (il 1965-05-12) e Andrew Love (il 1965-05-12)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (il 1965-05-12)
voce:
Wilson Pickett (il 1965-05-12)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1965)
registrata presso:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, Stati Uniti (il 1965-05-12)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (numero: 5), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 134) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 218)
registrazione di:
In the Midnight Hour (il 1965-05-12)
autore:
Steve Cropper e Wilson Pickett
editore:
Carlin Music Corporation, Cotillion Music Inc. (BMI), East Publishing Inc. e Irving Music, Inc.
Wilson Pickett32:33
4We’re Gonna Make It
voce:
Little Milton (US blues singer and guitarist Milton Campbell)
registrata presso:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, Stati Uniti
registrazione cover di:
We’re Gonna Make It
autore:
Gene Barge, Billy Davis (r&b producer/songwriter/performer Roquel Davis), Raynard Miner e Carl Smith (US country music singer)
editore:
Chevis Publishing Corp.
Little Milton32:38
5People Get Ready
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 24), Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (numero: 28) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 122)
registrazione di:
People Get Ready
paroliere e compositore:
Curtis Mayfield
editore:
Mijac Music, Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Impressions42:42
6The Tracks of My Tears
produttore:
Bill “Smokey” Robinson
diritti fonografici (℗) detenuti da:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1965)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 50) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 54)
registrazione di:
The Tracks of My Tears (il 1965-05-19)
autore:
Warren “Pete” Moore, Smokey Robinson e Marvin Tarplin
editore:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) e Jobete Music Co., Inc.
sub-editore:
Jobete Music (UK) Ltd.
registrazione di:
The Tracks of My Tears (il 1971-05-06)
autore:
Warren “Pete” Moore, Smokey Robinson e Marvin Tarplin
editore:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) e Jobete Music Co., Inc.
sub-editore:
Jobete Music (UK) Ltd.
The Miracles4.252:56
7Stop! In the Name of Love
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
strumenti:
The Funk Brothers (dal 1965-01-05 al 1965-01-11)
voce di accompagnamento:
The Andantes (dal 1965-01-05 al 1965-01-11), Florence Ballard (dal 1965-01-05 al 1965-01-11) e Mary Wilson (dal 1965-01-05 al 1965-01-11)
voce principale:
Diana Ross (dal 1965-01-05 al 1965-01-11)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1965)
registrata presso:
Hitsville (Motown Records) in Detroit, Michigan, Stati Uniti (dal 1965-01-05 al 1965-01-11)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (numero: 13) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 254)
registrazione di:
Stop! In the Name of Love (dal 1965-01-05 al 1965-01-11)
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
Jobete Music (UK) Ltd., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
The Supremes4.152:54
8Shotgun
basso :
James Jamerson (nel 1964)
chitarra :
Eddie Willis (nel 1964) e Willie Woods (US guitarist & songwriter) (nel 1964)
membranofono :
Benny Benjamin (US drummer) (nel 1964)
organo :
Victor Thomas (keyboardist) (nel 1964)
sassofono tenore e voce principale:
Junior Walker (nel 1964)
tamburello :
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (nel 1964)
voce di accompagnamento:
Willie Woods (US guitarist & songwriter) (nel 1964)
registrata presso:
Hitsville (Motown Records) in Detroit, Michigan, Stati Uniti (nel 1964)
registrazione di:
Shotgun (nel 1964)
autore:
Autry De Walt
compositore:
Autry De Walt e Junior Walker
editore:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK), Jobete Music Co. e What Does It Take Publishing (BMI-affiliated)
Jr. Walker & the All Stars3:05
9The “In” Crowd
The Ramsey Lewis Trio3:17
10Hold What You’ve Got
registrata a:
Muscle Shoals, Alabama, Stati Uniti (il 1964-11-06)
tecnico di registrazione:
Tom Dowd
produttore:
Buddy Killen
basso :
Warren Jones (bass, Soul) (il 1964-11-06)
basso elettrico [electric bass] :
Clarence Hadley (il 1964-11-06)
batteria :
Clyde Williams (US drummer) (il 1964-11-06)
chitarra :
Lee Royal Hadley (guitar, Soul) (il 1964-11-06)
sassofono baritono :
Mack Williams (saxophone) (il 1964-11-06)
sassofono tenore :
Eddie Williams (saxophone) (il 1964-11-06)
voce:
Joe Tex (American southern soul musician) (il 1964-11-06)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 26)
registrazione di:
Hold What You’ve Got (dal 1964 al 1964-11-06)
paroliere e compositore:
Joe Tex (American southern soul musician)
editore:
Fort Knox Music Inc., Sony/ATV Tree Publishing e Trio Music Company
Joe Tex3:10
11Hurt So Bad
registrazione di:
Hurt So Bad
autore:
Bobby Wilding (US songwriter), Bobby Hart e Teddy Randazzo
editore:
Embassy Music Corporation, Songs of Universal, Inc. (BMI), Teddy Randazzo Music e Vogue Music
Little Anthony & the Imperials2:19
12Papa’s Got a Brand New Bag
produttore:
James Brown (The Godfather of Soul)
basso :
Bernard Odum (nel 1965-02) e Sam Thomas (US rockabilly artist) (nel 1965-02)
batteria :
Melvin Parker (nel 1965-02)
chitarra :
Jimmy Nolen (nel 1965-02)
organo e sassofono contralto :
Nat Jones (Saxophonist and organist, worked with James Brown) (nel 1965-02)
sassofono baritono :
Maceo Parker (US funk/jazz saxophonist) (nel 1965-02)
sassofono tenore :
Al Brisco Clark (nel 1965-02), Maceo Parker (US funk/jazz saxophonist) (nel 1965-02), St. Clair Pinckney (nel 1965-02) e Eldee Williams (nel 1965-02)
tromba :
Joe Dupars (nel 1965-02) e Ron Tooley (American trumpeter) (nel 1965-02)
trombone :
Wilmer Milton (nel 1965-02) e Levi Rasbury (nel 1965-02)
voce principale:
James Brown (The Godfather of Soul) (nel 1965-02)
esecutore:
The James Brown Band (nel 1965-02)
registrata presso:
Arthur Smith Studios in Charlotte, North Carolina, Stati Uniti (nel 1965-02)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 34) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 72)
registrazione parziale di:
Papa’s Got a Brand New Bag (nel 1965-02)
paroliere e compositore:
James Brown (The Godfather of Soul)
parte di:
MJ: The Musical
James Brown3.652:03
13Nowhere to Run
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 359)
registrazione di:
Nowhere to Run
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
autore:
Holland–Dozier–Holland
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
EMI Music (do not use as release label! this is a music publisher), Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Martha Reeves and the Vandellas4.652:57
14I Can’t Help Myself (Sugar Pie, Honeybunch)
Four Tops2:45
15Ride Your Pony
Lee Dorsey2:54
16My Girl
produttore:
Smokey Robinson e Ronald White (soul singer, founding member of The Miracles)
archi :
Detroit Symphony Orchestra (dal 1964-09-25 al 1964-11-17)
basso :
James Jamerson (dal 1964-09-25 al 1964-11-17)
batteria :
Benny Benjamin (US drummer) (dal 1964-09-25 al 1964-11-17)
chitarra :
Robert White (US funk/soul guitarist) (dal 1964-09-25 al 1964-11-17)
strumenti:
The Funk Brothers (dal 1964-09-25 al 1964-11-17)
voce di accompagnamento:
Eddie Kendricks (dal 1964-09-25 al 1964-11-17), Otis Williams (US baritone singer, member of The Temptations & The Distants) (dal 1964-09-25 al 1964-11-17) e Paul Williams (member of The Temptations) (dal 1964-09-25 al 1964-11-17)
voce principale:
David Ruffin (soul singer, member of The Temptations) (dal 1964-09-25 al 1964-11-17)
esecutore:
The Temptations (Motown soul vocal group) (dal 1964-09-25 al 1964-11-17)
arrangiatore archi :
Paul Riser
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1964)
registrata presso:
Hitsville (Motown Records) in Detroit, Michigan, Stati Uniti (dal 1964-09-25 al 1964-11-17)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 3), Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (numero: 11), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 43) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 88)
registrazione di:
My Girl (dal 1964-09-25 al 1964-11-17)
paroliere:
Smokey Robinson
compositore:
Smokey Robinson e Ronald White (soul singer, founding member of The Miracles)
editore:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Music for Africa (South Africa), Poochum, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
The Temptations4.52:45
17Baby I’m Yours
produttore:
Bert Berns e Ollie McLaughlin
archi :
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.) (il 1965-01-08)
batteria [drums] :
Gary Chester (studio drummer and educator) (il 1965-01-08)
chitarra :
Bill Suyker (il 1965-01-08)
contrabbasso [bass] :
Jimmy Lewis (jazz bassist) (il 1965-01-08)
pianoforte :
Paul Griffin (American pianist, session musician) (il 1965-01-08)
sassofono baritono :
Haywood Henry (US jazz saxophonist) (il 1965-01-08)
sassofono tenore :
Charlie Brown (saxophonist) (il 1965-01-08)
tromba :
Dud Bascomb (Sr., jazz trumpeter) (il 1965-01-08) e Clark Terry (American swing trumpeter) (il 1965-01-08)
trombone :
Jimmy Cleveland (US jazz trombonist) (il 1965-01-08) e Tony Studd (il 1965-01-08)
voce:
Barbara Lewis (il 1965-01-08)
voce di accompagnamento:
vocal group ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.) (il 1965-01-08)
direttore d'orchestra:
Teacho Wiltshire (il 1965-01-08)
arrangiatore:
Teacho Wiltshire
remaster di:
Baby, I’m Yours di Barbara Lewis
campionamenti da:
Hello Stranger: The Best of Barbara Lewis di Barbara Lewis
registrazione di:
Baby, I’m Yours (il 1965-01-08)
paroliere e compositore:
Van McCoy
editore:
EMI Blackwood Music Inc. e Van McCoy Music
Barbara Lewis2:32
18Ain’t That Peculiar
produttore:
Smokey Robinson
registrazione cover di:
Ain’t That Peculiar
autore:
Marv Tarplin, Robert Rogers, Warren Moore e William Robinson
editore:
Jobete Music (UK) Ltd., Jobete Music Co., Inc., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
parte di:
American Splendor
Marvin Gaye3.653:02
19Got to Get You Off My Mind
registrazione di:
Got to Get You Off My Mind (Solomon Burke)
autore:
Solomon Burke, Delores Burke (Composer) e J.B. Moore (producer, composer)
Solomon Burke2:00
20Oo Wee Baby, I Love You
registrazione di:
Oo Wee Baby, I Love You
paroliere e compositore:
Richard Parker (Australian singer)
editore:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”)
Fred Hughes2:21
21I Do Love You
registrazione di:
I Do Love You
Billy Stewart3:02
22I’ve Been Loving You Too Long (to Stop Now)
registrazione di:
I’ve Been Loving You Too Long
autore:
Jerry Butler (soul singer) (nel 1965) e Otis Redding (nel 1965)
editore:
East (US publishing company affiliated with BMI), Time (US publishing entity affiliated with BMI) e Wildwood Music Ltd.
Otis Redding3:11

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parte di:Solid Gold Soul (Time-Life Music) (numero: 12) (ordine: 12)