Decades 3: Five Decades of Hits

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1CD
#TitoloArtistaValutazioneDurata
1All Good Things (Come to an End) (radio edit)
produttore:
Danja (US producer Nate Hills) e Timbaland
batteria :
Timbaland
chitarra :
Dan Warner (Melbourne guitarist singer songwriter)
voce di accompagnamento:
Jim Beanz
registrazione di:
All Good Things (Come to an End)
paroliere:
Nelly Furtado
compositore:
Nelly Furtado, Chris Martin (lead singer of Coldplay), Nate Hills (US producer Nate Hills) e Timothy Mosley
Nelly Furtado4:20
2Buttons
voce:
Snoop Dogg (US rapper)
registrazione di:
Buttons (with Snoop Dogg)
autore:
Calvin Broadus (aka Snoop Dogg), Sean Garrett, Jamal Jones, Jason Perry (UK rock producer/songwriter, formerly of “A”) e Nicole Scherzinger
revisione di:
Buttons (original)
The Pussycat Dolls feat. Snoop Dogg23:49
3Ugly
diritti fonografici (℗) detenuti da:
Universal Island Records Ltd. (not for release label use! company known by this name from 1999-03-29 to 2014-06-25) (nel 2005)
registrazione di:
Ugly
paroliere e compositore:
Dallas Austin
Sugababes3.353:51
4Patience
assistente tecnico di registrazione:
Robin Baynton (archi), Andrew Dudman (UK recording engineer and mixer, early 21c) (archi), Mike Horner e Lewis Jones (engineer) (archi)
tecnico di registrazione e tecnico di missaggio:
Jeff Rothschild
supporto a vario titolo:
Shari Sutcliffe (incarico: production coordinator)
produttore:
John Shanks
basso , chitarra [guitars] e tastiera [keyboards] :
John Shanks
batteria [drums] :
Jeff Rothschild
pianoforte e voce principale:
Gary Barlow
voce:
Howard Donald, Jason Orange e Mark Owen (singer–songwriter)
orchestra:
London Session Orchestra
arrangiatore archi :
Wil Malone
primo violino:
Gavyn Wright (UK violinist, conductor)
diritti fonografici (℗) detenuti da:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (nel 2006)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (archi), Henson Recording Studios (former A&M Studios) in Hollywood, Los Angeles, California, Stati Uniti e RAK Recording Studios in London (Greater London), England, Regno Unito
mixata presso:
Henson Recording Studios (former A&M Studios) in Hollywood, Los Angeles, California, Stati Uniti
video musicali:
Patience (music video) di Take That
registrazione di:
Patience
autore:
Gary Barlow, Howard Donald, Jason Orange, Mark Owen (singer–songwriter) e John Shanks
editore:
BMG Music Publishing Ltd., John Shanks Music, Sony/ATV Music Publishing (UK) Ltd. e WB Music Corp. (1929–2019)
registrazione dal vivo di:
Patience
autore:
Gary Barlow, Howard Donald, Jason Orange, Mark Owen (singer–songwriter) e John Shanks
editore:
BMG Music Publishing Ltd., John Shanks Music, Sony/ATV Music Publishing (UK) Ltd. e WB Music Corp. (1929–2019)
Take That43:20
5A Man Without Love
co-produttore esecutivo:
Eddie O’Loughlin
produttore esecutivo:
Christian Seitz
voce di baritono:
Patrizio Buanne
orchestra:
Royal Philharmonic Orchestra
direttore d'orchestra:
Johnny Bertl
arrangiatore:
Robin Smith (songwriter/pianist/conductor/producer)
registrata presso:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Regno Unito
registrazione di:
A Man Without Love (Quando m'innamoro)
paroliere:
Mario Panzeri (Italian lyricist and composer)
compositore:
Roberto Livraghi e Daniele Pace (italian lyricist & songwriter)
traduttore:
Barry Mason (English songwriter)
editore:
Sugar Music (German publisher)
versione tradotta di:
Quando m’innamoro
Patrizio Buanne33:24
6She Will Be Loved
programmazione:
Sam Farrar
assistente tecnico:
Posie Muliadi e Danny Wright (US engineer)
tecnico:
Mike Landolt
produttore e tecnico di missaggio:
Matt Wallace (US producer & engineer)
registrazione di:
She Will Be Loved
paroliere e compositore:
Adam Levine (Maroon 5’s lead vocalist) e James Valentine (Maroon 5)
editore:
February Twenty Second Music Inc., Universal Music Careers, Universal Music–MGB Songs e Valentine, Valentine
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Maroon 53.74:16
7Flying
tecnico:
Ben Dobie e Kirk McNally
produttore:
Bryan Adams (Canadian singer/songwriter) e R.J. 'Mutt' Lange (Robert John Lange)
assistente tecnico di missaggio:
Kevin Harp
tecnico di missaggio:
Bob Clearmountain
fisarmonica e pianoforte :
Maurice Seezer (dal 2002-09-29 al 2004-06-04)
tin whistle [irish whistle] :
Declan Masterson (dal 2002-09-29 al 2004-06-04)
arrangiatore archi :
Gavin Greenaway
registrata presso:
Westland Studios in Dublin, County Dublin, Leinster, Irlanda (dal 2002-09-29 al 2004-06-04)
mixata presso:
Mix This! in Pacific Palisades, Los Angeles, California, Stati Uniti
registrazione di:
Flying (dal 2002-09-29 al 2004-06-04)
autore:
Bryan Adams (Canadian singer/songwriter) e Robert John “Mutt” Lange (Robert John Lange)
editore:
Badams Music Limited (nel 2003) e Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) (nel 2003)
Bryan Adams34:04
8I Like the Way
produttore:
BodyRockers
video musicali:
I Like The Way di BodyRockers
registrazione di:
I Like the Way
autore:
Dylan Burns e Kaz James
BodyRockers33:20
9Man! I Feel Like a Woman!
assistente alla programmazione:
Jay Alvarez e James Somberg
programmazione, tecnico di missaggio e editor:
Olle Romo (Swedish music producer, songwriter, and drummer)
programmazione aggiuntiva:
Bjorn Thornsrud
produttore:
Robert John “Mutt” Lange (Robert John Lange)
violino folk :
Glen Duncan (bluegrass multi-instrument musician), Rob Hajacos, Aubrey Haynie e Joe Spivey
arrangiatore:
Robert John “Mutt” Lange (Robert John Lange)
diritti fonografici (℗) detenuti da:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) e Mercury Records (the holding company; for use as ℗&© credits only!) (nel 2022)
video musicali:
Man! I Feel Like a Woman! di Shania Twain
registrazione di:
Man! I Feel Like a Woman!
autore:
Eilleen Regina Lange e Robert John Lange
editore:
Out-of-Pocket Productions Ltd.
Shania Twain43:54
10Hanging by a Moment
assistente tecnico di registrazione:
Bill Kinsley e Monique Mizrahi
tecnico di registrazione:
Ron Aniello, Neal Avron (American engineer) e Jim Scott (US recording engineer and producer)
assistente tecnico:
Paul Hayden (engineer)
tecnico aggiunto:
Bob Kearny e Marc Greene (engineer)
produttore:
Ron Aniello
assistente tecnico di missaggio:
Carl Egsieker e Ryan Williams (US recording engineer/producer)
tecnico di missaggio:
Brendan O’Brien (engineer)
batteria :
Diff
chitarra e voce principale:
Jason Wade
chitarra basso :
Sergio Andrade
contrabbasso [string bass] aggiunto:
John Leftwhich (Jazz bassist)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 2000) e SKG Music L.L.C. (for copyrights use only, company associated with Dreamworks Records) (nel 2000, nel 2001, nel 2009)
registrata presso:
Cello in Hollywood, Los Angeles, California, Stati Uniti, Panembriello e Sunset Sound in Hollywood, Los Angeles, California, Stati Uniti
mixata presso:
Southern Tracks in Atlanta, Georgia, Stati Uniti
parte di:
My VH1 Music Awards – Your Song Kicked Ass but Was Played Too Damn Much Nominees (2001)
registrazione di:
Hanging by a Moment
paroliere e compositore:
Jason Wade
editore:
G‐Chills e Songs of DreamWorks
Lifehouse3.653:35
11If It Makes You Happy
assistente tecnico di registrazione:
Ron Black, S. “Husky” Höskulds, Cappy Japngie e John Paterno
tecnico di registrazione:
Tchad Blake, Blair Lamb, Bob Salcedo e Trina Shoemaker
produttore:
Sheryl Crow (American singer-songwriter and musician)
tecnico di missaggio:
Tchad Blake
basso elettrico [bass] :
Dan Rothchild
batteria :
Michael Urbano
chitarra [guitars] :
Jeff Trott
tastiera :
Sheryl Crow (American singer-songwriter and musician)
voce:
Sheryl Crow (American singer-songwriter and musician)
diritti fonografici (℗) detenuti da:
A&M Records, Inc. (nel 1996)
registrazione di:
If It Makes You Happy
autore:
Sheryl Crow (American singer-songwriter and musician) e Jeff Trott
editore:
Ole Media Management LP II, Reservoir One America, Old Crow Music (Sheryl Crow’s publishing label) (nel 1996), Trottsky Music (nel 1996) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (nel 1996)
registrazione dal vivo di:
If It Makes You Happy
autore:
Sheryl Crow (American singer-songwriter and musician) e Jeff Trott
editore:
Ole Media Management LP II, Reservoir One America, Old Crow Music (Sheryl Crow’s publishing label) (nel 1996), Trottsky Music (nel 1996) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (nel 1996)
Sheryl Crow3.955:24
12Sky
diritti fonografici (℗) detenuti da:
Jimmy and Doug’s Farmclub.com (aka Jimmy and Doug’s Farm Club)
video musicali:
Sky (video) di Sonique (Sonia Clarke)
registrazione di:
Sky
autore:
Rick Nowels e Sonique (Sonia Clarke)
editore:
April Music Inc., EMI (EMI Records, or EMI Music only if there is no other imprint) e Future Furniture Music
Sonique3.354:02
13Lifted
diritti fonografici (℗) detenuti da:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (nel 1996)
registrazione di:
Lifted
autore:
Tunde Baiyewu, Martin Brammer (English singer-songwriter, composer, record producer, vocalist and lyricist) e Paul Tucker
editore:
Lots of Hits Music e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Lighthouse Family24:16
14Summer Son
registrazione di:
Summer Son
paroliere e compositore:
Eddie Campbell (Scottish keyboardist for Texas/The Incredible Blondes), Robert Hodgens, Johnny McElhone e Sharleen Spiteri
editore:
23rd Precinct Music Ltd. e BMG 10 Music Ltd.
Texas4:02
15How Bizarre
tecnico e produttore:
Alan Jansson
tecnico aggiunto e tecnico di missaggio aggiunto:
Rick Huntington
chitarra :
Lee Baker (NZ guitarist)
fisarmonica :
Hershal Herscher
tromba :
George Chisholm (jazz trombonist (1915-1997))
voce di accompagnamento:
Sina Saipaia
diritti fonografici (℗) detenuti da:
Universal Music NZ Ltd. (Universal’s subsidiary in New Zealand; DO NOT USE as an imprint) (nel 1995)
registrazione di:
How Bizarre
autore:
Pauly Fuemana e Alan Jansson
editore:
Lamont Music
parte di:
APRA Top 100 New Zealand Songs of All Time (numero: 34)
OMC3.953:45
16Breakfast at Tiffany’s
tecnico, produttore e tecnico di missaggio:
David Castell
batteria e percussione :
John Kirtland (Drummer, head of Kirtland Records)
chitarra acustica e chitarra elettrica :
Toby Pipes, Todd Pipes e Kirk Tatom
chitarra basso :
Todd Pipes e Kirk Tatom
chitarra lap steel :
Toby Pipes
organo e pianoforte :
Kirk Tatom
tastiera :
Toby Pipes e Todd Pipes
voce:
Toby Pipes, Todd Pipes e Kirk Tatom
diritti fonografici (℗) detenuti da:
Interscope Records (part of UMG Recordings, Inc.) (nel 1995) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1995)
registrazione di:
Breakfast at Tiffany’s
paroliere e compositore:
Todd Pipes
editore:
Warner Chappell North America e WC Music Corp.
Deep Blue Something3.74:17
17What’s Up
tecnico di registrazione:
David Tickle (nel 1992)
tecnico di mastering:
Stephen Marcussen (mastering engineer)
tecnico:
Mark Hensley
tecnico aggiunto:
Jessie Kanner (1980s–90s assistant engineer/mixer, Lion Share Recording Studios), Kent Mactke, Laurent Tardy e Paul Dieter (American sound engineer and producer.)
produttore e tecnico di missaggio:
David Tickle
basso :
Christa Hillhouse (nel 1992)
batteria :
Dawn Richardson (nel 1992)
chitarra :
Louis Metoyer (nel 1992) e Roger Rocha (nel 1992)
chitarra acustica e chitarra elettrica :
Linda Perry (rock singer‐songwriter & producer) (nel 1992)
voce:
Christa Hillhouse (nel 1992) e Linda Perry (rock singer‐songwriter & producer) (nel 1992)
diritti fonografici (℗) detenuti da:
Interscope Records (part of UMG Recordings, Inc.) (nel 1992, nel 1993)
registrata presso:
Groove Masters in Santa Monica, California, Stati Uniti (nel 1992), The Bunker (nel 1992) e The Plant Studios (1981–2008) in Sausalito, California, Stati Uniti (nel 1992)
mixata presso:
The Bunker
registrazione di:
What’s Up? (nel 1992)
paroliere e compositore:
Linda Perry (rock singer‐songwriter & producer)
editore:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Famous Music Publishing Germany GmbH & Co. KG, Sony Music Publishing (US) LLC (since 2021; fka Sony/ATV Music Publishing LLC), Sony/ATV Harmony, Sony/ATV Harmony UK, Stuck in the Throat e Stuck in the Throat Music
4 Non Blondes4.354:11
18I’ll Make Love to You
Boyz II Men3:52
2CD
#TitoloArtistaValutazioneDurata
1When You Say Nothing at All
programmazione e produttore:
Stephen Lipson
tecnico e tecnico di missaggio:
Heff Moraes
basso :
Stephen Lipson
batteria :
Andy Duncan (UK drummer and producer)
chitarra :
Dominic Miller (guitarist)
fisarmonica e fischietto :
James McNally
tastiera :
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
voce:
Ronan Keating
voce di accompagnamento:
Tessa Niles e Miriam Stockley
diritti fonografici (℗) detenuti da:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (nel 1999) e Polygram Ireland Ltd. (nel 1999)
registrata presso:
Metropolis (London) in London (Greater London), England, Regno Unito e The Aquarium (Studio) in London (Greater London), England, Regno Unito
mixata presso:
The Aquarium (Studio) in London (Greater London), England, Regno Unito
registrazione di:
When You Say Nothing at All
autore:
Paul Overstreet (country singer and songwriter) e Don Schlitz
registrazione cover di:
When You Say Nothing at All
autore:
Paul Overstreet (country singer and songwriter) e Don Schlitz
Ronan Keating2.74:12
2Linger
tecnico e produttore:
Stephen Street (famous producer, songwriter)
tecnico aggiunto:
Aiden McGovern
batteria e percussione :
Fergal Lawler
chitarra acustica e chitarra elettrica :
Noel Hogan
chitarra basso :
Mike Hogan (bassist for The Cranberries)
voce di accompagnamento:
Noel Hogan e Mike Mahoney
voce principale:
Dolores O’Riordan
diritti fonografici (℗) detenuti da:
Island Records, Inc. (US) (nel 1993)
registrata presso:
Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Irlanda
mixata presso:
Maison Rouge in London (Greater London), England, Regno Unito
video musicali:
Linger di The Cranberries
registrazione di:
Linger
paroliere:
Dolores O’Riordan
compositore:
Noel Hogan e Dolores O’Riordan
editore:
Island Music Ltd.
The Cranberries4.14:32
3Sacrifice
Elton John5:02
4Now That We Found Love
produttore:
Teddy Riley (US R&B singer & producer)
esecutore ospite:
Aaron Hall (R&B singer)
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1991)
video musicali:
Now That We Found Love di Heavy D. & the Boyz
registrazione cover di:
Now That We Found Love
autore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Blue Mountain Music Ltd, Mighty Three Music 301 /373, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (fino al 2017-03-31) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi)
Heavy D. & the Boyz44:18
5Wouldn’t It Be Good
tecnico di registrazione:
Julian Mendelsohn (Australian record producer and engineer) (nel 1983)
assistente tecnico:
Roger Howorth
produttore:
Peter Collins (producer)
tecnico di missaggio:
Julian Mendelsohn (Australian record producer and engineer)
voce principale:
Nik Kershaw (nel 1983)
arrangiatore corno :
Jerry Hey e Nik Kershaw
arrangiatore:
Nik Kershaw
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1983) e MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (nel 1984)
mixata presso:
Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Regno Unito
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 88)
registrazione di:
Wouldn’t It Be Good (nel 1983)
paroliere e compositore:
Nik Kershaw
editore:
Arctic King, Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Imagem Music UK, Imagem Songs Ltd., Irving Music, Inc., Mamal, Rondor Music, Rondor Music (London) Ltd., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing, Synch Division e Yamaha Music EH(CM)
parte di:
Gotcha! (1985 film soundtrack)
Nik Kershaw4.354:28
6Humpin’ Around
registrazione di:
Humpin’ Around
autore:
Babyface (R&B musician Kenny Edmonds), Bobby Brown (R&B singer, New Edition member), L.A. Reid, Daryl Simmons e Stylz
editore:
Bobby Brown Music (nel 1992), Green Skirt Music (publisher) (nel 1992), Kear Music (publisher) (nel 1992), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (nel 1992) e Stylz Publishing Designee (nel 1992)
Bobby Brown6:26
7Addicted to Love
produttore:
Bernard Edwards (American bassist and record producer)
video musicali:
Addicted to Love di Robert Palmer (English singer‐songwriter)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 85)
registrazione di:
Addicted to Love
paroliere e compositore:
Robert Palmer (English singer‐songwriter)
editore:
Bungalow Music, Bungalow Music N.V., Heavy Nova Music, Island Music Ltd., Neue Welt Musikverlag GmbH & Co. KG (– 2017), Warner Chappell North America Ltd., Warner/Chappell Music Canada Ltd., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) e WC Music Corp.
Robert Palmer4.755:57
8The Only One
Transvision Vamp4:17
9Change
produttore:
Ross Cullum e Chris Hughes (producer, aka “Merrick”)
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1983)
registrazione di:
Change
paroliere e compositore:
Roland Orzabal (UK musician, songwriter and producer)
editore:
Roland Orzabal Ltd.
Tears for Fears3:53
10The Look of Love, Part 1
tecnico:
Gary Langan
produttore:
Trevor Horn
chitarra basso :
Mark Lickley
tastiera :
Mark White (ABC/Vice Versa)
voce principale:
Martin Fry
arrangiatore archi :
Anne Dudley (English score composer)
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1982), Mercury Records Ltd. (London) (for copyrights use only) (nel 1982), Phonogram Ltd. (not for release label use!) (nel 1982) e Phonogram Ltd. (London) (company name, NOT a label!) (nel 1982)
mixata presso:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Regno Unito (nel 1982)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 4), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 43) e The Downloader’s Music Source Book (numero: 73)
registrazione parziale di:
The Look of Love
autore:
Martin Fry, David Palmer (drummer (ABC/The The)), Stephen Singleton e Mark White (ABC/Vice Versa)
editore:
10 Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Neutron Music, Neutron Music Ltd., Virgin Music (Publishers) Ltd. e Virgin Music, Inc. (US arm of Virgin’s publishing company)
parte di:
Mantrap (ABC long-form film)
ABC3.93:29
11If I Could Turn Back Time
tecnico di registrazione e tecnico di missaggio:
Frank Wolf (engineer at Skyline Recording)
assistente tecnico:
Ken Allardyce, Mario Luccy, Craig Porteils (producer, engineer) e Duane Seykora
tecnico aggiunto:
Guy Roche
produttore:
Guy Roche e Diane Warren (US songwriter)
batteria e tamburello :
Mark T. Williams
chitarra :
Steve Lukather
chitarra aggiunto:
Gene Black e Glenn Sciurba
chitarra basso :
John Pierce (US session bassist)
tastiera :
Alan Pasqua e Guy Roche
voce di accompagnamento:
Michael Anthony (US bassist, formerly of Van Halen), Robin Beck, Desmond Child, Jimmy Demers, Jean McClain e Maria Vidal (American singer-songwriter)
voce principale:
Cher
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1989) e The David Geffen Company (legal rights relating to Geffen Records) (nel 1989)
registrata presso:
Bill Schnee Studios in North Hollywood, Los Angeles, California, Stati Uniti e Criterion Studios in Los Angeles, California, Stati Uniti
mixata presso:
The Complex Studios in Los Angeles, California, Stati Uniti
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 386)
registrazione di:
If I Could Turn Back Time
paroliere e compositore:
Diane Warren (US songwriter)
editore:
EMI Music Publishing (do not use as a release label!) e Realsongs (nel 1989)
Cher3.753:59
12Name and NumberCuriosity Killed the Cat4:00
13Somebody’s Watching Me
produttore:
Curtis Anthony Nolen e Rockwell (R & B – “Somebody’s Watching Me”)
voce di accompagnamento:
Jermaine Jackson (soul/pop singer, of Jackson 5)
voce ospite:
Michael Jackson (“King of Pop”)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1983)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 20)
registrazione di:
Somebody’s Watching Me
paroliere e compositore:
Rockwell (R & B – “Somebody’s Watching Me”)
editore:
EMI Music (do not use as release label! this is a music publisher) e Jobete Music (appears also as: Jobete Msc.)
Rockwell3.853:55
14Ladies Night
registrazione di:
Ladies’ Night
autore:
Cliff Adams, Chris Alberts, Robert “Kool” Bell, Ronald Bell, George Brown (US percussionist of Kool & the Gang), Dennis Thomas (Kool & The Gang), Jon Faddis, Adam Ippolito, Robert Spike Mickens e Claydes Smith
editore:
EMI Music Publishing Ltd. (PRS‐affiliated)
Kool & the Gang6:37
15Flashdance… What a Feeling
produttore:
Giorgio Moroder
voce:
Irene Cara
diritti fonografici (℗) detenuti da:
Polygram Records, Inc. (New York) (not for release label use! US division of PolyGram) (nel 1983), Unidisc Music Inc. (not for release label use! use “Unidisc” instead) (nel 1983) e Universal Music TV (UK, a division of Universal Music Operations Limited) (nel 1995)
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 38) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 492)
registrazione di:
Flashdance… What a Feeling
paroliere:
Irene Cara e Keith Forsey (drummer, producer and songwriter)
compositore:
Giorgio Moroder
editore:
Alcor Music (publisher), Carasmatic Music, Carub Music (publisher), Chappell Music Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), GMPC, Intersong Music, Intersong Music Ltd., Intersong U.S.A. (publisher), Sony/ATV Harmony e WB Music Corp. (1929–2019)
parte di:
The 56th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1983 winner)
Irene Cara3.553:49
16Up Where We Belong
produttore:
Stewart Levine (record producer and saxophonist)
batteria :
Leon Ndugu Chancler
chitarra :
Louie Shelton
percussione :
Paulinho da Costa (Brazilian percussionist)
tastiera :
Robbie Buchanan (Canadian producer) e Bobby Lyle
voce principale:
Joe Cocker e Jennifer Warnes
diritti fonografici (℗) detenuti da:
Island Records, Inc. (US) (nel 1982) e The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1982)
registrazione di:
Up Where We Belong (An Officer and a Gentleman)
paroliere:
Will Jennings
compositore:
Jack Nitzsche (American musician and score composer) e Buffy Sainte‐Marie
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Famous Chappell e Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
parte di:
The 55th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1982 winner)
Joe Cocker & Jennifer Warnes3.553:49
3CD
#TitoloArtistaValutazioneDurata
1Dancing Queen
tecnico:
Michael B. Tretow
produttore:
Benny Andersson (ABBA) e Björn Ulvaeus
basso :
Rutger Gunnarsson (dal 1976-08-04 al 1976-08-05)
batteria :
Roger Palm (dal 1976-08-04 al 1976-08-05, il 1976-12-03)
clavinet e tastiera :
Benny Andersson (ABBA) (dal 1976-08-04 al 1976-08-05)
viola :
Åke Arvinder (Swedish violist) (il 1976-09-12), Lars Brolin (il 1976-09-12) e Håkan Roos (Swedish violist) (il 1976-09-12)
violino :
Martin Bylund (Swedish violinist) (il 1976-09-12), Anders Dahl (Swedish violinist) (il 1976-09-12), Lars Stegenberg (Swedish violinist) (il 1976-09-12), Gunnar Michols (Swedish violinist) (il 1976-09-12), Claes Nilsson (Swedish violinist) (il 1976-09-12), Bertil Orsin (Swedish violinist) (il 1976-09-12), Sixten Strömvall (Swedish violinist) (il 1976-09-12), Harry Teike (il 1976-09-12) e Krzysztof Zdrzalka (Swedish violinist) (il 1976-09-12)
violoncello :
Hans‐Göran Eketorp (Swedish cellist) (il 1976-09-12) e Åke Olofsson (Swedish cellist) (il 1976-09-12)
voce principale:
Agnetha Fältskog (nel 1976-09) e Frida (Swedish singer and member of ABBA) (nel 1976-09)
arrangiatore archi :
Sven-Olof Walldoff
arrangiatore:
Benny Andersson (ABBA) e Björn Ulvaeus
diritti fonografici (℗) detenuti da:
Polar Music AB (nel 1976) e Polar Music International AB (nel 1976)
registrata presso:
Metronome Studio in Stockholm, Stockholms län (Stockholm county), Svezia (nel 1976), Glen Studio in Stockholms län (Stockholm county), Svezia (dal 1976-08-04 al 1976-08-05) e KMH Studios in Stockholm, Stockholms län (Stockholm county), Svezia (il 1976-12-03)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 2), SWR1 Hitparade 2006 (Baden-Württemberg) (numero: 5), SWR1 Hitparade 2003 (Baden-Württemberg) (numero: 7), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 9), Q50 – December 2005 (numero: 37), The Downloader’s Music Source Book (numero: 43), BILLIONS CLUB, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 171) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 286)
registrazione di:
Dancing Queen (nel 1976)
autore:
Stig Anderson (Stikkan), Benny Andersson (ABBA) e Björn Ulvaeus
editore:
Bocu Music Ltd., EMI Grove Park Music, Inc., EMI Music Publishing (do not use as a release label!), Union Songs AB (publisher), Union Songs Music, Universal Music Publishing Group, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., EMI Waterford Music (dal 1976 a oggi), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (dal 1976 a oggi) e Universal/Union Songs Musikförlag AB (dal 1976 a oggi)
eseguita per la prima volta presso:
Kungliga Operan (Royal Swedish Opera) in Stockholm, Stockholms län (Stockholm county), Svezia (il 1976-06-18)
parte di:
Mamma Mia! (1999 musical)
ABBA43:50
2The Ballad of Lucy Jordan
produttore:
Mark Miller Mundy
diritti fonografici (℗) detenuti da:
Island Records, Inc. (US) (nel 1979)
registrazione cover di:
The Ballad of Lucy Jordan
paroliere e compositore:
Shel Silverstein
editore:
Evil Eye Music Inc.
Marianne Faithfull3.654:06
3Dancing on the Ceiling
registrazione di:
Dancing on the Ceiling
paroliere:
Lionel Richie
compositore:
Michael Frenchik, Lionel Richie e Carlos Rios (producer/guitarist)
editore:
Brenda Richie Publishing, Concord Music Publishing LLC, Skegee Music e Brockman Music (nel 1986)
sub-editore:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Lionel Richie44:21
4If I Can’t Have You
produttore:
Freddie Perren
basso :
Scott Edwards (bassist)
batteria :
James Gadson (American drummer)
chitarra :
Bob Bowles
percussione :
Bob Zimmitti, Paulinho da Costa (Brazilian percussionist) e Freddie Perren
pianoforte :
Sonny Burke (soul/jazz/funk keyboardist)
sintetizzatore e tastiera :
Freddie Perren
voce di accompagnamento [additional background vocals] e voce principale:
Yvonne Elliman
voce di accompagnamento [girl-group background vocals]:
Marti McCall (session vocalist), Julia Waters e Maxine Waters
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1977) e Universal International Music B.V. (company, do not use as label) (nel 1977)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 19) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 343)
registrazione di:
If I Can’t Have You
scritta a:
Francia
autore:
Barry Gibb, Maurice Gibb e Robin Gibb
editore:
BMG Music, Careers Music, Inc., Crompton Songs, Gibb Brothers Music, Universal Music Publishing International MGB Ltd., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Stigwood Music, Inc. (nel 1978) e Unichappell Music (nel 1978)
Yvonne Elliman4.252:57
5Don’t Go Breaking My Heart
registrata a:
Toronto, Ontario, Canada (nel 1976-05)
produttore:
Gus Dudgeon
basso elettrico :
Kenny Passarelli (Bass, piano) (nel 1976-05)
batteria :
Roger Pope (nel 1976-05)
bonghi , congas e tamburello :
Ray Cooper (percussionist) (nel 1976-05)
chitarra elettrica :
Davey Johnstone (nel 1976-05)
piano Rhodes [Fender Rhodes electric piano] :
James Newton Howard (American score composer) (nel 1976-05)
voce di accompagnamento:
Curt Boettcher (nel 1976-05), Cidny Bullens (American singer-songwriter) (nel 1976-05) e Kiki Dee (nel 1976-05)
voce ospite:
Kiki Dee (nel 1976-05)
voce principale:
Elton John (English singer, songwriter, pianist, and composer) (nel 1976-05)
orchestratore:
James Newton Howard (American score composer)
diritti fonografici (℗) detenuti da:
This Record Co. Ltd. (copyright holder)
registrazione di:
Don’t Go Breaking My Heart (nel 1976-05)
paroliere:
Carte Blanche (aka. Bernie Taupin, Onions)
compositore:
Ann Orson (English singer, songwriter, pianist, and composer)
editore:
Big Pig Music Ltd. (publisher), Rocket Music Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) e Universal–Songs of PolyGram International, Inc.
Elton John3.64:33
6I Was Made for Lovin’ You
tecnico di registrazione e tecnico di missaggio:
Jay Messina
assistente tecnico:
Jim Galante e Jon Mathias (engineer)
produttore:
Vini Poncia
batteria :
Anton Fig
tastiera e voce di accompagnamento:
Vini Poncia
voce principale:
Paul Stanley (KISS frontman)
diritti fonografici (℗) detenuti da:
Casablanca Record & FilmWorks, Inc. (not for release label use, for copyrights use only) (nel 1979), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1979) e The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1979)
è stato produttore per:
Mad Vincent Productions
registrata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti e The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti
registrazione di:
I Was Made for Lovin’ You
autore:
Desmond Child, Vini Poncia e Paul Stanley (KISS frontman)
editore:
Desmobile Inc., Hori Productions America Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing GmbH (Universal Music Publishing Group Germany), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Polygram International Publishing I (existed only since ca. 1998), Universal–Songs of PolyGram International, Inc., Kiss (publisher for the rock band KISS, formerly KISS Songs Inc.) (nel 1979) e Mad Vincent Music (publisher) (nel 1979)
sub-editore:
Taiyō Music e Universal Music Publishing France (not for release label use!)
KISS4.454:28
7Takin’ Care of Business
assistente tecnico:
Marc Sterling
tecnico:
Buzz Richmond
produttore:
Randy Bachman (Canadian guitarist, singer & songwriter)
batteria e percussione :
Rob Bachman (dal 1973-09 al 1973-10)
chitarra [lead guitar] e voce principale:
Randy Bachman (Canadian guitarist, singer & songwriter) (dal 1973-09 al 1973-10)
chitarra [second lead guitar] :
Tim Bachman (dal 1973-09 al 1973-10)
chitarra basso :
C.F. Turner (dal 1973-09 al 1973-10)
pianoforte :
Norman Durkee (dal 1973-09 al 1973-10)
voce di accompagnamento:
C.F. Turner (dal 1973-09 al 1973-10), Randy Bachman (Canadian guitarist, singer & songwriter) (dal 1973-09 al 1973-10) e Tim Bachman (dal 1973-09 al 1973-10)
diritti fonografici (℗) detenuti da:
Phonogram, Inc. (nel 1973), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1973) e The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1973)
registrata presso:
Kaye–Smith Studios in Seattle, Washington, Stati Uniti (dal 1973-09 al 1973-10)
mixata presso:
Kaye–Smith Studios in Seattle, Washington, Stati Uniti
parte di:
Huffington Post: 100 Best Canadian Songs Ever (numero: 59)
registrazione di:
Takin’ Care of Business (dal 1973-09 al 1973-10)
paroliere e compositore:
Randy Bachman (Canadian guitarist, singer & songwriter)
editore:
Ranbach Music (publisher), Sony Songs Inc., Sony/ATV Songs LLC e Top Soil Music (publisher)
Bachman–Turner Overdrive4.254:49
8Down Down
produttore:
Roger Glover e Status Quo (UK boogie rock band)
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1974), Mercury Records Ltd. (London) (for copyrights use only) (nel 1974), Phonogram Ltd. (not for release label use!) (nel 1974), Phonogram Ltd. (London) (company name, NOT a label!) (nel 1974), Mercury Records Ltd. (UK) (nel 1975) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1978)
registrazione di:
Down Down
scritta a:
Los Angeles, California, Stati Uniti
paroliere:
Francis Rossi
compositore:
Robert Keith Young (UK musician & author, Young & Moody; Status Quo) e Francis Rossi
editore:
Eaton Music Limited, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), S.Q. Publishing Eaton, Shawbury Music Ltd. (publisher), Status Quo Publishing e Valley Music Ltd (publisher)
Status Quo43:49
9Mama Weer All Crazee Now
produttore:
Bryan “Chas” Chandler
diritti fonografici (℗) detenuti da:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (nel 1972)
registrazione di:
Mama Weer All Crazee Now
autore:
Jim Lea e Neville Holder
editore:
Barn Publishing (Slade) Ltd. e Warner Chappell
Slade4.23:42
10Can’t Keep It In
produttore:
Paul Samwell-Smith
basso :
Alan James (bassist) (nel 1972-05)
batteria :
Gerry Conway (nel 1972-05)
chitarra acustica :
Alun Davies (nel 1972-05)
chitarra elettrica e organo [Diamond organ] :
Cat Stevens (now known as Yusuf Islam) (nel 1972-05)
pianoforte :
Jean Roussel (nel 1972-05)
diritti fonografici (℗) detenuti da:
A&M Records, Inc. (nel 1972), Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (nel 1972) e Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (nel 1972)
registrata presso:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito (nel 1972-05) e The Manor in Oxfordshire, England, Regno Unito (nel 1972-05)
registrazione di:
Can’t Keep It In (nel 1972-05)
paroliere e compositore:
Cat Stevens (now known as Yusuf Islam)
editore:
Ackee Music Inc., Island Music Ltd. e Salafa Ltd.
Cat Stevens3.352:59
11Stuck in the Middle With You
tecnico di registrazione:
Geoff Emerick (British recording engineer) (nel 1972) e John Mills (recording/mix engineer) (nel 1972)
produttore:
Jerry Leiber e Mike Stoller
basso elettrico :
Tony Williams (bass) (nel 1972)
batteria :
Rod Coombes (nel 1972)
chitarra :
Paul Pilnick (nel 1972) e Gerry Rafferty (nel 1972)
tastiera :
Joe Egan (Scottish singer-songwriter) (nel 1972)
voce:
Joe Egan (Scottish singer-songwriter) (nel 1972) e Gerry Rafferty (nel 1972)
diritti fonografici (℗) detenuti da:
A&M Records, Inc. (nel 1972) e A&M Records, Ltd. (nel 1972)
video musicali:
Stuck in the Middle With You di Stealers Wheel
registrazione di:
Stuck in the Middle With You (nel 1972)
paroliere e compositore:
Gerald Rafferty e Joe Egan (Scottish singer-songwriter)
editore:
Baby Bun Music Ltd, Mushroom Music Pty. Ltd., Polygram Music, PolyGram Music Publishing Ltd. e Universal Music Publishing (use ONLY if no country‐specific information is available)
Stealers Wheel43:24
12Delilah
registrazione di:
Delilah (Tom Jones song) (nel 1968)
paroliere:
Barry Mason (English songwriter)
compositore:
Les Reed
editore:
Donna Music Ltd. (publisher)
Tom Jones43:22
13I Don’t Believe in If Anymore
voce:
Roger Whittaker
registrazione di:
I Don't Believe in “If” Anymore
paroliere e compositore:
Roger Whittaker
Roger Whittaker43:15
14The Last Waltz
registrazione di:
The Last Waltz
autore:
Barry Mason (English songwriter) e Les Reed
editore:
Donna Music Ltd. (publisher) e J. Albert & Son
Engelbert Humperdinck3:01
15You’ve Lost That Lovin’ Feelin’
registrazione di:
You’ve Lost That Lovin’ Feelin’
autore:
Barry Mann, Phil Spector e Cynthia Weil
editore:
ABKCO Music Publishing Pty Ltd, ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Columbia Music (Publisher. Do not use as a release label.), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Mother Bertha Music Inc., Screen Gems–Columbia Music, Inc. e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-editore:
EMI Music Publishing Germany (GmbH & Co. KG), Screen Gems-Columbia Music Ltd., Screen Gems–EMI Music Ltd., 日本アブコ音楽出版 (ABKCO Japan Publishing), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30), ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
The Righteous Brothers3:43
16Stop! In the Name of Love
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
strumenti:
The Funk Brothers (dal 1965-01-05 al 1965-01-11)
voce di accompagnamento:
The Andantes (dal 1965-01-05 al 1965-01-11), Florence Ballard (dal 1965-01-05 al 1965-01-11) e Mary Wilson (dal 1965-01-05 al 1965-01-11)
voce principale:
Diana Ross (dal 1965-01-05 al 1965-01-11)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1965)
registrata presso:
Hitsville (Motown Records) in Detroit, Michigan, Stati Uniti (dal 1965-01-05 al 1965-01-11)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (numero: 13) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 254)
registrazione di:
Stop! In the Name of Love (dal 1965-01-05 al 1965-01-11)
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
Jobete Music (UK) Ltd., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
The Supremes4.152:53
17Heartbeat
produttore:
Norman Petty
basso :
George Atwood (dal 1958-05-25 al 1958-05-26)
batteria :
Jerry Allison (dal 1958-05-25 al 1958-05-26)
chitarra :
Tommy Allsup (dal 1958-05-25 al 1958-05-26) e Buddy Holly (1950s rock & roll singer‐songwriter) (dal 1958-05-25 al 1958-05-26)
voce:
Buddy Holly (1950s rock & roll singer‐songwriter) (dal 1958-05-25 al 1958-05-26)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1958)
registrata presso:
Norman Petty Studios in Clovis, New Mexico, Stati Uniti (dal 1958-05-25 al 1958-05-26)
registrazione di:
Heartbeat (dal 1958-05-25 al 1958-05-26)
autore:
Bob Montgomery e Norman Petty
editore:
Melody Lane Publications Inc. e Peermusic (UK) Limited
Buddy Holly4.652:09
18Johnny B Goode
registrazione di:
Johnny B. Goode
paroliere e compositore:
Chuck Berry (nel 1955)
editore:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Isalee Music, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) e ロックンロール ミュージック (Rock ’n’ Roll Music)
parte di:
Back to the Future: the Musical
Chuck Berry2:41
19Why Do Fools Fall in Love
registrazione cover di:
Why Do Fools Fall in Love
autore:
Morris Levy e Frankie Lymon
autore aggiunto:
George Goldner, Jimmy Merchant (US singer, member of The Teenagers) e Herman Santiago (singer for Frankie Lymon & The Teenagers)
editore:
EMI Longitude Music, Patricia Music, Warner Chappell, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (fino al 2017-03-31), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
The Diamonds32:25
20Ain’t That a Shame
produttore:
Randy Wood (producer)
voce:
Pat Boone (nel 1955-05)
direttore d'orchestra:
Billy Vaughn (nel 1955-05)
arrangiatore:
Billy Vaughn
registrata presso:
Universal Recording (Chicago, IL, USA) in Chicago, Illinois, Stati Uniti (nel 1955-05)
registrazione cover di:
Ain’t That a Shame (nel 1955-05)
autore:
Antoine Domino (Fats Domino) e Dave Bartholomew
editore:
Commodore Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Unart Catalog Inc., F. Day & Hunter Ltd., Travis Music, Inc., Unart Music Corp. (nel 1955, nel 1983) e United Artists Music Ltd. (dal 1977 a oggi)
Pat Boone2:22