The Piper at the Gates of Dawn

~ Veröffentlichung von Pink Floyd (alle Versionen dieser Veröffentlichung ansehen, 80 vorhanden)

Anmerkung

Glass Mastered At – EMI MFG.

Mastering SID Code: IFPI L043
Mould SID Code: IFPI 6100
Matrix / Runout: 077 774638425RE1 MASTERED BY EMI MFG.

Anmerkung zuletzt geändert am 2016-11-24 08:12 UTC.

Titelliste

1▼CD
Nr.TitelBewertungLänge
1Astronomy Domine
recording engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”) (von 1967-04-11 bis 1967-04-13)
Produzent(in):
Norman Smith (UK producer/engineer, performed as Hurricane Smith) (in 1967)
Bassgitarre:
Roger Waters (von 1967-04-11 bis 1967-04-13)
Farfisa-Orgel:
Rick Wright (Pink Floyd keyboardist) (von 1967-04-11 bis 1967-04-13)
Gitarre und Slide-Gitarre:
Syd Barrett (von 1967-04-11 bis 1967-04-13)
Schlagzeug:
Nicky Mason (of Pink Floyd) (von 1967-04-11 bis 1967-04-13)
Sologesang:
Syd Barrett (von 1967-04-11 bis 1967-04-13) und Rick Wright (Pink Floyd keyboardist) (von 1967-04-11 bis 1967-04-13)
sonstiger Gesang [intro vocalisations]:
Peter Jenner (von 1967-04-11 bis 1967-04-13)
phonographisches Urheberrecht (℗) von:
Norman Smith (UK producer/engineer, performed as Hurricane Smith) (in 1967)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967, in 1994, in 2007), Pink Floyd Music Ltd. (in 2011, in 2016) und Pink Floyd (1987) Ltd. (in 2016)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1967-04-11 bis 1967-04-13)
recording of:
Astronomy Domine (von 1967-04-11 bis 1967-04-13)
Texter und Komponist(in):
Syd Barrett
publisher:
Essex (publisher), Essex International, Essex Music, Essex Music International, Essex Music, Inc., Magdalene Music, TRO-Essex Music, Inc., TRO-Hampshire House Publishing Corp. und Westminster Music Ltd.
3.94:12
2Lucifer Sam
recording engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”) (von 1967-04-12 bis 1967-04-18)
Techniker(in):
Peter Bown (sound engineer, last name often misprinted as “Brown”) (in 1967)
Produzent(in) und phonographisches Urheberrecht (℗) von:
Norman Smith (UK producer/engineer, performed as Hurricane Smith) (in 1967)
Bassgitarre und Kontrabass [bowed bass]:
Roger Waters (von 1967-04-12 bis 1967-04-18)
E-Gitarre und Slide-Gitarre und Sologesang:
Syd Barrett (von 1967-04-12 bis 1967-04-18)
Farfisa-Orgel und Klavier:
Rick Wright (Pink Floyd keyboardist) (von 1967-04-12 bis 1967-04-18)
Schlagzeug und Maracas / Rumba-Rasseln:
Nicky Mason (of Pink Floyd) (von 1967-04-12 bis 1967-04-18)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967, in 1994, in 2007), Pink Floyd Music Ltd. (in 2011, in 2016) und Pink Floyd (1987) Ltd. (in 2016)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1967-04-12 bis 1967-04-18)
recording of:
Lucifer Sam (von 1967-04-12 bis 1967-04-18)
Texter und Komponist(in):
Syd Barrett
publisher:
Essex Music, Essex Music International, Essex Music, Inc., Magdalene Music, TRO Essex Music Ltd., TRO-Essex Music, Inc., TRO-Hampshire House Publishing Corp. und Westminster Music Ltd.
3.63:08
3Matilda Mother
recording engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”) (am 1967-02-21)
Techniker(in):
Peter Bown (sound engineer, last name often misprinted as “Brown”) (in 1967)
Produzent(in) und phonographisches Urheberrecht (℗) von:
Norman Smith (UK producer/engineer, performed as Hurricane Smith) (in 1967)
Bassgitarre und Hintergrundgesang:
Roger Waters (am 1967-02-21)
E-Gitarre:
Syd Barrett (am 1967-02-21)
Hammond-Orgel und Farfisa-Orgel:
Rick Wright (Pink Floyd keyboardist) (am 1967-02-21)
Schlagzeug:
Nicky Mason (of Pink Floyd) (am 1967-02-21)
Sologesang:
Syd Barrett (am 1967-02-21) und Richard Wright (Pink Floyd keyboardist) (am 1967-02-21)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967, in 1994, in 2007), Pink Floyd Music Ltd. (in 2011, in 2016) und Pink Floyd (1987) Ltd. (in 2016)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1967-02-21)
recording of:
Matilda Mother (am 1967-02-21)
Texter und Komponist(in):
Syd Barrett
publisher:
Essex Music, Essex Music International, Essex Music, Inc., Magdalene Music, TRO-Essex Music, Inc., TRO-Hampshire House Publishing Corp. und Westminster Music Ltd.
3.33:09
4Flaming
recording engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”) (am 1967-03-16)
Techniker(in):
Peter Bown (sound engineer, last name often misprinted as “Brown”) (in 1967)
Produzent(in) und phonographisches Urheberrecht (℗) von:
Norman Smith (UK producer/engineer, performed as Hurricane Smith) (in 1967)
Bassgitarre, andere Instrumente [wind-up toys] und Kolbenflöte:
Roger Waters (am 1967-03-16)
Hammond-Orgel, Farfisa-Orgel, Orgel [Lowrey organ], andere Instrumente [wind-up toys] und tack piano:
Rick Wright (Pink Floyd keyboardist) (am 1967-03-16)
Schlagzeug, Zimbel und andere Instrumente [wind-up toys]:
Nicky Mason (of Pink Floyd) (am 1967-03-16)
zwölfsaitige Gitarre [12-string acoustic guitar], E-Gitarre und andere Instrumente [wind-up toys] und Sologesang:
Syd Barrett (am 1967-03-16)
Hintergrundgesang:
Rick Wright (Pink Floyd keyboardist) (am 1967-03-16) und Roger Waters (am 1967-03-16)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967, in 1994, in 2007), Pink Floyd Music Ltd. (in 2011, in 2016) und Pink Floyd (1987) Ltd. (in 2016)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1967-03-16)
recording of:
Flaming (am 1967-03-16)
Texter und Komponist(in):
Syd Barrett
publisher:
Essex Music, Essex Music International, Essex Music, Inc., TRO Essex Music Ltd., TRO-Essex Music, Inc., TRO-Hampshire House Publishing Corp. und Westminster Music Ltd.
3.252:46
5Pow R. Toc H.
recording engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”) (von 1967-03 bis 1967-04)
Techniker(in):
Peter Bown (sound engineer, last name often misprinted as “Brown”) (in 1967)
Produzent(in) und phonographisches Urheberrecht (℗) von:
Norman Smith (UK producer/engineer, performed as Hurricane Smith) (in 1967)
Akustikgitarre und E-Gitarre und sonstiger Gesang [vocal percussion]:
Syd Barrett (von 1967-03 bis 1967-04)
Bassgitarre und sonstiger Gesang [screams]:
Roger Waters (von 1967-03 bis 1967-04)
Farfisa-Orgel und Klavier und zusätzlich sonstiger Gesang [vocalizations]:
Rick Wright (Pink Floyd keyboardist) (von 1967-03 bis 1967-04)
Schlagzeug und Perkussion:
Nicky Mason (of Pink Floyd) (von 1967-03 bis 1967-04)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967, in 1994, in 2007), Pink Floyd Music Ltd. (in 2011, in 2016) und Pink Floyd (1987) Ltd. (in 2016)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1967-03 bis 1967-04)
recording of:
Pow R. Toc H. (von 1967-03 bis 1967-04)
Komponist(in):
Syd Barrett, Nick Mason (of Pink Floyd), Roger Waters und Richard Wright (Pink Floyd keyboardist)
publisher:
Essex Music, Essex Music International, Essex Music, Inc., Magdalene Music, TRO Essex Music Ltd., TRO-Essex Music, Inc., TRO-Hampshire House Publishing Corp. und Westminster Music Ltd.
3.14:27
6Take Up Thy Stethoscope and Walk
recording engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”) (am 1967-03-20)
Techniker(in):
Peter Bown (sound engineer, last name often misprinted as “Brown”) (in 1967)
Produzent(in) und phonographisches Urheberrecht (℗) von:
Norman Smith (UK producer/engineer, performed as Hurricane Smith) (in 1967)
Bassgitarre und Sologesang:
Roger Waters (am 1967-03-20)
E-Gitarre:
Syd Barrett (am 1967-03-20)
Farfisa-Orgel und Klavier:
Rick Wright (Pink Floyd keyboardist) (am 1967-03-20)
Schlagzeug und Pauke:
Nicky Mason (of Pink Floyd) (am 1967-03-20)
Hintergrundgesang:
Syd Barrett (am 1967-03-20) und Rick Wright (Pink Floyd keyboardist) (am 1967-03-20)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967, in 1994, in 2007), Pink Floyd Music Ltd. (in 2011, in 2016) und Pink Floyd (1987) Ltd. (in 2016)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1967-03-20)
recording of:
Take Up Thy Stethoscope and Walk (am 1967-03-20)
Texter und Komponist(in):
Roger Waters
publisher:
Essex Music, Essex Music International, Essex Music, Inc., Magdalene Music, TRO-Essex Music, Inc., TRO-Hampshire House Publishing Corp. und Westminster Music Ltd.
3.153:06
7Interstellar Overdrive
recording engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”) (von 1967-03 bis 1967-04)
Techniker(in):
Norman Smith (UK producer/engineer, performed as Hurricane Smith) und Peter Bown (sound engineer, last name often misprinted as “Brown”) (von 1967-03 bis 1967-04)
Produzent(in) und phonographisches Urheberrecht (℗) von:
Norman Smith (UK producer/engineer, performed as Hurricane Smith) (in 1967)
Bassgitarre:
Roger Waters (von 1967-03 bis 1967-04)
Gitarre:
Syd Barrett (von 1967-03 bis 1967-04)
Orgel:
Rick Wright (Pink Floyd keyboardist) (von 1967-03 bis 1967-04)
Schlagzeug:
Nicky Mason (of Pink Floyd) (von 1967-03 bis 1967-04)
Schlagzeug [drum roll]:
Norman Smith (UK producer/engineer, performed as Hurricane Smith) (von 1967-03 bis 1967-04)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967, in 1994, in 2007), Pink Floyd Music Ltd. (in 2011, in 2016) und Pink Floyd (1987) Ltd. (in 2016)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1967-03-16, von 1967-03 bis 1967-04)
recording of:
Interstellar Overdrive (am 1967-03-16)
Komponist(in):
Syd Barrett, Nick Mason (of Pink Floyd), Roger Waters und Richard Wright (Pink Floyd keyboardist)
publisher:
Essex (publisher), Essex Music, Essex Music International, Essex Music, Inc., Magdalene Music, TRO-Essex Music, Inc., TRO-Hampshire House Publishing Corp. und Westminster Music Ltd.
recording of:
Interstellar Overdrive (von 1967-03 bis 1967-04)
Komponist(in):
Syd Barrett, Nick Mason (of Pink Floyd), Roger Waters und Richard Wright (Pink Floyd keyboardist)
publisher:
Essex (publisher), Essex Music, Essex Music International, Essex Music, Inc., Magdalene Music, TRO-Essex Music, Inc., TRO-Hampshire House Publishing Corp. und Westminster Music Ltd.
3.89:41
8The Gnome
recording engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”) (am 1967-03-19)
Produzent(in) und phonographisches Urheberrecht (℗) von:
Norman Smith (UK producer/engineer, performed as Hurricane Smith) (in 1967)
Akustikgitarre, zwölfsaitige Gitarre [12-string acoustic guitar] und Sologesang:
Syd Barrett (am 1967-03-19)
Bassgitarre:
Roger Waters (am 1967-03-19)
Becken und Templeblocks:
Nicky Mason (of Pink Floyd) (am 1967-03-19)
Celesta und Vibraphon:
Rick Wright (Pink Floyd keyboardist) (am 1967-03-19)
Hintergrundgesang:
Rick Wright (Pink Floyd keyboardist) (am 1967-03-19) und Roger Waters (am 1967-03-19)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967, in 1994, in 2007), Pink Floyd Music Ltd. (in 2011, in 2016) und Pink Floyd (1987) Ltd. (in 2016)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1967-03-19)
recording of:
The Gnome (am 1967-03-19)
Texter und Komponist(in):
Syd Barrett
publisher:
Essex Music, Essex Music International, Essex Music, Inc., Magdalene Music, TRO-Essex Music, Inc., TRO-Hampshire House Publishing Corp. und Westminster Music Ltd.
3.452:14
9Chapter 24
recording engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”) (am 1967-02-27)
Techniker(in):
Peter Bown (sound engineer, last name often misprinted as “Brown”) (in 1967)
Produzent(in) und phonographisches Urheberrecht (℗) von:
Norman Smith (UK producer/engineer, performed as Hurricane Smith) (in 1967)
Bassgitarre und gong:
Roger Waters (am 1967-02-27)
Becken [Crash cymbal] und Röhrenglocken:
Nicky Mason (of Pink Floyd) (am 1967-02-27)
Gitarre und Sologesang:
Syd Barrett (am 1967-02-27)
Pianet [Hohner Pianet], Cello, Farfisa-Orgel und Harmonium und Hintergrundgesang:
Rick Wright (Pink Floyd keyboardist) (am 1967-02-27)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967, in 1974, in 1994, in 2007), Pink Floyd Music Ltd. (in 2011, in 2016) und Pink Floyd (1987) Ltd. (in 2016)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1967-02-27)
recording of:
Chapter 24 (am 1967-02-27)
Texter und Komponist(in):
Syd Barrett
publisher:
Essex Music, Essex Music International, Essex Music, Inc., Magdalene Music, TRO-Essex Music, Inc., TRO-Hampshire House Publishing Corp. und Westminster Music Ltd.
3.13:42
10Scarecrow
recording engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”) (am 1967-03-22)
Techniker(in):
Peter Bown (sound engineer, last name often misprinted as “Brown”) (in 1967)
Produzent(in) und phonographisches Urheberrecht (℗) von:
Norman Smith (UK producer/engineer, performed as Hurricane Smith) (in 1967)
Akustikgitarre und E-Gitarre, zwölfsaitige Gitarre [12-string acoustic guitar] und Sologesang:
Syd Barrett (am 1967-03-22)
andere Instrumente [metal cups] und Templeblocks:
Nicky Mason (of Pink Floyd) (am 1967-03-22)
Bassgitarre und Kontrabass [bowed bass]:
Roger Waters (am 1967-03-22)
Cello, Farfisa-Orgel und flute und Hintergrundgesang:
Rick Wright (Pink Floyd keyboardist) (am 1967-03-22)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967, in 1994, in 2007), Pink Floyd Music Ltd. (in 2011, in 2016) und Pink Floyd (1987) Ltd. (in 2016)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1967-03-22)
recording of:
The Scarecrow (am 1967-03-22)
Texter und Komponist(in):
Syd Barrett
publisher:
Essex Music International, Essex Music, Inc., Magdalene Music, TRO-Essex Music, Inc., TRO-Hampshire House Publishing Corp. und Westminster Music Ltd.
3.12:11
11Bike
recording engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”) (am 1967-05-21)
Techniker(in):
Peter Bown (sound engineer, last name often misprinted as “Brown”) (in 1967)
Produzent(in) und phonographisches Urheberrecht (℗) von:
Norman Smith (UK producer/engineer, performed as Hurricane Smith) (in 1967)
Bassgitarre:
Roger Waters
Bassgitarre und Band:
Roger Waters (am 1967-05-21)
Celesta, Harmonium, andere Instrumente [piano strings], Klavier, tack piano, Band und Geige / Violine und Hintergrundgesang [double-tracked backing vocals]:
Rick Wright (Pink Floyd keyboardist) (am 1967-05-21)
Chimes, Schlagzeug, Perkussion, Band und Pauke:
Nicky Mason (of Pink Floyd) (am 1967-05-21)
E-Gitarre und Band und Sologesang [double-tracked lead vocals] und sonstiger Gesang [laughing]:
Syd Barrett (am 1967-05-21)
Schlagzeug:
Nick Mason (of Pink Floyd)
Sologesang [double-tracked lead vocals]:
Syd Barrett
sonstiger Gesang [laughing]:
Nicky Mason (of Pink Floyd) (am 1967-05-21), Rick Wright (Pink Floyd keyboardist) (am 1967-05-21) und Roger Waters (am 1967-05-21)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967, in 1994, in 2007), Pink Floyd Music Ltd. (in 2011, in 2016) und Pink Floyd (1987) Ltd. (in 2016)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1967-05-21) und Sound Techniques in Chelsea, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich (am 1967-05-21)
recording of:
Bike (am 1967-05-21)
Texter und Komponist(in):
Syd Barrett
publisher:
Essex (publisher), Essex Music, Essex Music International, Essex Music, Inc., Magdalene Music, Tro-Cromwell Music, Inc., TRO-Essex Music, Inc., TRO-Hampshire House Publishing Corp. und Westminster Music Ltd.
3.43:22

Nennungen

Veröffentlichung

hergestellt in:Vereinigte Staaten
gedruckt in:Vereinigte Staaten
Design/Illustrationen:Syd Barrett
Fotografie:[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.)
Adrian Boot (photographer)
Chris Walters (English photographer)
Dezo Hoffman
Vic Singh
Grafikdesign:Jon Crossland
Storm Thorgerson (graphic designer)
mastering:Doug Sax
remastering:James Guthrie
hergestellt von:Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
urheberrechtlich geschützt (©) von:Westminster Music Ltd. (in 1967)
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1994)
mastered at:The Mastering Lab (Hollywood, 1967–2008) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Remaster von:The Piper at the Gates of Dawn von The Pink Floyd (Pink Floyd)
Discogs:https://www.discogs.com/release/525934 [Info]
ASIN:US: B000002UA0 [Info]

Veröffentlichungsgruppe

ausgekoppelte Singles/EPs:Flaming
Interstellar Overdrive
See Emily Play
Covers:The Hobbit at the Gates of Dawn von Ithildin
enthalten in:A Nice Pair
Discovery
Oh by the Way
Progressive Story von Pink Floyd / The Nice / Steve Miller Band (American rock band) / Deep Purple
The Pink Floyd Collection
Teil von:33⅓ (Nummer: 6) (Reihenfolge: 6)
Uncut: The 100 Greatest Debut Albums (2006) (Nummer: 14) (Reihenfolge: 14)
Rolling Stone: 100 Best Debut Albums of All Time (2022-07-01) (Nummer: 73) (Reihenfolge: 73)
1001 Albums You Must Hear Before You Die (2005 edition) (Nummer: 89) (Reihenfolge: 89)
Rolling Stone: 500 Greatest Albums of All Time: 2020 edition (Nummer: 253) (Reihenfolge: 253)
Rolling Stone: 500 Greatest Albums of All Time: 2023 edition (Nummer: 253) (Reihenfolge: 253)
Rolling Stone: 500 Greatest Albums of All Time: 2003 edition (Nummer: 347) (Reihenfolge: 347)
Rolling Stone: 500 Greatest Albums of All Time: 2012 edition (Nummer: 347) (Reihenfolge: 347)
Discogs:https://www.discogs.com/master/19546 [Info]
Liedtextseite:https://genius.com/albums/Pink-floyd/The-piper-at-the-gates-of-dawn [Info]
Rezensionen:https://www.bbc.co.uk/music/reviews/d59x [Info]
andere Datenbanken:https://rateyourmusic.com/release/album/pink-floyd/the-piper-at-the-gates-of-dawn/ [Info]
https://www.musik-sammler.de/album/20330/ [Info]
https://www.offiziellecharts.de/charts/album-details-5921 [Info]
https://www.progarchives.com/album.asp?id=1433 [Info]
https://www.spirit-of-rock.com/en/album/The_Piper_at_the_Gates_of_Dawn/1093 [Info]
Allmusic:https://www.allmusic.com/album/mw0000191309 [Info]
Wikidata:Q202714 [Info]