Night Beat

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Annotazione

*Additional label imprint on release is Sessions Records.

Annotazione modificata l'ultima volta il 2015-01-22 19:28 UTC.

Elenco tracce

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1▼CD
#TitoloArtistaValutazioneDurata
1I’m So Excited
produttore:
Richard Perry (producer)
batteria :
John “JR” Robinson (session drummer)
chitarra :
George Doering e Lee Ritenour
chitarra basso :
Nathan East
pianoforte :
William D. “Smitty” Smith (organist/keyboardist)
sintetizzatore e tastiera [keyboards] :
Michael Boddicker e Greg Phillinganes
voce di accompagnamento:
June Pointer e Ruth Pointer
voce principale:
Anita Pointer
diritti fonografici (℗) detenuti da:
BMG Music (nel 1982)
parte di:
RuPaul’s Drag Race Lip Sync Performances (season 5) (numero: 6) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 258)
registrazione di:
I’m So Excited
autore:
Anita Pointer, June Pointer, Ruth Pointer e Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
editore:
’Til Dawn Music, Braintree Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), EMI Songs, EMI Songs Ltd. e SBK Blackwood Music Inc. (1987-12-30–1989-07-14)
sub-editore:
Fujipacific Music Inc. SBK Division (fino al 2014-12-31), EMI Music Publishing Japan Ltd., Sony Division (fino al 2021-06-30), Fuji Pacific Music SBK Department (Fujipacific Music SBK Department) (dal 2015-01-01 a oggi) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
The Pointer Sisters4.83:48
2You Might Think
tecnico di registrazione:
Nigel Green (engineer)
produttore:
The Cars e Robert John “Mutt” Lange (Robert John Lange)
tecnico di missaggio:
Mike Shipley (audio engineer, mixer, producer)
basso :
Benjamin Orr (co-lead singer for The Cars)
batteria :
David Robinson (US rock drummer)
chitarra :
Elliot Easton e Ric Ocasek
tastiera :
Greg Hawkes
voce:
Elliot Easton, Greg Hawkes, Ric Ocasek e Benjamin Orr (co-lead singer for The Cars)
diritti fonografici (℗) detenuti da:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1984) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984)
registrata presso:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Regno Unito
mixata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti
registrazione di:
You Might Think
editore:
Ric Ocasek (nel 1983)
paroliere e compositore:
Ric Ocasek
editore:
Lido Music, Inc.
The Cars4.73:06
3Maneater
assistente tecnico:
Bruce Buckhalter (Engineer), Barry Harris (engineer) e Michael Somer-Abbott
tecnico:
Neil Kernon
co-produttore:
Neil Kernon
produttore:
Daryl Hall e John Oates
tecnico di missaggio:
Hugh Padgham
diritti fonografici (℗) detenuti da:
BMG Ariola Hamburg GmbH (nel 1982), BMG Music (nel 1982), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1982), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1982) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1982)
registrazione di:
Maneater (nel 1981-12)
paroliere:
Sara Allen, Daryl Hall e John Oates
compositore:
Daryl Hall e John Oates
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Fust Buzza Inc., Hot Cha Music Co., Irving Music, Inc., Primary Wave Brian, Rondor Music (Australia) Pty Ltd, Rondor Music Pty. Ltd., Unichappell Music, Inc., Warner Chappell, Warner Chappell Music (publisher as Warner/Chappell Music) e Warner/Chappell Music Ltd. (1996–2019)
Hall & Oates4.44:32
4Manic Monday
produttore:
David Kahne
tecnico di missaggio:
David Leonard (US producer and engineer)
batteria :
Debbi Peterson (drummer for The Bangles)
chitarra :
Susanna Hoffs e Vicki Peterson
chitarra basso :
Michael Steele (American bassist, guitarist, songwriter, and singer)
voce principale:
Susanna Hoffs
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1985) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1985)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 208)
registrazione di:
Manic Monday
paroliere e compositore:
Christopher (Prince, “The Artist Formerly Known as…”)
editore:
Bangophile Music, Controversy Music, EMI Music Publishing Taiwan, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell Music (publisher as Warner/Chappell Music) e WB Music Corp. (1929–2019)
Bangles43:05
5Invisible Touch
assistente tecnico:
Paul Gomersall
tecnico:
Hugh Padgham
produttore:
Genesis (English rock band) e Hugh Padgham
basso e chitarra :
Mike Rutherford (dal 1985-10 al 1986-02)
batteria , percussione e voce principale:
Phil Collins (of Genesis) (dal 1985-10 al 1986-02)
sintetizzatore basso e tastiera :
Tony Banks (Genesis) (dal 1985-10 al 1986-02)
diritti fonografici (℗) detenuti da:
Charisma Records Ltd.
registrata presso e mixata presso:
The Farm (of Genesis fame) in Surrey, England, Regno Unito (dal 1985-10 al 1986-02)
registrazione di:
Invisible Touch (dal 1985-10 al 1986-02)
paroliere:
Phil Collins (of Genesis)
compositore:
Tony Banks (Genesis), Phil Collins (of Genesis) e Mike Rutherford
editore:
Anthony Banks Ltd., Concord Music GmbH, Concord Sounds, Hit & Run Music (Publishing) Ltd, Imagem, Imagem CV, Imagem Sounds Banks, Imagem Sounds Collins, Imagem Sounds Rutherford, Michael Rutherford Ltd. e Philip Collins Ltd.
scritta presso:
The Farm (of Genesis fame) in Surrey, England, Regno Unito
Genesis3.23:24
61999
tecnico di registrazione:
Peggy McCreary (dal 1982-07 al 1982-08)
produttore:
Prince Rogers Nelson (Prince, “The Artist Formerly Known as…”)
basso elettrico , batteria elettronica [Pearl SY-1 Syncussion] , battimani , campanaccio , chitarra elettrica , drum machine [Linn LM-1] , piatti , sintetizzatore [ARP Omni-2] , sintetizzatore [Oberheim OB-Xa] e tamburello :
Prince (“The Artist Formerly Known as…”) (dal 1982-07 al 1982-08)
voce di accompagnamento:
Jesse Johnson (original guitarist for The Time) (dal 1982-07 al 1982-08)
voce principale:
Lisa Coleman (US pianist/keyboardist & composer) (dal 1982-07 al 1982-08), Dez Dickerson (dal 1982-07 al 1982-08), Jill Jones (American singer, songwriter, and actress) (dal 1982-07 al 1982-08) e Prince (“The Artist Formerly Known as…”) (dal 1982-07 al 1982-08)
arrangiatore:
Prince Rogers Nelson (Prince, “The Artist Formerly Known as…”)
edit di:
1999 (album version) di Prince (“The Artist Formerly Known as…”)
video musicali:
1999 di Prince (“The Artist Formerly Known as…”)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 212) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 339)
registrazione di:
1999 (dal 1982-07 al 1982-08)
paroliere e compositore:
Prince (“The Artist Formerly Known as…”)
editore:
Controversy Music, Warner Chappell Music (publisher as Warner/Chappell Music) e フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
Prince43:40
7Strut
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1984)
registrazione di:
Strut
autore:
Charlie Dore e Julian Littman
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e PolyGram Music Publishing
Sheena Easton4:03
8All Right Now
registrazione di:
All Right Now
autore:
Andy Fraser (English bassist, member of Free) e Paul Rodgers
editore:
Blue Mountain Music, Blue Mountain Music Ltd., Blue Mountain Music Scandinavia, Catherine’s Peak Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music, Inc., Kobalt Music Publishing Ltd. (UK), Polygram Music e Universal Music Publishing (use ONLY if no country‐specific information is available)
Free3:35
9Take My Breath Away (love theme from “Top Gun”)
tecnico:
Dave Concors, Michael Rosen (US metal producer/engineer) e Tom Whitlock
produttore:
Jerry Bruckheimer, Giorgio Moroder e Don Simpson (American film producer, screenwriter, and actor)
tecnico di missaggio:
Giorgio Moroder e Brian Reeves
batteria :
Rob Brill
chitarra elettrica :
Ric Olsen
sintetizzatore :
Arthur Barrow e John Crawford (Berlin bassist)
voce principale:
Terri Nunn (Berlin singer)
diritti fonografici (℗) detenuti da:
CBS Inc. (US broadcasting company; file no releases here!) (nel 1986) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1986)
registrata presso:
Oasis Recording Studios in North Hollywood, Los Angeles, California, Stati Uniti
video musicali:
Take My Breath Away di Berlin (US new wave/synthpop)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 28), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 62) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 490)
registrazione di:
Take My Breath Away (song from the 1986 film Top Gun)
paroliere:
Tom Whitlock
compositore:
Giorgio Moroder
editore:
Famous Music Publishing Germany GmbH & Co. KG (conclusa), Jastian Music Inc. (conclusa), BMG Ariola Belgium, BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Neue Welt Musikverlag GmbH & Co. KG (– 2017), Sony/ATV Harmony, Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (fino al 2019-05-28), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (nel 1986), GMPC (nel 1986) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) (conclusa), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
parte di:
The 59th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1986 winner)
Berlin3.654:14
10Owner of a Lonely Heart
tecnico:
Gary Langan
produttore:
Trevor Horn
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1983) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1983)
registrazione di:
Owner of a Lonely Heart
autore:
Jon Anderson (Yes/Jon & Vangelis), Trevor Horn, Trevor Rabin (South African musician and score composer) e Chris Squire (Yes bassist)
editore:
Affirmative Music (publisher), BMG Chrysalis Scandinavia AB (not for release label use! file releases under its imprint “BMG Chrysalis”), BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Carbert Music Inc., Carlin America, Inc., Carlin Music Corporation, Downtown Music Publishing, Downtown Music Publishing International Inc., Downtown Music Publishing LLC (PRS-affiliated), Hebbes Music Group Pty. Ltd., Kassner Associated Publishers, Ltd., SPZ Music, Inc. (BMI affiliated), Tremander Songs, Unforgettable Songs (ASCAP-affiliated), Unforgettable Songs Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music Scandinavia, Warner Chappell North America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell (Warner/Chappell Music, Inc.) e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-editore:
エイベックス・ミュージック・パブリッシング 第7出版事業部 (Avex Music Publishing, 7th Publishing Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 BMG事業部 (fino al 2014-12-31), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (dal 2015-01-01 a oggi) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi)
Yes4.653:50
11La Bamba
produttore:
Mitchell Froom
esecutore:
Los Lobos (Chicano rock band)
arrangiatore:
Ritchie Valens
diritti fonografici (℗) detenuti da:
FFRR Records Ltd. (company name, NOT a label!) (nel 1987)
registrazione cover di:
La bamba (additional lyrics by Ritchie Valens)
paroliere e compositore:
[traditional] (special purpose artist)
paroliere aggiunto:
Ritchie Valens
arrangiatore:
Ritchie Valens
editore:
Carlin Music Corporation, EMI Longitude Music e M.P.A. (M.P.A.)
versione di:
La bamba
Los Lobos4.252:56
12We Built This City
assistente tecnico:
Paul Ericksen (recording engineer)
tecnico:
Jeremy Smith (producer/engineer)
produttore:
Jeremy Smith (producer/engineer) e Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
tecnico di missaggio:
Bill Bottrell
altra voce [DJ voice]:
Les Garland (American entertainment executive) (nel 1985)
arrangiatore:
Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1985) e RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1985)
mixata presso:
Fantasy Studios (Berkeley) in Berkeley, California, Stati Uniti
remixata presso:
The Soundcastle (former LA location) in Silver Lake, Los Angeles, California, Stati Uniti
registrazione di:
We Built This City (nel 1985)
autore:
Dennis Lambert, Martin Page, Bernie Taupin e Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
editore:
BMG Music, BMG Songs, Inc., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Concord Copyrights London Limited, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Little Mole Music, Petwolf Music, Tuneworks Music Co., Universal Music Careers, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal Music–MGB Songs, Warner/Chappell Music Ltd. (1996–2019), Zomba Enterprises (ASCAP-affiliated) e Zomba Enterprises, Inc.
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Starship44:53
13Bang a Gong (Get It On)
tecnico:
Roy Thomas Baker (producer), Malcolm Cecil, Rik Pekkonen e Martin Rushent
produttore:
Tony Visconti
basso elettrico :
Steve Currie (dal 1971-03 al 1971-06)
batteria :
Bill Legend (dal 1971-03 al 1971-06)
chitarra elettrica e voce principale:
Marc Bolan (dal 1971-03 al 1971-06)
percussione :
Mickey Finn (musician and T. Rex member) (dal 1971-03 al 1971-06)
tastiera :
Rick Wakeman (dal 1971-03 al 1971-06)
voce di accompagnamento:
Howard Kaylan (dal 1971-03 al 1971-06) e Mark Volman (dal 1971-03 al 1971-06)
diritti fonografici (℗) detenuti da:
Essex Music International Ltd. (nel 1971), Straight Ahead Productions Ltd. (nel 1971, nel 2001) e Tarantula Productions (nel 1971)
parte di:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (numero: 22), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (numero: 41)
registrazione di:
Get It On (Bang a Gong) (dal 1971-03 al 1971-06)
paroliere e compositore:
Marc Bolan
editore:
Essex Music International, Essex Music International, Inc., Essex Musikförlaget, Essex Musikvertrieb GmbH, The Richmond Organization, TRO Essex Music International, Inc. e Westminster Music Ltd.
T. Rex4.654:27
14Easy Lover
produttore:
Phil Collins (of Genesis)
registrazione di:
Easy Lover (nel 1984)
autore:
Philip Bailey, Phil Collins (of Genesis) e Nathan East
editore:
Concord Music GmbH, Concord Music Publishing LLC, Concord Sounds, Musik-Edition Discoton, Pun Music Inc., Universal Music Publishing GmbH (Universal Music Publishing Group Germany), Universal Music Publishing International Ltd., Universal Music Publishing International MGB Ltd., Hit & Run Music (Publishing) Ltd (nel 1984), New East Music (nel 1984), Philip Collins Ltd. (nel 1984), Sir & Trini Music (nel 1984) e Warner Chappell Music Ltd. (no slash; used 1988–1996) (nel 1984)
Phil Collins & Philip Bailey54:43
15The Other Woman
registrazione di:
The Other Woman
paroliere e compositore:
Ray Parker Jr.
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Raydiola Music, Sony/ATV Music Publishing Australia Pty Ltd. e 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division)
Ray Parker Jr.53:48
16Walking in L.A.
registrazione di:
Walking in L.A.
paroliere e compositore:
Terry Bozzio
Missing Persons3:38
17We Got the Beat
assistente tecnico di registrazione:
Ted Blechta e John Terelle
assistente tecnico di registrazione aggiunto:
James Ball, Eric Kortee e Darroll Gustamachio
tecnico di registrazione e tecnico di missaggio:
Rob Freeman (engineer)
produttore:
Rob Freeman (engineer) e Richard Gottehrer (American songwriter and music executive)
assistente tecnico di missaggio:
Gray Russell
batteria e percussione :
Gina Schock
chitarra e chitarra basso :
Kathy Valentine
chitarra [lead guitar] e tastiera :
Charlotte Caffey
chitarra [rhythm guitar] :
Jane Wiedlin
voce:
Charlotte Caffey e Jane Wiedlin
voce principale:
Belinda Carlisle
diritti fonografici (℗) detenuti da:
I.R.S., Inc. (nel 1981)
registrata in aggiunta presso:
Sound Mixers Studio in New York, New York, Stati Uniti e The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti
registrata presso:
Pennylane Studios in New York, New York, Stati Uniti
mixata presso:
Sound Mixers Studio in New York, New York, Stati Uniti
registrazione di:
We Got the Beat
paroliere e compositore:
Charlotte Caffey
autore:
Go‐Go’s (all-female American rock band formed in 1978)
editore:
Daddy-Oh Music e Universal Music–MGB Songs
The Go‐Go’s4.42:31
18Good Lovin’
produttore:
Tom Dowd, Arif Mardin e The Young Rascals (US soul & rock group, formerly known as The Young Rascals)
batteria :
Dino Danelli (il 1966-02-01)
chitarra :
Gene Cornish (il 1966-02-01)
organo :
Felix Cavaliere (American singer, songwriter, record producer, and musician) (il 1966-02-01)
percussione :
Eddie Brigati (il 1966-02-01)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1966)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1966-02-01)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 325)
registrazione cover di:
Good Lovin’ (il 1966-02-01)
autore:
Rudy Clark (US songwriter) e Arthur Resnick (songwriter, producer)
editore:
Alley Music Corp., Carlin Music Corporation, Hudson Bay Music e Trio Music Company
The Young Rascals42:30
19Always
edit di:
Always di Atlantic Starr
registrazione di:
Always
autore:
David Lewis (member of Atlantic Starr), Jonathan Lewis (Member of Atlantic Starr) e Wayne Lewis (member of Atlantic Starr)
Atlantic Starr34:01
20Double Vision
tecnico:
David DeVore e Keith Olsen (US producer and engineer)
produttore:
Mick Jones (Foreigner/Spooky Tooth, worked in France), Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner) e Keith Olsen (US producer and engineer)
tecnico di missaggio:
Jimmy Douglass (engineer), Mick Jones (Foreigner/Spooky Tooth, worked in France) e Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
batteria :
Dennis Elliott
chitarra :
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
chitarra basso :
Ed Gagliardi (bass player (Foreigner))
chitarra elettrica [lead guitar] :
Mick Jones (Foreigner/Spooky Tooth, worked in France)
sintetizzatore e tastiera :
Al Greenwood
voce di accompagnamento:
Ed Gagliardi (bass player (Foreigner)), Mick Jones (Foreigner/Spooky Tooth, worked in France) e Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
voce principale:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
arrangiatore strumenti:
David Paich
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1978) e Rhino Entertainment Company (not for release label use!) (nel 2009)
registrata presso:
Sound City Studios in Van Nuys, California, Stati Uniti (dal 1977-12 al 1978-03)
registrazione di:
Double Vision
autore:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) e Mick Jones (Foreigner/Spooky Tooth, worked in France)
editore:
Somerset Songs Publishing Inc., WB Music Corp. (1929–2019), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (fino al 2017-03-31), フジパシフィックミュージック (Fujipacific Music, Inc.) (dal 2015-01-01 a oggi) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi)
Foreigner3.653:42
2▼CD
#TitoloArtistaValutazioneDurata
1Take On Me
programmazione degli strumenti:
Magne Furuholmen
produttore:
Alan Tarney
tecnico di missaggio:
a‐ha (Norwegian synth‐pop band) e John Ratcliff
chitarra e drum machine :
Paul Waaktaar-Savoy
tastiera :
Magne Furuholmen
voce di accompagnamento:
Magne Furuholmen e Paul Waaktaar-Savoy
voce principale:
Morten Harket
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1985, nel 2004)
video musicali:
Take On Me (2019 4K remaster of 1985 mix with diegetic audio) di a‐ha (Norwegian synth‐pop band) e Take On Me (official music video, 1985 version) di a‐ha (Norwegian synth‐pop band)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 3), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 24), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 26), BILLIONS CLUB e The Downloader’s Music Source Book (numero: 284)
registrazione di:
Take On Me
autore:
Magne Furuholmen, Morten Harket e Paul Waaktaar-Savoy
editore:
ATV Music Ltd. e EMI Music Publishing (do not use as a release label!)
versione di:
Miss Eerie
a‐ha4.53:49
2St. Elmo’s Fire (Man in Motion)
produttore:
David Foster (Canadian music producer, arranger and composer)
arrangiatore ottoni [horns] :
David Foster (Canadian music producer, arranger and composer) e Jerry Hey
diritti fonografici (℗) detenuti da:
Columbia Pictures Industries, Inc. (nel 1985) e John Parr Music Ltd. (nel 2016)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 28) e TV Cream: Real 100 Best Singles Ever (numero: 85)
registrazione di:
St. Elmo’s Fire
autore:
David Foster (Canadian music producer, arranger and composer) e John Parr
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Foster Frees Music, Gold Horizon Music Corp., SBK Songs (publisher) e Warner Bros. Music (publisher; do NOT use as release label)
John Parr3.84:11
3The Loco‐Motion
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1962)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1962 (numero: 1) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 351)
registrazione di:
The Loco‐Motion (aka Locomotion) (nel 1962)
paroliere:
Gerry Goffin
compositore:
Carole King
editore:
EMI Music Publishing (do not use as a release label!), Screen Gems/EMI Music, EMI Music Publishing Japan, Fujipacific Division (fino al 2021-06-30), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (dal 1962 a oggi) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Little Eva22:19
4Can’t Fight This Feeling
produttore:
Kevin Cronin, Alan Gratzer e Gary Richards
arrangiatore:
Kevin Cronin e REO Speedwagon
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1984) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1984)
registrazione di:
Can’t Fight This Feeling
paroliere e compositore:
Kevin Cronin
editore:
Bucks Music Group Ltd. (Bucks Music Group), Fate Music, The International Music Network Ltd e Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
sub-editore:
大洋音楽 (Taiyō Music)
REO Speedwagon3.94:48
5When the Going Gets Tough
registrazione di:
When the Going Gets Tough, the Tough Get Going
autore:
Wayne Brathwaite, Barry Eastmond, Robert John “Mutt” Lange (Robert John Lange) e Billy Ocean
editore:
Aqua Music (Billy Ocean's recording & publishing label), Aqua Music Ltd., BMG Music Publishing Ltd., Imagem London Ltd., Universal Music Publishers MGB Australia Pty Ltd, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Zomba Enterprises, Inc. e Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Billy Ocean3:55
6Rhythm of the Night
produttore:
Richard Perry (producer)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1985), Motown Records (not for label use; use “Motown” instead) (nel 1985, nel 2009), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1985) e RCA Records (not for release label use! for the imprint, please use “RCA” instead) (dal 2016 a oggi)
video musicali:
Rhythm of the Night di DeBarge
registrazione di:
Rhythm of the Night
paroliere e compositore:
Diane Warren (US songwriter)
editore:
Edition Sunset Publishing Ltd. e Realsongs
DeBarge3.63:49
7Walk of Life
assistente tecnico di registrazione:
Steve Jackson (recording engineer)
tecnico:
Neil Dorfsman
produttore:
Neil Dorfsman e Mark Knopfler
assistente tecnico di missaggio:
David Greenberg (Rockin’ Reel Studios engineer) e Bruce Lampcov
batteria :
Omar Hakim
chitarra :
Mark Knopfler
chitarra basso :
John Illsley
tastiera :
Alan Clark (keyboardist) e Guy Fletcher (keyboardist)
voce:
Mark Knopfler
voce di accompagnamento:
Guy Fletcher (keyboardist) e John Illsley
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1985), Phonogram Ltd. (London) (company name, NOT a label!) (nel 1985, nel 1988), Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (nel 1988, nel 2022) e Mercury Records Ltd. (London) (for copyrights use only) (nel 1996)
registrata presso:
AIR Studios Montserrat in Saint Peter, Montserrat (dal 1984-10 al 1985-02)
mixata presso:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti
registrazione di:
Walk of Life
paroliere e compositore:
Mark Knopfler
editore:
Chariscourt Ltd. e Rondor Music (London) Ltd.
Dire Straits4.153:56
8Jessie’s Girl
produttore:
Keith Olsen (US producer and engineer)
arrangiatore:
Neil Geraldo, Keith Olsen (US producer and engineer) e Rick Springfield
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1981), BMG Music (nel 1981), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1981), RCA Records, Inc. (this is a company, only use in companies fields such as Copyright and Manufacturer - for the label use RCA) (nel 1981), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1981, nel 2001) e Wizard Records (nel 1981)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 20) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 55)
registrazione di:
Jessie’s Girl
paroliere e compositore:
Rick Springfield
editore:
BMG Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Muscleman Music, PolyGram Music Publishing Ltd., Portal Music, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc. e Wizard Music
Rick Springfield4.453:14
9If You Leave
tecnico:
Tom Lord‐Alge
produttore:
Tom Lord‐Alge e Orchestral Manoeuvres in the Dark
editore:
A&M Records e Virgin (worldwide imprint of Virgin Records Ltd. and all its subsidiaries)
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1986)
registrazione di:
If You Leave
autore:
Martin Cooper (OMD and The Listening Pool), Paul Humphreys (Orchestral Manoeuvres in the Dark) e Andy McCluskey
editore:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), J. Albert & Son Pty. Ltd., Virgin Music, Inc. (US arm of Virgin’s publishing company), Warner/Chappell Music Australia Pty. Ltd. e WB Music Corp. (1929–2019)
Orchestral Manoeuvres in the Dark3.94:27
10Mony Mony
registrazione di:
Mony Mony
autore:
Bobby Bloom (US singer-songwriter), Ritchie Cordell, Bo Gentry e Tommy James (American musician, singer, songwriter and record producer)
editore:
Big Seven Music Corp., EMI Blackwood Music (Canada) Ltd., EMI Music Publishing (WP) Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Publishing Scandinavia AB e Planetary Nom (London) Ltd.
Tommy James & the Shondells2:50
11Freedom
assistente tecnico:
Paul Gomersau
tecnico:
Chris Porter (engineer and producer)
produttore:
George Michael
sassofono :
David Baptiste (U.K. Saxophonist, flutist, percussionist, vocalist, & backing vocalist)
tastiera :
Tommy Eyre
arrangiatore:
George Michael
diritti fonografici (℗) detenuti da:
CBS Records (manufacturer/distributor, not for release label use!) (nel 1984) e Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1984)
registrazione di:
Freedom (Wham!)
paroliere e compositore:
George Michael
editore:
Chappell Music (UK) e Morrison Leahy Music Ltd. (nel 1984)
Wham!3.754:59
12Pink Cadillac
registrazione cover di:
Pink Cadillac
paroliere e compositore:
Bruce Springsteen (dal 1981 al 1982)
editore:
Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Natalie Cole4:15
13Little Bit o’ Soul
produttore:
Jerry Kasenetz e Jeff Katz (music producer)
registrazione di:
Little Bit o’ Soul
paroliere e compositore:
Carter-Lewis (British songwriter duo)
autore:
John Carter (songwriter & producer, b. 1942) (nel 1964) e Ken Lewis (manager/songwriter for 60s groups, incl. Flower Pot Men) (nel 1964)
The Music Explosion32:21
14Don’t Forget Me When I’m Gone
tecnico di registrazione:
Paul Northfield (voce principale) e Hayward Parrott (canadian engineer)
tecnico:
Mike Jones (recording engineer) (incarico: Sounds Interchange)
produttore:
Jim Vallance
assistente tecnico di missaggio:
Randy Staub
tecnico di missaggio:
Ed Thacker
voce di accompagnamento ospite:
Bryan Adams (Canadian singer/songwriter) (il 1985-11-04)
registrata presso:
Armoury Studios in Vancouver, British Columbia (Columbia Britannica), Canada (voce di accompagnamento), Le Studio in Morin‐Heights, Québec, Canada (voce principale), McClear Place Studios in Toronto, Ontario, Canada (corno [horns], voce di accompagnamento), Sounds Interchange in Toronto, Ontario, Canada e Eastern Sound in Toronto, Ontario, Canada (il 1985-11-04: voce di accompagnamento [Bryan Adams' backing vocals])
mixata presso:
Phase One Studios in Toronto, Ontario, Canada
registrazione di:
Don’t Forget Me (When I’m Gone)
scritta a:
Vancouver, British Columbia (Columbia Britannica), Canada (nel 1985-05)
autore:
Alan Frew, Sam Reid (Canadian keyboardist for Glass Tiger) e Jim Vallance (nel 1985-05)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e EMI Music Publishing (do not use as a release label!)
Glass Tiger4.54:06
15All I Need Is a Miracle
registrazione di:
All I Need Is a Miracle
autore:
Christopher Neil e Mike Rutherford
editore:
63 Songs Limited, Chappell & Co., Inc. (USA), Michael Rutherford Limited e Pun Music, Inc.
Mike + the Mechanics3:42
16Girlfriend
registrazione di:
Girlfriend
autore:
Antonio M. Reid e Kenneth Edmonds (R&B musician Kenny Edmonds)
editore:
ECAF Music, Epic Solar Songs Inc., Kear Music (publisher), Sony/ATV Songs LLC e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Pebbles4:15
17The Future’s So Bright, I Gotta Wear Shades
tecnico e produttore:
Dennis Herring
registrata presso e mixata presso:
Dustbowl Studios in Los Angeles, California, Stati Uniti
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 42)
registrazione di:
The Future's So Bright, I Gotta Wear Shades
paroliere e autore:
Pat MacDonald (singer, songwriter, guitarist for Timbuk3)
editore:
Bugle Songs Ltd. (Publishing label formerly known as Illegal Music Ltd.) e IRS Songs
Timbuk 353:23
18Splish Splash
produttore:
Herb Abramson e Ahmet Ertegun (US American Songwriter, producer)
registrazione di:
Splish Splash
autore:
Bobby Darin e Jean Murray
editore:
Alley Music Corp., EMI Unart Catalog Inc., Good Music Ltd. e Oirt Music Inc.
Bobby Darin32:12
19Alibis
Sérgio Mendes4:03
20Obsession
registrazione cover di:
Obsession
autore:
Michael Des Barres e Holly Knight
editore:
Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07) e The Makiki Publishing Co. Ltd.
Animotion3.353:55

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