The World’s Greatest: The Ultimate 3CD Collection

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

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1▼CD
#TitoloArtistaValutazioneDurata
1Thriller
tecnico di registrazione e tecnico di missaggio:
Bruce Swedien
programmazione degli strumenti:
Anthony Marinelli (Soundtrack composer)
produttore:
Quincy Jones
chitarra :
David Williams (session guitarist and songwriter)
drum machine [LinnDrum] , voce di accompagnamento e voce principale:
Michael Jackson (“King of Pop”)
flauto e sassofono :
Larry Williams ([Jazz] keyboard, sax, flute & clarinet - Producer, composer, arranger, and multi-instrumentalist)
flicorno soprano e tromba :
Gary Grant (brass) e Jerry Hey
sintetizzatore :
Brian Banks (American keyboardist), Greg Phillinganes e Rod Temperton
trombone :
Bill Reichenbach, Jr. (jazz trombonist)
voce parlata:
Vincent Price (US horror film actor)
arrangiatore corno e arrangiatore strumenti a fiato :
Jerry Hey
arrangiatore percussione e arrangiatore sintetizzatore :
Rod Temperton
effetti sonori:
Bruce Cannon e Bruce Swedien
diritti fonografici (℗) detenuti da:
MJJ Productions Inc. (rights holder, not an imprint) (nel 1982)
registrata presso:
Westlake Recording Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California, Stati Uniti (nel 1982)
video musicali:
Thriller di Michael Jackson (“King of Pop”)
registrazione di:
Thriller
paroliere e compositore:
Rod Temperton
editore:
Almo Music Corp. (USA, affiliated with ASCAP), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Rodsongs (publisher), Rondor Music (London) Ltd., Universal Music Publishing France (not for release label use!) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
si basa su:
Starlight
parte di:
MJ: The Musical
Michael Jackson4.55:58
2… Baby One More Time
tecnico di registrazione, produttore e tecnico di missaggio:
Max Martin (Swedish record producer) e Rami (Swedish record producer and songwriter)
chitarra :
Johan Carlberg
chitarra basso :
Tomas Lindberg (Swedish bass player)
voce di accompagnamento:
Nana Hedin (Swedish singer; also known as Na Na and Nana d’Aquini), Max Martin (Swedish record producer) e Britney Spears
voce principale:
Britney Spears
diritti fonografici (℗) detenuti da:
Zomba Recording Corporation (not strictly a label - avoid adding releases here) (nel 1998) e Zomba Recording LLC (nel 1999)
mixata per e è stato produttore per:
Cheiron Productions
registrata presso e mixata presso:
Cheiron Studios in Stockholm, Stockholms län (Stockholm county), Svezia
video musicali:
…Baby One More Time di Britney Spears, …Baby One More Time (official music video) di Britney Spears, …Baby One More Time (Angle 1) di Britney Spears e …Baby One More Time (Angle 2) di Britney Spears
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 12), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 205) e BILLIONS CLUB
registrazione di:
…Baby One More Time
paroliere e compositore:
Max Martin (Swedish record producer)
editore:
Grantsville Publishing Ltd., Imagem, MXM Music AB, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Zomba Enterprises, Inc. e ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
parte di:
Freaky Friday (2003)
Britney Spears4.053:32
3Thank You
tecnico di registrazione:
Goetz
programmazione:
Rollo (Rollo Armstrong of Faithless)
produttore:
Dido (English singer‐songwriter) e Rollo (Rollo Armstrong of Faithless)
tecnico di missaggio:
Phill Brown (UK engineer)
chitarra :
Paul Herman
flauto dolce e voce principale:
Dido (English singer‐songwriter)
percussione :
Mal Hyde-Smith
tastiera e pianoforte :
Mark Bates (member of the band Dusted)
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1999)
remaster di:
Thank You di Dido (English singer‐songwriter)
registrazione di:
Thankyou (Dido)
autore:
Dido (English singer‐songwriter) e Paul Herman
editore:
Peermusic France, Submarine Music Ltd., Warner Chappell Music France, Warner Chappell Music Ltd. (no slash; used 1988–1996), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Dido4.153:37
4What Can I Do
registrazione di:
What Can I Do
autore:
Andrea Corr, Caroline Corr, Jim Corr e Sharon Corr
editore:
Beacon Communications Music Co. (nel 1997) e Songs of PolyGram International, Inc. (nel 1997)
The Corrs4:17
5The World’s Greatest
registrazione di:
The World's Greatest
paroliere e compositore:
R. Kelly
editore:
Universal Music–Z Songs, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
R. Kelly3:58
6You Make Me Wanna…
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 469)
registrazione di:
You Make Me Wanna...
autore:
Jermaine Dupri (American rapper, record producer, actor & DJ), Manuel Seal e Usher (American R&B singer‐songwriter)
Usher33:39
7I’m Outta Love
programmazione:
Louis Biancaniello (nel 2000)
produttore:
Louis Biancaniello e Sam Watters
tecnico di missaggio:
Louis Biancaniello e David Frazier (engineer)
batteria [drums] :
Louis Biancaniello (nel 2000) e Sam Watters (nel 2000)
chitarra [guitars] :
Vernon Black (nel 2000)
tastiera [all keyboards] :
Louis Biancaniello (nel 2000)
voce di accompagnamento:
Anastacia (USA pop singer from Chicago, IL, best known for “I’m Outta Love”) (nel 2000) e Sam Watters (nel 2000)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1999, nel 2000)
è stato produttore per:
Breakthrough Entertainment
registrata presso:
Homesite 13 in Novato, California, Stati Uniti (nel 2000)
mixata presso:
Homesite 13 in Novato, California, Stati Uniti
video musicali:
I’m Outta Love di Anastacia (USA pop singer from Chicago, IL, best known for “I’m Outta Love”)
registrazione di:
I’m Outta Love (nel 2000)
paroliere:
Anastacia Newkirk (USA pop singer from Chicago, IL, best known for “I’m Outta Love”), Louis Biancaniello e Sam Watters
compositore:
Louis Biancaniello e Sam Watters
editore:
Breakthrough Creations, EMI April Music Inc., Poho Productions, S. M. Y. Publishing, Sony/ATV Tunes LLC (ASCAP) e Universal Music Corp. (USA, affiliated with ASCAP)
Anastacia3.83:56
8Get the Party Started
tecnico di registrazione:
Linda Perry (rock singer‐songwriter & producer) (nel 2001)
tecnico di registrazione aggiunto:
Bernd Burgdorf (nel 2001)
programmazione:
Bernd Burgdorf (nel 2001)
programmazione degli strumenti:
Linda Perry (rock singer‐songwriter & producer) (, nel 2001)
produttore:
Linda Perry (rock singer‐songwriter & producer)
assistente tecnico di missaggio:
Dave Guerrero
tecnico di missaggio:
Dave "Hard Drive" Pensado (mixer) e Dave Guerrero
voce di accompagnamento:
P!nk (American singer/songwriter) (nel 2001)
esecutore:
Linda Perry (rock singer‐songwriter & producer)
diritti fonografici (℗) detenuti da:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 2001)
registrata presso:
LP Studios (California, USA) in Sherman Oaks, Los Angeles, California, Stati Uniti (nel 2001)
mixata presso:
The Enterprise (aka Enterprise Studios) in Burbank, California, Stati Uniti
video musicali:
Get the Party Started di P!nk (American singer/songwriter)
parte di:
Billboard Year-End Hot 100 2002 (numero: 24)
registrazione di:
Get the Party Started (nel 2001)
paroliere e compositore:
Linda Perry (rock singer‐songwriter & producer)
editore:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony e Stuck in the Throat
P!nk4.453:13
9Beautiful
assistente tecnico:
Rafael Serrano e Davy Vain
assistente tecnico aggiunto:
Andrew Chavez (engineer)
tecnico:
Linda Perry (rock singer‐songwriter & producer) e Davy Vain (incarico: Pro Tools)
tecnico aggiunto:
David Guerrero
produttore:
Linda Perry (rock singer‐songwriter & producer)
assistente tecnico di missaggio:
Ethan Willoughby
tecnico di missaggio:
Dave "Hard Drive" Pensado (mixer)
archi :
The Section
archi aggiunto, chitarra [guitars] , chitarra basso [bass] e pianoforte :
Linda Perry (rock singer‐songwriter & producer)
batteria [drums] :
Brian MacLeod (American drummer)
tastiera [keyboards] :
Damon Fox
viola :
Shanti Randall
violino :
Eric Gorfain
violoncello :
Richard Dodd (cellist)
arrangiatore aggiunto:
Linda Perry (rock singer‐songwriter & producer)
mixata per:
Essential Arts Management, LTD
registrata in aggiunta presso:
The Enterprise Studios (aka Enterprise Studios) in Burbank, California, Stati Uniti
mixata presso:
The Enterprise Studios (aka Enterprise Studios) in Burbank, California, Stati Uniti
lavorazione tecnica effettuata presso:
Mad Dog Studios (Burbank, 1996–unknown) in Burbank, California, Stati Uniti
video musicali:
Beautiful di Christina Aguilera
parte di:
CBC Music: 12 Songs About Bullying, VH1’s Big Song of 2003 (numero: 17) e The Downloader’s Music Source Book (numero: 260)
registrazione di:
Beautiful
paroliere e compositore:
Linda Perry (rock singer‐songwriter & producer)
editore:
Famous Music Corp. (renamed since 2007‐05 as Sony/ATV Harmony/Melody) e Stuck in the Throat
Christina Aguilera4.23:59
10Flying Without Wings
programmazione:
Chris Laws (engineer, keyboardist & songwriter)
tecnico:
Chris Laws (engineer, keyboardist & songwriter) e Daniel Pursey (engineer)
produttore:
Steve Mac (British pop producer/songwriter Steve McCutcheon)
tecnico di missaggio:
Matt Howe (producer and engineer) e Steve Mac (British pop producer/songwriter Steve McCutcheon)
chitarra :
Paul Gendler
chitarra basso :
Steve Pearce (UK bassist)
tastiera :
Steve Mac (British pop producer/songwriter Steve McCutcheon)
cori:
Benny Diggs
maestro del coro:
Benny Diggs
arrangiatore archi :
Richard Niles
arrangiatore:
Wayne Hector e Steve Mac (British pop producer/songwriter Steve McCutcheon)
video musicali:
Flying Without Wings di Westlife
registrazione di:
Flying Without Wings
paroliere:
Steve Mac (British pop producer/songwriter Steve McCutcheon)
compositore:
Wayne Hector e Steve Mac (British pop producer/songwriter Steve McCutcheon)
editore:
Rokstone Music Ltd., Rondor Music (London) Ltd. e Songs of Windswept Pacific
Westlife23:35
11Cry Me a River
tecnico di registrazione:
Senator Jimmy D (engineer)
assistente tecnico:
"Steamy" e Carlos "Storm" Martinez (Sound engineer)
produttore:
Timbaland
tecnico di missaggio:
Jimmy Douglass (engineer) e Timbaland
chitarra :
Bill Pettaway (R&B songwriter, musician, producer)
clavinet :
Scott Storch (producer)
voce di accompagnamento:
Greater Anointing, Marsha Ambroise, Timbaland, Justin Timberlake e Tyrone Tribbett
direttore d'orchestra:
Larry Gold (archi)
arrangiatore archi :
Larry Gold
arrangiatore voci:
Justin Timberlake
è stato produttore per:
Timbaland Productions, Inc.
registrata presso:
The Studio in Philadelphia, Pennsylvania, Stati Uniti (archi) e Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, Stati Uniti
mixata presso:
Manhattan Center Studios in Midtown Manhattan, New York, New York, Stati Uniti
video musicali:
Cry Me a River di Justin Timberlake
parte di:
VH1’s Big Song of 2003 (numero: 27)
registrazione di:
Cry Me a River
paroliere e compositore:
Scott Storch (producer), Justin Timberlake e Timothy Mosley
editore:
Scott Storch Music, Tennman Tunes, TVT Music, Inc., Virginia Beach Music, WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
Justin Timberlake3.954:52
12Fallin’
registrazione di:
Fallin’
paroliere e compositore:
Alicia Keys
editore:
EMI April Music Inc., EMI Music Publishing (do not use as a release label!), Lellow Music Publishing e Lellow Productions, Inc.
Alicia Keys3.653:19
13No Scrubs
assistente tecnico di registrazione:
Ty Hudson
tecnico di registrazione:
Carlton Lynn
tecnico audio:
Shekspere
produttore:
Kevin “She’kspere” Briggs
assistente tecnico di missaggio:
Vernon J. Mungo
tecnico di missaggio:
Leslie Brathwaite
voce di accompagnamento:
Chilli (Rozonda Thomas, member of TLC), Tameka “Tiny” Cottle, Kandi (US R&B singer-songwriter, actress & record producer Kandi Burruss) e Debra Killings
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 303)
registrazione di:
No Scrubs
autore:
Kandi Burruss (US R&B singer-songwriter, actress & record producer Kandi Burruss), Kevin Briggs e Tameka Cottle
autore aggiunto:
Lisa “Left Eye” Lopes
TLC43:34
14Back for Good
programmazione:
Gary Barlow e Chris Cameron (British pianist, singer-songwriter, arranger and producer)
assistente tecnico:
Steve McNichol
produttore:
Gary Barlow e Chris Porter (engineer and producer)
chitarra :
Phil Palmer (guitarist)
voce:
Howard Donald, Jason Orange, Mark Owen (singer–songwriter) e Robbie Williams
voce principale:
Gary Barlow
diritti fonografici (℗) detenuti da:
BMG Records (UK) Limited (1987–1996) (nel 1995) e Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1995)
registrazione di:
Back for Good
paroliere e compositore:
Gary Barlow
editore:
EMI Virgin Music Australia Pty Ltd e EMI Virgin Music Ltd. (do not use this as a release label!)
Take That33:57
15Stars
tecnico e tecnico di missaggio:
Daren Klein
co-produttore:
Mick Hucknall (lead singer of Simply Red)
produttore:
Stewart Levine (record producer and saxophonist)
registrazione di:
Stars
paroliere e compositore:
Mick Hucknall (lead singer of Simply Red)
Simply Red2.84:07
16Search for a Hero
registrazione di:
Search for the Hero
compositore:
Paul Heard e Mike Pickering (of M People and Quando Quango)
editore:
BMG Music Publishing Ltd.
M People34:10
17Wonderwall
tecnico di registrazione:
Owen Morris
produttore:
Noel Gallagher e Owen Morris
batteria e percussione :
Alan White (Oasis drummer)
chitarra acustica [rhythm guitar] :
Paul Arthurs ("Bonehead", Oasis)
chitarra basso , chitarra elettrica [lead guitar] , ebow , mellotron , pianoforte e voce di accompagnamento:
Noel Gallagher
tamburello e voce principale:
Liam Gallagher (English musician, lead singer of Oasis)
diritti fonografici (℗) detenuti da:
Big Brother Recordings, Ltd. (not for release label use! use “BIg Brother” instead) (nel 1995)
registrata presso:
Rockfield Studios in Monmouth, Monmouthshire, Wales, Regno Unito
video musicali:
Wonderwall di Oasis (Noel & Liam Gallagher)
parte di:
triple j’s Hottest 100 (Australian annual music listener poll) (numero: 1995), Indie 88: Top 500 Indie Rock Songs (numero: 12), NME: Greatest “Indie” Anthems Ever: 2007 (numero: 27), triple j’s Hottest 100 (Australian annual music listener poll) (numero: 2013 (Twenty Years)), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 48) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 95)
registrazione di:
Wonderwall
paroliere e compositore:
Noel Gallagher
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Creation Songs Ltd, Dead Leg Music, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV, Sony/ATV Music Publishing e Sony/ATV Music Publishing Ltd.
Oasis4.254:17
18Babylon
registrazione di:
Babylon
paroliere e compositore:
David Gray (British singer/songwriter)
editore:
Chrysalis e Chrysalis Music Ltd. (music publisher, affiliated with PRS)
David Gray4:28
19No Woman No Cry
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1996)
registrazione cover di:
No Woman, No Cry
paroliere e compositore:
Vincent Ford
editore:
Almo Music Corp. (USA, affiliated with ASCAP), Bob Marley Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Global Musikverlag (Global Musik GmbH & Co. KG), PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Blue Mountain Music (nel 1974), Fifty Six Hope Road Music Limited (nel 1974), Odnil Music Ltd. (nel 1974) e Global (publisher) (nel 1976)
Fugees4:21
2▼CD
#TitoloArtistaValutazioneDurata
1Poison
tecnico di registrazione:
Sir Arthur Payson (dal 1988 al 1989)
programmazione degli strumenti:
Steve Deutsch
assistente tecnico:
George Cowan (US engineer), Ben Fowler, Lolly Grodner, Robert Hart (engineer), John Herman (engineer), Don Peterkofsky, Duane Seykora, Brian Sterber e Mark Tanzer
produttore:
Desmond Child
tecnico di missaggio:
Michael Barbiero (producer, mixer, engineer, songwriter, collaborator with Steve Thompson) e Steve Thompson (producer)
altri strumenti [special effects] aggiunto:
Gregg Mangiafico (dal 1988 al 1989)
batteria :
Bobby Chouinard (dal 1988 al 1989)
chitarra :
John McCurry (dal 1988 al 1989)
chitarra basso :
Hugh McDonald (bassist) (dal 1988 al 1989)
tastiera :
Alan St. John (dal 1988 al 1989)
tastiera aggiunto:
Paul Chiten (dal 1988 al 1989) e Gregg Mangiafico (dal 1988 al 1989)
voce di accompagnamento:
Alan St. John (dal 1988 al 1989), Michael Anthony (US bassist, formerly of Van Halen) (dal 1988 al 1989), Desmond Child (dal 1988 al 1989), Diana Grasselli (dal 1988 al 1989), Jango (backing vocalist on “Trash” by Alice Cooper) (dal 1988 al 1989), Louie Merlino (dal 1988 al 1989), Hugh McDonald (bassist) (dal 1988 al 1989), Jamie Sever (dal 1988 al 1989), Bernie Shanahan (dal 1988 al 1989), Stiv Bator (dal 1988 al 1989), Tom Teeley (dal 1988 al 1989), Joe Turano (singer, multi-instrumentalist, composer/arranger, jazz) (dal 1988 al 1989), Myriam Valle (dal 1988 al 1989) e Maria Vidal (American singer-songwriter) (dal 1988 al 1989)
voce principale:
Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974) (dal 1988 al 1989)
diritti fonografici (℗) detenuti da:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1989), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1989), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1989), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1989) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1989)
registrata presso:
Bearsville Studios in Bearsville, New York, Stati Uniti (dal 1988 al 1989), Blue Jay Recording Studios in Carlisle, Massachusetts, Stati Uniti (dal 1988 al 1989), Grog Kill Studio in Woodstock, New York, Stati Uniti (dal 1988 al 1989), Mediasound Studios in New York, New York, Stati Uniti (dal 1988 al 1989), Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti (dal 1988 al 1989), Right Track Recording in Manhattan, New York, New York, Stati Uniti (dal 1988 al 1989), Sigma Sound Studios (New York) in New York, New York, Stati Uniti (dal 1988 al 1989), The Complex Studios in Los Angeles, California, Stati Uniti (dal 1988 al 1989), The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, Stati Uniti (dal 1988 al 1989) e The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California, Stati Uniti (dal 1988 al 1989)
registrazione di:
Poison (dal 1988 al 1989)
autore:
Desmond Child, Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974) e John McCurry
editore:
Desmobile Inc., Desmobile Music Co., Inc. (publisher), EMI April Music Inc., EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Songs Ltd., Ezra Music, Kat and Mouse Music (, dal 1989 a oggi), MCA Music Ltd., Primary Wave Music Publishing, SBK April Music Inc. (, dal 1989 al ????), SBK Songs Ltd., Songs of Universal, Inc. (BMI), Sony Music Publishing (worldwide except Japan, ended 1995), Sony Songs Inc., Sony/ATV Music Publishing Ltd., Sony/ATV Music Publishing Scandinavia, Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Group, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing Pty Ltd, Universal/MCA Music Publishing Scandinavia AB (Universal MCA Music Scandinavia AB), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Ezra Music Corp. (dal 1989 a oggi)
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper4.454:32
2Walk This Way
registrazione di:
Walk This Way
autore:
Joe Perry (guitarist for Aerosmith) e Steven Tyler
editore:
Daksel LLC, Daksel Music Corp., Music of Stage Three, Music of Stage Three Aerosmith Account, Song and Dance Music, Sony/ATV Music Publishing, Sony/ATV Music Publishing Ltd., Stage Three Music Ltd., Stage Three Music Publishing Limited e Vindaloo Productions, Inc.
Run‐D.M.C.55:12
3Road to Hell
registrazione di:
The Road to Hell
paroliere e compositore:
Chris Rea
Chris Rea4:00
4A Design for Life
tecnico e tecnico di missaggio:
Ian Grimble
produttore:
Mike Hedges (UK producer/recording engineer)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1996)
parte di:
NME: Greatest “Indie” Anthems Ever: 2007 (numero: 30)
registrazione di:
A Design for Life
paroliere:
Nicky Wire
compositore:
James Dean Bradfield e Sean Moore (Manic Street Preachers)
editore:
Sony/ATV Music Publishing LLC (1995–2020)
Manic Street Preachers3.74:18
5Stand and Deliver
registrazione di:
Stand and Deliver
autore:
Adam Ant (English new wave singer and actor) e Marco Pirroni (British musician and producer)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Adam Ant3:34
6Living in America
registrazione di:
Living in America
autore:
Dan Hartman e Charlie Midnight
editore:
April Music, Blackwood Music Inc. (1953-02-07–1987-12-30), Janiceps Music, Second Nature Music, Inc., UA Music Inc. e United Lion Music Inc.
James Brown4:45
7When the Going Gets Tough
registrazione di:
When the Going Gets Tough, the Tough Get Going
autore:
Wayne Brathwaite, Barry Eastmond, Robert John “Mutt” Lange (Robert John Lange) e Billy Ocean
editore:
Aqua Music (Billy Ocean's recording & publishing label), Aqua Music Ltd., BMG Music Publishing Ltd., Imagem London Ltd., Universal Music Publishers MGB Australia Pty Ltd, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Zomba Enterprises, Inc. e Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Billy Ocean4:11
8Young Guns
produttore:
Steve Brown (engineer/music producer) e George Michael
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1982)
registrazione di:
Young Guns (Go for It!)
paroliere e compositore:
George Michael
editore:
Morrison Leahy Music Ltd.
Wham!3:41
9The Way It Is
tecnico:
Elliot Scheiner
produttore:
Bruce Hornsby e Elliot Scheiner
batteria e percussione :
John Molo
pianoforte e sintetizzatore :
Bruce Hornsby
voce:
Bruce Hornsby
diritti fonografici (℗) detenuti da:
RCA Records (not for release label use! for the imprint, please use “RCA” instead), BMG Entertainment (nel 1986), RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (nel 1986) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1986)
è stato produttore per:
Trackman, Inc.
registrazione di:
The Way It Is
paroliere e compositore:
B.R. Hornsby
editore:
BMG Music Ltd., Bob‐a‐Lew Songs (ASCAP), Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing (use ONLY if no country‐specific information is available), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) e Zappo Music (dal 1986 a oggi)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Bruce Hornsby & the Range4.055:00
10Brass in Pocket
tecnico:
Bill Price (UK producer/engineer)
produttore:
Chris Thomas (UK record producer / remixer)
diritti fonografici (℗) detenuti da:
Warner Music UK Ltd. (not for release label use!) (nel 1979, nel 1987, nel 2000)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 89) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 389)
registrazione di:
Brass in Pocket
autore:
James Honeyman‐Scott e Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
editore:
ATV Music Ltd., Banks Clive Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Hynde House of Hits Music e Modern Music Publishing Co., Inc.
Pretenders43:04
11No More I Love You’s
registrazione di:
No More “I Love You’s”
autore:
David Freeman e Joseph Hughes
editore:
Universal–Songs of PolyGram International, Inc. e Universal/Anxious Music Ltd
Annie Lennox4:51
12Perfect Day
produttore:
David Bowie (English singer‐songwriter) e Mick Ronson (British guitarist)
voce principale:
Lou Reed (nel 1972-08)
arrangiatore:
David Bowie (English singer‐songwriter), Lou Reed e Mick Ronson (British guitarist)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1972) e RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1972)
mixata presso:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Regno Unito
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 334)
registrazione di:
Perfect Day (nel 1972-08)
paroliere e compositore:
Lou Reed
editore:
EMI Music Ltd., Oakfield Avenue Music, Oakfield Avenue Music Ltd. e Screen Gems–EMI Music Ltd.
Lou Reed4.353:47
13Eternal Flame
tecnico di registrazione:
John Beverly Jones
tecnico aggiunto:
Ken Felton
produttore:
Davitt Sigerson
tecnico di missaggio:
Frank Filipetti
basso elettrico [bass] :
Michael Steele (American bassist, guitarist, songwriter, and singer)
batteria :
Debbi Peterson (drummer for The Bangles)
chitarra [lead guitar] :
Vicki Peterson
chitarra [rhythm guitar] :
Susanna Hoffs
diritti fonografici (℗) detenuti da:
The Bangles (nel 1988)
diritti fonografici (℗) detenuti da:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1988), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1988), Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (nel 1988), Sony BMG Music Entertainment Inc. (nel 1988) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1988)
mixata presso:
Studio 55 in Los Angeles, California, Stati Uniti
video musicali:
Eternal Flame di Bangles
registrazione di:
Eternal Flame
autore:
Susanna Hoffs, Tom Kelly (songwriter) e Billy Steinberg
editore:
Bangophile Music, Billy Steinberg Music, Blackwood Music Inc. (1953-02-07–1987-12-30), Denise Barry Music, EMI Songs, Mushroom Music (Mushroom label’s publishing company), SBK Blackwood Music Inc. (1987-12-30–1989-07-14), Songs of Universal, Inc. (BMI), Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Tunes LLC (ASCAP) e Universal/MCA Music Ltd. (not for release label use!)
sub-editore:
EMI Songs Ltd., Shinko Music Entertainment Co., Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing Ltd., Universal Music Publishing Group Japan (work publisher – do NOT use as a release label) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Bangles3.83:57
14Time After Time
assistente tecnico:
John Agnello (engineer & producer)
tecnico:
William Wittman
tecnico aggiunto:
John Jansen (US recording engineer and producer) e Rod O’Brien
produttore:
Rick Chertoff
produttore associato:
William Wittman
voce principale:
Cyndi Lauper
diritti fonografici (℗) detenuti da:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1983), Sony BMG Music Entertainment Inc. (nel 1983), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1983), Sony Music Entertainment (Holland) B.V. (Sony Music Entertainment's NL subsidiary until 2004) (nel 1983) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1983, nel 1984)
registrata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti
versioni a cappella:
Time After Time di Forte A Cappella (Centerville High School)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 19), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 116) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 494)
registrazione di:
Time After Time
autore:
Rob Hyman e Cyndi Lauper
editore:
Sony Songs Inc. (conclusa, ), CBS Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dub Notes Music (publisher) (, nel 1984), Gray Matter Music, Human Boy Music, Reilla Music Company, Rella Music Co. (publisher) (, nel 1984), Rellla Music Corp., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing Ltd., Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America, WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Cyndi Lauper4.353:58
15If You Leave Me Now
tecnico di registrazione:
Armin Steiner (dal 1976-03 al 1976-04: archi)
assistente tecnico:
Tom Likes
tecnico:
Wayne Tarnowski
produttore:
James William Guercio
basso e chitarra acustica :
James William Guercio (dal 1976-03 al 1976-04)
voce principale:
Peter Cetera (dal 1976-03 al 1976-04)
arrangiatore archi e arrangiatore corno francese :
Jimmie Haskell
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1976), Rhino Entertainment Company (not for release label use!) (nel 1976, nel 2002), Warner Strategic Marketing Inc. (nel 1976) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1976)
registrata presso:
Sound Labs, Inc. in Hollywood, Los Angeles, California, Stati Uniti, Sound Labs, Inc. in Hollywood, Los Angeles, California, Stati Uniti (archi) e Caribou Ranch Recording Studio in Nederland, Colorado, Stati Uniti (dal 1976-03 al 1976-04)
mixata presso:
Caribou Ranch Recording Studio in Nederland, Colorado, Stati Uniti (dal 1976-03 al 1976-04)
registrazione di:
If You Leave Me Now (dal 1976-03 al 1976-04)
paroliere:
Peter Cetera
compositore:
Peter Cetera (nel 1976)
editore:
Big Elk Music, BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Fairwood Music Ltd., Island Music Ltd., Polish Prince Music e Spirit Music Publishing Ltd.
Chicago4.23:56
16Running Up That Hill
registrazione di:
Running Up That Hill
paroliere e compositore:
Kate Bush
editore:
EMI Music Publishing Germany GmbH (2008–today), EMI Music Publishing Ltd. (PRS‐affiliated), Kate Bush Ltd., Noble & Brite Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing LLC (1995–2020) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works)
Kate Bush4:53
17Bat Out of Hell
registrazione di:
Bat out of Hell
paroliere e compositore:
Jim Steinman
editore:
BMG AM Pty Limited, Carlin Music Corporation, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), J. Albert & Son Pty. Ltd., Neverland Music e Peg Music Co.
Meat Loaf4:53
18Fool’s Gold
produttore e tecnico di missaggio:
John Leckie
diritti fonografici (℗) detenuti da:
Silvertone Records Ltd. (company credits only; file NO releases here!) (nel 1989, nel 1990)
video musicali:
Fools Gold (Music video) di The Stone Roses
parte di:
NME: Greatest “Indie” Anthems Ever: 2007 (numero: 32) e Indie 88: Top 500 Indie Rock Songs (numero: 145)
registrazione di:
Fools Gold
autore:
Ian Brown (UK singer, member of Stone Roses) e John Squire
editore:
Universal Music Publishers MGB Australia Pty Ltd
The Stone Roses4.44:18
3▼CD
#TitoloArtistaValutazioneDurata
1Suspicious Minds
tecnico:
Al Pachucki
produttore:
Felton Jarvis e Chips Moman
basso :
Tommy Cogbill (il 1969-01-23) e Mike Leech (il 1969-01-23)
batteria :
Gene Chrisman (il 1969-01-23)
chitarra :
Elvis Presley (“The King of Rock and Roll”) (il 1969-01-23) e Reggie Young (Guitarist and songwriter) (il 1969-01-23)
chitarra steel :
John Hughey (il 1969-01-23)
organo :
Bobby Emmons (il 1969-01-23)
pianoforte :
Bobby Wood (American pianist, keyboard player and songwriter) (il 1969-01-23)
voce:
J.D. Sumner & The Stamps, The Sweet Inspirations e Kathy Westmoreland
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1969-01-22)
arrangiatore:
Mike Leech e Glen Spreen (Arranger, keyboardist, producer, conductor, and songwriter)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1969), BMG Music (nel 1969, nel 1973), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (nel 1969), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1973) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2002)
registrata presso:
American Sound Studio ((Defunct) Memphis, TN - American North) in Memphis, Tennessee, Stati Uniti (il 1969-01-23) e United Recording Studios (Las Vegas) in Las Vegas, Nevada, Stati Uniti (il 1969-08-07)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 91) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 363)
registrazione cover di:
Suspicious Minds (dal 1969-01-23 al 1969-08-07)
paroliere e compositore:
Mark James (Francis Rodney Zambon, composer of “Suspicious Minds”)
editore:
Laetrec Music, Press Music Co., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing (UK) Ltd. e Sony/ATV Songs LLC
Elvis Presley4.14:30
2You’re So Vain
tecnico di registrazione:
Robin Geoffrey Cable (dal 1972-09 al 1972-10)
tecnico:
Robin Geoffrey Cable
produttore:
Richard Perry (producer)
basso :
Klaus Voorman (dal 1972-09 al 1972-10)
batteria :
Jim Gordon (US drummer with Derek and the Dominos) (dal 1972-09 al 1972-10)
chitarra :
Jimmy Ryan (American guitarist and singer/songwriter) (dal 1972-09 al 1972-10)
percussione :
Richard Perry (producer) (dal 1972-09 al 1972-10)
pianoforte e voce principale:
Carly Simon (dal 1972-09 al 1972-10)
voce di accompagnamento:
Mick Jagger (dal 1972-09 al 1972-10)
voce di accompagnamento aggiuntiva:
Carly Simon (dal 1972-09 al 1972-10) e Doris Troy (dal 1972-09 al 1972-10)
arrangiatore archi :
Carly Simon
orchestratore:
Paul Buckmaster
diritti fonografici (℗) detenuti da:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (nel 1972), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1972), Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (nel 1978), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984) e Rhino Entertainment Company (not for release label use!) (nel 2015)
registrata presso:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Regno Unito (dal 1972-09 al 1972-10)
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 100), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 140) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 495)
registrazione di:
You’re So Vain (dal 1972-09 al 1972-10)
paroliere e compositore:
Carly Simon
editore:
C’est Music, Quackenbush Music, Ltd. (ASCAP-affiliated), Universal Music Corporation (USA, affiliated with ASCAP) e Universal Music Publishing Group
Carly Simon4.64:18
3You Win Again
co-produttore:
Brian Tench
produttore:
Barry Gibb, Maurice Gibb, Robin Gibb e Arif Mardin
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1987)
registrazione di:
You Win Again
paroliere e compositore:
Barry Gibb, Maurice Gibb e Robin Gibb
editore:
BMG Music, BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Crompton Songs e Gibb Brothers Music
Bee Gees3:49
4All Around the World
registrazione di:
All Around the World
autore:
Ian Devaney, Andy Morris (former member of Blue Zone (UK), worked with Lisa Stansfield) e Lisa Stansfield
editore:
Block & Gilbert, Block & Gilbert Music Ltd. (UK based music publishing company, now dissolved) e BMG Music Publishing Ltd.
Lisa Stansfield4:22
5I Want to Know What Love Is
registrazione di:
I Want to Know What Love Is
paroliere e compositore:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
editore:
Evansongs Ltd. (publisher), Somerset Songs Publishing Inc., Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Fujipacific Music inc. (fino al 2014-12-31) e Fujipacific Music, Inc. (dal 2015-01-01 a oggi)
Foreigner4:34
6Mr. Blue Sky
tecnico:
Mack (German rock producer/engineer Reinhold Mack)
produttore:
Jeff Lynne
basso :
Kelly Groucutt (nel 1977)
batteria, altri strumenti [fire extinguisher] e percussione :
Bev Bevan (English rock drummer) (nel 1977)
chitarra , sintetizzatore e voce principale:
Jeff Lynne (nel 1977)
tastiera :
Richard Tandy (keyboardist for Electric Light Orchestra) (nel 1977)
voce di accompagnamento:
Bev Bevan (English rock drummer) (nel 1977) e Kelly Groucutt (nel 1977)
direttore d'orchestra:
Louis Clark (nel 1977)
arrangiatore:
Louis Clark, Jeff Lynne e Richard Tandy (keyboardist for Electric Light Orchestra)
diritti fonografici (℗) detenuti da:
Jet Records (nel 1977), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1977, nel 2005), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1977) e United Artists Music and Records Group, Inc. (UAMARG, Inc.) (nel 1977)
registrata presso:
Musicland Studios (Munich) in München (Munich), Bayern (Baviera), Germania (nel 1977)
mixata presso:
Musicland Studios (Munich) in München (Munich), Bayern (Baviera), Germania
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 17) e Q50 – December 2005 (numero: 33)
registrazione di:
Mr. Blue Sky (nel 1977)
paroliere e compositore:
Jeff Lynne
editore:
EMI April Music Inc., EMI Blackwood Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd. e Polygon Publishing Ltd.
sub-editore:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
parte di:
Concerto for a Rainy Day
Electric Light Orchestra4.555:05
7Sexual Healing
registrazione di:
Sexual Healing
autore:
Odell Brown, Marvin Gaye e David Ritz (American author)
editore:
April Music Publishing Inc., Blackwood Music Inc. (1953-02-07–1987-12-30), Bugpie Music Publishing, EMI Songs Australia Pty. Ltd., EMI Songs Ltd. e April Music Inc. (nel 1982)
Marvin Gaye4:52
8Boogie Wonderland
produttore:
Al McKay e Maurice White (Earth, Wind & Fire)
voce:
The Emotions (Chicago soul, disco and R&B female vocal group) (nel 1979)
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1979) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1979)
campionamenti da:
I Am di Earth, Wind & Fire (nel 1979)
registrazione di:
Boogie Wonderland (nel 1979)
paroliere:
Allee Willis
compositore:
Jon Lind
editore:
EMI Blackwood Music Inc., EMI Songs Ltd., International Music Network, Irving Music (BMI) e Rondor Music (London) Ltd.
Earth, Wind & Fire4.24:50
9Harvest for the World
registrazione di:
Harvest for the World
autore:
Ernie Isley, Marvin Isley, O’Kelly Isley, Ronald Isley (a.k.a. Mr. Biggs), Rudolph Isley e Chris Jasper
editore:
Bovina Music Inc., EMI April Music Inc. e EMI Songs Ltd.
The Isley Brothers2.653:56
10Good Times
registrazione di:
Good Times
autore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
editore:
Bernard’s Other Music, Sony Songs e Tommy Jymi Inc.
Chic3:57
11Respect
tecnico di registrazione:
Tom Dowd (il 1967-02-14)
produttore:
Jerry Wexler
batteria :
Roger Hawkins (il 1967-02-14)
chitarra :
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (il 1967-02-14)
chitarra basso :
Tommy Cogbill (il 1967-02-14)
cornetta :
Melvin Lastie (il 1967-02-14)
organo :
Spooner Oldham (il 1967-02-14)
pianoforte :
Aretha Franklin (il 1967-02-14)
sassofono baritono :
Willie Bridges (il 1967-02-14)
sassofono tenore :
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (il 1967-02-14) e King Curtis (saxophonist) (il 1967-02-14)
voce:
Aretha Franklin (il 1967-02-14)
voce di accompagnamento:
Carolyn Franklin (il 1967-02-14) e Erma Franklin (il 1967-02-14)
direttore d'orchestra:
Tom Dowd (il 1967-02-14)
arrangiatore:
Tom Dowd e Arif Mardin
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1967) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1967)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1967-02-14)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 1), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 5), CBC Music: 10 Songs That Have Changed the World, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 21), New York Post: 100 Greatest Covers (2007) (numero: 52) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione cover di:
Respect (il 1967-02-14)
paroliere e compositore:
Otis Redding
editore:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell e Warner/Chappell North America
Aretha Franklin3.92:25
12(Sitting on) The Dock of the Bay
registrazione di:
(Sittin’ on) the Dock of the Bay
autore:
Steve Cropper e Otis Redding
editore:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. (holding: file NO releases), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music EH(CM) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Otis Redding2:44
13Brown Eyed Girl
tecnico di registrazione:
Brooks Arthur (il 1967-03-28)
produttore:
Bert Russell Berns
batteria :
Gary Chester (studio drummer and educator) (il 1967-03-28)
chitarra :
Al Gorgoni (il 1967-03-28), Hugh McCracken (il 1967-03-28) e Van Morrison (il 1967-03-28)
chitarra basso :
Eric Gale (il 1967-03-28)
organo :
Garry Sherman (mid-20th century composer, arranger & conductor) (il 1967-03-28)
voce di accompagnamento:
The Sweet Inspirations (il 1967-03-28)
voce principale:
Van Morrison (il 1967-03-28)
esecutore:
Van Morrison (il 1967-03-28)
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment Inc. (nel 1967), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1967), Charly Records (nel 1968) e Exile Productions Ltd. (not for Label Release) (nel 1973)
registrata presso:
A&R Recording Studio A (original studio, 1958–1967) in New York, New York, Stati Uniti (il 1967-03-28) e A&R Recording Studio (original studio, 1958–1967) in New York, New York, Stati Uniti (il 1967-04-07)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 71) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 109)
registrazione di:
Brown Eyed Girl (Van Morrison song) (dal 1967-03-28 al 1967-04-07)
paroliere e compositore:
Van Morrison
editore:
Artist Alliance, Gallo Music Publishers, PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Songs of PolyGram International, Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Web IV Music Inc. (nel 1967) e Polygram Publishing AB (nel 1992)
Van Morrison3.253:05
14Oh, Pretty Woman
produttore:
Fred Foster
armonica (a bocca) :
Charlie McCoy (white blues harmonica player, 1960s-present) (il 1964-08-01)
batteria :
Buddy Harman (Session drummer and songwriter) (il 1964-08-01)
chitarra :
Jerry Kennedy (il 1964-08-01), Wayne Moss (il 1964-08-01) e Billy Sanford (guitar) (il 1964-08-01)
chitarra a 12 corde [12 string guitar Epiphone] e voce principale:
Roy Orbison (il 1964-08-01)
contrabbasso [upright bass] :
Bob Moore (U.S. bassist and bandleader) (il 1964-08-01)
percussione :
Paul Garrison (il 1964-08-01)
pianoforte :
Floyd Cramer (il 1964-08-01)
sassofono :
Boots Randolph (il 1964-08-01)
voce:
Roy Orbison
diritti fonografici (℗) detenuti da:
Orbison Records, Orbison Records, Inc. e Monument Record Corp. (not for release label use!) (nel 1964)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 20), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 59), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 222)
registrazione di:
Oh, Pretty Woman (Roy Orbison song) (il 1964-08-01)
paroliere e compositore:
Bill Dees e Roy Orbison
editore:
Acuff-Rose Music Limited (UK), Barbara Orbison Music Company, Roy Orbison Music Company, Universal/MCA Music Ltd. (not for release label use!), Acuff-Rose Publications, Inc. (BMI) (il 1964-08-26) e Acuff-Rose (BMI) (nel 1972)
Roy Orbison4.23:00
15Mr. Tambourine Man
registrata a:
Hollywood, Los Angeles, California, Stati Uniti (il 1965-01-20)
produttore:
Terry Melcher
batteria :
Michael Clarke (drummer for the 1960s rock group The Byrds) (il 1965-01-20)
chitarra :
David Crosby (il 1965-01-20)
chitarra a 12 corde :
Jim McGuinn (il 1965-01-20)
chitarra basso :
Chris Hillman (il 1965-01-20)
tamburello :
Gene Clark (US singer-songwriter; founder of The Byrds) (il 1965-01-20)
voce:
Gene Clark (US singer-songwriter; founder of The Byrds) (il 1965-01-20), David Crosby (il 1965-01-20), Chris Hillman (il 1965-01-20) e Jim McGuinn (il 1965-01-20)
diritti fonografici (℗) detenuti da:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 1965) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1965)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (numero: 10), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 79) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 230)
registrazione cover di:
Mr. Tambourine Man (il 1965-01-20)
paroliere e compositore:
Bob Dylan (dal 1964-02 al 1964-04)
editore:
Blossom Music Ltd., M. Witmark & Sons, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell (Warner/Chappell Music, Inc.) (dal 1964 al 1992) e Special Rider Music (dal 1992 a oggi)
The Byrds4.12:30
16Jolene
tecnico:
Tom Pick
produttore:
Bob Ferguson
banjo :
Bobby Thompson (guitar & banjo player) (il 1972-05-03) e Buck Trent (il 1972-05-03)
basso :
Bobby Dyson (il 1972-05-03)
batteria :
Kenny Malone (session drummer/percussion) (il 1972-05-03)
chitarra :
Dolly Parton (il 1972-05-03)
chitarra [rhythm guitar] :
Dave Kirby (US country singer/songwriter) (il 1972-05-03)
chitarra elettrica :
Jimmy Colvard (American session guitarist) (il 1972-05-03)
chitarra steel :
Stu Basore (il 1972-05-03)
pianoforte :
Hargus "Pig" Robbins (il 1972-05-03)
violino folk :
Johnny Gimble (il 1972-05-03) e Mack Magaha (Bluegrass Fiddler) (il 1972-05-03)
voce:
Dolly Parton (il 1972-05-03)
voce di accompagnamento:
Joe Babcock (il 1972-05-03), Dolores Edgin (il 1972-05-03), June Page (il 1972-05-03) e Hurshel Wiginton (il 1972-05-03)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1973) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1973)
registrata presso:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Stati Uniti (il 1972-05-03)
parte di:
Rolling Stone: The 200 Greatest Country Songs of All Time (numero: 1), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 28), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 63) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 217)
registrazione di:
Jolene (il 1972-05-03)
paroliere e compositore:
Dolly Parton
editore:
Carlin Music Corporation, Neue Welt Musikverlag GmbH (2017 – present), Owepar Publishing Inc. e Velvet Apple Music
Dolly Parton4.252:41
17Let’s Hang On
assistente tecnico:
Gary Boatner (engineer) e Ira Siegal
tecnico:
Michael Delugg
produttore:
Barry Manilow
produttore associato:
Michael Delugg
batteria :
Ed Greene (drummer)
chitarra :
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist) e Dean Parks (American session guitarist)
chitarra basso [bass] :
Will Lee (US jazz/rock bassist)
pianoforte :
Victor Vanacore
sintetizzatore :
Robert Marullo
tastiera :
Bill Mays
voce di accompagnamento [24 background vocals] e voce principale:
Barry Manilow
arrangiatore:
Barry Manilow e Victor Vanacore
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1981)
registrata presso e mixata presso:
United Western Recorders in Hollywood, Los Angeles, California, Stati Uniti
edit di:
Let’s Hang On di Barry Manilow
registrazione cover di:
Let’s Hang On!
autore:
Bob Crewe, Denny Randell e Sandy Linzer
editore:
Saturday Music, Inc. (conclusa), EMI Longitude Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Seasons’ Four Music Inc.
sub-editore:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Barry Manilow3.53:07
18Everybody’s Talkin’
registrazione cover di:
Everybody’s Talkin’
paroliere e compositore:
Fred Neil
editore:
Carlin Music Corporation, Coconut Grove Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Third Palm Music e Third Story Music, Inc.
Nilsson2:45
19Albatross
produttore:
Mike Vernon
basso elettrico :
John McVie (il 1968-10-06)
batteria :
Mick Fleetwood (il 1968-10-06)
chitarra :
Peter Green (former member of Fleetwood Mac) (il 1968-10-06) e Danny Kirwan (Fleetwood Mac) (il 1968-10-06)
diritti fonografici (℗) detenuti da:
Blue Horizon Records (nel 1968) e Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1968)
registrazione di:
Albatross (il 1968-10-06)
compositore:
Peter Green (former member of Fleetwood Mac)
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Crosstown Songs UK Ltd., Kingstreet Media Publishing Limited e Palan Music Publishing Ltd.
Fleetwood Mac4.23:07