The All Time Greatest Pop Album

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1CD
#TitoloArtistaValutazioneDurata
1Don’t Stop ’til You Get Enough
Michael Jackson3:59
2When the Going Gets Tough
diritti fonografici (℗) detenuti da:
Polygram Ireland Ltd. (nel 1999) e Universal Music Ireland Ltd. (not for release label use) (nel 1999)
video musicali:
When the Going Gets Tough di Boyzone
registrazione cover di:
When the Going Gets Tough, the Tough Get Going (nel 1999)
autore:
Wayne Brathwaite, Barry Eastmond, Robert John “Mutt” Lange (Robert John Lange) e Billy Ocean
editore:
Aqua Music (Billy Ocean's recording & publishing label), Aqua Music Ltd., BMG Music Publishing Ltd., Imagem London Ltd., Universal Music Publishers MGB Australia Pty Ltd, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Zomba Enterprises, Inc. e Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Boyzone2.53:37
3Wannabe
assistente tecnico di registrazione:
Patrick McGovern
tecnico di registrazione:
Adrian Bushby
programmazione e produttore:
Richard Stannard e Matt Rowe
tecnico di missaggio:
Mark “Spike” Stent (producer, engineer)
tastiera :
Richard Stannard e Matt Rowe
editore:
SSO
video musicali:
Wannabe (video) di Spice Girls
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 36)
registrazione di:
Wannabe
autore:
Melanie Brown (Mel B), Emma Bunton, Geri Halliwell, Melanie Chisholm, Richard Stannard, Matt Rowe e Victoria Beckham (née Adams)
editore:
PolyGram Music Publishing Ltd. e Windswept Pacific Music Ltd.
versione tradotta parodia di:
I Wanna Pfefferkuchen
Spice Girls3.852:49
4Wake Me Up Before You Go-Go
assistente tecnico:
Paul Gomersau
tecnico:
Chris Porter (engineer and producer)
produttore:
George Michael
sassofono :
David Baptiste (U.K. Saxophonist, flutist, percussionist, vocalist, & backing vocalist)
tastiera :
Tommy Eyre
arrangiatore:
George Michael
diritti fonografici (℗) detenuti da:
CBS Records (CBS, CBS Records’ international imprint from 1962–1990; renamed since 1991 as Columbia) (nel 1984), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1984, nel 2006) e Diski CBS AEBE (Greek CBS affiliate, preceded by CBS Records of Greece S.A.) (nel 1986)
video musicali:
Wake Me Up Before You Go di Wham! (British pop-duo)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 28) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 269)
registrazione di:
Wake Me Up Before You Go‐Go
paroliere e compositore:
George Michael
editore:
Chappell Music (UK), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Morrison Leahy Music Ltd., Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner/Chappell Music Ltd. (1996–2019)
Wham!3.853:53
5C’est la vie
produttore:
Ray Hedges
chitarra :
Erwin Keiles
violino folk :
Daniel Collier (fiddler)
arrangiatore:
Martin Brannigan e Ray Hedges
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1998)
video musicali:
C'est la vie (music video) di B*Witched (Irish girl group)
registrazione di:
C’est la vie
autore:
Tracy Ackerman, B*Witched (Irish girl group), Martin Brannigan e Ray Hedges
editore:
19 Music Ltd., BMG Music Publishing Ltd., Bucks Music Ltd, Chrysalis Music Ltd. (music publisher, affiliated with PRS), PolyGram Music Publishing Ltd. e Sugar Free Music
B*Witched3.852:54
6As Long as You Love Me
assistente tecnico:
Tommie Hicks Jr.
tecnico:
Joe Smith (US recording/mixing engineer)
produttore:
Kristian Lundin e Max Martin (Swedish record producer)
chitarra :
Esbjörn Öhrwall
voce:
Howie Dorough (from the Backstreet Boys), AJ McLean (US singer, songwriter, actor, dancer & model) e Kevin Richardson (from the Backstreet Boys)
voce principale:
Nick Carter (US pop singer & Backstreet Boy) e Brian T. Littrell (from the Backstreet Boys)
diritti fonografici (℗) detenuti da:
Zomba Recording Corporation (not strictly a label - avoid adding releases here) (nel 1997)
edit di:
As Long as You Love Me (album version) di Backstreet Boys
video musicali:
As Long as You Love Me di Backstreet Boys
registrazione di:
As Long as You Love Me
autore:
Max Martin (Swedish record producer)
editore:
Grantsville Publishing Ltd., GV-MXM, Imagem London Ltd., Zomba Enterprises, Inc. e Zomba Music Publishers Limited (UK subsidiary of Zomba Music Publishing)
Backstreet Boys3.253:32
7Never Ever
voce:
Nicole Appleton, Melanie Blatt e Shaznay Lewis
diritti fonografici (℗) detenuti da:
London Records Ltd. (not release label) (nel 1998)
video musicali:
Never Ever (music video) di All Saints
parte di:
The Downloader’s Music Source Book (numero: 379)
registrazione di:
Never Ever
autore:
Robert Jazayeri (aka Esmail or Afshin Jazayeri), Shaznay Lewis e Sean Mather (US DJ and producer Sean Mather)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Rickidy Raw Productions Inc. e STL Songs Ltd.
All Saints3.255:15
8Last Thing on My Mind
assistente tecnico:
Bradlee Spreadborough e Al Unsworth
tecnico:
Chris McDonnell (engineer)
produttore:
Mark Topham, Karl Twigg e Pete Waterman
tecnico di missaggio:
Paul Waterman
batteria [drums] :
Chris McDonnell (engineer)
tastiera [keyboards] :
Mark Topham e Karl Twigg
voce di accompagnamento:
Lee Latchford-Evans, Lisa Scott‐Lee e Faye Tozer
voce principale:
Claire Richards e Ian “H” Watkins (pop star, member of Steps)
diritti fonografici (℗) detenuti da:
Zomba Records Limited (not strictly a label - avoid adding releases here) (nel 1998)
registrata presso e mixata presso:
PWL Studios (Manchester) in Manchester, Greater Manchester, England, Regno Unito e PWL Studios (London) in London (Greater London), England, Regno Unito
video musicali:
Last Thing on My Mind di Steps (British Euro-Pop group)
registrazione cover di:
Last Thing on My Mind
autore:
Sara Dallin, Mike Stock (of Stock Aitken Waterman), Pete Waterman e Keren Woodward
editore:
All Boys Music Ltd., BMG Music Publishing Ltd., In a Bunch Music (publisher), Mike Stock Publishing Ltd. e Warner Chappel Music Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16)
Steps3.153:04
9Girls Just Want to Have Fun
assistente tecnico:
John Agnello (engineer & producer)
tecnico:
William Wittman
tecnico aggiunto:
John Jansen (US recording engineer and producer) e Rod O’Brien
produttore:
Rick Chertoff
produttore associato:
William Wittman
basso :
Eric Bazilian
batteria elettronica :
Anton Fig
chitarra elettrica :
Rick DiFonzo
sintetizzatore [synthesizers] e tastiera [keyboards] :
Rob Hyman
voce di accompagnamento:
Krystal Davis, Ellie Greenwich, Cyndi Lauper, Jules Shear, Maretha Stewart e Diane Wilson (vocals)
voce principale:
Cyndi Lauper
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1983) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1983, nel 1994)
è stato produttore per:
Red Sox Music Productions, Inc.
registrata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti
video musicali:
Girls Just Want to Have Fun di Cyndi Lauper
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 23), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 63)
registrazione di:
Girls Just Want to Have Fun
paroliere e compositore:
Robert Hazard
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., Novelene Music, Sony Tunes, Inc., Sony/ATV Music Publishing Ltd., Sony/ATV Tunes LLC (ASCAP) e Heroic Music (publisher) (nel 1983)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Cyndi Lauper4.053:51
10I Quit
produttore:
Notodog e Phil Thornalley
tecnico di missaggio:
David Bascombe
remixer:
Nhoah (r.o.t)
video musicali:
I Quit di Hepburn (UK late 1990s all-female pop/rock band)
registrazione di:
I Quit
compositore:
Colin Campsie e Phil Thornalley
Hepburn3.753:54
11Never Gonna Give You Up
programmazione degli strumenti:
Ian Curnow (nel 1986-10)
assistente tecnico:
Boky, Peter Day, Gordon Dennis (engineer at PWL Studios), Jonathan King e Yoyo (UK producer/engineer/mixer Yoyo Olugbo)
tecnico:
Mark McGuire (UK producer/engineer)
tecnico aggiunto:
Jamie Bromfield (member of SNJ Works, The Extra Beat Boys, Recall), Mike Duffy (mixing for Nitzer Ebb), Phil Harding (engineer, producer and remixer) e Karen Hewitt
produttore:
Aitken, Stock (of Stock Aitken Waterman) e Waterman
tecnico di missaggio:
Mixmasters Pete Hammond (UK producer aka “Mixmaster”) (il 1987-01-01)
batteria [drums] :
A Linn (Linn 9000) (nel 1986-10)
chitarra [guitars] :
Matt Aitken (nel 1986-10)
tastiera [keyboards] :
Matt Aitken (nel 1986-10) e Mike Stock (of Stock Aitken Waterman) (nel 1986-10)
voce di accompagnamento [backing vocals]:
Dee Lewis (nel 1986-10), Shirley Lewis (nel 1986-10), Mae McKenna (vocalist) (nel 1986-10) e Suzanne Rhatigan (nel 1986-10)
voce principale:
Rick (English singer, songwriter and radio personality) (nel 1986-10)
arrangiatore:
Gordon Jenkins
diritti fonografici (℗) detenuti da:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation) (nel 1987), Pete Waterman Ltd. (copyrights holder) (nel 1987) e PWL (nel 1987)
supporto a vario titolo:
PWL (incarico: original sound recordings made by)
registrata presso:
PWL Studio 1 (nel 1986-10), PWL Studio 2 (nel 1986-10) e PWL Studios (London) in London (Greater London), England, Regno Unito (nel 1986-10)
mixata presso:
PWL Studio 1 (il 1987-01-01) e PWL Studio 2 (il 1987-01-01)
video musicali:
Never Gonna Give You Up di Rick Astley (English singer, songwriter and radio personality)
parte di:
Cachitos Nochevieja 2022 (numero: 48) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 244)
registrazione di:
Never Gonna Give You Up (nel 1986-10)
autore:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) e Pete Waterman
editore:
All Boys Music Ltd., BMG Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Hammer Music (German publisher), Mike Stock Publishing Limited, Sid’s Songs Limited, Songs of Kobalt Music Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal Music Careers, Universal Music Publishers MGB Australia Pty Ltd, Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e Terrace Music (nel 1987)
Rick Astley4.43:34
12I Should Be So Lucky
tecnico:
Karen Hewitt, Mark McGuire (UK producer/engineer) e Yoyo (UK producer/engineer/mixer Yoyo Olugbo)
produttore:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) e Pete Waterman
tecnico di missaggio:
Mixmaster Pete Hammond (UK producer aka “Mixmaster”)
diritti fonografici (℗) detenuti da:
Mushroom Records (dal 1988 a oggi)
video musicali:
I Should Be So Lucky di Kylie Minogue
registrazione di:
I Should Be So Lucky
autore:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) e Pete Waterman
editore:
Mushroom Music Pty. Ltd. (dal 1988 a oggi)
Kylie Minogue43:25
13I Want You Back
produttore:
The Corporation (Motown songwriters)
batteria :
Gene Pello e Johnny Jackson (drummer for Jackson 5) (nel 1969-07)
chitarra :
Donald Peake, David T. Walker e Tito Jackson (nel 1969-07)
chitarra [lead guitar] :
Louis Shelton (nel 1969-07)
chitarra basso :
Wilton Felder (nel 1969-07)
percussione :
Sandra Crouch e Marlon Jackson (nel 1969-07)
pianoforte :
Fonce Mizell, Freddie Perren, Joe Sample e Ronnie Rancifer (nel 1969-07)
tastiera :
Clarence McDonald e Ronnie Rancifer (nel 1969-07)
voce:
Jackie Jackson (member of the Jackson 5) (nel 1969-07)
voce di accompagnamento:
Jackie Jackson (member of the Jackson 5), Michael Jackson (“King of Pop”), Keith Washington, Jermaine Jackson (soul/pop singer, of Jackson 5) (nel 1969-07), Marlon Jackson (nel 1969-07) e Tito Jackson (nel 1969-07)
voce principale:
Michael Jackson (“King of Pop”) (nel 1969-07)
arrangiatore:
The Corporation (Motown songwriters)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1969)
registrata presso:
The Sound Factory West in West Hollywood, California, Stati Uniti (nel 1969-07, dal 1969-07 al 1969-09)
video musicali:
I Want You Back di The Jackson 5 (The Jacksons, formerly “The Jackson 5”)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 23), Billboard Year-End Hot 100 singles of 1970 (numero: 28), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 104) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 120)
registrazione di:
I Want You Back (nel 1969-07)
paroliere e compositore:
The Corporation (Motown songwriters)
editore:
EMI April Music Inc., Jobete Music Co., Inc., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
parte di:
MJ: The Musical
The Jackson 54.252:58
14Love Shack
assistente tecnico:
Martin Kunitz
tecnico:
Dave Cook (US engineer and producer)
produttore:
Don Was
tecnico di missaggio:
Tom Durack
batteria ospite :
Charley Drayton
chitarra :
Keith Strickland
chitarra basso ospite :
Sara Lee (UK bassist, singer & songwriter)
corno ospite :
Uptown Horns (US horn section, formed in 1980)
tastiera :
Kate Pierson
voce:
Kate Pierson, Fred Schneider (US singer‐songwriter, frontman of The B‐52s) e Cindy Wilson
diritti fonografici (℗) detenuti da:
Reprise Records (nel 1989)
registrata presso:
Dreamland Studios in Hurley, New York, Stati Uniti
mixata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti
prodotta in aggiunta presso:
Bearsville Studios in Bearsville, New York, Stati Uniti
video musicali:
Love Shack di The B‐52’s
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 40), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 41) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 243)
registrazione di:
Love Shack
autore:
Kate Pierson, Fred Schneider (US singer‐songwriter, frontman of The B‐52s), Keith Strickland e Cindy Wilson
editore:
Man-Woman Together, Now!
The B‐52s4.35:22
15Respectable
produttore:
Jamie Bromfield (member of SNJ Works, The Extra Beat Boys, Recall) e Mark McGuire (UK producer/engineer)
diritti fonografici (℗) detenuti da:
Cherry Red Records Ltd. (do not use as label, for copyrights and distribution credits only) (nel 1987), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1987) e The Supreme Record Company Ltd. (nel 1987)
video musicali:
Respectable di Mel & Kim (Appleby sisters)
registrazione di:
Respectable
autore:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) e Pete Waterman
editore:
All Boys Music, All Boys Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Hammer Musik GmbH, Matt Aitken Publishing, MCA Gilbey, Mike Stock Publishing Limited, Mushroom Music (Mushroom label’s publishing company), Sony/ATV Music Publishing (UK) Ltd. e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Mel & Kim2.53:22
16Sweet Dreams (Are Made of This)
produttore:
Dave Stewart (UK guitarist/singer for Eurythmics)
diritti fonografici (℗) detenuti da:
BMG Records (UK) Limited (1987–1996) (nel 1982, nel 1991), BMG Records (UK) Ltd. (1987–1996) (nel 1983), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1983) e Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1983)
registrazione di:
Sweet Dreams (Are Made of This)
paroliere:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) e Dave Stewart (UK guitarist/singer for Eurythmics)
compositore:
Eurythmics, Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) e Dave Stewart (UK guitarist/singer for Eurythmics)
arrangiatore:
Miriama Young
editore:
BMG Music, BMG Music Publishing Ltd., D’n’A Ltd., Sunbury Music Ltd. e Universal Music–MGB Songs
Eurythmics4.554:54
17We Don’t Talk Anymore
produttore:
Bruce Welch (English guitarist, singer, songwriter and producer)
voce:
Cliff Richard (nel 1979)
diritti fonografici (℗) detenuti da:
EMI America (nel 1979) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1979)
video musicali:
We Don’t Talk Anymore di Cliff Richard
registrazione di:
We Don’t Talk Anymore (nel 1979)
paroliere e compositore:
Alan Tarney
editore:
ATV Music Ltd., Sony/ATV Songs LLC e Warner Chappell
Cliff Richard34:15
18Good Vibrations
tecnico di registrazione:
Bruce Botnick (dal 1966-02 al 1966-06), Chuck Britz (dal 1966-02 al 1966-06) e Larry Levine (dal 1966-02 al 1966-06)
tecnico:
Chuck Britz e Jim Lockert (Enginear)
produttore:
The Beach Boys (American rock band) e Brian Wilson (Beach Boys co‐founder)
tecnico di missaggio:
Derry FitzGerald
voce:
Mike Love (Beach Boys) (dal 1966-02 al 1966-06)
voce principale:
Mike Love (Beach Boys) (dal 1966-02 al 1966-06) e Carl Wilson (Beach Boys) (dal 1966-02 al 1966-06)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1966)
registrata presso:
Gold Star Studios in Hollywood, Los Angeles, California, Stati Uniti (dal 1966-02 al 1966-06), Sunset Sound in Hollywood, Los Angeles, California, Stati Uniti (dal 1966-02 al 1966-06) e Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (dal 1966-02 al 1966-06)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 6), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 53)
registrazione di:
Good Vibrations (Love/Wilson lyrics, common version) (dal 1966-02 al 1966-06)
paroliere:
Mike Love (Beach Boys) e Brian Wilson (Beach Boys co‐founder)
compositore:
Brian Wilson (Beach Boys co‐founder)
editore:
Irving Music, Inc., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Rondor Music (London) Ltd., Rondor Music Publishing, Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label) e Universal Music Publishing (use ONLY if no country‐specific information is available)
versione di:
Good Vibrations (Tony Asher lyrics)
The Beach Boys4.23:36
19Can You Feel It
produttore:
The Jacksons (formerly “The Jackson 5”)
basso :
Nathan Watts
batteria :
Ollie E. Brown (US drummer, session musician & record producer)
chitarra :
Tito Jackson e David Williams (session guitarist and songwriter)
tastiera :
Ronnie Foster, Greg Phillinganes e Bill Wolfer (record producer, songwriter, musician and synthesizer programmer from USA)
vibrafono [vibes] :
Gary L. Coleman (US percussionist)
cori:
Lita Aubrey, Paulette Brown, Brigette Bush, Soloman Daniels, Rock Deadrick, Carolyn Dennis (American singer), Venetta Fields, Roy Galloway (soul singer), Gerry Garrett, Rhonda Gentry, Jim Gilstrap, Gerry Gruberth, Bunny Hull, Roger Kenerly II, Josie James, Roger Kenerly-Saint, Yolanda Kenerly, Bob Mack, Arnold McCuller, Paulette McWilliams, Louis Price, Lisa Roberts, Stephanie Spruill (American soul/disco singer, songwriter, and percussionist), Phyllis St. James, Brian Stilwell, Audra Tillman, Carmen Twillie, Ronald Vann, Peter Wade e Gregory Wright
voce principale:
Michael Jackson (“King of Pop”) e Randy Jackson (brother of Michael and Janet)
arrangiatore archi :
Tom Tom 84
arrangiatore:
Jackie Jackson (member of the Jackson 5) e Michael Jackson (“King of Pop”)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1980)
registrazione di:
Can You Feel It
autore:
Jackie Jackson (member of the Jackson 5) e Michael Jackson (“King of Pop”)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Chappell Music (publisher as Warner/Chappell Music) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
parte di:
MJ: The Musical
The Jacksons4.353:51
20Things Can Only Get Better (D:Reamix edit)
produttore:
D:Ream (Northern Irish pop rock & dance group) e Tom Frederikse
remix di:
Things Can Only Get Better di D:Ream (Northern Irish pop rock & dance group)
edit di:
Things Can Only Get Better (7" D:REAM Mix) di D:Ream (Northern Irish pop rock & dance group)
registrazione di:
Things Can Only Get Better
autore:
Peter Cunnah e Jamie Petrie
D:Ream3.53:59
2CD
#TitoloArtistaValutazioneDurata
1Shout
registrazione cover di:
Shout
autore:
O’Kelly Isley, Ronald Isley (a.k.a. Mr. Biggs) e Rudolph Isley
editore:
Campbell Connelly, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Longitude Music Co., Nightlight Music (US work publisher, affiliated with BMI), Nightlight Music Pty Ltd. e Windswept Pacific Music Ltd.
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
parte di:
MJ: The Musical
Lulu4.52:53
2I Only Want to Be With You
produttore:
John Franz
diritti fonografici (℗) detenuti da:
Mercury Ltd (not for release label use!) (nel 1963)
registrata presso:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Regno Unito (il 1973-10-17)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 31) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 323)
registrazione di:
I Only Want to Be With You (Dusty Springfield song) (il 1973-10-17)
autore:
Mike Hawker e Ivor Raymonde
editore:
Chappell & Co Ltd., Chappell Music Ltd., Springfield Music Ltd., Warner Chappell, Warner Chappell Music, Inc., Chappell & Co. (fino al 1987) e Warner/Chappell Music International Ltd. (dal 1987 a oggi)
Dusty Springfield4.42:36
3Footloose
produttore:
Lee DeCarlo e Kenny Loggins
batteria :
Tris Imboden
chitarra :
Buzz Feiten
chitarra basso :
Nathan East
percussione :
Michael Boddicker e Paulinho da Costa (Brazilian percussionist)
sintetizzatore basso :
Michael Boddicker
strumenti:
Michael Boddicker
tastiera :
Neil Larsen e Steven Wood (US soundtrack composer, member of Honk)
voce di accompagnamento:
Marilyn Dorman, Richey Washington e Steven Wood (US soundtrack composer, member of Honk)
voce principale:
Kenny Loggins
remixer:
Humberto Gatica
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1984), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1984), Sony BMG Music Entertainment Inc. (nel 1984) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1984)
registrazione di:
Footloose
paroliere:
Dean Pitchford
compositore:
Kenny Loggins
editore:
BMG Music Ltd., BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Ensign Music LLC, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Island Music (Island Music Ltd.), Milk Money Music, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Harmony, Sony/ATV Melody, Sony/ATV Music Publishing Ltd. e Universal Music Publishers MGB Australia Pty Ltd
parte di:
The 57th Academy Award for Best Original Song (numero: 2)
Kenny Loggins4.13:45
4Flashdance... What a Feeling (1995 version)
registrazione di:
Flashdance… What a Feeling (nel 1995)
paroliere:
Irene Cara e Keith Forsey (drummer, producer and songwriter)
compositore:
Giorgio Moroder
editore:
Alcor Music (publisher), Carasmatic Music, Carub Music (publisher), Chappell Music Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), GMPC, Intersong Music, Intersong Music Ltd., Intersong U.S.A. (publisher), Sony/ATV Harmony e WB Music Corp. (1929–2019)
parte di:
The 56th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1983 winner)
Irene Cara43:51
5Making Your Mind UpBucks Fizz42:40
6Come On Eileen
produttore:
Clive Langer, Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners) e Alan Winstanley (English record producer)
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1982)
registrazione di:
Come On Eileen
autore:
Kevin Adams, James Mitchell Paterson e Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) e Kevin Adams Music Ltd.
Dexys Midnight Runners4.754:09
7Baby Love
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
basso :
James Jamerson (il 1964-08-13)
batteria :
Richard "Pistol" Allen (il 1964-08-13)
calpestio di piedi [footstomps] :
Michael Valvano (il 1964-08-13)
chitarra :
Eddie Willis (il 1964-08-13)
pianoforte :
Earl Van Dyke (il 1964-08-13)
sassofono baritono :
Mike Terry (60s US soul arranger/conductor) (il 1964-08-13)
sassofono tenore :
Henry Cosby (il 1964-08-13)
strumenti:
The Funk Brothers (il 1964-08-13)
vibrafono :
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (il 1964-08-13)
voce di accompagnamento:
Florence Ballard (il 1964-08-13) e Mary Wilson (il 1964-08-13)
voce principale:
Diana Ross (il 1964-08-13)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1964) e UMG Recordings (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1964)
registrata presso:
Hitsville (Motown Records) in Detroit, Michigan, Stati Uniti (il 1964-08-13)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 4), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 324) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 499)
registrazione di:
Baby Love (il 1964-08-13)
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
Jobete Music (UK) Ltd. e Stone Agate Music Division
The Supremes4.452:36
8I’m Too Sexy
programmazione e produttore:
Tommy D.
tecnico:
Graham Bonnett (Sound Engineer)
chitarra :
Robert Manzoli
chitarra basso :
Phil Spalding
voce principale:
Richard Fairbrass
arrangiatore:
Tommy D.
registrata presso:
Red Bus Studios in London (Greater London), England, Regno Unito
mixata presso:
Joe's Garage (Bristol) in Bristol, England, Regno Unito e Red Bus Studios in London (Greater London), England, Regno Unito
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 475)
registrazione di:
I’m Too Sexy
autore:
Fred Fairbrass, Richard Fairbrass e Robert Manzoli
editore:
Hit & Run Music (Publishing) Ltd
Right Said Fred4.052:52
9Just a Little BitGina G43:01
10You Gotta Be (1999 mix)
registrazione di:
You Gotta Be (nel 1999)
autore:
Des’ree e Ashley Ingram
Des’ree44:08
11Venus
produttore:
Stock Aitken Waterman
batteria :
Linn 9000 (Linn 9000)
voce:
Bananarama
diritti fonografici (℗) detenuti da:
London Records Ltd. (not release label) (nel 1986)
parte di:
RuPaul’s Drag Race UK Lip Sync Performances (season 1) (numero: 2)
registrazione cover di:
Venus (Shocking Blue (I’m Your Venus))
paroliere e compositore:
Robbie van Leeuwen
editore:
ATV Music Ltd., Dayglow Music (publisher) e The International Music Network
si basa su:
The Banjo Song
Bananarama3.953:38
12Brimful of Asha
produttore:
Tjinder Singh
produttore aggiunto:
Norman Cook
remixer:
Norman Cook
remixer aggiunto:
Norman Cook
remix di:
Brimful of Asha (LP / original version) di Cornershop e Brimful of Asha (short version) di Cornershop
registrazione di:
Brimful of Asha
paroliere e compositore:
Tjinder Singh
dedicata a:
Asha Bhosle
Cornershop3.84:01
13Pop MuzikM44:55
14Mmm Bop
programmazione e tecnico:
Mac Quale (US composer)
produttore:
The Dust Brothers (production duo John King & Mike Simpson)
produttore aggiunto:
Stephen Lironi
registrazione di:
MMMbop
autore:
Isaac Hanson, Taylor Hanson e Zachary Hanson
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Heavy Harmony Music, Jam N Bread Music, Warner Chappell (Warner/Chappell Music, Inc.), Warner Chappell Music Ltd. (no slash; used 1988–1996) e WB Music Corp. (1929–2019)
Hanson3.24:00
15Take a Chance on Me
assistente tecnico di registrazione:
Dave Eringa
tecnico e produttore:
David Bascombe
assistente tecnico di missaggio:
Ben Darlow
altra voce [rap] aggiuntiva:
MC Kinky
registrazione cover di:
Take a Chance on Me
autore:
Benny Andersson (ABBA) e Björn Ulvaeus
editore:
Bocu Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Union Songs Music, Universal Music Publishing Group e Universal/Union Songs Musikförlag AB
parte di:
Mamma Mia! (1999 musical)
Erasure2.853:46
16Doctor Jones (original radio edit)
produttore e tecnico di missaggio:
Delgado (Karsten Rene Dahlgaard), Johnny Jam, Claus Norreen e Søren Rasted
arrangiatore:
Delgado (Karsten Rene Dahlgaard), Johnny Jam, Claus Norreen e Søren Rasted
registrazione di:
Doctor Jones
paroliere:
Claus Norreen, Anders Øland, Søren Rasted e René Dif
compositore:
Claus Norreen, Anders Øland e Søren Rasted
editore:
MCA Music Scandinavia AB, Universal MCA Music Publishing (France), Universal/MCA Music Publishing Scandinavia AB (Universal MCA Music Scandinavia AB), Warner Chappell Music France, Warner/Chappell Music Denmark, A/S (KODA), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Aqua3.453:23
17Kung Fu Fighting
arrangiatore:
Gerry Shury
registrazione di:
Kung Fu Fighting
paroliere e compositore:
Carl Douglas
editore:
Carren Music (publisher) e 渡辺音楽出版株式会社 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
si basa su:
[Oriental Riff]
Carl Douglas4.23:18
18ShineAswad3:41
19Love Really Hurts Without You
voce:
Billy Ocean
diritti fonografici (℗) detenuti da:
GTO Records Ltd. (holding company - file no releases here!) (nel 1976) e Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1976)
registrazione di:
Love Really Hurts Without You
paroliere e compositore:
Ben Findon (songwriter and producer) e Leslie Sebastian Charles
editore:
Black Sheep Music Ltd. (publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e EMI Music Publishing Ltd. (PRS‐affiliated)
Billy Ocean3.53:02
20Thank ABBA for the Music
tecnico e tecnico di missaggio:
Paul Waterman
produttore:
Work in Progress (remix and production duo)
voce:
B*Witched (Irish girl group), Billie (Billie Piper, English actor, former singer), Cleopatra (UK girl group), Tina Cousins e Steps (British Euro-Pop group)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1999)
registrata presso:
PWL Studios (Manchester) in Manchester, Greater Manchester, England, Regno Unito
medley che comprende una registrazione cover di:
Dancing Queen
autore:
Stig Anderson (Stikkan), Benny Andersson (ABBA) e Björn Ulvaeus
editore:
Bocu Music Ltd., EMI Grove Park Music, Inc., EMI Music Publishing (do not use as a release label!), Union Songs AB (publisher), Union Songs Music, Universal Music Publishing Group, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., EMI Waterford Music (dal 1976 a oggi), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (dal 1976 a oggi) e Universal/Union Songs Musikförlag AB (dal 1976 a oggi)
eseguita per la prima volta presso:
Kungliga Operan (Royal Swedish Opera) in Stockholm, Stockholms län (Stockholm county), Svezia (il 1976-06-18)
parte di:
Mamma Mia! (1999 musical)
medley che comprende una registrazione cover di:
Mamma Mia
scritta a:
Lidingö municipality, Stockholms län (Stockholm county), Svezia
autore:
Stig Anderson (Stikkan), Benny Andersson (ABBA) e Björn Ulvaeus
editore:
Polar Music AB (conclusa), Union Songs AB (publisher) (conclusa), EMI Grove Park Music, Inc., Universal–Songs of PolyGram International, Inc. e Universal/Union Songs Musikförlag AB
parte di:
Mamma Mia! (1999 musical)
medley che comprende una registrazione cover di:
Take a Chance on Me
autore:
Benny Andersson (ABBA) e Björn Ulvaeus
editore:
Bocu Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Union Songs Music, Universal Music Publishing Group e Universal/Union Songs Musikförlag AB
parte di:
Mamma Mia! (1999 musical)
medley che comprende una registrazione cover di:
Thank You for the Music
autore:
Benny Andersson (ABBA) e Björn Ulvaeus
editore:
Bocu Music Ltd., EMI Music Publishing (do not use as a release label!), Union Songs Music, Universal Music Publishing Group e Universal/Union Songs Musikförlag AB
parte di:
Mamma Mia! (1999 musical)
parte di:
The Girl With the Golden Hair: 3 Scenes From a Mini Musical
registrazione di:
Thank You for the Music
autore:
Benny Andersson (ABBA) e Björn Ulvaeus
editore:
Bocu Music Ltd., EMI Music Publishing (do not use as a release label!), Union Songs Music, Universal Music Publishing Group e Universal/Union Songs Musikförlag AB
parte di:
Mamma Mia! (1999 musical)
parte di:
The Girl With the Golden Hair: 3 Scenes From a Mini Musical
Steps, Cleopatra, Tina Cousins, B*Witched & Billie34:08

Accreditamenti

Pubblicazione

società di diritti:BIEM (international rights organization representing member societies from 58 countries)
MCPS (UK rights society; do not use this as a label or work publisher!)
SDRM (Société pour l’administration du droit de reproduction mécanique, French mechanical reproduction rights society)
distribuito da:Sony Music (global brand, excluding JP, owned by Sony Music Entertainment)
copyright (©) detenuto da e diritti fonografici (℗) detenuti da:Sony Music Entertainment (UK) Ltd. (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1999)
supporto a vario titolo:Don Reedman for Focus Music International (Focus Music International - UK label) (incarico: Creative Concept)
ASIN:UK: B00000JXHC [info]