Pavarotti: 24 Greatest HD Tracks

~ Release by Luciano Pavarotti (see all versions of this release, 1 available)

Tracklist

1▼Digital Media
#TitleRatingLength
1Turandot: Act 3 - "Nessun dorma!"
choir vocals:
The John Alldis Choir (from 1972-08-10 until 1972-08-25) and Wandsworth School Boys’ Choir (from 1972-08-10 until 1972-08-25)
tenor vocals [Calaf]:
Luciano Pavarotti (tenor) (from 1972-08-10 until 1972-08-25)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1972-08-10 until 1972-08-25)
conductor:
Zubin Mehta (conductor) (from 1972-08-10 until 1972-08-25)
chorus master:
John Alldis (chorusmaster and conductor)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1973)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1972-08-10 until 1972-08-25)
recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf) (from 1972-08-10 until 1972-08-25)
composer:
Giacomo Puccini (Italian composer) (from 1921-03 until 1924-03)
librettist:
Giuseppe Adami and Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. and Ed. G. Ricordi & Cia. SpA (Italian publisher)
part of:
Turandot: Atto III (Turandot: Act III)
52:57
2La Bohème: Act 1 - "Che gelida manina"
engineer:
James Lock (James Locke, engineer), Colin Moorfoot (engineer) and Gordon Parry (engineer)
producer:
James Mallinson (producer) and Ray Minshull (record producer)
tenor vocals [Rodolfo]:
Luciano Pavarotti (tenor) (in 1972-10)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1972-10)
conductor:
Herbert von Karajan (conductor) (in 1972-10)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1973)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1972-10)
recording of:
La bohème: Atto I, no. 6. “Che gelida manina!” (Rodolfo) (in 1972-10)
composer:
Giacomo Puccini (Italian composer) (in 1896)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
4:42
3Rigoletto: Act 2 - "Parmi veder le lagrime"
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Sir Edward Downes (conductor)
partial recording of:
Rigoletto: Atto II: “Ella mi fu rapita!” (Duca)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto II
2:34
4Rigoletto : Act 3 - "La donna è mobile"
sound engineer:
Stanley Goodall (engineer) and Kenneth Wilkinson (engineer)
producer:
David Harvey (producer) and Michael Woolcock (producer)
tenor vocals [Duca]:
Luciano Pavarotti (tenor) (on 1971-06-28)
orchestra:
London Symphony Orchestra (on 1971-06-28)
conductor:
Richard Bonynge (conductor and pianist) (on 1971-06-28)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1971-06-28)
recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca) (on 1971-06-28)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
2:22
5L'elisir d'amore: Act 2 - "Una furtiva lagrima"
engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
tenor vocals:
Luciano Pavarotti (tenor) (from 1971-06-28 until 1971-07-16)
orchestra:
English Chamber Orchestra (from 1971-06-28 until 1971-07-16)
conductor:
Richard Bonynge (conductor and pianist) (from 1971-06-28 until 1971-07-16)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1971-06-28 until 1971-07-16)
recording of:
L’elisir d’amore: Atto II. Romanza “Una furtiva lagrima” (Nemorino) (from 1971-06-28 until 1971-07-16)
composer:
Gaetano Donizetti (Italian opera composer) (in 1832)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
L’elisir d’amore: Atto II
4:48
6Carmen: Act 2 - "La fleur que tu m'avais jet
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Wiener Volksopernorchester
conductor:
Leone Magiera (conductor, pianist)
recording of:
Carmen : Acte II. No. 17 Duo : « La Fleur que tu m’avais jetée » (Carmen, Don José) (Flower Song)
composer:
Georges Bizet (French composer) (in 1875)
librettist:
Ludovic Halévy (French librettist) (in 1875) and Henri Meilhac (in 1875)
part of:
Carmen : Acte II
4:28
7Les Pecheurs des Perles: Act 1 - "Au fond du temple saint"
recording engineer:
Kenneth Wilkinson (engineer)
producer:
James Mallinson (producer)
bass vocals:
Nicolaï Ghiaurov (operatic bass) (in 1977-04)
tenor vocals:
Luciano Pavarotti (tenor) (in 1977-04)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1977-04)
conductor:
Robin Stapleton (conductor) (in 1977-04)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1977-04)
recording of:
Les Pêcheurs de perles : Acte I. No. 2 Duo « Au fond du temple saint » (Zurga, Nadir)
composer:
Georges Bizet (French composer) (from 1863-04 until 1863-08)
librettist:
Michel Carré (librettist) and Eugène Cormon
part of:
Les Pêcheurs de perles : Acte I
5:23
8Pagliacci: Act 1 - "Vesti la giubba"
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Wiener Volksopernorchester
conductor:
Leone Magiera (conductor, pianist)
recording of:
Pagliacci: Atto I. “Recitar!” … “Vesti la giubba” (Canio)
composer and librettist:
Ruggero Leoncavallo (composer) (in 1892)
part of:
For the First Time (1959 film)
part of:
Pagliacci: Atto I (Pagliacci: Act I)
2:49
9Tosca: Act 1 - "Recondita armonia"
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Nicola Rescigno (conductor)
recording of:
Tosca: Atto I. “Recondita armonia” (Cavaradossi, Sagrestano) (“Dammi i colori”)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto I (Tosca: Act 1)
2:59
10Tosca: Act 3 - "E lucevan le stelle"
engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Richard Beswick
producer:
James Mallinson (producer)
tenor vocals [Cavaradossi]:
Luciano Pavarotti (tenor) (from 1978-05-31 until 1978-08-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1978-05-31 until 1978-08-01)
conductor:
Nicola Rescigno (conductor) (from 1978-05-31 until 1978-08-01)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1978-05-31 until 1978-08-01) and Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-05-31 until 1978-08-01)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto III (Tosca: Act III)
2:59
11Il Trovatore: Act 3 - "Di quella pira"
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Wiener Opernorchester (Vienna State Opera Orchestra)
conductor:
Nicola Rescigno (conductor)
recording of:
Il trovatore: Atto III, scena 2. “Di quella pira l’orrendo foco” (Manrico, Leonora, Ruiz, armed men)
composer:
Giuseppe Verdi (Italian opera composer) (in 1853)
librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
2:12
12Aida: Act 1 - "Celeste Aida"
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Wiener Volksopernorchester
conductor:
Leone Magiera (conductor, pianist)
recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès)
composer:
Giuseppe Verdi (Italian opera composer) (in 1871)
librettist:
Antonio Ghislanzoni (in 1870)
part of:
Aida: Atto I
3:30
13La Bohème: Act 1 - "O soave fanciulla"
engineer:
James Lock (James Locke, engineer), Colin Moorfoot (engineer) and Gordon Parry (engineer)
producer:
James Mallinson (producer) and Ray Minshull (record producer)
baritone vocals [Marcello]:
Rolando Panerai (baritone) (in 1972-10)
soprano vocals [Mimì]:
Mirella Freni (soprano) (in 1972-10)
tenor vocals [Rodolfo]:
Luciano Pavarotti (tenor) (in 1972-10)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1972-10)
conductor:
Herbert von Karajan (conductor) (in 1972-10)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1973)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1972-10)
recording of:
La bohème: Atto I, no. 9. “O soave fanciulla” (Rodolfo, Marcello, Mimì) (in 1972-10)
composer:
Giacomo Puccini (Italian composer) (in 1896)
librettist:
Luigi Illica and Giuseppe Giacosa (in 1896)
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
4:14
14Martha: Act 3 - "M'appari"
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Sir Georg Solti (conductor)
recording of:
Martha: Atto III. “M’apparì tutt’amor” (Lionel)
composer:
Friedrich von Flotow (composer) (in 1849)
librettist:
Friedrich Wilhelm Riese
translated version of:
Martha: Akt III. „Ach! so fromm, ach! so traut“ (Lyonel)
3:28
15Messa da Requiem - Ingemisco
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Sir Georg Solti (conductor)
3:35
16'O sole mio
producer:
James Mallinson (producer) and Ray Minshull (record producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1979-03)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1979-03)
conductor:
Giancarlo Chiaramello (in 1979-03)
arranger:
Giancarlo Chiaramello
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1979-03)
recording of:
’O sole mio (in 1979-03)
lyricist:
Giovanni Capurro (in 1898)
composer:
Eduardo Di Capua (in 1898) and Alfredo Mazzucchi (Italian composer, known for “’O sole mio”) (in 1898)
publisher:
Bideri CEVEL, Domaine public (refers to works that are in the public domain) and Gennarelli Casa Editrice
3:22
17Funiculì, funiculà
recorded in:
Bologna, Bologna, Emilia-Romagna, Italy (in 1977-07)
choir vocals:
Coro del Teatro Comunale di Bologna (in 1977-07)
tenor vocals:
Luciano Pavarotti (tenor) (in 1977-07)
orchestra:
Orchestra del Teatro Comunale di Bologna (in 1977-07)
conductor:
Anton Guadagno (conductor) (in 1977-07)
arranger:
Giancarlo Chiaramello
recording of:
Funiculì, funiculà (in 1977-07)
composed in:
Castellammare di Stabia, Napoli, Campania, Italy (in 1880)
lyricist:
Peppino Turco
composer:
Luigi Denza (composer) (in 1880)
publisher:
PolyGram Music Publishing Ltd. and Robbins Music Corp.
2:43
18Torna a Surriento
4:25
19Mattinata
recording engineer:
Kenneth Wilkinson (engineer)
producer:
James Mallinson (producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1977-04)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1977-04)
conductor:
Piero Gamba (conductor and pianist) (in 1977-04)
arranger:
Alexander Faris (conductor)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1977-04)
recording of:
Mattinata (in 1977-04)
lyricist and composer:
Ruggero Leoncavallo (composer)
1:59
20Caro mio ben
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Piero Gamba (conductor and pianist)
3:05
21Soirees musicales: La Danza
recording engineer:
Colin Moorfoot (engineer)
producer:
Ray Minshull (record producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1973-07)
orchestra:
Orchestra del Teatro Comunale di Bologna (in 1973-07)
conductor:
Richard Bonynge (conductor and pianist) (in 1973-07)
arranger:
Douglas Gamley (film composer)
recorded at:
Teatro Comunale di Bologna in Bologna, Bologna, Emilia-Romagna, Italy (in 1973-07)
live recording of:
Soirées musicales: No. 8. La danza “Già la luna è in mezzo al mare” (in 1973-07)
lyricist:
Carlo Pepoli (Italian librettist, 19th c.)
composer:
Gioachino Rossini (composer)
part of:
Soirées musicales
3:07
22Malinconia, ninfa gentile
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Orchestra del Teatro Comunale di Bologna
conductor:
Richard Bonynge (conductor and pianist)
recording of:
Quindici composizione da camera per canto e pianoforte: No. 10. Malinconia, ninfa gentile
lyricist:
Ippolito Pindemonte
composer:
Vincenzo Bellini (Sicilian opera composer)
part of:
Quindici composizione da camera per canto e pianoforte
1:45
23Ma rendi pur contento
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Orchestra del Teatro Comunale di Bologna
conductor:
Richard Bonynge (conductor and pianist)
2:24
24La Serenata
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Orchestra del Teatro Comunale di Bologna
conductor:
Richard Bonynge (conductor and pianist)
3:20