Solid Gold Soul 1978

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Le Freak
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1978)
recording of:
Le Freak
writer:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
publisher:
Bernard’s Other Music, Sony Songs Inc., Tommy Jymi Inc., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Warner Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Chic4.453:36
2Shake Your Groove Thing
recording of:
Shake Your Groove Thing
writer:
Dino Fekaris and Freddie Perren
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Peaches & Herb3:27
3Boogie Oogie Oogie
producer:
Fonce Mizell and Larry Mizell
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978, in 2002)
recording of:
Boogie Oogie Oogie
writer:
Janice Marie Johnson and Perry L. Kibble
publisher:
Conducive Music, Inc. and On Time Music, Inc.
A Taste of Honey2.653:40
4Used to Be My Girl
phonographic copyright (℗) by:
Philadelphia International Records (in 1977)
edit of:
Used ta Be My Girl by The O’Jays
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 42)
recording of:
Use ta Be My Girl
lyricist and composer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The O’Jays53:27
5Got to Be Real
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1978)
edit of:
Got to Be Real (LP / 12" version) by Cheryl Lynn (1970s disco singer)
recording of:
Got to Be Real
writer:
Cheryl Lynn (1970s disco singer), David Foster (Canadian music producer, arranger and composer) and David Paich
publisher:
Butterfly Gong Music, Hudmar Publishing Co. Inc. and On Board Music (publisher)
Cheryl Lynn4.53:46
6Theme Song From 'Which Way Is Up'
recording of:
Theme Song from ‘Which Way Is Up’
lyricist and composer:
Norman Whitfield
Stargard3:08
7Runaway Love
recording of:
Runaway Love
lyricist and composer:
Gil Askey
publisher:
Andrask Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Gemigo Publishing Company Inc. (from 1978 to ????)
Linda Clifford3:33
8Lovely Day
producer:
Clarence McDonald and Bill Withers
bass guitar:
Jerry Knight (in 1977)
drums (drum set) and shakers:
Russell Kunkel (in 1977)
guitar:
Ray Parker (in 1977)
keyboard:
Clarence McDonald (in 1977)
percussion:
Ralph MacDonald (in 1977)
lead vocals:
Bill Withers (in 1977)
arranger:
Clarence McDonald
concertmaster:
Charles Veal (violinist, conductor and arranger) (in 1977)
phonographic copyright (℗) by:
CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (in 1977), CBS, Inc. (US broadcasting company; file no releases here!) (in 1977) and Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1977)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 402)
recording of:
Lovely Day (in 1977)
writer:
Skip Scarborough and Bill Withers
publisher:
Chappell Music Ltd., Chelsea Music Publishing Co., Ltd., Golden Withers Music, Plaid Flowers Music, Sweet Cookie Music, Unichappell Music, Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Bill Withers4.64:16
9Too Much, Too Little, Too Late
producer:
Jack Gold
performer:
Johnny Mathis (US pop/soul singer) and Deniece Williams (US soul/funk vocalist/songwriter)
phonographic copyright (℗) by:
Jon Mat Records, Inc. (in 1978)
recording of:
Too Much, Too Little, Too Late
writer:
Nat Kipner (Australian producer, songwriter, label owner & publisher) and John McIntyre Vallins
publisher:
Homewood House Music and MCA Music Ltd.
Johnny Mathis & Deniece Williams43:01
10Always and Forever
producer:
Barry Blue (singer, producer, and songwriter)
phonographic copyright (℗) by:
GTO Records (in 1976)
recording of:
Always and Forever
lyricist and composer:
Rod Temperton
publisher:
Rodsongs (publisher), Rondor Music (London) Ltd., Tincabell Music Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Heatwave33:33
11Flash Light
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1977)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 92), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 199) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 252)
recording of:
Flash Light
writer:
George Clinton (US funk musician), Bootsy Collins (US funk musician & songwriter) and Bernie Worrell (keyboardist, composer and record producer)
publisher:
Bridgeport Music, Inc., Island Music, Inc. (work publisher – NOT related to the Island imprint now owned by UMG), Rick’s Music, Inc. (publishing company associated with Casablanca) and Rubberband Music, Inc.
Parliament4.44:32
12One Nation Under a Groove, Part 1
edit of:
One Nation Under a Groove by Funkadelic
recording of:
One Nation Under a Groove
writer:
George Clinton (US funk musician), Junie Morrison and Garry Shider
publisher:
Bridgeport Music, Inc.
sub-publisher:
Kobalt Music Publishing France
Funkadelic4:16
13Take Me to the Next Phase, Part 1
recording of:
Take Me to the Next Phase
writer:
Ernie Isley, Marvin Isley, O’Kelly Isley, Ronald Isley (a.k.a. Mr. Biggs), Rudolph Isley and Chris Jasper
publisher:
Bovina Music Inc. and EMI April Music Inc.
The Isley Brothers4:19
14Get Off
recording of:
Get Off
lyricist:
Carl Driggs (singer-songwriter, drummer)
composer:
Carl Driggs (singer-songwriter, drummer) and Ish Ledesma
publisher:
Windswept Pacific Music Ltd. (publishing company)
Foxy3:38
15September
producer:
Maurice White (Earth, Wind & Fire)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1975, in 1978), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1978) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1978)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 16) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 65)
recording of:
September
writer:
Al McKay, Maurice White (Earth, Wind & Fire) and Allee Willis
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Irving Music (BMI), Irving Music, Inc., Rondor Music (London) Ltd., Steel Chest Music, The International Music Network, Universal Music Publishing Group, Pty. Ltd, フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Earth, Wind & Fire4.553:37
16Our Love
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978)
cover recording of:
Our Love
writer:
Charles Jackson (songwriter/producer) and Marvin Yancy (R&B/soul singer and pastor)
publisher:
Chappell & Co., Inc. (USA) and Jay’s Enterprises Inc.
Natalie Cole4:03
17It Seems to Hang On
Ashford & Simpson3:43
18Jack and Jill
Raydio3:36
19Close the Door
phonographic copyright (℗) by:
Philadelphia International Records (from 1978 to present)
recording of:
Close the Door
writer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Teddy Pendergrass3:33

Credits

Release group

part of:Solid Gold Soul (Time-Life Music) (number: 17) (order: 16)