Het allerbeste uit Radio 1 Classics 1000 2017

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Killer Queen
engineer:
Kris Fredriksson, Justin Shirley‐Smith and Mike Stone (producer and engineer, 1960s–80s)
producer:
Roy Thomas Baker (producer), Brian May (Queen guitarist), Queen (UK rock group) and Roger Taylor (Queen drummer)
bass guitar and keyboard:
John Deacon
drums (drum set), percussion, triangle and wind chime:
Roger Taylor (Queen drummer)
electric guitar:
Brian May (Queen guitarist)
piano, tack piano and lead vocals:
Freddie Mercury
background vocals:
Brian May (Queen guitarist), Freddie Mercury and Roger Taylor (Queen drummer)
orchestrator:
Brian May (Queen guitarist)
phonographic copyright (℗) by:
Queen (UK rock group) (in 1974)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974), Hollywood Records, Inc. (holding company, not a release label; Disney subsidiary) (in 1974) and Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (in 1974)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom, Rockfield Studios in Monmouth, Monmouthshire, Wales, United Kingdom, Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom and Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom
music videos:
Killer Queen by Queen (UK rock group)
recording of:
Killer Queen
lyricist and composer:
Freddie Mercury
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Publishing Ltd. (PRS‐affiliated), Queen Music Ltd., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
part of:
We Will Rock You (Queen musical)
Queen3.953:00
2One
additional engineer:
Robbie Adams
assistant engineer and assistant mixer:
Shannon Strong
engineer and mixer:
Flood (British producer Mark Ellis)
producer:
Brian Eno and Daniel Lanois (Canadian record producer, guitarist, vocalist, and songwriter)
additional guitar:
Daniel Lanois (Canadian record producer, guitarist, vocalist, and songwriter)
additional keyboard [keyboards]:
Brian Eno
bass guitar:
Adam Clayton
drums (drum set) and percussion:
Larry Mullen
guitar:
Bono (singer of U2) and The Edge (U2 guitarist David Evans)
keyboard [keyboards]:
The Edge (U2 guitarist David Evans)
vocals:
Bono (singer of U2)
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1991)
music videos:
One by U2 (Irish rock band), One (Buffalo version) by U2 (Irish rock band) and One (Restaurant version) by U2 (Irish rock band)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 36) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 62)
recording of:
One
lyricist:
Bono (singer of U2)
composer:
Bono (singer of U2), Adam Clayton, Larry Mullen, Jr. and The Edge (U2 guitarist David Evans)
publisher:
Blue Mountain Music Ltd., Mother Music, Universal Music Publishing BV (Benelux subsidiary of Universal Music Publishing Group) and Universal Music Publishing International Ltd.
U24.24:34
3God Only Knows
The Beach Boys2:50
4Hurricane
Bob Dylan8:33
5Waterloo Sunset
assistant engineer:
Alan O’Duffy
engineer:
Alan McKenzie (engineer)
producer:
Ray Davies (UK singer/songwriter, member of The Kinks)
background vocals:
Rasa Davies (in 1967-04)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1967)
recorded at:
Pye Studios, Studio 2 in London (Greater London), England, United Kingdom (in 1967-04)
recording of:
Waterloo Sunset (in 1967-04)
lyricist and composer:
Ray Davies (UK singer/songwriter, member of The Kinks)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Carlin Music Corporation, Davray Music Ltd., Hi-Count Music, Noma Music, Noma Music Inc., Unichappell Music, Inc., Carlin (in 1967), Davray (publisher) (in 1967) and And Son Music Ltd. (from 1980 to present)
The Kinks43:16
6Into My Arms
assistant recording engineer:
Paul Hicks and Paul Wright (UK recording engineer)
recording engineer:
Paul Corkett
producer:
Nick Cave & the Bad Seeds and Flood (British producer Mark Ellis)
assistant mixer:
Chris Scard
mixer:
Flood (British producer Mark Ellis)
bass:
Martyn P. Casey
piano:
Nick Cave (Australian singer‐songwriter, musician and score composer)
vocals:
Nick Cave (Australian singer‐songwriter, musician and score composer)
phonographic copyright (℗) by:
Mute Records Ltd. (not for release label use! original company behind the Mute label) (in 1997)
additionally recorded at:
Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1996-07)
mixed at:
The Church Studios in London (Greater London), England, United Kingdom (in 1996-09)
recording of:
Into My Arms
lyricist and composer:
Nick Cave (Australian singer‐songwriter, musician and score composer)
publisher:
Mushroom Music Pty. Ltd., Mute Song (international) and Mute Song Ltd.
Nick Cave4.154:12
7Come Away With Me
recording of:
Come Away With Me
lyricist and composer:
Norah Jones
Norah Jones3:15
8(Sittin’ on) The Dock of the Bay
producer:
Jerry Bruckheimer, Steve Cropper and Don Simpson (American film producer, screenwriter, and actor)
bass guitar:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (from 1967-11-22 until 1967-12-07)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer) (from 1967-11-22 until 1967-12-07)
guitar:
Steve Cropper (from 1967-11-22 until 1967-12-07)
keyboard:
Isaac Hayes (from 1967-11-22 until 1967-12-07) and Booker T. Jones (from 1967-11-22 until 1967-12-07)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (from 1967-11-22 until 1967-12-07)
vocals:
Otis Redding (from 1967-11-22 until 1967-12-07)
whistling:
Otis Redding (from 1967-11-22 until 1967-12-07)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 44) and Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 45)
recording of:
(Sittin’ on) the Dock of the Bay (from 1967-11-22 until 1967-12-07)
writer:
Steve Cropper and Otis Redding
publisher:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. (holding: file NO releases), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music EH(CM) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Otis Redding4.452:38
9Son of a Preacher Man
engineer:
Ed Kollis
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
bass guitar:
Tommy Cogbill (in 1968-09)
drums (drum set):
Gene Chrisman (in 1968-09)
electric piano and organ:
Bobby Emmons (in 1968-09)
guitar and sitar:
Reggie Young (Guitarist and songwriter) (in 1968-09)
background vocals:
The Sweet Inspirations (in 1968-09)
vocals:
Dusty Springfield (in 1968-09)
conductor:
Gene Orloff (in 1968-09)
brass and strings arranger:
Arif Mardin
brass arranger:
Tom Dowd
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1968)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 168) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 240)
recording of:
Son of a Preacher Man (in 1968-09)
writer:
John Hurley and Ronnie Wilkins
publisher:
Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) and Sony/ATV Songs LLC
Dusty Springfield4.452:26
10What’s Going On
producer:
Marvin Gaye
mixer:
Lawrence Miles (on 1971-05-06)
instruments:
Detroit Symphony Orchestra (on 1971-05-06) and The Funk Brothers (on 1971-05-06)
percussion [box drum], piano and lead vocals:
Marvin Gaye (on 1971-05-06)
background vocals:
Lem Barney (on 1971-05-06), Mel Farr (on 1971-05-06) and Marvin Gaye (on 1971-05-06)
conductor:
David Van dePitte (on 1971-05-06)
phonographic copyright (℗) by:
Motown Records (not for label use; use “Motown” instead) (in 1971)
recorded at:
Hitsville (Motown Records) in Detroit, Michigan, United States (on 1971-05-06)
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 4), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 4), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 6), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 102) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
What’s Going On (on 1971-05-06)
lyricist and composer:
Renaldo Benson, Al Cleveland (songwriter 1930-1996) and Marvin Gaye
publisher:
EMI Songs Australia, FCG Music, Jobete Music Co., Inc., MG III Music, NMG Music, Sony/ATV Music Publishing Ltd. and Stone Agate Music Corp.
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
recording of:
What’s Going On (Japanese version)
writer:
Renaldo Benson, Al Cleveland (songwriter 1930-1996) and Marvin Gaye
translator:
杉山清貴 (Kiyotaka Sugiyama)
translated version of:
What’s Going On
Marvin Gaye4.253:49
11Maggie May
recording of:
Maggie May
publisher:
Rod Stewart
writer:
Mike Peters, Martin Quittenton (guitarist for Steamhammer) and Rod Stewart
publisher:
Chappell Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Full Keel Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), H. G. Music Inc, Mushroom Music (Mushroom label’s publishing company), Rightsong Music Inc., Unichappell Music, Inc., Warner Chappell and Warner Chappell Music (publisher as Warner/Chappell Music)
Rod Stewart3:54
12Friday I’m in Love
assistant engineer:
Chris Bandy
engineer:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth) and Steve Whitfield
producer:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth) and The Cure
assistant mixer:
Andy Baker (recording engineer from the UK with Westside Studios), Shaun De Feo, Bill Parry (Mixer), Danton Supple and Mark Warner (UK guitarist for Quantum Jump)
mixer:
Mark Saunders (UK record producer)
bass guitar:
Simon Gallup
bass guitar [6-string bass]:
Perry Bamonte
drums (drum set) and percussion:
Boris Williams
guitar:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure) and Porl Thompson
keyboard:
Perry Bamonte and Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
lead vocals:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
phonographic copyright (℗) by:
Fiction Records Ltd. (not for release label use! please use “Fiction” for that instead) (in 1992)
recorded at:
The Manor in Oxfordshire, England, United Kingdom
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
music videos:
Friday I’m in Love by The Cure
part of:
Indie 88: Top 500 Indie Rock Songs (number: 73)
recording of:
Friday I’m in Love
lyricist:
Robert J. Smith (UK guitarist, vocalist and songwriter for The Cure)
composer:
Boris Williams, Paul S. Thompson, Perry Bamonte, Robert J. Smith (UK guitarist, vocalist and songwriter for The Cure) and Simon Gallup
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc. and Fiction Songs Ltd.
The Cure4.63:32
13Rehab
assistant recording engineer:
Jesse Gladstone and Mike Makowski
recording engineer:
Vaughan Merrick and Mark Ronson (British DJ and producer)
miscellaneous support:
Isobel Griffiths (task: contractor / orchestra)
engineer:
Dom Morley
producer:
Mark Ronson (British DJ and producer)
assistant mixer:
Matt Paul
mixer:
Tom Elmhirst (mixing engineer)
alto saxophone:
Chris Davies and Andy Mackintosh (British-born saxophonist)
baritone saxophone:
Dave Bishop (saxophonist) and Ian Hendrickson-Smith
bass guitar:
Nick Movshon
cello:
John Heley (cellist), Joely Koos (cellist) and Anthony Pleeth (cellist)
drums (drum set):
Homer Steinweiss
electric piano, handclaps and piano and piano:
Victor Axelrod
guitar:
Thomas Brenneck and Binky Griptite
handclaps:
Vaughan Merrick and Mark Ronson (British DJ and producer)
harp:
Helen Tunstall
percussion:
Frank Ricotti (percussionist)
tenor saxophone:
Mike Smith (British saxophonist/keyboardist/composer/arranger/conductor), Neal Sugarman and Jamie Talbot (English jazz alto saxophonist)
trombone:
Richard Edwards (trombonist)
trumpet:
Dave Guy and Steve Sidwell (English composer & wind instrumentalist)
viola:
Rachel Bolt (violist), Jonathan Thorne (viola), Bruce White (violist) and Katie Wilkinson (violist)
violin:
Mark Berrow (violinist), Elizabeth Edwards (violinist), Peter Hanson (violinist), Boguslaw Kostecki (violinist), Perry Montague‐Mason (violinist), Everton Nelson (violinist), Tom Pigott‐Smith (violinist), Jonathan Rees, Chris Tombling (violinist) and Warren Zielinski (violinist)
conductor:
Chris Elliott (composer and arranger)
strings arranger:
Chris Elliott (composer and arranger)
wind instruments arranger:
Gabriel Roth and Mark Ronson (British DJ and producer)
arranger:
Gabriel Roth (Gabriel Alexander Roth)
recorded at:
Chung King Studios in New York, New York, United States, Daptone’s House of Soul in Bushwick, New York, New York, United States and Metropolis (London) in London (Greater London), England, United Kingdom
part of:
Amazon – Best Songs of 2007: Editor Picks (number: 57), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 73) and Indie 88: Top 500 Indie Rock Songs (number: 419)
recording of:
Rehab
lyricist and composer:
Amy Winehouse
publisher:
EMI Music Publishing (do not use as a release label!)
Amy Winehouse4.153:33
14Nutbush City Limits
producer:
Ike Turner
lead vocals:
Tina Turner
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1973), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1973) and EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
recording of:
Nutbush City Limits
lyricist and composer:
Tina Turner
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Catalogue Partner Scandinavia, EMI Catalogue Partnership, EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing (do not use as a release label!), EMI Partnership Musikverlag GmbH, EMI Unart Catalog Inc., EMI United Partnership Ltd., Huh-Music, Unart Music Corp., United Artists Music Ltd., Valley Spring Music and Valley Spring Music Corp.
Ike & Tina Turner3.452:57
15Bloodbuzz Ohio
additional recording engineer:
Christian Biegai (lead vocals), Patrick Dillett and Peter Katis
recording engineer:
Aaron Dessner, Bryce Dessner (North American composer and guitarist), Peter Mavrogeorgis and Brandon Reid
assistant engineer:
Keith Nelson (engineer)
co-engineer and additional mixer:
Greg Giorgio
additional producer:
Aaron Dessner, Bryce Dessner (North American composer and guitarist) and Peter Katis
producer:
The National
mixer:
Peter Katis
bass guitar:
Scott Devendorf
drums (drum set) and percussion:
Bryan Devendorf
electric guitar:
Bryce Dessner (North American composer and guitarist)
vocals:
Matt Berninger
orchestrator:
Bryce Dessner (North American composer and guitarist) and Padma Newsome
additionally recorded at:
Kampo Studios in Manhattan, New York, New York, United States (from 2009-03 until 2010-01) and Tarquin Studios in Bridgeport, Connecticut, United States (from 2009-03 until 2010-01)
recorded at:
Aaron's garage (Brooklyn, NY) in Brooklyn, New York, New York, United States
music videos:
Bloodbuzz Ohio (official music video) by The National
part of:
Paste: The 25 Best Songs About Ohio Ever Made (number: 9), Stereogum: The 200 Best Songs of the 2010s (number: 70), Pitchfork: The 200 Best Songs of the 2010s (number: 76) and Indie 88: Top 500 Indie Rock Songs (number: 182)
recording of:
Bloodbuzz Ohio
lyricist:
Matt Berninger
composer:
Aaron Dessner and Padma Newsome
publisher:
ABD 13 Music, Padma Music (Padma Newsome publishing) and Val Jester Music
The National44:35
16Love Is the Drug (remastered)
producer:
Chris Thomas (UK record producer / remixer)
phonographic copyright (℗) by:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1975), Virgin EG Records Ltd. (in 1975) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1975, in 1999)
recording of:
Love Is the Drug
lyricist:
Bryan Ferry
composer:
Andy Mackay (of Roxy Music)
publisher:
BMG Music Publishing Ltd., BMG Songs, BMG Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), E.G. Music Inc., Universal Music Careers, Universal Music Publishing Group, Universal Music Publishing MGB Australia, Universal Music–MGB Songs and E.G. Music Ltd. (publisher) (in 1975)
Roxy Music4.24:08
17Another Day
recording of:
Another Day
writer:
Bill Gable, Branford Marsalis (saxophonist) and Frank McComb
Buckshot LeFonque3:33
18My Baby Just Cares for Me
cover recording of:
My Baby Just Cares for Me
lyricist and composer:
Walter Donaldson and Gus Kahn
publisher:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild and Tobago Music Co.
Nina Simone3:36
19You Do Something to Me
producer:
Brendan Lynch (London producer) and Paul Weller (English singer-songwriter and musician)
mixer:
Brendan Lynch (London producer)
bass guitar:
Yolanda Charles
drums (drum set):
Steve White (Style Council drummer)
guitar, other instruments [novatron], piano and lead vocals:
Paul Weller (English singer-songwriter and musician)
phonographic copyright (℗) by:
Go! Discs Ltd. (company credits only; do NOT use as release label) (in 1995)
recorded at:
The Manor in Oxfordshire, England, United Kingdom
recording of:
You Do Something to Me
lyricist and composer:
Paul Weller (English singer-songwriter and musician)
publisher:
BMG Music Publishing Ltd., Solid Bond Productions Ltd. and Stylist Music Ltd.
Paul Weller43:37
20A Whiter Shade of Pale
producer:
Denny Cordell
bass guitar:
David Knights
guest drums (drum set):
Bill Eyden
guitar:
Ray Royer
Hammond organ:
Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
vocals:
Gary Brooker
phonographic copyright (℗) by:
Onward Music Ltd. (in 1967)
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 46), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 57) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 271)
recording of:
A Whiter Shade of Pale
lyricist:
Keith Reid
composer:
Gary Brooker and Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
publisher:
Belsize Music Ltd., Essex Music International Ltd., Onward Music Ltd., The Richmond Organization Éditions Essex (TRO) and Westminster Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
is based on:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
is based on:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Procol Harum4.14:04
2▼CD
#TitleArtistRatingLength
1Rebellion (Lies)
assistant recording engineer:
Thierry Amar (from 2003-08 until 2004)
recording engineer:
Mark Lawson (from 2003-08 until 2004)
engineer:
Howard Bilerman and Richard Reed Parry
producer:
Arcade Fire
cello:
Michael Olsen
drums (drum set):
Howard Bilerman
electric bass guitar:
Tim Kingsbury
electric guitar [Jaguar] and lead vocals:
Win Butler
electric guitar [Rickenbacker]:
Richard Reed Parry
French horn:
Pietro Amato
harp:
Anita Fust
percussion:
Will Butler (Arcade Fire)
piano:
Régine Chassagne
violin:
Sarah Neufeld and Owen Pallett (Canadian composer, violinist, keyboardist & vocalist)
background vocals:
Will Butler (Arcade Fire), Régine Chassagne, Richard Reed Parry and Tim Kingsbury
strings arranger:
Sarah Neufeld and Owen Pallett (Canadian composer, violinist, keyboardist & vocalist)
phonographic copyright (℗) by:
Arcade Fire Music LLC
recorded at:
Hotel2Tango in Mile End, Montréal (city), Québec, Canada (from 2003-08 until 2004)
mixed at:
Hotel2Tango in Mile End, Montréal (city), Québec, Canada
part of:
Huffington Post: 100 Best Canadian Songs Ever (number: 7), Indie 88: Top 500 Indie Rock Songs (number: 23) and NME: Greatest “Indie” Anthems Ever: 2007 (number: 29)
recording of:
Rebellion (Lies)
lyricist and composer:
Win Butler and Régine Chassagne
writer:
R. Parry, T. Kingsbury and W. Butler (Arcade Fire)
publisher:
EMI Music Publishing (do not use as a release label!)
Arcade Fire4.35:06
2Because the Night
recording of:
Because the Night
publisher:
Bruce Springsteen and Bruce Springsteen (in 1975)
lyricist:
Patti Smith (in 1977) and Bruce Springsteen (in 1977)
composer:
Bruce Springsteen (in 1977)
publisher:
Bruce Springsteen Music, Rondor Music, Rondor Music (Australia) Pty Ltd, Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Patti Smith Group3:20
3Northern Sky
producer:
Joe Boyd (US producer, founder of Hannibal Records)
bass:
Dave Pegg
celesta, organ and piano:
John Cale (The Velvet Underground founder)
drums (drum set):
Mike Kowalski
lead vocals:
Nick Drake (English singer‐songwriter)
arranger:
Robert Kirby (British arranger and producer)
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1970)
produced for:
Witchseason Productions
recording of:
Northern Sky
lyricist and composer:
Nick Drake (English singer‐songwriter)
publisher:
Warlock Music Ltd.
Nick Drake4.253:44
4Walk on the Wild Side
producer:
David Bowie (English singer‐songwriter), Lou Reed and Mick Ronson (British guitarist)
baritone saxophone:
Ronnie Ross (in 1972-08)
double bass and electric bass guitar:
Herbie Flowers (in 1972-08)
drums (drum set):
John Halsey (in 1972-08)
background vocals:
The Thunder Thighs (70s UK vocal group) (in 1972-08)
lead vocals:
Lou Reed (in 1972-08)
brass arranger and strings arranger:
Mick Ronson (British guitarist)
arranger:
David Bowie (English singer‐songwriter), Lou Reed and Mick Ronson (British guitarist)
phonographic copyright (℗) by:
BMG Entertainment (in 1972), BMG Music (in 1972), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1972) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972)
recorded at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom (in 1972-08)
mixed at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom
samples from:
2018-12-11: Lexicon Valley, “Why Language Can’t Be Tamed” by John McWhorter
part of:
Indie 88: Top 500 Indie Rock Songs (number: 75), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 180) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 221)
recording of:
Walk on the Wild Side (in 1972-08)
lyricist and composer:
Lou Reed
publisher:
Dunbar Music, EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Oakfield Avenue Music, Oakfield Avenue Music Ltd., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Six Continents Music Publishing Inc.
Lou Reed4.24:12
5White Rabbit
recorded in:
San Francisco, California, United States (from 1969-05-07 to present)
recording engineer:
David Hassinger (on 1966-11-03)
producer:
Rick Jarrard (from 1966-10-31 until 1966-11-22)
bass:
Jack Casady (from 1966-10-31 until 1966-11-22)
drums (drum set):
Spencer Dryden (from 1966-10-31 until 1966-11-22)
guitar [lead guitar]:
Jorma Kaukonen (American blues, folk, and rock guitarist) (from 1966-10-31 until 1966-11-22)
guitar [rhythm guitar]:
Paul Kantner (from 1966-10-31 until 1966-11-22)
lead vocals:
Grace Slick (from 1966-10-31 until 1966-11-22)
phonographic copyright (℗) by:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (in 1967)
recorded at:
RCA Victor’s Music Center of the World in Hollywood, Los Angeles, California, United States (from 1966-10-31 until 1966-11-22)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 455) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 478)
recording of:
White Rabbit (from 1966-10-31 until 1966-11-22)
lyricist and composer:
Grace Slick
publisher:
Irving Music, Inc. and Rondor Music (London) Ltd.
is based on:
Alice’s Adventures in Wonderland (novel)
is based on:
Through the Looking‐Glass, and What Alice Found There (novel)
Jefferson Airplane4.252:30
6(You’re the) Devil in Disguise
bass:
Bob Moore (U.S. bassist and bandleader) (from 1963-05-26 until 1963-05-27)
drums (drum set):
D.J. Fontana (from 1963-05-26 until 1963-05-27) and Buddy Harman (Session drummer and songwriter) (from 1963-05-26 until 1963-05-27)
guitar:
Harold Bradley (from 1963-05-26 until 1963-05-27), Jerry Kennedy (from 1963-05-26 until 1963-05-27), Grady Martin (country/rockabilly guitarist) (from 1963-05-26 until 1963-05-27) and Scotty Moore (American guitarist and recording engineer) (from 1963-05-26 until 1963-05-27)
piano:
Floyd Cramer (from 1963-05-26 until 1963-05-27)
saxophone, shakers and vibraphone [vibes]:
Boots Randolph (from 1963-05-26 until 1963-05-27)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1963-05-26)
vocals:
The Jordanaires (southern gospel group) (from 1963-05-26 until 1963-05-27) and Millie Kirkham (from 1963-05-26 until 1963-05-27)
phonographic copyright (℗) by:
BMG Entertainment (in 1963), BMG Music (in 1963) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
recorded at:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, United States (from 1963-05-26 until 1963-05-27)
cover recording of:
(You’re the) Devil in Disguise (from 1963-05-26 until 1963-05-27)
writer:
Bernie Baum, Bill Giant (Bill (Harvey) Zimmerman) and Florence Kaye
publisher:
Carlin Music Corporation and R&H Music
Elvis Presley2.652:19
7Lucky Man
recording of:
Lucky Man
lyricist and composer:
Greg Lake
publisher:
Bosworth & Co. Ltd. and Leadchoice, Ltd.
Emerson, Lake & Palmer4:39
8Sunday Morning Sunrise
Kevin Coyne5:33
9Aqualung
engineer:
John Burns (engineer/producer for Genesis)
producer:
Ian Anderson (of Jethro Tull) and Terry Ellis (UK producer & band manager)
acoustic guitar and flute:
Ian Anderson (of Jethro Tull) (from 1970-12 until 1971-02)
bass guitar and treble recorder / alto recorder:
Jeffrey Hammond Hammond (from 1970-12 until 1971-02)
drums (drum set) and percussion:
Clive Bunker (from 1970-12 until 1971-02)
electric guitar and soprano recorder:
Martin Barre (from 1970-12 until 1971-02)
mellotron, organ and piano:
John Evan (from 1970-12 until 1971-02)
vocals:
Ian Anderson (of Jethro Tull) (from 1970-12 until 1971-02)
conductor:
Dee Palmer (aka David Palmer, of Jethro Tull) (from 1970-12 until 1971-02)
orchestrator:
Dee Palmer (aka David Palmer, of Jethro Tull)
recorded at:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 90)
recording of:
Aqualung (Jethro Tull) (on 1971-02-12)
lyricist:
Ian Anderson (of Jethro Tull) and Jennie Franks
composer:
Ian Anderson (of Jethro Tull)
Jethro Tull4.46:30
10Papa Was a Rolling Stone
cover recording of:
Papa Was a Rollin’ Stone
lyricist and composer:
Barrett Strong and Norman Whitfield
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Stone Diamond Music Corporation, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
The Temptations3:56
11The Girl From Ipanema
recording of:
The Girl From Ipanema
lyricist:
Vinicius de Moraes (O poetinha)
composer:
Antônio Carlos Jobim
translator:
Norman Gimbel
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated), MCA Music Ltd., New Thunder Music Co., Songs of Universal, Inc. (BMI), Universal Duchess Music Corp., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Windswept Music (London) Ltd. and Words West LLC
sub-publisher:
Universal Music Publishing Ltd. (Hong Kong)
translated version of:
Garota de Ipanema
part of:
The Real Book (compilation of jazz standards, Volume I)
Stan Getz feat. Astrud Gilberto & Antônio Carlos Jobim2:45
12My Name Is Nobody
guitar:
Bruno Battisti D'Amario
conductor:
Ennio Morricone (Italian classical and score composer)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1984)
recording of:
Il mio nome è Nessuno: Il mio nome è Nessuno (My Name Is Nobody)
orchestrator and composer:
Ennio Morricone (Italian classical and score composer)
part of:
Il mio nome è Nessuno (My Name is Nobody, soundtrack)
Ennio Morricone3:09
13Perfectly Good Guitar
recording of:
Perfectly Good Guitar
lyricist and composer:
John Hiatt (guitarist, pianist and singer-songwriter)
publisher:
Universal Music Careers
John Hiatt4:38
14Jessica
recording of:
Jessica
composer:
Dickey Betts
publisher:
F.R. Betts Music Co., No Exit Music Co., Inc., Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner Chappell Music, Inc.
The Allman Brothers Band54:02
15Is She Really Going Out With Him?
Joe Jackson4:18
16Are ‘Friends’ Electric
recording of:
Are ‘Friends’ Electric?
lyricist and composer:
Gary Numan
publisher:
Beggars Banquet Music Ltd., Momentum Music Ltd., Numan Music Ltd., Andrew Heath Music (from 1979 to present) and Beggars Banquet (from 1979 to present)
Gary Numan5:15
17That Look You Give That Guy
recording engineer and mixer:
Koool G Murder
publisher:
Almo Music Corp. (USA, affiliated with ASCAP)
recording of:
That Look You Give That Guy
composer:
E (Mark Oliver Everett, founder of Eels) and Koool G Murder
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Kool G Murder Music and Satan's Cock-A-Doodle-Do
EELS3.654:12
18What a Wonderful World
recorded in:
New York, United States (on 1967-08-16)
engineer:
Eddie Brackett and Bob Simpson (US jazz engineer/producer)
producer:
Bob Thiele (producer & songwriter)
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
baritone saxophone:
Raymond Stanfield (on 1967-08-16)
clarinet:
Sam Marowitz (saxophonist and clarinetist) (on 1967-08-16) and Jerome Richardson (on 1967-08-16)
double bass:
Russ Savakus (on 1967-08-16)
drums (drum set):
Grady Tate (on 1967-08-16)
flute:
Sam Marowitz (saxophonist and clarinetist) (on 1967-08-16), Jerome Richardson (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
guitar:
Allen Hanlon (jazz guitarist) (on 1967-08-16), Art Ryerson (on 1967-08-16) and Willard Suyker (on 1967-08-16)
percussion:
Warren Hard (on 1967-08-16)
piano:
Hank Jones (piano) (on 1967-08-16)
tenor saxophone:
Jerome Richardson (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
trombone:
Urbie Green (on 1967-08-16) and J.J. Johnson (jazz/bop trombonist/session leader) (on 1967-08-16)
trumpet:
Louis Armstrong (on 1967-08-16), Clark Terry (American swing trumpeter) (on 1967-08-16) and Joe Wilder (on 1967-08-16)
lead vocals:
Louis Armstrong (on 1967-08-16)
orchestra:
Louis Armstrong's Orchestra and Chorus (on 1967-08-16)
conductor and chorus master:
Tommy Goodman (pianist, arranger for Benny Goodman and Duke Ellington) (on 1967-08-16)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1968)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 171) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 283)
recording of:
What a Wonderful World (on 1967-08-16)
writer:
George Douglas (producer & songwriter) and George David Weiss
publisher:
Abilene Music Inc., Carlin Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Memory Lane Music (publishing company), Quartet Music Inc., Range Road Music Inc. and Valando Music, Inc.
sub-publisher:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
part of:
12 Monkeys Soundtrack
part of:
Freaky Friday (2003)
Louis Armstrong3.92:16
19Wuthering Heights
engineer:
Jon Kelly (engineer at Air London Studios)
producer:
Andrew Powell (known for contributions to Alan Parsons Project)
drums (drum set):
Stuart Elliott (session drummer, member of Cockney Rebel) (from 1977-07 until 1977-08)
piano, background vocals and lead vocals:
Kate Bush (from 1977-07 until 1977-08)
arranger:
Andrew Powell (known for contributions to Alan Parsons Project)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1977, in 1978), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1977, in 1978), EMI‐USA Records (a division of Capitol Records, Inc.) (in 1977, in 1978), EMI America Records, Inc. (holding – file NO releases here!) (in 1982) and EMI France (in 1995)
recorded at:
AIR London Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom (from 1977-07 until 1977-08)
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 18)
recording of:
Wuthering Heights (from 1977-07 until 1977-08)
publisher:
Kate Bush (from 1978 to present)
lyricist and composer:
Kate Bush (on 1977-03-05)
publisher:
Beechwood Music Corp., Castle (publisher), Ed. Itaipu, Glenwood Music Corporation, Kate Bush Music Ltd. and EMI Music Publishing Ltd. (PRS‐affiliated) (from 1978 to present)
Kate Bush44:25
3▼CD
#TitleArtistRatingLength
1Troy
recording engineer:
Caroline (Eden) (engineer), Ian (Oasis) (engineer, Oasis Studios?) and Jaybee (engineer)
engineer:
Kevin Moloney
co-producer:
Kevin Moloney
producer:
Sinéad O’Connor (Irish singer‐songwriter)
mixer:
Fachtna Ó Ceallaigh, Kevin Moloney and Sinéad O’Connor (Irish singer‐songwriter)
acoustic guitar [ac. gtrs.] and electric guitar [elec. gtrs.]:
Rob Dean (UK guitarist for Japan)
bass guitar [bass gtrs.]:
‘Spike’ Hollifield
drum machine [machines] and drums (drum set) [drum kit]:
John Reynolds (Irish producer, drummer for Jah Wobble)
electric guitar [elec. gtr.] and lead vocals [all vocals]:
Sinéad O’Connor (Irish singer‐songwriter)
keyboard [keyboards] and synthesizer [synths.]:
Mike Clowes
conductor:
Gavyn Wright (UK violinist, conductor)
strings arranger:
Mike Clowes
arranger:
Mike Clowes and Sinéad O’Connor (Irish singer‐songwriter)
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1987) and Ensign Records Ltd. (company; do NOT use as release label) (in 1987)
recorded at:
Oasis Studio (Camden, London) in Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Eden Studios (2nd location, Chiswick, 72-07) in Chiswick, Hounslow, London (Greater London), England, United Kingdom
recording of:
Troy
lyricist and composer:
Sinéad O’Connor (Irish singer‐songwriter)
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Dizzy Heights Music Publishing Ltd. (publisher; do NOT use as release label) and Ensign Records Ltd. (company; do NOT use as release label)
Sinéad O’Connor4.26:23
2Love Will Tear Us Apart
producer:
Joy Division and Martin Hannett
bass:
Peter Hook
drums (drum set):
Stephen Morris (New Order)
guitar:
Bernard Albrecht
vocals:
Bernard Albrecht and Ian Curtis
phonographic copyright (℗) by:
Factory Communications Ltd. (holding company – file no releases here!) (in 1988)
recorded at:
Strawberry Studios in Stockport, Stockport, Greater Manchester, England, United Kingdom
part of:
triple j’s Hottest 100 (Australian annual music listener poll) (number: 1989 (All-time)), triple j’s Hottest 100 (Australian annual music listener poll) (number: 1990 (All-time)), Indie 88: Top 500 Indie Rock Songs (number: 5), Q50 – December 2005 (number: 6), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 14), NME: Greatest “Indie” Anthems Ever: 2007 (number: 19), Pitchfork: The Story of Goth in 33 Songs, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 41) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 179)
recording of:
Love Will Tear Us Apart
lyricist:
Ian Curtis
composer:
Ian Curtis, Peter Hook, Stephen Morris (New Order) and Bernard Sumner
publisher:
Fractured Music (publisher) and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Joy Division4.53:23
3The Passenger
engineer:
Eduard Meyer and Colin Thurston
producer:
Bewlay Bros.
bass guitar:
Tony Sales (from 1977-06-04 until 1977-06-18)
cowbell, drums (drum set), shakers and tambourine:
Hunt Sales (from 1977-06-04 until 1977-06-18)
guitar:
Carlos Alomar (from 1977-06-04 until 1977-06-18) and Ricky Gardiner (from 1977-06-04 until 1977-06-18)
piano:
David Bowie (English singer‐songwriter) (from 1977-06-04 until 1977-06-18)
background vocals:
David Bowie (English singer‐songwriter) (from 1977-06-04 until 1977-06-18), Hunt Sales (from 1977-06-04 until 1977-06-18) and Tony Sales (from 1977-06-04 until 1977-06-18)
lead vocals:
Iggy Pop (from 1977-06-04 until 1977-06-18)
phonographic copyright (℗) by:
Thousand Mile, Inc. (in 1977) and Virgin America (Virgin sublabel for EUROPEAN releases of artists signed by Virgin Records America, Inc.) (in 1990)
recorded at:
Hansa Studio III in Berlin, Germany (from 1977-06-04 until 1977-06-18)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 179)
recording of:
The Passenger (from 1977-06-04 until 1977-06-18)
lyricist:
Iggy Pop
composer:
Ricky Gardiner
publisher:
Ricky Gardiner Songs and Virgin Music (Publishers) Ltd.
Iggy Pop4.64:41
4Street Spirit
recording engineer:
Jonny Greenwood (English musician and score composer)
sound engineer:
Jim Warren (producer/engineer)
assistant engineer:
Guy Massey (UK producer/engineer) and Shelley Saunders
engineer:
Chris Brown (engineer), Nigel Godrich (English record producer), John Leckie and Jim Warren (producer/engineer)
producer:
John Leckie
mixer:
John Leckie, Paul Q. Kolderee, Radiohead and Sean Slade
editor:
Chris Blair (senior mastering engineer at Abbey Road Studios, London, UK)
bass guitar:
Colin Greenwood (English bassist in Radiohead) (from 1994-02 until 1994-11)
cello:
Caroline Lavelle (from 1994-02 until 1994-11)
drums (drum set) and percussion:
Philip Selway (drummer in Radiohead) (from 1994-02 until 1994-11)
guitar:
Jonny Greenwood (English musician and score composer) (from 1994-02 until 1994-11), Ed O’Brien (guitarist & songwriter in Radiohead) (from 1994-02 until 1994-11) and Thom Yorke (from 1994-02 until 1994-11)
organ and synthesizer:
Jonny Greenwood (English musician and score composer) (from 1994-02 until 1994-11)
piano:
Jonny Greenwood (English musician and score composer) (from 1994-02 until 1994-11) and Thom Yorke (from 1994-02 until 1994-11)
viola and violin:
John Matthias (from 1994-02 until 1994-11)
background vocals:
Ed O’Brien (guitarist & songwriter in Radiohead) (from 1994-02 until 1994-11)
vocals:
Thom Yorke (from 1994-02 until 1994-11)
strings arranger:
Jonny Greenwood (English musician and score composer) and Thom Yorke
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1995)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1994-02 until 1994-11), RSK in London (Greater London), England, United Kingdom (from 1994-02 until 1994-11) and The Manor in Oxfordshire, England, United Kingdom (from 1994-02 until 1994-11)
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom and Fort Apache in Cambridge, Massachusetts, United States
edited at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
music videos:
Street Spirit (Fade Out) (music video) by Radiohead
recording of:
Street Spirit (Fade Out) (from 1994-02 until 1994-11)
writer:
Colin Greenwood (English bassist in Radiohead), Jonny Greenwood (English musician and score composer), Ed O’Brien (guitarist & songwriter in Radiohead), Philip Selway (drummer in Radiohead) and Thom Yorke
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
Radiohead4.44:12
5In Dreams
producer:
Fred Foster
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 312)
recording of:
In Dreams (on 1963-01-04)
lyricist and composer:
Roy Orbison
publisher:
Barbara Orbison Music Company, Roy Orbison Music Company, Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) and Acuff-Rose Publications, Inc. (BMI) (on 1963-02-13)
Roy Orbison42:48
6Get Up I Feel Like Being a Sex Machine
recording of:
Get Up (I Feel Like Being Like a) Sex Machine
writer:
James Brown (The Godfather of Soul), Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group) and Ron Lenhoff
publisher:
Dynatone Publishing Co. and Intersong Music Ltd.
James Brown2:50
7Heroin
recording engineer:
Omi Haden
producer:
Andy Warhol (American artist)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1967)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 448)
recording of:
Heroin
lyricist and composer:
Lou Reed
publisher:
Oakfield Avenue Music
The Velvet Underground4.47:10
8Dreadlock Holiday
engineer:
Keith Bessey, Eric Stewart and Tony Spath
producer:
Graham Gouldman and Eric Stewart
mixer:
Eric Stewart
agogô, congas, cowbell, marimba, timbales and triangle:
Paul Burgess (UK rock drummer)
bass guitar, cabasa and background vocals and lead vocals:
Graham Gouldman
drums (drum set) and tambourine:
Stuart Tosh
electric guitar:
Rick Fenn and Graham Gouldman
electric piano and maracas:
Eric Stewart
organ:
Rick Fenn and Eric Stewart
synthesizer [Yamaha Cs80]:
Duncan Mackay (UK keyboardist/synthesizerist)
background vocals:
Rick Fenn, Eric Stewart and Stuart Tosh
arranger:
10cc
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1978) and Phonogram Ltd. (not for release label use!) (in 1978)
recorded at and mixed at:
Strawberry Studios South in Dorking, Surrey, England, United Kingdom
music videos:
Dreadlock Holiday by 10cc
recording of:
Dreadlock Holiday
writer:
Graham Gouldman and Eric Stewart
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) and Man-Ken Music Ltd.
10cc4.654:28
9Jolene
engineer:
Tom Pick
producer:
Bob Ferguson
banjo:
Bobby Thompson (guitar & banjo player) (on 1972-05-03) and Buck Trent (on 1972-05-03)
bass:
Bobby Dyson (on 1972-05-03)
drums (drum set):
Kenny Malone (session drummer/percussion) (on 1972-05-03)
electric guitar:
Jimmy Colvard (American session guitarist) (on 1972-05-03)
fiddle:
Johnny Gimble (on 1972-05-03) and Mack Magaha (Bluegrass Fiddler) (on 1972-05-03)
guitar:
Dolly Parton (on 1972-05-03)
guitar [rhythm guitar]:
Dave Kirby (US country singer/songwriter) (on 1972-05-03)
piano:
Hargus "Pig" Robbins (on 1972-05-03)
steel guitar:
Stu Basore (on 1972-05-03)
background vocals:
Joe Babcock (on 1972-05-03), Dolores Edgin (on 1972-05-03), June Page (on 1972-05-03) and Hurshel Wiginton (on 1972-05-03)
vocals:
Dolly Parton (on 1972-05-03)
phonographic copyright (℗) by:
BMG Entertainment (in 1973) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1973)
recorded at:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, United States (on 1972-05-03)
part of:
Rolling Stone: The 200 Greatest Country Songs of All Time (number: 1), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 28), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 63) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 217)
recording of:
Jolene (on 1972-05-03)
lyricist and composer:
Dolly Parton
publisher:
Carlin Music Corporation, Neue Welt Musikverlag GmbH (2017 – present), Owepar Publishing Inc. and Velvet Apple Music
Dolly Parton4.252:37
10Le vent nous portera
recording of:
Le vent nous portera
lyricist:
Bertrand Cantat
composer:
Denis Barthe, Bertrand Cantat, Jean-Paul Roy and Serge Teyssot-Gay
publisher:
ND Musique and Universal Music Publishing France (not for release label use!)
Noir Désir4:48
11Tin Soldier
Small Faces3:22
12Animal Nitrate
part of:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (number: 40) and NME: Greatest “Indie” Anthems Ever: 2007 (number: 43)
recording of:
Animal Nitrate
writer:
Brett Anderson (Suede) and Bernard Butler
publisher:
PolyGram Music Publishing
Suede4.43:20
13In the Dutch Mountains
engineer:
Paul Telman
phonographic copyright (℗) by:
CBS Grammofoonplaten B.V. (not for release label use! NL subsidiary of CBS Records, Inc.) (in 1987)
recorded at:
Werf Studio (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
recording of:
In the Dutch Mountains
lyricist:
Henk Hofstede
composer:
Henk Hofstede, Rob Kloet and Robert Jan Stips
publisher:
Soss Music (in 1987)
Nits53:25
14Zombie
recording of:
Zombie
lyricist and composer:
Dolores O’Riordan
publisher:
Island Music Ltd., Neue Welt Musikverlag GmbH & Co. KG (– 2017) and Universal–Songs of PolyGram International, Inc.
The Cranberries4:11
15Marlene on the Wall
recording of:
Marlene on the Wall
lyricist and composer:
Suzanne Vega (American singer-songwriter)
publisher:
WC Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Suzanne Vega43:40
16Waltz #2 (XO)
recording engineer and mixer:
Tom Rothrock, Rob Schnapf and Elliott Smith (US singer‐songwriter)
recording of:
Waltz #2 (XO)
lyricist and composer:
Elliott Smith (US singer‐songwriter)
Elliott Smith4.154:37
17Going Underground
producer:
Vic Coppersmith‐Heaven
bass:
Bruce Foxton (on 1980-01-16)
drums (drum set):
Rick Buckler (on 1980-01-16)
guitar:
Paul Weller (English singer-songwriter and musician) (on 1980-01-16)
vocals:
Bruce Foxton (on 1980-01-16) and Paul Weller (English singer-songwriter and musician) (on 1980-01-16)
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1980)
recorded at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom (on 1980-01-16)
recording of:
Going Underground (on 1980-01-16)
lyricist and composer:
Paul Weller (English singer-songwriter and musician)
publisher:
BMG Music Publishing Ltd., Stylist Music Ltd. and Universal Music Publishing MGB Australia
The Jam4.252:55
18Strange Fruit
recording of:
Strange Fruit
lyricist and composer:
Lewis Allan
publisher:
Basart Editions, Carlin Music Corporation, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) and Music Sales Corporation (American copyright holder in both popular and classical music)
version of:
Bitter Fruit
Billie Holiday3:27
19No Sound but the Wind (live)
recorded at:
Rock Werchter 2010 (2010-07-01 – 2010-07-04)
phonographic copyright (℗) by:
Kitchenware Records (in 2010)
live recording of:
No Sound but the Wind (on 2010-07-02)
writer:
Ed Lay, Russell Leetch, Tom Smith (songwriter, vocalist and guitarist, member of the Editors) and Chris Urbanowicz
Editors3:50
20I Keep a Close Watch
miscellaneous support:
Judy Nylon (task: stylist / styled by)
executive producer:
John Wood (UK producer)
producer:
John Cale (The Velvet Underground founder)
mixer:
Victor Gamm (engineer)
bass:
Pat Donaldson
drums (drum set):
Phil Collins (of Genesis) and Timi Donald
guitar:
Chris Spedding
synthesizer:
Brian Eno
recording of:
I Keep a Close Watch
lyricist and composer:
John Cale (The Velvet Underground founder)
publisher:
Universal–Songs of PolyGram International, Inc.
John Cale42:27
4▼CD
#TitleArtistRatingLength
1Dancing Queen
engineer:
Michael B. Tretow
producer:
Benny Andersson (ABBA) and Björn Ulvaeus
bass:
Rutger Gunnarsson (from 1976-08-04 until 1976-08-05)
cello:
Hans‐Göran Eketorp (Swedish cellist) (on 1976-09-12) and Åke Olofsson (Swedish cellist) (on 1976-09-12)
clavinet and keyboard:
Benny Andersson (ABBA) (from 1976-08-04 until 1976-08-05)
drums (drum set):
Roger Palm (from 1976-08-04 until 1976-08-05, on 1976-12-03)
viola:
Åke Arvinder (Swedish violist) (on 1976-09-12), Lars Brolin (on 1976-09-12) and Håkan Roos (Swedish violist) (on 1976-09-12)
violin:
Martin Bylund (Swedish violinist) (on 1976-09-12), Anders Dahl (Swedish violinist) (on 1976-09-12), Lars Stegenberg (Swedish violinist) (on 1976-09-12), Gunnar Michols (Swedish violinist) (on 1976-09-12), Claes Nilsson (Swedish violinist) (on 1976-09-12), Bertil Orsin (Swedish violinist) (on 1976-09-12), Sixten Strömvall (Swedish violinist) (on 1976-09-12), Harry Teike (on 1976-09-12) and Krzysztof Zdrzalka (Swedish violinist) (on 1976-09-12)
lead vocals:
Agnetha Fältskog (in 1976-09) and Frida (Swedish singer and member of ABBA) (in 1976-09)
strings arranger:
Sven-Olof Walldoff
arranger:
Benny Andersson (ABBA) and Björn Ulvaeus
phonographic copyright (℗) by:
Polar Music AB (in 1976) and Polar Music International AB (in 1976)
recorded at:
Metronome Studio in Stockholm, Stockholms län (Stockholm county), Sweden (in 1976), Glen Studio in Stockholms län (Stockholm county), Sweden (from 1976-08-04 until 1976-08-05) and KMH Studios in Stockholm, Stockholms län (Stockholm county), Sweden (on 1976-12-03)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 2), SWR1 Hitparade 2006 (Baden-Württemberg) (number: 5), SWR1 Hitparade 2003 (Baden-Württemberg) (number: 7), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 9), Q50 – December 2005 (number: 37), The Downloader’s Music Source Book (number: 43), BILLIONS CLUB, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 171) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 286)
recording of:
Dancing Queen (in 1976)
writer:
Stig Anderson (Stikkan), Benny Andersson (ABBA) and Björn Ulvaeus
publisher:
Bocu Music Ltd., EMI Grove Park Music, Inc., EMI Music Publishing (do not use as a release label!), Union Songs AB (publisher), Union Songs Music, Universal Music Publishing Group, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., EMI Waterford Music (from 1976 to present), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (from 1976 to present) and Universal/Union Songs Musikförlag AB (from 1976 to present)
premiered at:
Kungliga Operan (Royal Swedish Opera) in Stockholm, Stockholms län (Stockholm county), Sweden (on 1976-06-18)
part of:
Mamma Mia! (1999 musical)
ABBA43:50
2Biko
recording of:
Biko
lyricist and composer:
Peter Gabriel (formerly of Genesis)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Peter Gabriel Ltd. (UK record and music publishing company associated with Peter Gabriel) and Real World Music, Ltd.
Peter Gabriel7:27
3Wonderwall
recording engineer:
Owen Morris
producer:
Noel Gallagher and Owen Morris
acoustic guitar [rhythm guitar]:
Paul Arthurs ("Bonehead", Oasis)
bass guitar, ebow, electric guitar [lead guitar], mellotron, piano and background vocals:
Noel Gallagher
drums (drum set) and percussion:
Alan White (Oasis drummer)
tambourine and lead vocals:
Liam Gallagher (English musician, lead singer of Oasis)
phonographic copyright (℗) by:
Big Brother Recordings, Ltd. (not for release label use! use “BIg Brother” instead) (in 1995)
recorded at:
Rockfield Studios in Monmouth, Monmouthshire, Wales, United Kingdom
music videos:
Wonderwall by Oasis (Noel & Liam Gallagher)
part of:
triple j’s Hottest 100 (Australian annual music listener poll) (number: 1995), Indie 88: Top 500 Indie Rock Songs (number: 12), NME: Greatest “Indie” Anthems Ever: 2007 (number: 27), triple j’s Hottest 100 (Australian annual music listener poll) (number: 2013 (Twenty Years)), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 48) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 95)
recording of:
Wonderwall
lyricist and composer:
Noel Gallagher
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Creation Songs Ltd, Dead Leg Music, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV, Sony/ATV Music Publishing and Sony/ATV Music Publishing Ltd.
Oasis4.254:20
4How Can We Hang On to a Dream
Tim Hardin2:02
5Africa
recording engineer:
Al Schmitt
producer:
Toto (US rock group)
mixer:
Greg Ladanyi
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1982), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1982) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982)
music videos:
Africa by Toto (US rock group)
recording of:
Africa (Toto)
writer:
Jeffrey Porcaro and David Paich
publisher:
Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK), Rising Storm Music, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) and Spirit Two Music
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Toto54:20
6I Say a Little Prayer
recording engineer:
Tom Dowd (on 1968-04-17)
producer:
Jerry Wexler
bass:
Jerry Jemmott (on 1968-04-17)
drums (drum set):
Roger Hawkins (on 1968-04-17)
guitar:
Tommy Cogbill (on 1968-04-17)
piano and lead vocals:
Aretha Franklin (on 1968-04-17)
background vocals:
The Sweet Inspirations (on 1968-04-17)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1968)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1968-04-17)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 117)
cover recording of:
I Say a Little Prayer (on 1968-04-17)
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Blue Seas Music, Inc., Casa David Music, Jac Music, MCA Music Ltd., Rondor Music (Australia), Universal/MCA Music Ltd. (not for release label use!) and Windswept Pacific Music Ltd.
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Aretha Franklin4.353:33
7Bury Me Deep in Love
co-producer:
David McComb and Adam Peters
producer:
Gil Norton (British record producer)
phonographic copyright (℗) by:
Liberation Music (Australian, big L logo or “Liberation” on one line) (in 1987)
recording of:
Bury Me Deep in Love
lyricist and composer:
David McComb
publisher:
Mushroom Music Publishing
The Triffids44:02
8Cocaine
producer:
Audie Ashworth
phonographic copyright (℗) by:
Universal International Music B.V. (company, do not use as label) (in 1976)
recording of:
Cocaine (in 1976)
lyricist and composer:
J.J. Cale
publisher:
Audigram Music, Audigram Songs, Inc., Blue Mountain Music Ltd., BMG Platinum Songs, Kobalt Music Publishing Ltd. (UK), Warner Chappell Music (publisher as Warner/Chappell Music) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
J.J. Cale32:52
9Forbidden Colours
producer:
坂本龍一 (Ryūichi Sakamoto, Japanese composer, pianist, singer, songwriter)
keyboard:
坂本龍一 (Ryūichi Sakamoto, Japanese composer, pianist, singer, songwriter) (in 1983)
guest lead vocals:
David Sylvian (in 1983)
recording of:
Forbidden Colours
lyricist:
David Sylvian
composer:
坂本龍一 (Ryūichi Sakamoto, Japanese composer, pianist, singer, songwriter)
publisher:
Chadwick Nomis Ltd., KAB America, Opium (Arts) Ltd. and やのミュージック (Yano Music)
arrangement of:
Merry Christmas, Mr. Lawrence (Merry Christmas, Mr. Lawrence, Main Theme)
part of:
Merry Christmas, Mr. Lawrence
David Sylvian4.354:37
10Roadrunner (Twice)
producer:
John Cale (The Velvet Underground founder)
bass:
Ernie Brooks
drums (drum set):
David Robinson (US rock drummer)
guitar and lead vocals:
Jonathan Richman
organ and piano:
Jerry Harrison (Talking Heads)
background vocals:
Ernie Brooks, Jerry Harrison (Talking Heads) and David Robinson (US rock drummer)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 77) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 269)
recording of:
Roadrunner
lyricist and composer:
Jonathan Richman
Jonathan Richman44:05
11The Ballad of Lucy Jordan
producer:
Mark Miller Mundy
phonographic copyright (℗) by:
Island Records, Inc. (US) (in 1979)
cover recording of:
The Ballad of Lucy Jordan
lyricist and composer:
Shel Silverstein
publisher:
Evil Eye Music Inc.
Marianne Faithfull3.654:08
12Where Do You Go to My Lovely
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969)
recording of:
Where Do You Go To (My Lovely)?
lyricist and composer:
Peter Sarstedt
publisher:
EMI Catalogue Partnership
Peter Sarstedt54:41
13The Night They Drove Old Dixie Down
The Band3:31
14Papaoutai
producer:
Stromae
mixer:
Lionel Capouillez
guitar:
Papa Dizzy and Stromae
piano:
Aron Ottignon
lead vocals:
Stromae
arranger:
Aron Ottignon, Papa Dizzy and Stromae
mixed at:
Studio Air (Brussels) in Brussels (Brussels-Capital Region), Belgium
recording of:
Papaoutai
writer:
Stromae
Stromae3.53:52
15Tinseltown in the Rain
recording of:
Tinseltown in the Rain
writer:
Robert Bell (The Blue Nile) and Paul Buchanan (Scottish alt. pop musician, of Blue Nile)
publisher:
Flag 22 (publisher)
The Blue Nile4:28
16Je t’aime moi non plus
producer:
Jean-Claude Desmarty
vocals:
Jane Birkin (in 1968-11) and Serge Gainsbourg (in 1968-11)
orchestra:
Arthur Greenslade & His Orchestra (in 1968-11)
conductor:
Arthur Greenslade (in 1968-11)
arranger:
Arthur Greenslade
recording of:
Je t’aime… Moi non plus (in 1968-11)
lyricist and composer:
Serge Gainsbourg
publisher:
Heath Levy Music Co. Ltd. and Shapiro Bernstein & Co. Ltd.
Serge Gainsbourg & Jane Birkin44:22
17The Weakness in Me
assistant engineer:
George Chambers (engineer a/k/a George “Chappie” Chambers)
engineer:
Steve Brown (engineer/music producer)
producer:
Steve Lillywhite
acoustic guitar:
Hugh Burns (in 1981-07) and Andy Partridge (in 1981-07)
bass:
Tony Levin (US rock bassist/Chapman Stick) (in 1981-07)
drums (drum set):
Jerry Marotta (drummer and composer) (in 1981-07)
percussion:
Ray Cooper (percussionist) (in 1981-07)
piano:
Nick Plytas (in 1981-07)
synthesizer:
Thomas Dolby (in 1981-07)
vocals:
Joan Armatrading (in 1981-07)
recorded at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom (in 1981-07)
recording of:
The Weakness in Me (in 1981-07)
lyricist and composer:
Joan Armatrading
publisher:
Rondor Music (London) Ltd. (in 1981)
part of:
10 Things I Hate About You
Joan Armatrading53:30
18Sebastian
recording of:
Sebastian
lyricist and composer:
Steve Harley
publisher:
Finchley Music Corp. and RAK Publishing Ltd.
Steve Harley & Cockney Rebel4:07
19Child in Time
engineer:
Andy Knight (UK engineer)
producer:
Deep Purple
drums (drum set):
Ian Paice (from 1969-10 until 1970-04)
electric bass guitar:
Roger Glover (from 1969-10 until 1970-04)
electric guitar:
Ritchie Blackmore (from 1969-10 until 1970-04)
Hammond organ:
Jon Lord (from 1969-10 until 1970-04)
lead vocals:
Ian Gillan (from 1969-10 until 1970-04)
phonographic copyright (℗) by:
HEC Enterprises Ltd. (in 1970)
recorded at:
IBC Studios in London (Greater London), England, United Kingdom (from 1969-10 until 1970-04)
compilation of:
Child in Time (part 1) by Deep Purple, Child in Time (part 2) by Deep Purple and Child in Time by Deep Purple
partial recording of:
Child in Time (from 1969-10 until 1970-04)
writer:
Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord and Ian Paice
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Publishing (do not use as a release label!), EMI Music Publishing France, HEC Music, Henrees Music co., EMI Music Publishing Japan C.F. division (until 2021-06-30), EMI Music Publishing Japan Ltd., Sony Division (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
is based on:
Bombay Calling
Deep Purple44:09