Tour of Duty 2: More Golden Popclassics From the 60’s

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

Annotazione

Matrix: EOD CDT 01 PHON 854.410-2 01$
Etched in inner ring: 1
No SID codes.

Annotazione modificata l'ultima volta il 2022-07-18 10:29 UTC.

Elenco tracce

1▼CD
#TitoloArtistaValutazioneDurata
1Light My Fire
tecnico e tecnico di missaggio:
Bruce Botnick
produttore:
Paul A. Rothchild
batteria :
John Densmore (nel 1966-09)
chitarra :
Robby Krieger (American guitarist, member of The Doors) (nel 1966-09)
tastiera :
Ray Manzarek (nel 1966-09)
voce:
Jim Morrison (lead vocalist of the Doors) (nel 1966-09)
diritti fonografici (℗) detenuti da:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (nel 1967), Elektra Records (not for release label use! please use its imprint “Elektra” instead) (nel 1967, nel 2017), Elektra (all releases with “Elektra” or “Elektra Entertainment” logo, 1950 to present) (nel 1971) e Rhino Entertainment Company (not for release label use!) (nel 2017)
lavorazione tecnica effettuata presso:
Sunset Sound Recorders in Hollywood, Los Angeles, California, Stati Uniti
video musicali:
Light My Fire di The Doors
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 35) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 310)
registrazione di:
Light My Fire (nel 1966-09)
autore:
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek e Jim Morrison (lead vocalist of the Doors)
editore:
Doors Music Company, Nipper Music, Rondor Music (London) Ltd. e 日音 Synch事業部 (NICHION, INC. Synch Division)
The Doors4.37:07
2Go Back
diritti fonografici (℗) detenuti da:
Elektra (all releases with “Elektra” or “Elektra Entertainment” logo, 1950 to present) (nel 1970)
registrazione di:
Go Back
paroliere e compositore:
Michael Fennelly
editore:
Kluger Holland e Palace Music Holland
Crabby Appleton4.52:58
3Reach Out, I’ll Be There
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1966)
registrazione cover di:
Reach Out, I’ll Be There
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
EMI Songs, EMI Songs Australia Pty. Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Four Tops53:00
4Need Your Love So Bad
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1968)
registrazione cover di:
Need Your Love So Bad
paroliere e compositore:
Little Willie John e Mertis John Jr. (older brother of Little Willie John)
editore:
Carlin Music Corporation, Fort Knox Music Co, Fort Knox Music Inc., Lark Music Ltd., Peter Maurice Music, Peter Maurice Music Co. e Trio Music Co., Inc.
Fleetwood Mac43:52
5Eve of Destruction
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1965)
registrazione di:
Eve of Destruction (nel 1965)
paroliere e compositore:
P.F. Sloan
editore:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Barry McGuire4.63:36
6I Was Made to Love Her
produttore:
Henry Cosby
armonica (a bocca) e voce principale:
Stevie Wonder (il 1967-03-31)
basso :
James Jamerson (il 1967-03-31)
sitar elettrico :
Eddie Willis (il 1967-03-31)
strumenti:
The Funk Brothers (il 1967-03-31)
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1966) e Motown Record Corporation (company credits only; do NOT use as release label) (nel 1967)
registrata presso:
Hitsville (Motown Records) in Detroit, Michigan, Stati Uniti (il 1967-03-31)
registrazione di:
I Was Made to Love Her (il 1967-03-31)
autore:
Henry Cosby, Lula Mae Hardaway (songwriter), Sylvia Moy e Stevie Wonder
editore:
Black Bull Music, Inc., EMI Blackwood Music Inc., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Sawandi Music, Stone Agate Music e 大洋音楽 (Taiyō Music)
Stevie Wonder4.652:34
7After Midnight
produttore:
Delaney Bramlett
batteria :
Jim Gordon (US drummer with Derek and the Dominos)
chitarra :
Eric Clapton
chitarra [rhythm guitar] :
Delaney Bramlett
chitarra basso :
Carl Radle
organo elettrico :
Bobby Whitlock
pianoforte :
Leon Russell
sassofono :
Bobby Keys (American saxophonist)
tromba :
Jim Price (horn session musician)
voce:
Eric Clapton e Bobby Whitlock
arrangiatore:
Delaney Bramlett
diritti fonografici (℗) detenuti da:
Robert Stigwood Group Ltd. (nel 1970), RSO Records Ltd. (nel 1970) e Universal International Music B.V. (company, do not use as label) (nel 1970)
registrazione cover di:
After Midnight
paroliere e compositore:
J.J. Cale
editore:
Mijac Music, Robert Stigwood Organisation Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Australia Pty. Ltd., ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Eric Clapton43:08
8For What It’s Worth
produttore:
Charles Greene (producer) e Brian Stone (producer)
voce:
Stephen Stills
voce di accompagnamento:
Richie Furay e Dewey Martin
diritti fonografici (℗) detenuti da:
Warner Music International (trademark of Warner Music International the company) (nel 1967) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1969)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 63)
registrazione di:
For What It’s Worth (il 1966-12-05)
paroliere e compositore:
Stephen Stills
editore:
Cotillion, Cotillion Music Inc. (BMI), Richie Furay Music (BMI), Springalo Toones (BMI), Ten East e Ten‐East Music (BMI)
Buffalo Springfield feat. Stephen Stills and Neil Young4.252:37
9Mr. Tambourine Man
registrata a:
Hollywood, Los Angeles, California, Stati Uniti (il 1965-01-20)
produttore:
Terry Melcher
batteria :
Michael Clarke (drummer for the 1960s rock group The Byrds) (il 1965-01-20)
chitarra :
David Crosby (il 1965-01-20)
chitarra a 12 corde :
Jim McGuinn (il 1965-01-20)
chitarra basso :
Chris Hillman (il 1965-01-20)
tamburello :
Gene Clark (US singer-songwriter; founder of The Byrds) (il 1965-01-20)
voce:
Gene Clark (US singer-songwriter; founder of The Byrds) (il 1965-01-20), David Crosby (il 1965-01-20), Chris Hillman (il 1965-01-20) e Jim McGuinn (il 1965-01-20)
diritti fonografici (℗) detenuti da:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 1965) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1965)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (numero: 10), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 79) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 230)
registrazione cover di:
Mr. Tambourine Man (il 1965-01-20)
paroliere e compositore:
Bob Dylan (dal 1964-02 al 1964-04)
editore:
Blossom Music Ltd., M. Witmark & Sons, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell (Warner/Chappell Music, Inc.) (dal 1964 al 1992) e Special Rider Music (dal 1992 a oggi)
Byrds4.12:17
10Summertime Blues
registrata a:
Hollywood, Los Angeles, California, Stati Uniti (nel 1967)
produttore:
Abe Kesh
basso e voce principale:
Dickie Peterson (nel 1967)
batteria :
Paul Whaley (nel 1967)
chitarra :
Leigh Stephens (nel 1967)
diritti fonografici (℗) detenuti da:
Mercury Inc. (copyrights use only) (nel 1968)
parte di:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (numero: 63)
registrazione cover di:
Summertime Blues (nel 1967)
autore:
Jerry Capehart e Eddie Cochran (US rock and roll musician active in 1950s)
editore:
American Music (publisher), Cinephonic Music Co., Ltd., Edition Wilhelm Hansen, Elvis Presley Music, Gallo Music Publishers, Gladys Music, Hill and Range Songs, Inc. (publisher), Rightsong Music, Viva Music, Inc, Warner Bros. Music (publisher; do NOT use as release label) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Blue Cheer4.53:46
11Good Lovin’
produttore:
Tom Dowd, Arif Mardin e The Young Rascals (US soul & rock group, formerly known as The Young Rascals)
batteria :
Dino Danelli (il 1966-02-01)
chitarra :
Gene Cornish (il 1966-02-01)
organo :
Felix Cavaliere (American singer, songwriter, record producer, and musician) (il 1966-02-01)
percussione :
Eddie Brigati (il 1966-02-01)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1966)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1966-02-01)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 325)
registrazione cover di:
Good Lovin’ (il 1966-02-01)
autore:
Rudy Clark (US songwriter) e Arthur Resnick (songwriter, producer)
editore:
Alley Music Corp., Carlin Music Corporation, Hudson Bay Music e Trio Music Company
The Rascals42:31
12Mama Told Me (Not to Come)
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1970)
parte di:
Billboard Year-End Hot 100 singles of 1970 (numero: 11)
registrazione cover di:
Mama Told Me (Not to Come)
paroliere e compositore:
Randy Newman (American singer‐songwriter and score composer)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), January Music, January Music Corp., Supersongs Unlimited, Unichappell Music, Inc. e Warner/Chappell North America
Three Dog Night4.653:19
13Layla
produttore:
Derek and the Dominos
produttore esecutivo:
Tom Dowd
batteria e percussione :
Jim Gordon (US drummer with Derek and the Dominos) (il 1970-09-09)
chitarra :
Duane Allman (il 1970-09-09) e Eric Clapton (il 1970-09-09)
chitarra basso :
Carl Radle (il 1970-09-09)
organo elettrico e pianoforte :
Bobby Whitlock (il 1970-09-09)
voce:
Bobby Whitlock (il 1970-09-09)
voce principale:
Eric Clapton (il 1970-09-09)
arrangiatore:
Derek and the Dominos
diritti fonografici (℗) detenuti da:
RSO Records Ltd., London (nel 1970) e Universal International Music B.V. (company, do not use as label) (nel 1970)
registrata presso:
Criteria Studios in Miami, Florida, Stati Uniti (il 1970-09-09)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 27) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 224)
registrazione di:
Layla (il 1970-09-09)
autore:
Eric Clapton e Jim Gordon (US drummer with Derek and the Dominos)
editore:
Casserole Music Corp., E.C. Music (UK work publisher for Eric Clapton), Throat Music, Warner Chappell Music Ltd. (no slash; used 1988–1996) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Derek & the Dominos4.457:08
14A Natural Woman
tecnico di registrazione:
Tom Dowd (il 1967-02-16)
produttore:
Jerry Wexler
batteria :
Gene Chrisman (il 1967-02-16)
chitarra basso :
Tommy Cogbill (il 1967-02-16)
pianoforte :
Spooner Oldham (il 1967-02-16)
tromba :
Bernie Glow (il 1967-02-16), Melvin Lastie (il 1967-02-16) e Joe Newman (US jazz trumpeter) (il 1967-02-16)
cori:
Carolyn Franklin (il 1967-02-16), Erma Franklin (il 1967-02-16) e The Sweet Inspirations (il 1967-02-16)
voce:
Aretha Franklin (il 1967-02-16)
arrangiatore:
Tom Dowd e Arif Mardin
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1967) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1968)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1967-02-16)
parte di:
RuPaul’s Drag Race Lip Sync Performances (season 4) (numero: 10) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 90)
registrazione cover di:
(You Make Me Feel Like) A Natural Woman (il 1967-02-16)
paroliere:
Gerry Goffin
autore aggiunto:
Jerry Wexler
compositore:
Carole King
editore:
Screen Gems–Columbia Music, Inc. e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-editore:
Screen Gems–EMI Music Ltd. e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Aretha Franklin4.22:41
15Maggie May
produttore:
Rod Stewart
celesta :
Pete Sears (nel 1971)
chitarra a 12 corde , chitarra basso e chitarra elettrica :
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood) (nel 1971)
chitarra acustica :
Martin Quittenton (guitarist for Steamhammer) (nel 1971)
mandolino :
Ray Jackson (nel 1971) e David Lindley (nel 1971)
membranofono e piatti :
Micky Waller (nel 1971)
organo Hammond :
Ian McLagan (nel 1971)
voce principale:
Rod Stewart (nel 1971)
diritti fonografici (℗) detenuti da:
Mercury Records Inc. (copyrights use only) (nel 1971), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1971), The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1971) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1971)
registrazione di:
Maggie May (nel 1971)
editore:
Rod Stewart
autore:
Mike Peters, Martin Quittenton (guitarist for Steamhammer) e Rod Stewart
editore:
Chappell Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Full Keel Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), H. G. Music Inc, Mushroom Music (Mushroom label’s publishing company), Rightsong Music Inc., Unichappell Music, Inc., Warner Chappell e Warner Chappell Music (publisher as Warner/Chappell Music)
Rod Stewart4.25:13
16The Game of Love
diritti fonografici (℗) detenuti da:
Phonogram Ltd. (not for release label use!) (nel 1965)
registrazione cover di:
Game of Love
paroliere e compositore:
Clint Ballard, Jr.
Wayne Fontana & The Mindbenders4.52:06
17Are You Ready?
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1970)
parte di:
Billboard Year-End Hot 100 singles of 1970 (numero: 93)
registrazione di:
Are You Ready?
autore:
Charlie Allen (Pacific Gas & Electric vocalist) e John Hill (American score composer, not to be confused with the mainstream producer)
editore:
Hexagram Music e PG & E Music
Pacific Gas & Electric35:42
18When a Man Loves a Woman
produttore:
Marlin Greene (’60s teen artist, writer & engineer) e Quin Ivy
batteria :
Roger Hawkins (il 1966-02-17)
chitarra :
Marlin Greene (’60s teen artist, writer & engineer) (il 1966-02-17)
contrabbasso :
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (il 1966-02-17)
farfisa [farfisa organ] :
Spooner Oldham (il 1966-02-17)
voce:
Percy Sledge (il 1966-02-17)
diritti fonografici (℗) detenuti da:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (, nel 1966) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1966)
registrata presso:
Norala Studio in Sheffield, Alabama, Stati Uniti (il 1966-02-17)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 54) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione di:
When a Man Loves a Woman (il 1966-02-17)
autore:
Calvin Lewis e Andrew Wright (US keyboardist)
editore:
Mijac Music, Warner Chappell, Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell (Warner/Chappell Music, Inc.), Pronto Music, Inc. (publisher) (dal 1966 a oggi), Quinvy Music Publishing Company, Inc. (dal 1966 a oggi), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (dal 1966 a oggi), Pronto (BMI‐affiliated publishing company) (nel 1972) e Quinvy (record company and publisher) (nel 1972)
Percy Sledge4.352:50
19To Love Somebody
co-produttore:
Ossie Byrne
produttore:
Barry Gibb, Maurice Gibb, Robin Gibb e Robert Stigwood
direttore d'orchestra:
Bill Shepherd (British orchestra leader, arranger and music director, most known for his arrangements for the Bee Gees)
arrangiatore:
Bill Shepherd (British orchestra leader, arranger and music director, most known for his arrangements for the Bee Gees)
diritti fonografici (℗) detenuti da:
Barry Gibb (nel 1967), Maurice Gibb (nel 1967) e Robin Gibb (nel 1967)
diritti fonografici (℗) detenuti da:
PolyGram International Ltd. (nel 1967), PolyGram International Music B.V. (not for release label use!) (nel 1967), RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (nel 1967) e RSO Records, Ltd. (nel 1969)
registrata presso:
IBC Studios in London (Greater London), England, Regno Unito (nel 1967-04)
registrazione di:
To Love Somebody (nel 1967-04)
scritta a:
New York, New York, Stati Uniti (nel 1967)
autore:
Barry Gibb (nel 1967) e Robin Gibb (nel 1967)
editore:
Abigail Music, BMG Music, BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Nemperor, Songs of Universal, Inc. (BMI) e Universal Music Careers
parte di:
50/50
Bee Gees4.252:59
20I Feel Good (I Got You)
registrata a:
Miami, Florida, Stati Uniti (il 1965-05-06)
produttore:
James Brown (The Godfather of Soul)
basso :
Bernard Odum (il 1965-05-06)
batteria :
Melvin Parker (il 1965-05-06)
chitarra :
Alphonso "Country" Kellum (il 1965-05-06) e Jimmy Nolen (il 1965-05-06)
organo :
Nat Jones (Saxophonist and organist, worked with James Brown) (il 1965-05-06)
sassofono contralto :
Nat Jones (Saxophonist and organist, worked with James Brown) (il 1965-05-06) e Maceo Parker (US funk/jazz saxophonist) (il 1965-05-06)
sassofono tenore :
Al "Brisco" Clark (il 1965-05-06), St. Clair Pinckney (il 1965-05-06) e Eldee Williams (il 1965-05-06)
tromba :
Joe Dupars (il 1965-05-06), Mike Ridley (il 1965-05-06) e Ron Tooley (American trumpeter) (il 1965-05-06)
trombone :
Levi Rasbury (il 1965-05-06)
voce principale:
James Brown (The Godfather of Soul) (il 1965-05-06)
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1965), Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (nel 1965) e PolyGram Inc. (1978–1990) (nel 1988)
registrata presso:
Criteria Studios in Miami, Florida, Stati Uniti (il 1965-05-06)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 78) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 359)
registrazione cover di:
I Found You (a.k.a. I Got You (I Feel Good)) (il 1965-05-06)
paroliere e compositore:
James Brown (The Godfather of Soul)
editore:
Fort Knox Music Co, Hudson Bay Music Inc., J. Albert & Son Pty. Ltd., Peter Maurice Music Co. Ltd., Trio Music Co., Inc. e Try Me Inc.
James Brown4.72:47
21Free Ride
produttore:
Rick Derringer
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1972) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1972)
registrazione di:
Free Ride
paroliere e compositore:
Dan Hartman
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc. e Silver Steed Music
Edgar Winter Group3:03
22(Sittin’ on) The Dock of the Bay
produttore:
Jerry Bruckheimer, Steve Cropper e Don Simpson (American film producer, screenwriter, and actor)
batteria :
Al Jackson, Jr. (Booker T & The MGs drummer) (dal 1967-11-22 al 1967-12-07)
chitarra :
Steve Cropper (dal 1967-11-22 al 1967-12-07)
chitarra basso :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (dal 1967-11-22 al 1967-12-07)
tastiera :
Isaac Hayes (dal 1967-11-22 al 1967-12-07) e Booker T. Jones (dal 1967-11-22 al 1967-12-07)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (dal 1967-11-22 al 1967-12-07)
fischio:
Otis Redding (dal 1967-11-22 al 1967-12-07)
voce:
Otis Redding (dal 1967-11-22 al 1967-12-07)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1968)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 44) e Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 45)
registrazione di:
(Sittin’ on) the Dock of the Bay (dal 1967-11-22 al 1967-12-07)
autore:
Steve Cropper e Otis Redding
editore:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. (holding: file NO releases), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music EH(CM) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Otis Redding4.452:41

Accreditamenti

Pubblicazione

tecnico di mastering:Gert van Hoeyen
compilatore:J. Groenewoud
design:MaCo/KKP (design studio)
società di diritti:BIEM (international rights organization representing member societies from 58 countries)
STEMRA (Netherlands rights society for composers and music publishers)
distribuito da:Phonogram B.V.
copyright (©) detenuto da:Magnum (Dutch joint venture from 1990–1997) (nel 1991)
diritti fonografici (℗) detenuti da:PolyGram Nederland B.V. (nel 1991)
commercializzata da:Magnum (Dutch joint venture from 1990–1997)
master in vetro creato da:CDT Berlin
mastering effettuato presso:T‐Centre (mastering studio) in Baarn, Utrecht, Paesi Bassi, Kingdom of the Netherlands
pressata presso:Europe Optical Disc in Tilburg, Noord-Brabant (North Brabant), Paesi Bassi, Kingdom of the Netherlands
Discogs:https://www.discogs.com/release/719308 [info]
ASIN:DE: B007CJXE5U [info]

Gruppo di pubblicazioni

parte di:Tour of Duty (numero: 2) (ordine: 3)
Discogs:https://www.discogs.com/master/60997 [info]