The No.1 DJ Collection: 90s (Digital Collection)

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1Digital Media: 90s Volume 1: Number Ones 639 > 655
#TitleArtistRatingLength
1Hangin’ Tough
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1988)
recording of:
Hangin’ Tough
lyricist and composer:
Maurice Starr
New Kids on the Block4:18
2Tears on My Pillow
additional engineer:
Peter Day
engineer:
Karen Hewitt and Yoyo (UK producer/engineer/mixer Yoyo Olugbo)
mixer:
Pete Hammond (UK producer aka “Mixmaster”)
phonographic copyright (℗) by:
Mushroom Records (from 1989 to present)
cover recording of:
Tears on My Pillow
lyricist:
Al Lewis (Tin Pan Alley era lyricist)
composer:
Sylvester Bradford
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (from 1989 to present)
Kylie Minogue32:29
3Nothing Compares 2 U
engineer:
Chris Birkett
producer:
Nellee Hooper and Sinéad O’Connor (Irish singer‐songwriter)
mixer:
Chris Birkett, Fachtna Ó Ceallaigh and Sinéad O’Connor (Irish singer‐songwriter)
vocals:
Sinéad O’Connor (Irish singer‐songwriter)
phonographic copyright (℗) by:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1990) and Ensign Records Ltd. (company; do NOT use as release label) (in 1990)
music videos:
Nothing Compares 2 U (music video) by Sinéad O’Connor (Irish singer‐songwriter)
part of:
New York Post: 100 Greatest Covers (2007) (number: 4), AUX: 10 Cover Songs Better Than The Orignials, Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 87), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 162), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 184) and Indie 88: Top 500 Indie Rock Songs (number: 413)
cover recording of:
Nothing Compares 2 U
lyricist and composer:
Prince (“The Artist Formerly Known as…”)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), NPG Publishing and Warner Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Sinéad O’Connor4.35:09
4Dub Be Good to Me
producer:
Norman Cook
vocals:
Lindy Layton
recording of:
Dub Be Good to Me
composer:
Norman Cook, James Harris III (James Harris of Jam & Lewis) and Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
version of:
Just Be Good to Me
Beats International2.753:59
5The Power
producer:
Snap! (dance group; tracks: “The Power” & “Rhythm Is a Dancer”)
phonographic copyright (℗) by:
Anzilotti & Münzing (in 1990) and BMG Ariola München GmbH (in 1990)
recording of:
The Power
writer:
Benito Benites, Antoinette Colandero and John Garrett III
publisher:
Hanseatic Musikverlag GmbH (1964–2001), House of Fun Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Snap!43:46
6Vogue
miscellaneous support:
Junior Vasquez (US house DJ, producer & remixer) (task: special thanks)
programming:
Alan Friedman
assistant engineer:
Curt Frasca
engineer:
Goh Hotoda (task: mix engineer)
executive producer:
Craig Kostich
producer:
Madonna (“Queen of Pop”) and Shep Pettibone
mixer:
Shep Pettibone
editor:
Tony Shimkin
background vocals:
Donna DeLory, Niki Haris (US singer and dancer) and Ndea Davenport
phonographic copyright (℗) by:
Sire Records Company (not for release label use!) (in 1990) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1990)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 139) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 186)
recording of:
Vogue
writer:
Madonna (“Queen of Pop”) and Shep Pettibone
publisher:
Bleu Disque Music Co., Inc. (publisher), Lexor Music, Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) and Webo Girl Publishing, Inc.
Madonna4.54:49
7Killer
assistant producer:
Mark Tinley
producer:
Adamski
lead vocals:
Seal (English‐born singer and songwriter) (in 1990)
music videos:
Killer (music video) by Seal (English‐born singer and songwriter)
part of:
The Downloader’s Music Source Book (number: 198)
recording of:
Killer (in 1990)
lyricist:
Seal (English‐born singer and songwriter)
writer:
Seal (English‐born singer and songwriter) and Adam Paul Tinley
publisher:
EMI Virgin Music Publishing Germany GmbH & Co. KG (ended), Virgin Music (Publishers) Ltd. (ended), Beethoven Street Music Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), MCA Music, Universal/MCA Music Ltd. (not for release label use!) and Universal/MCA Music Publishing GmbH
Adamski3.44:12
8World in Motion
engineer:
Mike “Spike” Drake
producer:
Stephen Hague and New Order (UK synth pop band)
background vocals:
Keith Allen (Welsh actor), Peter Beardsley, England National Football Team, Paul Gascoigne, Steve McMahon, Chris Waddle and Des Walker
spoken vocals:
Nigel Patrick (actor) and Kenneth Wolstenholme (football commentator) (in 1990)
spoken vocals [rap]:
John Barnes (English footballer, vocals on “World in Motion”)
vocals:
Keith Allen (Welsh actor)
phonographic copyright (℗) by:
Factory Communications Ltd. (holding company – file no releases here!) (in 1990)
part of:
TV Cream: Real 100 Best Singles Ever (number: 69)
recording of:
World in Motion
writer:
Keith Allen (Welsh actor), Gillian Gilbert, Peter Hook, Stephen Morris (New Order) and Bernard Sumner
is based on:
The B-Side
EnglandNewOrder34:28
9Sacrifice
assistant recording engineer:
Karl Lever
recording engineer and engineer:
David Nicholas (Australian recording engineer and producer)
producer:
Chris Thomas (UK record producer / remixer)
bass guitar:
Romeo Williams
drums (drum set):
Jonathan Moffett
keyboard:
Guy Babylon, Elton John (English singer, songwriter, pianist, and composer) and Fred Mandel
background vocals:
Davey Johnstone
lead vocals:
Elton John (English singer, songwriter, pianist, and composer)
phonographic copyright (℗) by:
Happenstance Ltd. (record and publishing company) (in 1989)
recorded at:
Puk Recording Studios in Gjerlev, Central Denmark Region, Denmark
recording of:
Sacrifice
lyricist:
Bernie Taupin
composer:
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Big Pig Music Ltd. (publisher), Rocket Music Ltd. and Universal–Songs of PolyGram International, Inc.
Elton John2.95:07
10Turtle PowerPartners in Kryme4:21
11Itsy Bits V Teeny Weeny Yellow Polka Dot Bikini
engineer:
Robin Sellers
executive producer:
Les McCutcheon and Andrew Lloyd Webber (English composer and impresario of musical theatre)
producer:
Nigel Wright (British producer, orchestrator and songwriter)
recorded at:
Skratch Studios in Surrey, England, United Kingdom
samples:
Bongo Rock '73 by Incredible Bongo Band, Here We Go (live at the Funhouse) by Run‐D.M.C., The Bottle (12" version) by Gil Scott‐Heron & Brian Jackson (American keyboardist, flautist, singer, composer & producer) and Think (About It) by Lyn Collins
cover recording of:
Itsy Bitsy Teenie Weenie Yellow Polka Dot Bikini
writer:
Lee Pockriss and Paul Vance (US songwriter and producer)
publisher:
Campbell Connelly & Co. Ltd., Emily Music Corp. (publisher) and Music Sales Corporation (American copyright holder in both popular and classical music)
Bombalurina1.53:39
12The Joker
assistant engineer and assistant mixer:
Gene Hicks
engineer and mixer:
Jay Ranellucci
producer:
Steve Miller (leader of Steve Miller Band)
phonographic copyright (℗) by:
Sailor Music (in 1973)
recording of:
The Joker
writer:
Eddie Curtis (songwriter), Ahmet Ertegun (US American Songwriter, producer) and Steve Miller (leader of Steve Miller Band)
publisher:
Cotillion Music Inc. (BMI), Jim Rooster Music, Sailor Music, Unichappell Music, Inc., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) and Warner Chappell Music, Inc. (Warner/Chappell Music, Inc.)
Steve Miller Band4.153:35
13Show Me Heaven
recording of:
Show Me Heaven
writer:
Eric Rackin (Production music composer), Maria McKee and Jay Rifkin
publisher:
BMG Music Publishing (Malaysia) Sdn. Bhd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) and Famous Music Publishing Limited
Maria McKee33:49
14A Little Time
engineer:
Rupert Coulson (sound engineer), Ben Kape and Lance Phillips
producer:
Mike Hedges (UK producer/recording engineer)
phonographic copyright (℗) by:
Go! Discs Ltd. (company credits only; do NOT use as release label) (in 1990)
music videos:
A Little Time by The Beautiful South
recording of:
A Little Time
lyricist:
Paul Heaton
composer:
Paul Heaton and Dave Rotheray
publisher:
Island Music Ltd. and Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
The Beautiful South32:58
15Unchained Melody
engineer:
Larry Levine
producer:
Phil Spector
solo lead vocals:
Bobby Hatfield (in 1965-03)
arranger:
Jack Nitzsche (American musician and score composer)
phonographic copyright (℗) by:
Spectrum Music (Universal Music Group budget label), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965, in 1968) and Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1966)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (in 1965-03)
part of:
The Co-Op: Top 10 British Funeral Songs (number: 8), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 269) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 366)
cover recording of:
Unchained Melody (in 1965-03)
publisher:
Hy Zaret
lyricist:
Hy Zaret
composer:
Alex North (US composer)
publisher:
Frank Music Corp. (ended), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Communications Australia, MPL Musik Verlags GmbH, North Melody Publishing and Unchained Melody Publishing, LLC
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
part of:
The 28th Academy Award for Best Original Song (number: 2)
The Righteous Brothers33:34
16Ice Ice Baby
producer:
Vanilla Ice
vocals:
Vanilla Ice
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1990) and SBK Records (in 1990)
samples:
Under Pressure by Queen (UK rock group) & David Bowie (English singer‐songwriter)
music videos:
Ice Ice Baby by Vanilla Ice
part of:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 49)
recording of:
Ice Ice Baby
lyricist:
Floyd Brown (Floyd Brown), Mario Lavell Johnson (90s US rapper) and Vanilla Ice
composer:
David Bowie (English singer‐songwriter), Floyd Brown (Floyd Brown), John R. Deacon, Mario Lavell Johnson (90s US rapper), Brian May (Queen guitarist), Freddie Mercury, Roger Taylor (Queen drummer) and Vanilla Ice
publisher:
Aftershock Music, EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), Fernhill Publishing, Ice Baby Music, Knightlife Productions, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), QPM Music Inc., Queen Music Ltd., Sony/ATV Music Publishing Ltd. and Sony/ATV Songs LLC
is based on:
Under Pressure
Vanilla Ice4.254:30
17Saviour’s Day
recording of:
Saviour’s Day
lyricist and composer:
Chris Eaton (British pop/soul/CCM singer/songwriter)
publisher:
SGO Music Publishing Ltd.
Cliff Richard4:52
2Digital Media: 90s Volume 2: Number Ones 656 > 671
#TitleArtistRatingLength
1Bring Your Daughter to the Slaughter
assistant engineer:
Les Kingham (Engineer), Chris Marshall (UK producer, arranger, musician) and Mick McKenna
engineer and producer:
Martin Birch
mixer:
Martin Birch and Chris Marshall (UK producer, arranger, musician)
drums (drum set):
Nicko McBrain (drummer) (from 1990-06 until 1990-09)
electric bass guitar:
Steve Harris (Iron Maiden bassist) (from 1990-06 until 1990-09)
electric guitar:
Janick Gers (from 1990-06 until 1990-09) and Dave Murray (Iron Maiden guitarist) (from 1990-06 until 1990-09)
guest keyboard:
Michael Kenney (from 1990-06 until 1990-09)
lead vocals:
Bruce Dickinson (Iron Maiden vocalist) (from 1990-06 until 1990-09)
recorded at:
Barnyard Studios in Essex, England, United Kingdom (from 1990-06 until 1990-09)
recording of:
Bring Your Daughter… to the Slaughter (from 1990-06 until 1990-09)
lyricist and composer:
Bruce Dickinson (Iron Maiden vocalist)
publisher:
Iron Maiden LLP (copyrights holder), Iron Maiden Publishing Overseas Ltd., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
Golden Raspberry Award for Worst Original Song (number: 1989)
Iron Maiden44:43
2Sadeness, Part 1
phonographic copyright (℗) by:
Virgin (worldwide imprint of Virgin Records Ltd. and all its subsidiaries) (in 1990)
recording of:
Sadeness, Part 1
lyricist:
Michael Cretu (Romanian-born German musician, composer and record producer), Curly M.C., David Fairstein, F. Gregorian and Frank Peterson
composer:
Michael Cretu (Romanian-born German musician, composer and record producer), Curly M.C., David Fairstein and Frank Peterson
publisher:
Manuskript (not for release label use! this is only for copyrights and publishing relationships)
part of:
Principles of Lust
part of:
Principles of Lust
Enigma4.84:15
3Innuendo
keyboard programming:
David Richards (Swiss-based producer and engineer)
assistant engineer:
Noel Harris and Justin Shirley‐Smith
engineer:
David Richards (Swiss-based producer and engineer)
producer:
Queen (UK rock group) and David Richards (Swiss-based producer and engineer)
acoustic guitar and electric guitar:
Brian May (Queen guitarist)
bass guitar:
John Deacon
drums (drum set) and percussion:
Roger Taylor (Queen drummer)
guest classical guitar [wandering minstrel spanish]:
Steve Howe
keyboard, background vocals and lead vocals:
Freddie Mercury
phonographic copyright (℗) by:
Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (in 1991)
recorded at:
Mountain Studios (original Montreux location, 1975–2002) in Montreux, Vaud (Canton of Vaud), Switzerland (from 1989-02 until 1990-11) and Metropolis (London) in London (Greater London), England, United Kingdom (from 1989-03 until 1990-11)
recording of:
Innuendo
writer:
John Deacon, Brian May (Queen guitarist), Freddie Mercury and Roger Taylor (Queen drummer)
arranger:
Peter Meechan (English composer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Queen Music Ltd., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
part of:
We Will Rock You (Queen musical)
part of:
We Will Rock You (German version of the Queen musical)
Queen3.76:33
43AM Eternal
additional recording engineer:
Julian Gordon-Hastings and Ian Richardson (Ford Timelord)
programming and producer:
The KLF (British electronic band with several aliases)
mixer:
Mark “Spike” Stent (producer, engineer) and Jeremy Wheatley (UK mix engineer, aka Jim Bob)
vocals:
P.P. Arnold
guest performer:
Children of the Revolution (Backing artists for The KLF)
performer:
The KLF (British electronic band with several aliases)
recording of:
3 A.M. Eternal (Original Edit)
composer:
Jimmy Cauty and Bill Drummond
recording of:
3 A.M. Eternal (live at the S.S.L.)
lyricist and composer:
Jimmy Cauty, Bill Drummond and Ricardo Lyte
version of:
3 A.M. Eternal (Original Edit)
The KLF3.853:37
5Do the Bartman
The Simpsons3:58
6Should I Stay or Should I Go
engineer:
Bob Clearmountain
producer:
Guy Stevens
mixer:
Glyn Johns
bass guitar:
Paul Simonon
drums (drum set):
Topper Headon
guitar:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
guest vocals:
Joe Ely
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
remixer:
Mick Jones (The Clash/Big Audio Dynamite)
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1982)
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 42), Indie 88: Top 500 Indie Rock Songs (number: 183) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 228)
recording of:
Should I Stay or Should I Go
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
publisher:
Nineden Ltd. and Universal Music Publishing GmbH (Universal Music Publishing Group Germany)
The Clash4.553:07
7The Stonk
producer:
Brian May (Queen guitarist)
drums (drum set):
Rowan Atkinson, Cozy Powell and Roger Taylor (Queen drummer)
electric bass guitar:
Neil Murray (British bass guitar player)
electric guitar:
David Gilmour (Pink Floyd) and Tony Iommi
electric guitar and keyboard:
Brian May (Queen guitarist)
keyboard:
Joe Griffiths and Mike Moran (keyboardist, songwriter, film and TV composer, producer)
background vocals:
Mike Moran (keyboardist, songwriter, film and TV composer, producer), Suzie O’List, Maggie Ryder, Miriam Stockley, Chris Thompson (vocalist with Manfred Mann’s Earth Band) and Judie Tzuke
lead vocals:
Gareth Hale and Norman Pace
music videos:
The Stonk (Comic Relief charity single 1991) by Hale & Pace and the Stonkers
recording of:
The Stonk (in 1991)
composer:
Joe Griffiths, Gareth Hale and Norman Pace
Hale & Pace and the Stonkers1.53:45
8The One and Only
producer:
Nik Kershaw and Alan Shacklock
vocals:
Chesney Hawkes (British pop singer, songwriter, and occasional actor)
recorded at:
Abbey Road in St John's Wood, Westminster, London (Greater London), England, United Kingdom
music videos:
The One and Only (first version, Buddy's Song) by Chesney Hawkes (British pop singer, songwriter, and occasional actor)
recording of:
The One and Only
lyricist and composer:
Nik Kershaw
Chesney Hawkes2.53:40
9The Shoop Shoop Song (It’s in His Kiss)
producer:
Peter Asher
lead vocals:
Cher
phonographic copyright (℗) by:
Geffen Records (in 1990)
music videos:
The Shoop Shoop Song (It’s in His Kiss) by Cher
cover recording of:
It’s in His Kiss (The Shoop Shoop Song)
lyricist and composer:
Rudy Clark (US songwriter)
publisher:
By the Bay Music, Pathe Publications (F.E.) Ltd., TM Music Ltd. and Trio Music Company
Cher3.22:48
10I Wanna Sex You UpColor Me Badd4.64:05
11Any Dream Will Do
engineer:
Robin Sellars (British recording engineer)
executive producer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
producer:
Nigel Wright (British producer, orchestrator and songwriter)
lead vocals:
Jason Donovan
vocals:
Jason Donovan
music videos:
Any Dream Will Do by Jason Donovan
cover recording of:
Any Dream Will Do (Joseph and the Amazing Technicolor Dreamcoat)
lyricist:
Tim Rice
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
The Really Useful Music Co. Ltd. (not for release label use!)
translated version of:
Laat je droom bestaan (Joseph and the Amazing Technicolor Dreamcoat - Dutch)
translated version of:
Wie vom Traum verführt (Joseph and the Amazing Technicolor Dreamcoat)
part of:
Finale: Any Dream Will Do (Joseph and the Amazing Technicolor Dreamcoat)
part of:
Joseph and the Amazing Technicolor Dreamcoat (Andrew Lloyd Webber musical)
Jason Donovan3:55
12(Everything I Do) I Do It for You
engineer:
Nigel Green (engineer)
producer:
Robert John “Mutt” Lange (Robert John Lange)
mixer:
Bob Clearmountain
phonographic copyright (℗) by:
A&M Records, Inc. (in 1991)
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 23)
recording of:
(Everything I Do) I Do It for You
writer:
Bryan Adams (Canadian singer/songwriter) (on 1991-04-10), Michael Kamen (American score composer) (on 1991-04-10) and Robert John “Mutt” Lange (Robert John Lange) (on 1991-04-10)
publisher:
2855 Music, MCA Music Ltd., Out-of-Pocket Productions Ltd., Rondor Music (London) Ltd., WorkSongs Ltd., Zomba Enterprises Inc., Almo Music Corp. (USA, affiliated with ASCAP) (in 1991), Miracle Creek Music, Inc. (in 1991), Zachary Creek Music Inc. (in 1991) and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) (in 1991)
part of:
The 64th Academy Award for Best Original Song (number: 2)
Bryan Adams44:07
13The Fly
additional engineer and assistant mixer:
Robbie Adams
assistant engineer:
Shannon Strong
engineer:
Flood (British producer Mark Ellis)
producer:
Daniel Lanois (Canadian record producer, guitarist, vocalist, and songwriter)
mixer:
Flood (British producer Mark Ellis), Daniel Lanois (Canadian record producer, guitarist, vocalist, and songwriter) and Steve Lillywhite
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1991)
music videos:
The Fly by U2 (Irish rock band), The Fly (performance only) by U2 (Irish rock band) and The Fly (text only) by U2 (Irish rock band)
recording of:
The Fly
lyricist:
Bono (singer of U2)
composer:
Bono (singer of U2), Adam Clayton, The Edge (U2 guitarist David Evans) and Larry Mullen, Jr.
U22.94:29
14Dizzy
producer and mixer:
Mick Glossop (producer & engineer)
cover recording of:
Dizzy
lyricist and composer:
Tommy Roe and Freddy Weller
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Vic Reeves & The Wonder Stuff3.653:19
15Black or White
producer:
Michael Jackson (“King of Pop”) and R. Kelly
guitar:
Slash (Guns N’ Roses guitarist)
lead vocals:
Michael Jackson (“King of Pop”)
phonographic copyright (℗) by:
MJJ Productions Inc. (rights holder, not an imprint) (in 1991)
recording of:
Black or White (in 1991)
additional lyricist:
Bill Bottrell
lyricist and composer:
Michael Jackson (“King of Pop”)
part of:
MJ: The Musical
Michael Jackson43:19
16Don’t Let the Sun Go Down on Me
engineer:
Chris Porter (engineer and producer)
producer:
George Michael
arranger:
George Michael
phonographic copyright (℗) by:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1991) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1991)
recorded at:
OVO Arena Wembley in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (on 1991-03-23)
live recording of:
Don’t Let the Sun Go Down on Me (on 1991-03-23)
lyricist:
Bernie Taupin
composer:
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Big Pig Music Ltd. (publisher) (in 1991)
George Michael & Elton John5:47
3Digital Media: 90s Volume 3: Number Ones 672 > 688
#TitleArtistRatingLength
1Bohemian Rhapsody
additional sound engineer:
Gary Lyons (UK engineer & producer)
additional engineer:
Kris Fredriksson
executive engineer:
Mike Stone (producer and engineer, 1960s–80s)
executive producer:
Brian May (Queen guitarist) and Roger Taylor (Queen drummer)
producer:
Roy Thomas Baker (producer) and Queen (UK rock group)
bass guitar:
John Deacon (from 1975-08-24 until 1975-09-14)
drums (drum set), gong and timpani:
Roger Taylor (Queen drummer) (from 1975-08-24 until 1975-09-14)
guitar:
Brian May (Queen guitarist) (from 1975-08-24 until 1975-09-14)
piano and lead vocals and other vocals [operatic vocals]:
Freddie Mercury (from 1975-08-24 until 1975-09-14)
other vocals [operatic vocals]:
Brian May (Queen guitarist) (from 1975-08-24 until 1975-09-14) and Roger Taylor (Queen drummer) (from 1975-08-24 until 1975-09-14)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975) and Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (in 1975, in 2011)
recorded at:
Rockfield Studios in Monmouth, Monmouthshire, Wales, United Kingdom (from 1975-08-24 until 1975-09-14)
mixed at:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom
music videos:
Bohemian Rhapsody by Queen (UK rock group)
part of:
SWR1 Hitparade 2006 (Baden-Württemberg) (number: 1), SWR1 Hitparade 2013 (Baden-Württemberg) (number: 1), SWR1 Hitparade 2018 (Baden-Württemberg) (number: 1), SWR1 Hitparade 2019 (Baden-Württemberg) (number: 1), SWR1 Hitparade 2020 (Baden-Württemberg) (number: 1), SWR1 Hitparade 2021 (Baden-Württemberg) (number: 1), SWR1 Hitparade 2022 (Baden-Württemberg) (number: 1), SWR1 Hitparade 2023 (Baden-Württemberg) (number: 1), SWR1 Hitparade 2004 der Männer (Baden-Württemberg) (number: 2), SWR1 Hitparade 2005 der Badener (Baden-Württemberg) (number: 2), SWR1 Hitparade 2005 der Württemberger (Baden-Württemberg) (number: 2), SWR1 Hitparade 2007 (Baden-Württemberg) (number: 2), SWR1 Hitparade 2008 (Baden-Württemberg) (number: 2), SWR1 Hitparade 2009 (Baden-Württemberg) (number: 2), SWR1 Hitparade 2010 (Baden-Württemberg) (number: 2), SWR1 Hitparade 2011 (Baden-Württemberg) (number: 2), SWR1 Hitparade 2012 (Baden-Württemberg) (number: 2), SWR1 Hitparade 2014 (Baden-Württemberg) (number: 2), SWR1 Hitparade 2015 (Baden-Württemberg) (number: 2), SWR1 Hitparade 2016 (Baden-Württemberg) (number: 2), SWR1 Hitparade 2017 (Baden-Württemberg) (number: 2), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 3), SWR1 Hitparade 2003 (Baden-Württemberg) (number: 3), SWR1 Hitparade 2004 der Frauen (Baden-Württemberg) (number: 3), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 17), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Spotify: Top Hits of 2019 (number: 65) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 163)
recording of:
Bohemian Rhapsody (from 1975-08-24 until 1975-09-14)
lyricist and composer:
Freddie Mercury
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Queen Music Ltd., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
part of:
We Will Rock You (Queen musical)
part of:
We Will Rock You (German version of the Queen musical)
Queen4.455:57
2Goodnight Girl
phonographic copyright (℗) by:
PolyGram and Mercury Records Ltd. (not for release label use!) (in 1992)
recording of:
Goodnight Girl
writer:
Graeme Clark (founder member of Wet Wet Wet), Tom Cunningham (Scottish musician, drummer for Wet Wet Wet), Neil Mitchell and Marti Pellow
publisher:
Chrysalis and Chrysalis Music Ltd. (music publisher, affiliated with PRS)
Wet Wet Wet3:40
3Stay
programming:
Marcella Detroit
additional engineer:
Lee Manning (US engineer)
assistant engineer:
Nick Addison
engineer:
Alan Moulder (producer and engineer)
producer:
Alan Moulder (producer and engineer), Shakespears Sister and Chris Thomas (UK record producer / remixer)
additional keyboard [keyboards]:
Steve Ferrera (UK drummer), Ian Maidman and Jonathan Perkins (aka Wild Mondo)
drums (drum set):
Steve Ferrera (UK drummer)
electric bass guitar [bass]:
Ian Maidman
electric guitar [guitar] and harmonica:
Marcella Detroit
keyboard [keyboards]:
Ed Shearmur (English score composer)
lead vocals [vocals]:
Marcella Detroit and Siobhan Fahey
phonographic copyright (℗) by:
London Records 90 Ltd. (renamed as Warner Records 90 Ltd. on 2011-08-26) (in 1991) and London (UK, 1947–1999, re-launched 2011–present) (in 1992)
recorded at:
Friar Park (Friar Park Studio) in Henley-on-Thames, Oxfordshire, England, United Kingdom
mixed at:
Chapel Studios (Encino, Los Angeles) in Encino, California, United States
music videos:
Stay by Shakespear's Sister
recording of:
Stay
writer:
Marcella Detroit, Siobhan Fahey and Jean Guiot (composer credits pseudonym of Dave Stewart)
publisher:
BMG Music Publishing Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) and Island Music Ltd.
Shakespears Sister3.253:51
4Deeply Dippy
phonographic copyright (℗) by:
TUG Records (in 1992)
recording of:
Deeply Dippy
writer:
Fred Fairbrass, Richard Fairbrass and Robert Manzoli
Right Said Fred2.53:14
5Please Don’t Go
cover recording of:
Please Don’t Go
writer:
Harry Wayne Casey and Richard Finch
publisher:
EMI Music Publishing (do not use as a release label!), EMI Songs and EMI Songs Ltd.
KWS3:35
6Take a Chance on Me
assistant recording engineer:
Dave Eringa
engineer and producer:
David Bascombe
assistant mixer:
Ben Darlow
additional other vocals [rap]:
MC Kinky
cover recording of:
Take a Chance on Me
writer:
Benny Andersson (ABBA) and Björn Ulvaeus
publisher:
Bocu Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Union Songs Music, Universal Music Publishing Group and Universal/Union Songs Musikförlag AB
part of:
Mamma Mia! (1999 musical)
Erasure2.853:45
7Ain’t No DoubtJimmy Nail3:57
8Rhythm Is a Dancer
producer:
Benito Benites, John “Virgo” Garrett III and Snap! (dance group; tracks: “The Power” & “Rhythm Is a Dancer”)
phonographic copyright (℗) by:
Ariola (German label, used worldwide in the past) (in 1992) and Logic Records (Germany) (in 1992)
recording of:
Rhythm Is a Dancer
writer:
Thea Austin, Benito Benites, Butler and John “Virgo” Garrett III
is based on:
Automan
Snap!3.853:41
9Ebeneezer Goode
recording of:
Ebeneezer Goode
writer:
Colin Angus and Richard West (UK techno producer aka Mr. C)
publisher:
Warner Chappell Publishing Ltd. and Warner/Chappell Music Ltd. (1996–2019)
The Shamen3:39
10Sleeping Satellite
engineer:
Steve Fitzmaurice (Irish mixer, songwriter and producer)
producer:
Julian Mendelsohn (Australian record producer and engineer) and Paul Wickens
mixer:
Julian Mendelsohn (Australian record producer and engineer)
music videos:
Sleeping Satellite by Tasmin Archer
recording of:
Sleeping Satellite
writer:
Tasmin Archer, John Beck (Writer, producer & musician) and John Hughes (Writer, Producer, Musician)
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!)
Tasmin Archer4.254:42
11End of the Road
recording of:
End of the Road
writer:
Babyface (R&B musician Kenny Edmonds), L.A. Reid and Daryl Simmons
publisher:
Ensign Music Corporation, Green Skirt Music (publisher) and Kear Music (publisher)
Boyz II Men53:35
12Would I Lie to You
producer:
Josh Deutsch
edit of:
Would I Lie to You? by Charles & Eddie
recording of:
Would I Lie to You?
writer:
Michael Leeson and Peter Vale (writer/arranger)
publisher:
EMI Virgin Music Publishing Australia P/L and BMG VM Music Ltd. (from 2013-05-16 to present)
Charles & Eddie3.353:40
13I Will Always Love You
engineer:
David Reitzas, Bill Schnee and Peter Yianilos
executive producer:
Clive Davis (record producer, A&R executive and music industry chief executive) and Whitney Houston
producer:
David Foster (Canadian music producer, arranger and composer)
mixer:
David Reitzas
creative direction:
Rickey Minor (bass player, music director, composer, music producer)
solo saxophone:
Kirk Whalum
arranger:
David Foster (Canadian music producer, arranger and composer)
vocals arranger:
Whitney Houston
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) and Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1992)
mixed at:
Ocean Way Recording in Hollywood, Los Angeles, California, United States
part of:
The Co-Op: Top 10 British Funeral Songs (number: 3), New York Post: 100 Greatest Covers (2007) (number: 59), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 60), Billboard: Greatest of All Time Hot 100 Songs (number: 60) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 94)
cover recording of:
I Will Always Love You
lyricist and composer:
Dolly Parton
publisher:
Carlin Music Corporation, EMI Music Publishing Australia Pty Ltd (not for release label use!), Owepar Publishing Inc. and Velvet Apple Music
Whitney Houston4.54:32
14No Limit
producer:
Jean-Paul de Coster and Phil Wilde (Belgian producer Filip De Wilde)
mixer:
Phil Wilde (Belgian producer Filip De Wilde)
arranger:
Peter Bauwens
recording of:
No Limit
lyricist and composer:
Anita Dels, Jean-Paul de Coster, Ray Slijngaard and Phil Wilde (Belgian producer Filip De Wilde)
publisher:
Any Kind of Music, Inc, Decos Publishing, EMI (EMI Records, or EMI Music only if there is no other imprint), MCA Music Ltd., MSM Songs Musikverlag GmbH and Toco Australia
2 Unlimited43:17
15Oh Carolina
cover recording of:
Oh Carolina
lyricist and composer:
John Folkes
Shaggy2.153:11
16Young at Heart
producer:
Bob Andrews (keyboardist and producer) and Colin Fairley
cover recording of:
Young at Heart (Bananarama song)
writer:
Sara Dallin, Siobhan Fahey, Robert Hodgens and Keren Woodward
The Bluebells2.53:24
17Somebody to Love
recording of:
Somebody to Love (Queen song)
lyricist, writer and composer:
Freddie Mercury
publisher:
Beechwood Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated) and Queen Music Ltd.
part of:
We Will Rock You (Queen musical)
part of:
We Will Rock You (German version of the Queen musical)
Queen & George Michael25:16
4Digital Media: 90s Volume 4: Number Ones 689 > 705
#TitleArtistRatingLength
1All That She Wants
engineer:
Denniz PoP
producer:
Jonas Berggren, Ulf Ekberg and Denniz PoP
additional vocals:
Jonas Berggren and Ulf Ekberg
vocals:
Jonas Berggren, Malin Berggren and Ulf Ekberg
phonographic copyright (℗) by:
Playground Music Sweden (in 1992), Mega Records (Danish euro house) (in 1993) and Metronome Musik GmbH (marketing & distribution dept. spun off from Metronome Records GmbH — do not use as a release label) (in 1993)
recorded at:
SweMix Studio in Stockholm, Stockholms län (Stockholm county), Sweden
part of:
The Downloader’s Music Source Book (number: 122)
recording of:
All That She Wants
lyricist and composer:
J. Berggren and Ulf "Buddha" Ekberg
publisher:
Megasong Publishing A/S, PolyGram Songs and Warner Music (global imprint of Warner Music Group, ‘W’ logo either with “Warner Music” or no text)
Ace of Base3.853:31
2(I Can’t Help) Falling in Love With YouUB403.253:21
3Dreams
producer:
Richie Fermie
mixer:
John Brough
guitar:
Paul Noble (member of "Warm Jets")
phonographic copyright (℗) by:
Go Beat Ltd. (in 1993) and Go! Discs Ltd. (company credits only; do NOT use as release label) (in 1993)
recording of:
Dreams (in 1993)
writer:
Tim Laws and Louise Gabrielle Bobb (British singer-songwriter)
publisher:
Imagem London Ltd., Perfect Songs Ltd. (UK publisher, affiliated with PRS) and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Gabrielle2.653:40
4Pray
engineer:
Pete Craigie
additional producer:
Mark Beswick (task: vocal)
producer:
Paul Jervier, Steve Jervier and Jonathan Wales
lead vocals:
Gary Barlow
vocals:
Howard Donald, Jason Orange, Mark Owen (singer–songwriter) and Robbie Williams
phonographic copyright (℗) by:
BMG Records (UK) Limited (1987–1996) (in 1993)
recording of:
Pray
lyricist and composer:
Gary Barlow
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!) and EMI-Music Publ. (do not use as a release label!)
Take That1.53:42
5Living on My Own
recording engineer:
Colin Peter, Serge Ramaekers (Belgian producer) and Carl Ward
producer:
Mack (German rock producer/engineer Reinhold Mack), Colin Peter, Serge Ramaekers (Belgian producer) and Carl Ward
remixer:
Colin Peter, Serge Ramaekers (Belgian producer) and Carl Ward
phonographic copyright (℗) by:
Mighty Tape Ltd. (in 2000)
recording of:
Living on My Own
lyricist, writer and composer:
Freddie Mercury
publisher:
Beechwood Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated) and Queen Music Ltd.
Freddie Mercury3.83:37
6Mr. Vain
engineer:
Torsten Fenslau (German dance producer) and Peter Zweier
producer:
Torsten Fenslau (German dance producer)
performer:
Tania Evans
phonographic copyright (℗) by:
Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1993)
edit of:
Mr. Vain (Vain mix) by Culture Beat (German Euro‐dance duo)
recording of:
Mr. Vain
lyricist:
Nosie Katzmann and Jay Supreme
writer:
J. Supreme, S. Levis and N. Katzmann
composer:
Nosie Katzmann, Stephan Zick and Jay Supreme
publisher:
Control (German electronic), Edition "Get Into Magic", Warner Chappell and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Culture Beat4.154:17
7Boom! Shake the Room
producer:
Mr. Lee (US hip-hop/pop producer Leroy Williams)
background vocals:
Tyrone Smith (NYC‐based jazz saxophonist and recording technician)
arranger:
Mr. Lee (US hip-hop/pop producer Leroy Williams)
samples:
Funky Worm by Ohio Players, Movin’ (single edit) by Brass Construction and The Jones (12″ Sugery mix) by The Temptations (Motown soul vocal group)
recording of:
Boom! Shake the Room
writer:
Lee Haggard, Keith Mayberry, Will Smith (US actor aka The Fresh Prince) and Wayne Williams (DJ, producer, promoter and record label executive from Chicago.)
DJ Jazzy Jeff & the Fresh Prince3.253:46
8Relight My Fire
engineer:
Dixoid
additional producer:
Mark Beswick (task: vocal)
producer:
Andrew Livingstone and Joey Negro (English DJ/producer)
bass:
John Noyce
guest vocals:
Lulu (Scottish singer and actress, best known for “To Sir With Love”)
lead vocals:
Gary Barlow
vocals:
Howard Donald, Jason Orange, Mark Owen (singer–songwriter) and Robbie Williams
phonographic copyright (℗) by:
BMG Records (UK) Limited (1987–1996) (in 1993)
produced for:
Z Productions
cover recording of:
Relight My Fire
lyricist and composer:
Dan Hartman
publisher:
EMI Blackwood Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Take That2.54:08
9I’d Do Anything for Love (but I Won’t Do That)
producer:
Jim Steinman
recording of:
I’d Do Anything for Love (but I Won’t Do That)
lyricist and composer:
Jim Steinman
publisher:
Carlin Music Corporation and Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) (in 1993)
Meat Loaf35:23
10Mr Blobby
music videos:
Mr Blobby by Mr Blobby
recording of:
Mr Blobby
writer:
David Rogers (Production music composer) and Paul Shaw (Production music and soundtrack composer)
Mr Blobby3:35
11Babe
recording of:
Babe (Take That song)
lyricist and composer:
Gary Barlow
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!)
Take That4:54
12Twist & Shout
performer:
Jack Radics and The Taxi Gang
cover recording of:
Twist and Shout
writer:
Bert Russell (in 1961-02) and Phil Medley (in 1961-02)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Progressive Music Publishing Company Inc., Progressive Music, Inc (publisher), Rightsong Music Inc., Robert Mellin Ltd., Robert Mellin Music Publishing Corp., Robert Mellin, Inc., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing (UK) Ltd., Unichappell Music, Inc. and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Chaka Demus & Pliers1.653:58
13Things Can Only Get Better
producer:
D:Ream (Northern Irish pop rock & dance group) and Tom Frederikse
remix of:
Things Can Only Get Better by D:Ream (Northern Irish pop rock & dance group)
edit of:
Things Can Only Get Better (7" D:REAM Mix) by D:Ream (Northern Irish pop rock & dance group)
recording of:
Things Can Only Get Better
writer:
Peter Cunnah and Jamie Petrie
D:Ream3.53:58
14Without You
programming:
Walter Afanasieff, Gary Cirimelli and Ren Klyce
additional engineer:
Manny LaCarrubba
engineer:
Jim Caruana, Dana Jon Chappelle and Kent Matcke
producer:
Walter Afanasieff and Mariah Carey
mixer:
Mick Guzauski
acoustic guitar, bass synthesizer, keyboard and synthesizer:
Walter Afanasieff
background vocals:
Mariah Carey, Melonie Daniels, Kelly Price and Shanrae Price
arranger:
Walter Afanasieff and Mariah Carey
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1993)
recorded at:
Right Track Recording in Manhattan, New York, New York, United States and The Plant Studios (1981–2008) in Sausalito, California, United States
mixed at:
Sony Music Studios (NYC, closed 2007) in Hell's Kitchen, New York, New York, United States
cover recording of:
Without You
writer:
Tom Evans (UK guitarist for Badfinger) and W. Peter Ham
publisher:
100 % Apple Music, Apple Music, Apple Music Publishing Co., Inc., Apple Publishing Ltd. (, from 1970 to present), Essex Music, Essex Music of Australia Pty. Ltd., Imagem Music, The Estate for Peter William Ham, The Estate for Thomas Evans, Warner Bros. Music (publisher; do NOT use as release label) and WB Music Corp. (1929–2019) (until 2019-05-28)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Mariah Carey4.43:34
15Doop
producer:
Ferry & Garnefski
recording of:
Doop
writer:
Peter Garnefski and Ferry Ridderhof
publisher:
Cindisc
Doop33:30
16Everything Changes
engineer:
Alan Fisch and Pete Stewart (UK engineer)
additional producer:
Cary Baylis
producer:
Eliot Kennedy (songwriter, producer) and Mike Ward (UK saxophonist and songwriter, aka Mick Somerset)
mixer:
Eliot Kennedy (songwriter, producer)
guitar:
Cary Baylis
lead vocals:
Robbie Williams
vocals:
Gary Barlow, Howard Donald, Jason Orange and Mark Owen (singer–songwriter)
guest performer:
Take That
phonographic copyright (℗) by:
BMG Records (UK) Limited (1987–1996) (in 1993)
produced for:
Five Boys Productions
recorded at:
Blank Tape Studios in Sheffield, South Yorkshire, England, United Kingdom and Fon Studios (1991–96, 2nd location: Sheldon Row) in Sheffield, South Yorkshire, England, United Kingdom
recording of:
Everything Changes
writer:
Gary Barlow, Cary Baylis, Eliot Kennedy (songwriter, producer) and Mike Ward (UK saxophonist and songwriter, aka Mick Somerset)
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Virgin Music Ltd. (do not use this as a release label!), Sony Music Publishing (UK) Ltd. (2003–2008, 2021–present) and Sony Music Publishing Ltd.
Take That43:33
17The Most Beautiful Girl in the World
recording of:
The Most Beautiful Girl in the World
lyricist and composer:
Prince (“The Artist Formerly Known as…”)
publisher:
Controversy Music and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Prince4:38
5Digital Media: 90s Volume 5: Number Ones 706 > 722
#TitleArtistRatingLength
1The Real ThingTony Di Bart2.53:48
2Inside
recording of:
Inside
lyricist and composer:
Peter Lawlor (Scottish songwriter, producer and multi‐instrumentalist of band Stiltskin)
Stiltskin4:40
3Come on You Reds
The Manchester United 1994 Football Squad3:27
4Love Is All Around
co-producer:
Graeme Duffin
conductor:
Fiachra Trench
strings arranger:
Fiachra Trench
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1994) and Phonogram Ltd. (London) (company name, NOT a label!) (in 1994)
music videos:
Love Is All Around by Wet Wet Wet
cover recording of:
Love Is All Around
lyricist and composer:
Reg Presley
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal–Songs of PolyGram International, Inc. and Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
Wet Wet Wet3.64:03
5Saturday Night
recording engineer and mixer:
Larry Pignagnoli and Davide Riva
producer:
Larry Pignagnoli
phonographic copyright (℗) by:
A La Mode (in 1994), Energy Prod. SRL (company credits only; do NOT use as release label) (in 1994) and Labelle Music (publisher and production company) (in 1994)
recorded at and mixed at:
Labelle Studio
recording of:
Saturday Night
lyricist:
Larry Pignagnoli
composer:
Larry Pignagnoli and Davide Riva
publisher:
A La Mode, B. Mikulski Publ. and Labelle Music (publisher and production company)
Whigfield3.154:05
6Sure
additional programming:
Tim Weidner (engineer)
engineer and mixer:
Paul Wright (UK recording engineer)
producer:
Gary Barlow and Brothers in Rhythm
bass guitar, drums (drum set) and keyboard:
Steve Anderson (UK producer, in groups Scratch Acid, Brothers in Rhythm, et al)
guitar:
Greg Bone and Neil Oldfield (guitarist)
percussion:
Andy Duncan (UK drummer and producer)
additional vocals:
Tessa Niles
lead vocals:
Gary Barlow
vocals:
Howard Donald, Jason Orange, Mark Owen (singer–songwriter) and Robbie Williams
brass and strings arranger, brass arranger and strings arranger:
Richard Niles
arranger:
Gary Barlow and Brothers in Rhythm
phonographic copyright (℗) by:
BMG Records (UK) Limited (1987–1996) (from 1994 until 1995)
recorded at:
Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom
recording of:
Sure
lyricist and writer:
Gary Barlow, Mark Owen (singer–songwriter) and Robbie Williams
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!)
Take That23:40
7Baby Come Back
producer:
Stoker (production/remixing)
guest performer:
Ali Campbell (UB40’s former vocalist) and Robin Campbell
cover recording of:
Baby, Come Back
lyricist and composer:
Eddy Grant
publisher:
Kassner Music Ltd.
Pato Banton2.653:51
8Let Me Be Your Fantasy
producer:
Floyd Dyce
recording of:
Let Me Be Your Fantasy
lyricist and composer:
Floyd Dyce
publisher:
Bucks Music Group and Little Dragon Music Ltd.
Baby D3:50
9Stay Another Day
background vocals:
Tee Green
additional guest performer:
Dominic Hawken
recording of:
Stay Another Day
writer and composer:
Dominic Hawken, Rob Kean and Tony Mortimer
publisher:
Polygram Music and Porky Publishing
East 172.654:26
10Cotton Eye Joe
recording engineer and mixer:
Lee Monteverde
engineer and producer:
Pat Reiniz
banjo:
Ken Tacky
vocals:
Billy Ray (stage name of Jonas Nilsson, violinist of Swedish novelty act Rednex), Mary Joe, Bobby Sue and Ken Tacky
additional performer:
Goran Danielsson (Rednex singer Ken Tacky), Annika Ljungberg and Bosse Nilsson
phonographic copyright (℗) by:
Zomba Records (in 1994) and Zomba Records Ltd (not strictly a label - avoid adding releases here) (in 1994)
recorded at and mixed at:
Future Crew Studios, Idaho in Stockholms län (Stockholm county), Sweden
music videos:
Cotton‐Eye Joe by Rednex (Swedish Euro-House group)
part of:
A.Side: 10 Songs That Have Their Own Dance Moves (number: 7)
recording of:
Cotton-Eye Joe (Rednex version)
writer:
Jan Ericsson (Swedish producer), Örjan Öberg (Örjan “Öban” Öberg, Swedish producer) and Pat Reiniz
publisher:
Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
version of:
Cotton‐Eyed Joe (traditional song)
Rednex43:10
11Think Twice
keyboard programming:
Steve Piggott
assistant engineer:
Paul Mortimer (engineer) and Simon Pressey
engineer:
Simon Hurrell
additional producer:
Aldo Nova (Canadian rock musician)
producer:
Christopher Neil
mixer:
K.C. Cohen
bass and drums (drum set) [drums]:
Steve Piggott
guitar [guitars]:
Aldo Nova (Canadian rock musician) and Tim Renwick
solo guitar:
Aldo Nova (Canadian rock musician)
background vocals:
Jackie Rowe and Pam Sayne
phonographic copyright (℗) by:
Sony Music Entertainment (Canada) Inc. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1993)
recorded at:
Hit Factory (The Hit Factory) in Manhattan, New York, New York, United States, Larrabee Sound Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California, United States, Morin Heights in Morin‐Heights, Québec, Canada and Westside Studios in London (Greater London), England, United Kingdom
recording of:
Think Twice
writer:
Andy Hill (English producer & songwriter) and Peter Sinfield
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated), EMI Virgin Music Ltd. (do not use this as a release label!), Pillarview B.V. and Universal Music Publishers MGB Australia Pty Ltd
Céline Dion44:48
12Love Can Build a Bridge
assistant engineer:
Gareth Ashton, Kirsten Cowie, Bill Kinsley, Doug Michael and Ruadhri Coshnan
engineer:
Adrian Bushby, Steve Price (UK recording engineer/producer/orchestrator/arranger) and Frank Wolf (engineer at Skyline Recording)
producer:
Peter Asher
mixer:
Frank Wolf (engineer at Skyline Recording)
guitar:
Eric Clapton
vocals:
Cher, Neneh Cherry and Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
arranger:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
phonographic copyright (℗) by:
London Records (UK, 1947–1999, re-launched 2011–present) (in 1995)
music videos:
Love Can Build a Bridge by Cher, Neneh Cherry & Chrissie Hynde (rock singer-songwriter and founder of Pretenders) feat. Eric Clapton
cover recording of:
Love Can Build a Bridge (in 1995)
writer:
John Barlow Jarvis, Naomi Judd and Paul Overstreet (country singer and songwriter)
publisher:
Leosong (publisher) and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Cher3.254:14
13Don’t Stop (Wiggle Wiggle)
The Outhere Brothers3:06
14Back for Good
programming:
Gary Barlow and Chris Cameron (British pianist, singer-songwriter, arranger and producer)
assistant engineer:
Steve McNichol
producer:
Gary Barlow and Chris Porter (engineer and producer)
guitar:
Phil Palmer (guitarist)
lead vocals:
Gary Barlow
vocals:
Howard Donald, Jason Orange, Mark Owen (singer–songwriter) and Robbie Williams
phonographic copyright (℗) by:
BMG Records (UK) Limited (1987–1996) (in 1995) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1995)
recording of:
Back for Good
lyricist and composer:
Gary Barlow
publisher:
EMI Virgin Music Australia Pty Ltd and EMI Virgin Music Ltd. (do not use this as a release label!)
Take That34:01
15Some Might Say
recording engineer:
Owen Morris
producer:
Noel Gallagher and Owen Morris
bass guitar:
Paul McGuigan (Oasis)
drums (drum set):
Tony McCarroll
electric guitar [lead guitar] and background vocals:
Noel Gallagher
electric guitar [rhythm guitar]:
Paul Arthurs ("Bonehead", Oasis)
lead vocals:
Liam Gallagher (English musician, lead singer of Oasis)
recorded at:
Rockfield Studios in Monmouth, Monmouthshire, Wales, United Kingdom
music videos:
Some Might Say by Oasis (Noel & Liam Gallagher)
recording of:
Some Might Say
lyricist and composer:
Noel Gallagher
Oasis3.355:29
16Dreamer
recording of:
Dreamer
lyricist:
Janice Robinson (US house/RnB/pop singer/songwriter)
writer:
Ray Evans (American songwriter), Jay Livingston and Henry Mancini (US composer, conductor & arranger)
composer:
Gianni Visnadi
Livin’ Joy4.53:41
17Unchained Melody
cover recording of:
Unchained Melody
publisher:
Hy Zaret
lyricist:
Hy Zaret
composer:
Alex North (US composer)
publisher:
Frank Music Corp. (ended), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Communications Australia, MPL Musik Verlags GmbH, North Melody Publishing and Unchained Melody Publishing, LLC
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
part of:
The 28th Academy Award for Best Original Song (number: 2)
Robson & Jerome3:20
6Digital Media: 90s Volume 6: Number Ones 723 > 737
#TitleArtistRatingLength
1Boom Boom Boom
recording of:
Boom Boom Boom
writer:
Hula (US techno producer aka Hot Hands Hula) and Keith Mayberry
publisher:
BMG Ufa (not for release label use! this is a music publisher), Chicago Style Music, Deshane Publ. and Melodie der Welt (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07)
The Outhere Brothers3:21
2Never Forget
recording of:
Never Forget
lyricist and composer:
Gary Barlow
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!)
Take That15:30
3Country House
additional engineer and assistant engineer:
Julia Gardner and Tom Girling
engineer:
John Smith (UK producer/engineer)
producer:
Stephen Street (famous producer, songwriter)
music videos:
Country House by Blur (UK alternative rock band)
recording of:
Country House
lyricist:
Damon Albarn
composer:
Damon Albarn, Graham Coxon, Alex James (UK bassist for Blur/Fat Les) and Dave Rowntree
Blur3.83:56
4You Are Not Alone
recording engineer and mixer:
Bruce Swedien
producer:
Michael Jackson (“King of Pop”) and R. Kelly
editor:
R. Kelly
phonographic copyright (℗) by:
MJJ Productions Inc. (rights holder, not an imprint) (in 1995)
recording of:
You Are Not Alone
lyricist and composer:
R. Kelly
publisher:
R. Kelly Publishing, Inc. and Universal Music–Z Songs
Michael Jackson3.454:32
5Boombastic
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1995)
recording of:
Boombastic
writer:
King Floyd, Robert Livingston (Jamaican reggae and dancehall producer) and Orville Richard Burrell (Orville Richard Burrell, dancehall and reggae singer)
publisher:
Jobete Music Co., Inc., Malaco Music Company, Pedigree Ranch Music, Peermusic III, Ltd. (BMI), Roffignac Music Co., Scikron Music Publishing and Stone Diamond Music Corp.
Shaggy3.653:53
6Fairground
co-producer:
Mick Hucknall (lead singer of Simply Red)
producer:
Mick Hucknall (lead singer of Simply Red) and Stewart Levine (record producer and saxophonist)
earliest release:
Fairground by Simply Red (English soul and pop band)
recording of:
Fairground
lyricist and composer:
Mick Hucknall (lead singer of Simply Red)
Simply Red3.54:25
7Gangsta’s Paradise
producer:
Doug Rasheed
vocals:
L.V. (US R&B singer Larry Sanders, known for “Gangsta’s Paradise”)
samples:
Pastime Paradise by Stevie Wonder
music videos:
Gangsta’s Paradise by Coolio (US rapper, actor, chef & record producer) feat. L.V. (US R&B singer Larry Sanders, known for “Gangsta’s Paradise”)
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 98) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 166)
recording of:
Gangsta’s Paradise
writer:
Artis L. Ivey Jr. (US rapper, actor, chef & record producer), Larry James Sanders (US R&B singer Larry Sanders, known for “Gangsta’s Paradise”), Doug Rasheed and Stevie Wonder
publisher:
IQ Music Ltd., Jobete Music (appears also as: Jobete Msc.) and Polygram International (renamed Universal PolyGram International Publishing, Inc. circa 1998)
is based on:
Pastime Paradise
Coolio3.954:02
8I BelieveRobson & Jerome32:07
9Earth Song
recording engineer and mixer:
Bruce Swedien
co-producer:
Bill Bottrell
executive producer:
Michael Jackson (“King of Pop”)
producer:
David Foster (Canadian music producer, arranger and composer) and Michael Jackson (“King of Pop”)
phonographic copyright (℗) by:
MJJ Productions Inc. (rights holder, not an imprint) (in 1995)
edit of:
Earth Song (album version) by Michael Jackson (“King of Pop”)
recording of:
Earth Song
lyricist and composer:
Michael Jackson (“King of Pop”)
part of:
MJ: The Musical
Michael Jackson3.155:02
10Jesus to a Child
programming:
Dave Clayton and Pete Gleadall
engineer:
Chris Porter (engineer and producer)
producer:
George Michael
acoustic guitar:
Hugh Burns
vocals and performer:
George Michael
arranger:
George Michael
phonographic copyright (℗) by:
Robobuild Ltd. (in 1996)
recording of:
Jesus to a Child
lyricist and composer:
George Michael
publisher:
Dick Leahy Music Ltd.
George Michael3.46:50
11Spaceman
producer:
Jas Mann and Steve Power
mixer:
Clive Black
edit of:
Spaceman by Babylon Zoo
recording of:
Spaceman
lyricist and composer:
Jas Mann
Babylon Zoo3.54:01
12Don’t Look Back in Anger
recording engineer:
Owen Morris
producer:
Noel Gallagher and Owen Morris
bass guitar:
Paul McGuigan (Oasis)
drums (drum set) and percussion:
Alan White (Oasis drummer)
electric guitar [lead guitar] and lead vocals:
Noel Gallagher
electric guitar [rhythm guitar] and Hammond organ:
Paul Arthurs ("Bonehead", Oasis)
piano:
Paul Arthurs ("Bonehead", Oasis) and Noel Gallagher
tambourine:
Liam Gallagher (English musician, lead singer of Oasis)
recorded at:
Rockfield Studios in Monmouth, Monmouthshire, Wales, United Kingdom
music videos:
Don’t Look Back in Anger by Oasis (Noel & Liam Gallagher)
part of:
NME: Greatest “Indie” Anthems Ever: 2007 (number: 14) and Indie 88: Top 500 Indie Rock Songs (number: 45)
recording of:
Don’t Look Back in Anger
lyricist and composer:
Noel Gallagher
Oasis4.34:49
13How Deep Is Your Love
cover recording of:
How Deep Is Your Love (Bee Gees song)
writer:
Barry Gibb, Maurice Gibb and Robin Gibb
publisher:
Abigail Music, BMG Music, BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Songs of Universal, Inc. (BMI), Universal Music Careers, Universal Music Publishing International MGB Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Gibb Brothers Music (in 1977)
sub-publisher:
Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), 香港商華納音樂出版有限公司台灣分公司 (Warner Chappell Music, Hong Kong Limited Taiwan Branch), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
Take That43:42
14Firestarter
engineer:
Neil McLellan
producer and mixer:
Liam Howlett
vocals:
Keith Flint (vocalist in The Prodigy)
phonographic copyright (℗) by:
XL Recordings (in 1996)
mixed at:
Earthbound Studios in Bradwell, Essex, England, United Kingdom
engineered at:
The Strongroom in Shoreditch, Hackney, London (Greater London), England, United Kingdom
produced at:
Earthbound Studios in Bradwell, Essex, England, United Kingdom
samples:
Close (to the Edit) by Art of Noise and S.O.S. by The Breeders
edit of:
Firestarter by Prodigy (UK electronic group, main member Liam Howlett)
recording of:
Firestarter
writer:
Kim Deal, Anne Dudley (English score composer), Keith Flint (vocalist in The Prodigy), Trevor Horn, Liam Howlett, J.J. Jeczalik, Gary Langan and Paul Morley
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Music Ltd. (do not use this as a release label!), EMI/Virgin Music Publishing Ltd., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Perfect Songs (UK publisher, affiliated with BMI), Unforgettable Songs Ltd. and Zomba Music
is based on:
S.O.S.
quotes music from:
Close (to the Edit)
The Prodigy4.653:47
15Return of the Mack
additional producer:
Cutfather & Joe
producer:
Phil Chill and Mark Morrison (r&b vocalist)
remixer:
Cutfather & Joe
recording of:
Return of the Mack
lyricist and composer:
Mark Morrison (r&b vocalist)
Mark Morrison3.53:28
7Digital Media: 90s Volume 7: Number Ones 738 > 753
8Digital Media: 90s Volume 8: Number Ones 754 > 768
9Digital Media: 90s Volume 9: Number Ones 769 > 783
10Digital Media: 90s Volume 10: Number Ones 784 > 799
11Digital Media: 90s Volume 11: Number Ones 800 > 815
12Digital Media: 90s Volume 12: Number Ones 816 > 831
13Digital Media: 90s Volume 13: Number Ones 832 > 844