100 Greatest Pop Songs

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Purple Rain
recording engineer:
David Rivkin (producer/engineer David Rivkin) (on 1983-08-03) and David Leonard (US producer and engineer) (on 1983-08-03)
producer:
Prince (“The Artist Formerly Known as…”) and The Revolution (founded by Prince)
cello:
David Coleman (American cellist & composer) (from 1983-08-15 until 1983-09-15) and Suzie Katayama (from 1983-08-15 until 1983-09-15)
drum machine [Linn LM-1], electronic drum set [Pearl SY-1 Syncussion], electronic drum set [Simmons SDS-V] and percussion:
Bobby Z. (on 1983-08-03)
electric bass guitar:
Brown Mark (on 1983-08-03)
electric grand piano [Yamaha CP-70]:
Dr. Fink (on 1983-08-03)
electric guitar:
Wendy Melvoin (on 1983-08-03) and Prince (“The Artist Formerly Known as…”) (on 1983-08-03)
synthesizer:
Lisa Coleman (US pianist/keyboardist & composer) (on 1983-08-03) and Prince (“The Artist Formerly Known as…”) (on 1983-08-03)
viola and violin:
Novi Novog (from 1983-08-15 until 1983-09-15)
background vocals:
Brown Mark (on 1983-08-03), Lisa Coleman (US pianist/keyboardist & composer) (on 1983-08-03), Dr. Fink (on 1983-08-03) and Wendy Melvoin (on 1983-08-03)
lead vocals:
Prince (“The Artist Formerly Known as…”) (on 1983-08-03)
conductor:
Lisa Coleman (US pianist/keyboardist & composer) (strings) and Wendy Melvoin (strings)
performer:
Prince (“The Artist Formerly Known as…”) (on 1983-08-03) and The Revolution (founded by Prince) (on 1983-08-03)
strings arranger:
Lisa Coleman (US pianist/keyboardist & composer) and Prince (“The Artist Formerly Known as…”)
arranger:
Prince (“The Artist Formerly Known as…”) and The Revolution (founded by Prince)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1984), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984) and NPG Records, Inc. (in 2017)
recorded at:
First Avenue in Minneapolis, Minnesota, United States (on 1983-08-03) and Sunset Sound, Studio 3 in Hollywood, Los Angeles, California, United States (from 1983-08 until 1983-09)
engineered at:
Sunset Sound, Studio 3 in Hollywood, Los Angeles, California, United States (from 1983-08 until 1983-09)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 18), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 39), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 143)
live recording of:
Purple Rain (on 1983-08-03)
lyricist and composer:
Prince (“The Artist Formerly Known as…”)
publisher:
Because Éditions, Controversy Music and Island Music Ltd.
Prince4.28:41
2Can’t Get You out of My Head
drum machine programming:
Rob Davis (songwriter/producer was in Mud)
engineer and mixer:
Tim Orford
producer:
Rob Davis (songwriter/producer was in Mud) and Cathy Dennis
electric guitar and keyboard:
Rob Davis (songwriter/producer was in Mud)
background vocals and lead vocals:
Kylie Minogue
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2001) and KDB Pty Limited (in 2001)
produced for:
19 Productions
music videos:
Can’t Get You Out of My Head by Kylie Minogue
part of:
Billboard Year-End Hot 100 2002 (number: 45) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 207)
recording of:
Can’t Get You Out of My Head
lyricist:
Cathy Dennis
composer:
Rob Davis (songwriter/producer was in Mud)
publisher:
Colgems-EMI Music Inc., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Toxic Songs Ltd., Universal Music (plain logo: “Universal Music”), Universal‐MCA Music Publishing (US), Universal/MCA Music Limited (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Kylie Minogue3.853:51
3Rockabye
additional drum machine programming:
Luke Patterson
programming:
Jack Patterson (British multi-instrumentalist , singer-songwriter) and Hal Ritson
additional sound engineer:
Hal Ritson
sound engineer:
Dann Pursey (engineer), Chris Laws (engineer, keyboardist & songwriter) and Anthony Leung (Hong Kong engineer)
audio engineer:
Drew Smith (engineer) and Tom AD Fuller
producer:
Steve Mac (British pop producer/songwriter Steve McCutcheon), Jack Patterson (British multi-instrumentalist , singer-songwriter) and Mark Ralph
mixer:
Jack Patterson (British multi-instrumentalist , singer-songwriter) and Mark Ralph
cello:
Grace Chatto
drums (drum set):
Luke Patterson
keyboard:
Steve Mac (British pop producer/songwriter Steve McCutcheon)
piano:
Jack Patterson (British multi-instrumentalist , singer-songwriter)
viola:
James Boyd (UK viola player)
violin:
Braimah Kanneh‐Mason and Beatrice Philips (violinist)
additional vocals:
Kelly Barnes
background vocals:
Caroline Ailin and Grace Chatto
lead vocals:
Anne-Marie (British singer) and Sean Paul (Jamaican reggae/dancehall)
performer:
Clean Bandit
phonographic copyright (℗) by:
Asylum Records (Warner Music subsidiary) (in 2016), Atlantic Records UK (company credits only; do not use as release label!) (in 2016) and Major Toms (in 2016)
recorded at:
Club Ralph in London (Greater London), England, United Kingdom, Rokstone Studios in Parsons Green, Hammersmith and Fulham, London (Greater London), England, United Kingdom and The Crypt Studio in Crouch End, Haringey, London (Greater London), England, United Kingdom
mixed at:
Club Ralph in London (Greater London), England, United Kingdom
part of:
Billboard Year-End Hot 100 singles of 2017 (number: 44) and BILLIONS CLUB
recording of:
Rockabye
writer:
Steve Mac (British pop producer/songwriter Steve McCutcheon), Ammar Malik, Jack Patterson (British multi-instrumentalist , singer-songwriter), Sean Paul Henriques (Jamaican reggae/dancehall) and Ina Wroldsen
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Dutty Rock Music, EMI April Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Lotzah Balls Soup, Maru Cha Cha, Reservoir Reverb Music Publishing Ltd, Rokstone Music Ltd. and Where Da Katz At
Clean Bandit feat. Sean Paul & Anne-Marie3.24:10
4These Days
phonographic copyright (℗) by:
Asylum Records UK (company credits only; do not use as release label!) (in 2017)
part of:
BILLIONS CLUB
recording of:
These Days
writer:
Piers Aggett, Amir Amor, Ben Haggerty, Julian Bunetta, Dan Caplen (British R&B singer/songwriter and musician), Kesi Dryden, Jamie Scott (UK singer-songwriter), John Ryan (American pop singer/producer a/k/a “John the Blind”) and Leon “Locksmith” Rolle
Rudimental feat. Jess Glynne, Macklemore & Dan Caplen43:32
5Take On Me
bass programming:
Magne Furuholmen
producer:
Alan Tarney
mixer:
a‐ha (Norwegian synth‐pop band) and John Ratcliff
drum machine and guitar:
Paul Waaktaar-Savoy
keyboard:
Magne Furuholmen
background vocals:
Magne Furuholmen and Paul Waaktaar-Savoy
lead vocals:
Morten Harket
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985, in 2004)
music videos:
Take On Me (2019 4K remaster of 1985 mix with diegetic audio) by a‐ha (Norwegian synth‐pop band) and Take On Me (official music video, 1985 version) by a‐ha (Norwegian synth‐pop band)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 3), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 24), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 26), BILLIONS CLUB and The Downloader’s Music Source Book (number: 284)
recording of:
Take On Me
writer:
Magne Furuholmen, Morten Harket and Paul Waaktaar-Savoy
publisher:
ATV Music Ltd. and EMI Music Publishing (do not use as a release label!)
version of:
Miss Eerie
a‐ha4.53:45
6Respect
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1967-02-14)
bass:
Tommy Cogbill (on 1967-02-14)
drums (drum set):
Roger Hawkins (on 1967-02-14)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1967-02-14)
piano:
Dewey "Spooner" Oldham (on 1967-02-14)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1967-02-14) and King Curtis (saxophonist) (on 1967-02-14)
trumpet:
Melvin Lastie (on 1967-02-14)
vocals:
Aretha Franklin (on 1967-02-14)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1967-02-14)
cover recording of:
Respect (on 1967-02-14)
lyricist and composer:
Otis Redding
publisher:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell and Warner/Chappell North America
Aretha Franklin2:27
7Le Freak
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1978)
recording of:
Le Freak
writer:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
publisher:
Bernard’s Other Music, Sony Songs Inc., Tommy Jymi Inc., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Warner Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Chic4.453:30
8Hungry Like the Wolf (2009 remaster)
engineer and producer:
Colin Thurston
phonographic copyright (℗) by:
Tritec Music Ltd. (publisher and copyrights holder) (from 1982 to present) and Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 2009)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 3) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 196)
recording of:
Hungry Like the Wolf
writer:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) and Roger Taylor (Duran Duran drummer)
publisher:
EMI Songs, EMI Songs Australia Pty. Ltd. and Tritec Music Ltd. (publisher and copyrights holder)
Duran Duran4.153:41
9True (single edit)
producer:
Steve Jolley, Spandau Ballet and Tony Swain (songwriter, producer)
performer:
Spandau Ballet
phonographic copyright (℗) by:
Chrysalis (in 1983) and Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1983)
music videos:
True by Spandau Ballet
recording of:
True
lyricist and composer:
Gary Kemp
publisher:
Native Tongue Music Publishing, Reformation Publishing Co. Ltd. and Reformation Publishing Inc.
Spandau Ballet3.655:28
10Stand by Me
recorded in:
New York, New York, United States (on 1960-10-27)
producer:
Leiber and Stoller (songwriting team)
vocals:
Ben E. King (on 1960-10-27)
conductor:
Stan Applebaum (US composer, arranger and conductor) (on 1960-10-27)
arranger:
Stan Applebaum (US composer, arranger and conductor)
phonographic copyright (℗) by:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1960, in 1961) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1986)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 131) and BILLIONS CLUB
recording of:
Stand by Me (on 1960-10-27)
publisher:
Mike Stoller
writer:
Ben E. King, Jerry Leiber and Mike Stoller
publisher:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music and Universal Music Publishing (use ONLY if no country‐specific information is available)
Ben E. King4.652:55
11I’ll Be Missing You
recording of:
I’ll Be Missing You
writer:
F. Evans, Sting (singer, songwriter & member of The Police) and T. Gaither
publisher:
Blue Turtle Music, Chyna Baby Music, EMI Blackwood Music, Illegal Songs, Inc., Janice Combs Publishing, Inc., Magnetic Publishing Ltd. and September Six Music
is based on:
Every Breath You Take
Diddy feat. Faith Evans & 11235:02
12West End Girls (2001 remaster)
engineer:
David Jacob
producer:
Stephen Hague
additional vocals:
Helena Springs
background vocals, lead vocals and spoken vocals:
Neil Tennant
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1985, in 1991)
music videos:
West End Girls by Pet Shop Boys
recording of:
West End Girls (in 1985)
writer:
Chris Lowe (1/2 of Pet Shop Boys) and Neil Tennant
publisher:
10 Music Ltd., Edition Meridian, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), Cage Music Ltd. (from 1984 to present) and CBS, Inc. (US broadcasting company; file no releases here!) (from 1984 to present)
Pet Shop Boys3.84:05
13The Best (edit)
engineer:
Chris Lord‐Alge
producer:
Dan Hartman and Tina Turner
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1989)
edit of:
The Best by Tina Turner
music videos:
The Best by Tina Turner
cover recording of:
The Best
writer:
Holly Knight and Michael Chapman (Australian producer and songwriter)
publisher:
EMI Music (do not use as release label! this is a music publisher), Hebbes Music Group Pty. Ltd., Island Music Ltd., Knighty-Knight Music, Mike Chapman Publishing Enterprises, Rondor Music (Australia), Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Warner Chappell and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tina Turner3.94:10
14December, 1963 (Oh What a Night!)
recording engineer:
Steve Maslow
producer:
Bob Gaudio
mixer:
Val Garay
bass:
Don Ciccone
drums (drum set):
Gerry Polci
guitar:
John Paiva
keyboard:
Bob Gaudio and Lee Shapiro
piano:
Bob Gaudio
vocals:
Bob Gaudio, Don Ciccone, Frankie Valli (American singer and actor, best known as the frontman of The Four Seasons), Gerry Polci and John Paiva
brass [horns] arranger and strings arranger:
Lee Shapiro
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
recorded at:
Sound Factory (1969–1980) in Los Angeles, California, United States
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 64)
recording of:
December, 1963 (Oh, What a Night)
lyricist:
Bob Gaudio and Judy Parker
composer:
Bob Gaudio
publisher:
EMI Songs, EMI Songs Australia, Jobete Music Co., Inc. and Seasons Music Co.
Frankie Valli & The Four Seasons3.63:32
15Crazy
engineer:
Ben H. Allen
producer:
Danger Mouse (Brian Burton)
additional mixer:
Kennie Takahashi
mixer:
Ben H. Allen and Danger Mouse (Brian Burton)
music videos:
Crazy by Gnarls Barkley
part of:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 28), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 307), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 355) and Indie 88: Top 500 Indie Rock Songs (number: 357)
recording of:
Crazy (Gnarls Barkley song)
lyricist:
Thomas DeCarlo Callaway
writer:
Gian Franco Reverberi and Gian Piero Reverberi
composer:
Brian Burton
Gnarls Barkley4.152:58
16Believe
producer:
Brian Rawling and Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
mixer:
Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1998)
produced for:
Metro (production company) and Rive Droite Music Productions
recorded at and mixed at:
Dreamhouse Studios in London (Greater London), England, United Kingdom
part of:
Grammy Award: Best Dance/Electronic Recording nominees (number: 2000 winner), RuPaul’s Drag Race Lip Sync Performances (season 3) (number: 9), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 159) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 337)
recording of:
Believe
lyricist:
Brian Higgins (British producer and song writer) and Matt Gray (UK techno DJ/producer, former video game composer)
composer:
Brian Higgins (British producer and song writer) (in 1998), Matt Gray (UK techno DJ/producer, former video game composer) (in 1998), Stuart McLennan (in 1998), Paul Michael Barry (songwriter/musician) (in 1998), Tim Powell (Songwriter and producer, ex-Xenomania) (in 1998) and Steve Torch (in 1998)
publisher:
Rive Droite Music and Warner Chappell (Warner/Chappell Music, Inc.)
Cher3.73:59
17New Rules
programming and engineer:
Ian Kirkpatrick (producer/songwriter)
producer:
Ian Kirkpatrick (producer/songwriter) (task: and vocal)
mixer:
Josh Gudwin
vocals:
Dua Lipa
phonographic copyright (℗) by:
Dua Lipa Limited (in 2017)
miscellaneous support:
Warner Music UK Limited (not for release label use!) (task: under exclusive license to)
recorded at:
Atlantic Recording Studios in Hollywood, Los Angeles, California, United States, NRG Studios in North Hollywood, Los Angeles, California, United States, Strongroom 7 in Shoreditch, Hackney, London (Greater London), England, United Kingdom, TaP Studio in London (Greater London), England, United Kingdom and Zenseven Studios in Woodland, California, United States
part of:
RuPaul’s Drag Race UK Lip Sync Performances (season 1) (number: 1), Billboard Year-End Hot 100 singles of 2018 (number: 16), Stereogum: The 200 Best Songs of the 2010s (number: 114) and BILLIONS CLUB
recording of:
New Rules
writer:
Caroline Ailin, Ian Kirkpatrick (producer/songwriter) and Emily Warren
publisher:
BMG Rights Management Scandinavia AB (not for release label use! use it’s imprint “BMG (2008–present)”), Buckley Tenenbaum Publishing, KMR Music Royalties II SCSp, Prescription Songs, Under Warrenty Publishing, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Waterfall Music
sub-publisher:
BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), BMG Rights Management Scandinavia AB (not for release label use! use it’s imprint “BMG (2008–present)”), Kobalt Music Publishing Ltd. (UK), Kobalt Music Services America Inc., Neue Welt Musikverlag GmbH (2017 – present), Prescription Songs, LLC, Warner Bros., Inc. (not for release label use!) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Dua Lipa3.43:29
18Blue Monday ’88
producer:
Quincy Jones and New Order (UK synth pop band)
remixer:
John Potoker (producer/engineer aka Tokes)
recording of:
Blue Monday
writer:
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) and Bernard Sumner
publisher:
Fractured Music (publisher), Warner/Chappell Music Ltd. (1996–2019) and Zomba Music Publishing Ltd.
New Order44:05
19Girls and Boys
producer:
Stephen Street (famous producer, songwriter)
recording of:
Girls & Boys
lyricist:
Damon Albarn
composer:
Damon Albarn, Graham Coxon, Alex James (UK bassist for Blur/Fat Les) and Dave Rowntree
publisher:
MCA Music Ltd.
Blur3.74:19
20Titanium
producer:
Afrojack (dutch DJ and producer), David Guetta and Giorgio Tuinfort
mixer:
Afrojack (dutch DJ and producer) and David Guetta
guest lead vocals:
Sia (Australian singer‐songwriter)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 240) and BILLIONS CLUB
recording of:
Titanium
lyricist:
Sia Furler (Sia, Australian singer‐songwriter)
composer:
David Guetta, Sia Furler (Sia, Australian singer‐songwriter), Giorgio Tuinfort and Nick van de Wall
David Guetta feat. Sia3.94:05
21Hold My Hand
additional drums (drum set) [drum] programming:
Wez Clarke and TIEKS
additional programming:
Wez Clarke
drums (drum set) [drum] programming:
Starsmith
engineer:
Mike Horner
co-producer:
Jack Patterson (British multi-instrumentalist , singer-songwriter)
producer:
Starsmith
mixer:
Wez Clarke
bass:
Dominic Grant
drums (drum set):
Anthony "Sweetstix" Lewis (drummer)
percussion:
Jack Dow-Smith
piano:
Starsmith and Anthony Strong
synthesizer [synthesizers] and tenor saxophone:
Starsmith
trumpet:
Jon Eades
lead vocals:
Jess Glynne
horn arranger:
Starsmith
phonographic copyright (℗) by:
Atlantic Records UK Ltd (in 2015)
recorded at:
Metropolis (London) in London (Greater London), England, United Kingdom, RAK Studios in London (Greater London), England, United Kingdom and The Estate in London (Greater London), England, United Kingdom
engineered at:
RAK Studios in London (Greater London), England, United Kingdom
recording of:
Hold My Hand
writer:
Jess Glynne, Jin Jin (Janée Bennett), Jack Patterson (British multi-instrumentalist , singer-songwriter) and Ina Wroldsen
publisher:
Black Butter Music Publishing Ltd, EMI Blackwood Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Reverb America Music, Reverb Music Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal–Songs of PolyGram International, Inc.
Jess Glynne3.653:47
22Baker Street
recording engineer:
Barry Hammond
producer:
Hugh Murphy (UK producer, engineer) and Gerry Rafferty
mixer:
Declan O’Doherty
bass:
Gary Taylor (UK bassist/songwriter/vocalist, member of Herd/Fox/Stealers Wheel)
drums (drum set):
Henry Spinetti
electric guitar:
Hugh Burns and Nigel Jenkins
Moog and keyboard:
Tommy Eyre
percussion:
Glen LeFleur
saxophone:
Raphael Ravenscroft
lead vocals:
Gerry Rafferty
strings arranger:
Graham Preskett (British multi-instrumentalist, musician, songwriter and arranger)
phonographic copyright (℗) by:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1977), EMI (EMI Records, or EMI Music only if there is no other imprint) (in 1978), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978), Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1978) and United Artists Music and Records Group, Inc. (UAMARG, Inc.) (in 1978)
recorded at:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, United Kingdom
mixed at:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, United Kingdom
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 26)
recording of:
Baker Street
lyricist and composer:
Gerry Rafferty
publisher:
B Music, Belfern Ltd., EMI Music Publishing (do not use as a release label!), EMI Publishing Ltd., Icon Music Ltd., Island Music Ltd., Mushroom Music Pty. Ltd., Music of Stage Three, PolyGram Music Publishing, PolyGram Music Publishing Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Stage Three Music Ltd., Stage Three Music Publishing Limited, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Songs (publisher) and Universal–Songs of PolyGram International, Inc.
Gerry Rafferty3.46:06
23Ain’t Nobody
additional synthesizer:
James Newton Howard (American score composer)
alto saxophone:
Larry Williams ([Jazz] keyboard, sax, flute & clarinet - Producer, composer, arranger, and multi-instrumentalist)
bass:
Bobby Watson (bassist)
drums (drum set):
John “JR” Robinson (session drummer)
flute:
Gary Herbig, Ernie Watts (Ernest James Watts, jazz and blues saxophonist) and Larry Williams ([Jazz] keyboard, sax, flute & clarinet - Producer, composer, arranger, and multi-instrumentalist)
guitar:
Tony Maiden
keyboard:
Kevin Murphy (American keyboardist, Rufus & The American Breed) and David “Hawk” Wolinski
percussion:
Paulinho da Costa (Brazilian percussionist)
tenor saxophone:
Gary Herbig and Ernie Watts (Ernest James Watts, jazz and blues saxophonist)
trumpet:
Jerry Hey
vocals:
Chaka Khan and Tony Maiden
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 88) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 403)
recording of:
Ain’t Nobody
lyricist and composer:
David Wolinski
publisher:
Overdue Music
Rufus & Chaka Khan4.054:46
24Pure Shores
programming:
Sean Spuehler
producer:
William Orbit (English musician, composer and record producer)
mixer:
Mark “Spike” Stent (producer, engineer)
vocals:
Melanie Blatt and Shaznay Lewis
part of:
The Downloader’s Music Source Book (number: 380)
recording of:
Pure Shores
composer:
Shaznay Lewis and William Orbit (English musician, composer and record producer)
All Saints3.654:29
25My Girl
recording engineer:
Tom Dowd
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Floyd Newman (in 1965-07)
bass guitar:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1965-07)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer) (in 1965-07)
guitar:
Steve Cropper (in 1965-07)
keyboard:
Isaac Hayes (in 1965-07) and Booker T. Jones (in 1965-07)
tenor saxophone:
Andrew Love (in 1965-07)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1965-07) and Gene “Bowlegs” Miller (American trumpeter) (in 1965-07)
background vocals:
Earl Sims (in 1965-07)
recorded at:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, United States (from 1965-07-09 until 1965-07-10)
cover recording of:
My Girl (in 1965-07)
lyricist:
Smokey Robinson
composer:
Smokey Robinson and Ronald White (soul singer, founding member of The Miracles)
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Music for Africa (South Africa), Poochum, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Otis Redding4.352:55
26We Are Family
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 444)
recording of:
We Are Family
writer:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
publisher:
Bernard’s Other Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Songs LLC and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Sister Sledge43:37
27Around the World
producer:
Thomas Bangalter and Guy‐Manuel de Homem‐Christo
phonographic copyright (℗) by:
Daft Trax (in 1996) and Daft Life Ltd. (holding, file NO releases here!) (in 1997)
produced for:
Daft Trax
recorded at and mixed at:
Daft House in Paris, Île-de-France, France
part of:
Indie 88: Top 500 Indie Rock Songs (number: 135)
recording of:
Around the World (Daft Punk song)
writer:
Thomas Bangalter and Guy‐Manuel de Homem‐Christo
publisher:
Daft Music, Delabel Éditions (publisher; do NOT use as release label) and Zomba Music Publishing (music publisher – add no releases here!)
Daft Punk4.17:10
28Just the Way You Are
engineer:
Ari Levine
producer:
Needlz (hip hop producer) and The Smeezingtons
assistant mixer:
Erik Madrid (engineer) and Christian Plata
mixer:
Manny Marroquin
instruments:
Ari Levine and Bruno Mars (US singer)
phonographic copyright (℗) by:
Elektra Entertainment Group Inc. (not for release label use! a division of Warner Music Group) (in 2010) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2010)
mixed at:
Larrabee Sound Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California, United States
engineered at:
Levcon Studios in Hollywood, Los Angeles, California, United States
music videos:
Just the Way You Are by Bruno Mars (US singer)
part of:
Billboard Decade End Chart: Adult Contemporary Songs (2010s) (number: 5) and BILLIONS CLUB
recording of:
Just the Way You Are
writer:
Khari Cain (hip hop producer), Philip Lawrence (urban songwriter/producer, of The Smeezingtons), Ari Levine, Bruno Mars (US singer) and Khalil Walton
publisher:
Art for Art's Sake Music, BMG Gold Songs, BMG Onyx Songs, Bughouse, Dry Rain Entertainment, Mars Force Music, Music Famamanem LP, Roc Nation Music, Round Hill Harmonies, Toy Plane Music, Universal Music Publishing (use ONLY if no country‐specific information is available), Upper Deck, Warner Geo‐Met‐Ric Music, WC Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Bruno Mars43:41
29Return of the Mack
recording of:
Return of the Mack
lyricist and composer:
Mark Morrison (r&b vocalist)
Mark Morrison43:31
30Mysterious Girl (radio edit)
miscellaneous support:
Bubbler Ranx (task: toast)
producer and mixer:
Ollie J
bass, drums (drum set) [drums] and keyboard [keyboards]:
Ollie J
saxophone:
Claudio Galdes
background vocals [backing vocals]:
Glen Goldsmith, Bubbler Ranx and Samantha Scott
mixed for and produced for:
Roll Over Productions
recorded at:
Roll Over Studios London in London (Greater London), England, United Kingdom
recording of:
Mysterious Girl
writer:
Peter Andre, Glen Goldsmith, Phillip Jacobs, Oliver Jacobs and Bubbler Ranx
publisher:
Int. Music Network, Mushroom Music (Mushroom label’s publishing company), Perfect Songs (UK publisher, affiliated with BMI), Roll Over Music and Warner Chappell Music (publisher as Warner/Chappell Music)
Peter Andre3.13:37
31Attention
recording engineer and producer:
Charlie Puth
assistant mixer:
Chris Galland and Jeff Jackson (American mixing engineer)
mixer:
Manny Marroquin
bass:
Charlie Puth
guitar:
Jan Ozveren
phonographic copyright (℗) by:
Artist Partner Group, Inc. (copyright use only, imprint: 𝗮𝗽𝗴) (in 2018) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2018)
recorded at:
Atlantic Records @ A Studio in Los Angeles, California, United States
mixed at:
Larrabee Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California, United States
music videos:
Attention (music video) by Charlie Puth
part of:
Billboard Year-End Hot 100 singles of 2017 (number: 22) and BILLIONS CLUB
recording of:
Attention
writer:
Jacob Kasher (American songwriter, producer) and Charlie Puth
publisher:
Artist 101 Publishing Group, Charlie Puth Music Publishing, KMR Music Royalties II SCSp, Kobalt Songs Music Publishing (USA, ASCAP affiliated), Prescription Songs and Rap Kingpin Music
Charlie Puth3.83:29
32Heatwave
recording of:
Heatwave
writer:
Rodney Kumbirayi Hwingwiri, Dayo Olatunji and Richard Cowie (UK grime/hip hop artist Richard Cowie, aka Eskiboy, aka Wiley Kat)
Wiley feat. Ms. D33:15
33You’re Beautiful
assistant engineer:
John Morrical
engineer:
Mike Tarantino
producer and mixer:
Tom Rothrock
acoustic guitar:
J. Blunt
bass guitar [bass]:
S. Krivtsov
drums (drum set) [drums]:
C. Paxon
electric guitar:
M. Tarantino
piano:
Mr Nau
strings:
E. Gorfain and The Section
vocals:
J. Blunt
music videos:
You’re Beautiful (music video) by James Blunt
part of:
The Village Voice – The 50 Worst Songs of the ’00s (number: 45)
recording of:
You’re Beautiful
writer:
James Blunt, Amanda Ghost and Sacha Skarbek
publisher:
David Platz Music Inc., EMI Blackwood Music Inc. and Universal–Songs of PolyGram International, Inc.
James Blunt4.153:33
34You Sexy Thing
producer:
Mickie Most (English record producer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975) and CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (in 1984)
recording of:
You Sexy Thing (in 1975)
writer:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) and Tony Wilson (bassist/songwriter, member of Hot Chocolate)
publisher:
Chocolate, EMI Music Publishing (PRS‐affiliated), EMI Music Publishing Australia Pty Ltd (not for release label use!), Finchley Music Corp. and RAK Publishing Ltd
Hot Chocolate3.854:05
35I’m Gonna Be (500 Miles)
engineer:
Barry Hammond
producer:
Pete Wingfield (keyboardist, singer, producer, songwriter)
accordion:
Dave Whetstone
acoustic guitar:
Jerry Donahue and Charlie Reid
bass guitar:
Phil Cranham
drums (drum set):
Paul Robinson (UK drummer, also Turning Point member)
electric guitar:
Jerry Donahue
fiddle:
Steve Shaw (Steve Brennan)
keyboard:
Pete Wingfield (keyboardist, singer, producer, songwriter)
mandolin and tin whistle:
Stuart Nisbet
steel guitar:
Gerry Hogan
vocals:
Charlie Reid and Craig Reid
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1988) and Chrysalis Records, Inc. (not for release label use!) (in 1988)
recorded at and mixed at:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, United Kingdom
part of:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 21)
recording of:
I’m Gonna Be (500 Miles)
writer:
Charlie Reid and Craig Reid
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Warner/Chappell Music Ltd. (1996–2019)
The Proclaimers43:39
36New Shoes
programming:
Matt Benbrook
additional engineer:
Richard Wilkinson (production music)
additional producer:
Tom Elmhirst (mixing engineer)
producer:
Matt Benbrook and Jim Duguid
mixer:
Tom Elmhirst (mixing engineer)
bass guitar:
Matt Benbrook
drums (drum set):
Jim Duguid
guitar:
Matt Benbrook and Donny Little
keyboard:
Matt Benbrook and Jim Duguid
lead vocals:
Paolo Nutini
recording of:
New Shoes
writer:
Matt Benbrook, Jim Duguid and Paolo Nutini
Paolo Nutini33:24
37Kiss From a Rose
assistant producer:
Richard Lowe (UK producer/engineer)
producer:
Trevor Horn
assistant mixer:
Tom Elmhirst (mixing engineer)
mixer:
Steve Fitzmaurice (Irish mixer, songwriter and producer)
lead vocals:
Seal (English‐born singer and songwriter)
phonographic copyright (℗) by:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1994), Warner Music Argentina S.A. (in 2009) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2009)
produced for:
Horn Productions
recorded at and mixed at:
Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 308)
recording of:
Kiss From a Rose
lyricist and composer:
Seal (English‐born singer and songwriter) (in 1987)
publisher:
Beethoven Street Music, DTCM Blvd., Perfect Songs (UK publisher, affiliated with BMI) and SPZ Music Incorporated (BMI affiliated)
Seal3.754:48
38Wuthering Heights
engineer:
Jon Kelly (engineer at Air London Studios)
producer:
Andrew Powell (known for contributions to Alan Parsons Project)
drums (drum set):
Stuart Elliott (session drummer, member of Cockney Rebel) (from 1977-07 until 1977-08)
piano, background vocals and lead vocals:
Kate Bush (from 1977-07 until 1977-08)
arranger:
Andrew Powell (known for contributions to Alan Parsons Project)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1977, in 1978), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1977, in 1978), EMI‐USA Records (a division of Capitol Records, Inc.) (in 1977, in 1978), EMI America Records, Inc. (holding – file NO releases here!) (in 1982) and EMI France (in 1995)
recorded at:
AIR London Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom (from 1977-07 until 1977-08)
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 18)
recording of:
Wuthering Heights (from 1977-07 until 1977-08)
publisher:
Kate Bush (from 1978 to present)
lyricist and composer:
Kate Bush (on 1977-03-05)
publisher:
Beechwood Music Corp., Castle (publisher), Ed. Itaipu, Glenwood Music Corporation, Kate Bush Music Ltd. and EMI Music Publishing Ltd. (PRS‐affiliated) (from 1978 to present)
Kate Bush44:27
39Rio
producer:
Colin Thurston
recording of:
Rio
writer:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) and Roger Taylor (Duran Duran drummer)
Duran Duran45:15
40I Want to Know What Love Is (1999 remaster)
additional engineer:
Josh Abbey, Larry Alexander (producer/engineer), Jason Corsaro (U.S. music engineer, and record producer), Joe Ferla and Howie Lindeman
assistant engineer:
Bobby Cohen (engineer), Tim Crich and Scott "Abada" Mabuchi
engineer:
Frank Filipetti
producer:
Mick Jones (Foreigner/Spooky Tooth, worked in France) and Alex Sadkin
additional keyboard:
Tom Bailey (Thompson Twins)
bass guitar:
Rick Wills
drums (drum set):
Dennis Elliott
electric guitar:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
additional vocals:
Jennifer Holliday
background vocals:
Donnie Harper, Mick Jones (Foreigner/Spooky Tooth, worked in France) and Rick Wills
choir vocals:
The New Jersey Mass Choir
lead vocals:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1984), Warner Music International (trademark of Warner Music International the company) (in 1984), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984) and Rhino Entertainment Company (not for release label use!) (in 2009)
additionally recorded at:
Right Track Recording in Manhattan, New York, New York, United States
recorded at:
The Hit Factory in Manhattan, New York, New York, United States
mixed at:
Right Track Recording in Manhattan, New York, New York, United States
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 65), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 205) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 476)
recording of:
I Want to Know What Love Is
lyricist and composer:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Evansongs Ltd. (publisher), Somerset Songs Publishing Inc., Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Fujipacific Music inc. (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
Foreigner45:05
41House of the Rising Sun
recording of:
The House of the Rising Sun (Alan Price (The Animals) arrangement)
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Alan Price
publisher:
Al Gallico Music, EMI Music Publishing (do not use as a release label!), Keith Prowse, Keith Prowse Music Publishing Co. Ltd. and Universal/MCA Music Ltd. (not for release label use!)
arrangement of:
House of the Rising Sun
The Animals4:30
42Stars
engineer and mixer:
Daren Klein
co-producer:
Mick Hucknall (lead singer of Simply Red)
producer:
Stewart Levine (record producer and saxophonist)
recording of:
Stars
lyricist and composer:
Mick Hucknall (lead singer of Simply Red)
Simply Red2.84:09
43That’s the Way (I Like It)
producer:
Harry Wayne Casey and Richard Finch
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recording of:
That’s the Way (I Like It)
writer:
Harry Wayne Casey and Richard Finch
publisher:
EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Australia Pty Ltd (not for release label use!) and Mushroom Music (Mushroom label’s publishing company)
KC & the Sunshine Band45:06
44I’m a Believer
recorded in:
New York, New York, United States (from 1966-10-15 until 1966-10-23)
producer:
Jeff Barry
acoustic guitar:
Neil Diamond (from 1966-10-15 until 1966-10-23)
bass:
Dick Romoff (from 1966-10-15 until 1966-10-23)
drums (drum set):
Buddy Salzman (from 1966-10-15 until 1966-10-23)
guitar:
Al Gorgoni (from 1966-10-15 until 1966-10-23) and Sal Ditroia (from 1966-10-15 until 1966-10-23)
organ:
Artie Butler (from 1966-10-15 until 1966-10-23)
piano and tambourine:
Jeff Barry (from 1966-10-15 until 1966-10-23)
background vocals:
Davy Jones (The Monkees member) (from 1966-10-15 until 1966-10-23) and Peter Tork (from 1966-10-15 until 1966-10-23)
background vocals and lead vocals:
Micky Dolenz (from 1966-10-15 until 1966-10-23)
arranger:
Jeff Barry
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 1966) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1966, in 1967)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 65) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 341)
cover recording of:
I’m a Believer (from 1966-10-15 until 1966-10-23)
lyricist and composer:
Neil Diamond (in 1966)
publisher:
Colgems-EMI Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Foray Music, Rondor Music (London) Ltd., Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd. and Stonebridge Music (publisher)
The Monkees4.652:47
45Hooked on a Feeling
producer:
Bengt Palmers
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1973), EMI Music Sweden AB (not for release label use! SE subsidiary of EMI) (in 1973) and EMI Records Group (in 1973)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 284)
recording of:
Hooked on a Feeling
lyricist and composer:
Mark James (Francis Rodney Zambon, composer of “Suspicious Minds”)
Blue Swede4.052:53
46Yellow
additional engineer:
Simon “Barny” Barnicott, Jon Coles, Paul Read (UK engineer) and Andrea Wright
engineer:
Ken Nelson (UK record producer)
producer:
Coldplay and Ken Nelson (UK record producer)
mixer:
Michael Brauer (engineer)
acoustic guitar, keyboard, piano and lead vocals:
Chris Martin (lead singer of Coldplay)
bass guitar:
Guy Berryman
drums (drum set) and percussion:
Will Champion
electric guitar:
Jonny Buckland
background vocals:
Jonny Buckland and Will Champion
phonographic copyright (℗) by:
Parlophone Records Ltd (not for release label use! a Warner Music Group company) (in 2000)
music videos:
Yellow by Coldplay
part of:
Indie 88: Top 500 Indie Rock Songs (number: 52) and BILLIONS CLUB
recording of:
Yellow
writer:
Guy Berryman, Jonny Buckland, Will Champion and Chris Martin (lead singer of Coldplay)
publisher:
BMG Music Publishing Ltd. and Universal Music Publishing MGB Limited
Coldplay3.354:27
47Song 2 (2012 remaster)
engineer:
John Smith (UK producer/engineer)
producer:
Stephen Street (famous producer, songwriter)
acoustic guitar:
Damon Albarn and Graham Coxon
bass guitar:
Alex James (UK bassist for Blur/Fat Les)
drums (drum set):
Graham Coxon and Dave Rowntree
electric guitar, theremin and background vocals:
Graham Coxon
Hammond organ, keyboard, piano and lead vocals:
Damon Albarn
percussion:
Dave Rowntree
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
phonographic copyright (℗) by:
EMI Records Ltd (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1997)
music videos:
Song 2 (music video) by Blur (UK alternative rock band)
part of:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (number: 8), NME: Greatest “Indie” Anthems Ever: 2007 (number: 15), Indie 88: Top 500 Indie Rock Songs (number: 57) and BILLIONS CLUB
recording of:
Song 2
lyricist:
Damon Albarn
composer:
Damon Albarn, Graham Coxon, Alex James (UK bassist for Blur/Fat Les) and Dave Rowntree
publisher:
EMI Blackwood Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing (UK) Ltd., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), Wixen Music UK Ltd., ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
sub-publisher:
FujiPacific Music (S.E. Asia) Ltd., 香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S E Asia) Ltd., Taiwan Branch) and 香港商華納音樂出版有限公司台灣分公司 (Warner Chappell Music, Hong Kong Limited Taiwan Branch)
Blur4.252:01
48Feel Good Inc.
programming:
James Dring
mastering:
Howie Weinberg (mastering engineer)
engineer:
Jason Cox (UK production/engineer)
producer:
Jason Cox (UK production/engineer), Danger Mouse (Brian Burton), James Dring and Gorillaz (virtual band)
mixer:
Jason Cox (UK production/engineer), Danger Mouse (Brian Burton) and Gorillaz (virtual band)
additional guitar and guitar:
Simon Tong (The Verve)
lead vocals:
De La Soul
performer:
De La Soul
music videos:
Feel Good Inc. by Gorillaz (virtual band)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 40) and BILLIONS CLUB
recording of:
Feel Good Inc.
writer:
Damon Albarn, Brian Burton, Jamie Hewlett and Dave Jolicoeur (Plug 2 of De La Soul)
publisher:
80's Kid Music, Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Blackwood Music Inc. and Underground Animals
Gorillaz4.053:43
49Work It
recording of:
Work It
writer:
Melissa Elliott (American rapper, singer, dancer & record producer) and Timothy Mosley
Missy Elliott4:21
507 Years
remixer:
T-Mass
part of:
BILLIONS CLUB, Billboard Year-End Hot 100 singles of 2016 (number: 12) and Grammy Award: Best Pop Duo/Group Performance nominees (number: 2017)
recording of:
7 Years
writer:
Brody Brown, Lukas Forchhammer (Lead singer of "Lukas Graham"), Stefan Forrest (Danish-born producer, singer and songwriter), David Labrel, Morten Pilegaard (Morten Pilegaard) and Morten Ristorp
Lukas Graham3.553:57
51Dry Your Eyes
producer:
Mike Skinner (Mike Skinner)
violin:
Gita Langley
additional vocals:
Matt Sladen
background vocals [backing vocals]:
Sam Blewitt and Tony Walters
music video for:
Dry Your Eyes by The Streets (Mike Skinner)
recording of:
Dry Your Eyes
composer:
Mike Skinner (Mike Skinner)
The Streets3.654:29
52Forget You
music videos:
Forget You by CeeLo Green
recording of:
Forget You
writer:
Brody Brown, CeeLo Green, Philip Lawrence (urban songwriter/producer, of The Smeezingtons), Ari Levine and Bruno Mars (US singer)
revision of:
Fuck You
CeeLo Green3.353:43
53Love Shack (single version)
producer:
Don Was
edit of:
Love Shack by The B‐52s
recording of:
Love Shack
writer:
Kate Pierson, Fred Schneider (US singer‐songwriter, frontman of The B‐52s), Keith Strickland and Cindy Wilson
publisher:
Man-Woman Together, Now!
The B‐52’s3.54:21
54There Is a Light That Never Goes Out (2011 remaster)
engineer:
Stephen Street (famous producer, songwriter)
producer:
Johnny Marr and Morrissey (English singer-songwriter)
bass guitar:
Andy Rourke
drums (drum set):
Mike Joyce (UK drummer)
guitar:
Johnny Marr
lead vocals:
Morrissey (English singer-songwriter)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 2017)
part of:
NME: Greatest “Indie” Anthems Ever: 2007 (number: 4), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 86), Indie 88: Top 500 Indie Rock Songs (number: 159) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 226)
recording of:
There Is a Light That Never Goes Out (in 1985)
lyricist:
Morrissey (English singer-songwriter)
composer:
Johnny Marr
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
The Smiths4.44:05
55Are You Gonna Be My Girl
additional engineer:
Greg Gordon (producer/engineer)
assistant engineer:
Evil Chris
engineer:
Greg Fidelman (Greg Fields)
producer and mixer:
Brooklyn’s own Dave Sardy (American score composer)
editor:
Greg Gordon (producer/engineer)
additional guitar:
Brooklyn’s own Dave Sardy (American score composer)
bass guitar:
Mark Wilson (Bass player for Jet)
drums (drum set):
Chris Cester
guitar:
Cam Muncey and Nic Cester
vocals:
Cam Muncey, Chris Cester and Nic Cester
phonographic copyright (℗) by:
Elektra Entertainment Group Inc. (not for release label use! a division of Warner Music Group) (in 2003), Real Horrorshow Pty. Ltd. (in 2003) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2003)
recorded at:
Larrabee East in Los Angeles, California, United States and Sunset Sound in Hollywood, Los Angeles, California, United States
mixed at:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
part of:
triple j’s Hottest 100 (Australian annual music listener poll) (number: 2003), Sean Michaels: The Top 30 Songs of 2003 (number: runner-up) and Indie 88: Top 500 Indie Rock Songs (number: 364)
recording of:
Are You Gonna Be My Girl
writer:
Nic Cester and Cameron Muncey
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Universal Music Publishing (use ONLY if no country‐specific information is available) and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Jet3.73:34
56I’ll Be There for You
executive producer:
Kevin Bright (producer), David Crane (creator of the television sitcom Friends) and Marta Kauffman
vocals:
The Soldiers (singing trio of British Army soldiers)
recording of:
I’ll Be There for You (theme from ‘Friends’)
lyricist:
Allee Willis
additional composer:
David Crane (creator of the television sitcom Friends), Marta Kauffman, Phil Solem and Danny Wilde (The Rembrandts, Great Buildings & The Quick)
composer:
Michael Skloff
The Rembrandts43:08
57I Love It
edit of:
I Love It (explicit) by Icona Pop (Swedish dance/electropop duo) feat. Charli XCX
part of:
Rolling Stone: The 100 Best Songs of the 2010s (number: 67)
recording of:
I Love It
writer:
Patrik Berger, Charlotte Aitchison and Linus Eklöw
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Indiscipline Rights and Universal Music Publishing AB (Sweden)
part of:
Matuschkes Lieblinge 2012
Icona Pop feat. Charli XCX3.952:36
58Feel So Good
recording engineer:
Doug Wilson (engineer)
additional programming:
J‐Dub (production, real name Jeffrey Walker)
producer:
Deric “D‐Dot” Angelettie and Sean Combs (Sean Combs, aka Puff Daddy, P. Diddy)
mixer:
Michael Patterson (engineer)
additional guest vocals:
Kelly Price
samples:
Hollywood Swinging by Kool & the Gang
recording of:
Feel So Good
writer:
Robert “Kool” Bell, Ronald Bell, George Brown (US percussionist of Kool & the Gang), Lawrence Dermer (producer, singer-songwriter, synthesizer player), Joe Galdo (US drummer & percussionist), Robert Spike Mickens, Richard Westfield (Kool & The Gang member), Claydes Smith, Dennis “D.T.” Thomas (Kool & The Gang) and Rafael Vigil
Mase3:25
59Just a Friend
engineer:
Ivan “Doc” Rodriguez
co-producer:
Cutmaster Cool V (hip hop DJ Vaughan Lee)
producer and mixer:
The Diabolical Biz Markie
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 477) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 480)
recording of:
Just a Friend
lyricist:
Joe Flizzow, Leaflizard, Malique and Biz Markie
composer:
Biz Markie
Biz Markie3.83:58
60Girls Like
recording of:
Girls Like
Tinie Tempah feat. Zara Larsson43:15
61Prayer in C (Robin Schulz radio edit)
producer:
Pierre Guimard
vocals:
Lilly Wood and The Prick
remixer:
Robin Schulz
arranger:
Pierre Guimard
phonographic copyright (℗) by:
Choke Industry (from 2014 to present)
remix of:
Prayer in C by Lilly Wood & The Prick
recording of:
Prayer in C
writer:
Benjamin Cotto and Nili Hadida
publisher:
Choke Industry and Warner Chappell Music France
part of:
Matuschkes Lieblinge 2014 and Prix Rolf Marbot de la chanson de l’année (number: 2014)
Lilly Wood and The Prick3.553:09
62Ironic (2015 remaster)
recording engineer:
Glen Ballard and Ted Blaisdell
producer:
Glen Ballard
mixer:
Chris Fogel (engineer)
bass:
Lance Morrison
drums (drum set) and percussion:
Rob Ladd
guitar:
Glen Ballard and Basil Fung
organ:
Michael Thompson (American arranger, keyboardist, trombonist, accordionist and drummer)
vocals:
Alanis Morissette
music videos:
Ironic by Alanis Morissette
recording of:
Ironic
lyricist:
Alanis Morissette
composer:
Glen Ballard and Alanis Morissette
publisher:
Aerostation Corporation, Arlovol Music and Vanhurst Place Music
part of:
Jagged Little Pill (the musical)
Alanis Morissette43:50
63Like Glue
recording of:
Like Glue
lyricist:
Sean Paul (Jamaican reggae/dancehall)
composer:
Tony Kelly (reggae producer)
Sean Paul43:53
64Airplanes
recording engineer:
Paul Bailey (American engineer) and Mike Wilson (hip hop engineer)
co-producer:
Frank E. (Justin Franks)
producer:
Alex da Kid (UK musician, record producer, songwriter, record executive & fashion designer)
assistant mixer:
Erik Madrid (engineer) and Christian Plata
mixer:
Manny Marroquin
additional guitar [guitars]:
J Browz (for Veers Music) and Josh Lopez (guitarist/singer/songwriter from Colorado)
additional vocals:
Hayley Williams (Paramore vocalist)
lead vocals:
B.o.B (US rapper Bobby Ray Simmons, Jr.)
produced for:
Wonderland Music, LLC
miscellaneous support:
Veers Music (task: additional guitars for)
recorded at:
Paramount Studios in Hollywood, Los Angeles, California, United States and Patchwerk Studios in Atlanta, Georgia, United States
mixed at:
Larrabee North in North Hollywood, Los Angeles, California, United States
music videos:
Airplanes by B.o.B (US rapper Bobby Ray Simmons, Jr.) feat. Hayley Williams of Paramore (Paramore vocalist)
recording of:
Airplanes
publisher:
J. Franks (Justin Franks), Kinetics (US rapper, producer & songwriter) and One Love
writer:
Alex Grant (UK musician, record producer, songwriter, record executive & fashion designer), Bobby Simmons Jr. (US rapper Bobby Ray Simmons, Jr.), Jeremy Dussolliet (US rapper, producer & songwriter), Justin Franks (Justin Franks) and Tim Sommers
publisher:
Artist Publishing Group West, Ham Squad Music, Shady Music Publishing, LLC (BMI), Songs of Universal, Inc. (BMI) and WB Music Corp. (1929–2019)
B.o.B feat. Hayley Williams4.53:00
65Sleeping Satellite
recording of:
Sleeping Satellite
writer:
Tasmin Archer, John Beck (Writer, producer & musician) and John Hughes (Writer, Producer, Musician)
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!)
Tasmin Archer44:19
66Brass in Pocket
engineer:
Bill Price (UK producer/engineer)
producer:
Chris Thomas (UK record producer / remixer)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1979, in 1987, in 2000)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 89) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 389)
recording of:
Brass in Pocket
writer:
James Honeyman‐Scott and Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
publisher:
ATV Music Ltd., Banks Clive Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Hynde House of Hits Music and Modern Music Publishing Co., Inc.
Pretenders43:04
67Long Train Runnin’
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1973) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1973)
recording of:
Long Train Runnin’
lyricist and composer:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner Bros. Music (publisher; do NOT use as release label) (in 1982) and Warner Chappell Music (publisher as Warner/Chappell Music) (in 1991)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Doobie Brothers4.13:27
68Light My Fire
engineer and mixer:
Bruce Botnick
producer:
Paul A. Rothchild
drums (drum set):
John Densmore (in 1966-09)
guitar:
Robby Krieger (American guitarist, member of The Doors) (in 1966-09)
keyboard:
Ray Manzarek (in 1966-09)
vocals:
Jim Morrison (lead vocalist of the Doors) (in 1966-09)
phonographic copyright (℗) by:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1967), Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1967, in 2017), Elektra (all releases with “Elektra” or “Elektra Entertainment” logo, 1950 to present) (in 1971) and Rhino Entertainment Company (not for release label use!) (in 2017)
engineered at:
Sunset Sound Recorders in Hollywood, Los Angeles, California, United States
music videos:
Light My Fire by The Doors
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 35) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 310)
recording of:
Light My Fire (in 1966-09)
writer:
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek and Jim Morrison (lead vocalist of the Doors)
publisher:
Doors Music Company, Nipper Music, Rondor Music (London) Ltd. and 日音 Synch事業部 (NICHION, INC. Synch Division)
The Doors4.37:10
69Golden Brown
co-producer:
Steve Churchyard
producer:
Steve Churchyard and The Stranglers
mixer:
Tony Visconti
performer:
The Stranglers
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
recording of:
Golden Brown
writer:
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) and Dave Greenfield
publisher:
Complete Music, Complete Music Ltd., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd. and Plumbshaft-Ltd.
The Stranglers4.43:27
70Good Feeling
samples:
Something’s Got a Hold on Me by Etta James
recording of:
Good Feeling
writer:
Arash Pournouri, Tim Bergling, Cirkut, Dr. Luke, Flo Rida (American rapper), Breyan Isaac, Etta James, Leroy Kirkland and Pearl Woods (60s R&B)
Flo Rida3.54:08
71We Are Young
additional programming:
Ken Lewis (recording engineer and mixer)
drum machine [drum] programming:
Jeff Bhasker
engineer:
Andrew Dawson (US mix engineer), Sonny Pinnar (UK producer/engineer John Simpson, aka Sonny Pinna) (strings) and Stuart White
producer:
Jeff Bhasker and TommyD (task: orchestral producer)
assistant mixer:
Stuart White
mixer:
Jeff Bhasker
cello:
Rosie Danvers and Jane Oliver (cellist)
double bass:
Lucy Shaw (double bassist)
flute:
Chloe Vincent
French horn:
Richard Ashton, Corinne Bailey (British hornist) and Richard Bissel (horn player)
keyboard [keyboards] and background vocals:
Jeff Bhasker
strings:
Wired Strings
trombone:
Mark Frost (trombone), Pat Hartley and Trevor Mires
viola:
Natalie Cavey and Emma Owens (violist, violinist, strings)
violin:
Natalia Bonner (violinist), Stephanie Cavey, Sally Jackson (violinist) and Jenny Sacha
choir vocals:
Ky'lee Abrams, Boyce Buchanan, Marley Mulvihill, Lowell Novitch, Renata Robins, Skye Saltzman, Finn Snyder, Genevieve Thomas, West Los Angeles Children’s Choir and Janet Yang
conductor:
Barbara Klaskin Silberg
orchestrator:
Jeff Bhasker and Rosie Danvers
phonographic copyright (℗) by:
Fueled by Ramen, LLC (not for release label use; fka Fueled by Ramen, Inc.) (in 2011)
recorded at:
Enormous Studios in Los Angeles, California, United States, Jungle City in New York, New York, United States, Livingston Studios in Wood Green, Haringey, London (Greater London), England, United Kingdom (strings) and The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California, United States (choir vocals)
a cappella versions:
We Are Young by The Beelzebubs (Tufts University all-male a cappella group)
part of:
Grammy Award: Best Pop Duo/Group Performance nominees (number: 2013), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 276), BILLIONS CLUB and Indie 88: Top 500 Indie Rock Songs (number: 420)
recording of:
We Are Young
writer:
Jeff Bhasker and Fun. (American indie pop band)
publisher:
Bearvon Music, FBR Music, Rough Art, Shira Lee Lawrence Rick Music, SonyATV Songs LLC, Way Above Music and WB Music Corp. (1929–2019)
fun. feat. Janelle Monáe4.054:11
72One Week
recording engineer and engineer:
David Leonard (US producer and engineer) and Susan Rogers (US sound engineer)
miscellaneous support:
Ed (task: Dans la Maison) and Tyler (task: Dans la Maison)
producer:
Barenaked Ladies, David Leonard (US producer and engineer) and Susan Rogers (US sound engineer)
mixer:
David Leonard (US producer and engineer)
acoustic guitar:
Ed
drums (drum set):
Tyler
electric guitar:
Ed and Kevin
electric upright bass [electric double bass]:
Jim
keyboard:
Kevin
vocals:
Ed and Steven (Barenaked Ladies)
recorded at:
Arlyn Studios (sister of Pedernales Studio) in Austin, Texas, United States (in 1998-02) and Phase One Studios in Toronto, Ontario, Canada (in 1998-03)
mixed at:
East Iris Studios in Nashville, Tennessee, United States (from 1998-03 until 1998-04)
music videos:
One Week by Barenaked Ladies
recording of:
One Week
lyricist and composer:
Ed Robertson
publisher:
Treat Baker Music and WB Music Corp. (1929–2019)
Barenaked Ladies4.12:50
73Turn Me On
recording of:
Turn Me On (Lyttle original)
lyricist:
Daron Jones, Michael Keith (US r&b artist, in 112), Kevin Lyttle, Marvin Scandrick (US R&B artist Marvin Scandrick, of group 112), Quinnes Parker, Raeon Primus and Courtney Sills
composer:
Arnold Hennings, Daron Jones, Kevin Lyttle and Raeon Primus
Kevin Lyttle4.153:12
74Listen to Your Heart
engineer:
Anders Herrlin (in 1988-08) and Alar Suurna (in 1988-08)
producer:
Clarence Öfwerman
mixer:
Per Gessle (Swedish singer and guitarist), Clarence Öfwerman and Alar Suurna
drums (drum set):
Pelle Alsing (in 1988-08)
electric guitar:
Jonas Isacsson (in 1988-08)
keyboard:
Clarence Öfwerman (in 1988-08)
background vocals:
Marie Fredriksson (in 1988-08), Per Gessle (Swedish singer and guitarist) (in 1988-08) and Clarence Öfwerman (in 1988-08)
lead vocals:
Marie Fredriksson (in 1988-08)
phonographic copyright (℗) by:
EMI Music Sweden AB (not for release label use! SE subsidiary of EMI) and EMI Svenska AB (not for release label use!)
recorded at:
Audio Sweden in Stockholm, Stockholms län (Stockholm county), Sweden (in 1988-08) and EMI Studios in Stockholm, Stockholms län (Stockholm county), Sweden (in 1988-08)
mixed at:
EMI Studios in Stockholm, Stockholms län (Stockholm county), Sweden
recording of:
Listen to Your Heart (Roxette song) (in 1988-08)
lyricist:
Per Gessle (Swedish singer and guitarist)
composer:
Per Gessle (Swedish singer and guitarist) and Mats Arne Persson (“M.P.”)
publisher:
Jimmy Fun Music
Roxette3.65:28
75Drive
recording engineer:
Nigel Green (engineer)
producer:
The Cars and Robert John “Mutt” Lange (Robert John Lange)
mixer:
Mike Shipley (audio engineer, mixer, producer)
bass:
Benjamin Orr (co-lead singer for The Cars)
drums (drum set):
David Robinson (US rock drummer)
guitar:
Elliot Easton and Ric Ocasek
keyboard:
Greg Hawkes
vocals:
Elliot Easton, Greg Hawkes, Ric Ocasek and Benjamin Orr (co-lead singer for The Cars)
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1984) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
recorded at:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, United Kingdom
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
music videos:
Drive by The Cars
recording of:
Drive
publisher:
Ric Ocasek (in 1983)
lyricist and composer:
Ric Ocasek
publisher:
Carlin Music Corp., Gallo Music Publishing, Lido Music, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US) and Warner/Chappell Music Ltd. (1996–2019)
The Cars43:54
76Ain’t No Doubt
recording of:
Ain’t No Doubt
writer:
Charlie Dore, Jimmy Nail, Guy Pratt and Danny Schogger
Jimmy Nail4:08
77Somewhere Only We Know
programming, producer and mixer:
Paul Beard (violinist)
engineer:
Joe Kearns (British record producer, writer and engineer)
co-mixer:
Joe Kearns (British record producer, writer and engineer)
acoustic guitar:
Paul Sayer
percussion and piano:
Paul Beard (violinist)
lead vocals:
Lily Allen
strings arranger:
James Banbury, Andy Cook (engineer), Matt Doughty and Will Hicks
arranger:
Paul Beard (violinist)
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 2014)
cover recording of:
Somewhere Only We Know
writer:
Tom Chaplin, Richard Hughes (Keane member) and Tim Rice‐Oxley
publisher:
BMG Music Publishing Ltd.
Lily Allen43:29
78Replay
part of:
BILLIONS CLUB
recording of:
Replay
writer:
Jason Desrouleaux, Jonathan Rotem, Keidran Jones, Kisean Anderson (Jamaican-American rapper, singer, composer & record producer), Thomas Theron and Timothy Theron (US-based caribbean R&B/hip hop musician)
publisher:
Art in the Fodder Music, Beluga Heights Music, Eyes above Water Music, Irving Music, Inc., Jason Derulo Publishing, Jonathan Rotem Music, Sony/ATV Songs LLC, TNT Explosive Publishing, Universal Music Corp. (USA, affiliated with ASCAP) and Yaggamentz Music
Iyaz3.83:02
79Move On Up
edit of:
Move On Up by Curtis Mayfield
recording of:
Move on Up
lyricist and composer:
Curtis Mayfield
publisher:
Camad Music Company (ended), Curtom Publishing Co Inc (ended), EMI Tunes Ltd, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Curtis Mayfield42:46
80Love Like This
recording of:
Love Like This
writer:
Schon-Jomel Crawford, Bernard Edwards (American bassist and record producer), Clarence Emery, Faith Evans, Ron Lawrence (US hip-hop producer aka Amen-Ra), Nile Rodgers and Sean Combs (Sean Combs, aka Puff Daddy, P. Diddy)
Faith Evans44:36
81Land of 1000 Dances
producer:
Jerry Wexler
baritone saxophone:
Floyd Newman (from 1966-05-08 until 1966-05-11)
bass guitar [bass]:
Tommy Cogbill (from 1966-05-08 until 1966-05-11)
drums (drum set):
Roger Hawkins (from 1966-05-08 until 1966-05-11)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1966-05-08 until 1966-05-11) and Chips Moman (from 1966-05-08 until 1966-05-11)
piano:
Spooner Oldham (from 1966-05-08 until 1966-05-11)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1966-05-08 until 1966-05-11) and Andrew Love (from 1966-05-08 until 1966-05-11)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (from 1966-05-08 until 1966-05-11)
vocals:
Wilson Pickett (from 1966-05-08 until 1966-05-11)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (from 1966-05-08 until 1966-05-11)
cover recording of:
Land of 1000 Dances (from 1966-05-08 until 1966-05-11)
lyricist and composer:
Chris Kenner
additional writer:
Antoine Domino (Fats Domino)
publisher:
Anatole, EMI Longitude Music, J. Albert & Son Pty. Ltd. and Tune-Kel
Wilson Pickett42:27
82You’re So Vain
recording engineer:
Robin Geoffrey Cable (from 1972-09 until 1972-10)
engineer:
Robin Geoffrey Cable
producer:
Richard Perry (producer)
bass:
Klaus Voorman (from 1972-09 until 1972-10)
drums (drum set):
Jim Gordon (US drummer with Derek and the Dominos) (from 1972-09 until 1972-10)
guitar:
Jimmy Ryan (American guitarist and singer/songwriter) (from 1972-09 until 1972-10)
percussion:
Richard Perry (producer) (from 1972-09 until 1972-10)
piano and lead vocals:
Carly Simon (from 1972-09 until 1972-10)
additional background vocals:
Carly Simon (from 1972-09 until 1972-10) and Doris Troy (from 1972-09 until 1972-10)
background vocals:
Mick Jagger (from 1972-09 until 1972-10)
strings arranger:
Carly Simon
orchestrator:
Paul Buckmaster
phonographic copyright (℗) by:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1972), Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1978), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984) and Rhino Entertainment Company (not for release label use!) (in 2015)
recorded at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom (from 1972-09 until 1972-10)
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 100), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 140) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 495)
recording of:
You’re So Vain (from 1972-09 until 1972-10)
lyricist and composer:
Carly Simon
publisher:
C’est Music, Quackenbush Music, Ltd. (ASCAP-affiliated), Universal Music Corporation (USA, affiliated with ASCAP) and Universal Music Publishing Group
Carly Simon4.64:18
83If You Leave Me Now
recording engineer:
Armin Steiner (from 1976-03 until 1976-04: strings)
assistant engineer:
Tom Likes
engineer:
Wayne Tarnowski
producer:
James William Guercio
acoustic guitar and bass:
James William Guercio (from 1976-03 until 1976-04)
lead vocals:
Peter Cetera (from 1976-03 until 1976-04)
French horn arranger and strings arranger:
Jimmie Haskell
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Rhino Entertainment Company (not for release label use!) (in 1976, in 2002), Warner Strategic Marketing Inc. (in 1976) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1976)
recorded at:
Sound Labs, Inc. in Hollywood, Los Angeles, California, United States, Sound Labs, Inc. in Hollywood, Los Angeles, California, United States (strings) and Caribou Ranch Recording Studio in Nederland, Colorado, United States (from 1976-03 until 1976-04)
mixed at:
Caribou Ranch Recording Studio in Nederland, Colorado, United States (from 1976-03 until 1976-04)
recording of:
If You Leave Me Now (from 1976-03 until 1976-04)
lyricist:
Peter Cetera
composer:
Peter Cetera (in 1976)
publisher:
Big Elk Music, BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Fairwood Music Ltd., Island Music Ltd., Polish Prince Music and Spirit Music Publishing Ltd.
Chicago4.23:55
84Life’s Been Good
recording of:
Life’s Been Good
lyricist and composer:
Joe Walsh (Eagles/James Gang)
publisher:
Wow & Flutter Music
Joe Walsh44:39
85La bamba
producer:
Mitchell Froom
performer:
Los Lobos (Chicano rock band)
arranger:
Ritchie Valens
phonographic copyright (℗) by:
FFRR Records Ltd. (company name, NOT a label!) (in 1987)
cover recording of:
La bamba (additional lyrics by Ritchie Valens)
additional lyricist:
Ritchie Valens
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Ritchie Valens
publisher:
Carlin Music Corporation, EMI Longitude Music and M.P.A. (M.P.A.)
version of:
La bamba
Los Lobos4.252:56
86Under the Boardwalk
recorded in:
New York, New York, United States (on 1964-05-21)
producer:
Bert Berns and Mike Leander
double bass [bass]:
Milt Hinton (on 1964-05-21)
drums (drum set) [drums]:
Gary Chester (studio drummer and educator) (on 1964-05-21)
guitar:
Everett Barksdale (on 1964-05-21), Bill Suyker (on 1964-05-21), Billy Davis (US guitarist & songwriter; member/manager of The Drifters) (on 1964-05-21) and Bob Bushnell (on 1964-05-21)
piano:
Ernie Hayes (American pianist, organist and arranger) (on 1964-05-21)
strings [nine strings]:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1964-05-21)
vibraphone [vibes]:
George Devens (on 1964-05-21)
baritone vocals:
Gene Pearson (vocals, Drifters) (on 1964-05-21)
bass vocals:
Winifred Terry (on 1964-05-21)
lead vocals:
Johnny Moore (soul/rnb vocalist for The Drifters) (on 1964-05-21)
tenor vocals:
Charlie Thomas (The Drifters) (on 1964-05-21)
conductor:
Gary Sherman (mid-20th century composer, arranger & conductor) (on 1964-05-21)
arranger:
Gary Sherman (mid-20th century composer, arranger & conductor) and Teacho Wiltshire
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1988) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 6), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 304) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 487)
recording of:
Under the Boardwalk (on 1964-05-21)
writer:
Arthur Resnick (songwriter, producer) and Kenny Young
publisher:
Alley Music Corp., Intersong (publisher), TM Music Ltd. and Trio Music Company
The Drifters4.352:38
87Walk On By
vocals:
Dionne Warwick
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 51), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 70), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 129)
recording of:
Walk On By
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David), Carlin Music Corporation, Casa David, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), JAC Music Co., Inc., New Hidden Valley Music Co., Rondor Music (Australia) Pty Ltd, Universal/MCA Music Ltd. (not for release label use!), Warner Chappell Music, Inc., Windswept Music (London) Ltd., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) and フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Dionne Warwick4.752:55
88When a Man Loves a Woman
producer:
Marlin Greene (’60s teen artist, writer & engineer) and Quin Ivy
double bass:
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (on 1966-02-17)
drums (drum set):
Roger Hawkins (on 1966-02-17)
farfisa [farfisa organ]:
Spooner Oldham (on 1966-02-17)
guitar:
Marlin Greene (’60s teen artist, writer & engineer) (on 1966-02-17)
vocals:
Percy Sledge (on 1966-02-17)
phonographic copyright (℗) by:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (, in 1966) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1966)
recorded at:
Norala Studio in Sheffield, Alabama, United States (on 1966-02-17)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 54) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
When a Man Loves a Woman (on 1966-02-17)
writer:
Calvin Lewis and Andrew Wright (US keyboardist)
publisher:
Mijac Music, Warner Chappell, Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell (Warner/Chappell Music, Inc.), Pronto Music, Inc. (publisher) (from 1966 to present), Quinvy Music Publishing Company, Inc. (from 1966 to present), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (from 1966 to present), Pronto (BMI‐affiliated publishing company) (in 1972) and Quinvy (record company and publisher) (in 1972)
Percy Sledge4.352:50
89I Wanna Be the Only One
mixer:
Andy Bradfield
guest vocals:
BeBe Winans (American gospel - soul singer, R&B producer and radio presenter)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1997)
recording of:
I Wanna Be the Only One
lyricist:
BeBe Winans (American gospel - soul singer, R&B producer and radio presenter)
composer:
Rhett Lawrence and BeBe Winans (American gospel - soul singer, R&B producer and radio presenter)
publisher:
Benny’s Music (BeBe Winans publisher), BMG Songs Inc., EMI Blackwood Music Inc. and Rhettrhyme Music
Eternal feat. Bebe Winans2.653:37
90You Might Need Somebody
recording engineer and engineer:
Ben ‘Jammin’ Robbins (UK producer, engineer, songwriter, arranger and keyboardist) and Ed Lover
membranophone programming:
Ed Baden Powell
producer:
D’Influence
additional keyboard:
Kwame Kwaten
bass guitar:
Ed Baden Powell
horn:
D-I Horny Horns, Steve Marston and Kenny Wellington
strings:
Stephen Hussey
background vocals and lead vocals:
Shola Ama
performer:
D-I Horny Horns
strings arranger:
Ed Baden Powell
arranger:
D’Influence
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1997)
recorded at:
R G Jones in Wimbledon, Merton, London (Greater London), England, United Kingdom and The D Lab
cover recording of:
You Might Need Somebody
composer:
Nan O’Byrne (American songwriter and composer) and Tom Snow (US keyboardist/songwriter)
Shola Ama3.654:53
91Sailing
Rod Stewart4:38
92Hi Ho Silver Lining
producer:
Mickie Most (English record producer) (on 1967-01-19)
bass guitar:
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures) (on 1967-01-19)
drums (drum set):
Clem Cattini (on 1967-01-19)
electric guitar and lead vocals:
Jeff Beck (English rock guitarist) (on 1967-01-19)
background vocals:
Rod Stewart (on 1967-01-19)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
engineered at:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, United Kingdom (on 1967-01-19)
recording of:
Hi Ho Silver Lining (on 1967-01-19)
writer:
Scott English and Larry Weiss (American singer-songwriter)
publisher:
EMI Music Publishing (do not use as a release label!)
Jeff Beck22:56
93I Got You Babe
vocals:
Sonny Bono (in 1965) and Cher (in 1965)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1965)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 331) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 444)
recording of:
I Got You Babe (in 1965)
lyricist and composer:
Sonny Bono
publisher:
Carlin Music, Chris Marc Music, Cotillion Music (BMI) and Warner/Chappell Music Ltd. (1996–2019)
Sonny & Cher43:10
94Cannonball
music videos:
Cannonball (Music video) by Damien Rice
recording of:
Cannonball
writer:
Damien Rice
Damien Rice4.355:10
95All I Have to Do Is Dream
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 141) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 323)
recording of:
All I Have to Do Is Dream (in 1958)
lyricist and composer:
Boudleaux Bryant
publisher:
House of Bryant Publications (publisher; do NOT use as release label), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and Acuff-Rose Publications, Inc. (BMI) (on 1958-04-21)
The Everly Brothers42:24
96Summer Holiday
producer:
Norrie Paramor
vocals:
Cliff Richard
performer:
The Shadows (British pop/rock band that once backed Cliff Richard)
recording of:
Summer Holiday
writer:
Brian Bennett (Shadows drummer) and Bruce Welch (English guitarist, singer, songwriter and producer)
publisher:
Elstree Music and EMI Music Publishing Australia Pty. Ltd. (not for release label use!)
Cliff Richard & The Shadows52:07
97Iris
assistant engineer:
Greg Burns (engineer) and Rafa Sardina
engineer:
Allen Sides
producer:
Rob Cavallo and Goo Goo Dolls
mixer:
Jack Joseph-Puig
bass guitar [bass]:
Robby Takac
drums (drum set) [drums] and percussion:
Mike Malinin
guitar:
John Rzeznik
mandolin:
Tim Pierce (US session guitarist)
piano:
Jamie Muhoberac
vocals:
John Rzeznik and Robby Takac
strings [string] arranger:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
music videos:
Iris by Goo Goo Dolls
recording of:
Iris
lyricist and composer:
John Rzeznik
The Goo Goo Dolls4.154:50
98(Sittin’ on) The Dock of the Bay
producer:
Jerry Bruckheimer, Steve Cropper and Don Simpson (American film producer, screenwriter, and actor)
bass guitar:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (from 1967-11-22 until 1967-12-07)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer) (from 1967-11-22 until 1967-12-07)
guitar:
Steve Cropper (from 1967-11-22 until 1967-12-07)
keyboard:
Isaac Hayes (from 1967-11-22 until 1967-12-07) and Booker T. Jones (from 1967-11-22 until 1967-12-07)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (from 1967-11-22 until 1967-12-07)
vocals:
Otis Redding (from 1967-11-22 until 1967-12-07)
whistling:
Otis Redding (from 1967-11-22 until 1967-12-07)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 44) and Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 45)
recording of:
(Sittin’ on) the Dock of the Bay (from 1967-11-22 until 1967-12-07)
writer:
Steve Cropper and Otis Redding
publisher:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. (holding: file NO releases), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music EH(CM) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Otis Redding4.452:47
99Summer Breeze
producer:
Louie Shelton
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972) and Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (in 1972)
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 10)
recording of:
Summer Breeze
lyricist:
James Seals
composer:
Dash Crofts and James Seals
publisher:
Dawnbreaker Mus. Co. Ltd USA, Faizilu Publishing, MCA Music Ltd., Songs of Universal, Inc. (BMI), Sutjujo Music, Universal Duchess Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Seals and Crofts4.353:25
100Beyond the Sea
producer:
Ahmet Ertegun (US American Songwriter, producer), Nesuhi Ertegun and Jerry Wexler
vocals:
Bobby Darin (on 1958-08-24)
conductor:
Richard Wess (on 1958-08-24)
arranger:
Richard Wess
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 397)
cover recording of:
Beyond the Sea (on 1958-08-24)
lyricist:
Jack Lawrence (US songwriter)
composer:
Charles Trenet
publisher:
Bro ’n Sis Music, Éditions Raoul Breton, Music 1 Ltd., Range Road Music Inc., Warner/Chappell Music International, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) and 日音 Synch事業部 (NICHION, INC. Synch Division)
translated version of:
La Mer
Bobby Darin52:52

Credits

Release

copyrighted (©) by and phonographic copyright (℗) by:Rhino UK (company credits only; do NOT use as release label) (in 2019)
stream for free:https://open.spotify.com/album/58IL53Y9hzyWQDarCKElbi [info]