The Greatest No. 1 Singles

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

| |
1▼CD
#TitoloArtistaValutazioneDurata
1Bohemian Rhapsody
tecnico audio aggiunto:
Gary Lyons (UK engineer & producer)
tecnico aggiunto:
Kris Fredriksson
tecnico esecutivo:
Mike Stone (producer and engineer, 1960s–80s)
produttore:
Roy Thomas Baker (producer) e Queen (UK rock group)
produttore esecutivo:
Brian May (Queen guitarist) e Roger Taylor (Queen drummer)
batteria , gong e timpani :
Roger Taylor (Queen drummer) (dal 1975-08-24 al 1975-09-14)
chitarra :
Brian May (Queen guitarist) (dal 1975-08-24 al 1975-09-14)
chitarra basso :
John Deacon (dal 1975-08-24 al 1975-09-14)
pianoforte e voce principale e altra voce [operatic vocals]:
Freddie Mercury (dal 1975-08-24 al 1975-09-14)
altra voce [operatic vocals]:
Brian May (Queen guitarist) (dal 1975-08-24 al 1975-09-14) e Roger Taylor (Queen drummer) (dal 1975-08-24 al 1975-09-14)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1975) e Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (nel 1975, nel 2011)
registrata presso:
Rockfield Studios in Monmouth, Monmouthshire, Wales, Regno Unito (dal 1975-08-24 al 1975-09-14)
mixata presso:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Regno Unito
video musicali:
Bohemian Rhapsody di Queen (UK rock group)
parte di:
SWR1 Hitparade 2006 (Baden-Württemberg) (numero: 1), SWR1 Hitparade 2013 (Baden-Württemberg) (numero: 1), SWR1 Hitparade 2018 (Baden-Württemberg) (numero: 1), SWR1 Hitparade 2019 (Baden-Württemberg) (numero: 1), SWR1 Hitparade 2020 (Baden-Württemberg) (numero: 1), SWR1 Hitparade 2021 (Baden-Württemberg) (numero: 1), SWR1 Hitparade 2022 (Baden-Württemberg) (numero: 1), SWR1 Hitparade 2023 (Baden-Württemberg) (numero: 1), SWR1 Hitparade 2004 der Männer (Baden-Württemberg) (numero: 2), SWR1 Hitparade 2005 der Badener (Baden-Württemberg) (numero: 2), SWR1 Hitparade 2005 der Württemberger (Baden-Württemberg) (numero: 2), SWR1 Hitparade 2007 (Baden-Württemberg) (numero: 2), SWR1 Hitparade 2008 (Baden-Württemberg) (numero: 2), SWR1 Hitparade 2009 (Baden-Württemberg) (numero: 2), SWR1 Hitparade 2010 (Baden-Württemberg) (numero: 2), SWR1 Hitparade 2011 (Baden-Württemberg) (numero: 2), SWR1 Hitparade 2012 (Baden-Württemberg) (numero: 2), SWR1 Hitparade 2014 (Baden-Württemberg) (numero: 2), SWR1 Hitparade 2015 (Baden-Württemberg) (numero: 2), SWR1 Hitparade 2016 (Baden-Württemberg) (numero: 2), SWR1 Hitparade 2017 (Baden-Württemberg) (numero: 2), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 3), SWR1 Hitparade 2003 (Baden-Württemberg) (numero: 3), SWR1 Hitparade 2004 der Frauen (Baden-Württemberg) (numero: 3), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 17), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Spotify: Top Hits of 2019 (numero: 65) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 163)
registrazione di:
Bohemian Rhapsody (dal 1975-08-24 al 1975-09-14)
paroliere e compositore:
Freddie Mercury
editore:
B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Queen Music Ltd., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
parte di:
We Will Rock You (Queen musical)
parte di:
We Will Rock You (German version of the Queen musical)
Queen4.455:57
2A Whiter Shade of Pale
produttore:
Denny Cordell
batteria ospite :
Bill Eyden
chitarra :
Ray Royer
chitarra basso :
David Knights
organo Hammond :
Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
voce:
Gary Brooker
diritti fonografici (℗) detenuti da:
Onward Music Ltd. (nel 1967)
parte di:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 46), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 57) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 271)
registrazione di:
A Whiter Shade of Pale
paroliere:
Keith Reid
compositore:
Gary Brooker e Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
editore:
Belsize Music Ltd., Essex Music International Ltd., Onward Music Ltd., The Richmond Organization Éditions Essex (TRO) e Westminster Music Ltd.
sub-editore:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
si basa su:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
si basa su:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Procol Harum4.14:01
3Stand by Me
registrata a:
New York, New York, Stati Uniti (il 1960-10-27)
produttore:
Leiber and Stoller (songwriting team)
voce:
Ben E. King (il 1960-10-27)
direttore d'orchestra:
Stan Applebaum (US composer, arranger and conductor) (il 1960-10-27)
arrangiatore:
Stan Applebaum (US composer, arranger and conductor)
diritti fonografici (℗) detenuti da:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1960, nel 1961) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1986)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1961 (numero: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 131) e BILLIONS CLUB
registrazione di:
Stand by Me (il 1960-10-27)
editore:
Mike Stoller
autore:
Ben E. King, Jerry Leiber e Mike Stoller
editore:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music e Universal Music Publishing (use ONLY if no country‐specific information is available)
Ben E. King4.652:59
4I Heard It Through the Grapevine
produttore:
Norman Whitfield
basso [1962 Fender Precision Bass] :
James Jamerson (dal 1967-02-03 al 1967-04-10)
batteria :
Uriel Jones (dal 1967-02-03 al 1967-04-10)
chitarra [1964 Gibson Firebird III] :
Eddie Willis (dal 1967-02-03 al 1967-04-10)
chitarra [Fender Telecaster with Jazzmaster Neck] :
Joe Messina (dal 1967-02-03 al 1967-04-10)
congas e tamburello :
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (dal 1967-02-03 al 1967-04-10)
corno francese :
Don Ozga (dal 1967-02-03 al 1967-04-10) e Edwin Jones (dal 1967-02-03 al 1967-04-10)
organo Hammond [B-3] :
Earl Van Dyke (dal 1967-02-03 al 1967-04-10)
piano elettrico Wurlitzer :
Johnny Griffith (dal 1967-02-03 al 1967-04-10)
strumenti:
The Funk Brothers (dal 1967-02-03 al 1967-04-10)
tom-tom :
Richard "Pistol" Allen (dal 1967-02-03 al 1967-04-10)
voce di accompagnamento:
The Andantes (dal 1967-02-03 al 1967-04-10), Marlene Barrow (dal 1967-02-03 al 1967-04-10), Louvain Demps (dal 1967-02-03 al 1967-04-10) e Jackie Hicks (dal 1967-02-03 al 1967-04-10)
voce principale:
Marvin Gaye (dal 1967-02-03 al 1967-04-10)
orchestra:
Detroit Symphony Orchestra (dal 1967-02-03 al 1967-04-10)
arrangiatore archi :
Paul Riser (dal 1967-02-03 al 1967-04-10)
orchestratore:
Paul Riser (dal 1967-02-03 al 1967-04-10)
diritti fonografici (℗) detenuti da:
Motown Record Company (company credits only; do NOT use as release label) (nel 1968)
registrata presso e mixata presso:
Hitsville (Motown Records) in Detroit, Michigan, Stati Uniti (dal 1967-02-03 al 1967-04-10)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 80), Billboard: Greatest of All Time Hot 100 Songs (numero: 93), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 119) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 307)
registrazione cover di:
I Heard It Through the Grapevine (dal 1967-02-03 al 1967-04-10)
autore:
Barrett Strong e Norman Whitfield
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia, EMI Songs Scandinavia AB, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobette-Carlin Music Ltd., Stone Agate Music, Stone Agate Music Division e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Marvin Gaye4.053:12
5Space Oddity
produttore:
Gus Dudgeon
basso :
Herbie Flowers (nel 1969-06)
batteria :
Terry Cox (UK rock drummer) (nel 1969-06)
chitarra a 12 corde e battimani , stilofono Dubreq , voce di accompagnamento e voce principale:
David Bowie (English singer‐songwriter) (nel 1969-06)
chitarra elettrica :
Mick Wayne (nel 1969-06)
mellotron :
Rick Wakeman (nel 1969-06)
violoncello :
Paul Buckmaster (nel 1969-06)
arrangiatore:
David Bowie (English singer‐songwriter) e Paul Buckmaster
diritti fonografici (℗) detenuti da:
Jones/Tintoretto Entertainment Company LLC (nel 1969, nel 2009), Jones/Tintoretto Entertainment Co. LLC. (nel 1976) e Valerian S.A.S. (nel 2017)
registrata presso:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Regno Unito (nel 1969-06)
video musicali:
Space Oddity (1973, Bowie with red hair & acoustic guitar) di David Bowie (English singer‐songwriter) e Space Oddity (1969, Bowie with round glasses & cap) di David Bowie (English singer‐songwriter)
versioni a cappella:
Space Oddity / Major Tom (Coming Home) di Tufts Beelzebubs (Tufts University all-male a cappella group)
parte di:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 42), Indie 88: Top 500 Indie Rock Songs (numero: 53) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 189)
registrazione di:
Space Oddity (nel 1969-06)
paroliere e compositore:
David Bowie (English singer‐songwriter)
editore:
Onward Music Ltd., TRO Essex Music International, Inc., Tro-Cromwell Music, Inc. e Westminster Music Ltd.
David Bowie4.355:14
6House of the Rising Sun
produttore:
Mickie Most (English record producer)
batteria :
John Steel (English musician)
chitarra basso :
Chas Chandler
chitarra elettrica :
Hilton Valentine
organo :
Alan Price
voce principale:
Eric Burdon
diritti fonografici (℗) detenuti da:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (nel 1964) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1964, nel 2002)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 11), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 122), BILLIONS CLUB e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 471)
registrazione di:
The House of the Rising Sun (Alan Price (The Animals) arrangement)
paroliere e compositore:
[traditional] (special purpose artist)
arrangiatore:
Alan Price
editore:
Al Gallico Music, EMI Music Publishing (do not use as a release label!), Keith Prowse, Keith Prowse Music Publishing Co. Ltd. e Universal/MCA Music Ltd. (not for release label use!)
arrangiamento di:
House of the Rising Sun
The Animals4.254:29
7You've Lost That Lovin' Feelin'
diritti fonografici (℗) detenuti da:
Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (nel 1965)
registrazione di:
You’ve Lost That Lovin’ Feelin’
autore:
Barry Mann, Phil Spector e Cynthia Weil
editore:
ABKCO Music Publishing Pty Ltd, ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Columbia Music (Publisher. Do not use as a release label.), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Mother Bertha Music Inc., Screen Gems–Columbia Music, Inc. e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-editore:
EMI Music Publishing Germany (GmbH & Co. KG), Screen Gems-Columbia Music Ltd., Screen Gems–EMI Music Ltd., 日本アブコ音楽出版 (ABKCO Japan Publishing), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30), ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
The Righteous Brothers43:43
8I Will Survive
produttore:
Dino Fekaris
produttore associato:
Freddie Perren
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1978), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (nel 1978) e Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (nel 1979)
edit di:
I Will Survive (12″ single version) di Gloria Gaynor
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 35), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 251) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 489)
registrazione di:
I Will Survive
autore:
Dino Fekaris e Freddie Perren
editore:
ATV Music, Perren‐Vibes Music, Inc., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Gloria Gaynor3.953:16
9Dancing Queen
tecnico:
Michael B. Tretow
produttore:
Benny Andersson (ABBA) e Björn Ulvaeus
basso :
Rutger Gunnarsson (dal 1976-08-04 al 1976-08-05)
batteria :
Roger Palm (dal 1976-08-04 al 1976-08-05, il 1976-12-03)
clavinet e tastiera :
Benny Andersson (ABBA) (dal 1976-08-04 al 1976-08-05)
viola :
Åke Arvinder (Swedish violist) (il 1976-09-12), Lars Brolin (il 1976-09-12) e Håkan Roos (Swedish violist) (il 1976-09-12)
violino :
Martin Bylund (Swedish violinist) (il 1976-09-12), Anders Dahl (Swedish violinist) (il 1976-09-12), Lars Stegenberg (Swedish violinist) (il 1976-09-12), Gunnar Michols (Swedish violinist) (il 1976-09-12), Claes Nilsson (Swedish violinist) (il 1976-09-12), Bertil Orsin (Swedish violinist) (il 1976-09-12), Sixten Strömvall (Swedish violinist) (il 1976-09-12), Harry Teike (il 1976-09-12) e Krzysztof Zdrzalka (Swedish violinist) (il 1976-09-12)
violoncello :
Hans‐Göran Eketorp (Swedish cellist) (il 1976-09-12) e Åke Olofsson (Swedish cellist) (il 1976-09-12)
voce principale:
Agnetha Fältskog (nel 1976-09) e Frida (Swedish singer and member of ABBA) (nel 1976-09)
arrangiatore archi :
Sven-Olof Walldoff
arrangiatore:
Benny Andersson (ABBA) e Björn Ulvaeus
diritti fonografici (℗) detenuti da:
Polar Music AB (nel 1976) e Polar Music International AB (nel 1976)
registrata presso:
Metronome Studio in Stockholm, Stockholms län (Stockholm county), Svezia (nel 1976), Glen Studio in Stockholms län (Stockholm county), Svezia (dal 1976-08-04 al 1976-08-05) e KMH Studios in Stockholm, Stockholms län (Stockholm county), Svezia (il 1976-12-03)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 2), SWR1 Hitparade 2006 (Baden-Württemberg) (numero: 5), SWR1 Hitparade 2003 (Baden-Württemberg) (numero: 7), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 9), Q50 – December 2005 (numero: 37), The Downloader’s Music Source Book (numero: 43), BILLIONS CLUB, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 171) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 286)
registrazione di:
Dancing Queen (nel 1976)
autore:
Stig Anderson (Stikkan), Benny Andersson (ABBA) e Björn Ulvaeus
editore:
Bocu Music Ltd., EMI Grove Park Music, Inc., EMI Music Publishing (do not use as a release label!), Union Songs AB (publisher), Union Songs Music, Universal Music Publishing Group, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., EMI Waterford Music (dal 1976 a oggi), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (dal 1976 a oggi) e Universal/Union Songs Musikförlag AB (dal 1976 a oggi)
eseguita per la prima volta presso:
Kungliga Operan (Royal Swedish Opera) in Stockholm, Stockholms län (Stockholm county), Svezia (il 1976-06-18)
parte di:
Mamma Mia! (1999 musical)
ABBA43:50
10Heart of Glass
produttore:
Mike Chapman (Australian producer and songwriter)
batteria :
Clem Burke
chitarra :
Frank Infante e Chris Stein
chitarra basso :
Nigel Harrison
tastiera :
Jimmy Destri
voce principale:
Deborah Harry
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007), Capitol Records (imprint of Capitol Records, Inc.) (nel 1978), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1978), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1978) e Chrysalis Records, Inc. (not for release label use!) (nel 1978)
registrata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti
mixata presso:
Forum Studio (recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, Stati Uniti
registrazione di:
Heart of Glass
autore:
Deborah Harry e Chris Stein
editore:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated), Monster Island Music Publishing Corporation e Rare Blue Music Inc (nel 1978)
sub-editore:
フジパシフィックミュージック (Fujipacific Music, Inc.)
versione di:
Once I Had a Love
Blondie4.44:10
11Video Killed the Radio Star
produttore:
The Buggles
chitarra elettrica e voce principale:
Trevor Horn (nel 1979)
tastiera :
Geoff Downes (nel 1979)
cori:
Debi Doss (photographer and singer, Kinks) (nel 1979) e Linda Jardim (nel 1979)
diritti fonografici (℗) detenuti da:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (nel 1979)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 40)
registrazione di:
Video Killed the Radio Star
autore:
Geoff Downes, Trevor Horn e Bruce Woolley
editore:
Ackee Music, Inc., BMG Gold Songs, Carbert Music Inc., Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Island Music Ltd., Round Hill Compositions, Unforgettable Songs Ltd., Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) e Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
Buggles3.953:26
12I'm a Believer
registrata a:
New York, New York, Stati Uniti (dal 1966-10-15 al 1966-10-23)
produttore:
Jeff Barry
basso :
Dick Romoff (dal 1966-10-15 al 1966-10-23)
batteria :
Buddy Salzman (dal 1966-10-15 al 1966-10-23)
chitarra :
Al Gorgoni (dal 1966-10-15 al 1966-10-23) e Sal Ditroia (dal 1966-10-15 al 1966-10-23)
chitarra acustica :
Neil Diamond (dal 1966-10-15 al 1966-10-23)
organo :
Artie Butler (dal 1966-10-15 al 1966-10-23)
pianoforte e tamburello :
Jeff Barry (dal 1966-10-15 al 1966-10-23)
voce di accompagnamento:
Davy Jones (The Monkees member) (dal 1966-10-15 al 1966-10-23) e Peter Tork (dal 1966-10-15 al 1966-10-23)
voce di accompagnamento e voce principale:
Micky Dolenz (dal 1966-10-15 al 1966-10-23)
arrangiatore:
Jeff Barry
diritti fonografici (℗) detenuti da:
Rhino Entertainment Company (not for release label use!) (nel 1966) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1966, nel 1967)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 65) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 341)
registrazione cover di:
I’m a Believer (dal 1966-10-15 al 1966-10-23)
paroliere e compositore:
Neil Diamond (nel 1966)
editore:
Colgems-EMI Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Foray Music, Rondor Music (London) Ltd., Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd. e Stonebridge Music (publisher)
The Monkees4.652:44
13The Tears of a Clown
chitarra :
Marvin Tarplin (il 1966-09-26)
strumenti:
The Funk Brothers (il 1966-09-26)
voce di accompagnamento:
Warren “Pete” Moore (il 1966-09-26), Claudette Robinson (il 1966-09-26), Bobby Rogers (il 1966-09-26) e Ronald White (soul singer, founding member of The Miracles) (il 1966-09-26)
voce principale:
Smokey Robinson (il 1966-09-26)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1967) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1970)
registrata presso:
Hitsville (Motown Records) in Detroit, Michigan, Stati Uniti (il 1966-09-26)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 190) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 313)
registrazione di:
The Tears of a Clown (il 1966-09-26)
paroliere:
Smokey Robinson
compositore:
Henry Cosby, Smokey Robinson e Stevie Wonder
editore:
Black Bull Music, Inc., Jobete Music Ltd e Jobette Music (UK) Ltd.
Smokey Robinson & The Miracles3.92:57
14Baby Love
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
basso :
James Jamerson (il 1964-08-13)
batteria :
Richard "Pistol" Allen (il 1964-08-13)
calpestio di piedi [footstomps] :
Michael Valvano (il 1964-08-13)
chitarra :
Eddie Willis (il 1964-08-13)
pianoforte :
Earl Van Dyke (il 1964-08-13)
sassofono baritono :
Mike Terry (60s US soul arranger/conductor) (il 1964-08-13)
sassofono tenore :
Henry Cosby (il 1964-08-13)
strumenti:
The Funk Brothers (il 1964-08-13)
vibrafono :
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (il 1964-08-13)
voce di accompagnamento:
Florence Ballard (il 1964-08-13) e Mary Wilson (il 1964-08-13)
voce principale:
Diana Ross (il 1964-08-13)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1964) e UMG Recordings (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1964)
registrata presso:
Hitsville (Motown Records) in Detroit, Michigan, Stati Uniti (il 1964-08-13)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 4), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 324) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 499)
registrazione di:
Baby Love (il 1964-08-13)
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
Jobete Music (UK) Ltd. e Stone Agate Music Division
The Supremes4.452:33
15Oh Pretty Woman
produttore:
Fred Foster
armonica (a bocca) :
Charlie McCoy (white blues harmonica player, 1960s-present) (il 1964-08-01)
batteria :
Buddy Harman (Session drummer and songwriter) (il 1964-08-01)
chitarra :
Jerry Kennedy (il 1964-08-01), Wayne Moss (il 1964-08-01) e Billy Sanford (guitar) (il 1964-08-01)
chitarra a 12 corde [12 string guitar Epiphone] e voce principale:
Roy Orbison (il 1964-08-01)
contrabbasso [upright bass] :
Bob Moore (U.S. bassist and bandleader) (il 1964-08-01)
percussione :
Paul Garrison (il 1964-08-01)
pianoforte :
Floyd Cramer (il 1964-08-01)
sassofono :
Boots Randolph (il 1964-08-01)
voce:
Roy Orbison
diritti fonografici (℗) detenuti da:
Orbison Records, Orbison Records, Inc. e Monument Record Corp. (not for release label use!) (nel 1964)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 20), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 59), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 222)
registrazione di:
Oh, Pretty Woman (Roy Orbison song) (il 1964-08-01)
paroliere e compositore:
Bill Dees e Roy Orbison
editore:
Acuff-Rose Music Limited (UK), Barbara Orbison Music Company, Roy Orbison Music Company, Universal/MCA Music Ltd. (not for release label use!), Acuff-Rose Publications, Inc. (BMI) (il 1964-08-26) e Acuff-Rose (BMI) (nel 1972)
Roy Orbison4.22:59
16You Really Got Me
produttore:
Shel Talmy (nel 1964-07)
armonica (a bocca) , chitarra [rhythm guitar] , tastiera e voce principale:
Ray Davies (UK singer/songwriter, member of The Kinks) (nel 1964-07)
batteria :
Bobby Graham (UK pop/rock session drummer and producer, 1940–2009) (nel 1964-07)
chitarra :
Harry Fryer (nel 1964-07)
chitarra [lead guitar] :
Dave Davies (lead guitarist, backing (and occasional lead) singer for The Kinks) (nel 1964-07)
chitarra basso :
Pete Quaife (Kinks' bass guitarist) (nel 1964-07)
pianoforte aggiunto:
Perry Ford (English pop singer) (nel 1964-07)
diritti fonografici (℗) detenuti da:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (nel 1964)
supporto a vario titolo:
PRT Records (PRT (Precision Records & Tapes) was formerly Pye Records) (incarico: Courtesy of / c/o Celebrity Licensing, Inc.)
registrata presso:
IBC Studios in London (Greater London), England, Regno Unito (nel 1964-07)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 13), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (numero: 20), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 57), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 82), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 162) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 176)
registrazione di:
You Really Got Me (nel 1964-07)
paroliere e compositore:
Ray Davies (UK singer/songwriter, member of The Kinks)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Edward Kassner Music Co. Ltd. e Jay Boy
The Kinks4.252:13
17Get It On
tecnico:
Roy Thomas Baker (producer), Malcolm Cecil, Rik Pekkonen e Martin Rushent
produttore:
Tony Visconti
basso elettrico :
Steve Currie (dal 1971-03 al 1971-06)
batteria :
Bill Legend (dal 1971-03 al 1971-06)
chitarra elettrica e voce principale:
Marc Bolan (dal 1971-03 al 1971-06)
percussione :
Mickey Finn (musician and T. Rex member) (dal 1971-03 al 1971-06)
tastiera :
Rick Wakeman (dal 1971-03 al 1971-06)
voce di accompagnamento:
Howard Kaylan (dal 1971-03 al 1971-06) e Mark Volman (dal 1971-03 al 1971-06)
diritti fonografici (℗) detenuti da:
Essex Music International Ltd. (nel 1971), Straight Ahead Productions Ltd. (nel 1971, nel 2001) e Tarantula Productions (nel 1971)
parte di:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (numero: 22), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (numero: 41)
registrazione di:
Get It On (Bang a Gong) (dal 1971-03 al 1971-06)
paroliere e compositore:
Marc Bolan
editore:
Essex Music International, Essex Music International, Inc., Essex Musikförlaget, Essex Musikvertrieb GmbH, The Richmond Organization, TRO Essex Music International, Inc. e Westminster Music Ltd.
T. Rex4.654:24
18Make Me Smile (Come Up and See Me)
produttore:
Steve Harley e Alan Parsons (of The Alan Parsons Project)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1975)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 18)
registrazione di:
Make Me Smile (Come Up and See Me)
paroliere e compositore:
Steve Harley
editore:
EMI Music Publishing (do not use as a release label!), Finchley Music Corp., RAK Publishing Ltd. e Trigram Music Management Ltd.
Steve Harley & Cockney Rebel43:54
19Good Vibrations
tecnico di registrazione:
Bruce Botnick (dal 1966-02 al 1966-06), Chuck Britz (dal 1966-02 al 1966-06) e Larry Levine (dal 1966-02 al 1966-06)
tecnico:
Chuck Britz e Jim Lockert (Enginear)
produttore:
The Beach Boys (American rock band) e Brian Wilson (Beach Boys co‐founder)
tecnico di missaggio:
Derry FitzGerald
voce:
Mike Love (Beach Boys) (dal 1966-02 al 1966-06)
voce principale:
Mike Love (Beach Boys) (dal 1966-02 al 1966-06) e Carl Wilson (Beach Boys) (dal 1966-02 al 1966-06)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1966)
registrata presso:
Gold Star Studios in Hollywood, Los Angeles, California, Stati Uniti (dal 1966-02 al 1966-06), Sunset Sound in Hollywood, Los Angeles, California, Stati Uniti (dal 1966-02 al 1966-06) e Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (dal 1966-02 al 1966-06)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 6), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 53)
registrazione di:
Good Vibrations (Love/Wilson lyrics, common version) (dal 1966-02 al 1966-06)
paroliere:
Mike Love (Beach Boys) e Brian Wilson (Beach Boys co‐founder)
compositore:
Brian Wilson (Beach Boys co‐founder)
editore:
Irving Music, Inc., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Rondor Music (London) Ltd., Rondor Music Publishing, Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label) e Universal Music Publishing (use ONLY if no country‐specific information is available)
versione di:
Good Vibrations (Tony Asher lyrics)
The Beach Boys4.23:35
20Mr. Tambourine Man
registrata a:
Hollywood, Los Angeles, California, Stati Uniti (il 1965-01-20)
produttore:
Terry Melcher
batteria :
Michael Clarke (drummer for the 1960s rock group The Byrds) (il 1965-01-20)
chitarra :
David Crosby (il 1965-01-20)
chitarra a 12 corde :
Jim McGuinn (il 1965-01-20)
chitarra basso :
Chris Hillman (il 1965-01-20)
tamburello :
Gene Clark (US singer-songwriter; founder of The Byrds) (il 1965-01-20)
voce:
Gene Clark (US singer-songwriter; founder of The Byrds) (il 1965-01-20), David Crosby (il 1965-01-20), Chris Hillman (il 1965-01-20) e Jim McGuinn (il 1965-01-20)
diritti fonografici (℗) detenuti da:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 1965) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1965)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (numero: 10), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 79) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 230)
registrazione cover di:
Mr. Tambourine Man (il 1965-01-20)
paroliere e compositore:
Bob Dylan (dal 1964-02 al 1964-04)
editore:
Blossom Music Ltd., M. Witmark & Sons, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell (Warner/Chappell Music, Inc.) (dal 1964 al 1992) e Special Rider Music (dal 1992 a oggi)
The Byrds4.12:18
21Bridge Over Troubled Water
tecnico di registrazione:
Ted Brosnan (il 1969-11-09)
tecnico:
Roy Halee
produttore:
Arthur Garfunkel, Roy Halee e Paul Simon (of Simon & Garfunkel)
archi :
Ernie Freeman (il 1969-11-09) e Jimmie Haskell (il 1969-11-09)
batteria :
Hal Blaine (U.S. studio drummer and percussionist) (il 1969-11-09)
chitarra :
Fred Carter, Jr. (il 1969-11-09) e Paul Simon (of Simon & Garfunkel) (il 1969-11-09)
chitarra basso :
Joe Osborn (American bass guitar player, session musician and songwriter) (il 1969-11-09)
tastiera :
Larry Knechtel (il 1969-11-09)
voce:
Art Garfunkel (il 1969-11-09) e Paul Simon (of Simon & Garfunkel) (il 1969-11-09)
diritti fonografici (℗) detenuti da:
Paul Simon (of Simon & Garfunkel) (nel 1969)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1970)
parte di:
Billboard Year-End Hot 100 singles of 1970 (numero: 1), The Co-Op: Top 10 British Funeral Songs (numero: 9), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 47), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 58) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 66)
registrazione di:
Bridge Over Troubled Water (il 1969-11-09)
paroliere:
Paul Simon (of Simon & Garfunkel)
compositore:
Paul Simon (of Simon & Garfunkel) (nel 1969)
editore:
Charing Cross Music (Paul Simon’s publishing company), Pattern Music Ltd (publisher), Paul Simon Music, Universal/MCA Music Ltd. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Simon & Garfunkel4.054:51
22Wonderful World
registrata a:
New York, Stati Uniti (il 1967-08-16)
tecnico:
Eddie Brackett e Bob Simpson (US jazz engineer/producer)
produttore:
Bob Thiele (producer & songwriter)
batteria :
Grady Tate (il 1967-08-16)
chitarra :
Allen Hanlon (jazz guitarist) (il 1967-08-16), Art Ryerson (il 1967-08-16) e Willard Suyker (il 1967-08-16)
clarinetto :
Sam Marowitz (saxophonist and clarinetist) (il 1967-08-16) e Jerome Richardson (il 1967-08-16)
contrabbasso :
Russ Savakus (il 1967-08-16)
flauto :
Sam Marowitz (saxophonist and clarinetist) (il 1967-08-16), Jerome Richardson (il 1967-08-16) e Daniel Trimboli (il 1967-08-16)
percussione :
Warren Hard (il 1967-08-16)
pianoforte :
Hank Jones (piano) (il 1967-08-16)
sassofono baritono :
Raymond Stanfield (il 1967-08-16)
sassofono contralto :
Sam Marowitz (saxophonist and clarinetist) (il 1967-08-16) e Daniel Trimboli (il 1967-08-16)
sassofono tenore :
Jerome Richardson (il 1967-08-16) e Daniel Trimboli (il 1967-08-16)
tromba :
Louis Armstrong (il 1967-08-16), Clark Terry (American swing trumpeter) (il 1967-08-16) e Joe Wilder (il 1967-08-16)
trombone :
Urbie Green (il 1967-08-16) e J.J. Johnson (jazz/bop trombonist/session leader) (il 1967-08-16)
voce principale:
Louis Armstrong (il 1967-08-16)
orchestra:
Louis Armstrong's Orchestra and Chorus (il 1967-08-16)
direttore d'orchestra e maestro del coro:
Tommy Goodman (pianist, arranger for Benny Goodman and Duke Ellington) (il 1967-08-16)
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1968)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 171) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 283)
registrazione di:
What a Wonderful World (il 1967-08-16)
autore:
George Douglas (producer & songwriter) e George David Weiss
editore:
Abilene Music Inc., Carlin Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Memory Lane Music (publishing company), Quartet Music Inc., Range Road Music Inc. e Valando Music, Inc.
sub-editore:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31) e フジパシフィックミュージック (Fujipacific Music, Inc.) (dal 2015-01-01 a oggi)
parte di:
12 Monkeys Soundtrack
parte di:
Freaky Friday (2003)
Louis Armstrong3.92:17
2▼CD
#TitoloArtistaValutazioneDurata
1Every Breath You Take
registrazione di:
Every Breath You Take
paroliere e compositore:
Sting (singer, songwriter & member of The Police)
editore:
EMI Blackwood Music Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!), GM Sumner, Magnetic Publishing Ltd., Songs of Universal, Inc. (BMI), Virgin Music (Publishers) Ltd., EMI Music Publishing Japan Ltd., Sony Division (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
The Police13:56
2Nothing Compares 2 U
tecnico:
Chris Birkett
produttore:
Nellee Hooper e Sinéad O’Connor (Irish singer‐songwriter)
tecnico di missaggio:
Chris Birkett, Fachtna Ó Ceallaigh e Sinéad O’Connor (Irish singer‐songwriter)
voce:
Sinéad O’Connor (Irish singer‐songwriter)
diritti fonografici (℗) detenuti da:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1990) e Ensign Records Ltd. (company; do NOT use as release label) (nel 1990)
video musicali:
Nothing Compares 2 U (music video) di Sinéad O’Connor (Irish singer‐songwriter)
parte di:
New York Post: 100 Greatest Covers (2007) (numero: 4), AUX: 10 Cover Songs Better Than The Orignials, Paste: The 50 Greatest NON One-Hit Wonders of All Time (numero: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 87), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 162), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 184) e Indie 88: Top 500 Indie Rock Songs (numero: 413)
registrazione cover di:
Nothing Compares 2 U
paroliere e compositore:
Prince (“The Artist Formerly Known as…”)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), NPG Publishing e Warner Chappell (Warner/Chappell Music, Inc.)
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Sinéad O’Connor4.35:01
3The Drugs Don't Work
tecnico di missaggio:
Chris Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
registrazione di:
The Drugs Don’t Work
paroliere e compositore:
Richard Ashcroft
editore:
EMI Music Ltd. e EMI Music Publishing Ltd. (PRS‐affiliated)
The Verve24:46
4Millennium
tecnico di registrazione e tecnico di missaggio:
Steve Power
programmazione:
Steve McNichol e Steve Power
programmazione aggiuntiva:
Richard Flack (producer/engineer), Nick Hannan e James Brumby (UK engineer)
assistente tecnico:
Richard Hinton, Nick Kirkland e Matt Oliver (UK engineer)
tecnico aggiunto:
Stuart Epps, Richard Flack (producer/engineer), Nick Hannan, James Brumby (UK engineer) e Steve Price (UK recording engineer/producer/orchestrator/arranger)
produttore:
Guy Chambers (English songwriter and record producer) e Steve Power
batteria :
Chris Sharrock
chitarra acustica, sintetizzatore basso, chitarra elettrica e tastiera :
Guy Chambers (English songwriter and record producer)
percussione :
Andy Duncan (UK drummer and producer)
voce di accompagnamento:
Claudia Fontaine (vocals, background vocals), Gary Nuttall, Nicole Patterson e Beverley Skeete
orchestra:
The London Session Orchestra
direttore d'orchestra:
Gavyn Wright (UK violinist, conductor)
arrangiatore:
Guy Chambers (English songwriter and record producer)
orchestratore:
Nick Ingman
campionamenti:
You Only Live Twice (soundtrack version, mostly used in James Bond compilations) di Nancy Sinatra
registrazione di:
Millennium
autore:
John Barry (English score composer), Leslie Bricusse, Guy Chambers (English songwriter and record producer) e Robbie Williams
editore:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it) e EMI Music Publishing (do not use as a release label!)
si basa su:
You Only Live Twice
Robbie Williams3.54:06
5Don't Look Back in Anger
tecnico di registrazione:
Owen Morris
produttore:
Noel Gallagher e Owen Morris
batteria e percussione :
Alan White (Oasis drummer)
chitarra basso :
Paul McGuigan (Oasis)
chitarra elettrica [lead guitar] e voce principale:
Noel Gallagher
chitarra elettrica [rhythm guitar] e organo Hammond :
Paul Arthurs ("Bonehead", Oasis)
pianoforte :
Paul Arthurs ("Bonehead", Oasis) e Noel Gallagher
tamburello :
Liam Gallagher (English musician, lead singer of Oasis)
registrata presso:
Rockfield Studios in Monmouth, Monmouthshire, Wales, Regno Unito
video musicali:
Don’t Look Back in Anger di Oasis (Noel & Liam Gallagher)
parte di:
NME: Greatest “Indie” Anthems Ever: 2007 (numero: 14) e Indie 88: Top 500 Indie Rock Songs (numero: 45)
registrazione di:
Don’t Look Back in Anger
paroliere e compositore:
Noel Gallagher
Oasis4.34:49
6If You Tolerate This Your Children Will Be Next
assistente tecnico e assistente produttore:
Lee Butler (UK engineer)
tecnico, produttore e tecnico di missaggio:
Dave Eringa
assistente tecnico di missaggio:
John Bailey (engineer)
batteria :
Sean Moore (Manic Street Preachers)
chitarra a 12 corde e chitarra acustica :
James Dean Bradfield
chitarra basso [bass] :
Nicky Wire
mellotron , organo Hammond [Hammond] e piano elettrico Wurlitzer [Wurlitzer] :
Nick Nasmyth
percussione :
Andy Duncan (UK drummer and producer)
voce:
James Dean Bradfield
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1998)
registrata presso:
Rockfield Studios in Monmouth, Monmouthshire, Wales, Regno Unito
mixata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
video musicali:
If You Tolerate This Your Children Will Be Next di Manic Street Preachers
registrazione di:
If You Tolerate This Your Children Will Be Next
paroliere:
Nicky Wire
compositore:
James Dean Bradfield e Sean Moore (Manic Street Preachers)
Manic Street Preachers44:47
7Praise You
tecnico e tecnico di missaggio:
Simon Thornton (Big beat mixing engineer)
produttore:
Fatboy Slim
diritti fonografici (℗) detenuti da:
Skint Records (nel 1998)
campionamenti:
Take Yo’ Praise di Camille Yarbrough
video musicali:
Praise You di Fatboy Slim
registrazione di:
Praise You
autore:
Norman Cook e Camille Yarbrough
editore:
Maat Music Inc., Polygram Music e PolyGram Music Publishing Ltd.
si basa su:
Take Yo' Praise
Fatboy Slim4.153:48
8Firestarter
tecnico:
Neil McLellan
produttore e tecnico di missaggio:
Liam Howlett
voce:
Keith Flint (vocalist in The Prodigy)
diritti fonografici (℗) detenuti da:
XL Recordings (nel 1996)
mixata presso:
Earthbound Studios in Bradwell, Essex, England, Regno Unito
lavorazione tecnica effettuata presso:
The Strongroom in Shoreditch, Hackney, London (Greater London), England, Regno Unito
prodotta presso:
Earthbound Studios in Bradwell, Essex, England, Regno Unito
campionamenti:
Close (to the Edit) di Art of Noise e S.O.S. di The Breeders
edit di:
Firestarter di Prodigy (UK electronic group, main member Liam Howlett)
registrazione di:
Firestarter
autore:
Kim Deal, Anne Dudley (English score composer), Keith Flint (vocalist in The Prodigy), Trevor Horn, Liam Howlett, J.J. Jeczalik, Gary Langan e Paul Morley
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Music Ltd. (do not use this as a release label!), EMI/Virgin Music Publishing Ltd., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Perfect Songs (UK publisher, affiliated with BMI), Unforgettable Songs Ltd. e Zomba Music
si basa su:
S.O.S.
cita la musica di:
Close (to the Edit)
The Prodigy4.653:47
9Should I Stay or Should I Go
tecnico:
Bob Clearmountain
produttore:
Guy Stevens
tecnico di missaggio:
Glyn Johns
batteria :
Topper Headon
chitarra :
Mick Jones (The Clash/Big Audio Dynamite) e Joe Strummer
chitarra basso :
Paul Simonon
voce:
Mick Jones (The Clash/Big Audio Dynamite) e Joe Strummer
voce ospite:
Joe Ely
remixer:
Mick Jones (The Clash/Big Audio Dynamite)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1982)
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 42), Indie 88: Top 500 Indie Rock Songs (numero: 183) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 228)
registrazione di:
Should I Stay or Should I Go
autore:
Mick Jones (The Clash/Big Audio Dynamite) e Joe Strummer
editore:
Nineden Ltd. e Universal Music Publishing GmbH (Universal Music Publishing Group Germany)
The Clash4.553:07
10Going Underground
produttore:
Vic Coppersmith‐Heaven
basso :
Bruce Foxton (il 1980-01-16)
batteria :
Rick Buckler (il 1980-01-16)
chitarra :
Paul Weller (English singer-songwriter and musician) (il 1980-01-16)
voce:
Bruce Foxton (il 1980-01-16) e Paul Weller (English singer-songwriter and musician) (il 1980-01-16)
diritti fonografici (℗) detenuti da:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (nel 1980)
registrata presso:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Regno Unito (il 1980-01-16)
registrazione di:
Going Underground (il 1980-01-16)
paroliere e compositore:
Paul Weller (English singer-songwriter and musician)
editore:
BMG Music Publishing Ltd., Stylist Music Ltd. e Universal Music Publishing MGB Australia
The Jam4.252:53
11House of Fun
produttore:
Clive Langer e Alan Winstanley (English record producer)
registrazione di:
House of Fun
paroliere:
Mark Bedford, Chris Foreman (UK musician, aka “Chrissy Boy”), Graham McPherson, Carl Smyth, Lee “Kix” Thompson (Madness) e Daniel Woodgate
compositore:
Mike Barson, Mark Bedford, Chris Foreman (UK musician, aka “Chrissy Boy”), Graham McPherson, Carl Smyth e Daniel Woodgate
editore:
EMI Music Publishing Ltd. (PRS‐affiliated)
Madness3.652:49
12Come On Eileen
produttore:
Clive Langer, Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners) e Alan Winstanley (English record producer)
direzione creativa:
Clive Langer e Alan Winstanley (English record producer)
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1982) e Phonogram Ltd. (not for release label use!) (nel 1982)
registrazione di:
Come On Eileen
autore:
Kevin Adams, James Mitchell Paterson e Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) e Kevin Adams Music Ltd.
Dexys Midnight Runners4.154:04
13Don't You Want Me
assistente alla programmazione:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth) (nel 1981)
programmazione:
Martin Rushent (nel 1981)
assistente tecnico:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth)
produttore:
The Human League e Martin Rushent
sintetizzatore :
Ian Burden (nel 1981), Jo Callis (nel 1981) e Philip Oakey (nel 1981)
voce di accompagnamento:
Joanne Catherall (nel 1981) e Susan Ann Sulley (nel 1981)
voce principale:
Philip Oakey (nel 1981) e Susan Ann Sulley (nel 1981)
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only)
registrata presso:
Genetic Studios in West Berkshire, England, Regno Unito (nel 1981)
video musicali:
Don’t You Want Me di The Human League
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 1), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 79) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 82)
registrazione di:
Don’t You Want Me (Human League song) (nel 1981)
paroliere:
Philip Oakey
compositore:
Jo Callis, Philip Oakey e Philip Adrian Wright (Human League)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Human League3.853:57
14Relax
tecnico:
Stephen Lipson
produttore:
Trevor Horn
produttore aggiunto:
Stephen Lipson
batteria :
Peter Gill (UK drummer for Frankie Goes to Hollywood) (nel 1983)
chitarra :
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) (nel 1983)
chitarra basso :
Mark O’Toole (former bassist of Frankie Goes to Hollywood) (nel 1983)
percussione ospite :
Luís Jardim (nel 1983)
tastiera ospite :
Andrew Richards (Strawbs keyboard player/record producer) (nel 1983) e Anne Dudley (English score composer) (nel 1983)
voce principale:
Holly Johnson (nel 1983), Mark O’Toole (former bassist of Frankie Goes to Hollywood) (nel 1983) e Paul Rutherford (member of Frankie Goes to Hollywood) (nel 1983)
diritti fonografici (℗) detenuti da:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (nel 1983) e Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (nel 1984)
registrata presso:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Regno Unito (nel 1983)
versione karaoke di:
Epic Relax (Sandro Silva & Quintino vs. Frankie Goes to Hollywood) (extended version) di DJ Schmolli
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 10) e Paste: The 50 Greatest NON One-Hit Wonders of All Time (numero: 44)
registrazione di:
Relax (nel 1983)
paroliere:
Holly Johnson
compositore:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson e Mark O’Toole (former bassist of Frankie Goes to Hollywood)
editore:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) e SPZ Music, Inc. (BMI affiliated)
Frankie Goes to Hollywood4.053:54
15Tainted Love
tecnico:
Paul Hardiman
produttore:
Mike Thorne (UK producer & keyboardist)
tecnico di missaggio:
Harvey Goldberg
strumenti elettronici e altri strumenti :
Dave Ball (UK electronic musician, part of Soft Cell)
voce:
Marc Almond (English pop singer and songwriter)
voce di accompagnamento:
Vicious Pink
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (London) (for copyrights use only) (nel 1981)
registrata presso:
Advision Studios in Fitzrovia, Camden (Borgo londinese di Camden), Westminster, London (Greater London), England, Regno Unito
video musicali:
Tainted Love di Soft Cell (1980s English synth‐pop duo)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 5), Paste: The 50 Greatest NON One-Hit Wonders of All Time (numero: 8), New York Post: 100 Greatest Covers (2007) (numero: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 33) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 46)
registrazione cover di:
Tainted Love
paroliere e compositore:
Ed Cobb
editore:
Burlington Music Co., Ltd. e Embassy Music Corporation
sub-editore:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Soft Cell3.92:39
16Ghost Town
tecnico:
John A. Rivers
trombone :
Rico Rodriguez (Jamaican trombonist)
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1981)
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 217)
registrazione di:
Ghost Town
paroliere e compositore:
Jerry Dammers
editore:
BMG Rights Management (UK) Limited (not for release label use! see annotation)
The Specials3.93:39
17Gangsta's Paradise
produttore:
Doug Rasheed
voce:
L.V. (US R&B singer Larry Sanders, known for “Gangsta’s Paradise”)
campionamenti:
Pastime Paradise di Stevie Wonder
video musicali:
Gangsta’s Paradise di Coolio (US rapper, actor, chef & record producer) feat. L.V. (US R&B singer Larry Sanders, known for “Gangsta’s Paradise”)
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 98) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 166)
registrazione di:
Gangsta’s Paradise
autore:
Artis L. Ivey Jr. (US rapper, actor, chef & record producer), Larry James Sanders (US R&B singer Larry Sanders, known for “Gangsta’s Paradise”), Doug Rasheed e Stevie Wonder
editore:
IQ Music Ltd., Jobete Music (appears also as: Jobete Msc.) e Polygram International (renamed Universal PolyGram International Publishing, Inc. circa 1998)
si basa su:
Pastime Paradise
Coolio feat. L.V.3.954:01
18No Matter What
registrata a:
London (Greater London), England, Regno Unito e Los Angeles, California, Stati Uniti
programmazione:
Simon Franglen (English score composer)
programmazione degli strumenti:
Lee McCutcheon
assistente tecnico:
Alex Black (engineer) e Tom (assistant engineeer)
tecnico:
Simon Franglen (English score composer), Steve Rinkoff e Robin Sellars (British recording engineer)
produttore:
Andrew Lloyd Webber (English composer and impresario of musical theatre), Jim Steinman e Nigel Wright (British producer, orchestrator and songwriter)
produttore aggiunto:
Simon Franglen (English score composer) e Lupino
produttore esecutivo:
Andrew Lloyd Webber (English composer and impresario of musical theatre) e Jim Steinman
tecnico di missaggio:
Mick Guzauski e Steve Rinkoff
basso :
Angela Lupino
chitarra :
Fridrik Karlsson
chitarra acustica [acoustic guitars] e chitarra elettrica [electric guitars] :
Michael Thompson (session guitarist)
tastiera [keyboards] :
Simon Franglen (English score composer) e Nigel Wright (British producer, orchestrator and songwriter)
voce:
Keith Duffy (Member of Boyzone), Mikey Graham e Shane Lynch
voce di accompagnamento [backing vocals]:
Tracy Ackerman e Andy Caine
voce principale:
Stephen Gately e Ronan Keating
arrangiatore:
Simon Franglen (English score composer) e Lupino
diritti fonografici (℗) detenuti da:
Polydor Ireland (nel 1998)
registrata presso:
FLM Studios in Hollywood, Los Angeles, California, Stati Uniti, Metropolis Studios (London) in London (Greater London), England, Regno Unito, Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, Regno Unito e Skratch Studios in Surrey, England, Regno Unito
lavorazione tecnica effettuata presso:
Barking Dog Studios in New York, New York, Stati Uniti
video musicali:
No Matter What di Boyzone
registrazione cover di:
No Matter What
paroliere:
Jim Steinman
compositore:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
editore:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) (conclusa), Universal–Songs of PolyGram International, Inc. (conclusa), Lost Boys Music Inc. (BMI affiliated) e The Really Useful Group Limited (not for release label use!)
parte di:
Whistle Down the Wind (Andrew Lloyd Webber musical)
Boyzone24:34
19Love Is All Around
co-produttore:
Graeme Duffin
direttore d'orchestra:
Fiachra Trench
arrangiatore archi :
Fiachra Trench
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1994) e Phonogram Ltd. (London) (company name, NOT a label!) (nel 1994)
video musicali:
Love Is All Around di Wet Wet Wet
registrazione cover di:
Love Is All Around
paroliere e compositore:
Reg Presley
editore:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal–Songs of PolyGram International, Inc. e Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
Wet Wet Wet3.63:53
20Groovejet (If This Ain't Love)
tecnico:
Gabriel Covacich
co-produttore:
Cristiano Spiller (Italian DJ Cristiano Spiller, known for "Groovejet") e Boris Dlugosch
voce di accompagnamento:
Sharon Scott (UK acid jazz singer)
voce principale ospite:
Sophie Ellis‐Bextor
diritti fonografici (℗) detenuti da:
Spiller (Italian DJ Cristiano Spiller, known for "Groovejet") (dal 2000 a oggi) e Cristiano Spiller (Italian DJ Cristiano Spiller, known for "Groovejet") (nel 2000)
è stato co-produttore per:
F&G Management UK
campionamenti:
Love Is You di Carol Williams (US disco musician) e Love Is You (original mix) di Carol Williams (US disco musician)
registrazione di:
Groovejet (If This Ain’t Love)
paroliere:
Sophie Ellis‐Bextor
compositore:
Cristiano Spiller (Italian DJ Cristiano Spiller, known for "Groovejet") e Rob Davis (songwriter/producer was in Mud)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Lucky Three Music Publishing, Rondor Music e Universal Music (plain logo: “Universal Music”)
si basa su:
Love Is You
versione di:
Groovejet
Spiller33:47

Accreditamenti

Pubblicazione

ASIN:UK: B000056KOE [info]