Prima Donna

~ Uitgave van Lesley Garrett (Bekijk alle versies van deze uitgave, 1 beschikbaar)

Nummerlijst

1▼cd
#TitelWaarderingDuur
1Let The Bright Seraphim - Samson
audiotechnicus:
Mike Ross‐Trevor (engineer)
sopraanvocalen:
Lesley Garrett (soprano)
orkest:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
was dirigent:
Ivor Bolton (conductor and harpsichordist)
is een opname van:
Samson, HWV 57: Act III. Air: Let the bright seraphim (Israelite woman)
componist:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
deel van:
Samson, HWV 57: Act III
5:38
2In trutina (Carmina Burana)
audiotechnicus:
Mike Ross‐Trevor (engineer) (in 1992)
sopraanvocalen:
Lesley Garrett (soprano) (in 1992)
orkest:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1992)
was dirigent:
Ivor Bolton (conductor and harpsichordist) (in 1992)
is een opname van:
Carmina Burana: XXI. In Trutina (for winds, percussion and choruses, Mas Quiles)
componist:
Carl Orff (composer) (in 1936)
verzorgde het arrangement:
Juan Vicente Mas Quiles
deel van:
Carmina Burana (for winds, percussion and choruses, Mas Quiles)
2:09
3Obeissons quand leur voix (gavotte), Manon
audiotechnicus:
Mike Ross‐Trevor (engineer) (in 1992)
sopraanvocalen:
Lesley Garrett (soprano) (in 1992)
orkest:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1992)
was dirigent:
Ivor Bolton (conductor and harpsichordist) (in 1992)
is een opname van:
Manon: Acte III, Scène I. Gavotte “Obéissons quand leur voix appelle” (Manon, Brétigny, Chœur) (in 1992)
componist:
Jules Massenet (French Romantic composer)
librettist:
Philippe Gille en Henri Meilhac
deel van:
Manon: Acte III
2:51
4Si, mi chiamano Mimi (La boheme)
opnametechnicus:
Mike Ross‐Trevor (engineer) (in 1992)
sopraanvocalen:
Lesley Garrett (soprano) (in 1992)
orkest:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1992)
was dirigent:
Ivor Bolton (conductor and harpsichordist) (in 1992)
is een opname van:
La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì) (in 1992)
componist:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa en Luigi Illica
deel van:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
4:43
5The Laughing Song (Die Fledermaus)
audiotechnicus:
Mike Ross‐Trevor (engineer) (in 1992)
sopraanvocalen:
Lesley Garrett (soprano) (in 1992)
orkest:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1992)
was dirigent:
Ivor Bolton (conductor and harpsichordist) (in 1992)
is een opname van:
Die Fledermaus: „Mein Herr Marquis“ - Adele’s Laughing Song (English version by Lorraine Noel Finley) (in 1992)
tekstschrijver:
Lorraine Noël Finley
componist:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
vertaalde versie van:
Die Fledermaus: Akt II. Nr. 8b „Mein Herr Marquis, ein Mann wie Sie…“ (Adele, Chor) (Laughing song)
3:50
6La Delaissado - Songs Of The Auvergne
audiotechnicus:
Mike Ross‐Trevor (engineer) (in 1992)
sopraanvocalen:
Lesley Garrett (soprano) (in 1992)
orkest:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1992)
was dirigent:
Ivor Bolton (conductor and harpsichordist) (in 1992)
is een opname van:
Chants d'Auvergne: Deuxième Série: No. 4. La delaïssado (in 1992)
tekstschrijver en componist:
[traditional] ([traditioneel], special purpose artist)
verzorgde het arrangement:
Joseph Canteloube
deel van:
Chants d'Auvergne: Deuxième Série
4:39
7Malurous Qu'o Uno Fenno - Songs Of The Auvergne
audiotechnicus:
Mike Ross‐Trevor (engineer) (in 1992)
sopraanvocalen:
Lesley Garrett (soprano) (in 1992)
orkest:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1992)
was dirigent:
Ivor Bolton (conductor and harpsichordist) (in 1992)
is een opname van:
Chants d'Auvergne: Troisième Série: No. 5. Malurous qu'o uno fenno
tekstschrijver en componist:
[traditional] ([traditioneel], special purpose artist)
verzorgde het arrangement:
Joseph Canteloube
deel van:
Chants d'Auvergne: Troisième Série
1:37
8Lascia Ch'io Pianga (Rinaldo)
audiotechnicus:
Mike Ross‐Trevor (engineer) (in 1992)
sopraanvocalen:
Lesley Garret (soprano)
orkest:
The Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
was dirigent:
Ivor Bolton (conductor and harpsichordist)
is een opname van:
Rinaldo, HWV 7a: Atto II, Scene IV, no. 22. Aria “Lascia ch’io pianga mia cruda sorte” (Almirena)
componist:
George Frideric Handel (German‐British baroque composer) (in 1711)
librettist:
Giacomo Rossi
deel van:
Rinaldo, HWV 7a: Atto II
4:04
9What Good Would the Moon Be?, Street Scene
sopraanvocalen:
Lesley Garrett (soprano) (in 1992)
orkest:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1992)
was dirigent:
Ivor Bolton (conductor and harpsichordist) (in 1992)
is een opname van:
What Good Would the Moon Be? (from "Street Scene") (Fox Trot Arrangement) (in 1992)
tekstschrijver:
Langston Hughes
componist:
Kurt Weill (composer)
verzorgde het arrangement:
Paul Weirick
arrangement van:
Street Scene: Act I. No. 12 Cavatina "What good would the moon be?" (Rose Maurrant)
4:19
10Chi il bel songo di Doretta (Doretta's Dream), La Rondine
audiotechnicus:
Mike Ross‐Trevor (engineer) (in 1992)
sopraanvocalen:
Lesley Garrett (soprano) (in 1992)
orkest:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1992)
was dirigent:
Ivor Bolton (conductor and harpsichordist) (in 1992)
is een opname van:
La rondine: Atto I. “Ch’il bel sogno di Doretta” (Prunier, Magda, Lisette, Suzy, Yvette, Bianca) (in 1992)
componist:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami
deel van:
La rondine: Atto I
3:00
11The Last Rose of Summer, Martha
audiotechnicus:
Mike Ross‐Trevor (engineer) (in 1992)
sopraanvocalen:
Lesley Garrett (soprano) (in 1992)
orkest en was dirigent:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1992)
is een opname van:
The Last Rose of Summer (by Flotow, in English) (in 1992)
componist:
Friedrich von Flotow (composer)
vertaalde versie van:
Martha: Akt II. „Letzte Rose“ (The Last Rose of Summer)
4:20
12Nacqui all'affanno...Non piu mesta', La Cerentola
audiotechnicus:
Mike Ross‐Trevor (engineer) (in 1992)
sopraanvocalen:
Lesley Garrett (soprano) (in 1992)
orkest:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1992)
was dirigent:
Ivor Bolton (conductor and harpsichordist) (in 1992)
is een opname van:
La Cenerentola: Atto II, scena 3. Finale II, coro e scena “Della Fortuna instabile” … “Nacqui all’affanno” … “Non più mesta” (Coro, Cenerentola, Ramiro, Dandini, Alidoro, Clorinda, Tisbe, Magnifico) (in 1992)
componist:
Gioachino Rossini (composer)
librettist:
Jacopo Ferretti
deel van:
La Cenerentola: Atto II
6:44
13Summertime (Porgy and Bess)
producent:
Philip Thomas (producer)
sopraanvocalen:
Lesley Garrett (soprano)
orkest:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
was dirigent:
Ivor Bolton (conductor and harpsichordist)
is een opname van:
Porgy and Bess: Act III, Scene I. “Summertime” (Bess)
tekstschrijver:
Ira Gershwin en DuBose Heyward
componist:
George Gershwin (composer)
deel van:
Porgy and Bess: Act III, Scene I
2:56
14Nunc Dimittis, Magnificat
opnametechnicus:
Mike Ross‐Trevor (engineer) (op 1992-01-18)
producent:
Geoffrey Burgon (English composer)
sopraanvocalen:
Lesley Garrett (soprano) (op 1992-01-18)
orkest:
The Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (op 1992-01-18)
was dirigent:
Geoffrey Burgon (English composer) (op 1992-01-18)
concertmeester:
Hugh Bean (violinist) (op 1992-01-18)
fonografisch auteursrecht (℗):
Silva Screen Records Ltd. (not for release label use! for ©/℗ rights use only) (in 1992)
opgenomen bij:
The Hit Factory (London) in London (Greater London), England, Verenigd Koninkrijk (op 1992-01-18)
is een opname van:
Tinker, Tailor, Soldier, Spy: Nunc dimittis (for soprano, with trumpet and orchestra) (op 1992-01-18)
tekstschrijver:
[traditional] ([traditioneel], special purpose artist)
componist:
Geoffrey Burgon (English composer)
uitgever:
Chester Music Ltd.
orkestratie van:
Nunc dimittis (for voices, trumpet and organ; Burgon, 1979)
2:18
15I Want to be a Prima Donna - The Enchantress
sopraanvocalen:
Lesley Garrett (soprano) (in 1992)
orkest:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1992)
was dirigent:
Ivor Bolton (conductor and harpsichordist) (in 1992)
is een opname van:
The Enchantress: I Want to Be a Prima Donna (in 1992)
tekstschrijver:
Harry B. Smith
componist:
Victor Herbert (American composer)
deel van:
The Enchantress
3:24

Relaties

Uitgave

fotografie:John Stoddart (photographer) (in 1992)
boektekst:James Fitzpatrick (in 1992)
leidinggevend producent:Reynold da Silva (in 1992)
producent:Phillip Thomas (classical producer) (in 1992)
ASIN:UK: B000025KYR [info]